Thanks to her heartbreaking, utterly perfect performance in Hamnet earning her a Best Actress Oscar nomination, Jessie Buckley is finally getting the flowers she deserves in 2026. She’s in a fairly tough category this year, but given she’s already won the Critics’ Choice award and the Golden Globe for her role as Agnes Shakespeare, we wouldn’t bet against her bagging the big one.

Incredibly, Buckley is still a bit of an unknown entity. While well-appreciated by critics and film fans, she’s not quite a household name, or someone your average moviegoer would be totally familiar with, which is a travesty, to be honest. An impending Oscar win could change all that.

Until then, though, we’ve put together a list of the five key roles she’s blessed us with over the past few years. So, dive into her filmography with the list below, and hopefully you’ll agree with us on how much she deserves the Academy Award.

1. Beast (2018)

Aside from some TV work in the early 2010s, Buckley’s first real rise to any kind of prominence – albeit on the indie side of things – was in 2018’s Beast. It’s a fascinating little film from director Michael Pearce starring Johnny Flynn, and a great vehicle for Buckley’s talents. This was certainly the first movie I had ever seen her in, and I knew immediately that she was someone whose career I should keep a close eye on. 

The story, which sees Moll (Buckley) develop a problematic relationship with suspected serial killer Pascal (Flynn), feels almost Hitchcockian in tone, but far more raw and rough around the edges. Beast is great at lulling the audience into a false sense of security and making us root for the on-screen couple while always threatening to spill over into seedy, twisted territory. If you liked watching the dangerous dynamics evolve in films such as Drive or Enemy, you should give Beast a go.

2. Wild Rose (2019)

You might not know this, but Jessie Buckley has a phenomenal set of pipes, and she put them to great use in Wild Rose. As troubled but talented country singer Rose-Lynn Harlan, Buckley shines as she lets out her more playful side here. With a young family to raise but big ambitions to fulfil, there’s a fascinating dilemma for Rose-Lynn to solve. Regardless of which way she turns, though, this is a relentlessly charming underdog story that succeeds thanks to Buckley’s screen presence.

Just like American Honey or The Worst Person in the World, this is a movie that relies so heavily on the lead actress and the journey she takes us on. Thankfully, you can’t help but be captivated by the endless energy and authenticity of Buckley steering the ship. And as a bonus, the brilliant music is a real treat, too.

3. I’m Thinking of Ending Things (2020)

We go from the understated Beast and the unapologetically brash Wild Rose, to the downright crazy, surrealist vibes for I’m Thinking of Ending Things. Anyone who has seen the likes of Eternal Sunshine of the Spotless Mind or Being John Malkovich will be well aware of just how weird a Charlie Kaufman story can get, and this is no different.

Buckley is joined here by the equally fantastic Jesse Plemons for a road trip movie like no other. A violent snowstorm, bizarre in-laws, and a thought-provoking visit to a mysterious high school; I’m Thinking of Ending Things is a madcap adventure that will well and truly break your brain, but in a good way. Buckley delivers a reading of a poem in this film that has stuck with me ever since; it’s the foundation for one of her very best performances to date.

4. Men (2022)

I was tempted to talk about The Lost Daughter here, as Buckley actually nabbed an Oscar nomination for her supporting role in the 2021 film. However, I felt Alex Garland’s Men provides better insight into what the actress is capable of. Part folk horror, part mind-bending mystery, and part black comedy in places, Men is very much a one-woman show in which Buckley excels, showcasing her impeccable range and depth as an actress.

Harper (Buckley) is dealing with the fallout of a tragedy that destroyed her marriage and decides a country retreat will be the perfect tonic. However, when strange things start happening around her, she ventures down a rabbit hole she might not make it out of. If you love movies where all is not as it seems, like Mother! or Speak No Evil, you’ll be positively enraptured by this A24 picture. But, be warned, it’s highly divisive. When I went to a screening of this at the time, half of the audience left bemoaning the ending, while the other half (myself included) were dazzled by what Garland and Buckley cooked up.

5. Wicked Little Letters (2024)

Buckley and Olivia Colman teamed up again after The Lost Daughter to bring a more fun and lighthearted story to life here. Wicked Little Letters is a genuine laugh-out-loud comedy, with both actresses clearly having a riot putting this one together. Their chemistry and timing are tremendous, and it all feeds into what is a truly intriguing tale, too.

Much like The Favourite or Withnail & I, this is a period comedy that is not without its dark undertones, but it also has enough humorous profanity, slapstick moments, and smiling faces to make it a delightfully warm watch. I watched this with my fiancée, and she loved it, probably more so than I did, which is saying something. If you enjoyed what Buckley did in Hamnet but can’t bear something so bleak (and who could blame you?), this is the ideal tonic.

When you think of Star Wars, you probably picture blue and red lightsabers, cool cloaks, very fast spaceships and Stormtroopers being absolutely useless with their blasters. But away from the Jedi and the Sith and the endless struggle for peace in the galaxy, there is another common theme in these iconic movies.

They may be lurking in the background, not doing much. They may be brief supporting characters who make a relatively big impact. Or, in the case of Grogu, they may absolutely steal the show. Yes, we’re talking about cute ‘baby’ alien creatures.

We’ll see a whole lot of the adorable green fella in The Mandalorian and Grogu later this year. But based on the latest trailer for the upcoming spinoff movie, it seems another mini version of a classic character could be about to steal our hearts – for better or worse.

The Mandalorian and Grogu Features ‘Baby Greedo’

Not only did that new trailer finally give us hope that The Mandalorian and Grogu might actually be a good movie, but it also gave us a glimpse of a character fans have dubbed ‘Baby Greedo’. 

Wrapped up in a blanket and sitting in one of those handy floating baskets, this delightfully tiny dude is a blink-and-you ’ll-miss-it tease in the trailer. Indeed, we might not learn much more about him in the actual film. Likely, we’ll just have to call him Baby Greedo forever, even though, like Baby Yoda, he probably has a real name.

Regardless, he’s yet another example of the obsession the Star Wars franchise, especially in the Disney era, has with making audiences coo over precious, pint-sized life forms. Aside from merchandising opportunities, what can we glean from this, and is there a risk of baby saturation?

Disney Has Upped the Cute Critters in Star Wars

During the Disney era, The Last Jedi introduced us to the bird-like creatures, Porgs. They may have made a bit of an annoying noise, but their expressive eyes and quirky behaviour captured our hearts – they even managed to turn Chewbacca into a herbivore, which is no mean feat.

Then, in The Rise of Skywalker, Babu Frik was the life and soul of the party. His chaos and enthusiasm, plus his trademark hooting and hollering, made him an instant hit. Even those who were frustrated with the film itself (me) couldn’t deny that this good little droidsmith was worth the ticket admission alone.

However, it is of course Baby Yoda (or Grogu, if we really have to call him by his official name), who helped Disney strike gold. Even the designers and execs who created him had no idea how popular Grogu would be, leaving a dearth of merchandise that should have been readily available when the show first aired. There’s no doubt that The Mandalorian wouldn’t have been anywhere near as successful without him.

Too Much Nostalgia Baby-Bait Will End Up Pushing Fans Away

Of course, this is not exactly a new trend. Long before Disney bought Lucasfilm and the Star Wars IP, we were gifted some of the most lovable furry friends we could have asked for in Return of the Jedi. Yes, the Ewoks.

However, at the time, audiences were pretty negative about the natives of Endor. Fans insisted they were too cute, and merely a commercialised ploy that undermined the gravity of the fight against the Empire.

In a way, they were absolutely right. I love the Ewoks, and I don’t think there’s anything wrong with inserting a token teddy bear or baby-faced extraterrestrial into the story. But they have to serve a purpose.

I’d say Disney got very lucky with Grogu. The fact that he’s a miniature version of the already diminutive Yoda obviously helped raise his appeal, but he’s a genuinely interesting, fun character in his own right. Whether he’s doing Force tricks or munching on smaller aliens, Grogu is endearing and entertaining, and he’s the driving force behind the story he’s involved in.

What audiences won’t put up with – at least not if it keeps happening – is Disney creating these baby versions of existing characters just for the sake of it. We don’t want to watch films or TV shows, and just do the Leonardo DiCaprio pointing meme at the things we recognise. Nostalgia-bait rarely works long-term. It just leaves a product feeling hollow and unoriginal, and that is never something we want to say about Star Wars.

Baby Greedo, you get a pass for now… but you better do something useful soon!

Wherever you land on “Wuthering Heights”, the current box office dominance of Emerald Fennell’s latest movie is reminding the world that sex not only sells, but that people are still more than willing to sit in a room full of strangers to watch it. When it comes to tastefully directed smut, we are all, as it turns out, still degenerates—and we know it.

If you need further proof of this, it’s worth reading some of the more disappointed critics of Fennell’s movie—some of whom were apparently quite let down that it failed to deliver on the suggestive promises of its trailer. If you happen to share that opinion, or are simply thirsty for more, the following list offers a selection of some of the hottest and heaviest movies of the last ten years—ranked in no particular order and all primed for your viewing (dis)pleasure. 

Read on to discover more and use the guide below to find out where to stream them on AppleTV, Netflix, Prime Video and elsewhere. 

1. A Bigger Splash (2017)

In all honesty, we could have put almost all of the seven movies Luca Guadagnino has directed in the last ten years on this list (Call Me By Your Name and Challengers in particular). However, there’s just something so fun and joyful about the sensualism of A Bigger Splash.

Set on a sun-kissed Italian island, the film stars a rarely better Ralph Fiennes alongside Tilda Swinton, Dakota Johnson and the extremely beefy Matthias Schoenaerts. Indeed, this is the kind of movie where someone gets murdered along the way, and it only adds to the tension. 

2. All of Us Strangers (2023)

Andrew Haigh’s All of Us Strangers is a devastating film about what it might be like to visit the ghosts of one’s long-dead parents, but it’s also a film that oozes sexual chemistry between its two central characters—who are played by Andrew Scott (Fleabag) and Paul Mescal (Hamnet).

This was Haigh’s third jagged love story after Weekend and 45 Years, but it was also his most explicit to date and, with respect to Tom Courtenay and Charlotte Rampling, his hottest. 

3. The Handmaiden (2016)

“Wuthering Heights” fans who enjoyed that film’s kinkier moments will likely have a whale (or perhaps some other sea creature) of a time with the many sexual transgressions in Park Chan-wook’s 2016 masterpiece, The Handmaiden.

The film is based on Sarah Waters’ Victorian-era set novel, Fingersmith, but Park adapted the story to 1930s Korea, when the country was still a Japanese colony. Get ready for uneasy power dynamics and various slippery things in a gothic world reminiscent of Guillermo del Toro.

4. Benedetta (2021)

On another day, we might have included Paul Verhoeven’s Elle here, but in the interest of safety, let’s go for his 2021 follow-up, Benedetta, instead. This film is set in a 17th-century Italian convert and stars Virginie Efira as a nun with some new ideas of how best to praise her lord and saviour.

Nobody did horny and provocative quite like the Dutch icon in the 1990s (think movies like Showgirls and Basic Instinct). With Benedetta, Verhoeven basically showed everyone that he still had it. 

5. Red Rocket (2021)

With movies like Starlet and Anora, Sean Baker has basically made his name as an auteur of sex workers’ stories. Perhaps unsurprisingly, the frankness in his work about that profession has meant that his films are rarely the kind of things you would describe as “horny”—that is, aside from his 2021 film Red Rocket.

Starring Simon Rex, this is a film about a washed-up porn star who returns to his hometown in Texas and starts dreaming up ways to relaunch his career. 

6. Love Lies Bleeding (2024)

Love Lies Bleeding is a queer love story with a B-movie sensibility—the kind of A24 production that mashes together a lot of things that make people happy. We’re talking ‘80s music, Kristen Stewart, bullies getting beaten up, lots of lust and desire, and so forth and so on.

It’s a story about an introverted gym manager (Stewart) who falls for an ambitious bodybuilder (Katy O’Brien). It’s fun, gross and sexy and has a batshit finale. What’s not to like?

7. Passages (2023)

It shouldn’t be surprising that most of this list could be described as queer cinema. As mainstream rom-coms have mostly disappeared or at least lost their confidence, LGBTQ+ filmmakers have continued to push the boundaries of the genre on the film festival and arthouse scene. 

One of the best in recent years was Ira Sachs’s Passages, a movie set in Paris about a self-centred, bisexual movie director (Franz Ragowski) who ends up in a love triangle with his long-term partner (Ben Whishaw) and a young actress (Adele Exarchopolis).

8. X (2022)

Moving to another genre entirely, Ty West’s X trilogy is probably what it might look like if Sean Baker and John Carpenter (Halloween) decided to direct a few horror movies together. Personally, I think Pearl (the second part) is the best of the three, but the series originator, X, feels like the most appropriate for this list. 

The film follows a ragtag crew of porn filmmakers (the cast features Mia Goth and Jenna Ortega) who check into a remote accommodation to film a dirty movie. Naturally, it does not go to plan. 

9. God’s Own Country (2017)

After All of Us Strangers, the second modern queer classic of British cinema to make this list is Francis Lee’s God’s Own Country. Released in 2017, this is essentially the film that introduced Josh O’Connor to the world—and if you liked the actor in recent movies like Challengers and The History of Sound, I highly recommend giving it a watch.

It’s the story of a Yorkshire sheep farmer who starts to have an affair with a Romanian colleague. Be prepared for lots of rolling in the mud. 

10. Love (2015)

Similar to Verhoeven, Gaspar Noé has spent much of his career making movies that became famous (and infamous) for their explicit and sexual content. And similar to Guadagnino, we could have put a number of his films on this list—I was particularly tempted to go for Climax in this spot, but it just felt a little too on the nose.

We will instead punt for his 2015 movie Love—a project that caught a lot of people’s attention when it was billed as Noé’s three-hour sex film. In the end, it was actually one of the director's most sentimental movies, but it is still way hornier than almost anything else out there.

While America’s Next Top Model was iconic, it was certainly a product of its time. Back when the first season aired in 2003, the fashion industry had a very particular idea of beauty — namely, tall, white and blonde.

Undoubtedly, with supermodel Tyra Banks’ commitment to more diverse casting (at least, to an extent), America’s Next Top Model revolutionised the industry. Yet, as these girls soon learned, the world of fashion and modelling can be cutthroat. But they also learned a second, much more important lesson: nothing compares to the brutality of reality TV.

Put the two together, and you have the recipe for success. But also, disaster. Reality TV was essentially a free-for-all in its infancy. The idea of aftercare, boundaries, and on-set safety was almost unheard of. Netflix’s new documentary series, Reality Check: Inside America’s Next Top Model, examines the implications of this, and needless to say, there are plenty of jaw-dropping moments.

Here, we’ve rounded up some of the most shocking, and let me warn you — you might want to sit down for this one. And those who are especially sensitive to discussions of depictions of sexual assault, gun violence, racism, eating disorders, addiction, fatphobia, and homophobia should proceed with caution.

1. The Controversial Photoshoots, From Race-Swapping to Dead Bodies 

One of the most problematic aspects of America’s Next Top Model was the photoshoots. Just when you think they surely can’t get any worse, they do. A lot. In one photoshoot, they depicted models ‘glamorously’ suffering from bulimia and drug addiction. In another, they styled a model to appear as if she were shot in the head — a model whose mother was previously shot and paralysed, no less. 

They also had the models pose with unhoused people in an ill-guided attempt at raising awareness, but the most egregious is arguably the “race swap” photoshoots, which included putting white contestants in black and brown face. This happened not once, but twice. 

2. The Shandi Sullivan Incident

The most disturbing incident highlighted in the docuseries happened in Cycle 2, when the contestants were sent to Milan. They were introduced to local Vespa drivers, who were later invited to have dinner with the girls at their accommodation. During the evening, contestant Shandi Sullivan, who was 21 at the time, recalled how she got progressively drunk before blacking out. “I just knew sex was happening, and then I passed out,” she recounted. 

This event was presented on the show as Sullivan “cheating” on her boyfriend, with Banks even having an on-camera conversation about infidelity with the contestants in the days following the incident. Moreover, when a visibly distressed Shandi told her boyfriend about what happened (he called her a “b***h”), it was all documented for the show. When asked about how production handled the event during the documentary episode, Banks simply said it was something she couldn’t speak on because production wasn’t her “territory.”

3. Sexual Harassment — and the Show’s Mismanagement of It

The incident with Shandi wasn’t the only example of alleged sexual misconduct on the show. In Cycle 4, contestant Keenyah Hill alleged that, during a photoshoot, one of the male models kept “flirting” with her and touching her inappropriately. 

While she asked to stop the photoshoot to voice her discomfort, she noted how people seemed irked by this decision. Banks later told Hill to use her “feminine wiles” to establish boundaries. During that documentary episode, the supermodel said she did “the best [she] could at the time,” but acknowledged that perhaps this wasn’t enough.

4. ANTM’s Rampant Fat-Shaming

During the docuseries, Hill says she was also targeted on the reality show due to her weight. She claimed that some scenes, such as her eating a bagel, were edited to make it look like she ate more than she did, while, in another scene, a fellow contestant commented about her eating habits. 

Being cast as ‘Gluttony’ in one photoshoot about the Seven Deadly Sins and as an elephant in the other only added to the pressure. Banks herself also told Hill that they had to edit her stomach post-photoshoot, and advised her to make better “choices.”

5. Tyra Banks’ Legendary Meltdown: ‘I Was Rooting For You!’

This moment on America’s Next Top Model has been heavily memed — but the story behind it is a lot sadder than you might think. Also in Cycle 4, contestant Tiffany Richardson returned for a second attempt at the show. She had previously scuppered her chances on the series after being involved in a fight during a night out. 

Things were going well for Richardson up until a teleprompter task, where she gave up halfway through because, as she said at the time, she didn’t want to humiliate herself. This ultimately led to Richardson being sent home, with Banks launching a furious tirade against her after feeling as if she wasn’t upset enough about being eliminated. This argument allegedly escalated to Tyra having to be escorted off set, with the intensity of the conflict having to be edited. 

The sad part is that producers had been working with Richardson on anger management and coaching her to re-audition between Cycles 3 and 4, which makes this ending feel even more brutal. 

6. Outing Gay Contestant Ebony Haith

In 2003, queerness still wasn’t as accepted as it is now. Still, with openly gay judges like Miss J Alexander and Jay Manuel, America’s Next Top Model could be seen as being ahead of its time. Sadly, this wasn’t always the case. 

In the very beginning, during Cycle 1 of the show, contestant Ebony Haith recounted how, during the audition, Banks outright said: “We see that you’re gay.” For Haith, this was “how the world found out” about her sexuality — and it didn’t seem as if she had much choice in the matter. In addition to this, the TV show included scenes where another contestant expressed discomfort over Haith’s partner visiting. 

Haith, who is Black, also claims that she was targeted for having “ashy” skin and that stylists made jokes about her hair texture during the ‘makeover’ segment.

7. Forcing Contestants to Have Unnecessary Dental Work

It didn’t take long for the makeovers to go beyond hair and makeup, as production started dabbling with cosmetic procedures. In Cycle 6, Dani Evans and Joanie Dodds were both offered dental work as part of their makeovers for a tooth gap and a snaggle tooth, respectively. While Evans initially turned down this offer, she was later told that if she didn’t accept it, she would go home. After much deliberation, this led to her having the procedure to close the gap. Yet, a few seasons later, another contestant ended up having their tooth gap enhanced — which, to say the least, was more than a little ironic.

Dodds also went ahead with the cosmetic procedure, which involved removing multiple teeth and filing some down. However, she admitted that she still has dental issues from the dental work to this day.

8. The Mistreatment of ANTM’s Original Judges

As the docuseries went on, it became apparent that even the judges weren’t immune from mistreatment. After becoming increasingly uncomfortable with the series, Manuel decided to step down. When he emailed Banks about it, he was met with silence for three days before she replied, simply saying, “I am disappointed.” While he ended up staying on the show, his previously close relationship with Banks changed forever, as she didn’t speak to him at all off-camera. Manuel likened the experience to “psychological torture.”

Later, in 2012, Manuel, along with Alexander and fellow judge Nigel Barker, was abruptly fired from America’s Next Top Model to give the show a facelift following declining ratings. While it was initially agreed that there would be a joint press release announcing the departures, the exits were later leaked to Page Six — and in the docuseries, Manuel made it clear that he felt the “leak” was deliberate.

As for Alexander, the runway coach, who had coached Banks since she was 17, suffered a stroke in 2022. The stroke left him in a coma for five days, and while he has relearned to talk, he is still relearning how to walk. While Barker and Manuel visited him after the health crisis, the TV personality admitted during the docuseries that Banks had yet to visit him — although she did send him a text saying she intended to. 

We’ve had to wait since 2022, but The Batman Part II is finally taking shape. There’s still over a year to go until the Matt Reeves superhero sequel hits the big screen, but casting updates are whetting our appetite until then.

Obviously, Robert Pattinson will be back as the main man, and some familiar faces from the epic first movie will be joining him. However, a couple of Marvel regulars are crossing the superhero divide to crash the party at DC, and we couldn’t be happier.

The addition of Sebastian Stan and Scarlett Johansson is especially intriguing, largely because they’re expected to play Harvey Dent and his fiancée, Gilda. We won’t spoil things for anyone who doesn’t follow Batman comic book lore, but the fact that Gilda is involved is especially tantalising.

As well as that pairing, there are plenty more big names in the cast of The Batman Part II. If you’re wondering who they are and where you know them from, we’ve got you covered.

Robert Pattinson (Bruce Wayne/Batman)

Pattinson will take centre stage once more as both Bruce Wayne and his titular vigilante alter ego, protecting the streets of Gotham. The actor did a brilliant job in The Batman, bringing a great balance of complex, angsty vibes to Bruce while also showing his brutal side as the Caped Crusader. For my money, this is one of the very best portrayals of Batman to date, and hopefully, he can take it to the next level with the follow-up in 2027.

We’re sure that most of you have seen your fair share of Robert Pattinson movies. From the more esoteric and quirky projects like The Lighthouse (my personal favourite of his) and High Life, to the more commercial things like Twilight and Harry Potter and the Goblet of Fire, Pattinson is obviously a very versatile actor. If you want to see him letting his dark side out, I highly recommend Good Time, a neon-soaked, chaotic thriller and the breakout release from the Safdie brothers. For something a little lighter, you could try Mickey 17; the Bong Joon-ho sci-fi movie is full of fun moments, subtle comedy, and big action sequences.

Colin Farrell (Oz Cobb/The Penguin)

While the Riddler was the big bad of The Batman, we also got to meet Oz Cobb, aka the Penguin. Colin Farrell completely transformed himself for the role of the grimy Gotham villain. By the end of that film, Cobb becomes the crime boss of the city, and we learned a lot more about him in his own, rather brilliant, TV show.

Farrell has enjoyed a real renaissance in recent years. Long gone are the days when he’s involved in schlocky thrillers like Phone Booth and the Total Recall remake; now, Farrell is better known for his sharp comedy, working with Martin McDonagh on films like In Bruges and The Banshees of Inisherin, and he’s also pushed the envelope in unusual, surrealist projects like The Lobster and After Yang.

Sebastian Stan (Possibly Harvey Dent/Two-Face)

DC had tongues wagging when it cast Sebastian Stan in The Batman Part II. If reports and rumours are to be believed, he will be taking on the role of lawyer Harvey Dent. If true, it’s absolutely perfect casting: He’s got the looks, charisma, and gravitas to carry the more serious side of the character, while we know from his past work that he’s got the depth to delve into the darker, more deranged side of Dent’s alter-ego, Two-Face.

You only have to look at his work in films like Fresh and A Different Man to see that he can embrace more peculiar performances, while The Apprentice, Dumb Money, and the excellent I, Tonya exhibit Stan’s penchant for getting a little sleazier. Obviously, Stan is no stranger to the superhero world, either. He’s played Bucky Barnes for more than a decade now, appearing in six Marvel movies and even having his own TV show alongside Anthony Mackie’s Falcon.

Scarlett Johansson (Possibly Gilda Gold/Dent)

Also leaving Marvel behind is Scarlett Johansson. It figures, as her time as Natasha Romanoff came to a tragic end in Avengers: Endgame. She’s been busy since exiting the MCU, working on two Wes Anderson movies – Asteroid City and The Phoenician Scheme – as well as leading Jurassic World: Rebirth and lending her voice to the superb Transformers One. I highly recommend the latter if you’ve got kids to entertain, but if you’re after something more serious and profound, you can’t go wrong with her earlier work, like Lost in Translation or Her.

We can’t wait to see Johansson take on the rumoured role of Gilda Gold (later Dent). It’ll allow her to go to some pretty disturbing places if Reeves is to take any inspiration from The Long Halloween storyline from the comic books, as most expect he will. We also know Johansson and Sebastian Stan have great chemistry from their time in the MCU, so that’ll be a treat in itself.

Andy Serkis (Alfred Pennyworth)

You can’t have Bruce Wayne without his loyal butler and guardian, Alfred. Andy Serkis added a gritty, more macho vibe to the character compared to what we saw from past iterations played by Jeremy Irons and Michael Caine, and he’s likely to bring that same energy to The Batman Part II as Bruce digs deeper into the corruption at the heart of Gotham City.

While he’s a great on-screen actor, most notably in his short but spectacular spell in Andor, Serkis is a real pioneer of voice work and motion-capture roles. He did incredible things to bring Gollum to life in The Lord of the Rings movies, before going on to deliver a stunning, emotional performance as Caesar in the most recent reboot of the Planet of the Apes movies, where he first worked with Reeves. Like Stan and Johannson, you can also catch Serkis in the MCU as Ulysses Klaue, in Star Wars: The Last Jedi as Supreme Leader Snoke, and he even tried his hand at directing for Mowgli: Legend of the Jungle.

Jeffrey Wright (Commissioner Gordon)

Just like Alfred, Bruce Wayne also relies heavily on his relationship with Jim Gordon, and Jeffrey Wright made sure the Dark Knight had a composed and competent partner to aid him in bringing down the Riddler. He was still a lieutenant when we saw him last, but as we know from countless Batman stories in the past, Gordon will eventually work his way up in the GCPD to become Commissioner and have an even bigger role to play in cleaning up the streets of Gotham.

Wright, like Johansson, has worked with Wes Anderson a lot recently, appearing in Asteroid City and also having a key role in The French Dispatch. In addition, he was up for the Oscar for Best Actor for his part in the satirical comedy American Fiction, but his only other bona fide leading role came in Hold the Dark. Wright is more often used as a supporting actor, and he’s damn good at it, too. He’s fantastic in Bond movies Casino Royale and No Time to Die, features in The Hunger Games franchise, and does some fine work in the TV show Westworld.

Barry Keoghan (The Joker)

Rounding out the cast for The Batman Part II, for now at least, is Barry Keoghan. He popped up in the final moments of the first movie, hidden in Arkham Asylum as the laughing lunatic, the Joker. You might be thinking we’ve seen enough versions of the iconic villain to last a lifetime, but he’s reportedly going to have a part to play in the next movie, and we have to admit that it’s an exciting prospect.

Keoghan has enjoyed a meteoric rise over the last eight years or so. He had an especially bumper year in 2017, stealing the show in Yorgos Lanthimos’ eerie The Killing of a Sacred Deer and taking a supporting role in Christopher Nolan’s epic war movie, Dunkirk. His career exploded from there on out, with key roles in movies like Calm With Horses, Eternals, Saltburn, and The Banshees of Inisherin. He’s an actor who clearly relishes unleashing his outlandish, oddball side, but if you want to see him do something slightly more inside the box, you should give American Animals a watch, a crime story that’s fun, slick and super accessible.

Writing a list of great films that got nominated for the Golden Raspberry for “Worst Movie” of the year is about as easy as writing a list of awful films to be nominated for Best Picture at the Oscars—which is to say, there’s really no shortage of them to choose from. 

The so-called ‘Razzies’ were first awarded at a casual dinner held by Hollywood publicist John B.Wilson in 1980, but quickly got a reputation for their tongue-in-cheek, anti-garlanding of the year’s most outlandish, hammy or financially catastrophic movies—three things that, of course, don’t always detract from a film’s quality.

In fact, in our current age of quickfire reassessment, those things are increasingly seen as badges of honour—one person’s cringey mess is another person’s camp classic, after all. So, with that in mind, here are 10 perfectly good movies (a few are only decent, but most are great!) that have been nominated for “Worst Movie” at the Razzies in the last 45 years. Read on to discover more and use the guide below to find them on services like AppleTV, Netflix, Prime Video and elsewhere.  

1. Cruising (1980)

We’ll start things off with the very first year of the awards, when Stanley Donen’s cult sci-fi Saturn 3 was nominated along with the first Friday the 13th movie, and Cruising, a frankly legendary work from the great William Friedkin—and an early sign of what would soon become a puritanical trend in the anti-awards body’s annual selection process.

When Friedkin, who directed movies like The Exorcist and Sorcerer (and if you like them, be sure to give this a try), passed away in 2023, Cruising (in which Al Pacino goes undercover in the underground S&M scene in New York) seemed to be the film that most people were talking about—a provocative gem that was years ahead of its time. 

2. Heaven’s Gate (1981)

When I saw Isabel Huppert give a masterclass at a film festival recently, the great French actress candidly admitted that the treatment Michael Cimino received for Heaven’s Gate broke his heart. The film is infamous for having effectively bankrupted United Artists (an independent studio known for more daring releases like One Flew Over the Cuckoo’s Nest and In the Heat of the Night), but the film’s reputation these days is probably just as lofty among cinephiles as that of Cimino’s more celebrated earlier work, The Deer Hunter.

Set in Wyoming, Heaven’s Gate is a stunning modern Western that fans of sweeping films like Days of Heaven and Dances With Wolves will lap up. 

3. Ishtar (1987)

Another in the trend of Golden Raspberry nominees that were damned for biting off more than they could chew was Elaine May’s Ishtar. This one is particularly problematic, as May was one of the only female filmmakers working in Hollywood at the time, and the treatment the Mikey and Nicky director received basically derailed her career, denying us all a lot of great films as a result. She did write the scripts for The Birdcage and Primary Colours (and if you’re a fan of those films, you might want to give this one a shot) in the ‘90s, but tragically hasn’t directed another movie since. 

This probably happened because viewers at the time didn’t know what to make of the tonally jarring comedy, in which two American songwriters travel to Morocco and get embroiled in a Cold War standoff. It has, naturally, found an audience in more recent years and May has even got back in the director’s chair for the first time since with the upcoming Crackpot—though at 93 years of age, we can only hope that she can finish it on time.

4. Cocktail (1988) 

Four entries into our list and we get to the first of a few actual winners of “Worst Movie” at the Razzies: the perfectly enjoyable Tom Cruise vehicle Cocktail from 1988, in which the actor (hot on the heels of Top Gun and The Colour of Money) played a cocky business student who takes up bartending to pay the bills.

Upon release, the film was hacked to pieces by critics but made a killing at the box office. It has, in its own way, also stood the test of time. If you like young Cruise, you’ll probably love it. 

5. Indecent Proposal (1993) 

Our next entrant is another proud winner of “Worst Movie” from the Razzies: the Robert Redford/Demi Moore erotic thriller Indecent Proposal. This is the one where a wealthy man (Redford) offers a married couple $1 million in return for one night with the wife (Moore). 

Granted, for obvious reasons, this setup has not aged the best—not least for the fact that the man is played by Robert Redford, an actor so famously handsome that Mike Nichols refused to hire him for The Graduate after confirming he had never “struck out” with a woman, but also an actor whose benevolent screen persona made it hard to process him doing something quite so nefarious. 

The film was, however, directed by Adrian Lyne (Deep Water), who is basically to ‘sexy affairs’ what Kurosawa is to samurai or Martin Scorsese is to gangster movies. So, if erotic thrillers are your bag, you’ll probably vibe with it. 

6. Showgirls (1995) 

The third winner to make our list might be the most famous Razzie win of them all, at least partially because Paul Verhoeven (always a man with an eye for marketing his own brand) decided to treat it as a badge of honour by showing up to collect the award, the first of a few people to do so over the years.

Showgirls is the Dutch legend’s famously raunchy, weirdly acted, insanely expensive but totally singular follow-up to Basic Instinct—and if you like that movie, and erotic thrillers in general, you’ll probably get a kick out of it. 

7. Armageddon (1988) 

1998 turned out to be a banner year for weird decisions at the Razzies, with several popular movies making the cut in the “Worst Movie” category. Alongside Michael Bay’s entertainingly ridiculous and ridiculously entertaining Armageddon were the perfectly fun Spice World and Roland Emmerich’s silly but definitely not awful Godzilla movie.

It goes to show how much hindsight can do for a movie’s reputation. I’m sure most filmgoers reading this would probably die to see a summer containing those three movies right now. 

8. The Blair Witch Project (1999) 

Reading over 45 years of Razzie nominees, none surprised me as much as The Blair Witch Project, a daring, scary, original, formally inventive, wildly influential and phenomenally successful horror movie that many today (and even at the time) would agree is a modern classic of the genre—and a must-watch if you’re a fan of footage horror like Paranormal Activity.

The winner that year was the admittedly terrible Wild Wild West, but the inclusion of Adam Sandler’s enduring comedy Big Daddy and Star Wars: Episode 1 suggests the selection committee, much like the previous year, was especially off the mark. 

9. White Chicks (2004)

Take even a cursory glance over the awards body’s history, and you’ll notice a few obvious trends. One is an apparent hatred for Sylvester Stallone, who has 12 nominations as well as a win for “Worst Actor of the Century” in 2000. Another trend is their (admittedly more understandable) distaste for modern spoof movies, mostly from the Marlon Wayans school of spoofery, though none of the ones that the Wayans wrote—like Don’t Be a Menace or anything from the Scary Movie franchise—were ever nominated.

What did make the cut is the Wayans bros.’ White Chicks, a comedy that not only survived its critical mauling at the time and made a bunch of money, but it has, in more recent years, been reappraised as a sharp work of social satire. It’s also a blast.

10. Batman v Superman: Dawn of Justice (2016)

If this list looks a little pre-2010 heavy, there are a couple of reasons for that. Firstly, even these days, it still takes time for a film to be reappraised. The other is the simple fact that Hollywood became an industry of franchises around that time, which meant less interesting choices from the Razzies selection committee—take a look from 2010 on, and it’s basically a selection of whatever Twilight or Transformers movie happened to be released that year.

What you don’t see a whole lot of are superhero movies, aside from the glaringly obvious Fantastic Four fiasco. The committee did, however, nominate Zack Snyder’s Batman v Superman: Dawn of Justice in 2016, a doom metal spectacle that, whatever you might make of it, is certainly the work of a singular artist. The “Martha” thing is still inexcusable, but it’s a deathly sincere movie that I’d recommend going back to to give another watch.

The Disney era of Star Wars has had its ups and downs. From the epic Andor and the bold The Last Jedi, to the messy culmination of the Skywalker Saga with The Rise of Skywalker, The House of Mouse has certainly made its mark on a galaxy far, far away.

Love it or hate it, that’s largely down to Kathleen Kennedy. As president of Lucasfilm, Kennedy oversaw the production of the sequel film trilogy, spinoff Star Wars movies, and a batch of Disney+ shows.

It will be fascinating to see what comes next now Kennedy has stepped down, with Dave Filoni taking her place. But her legacy will live on in the Star Wars projects she greenlit before she moved aside.

1. Star Wars: Maul – Shadow Lord

The upcoming Star Wars slate might just peak in April when Star Wars: Maul - Shadow Lord hits the small screen. This ten-part animated series will give fresh insight into Darth Maul’s life as an underground crime lord in the wake of the Clone Wars. Not only does the story look exciting and action-packed, but the animation style is a sublime mix of the old Autodesk Maya techniques Lucasfilm used in the past and fresh, brushstroke-heavy methods that have become popular today thanks to Spider-Man: Into the Spider-Verse.

Maul is one of the most intriguing villains the galaxy has ever seen, and the fact that his story is continuing decades after being sliced in half in Star Wars: The Phantom Menace is definitive proof that he’s simply too badass to let death keep him down.

2. The Mandalorian & Grogu

The Star Wars fandom is torn on this one. On the one hand, The Mandalorian & Grogu is another chance to see two great characters and it will give them their time to shine on the big screen. However, given the way the last season of The Mandalorian played out and the fact the show pushed hard into nostalgia and Easter eggs, a lot of fans are growing tired of what they perceive to be a cynical cash grab.

The film drops in theatres on 22 May, and while little is known about the actual story, we do know it’ll be another grand adventure for the dynamic duo. Hopefully, optimism around the project increases as more is revealed. At least we know Jon Favreau is usually a director we can trust.

3. Star Wars: Visions Presents - The Ninth Jedi

We don’t have a release date for Star Wars: Visions Presents - The Ninth Jedi just yet, but we do know it’s arriving at some point in 2026. It’s a very exciting project, too, especially for anyone who’s been watching and enjoying Star Wars: Visions so far. This is a spin-off series based on the fifth episode of the first season of that show, aptly titled The Ninth Jedi.

This series will pick up the story of Kara, the daughter of a lightsaber-smith searching for her father while avoiding the most malignant forces in the galaxy. Japanese writer-director Kenji Kamiyama will be back at the helm, and if you’re into anime like Spy x Family or Princess Mononoke, you’ll love what Star Wars cooks up here.

4. Star Wars: Starfighter

Next year, we will see Ryan Gosling in a Star Wars movie, which feels bizarre to say, but also very exciting. Star Wars: Starfighter is due for release on 28 May, 2027 and is directed by Shawn Levy, who you’ll know from his work on Stranger Things and Deadpool & Wolverine. Gosling will also be joined by a star-studded supporting cast, including Mia Goth, Amy Adams, Aaron Pierre, and Matt Smith.

There’s no trailer for Star Wars: Starfighter yet, but we have seen a few behind-the-scenes shots. From these and with the synopsis in mind, it sounds like Gosling will be a pilot who picks up a stray on his latest mission to rebuild the galaxy. Think big adventure vibes, like in Skeleton Crew, but with bigger stakes. There are also no legacy characters showing up here, which means we’ll get a totally fresh and original story without the burden of ties to the wider franchise.

5. Ahsoka, Season 2

One of Dave Filoni’s greatest contributions to the Star Wars franchise is the creation of Ahsoka Tano. She first appeared in The Clone Wars series back in 2008 and has become one of the most popular Star Wars characters in the years since. She made the jump from animation to live-action thanks to Rosario Dawson’s portrayal of the lone wolf Jedi in The Mandalorian Season 2, and she’s since got her own show.

Ahsoka Season 1 was a mixed bag – it’s undeniably cool to see the way this character has developed into such a powerful warrior. Plus, the connections to Star Wars: Rebels characters like Ezra Bridger and Sabine Wren were interesting. However, it was harder to get past the fact the visual and technical elements of the show were lacking in places, making for a jarring watch at times. Still, we’re glad there’s more coming thanks to Kathleen Kennedy’s seal of approval; we just don’t know when exactly Season 2 will arrive.

Other Star Wars Projects That Might Be Happening

There are other various Star Wars projects that may or may not end up seeing the light of day in the post-Kennedy period. Some are just rumours, others are stuck in development, but we’re hyped nonetheless.

The one we want the most is The Hunt for Ben Solo, a project Kennedy actually really wanted to make happen. Adam Driver was on board to reprise his role as the titular character and continue Ben’s redemption arc in the wake of The Rise of Skywalker. Steven Soderbergh as also ready to direct. Sadly, Disney chiefs didn’t think it would work, but fans are desperate for this film to be made. Let’s watch this space (no pun intended).

Taika Waititi’s Star Wars movie is probably the most likely to make it to the big screen. He’s working on a script that he says will “harness a little bit more of the fun” of the original trilogy while also doing something unique and original. The fact he’s got a script on the way is a positive sign, and there’s nothing to suggest this project won’t get a green light.

Around the time that The Mandalorian & Grogu was picking up steam, we were promised two other tantalising Star Wars movies. One has been titled New Jedi Order and features Rey leading the next generation of Jedi apprentices after the fall of the First Order. The project is in active development and has Daisy Ridley attached to star, as well as Sharmeen Obaid-Chinoy as director.

There’s also James Mangold’s Dawn of the Jedi movie, which would take us back to 25,000 years before The Phantom Menace. While Rey’s solo flick would show us the new era of Jedi, Mangold’s adventure would be rooted in the origins of the Force and the Jedi Order. Sadly, Mangold is pretty busy, and the project is still on the backburner the last time we checked.

Finally, we’re still holding out hope for the Lando movie from Donald Glover to come to fruition. It was originally going to be a TV show, but Glover convinced Disney executives that he could deliver a bigger, better story in film format. Kennedy recently said the project was “still somewhat alive” and that a script has been submitted, so there’s no reason to believe it’s dead in the water just yet.

Ask anyone to name a streaming service, and they would likely say Netflix. It’s been the king of at-home entertainment for at least the past decade, and the platform is continually adding new, must-watch content every month.

But with so many streaming services out there now, people are understandably trimming their budget and being more selective about which platforms they subscribe to. If you’re reconsidering your loyalty to Netflix in 2026, though, it might not be a good idea to jump ship right now.

From established hits returning for new seasons to big names creating new shows and movies for Netflix this year, there’s so much to be excited about if you’re an existing or prospective customer. Here’s a look at the highlights for 2026.

Big Shows Are Getting New Seasons on Netflix In 2026

Netflix loves to keep rolling with a show once it’s a proven success, and there are so many beloved series coming back for more this year.

For those of you who yearn for nothing more than a cosy, romantic drama, you’ll be delighted to hear that Bridgerton returned for Season 4 on January 29, with a second part arriving on February 26. This latest instalment is all about Benedict Bridgerton, the second eldest sibling in the titular family, as he embarks on a quest to find the woman of his dreams, whom he meets at a masquerade ball.

There’s also Virgin River Season 7 if you want a more rural, Americanised vibe. If you like soap operas with wild twists and will-they-won’t-they journeys, this is the kind of show you have to binge before the new episodes land in March.

For something quirkier and intense, there’s Beef Season 2. The first season stars Ali Wong and Steven Yeun on a rollercoaster ride akin to a Safdie brothers movie, where chaos and conflict wait around every corner. The next season is coming in April and will star Oscar Isaac, Carey Mulligan, Charles Melton, and Cailee Spaeny. Now that’s star power!

Meanwhile, if you’re more of a sports fan and like to get behind the scenes, you’ll be buzzing about the return of Full Swing for Season 4. This year’s storylines will include Rory McIlroy’s epic win at The Masters, Europe’s monumental victory in the Ryder Cup on US soil, and more details on the ongoing rivalry between the PGA Tour and LIV Golf. That’s also set for release in April. 

Two Exciting Adaptations Coming to Netflix This Year

It’s not just existing shows that we should look out for. There are also plenty of adaptations that have got us drooling with anticipation, but two stand out the most.

East of Eden adapts the classic John Steinbeck novel with a star-studded cast, including Florence Pugh, Christopher Abbott, and Mike Faist. It’s a period drama focusing on two families spanning multiple generations with themes of rivalry and redemption. If you’re a fan of Succession or Poldark, you’ll probably love this new version of East of Eden. There’s no set release date yet, but it’s expected this spring.

For something harder-hitting and action-packed, Yahya Abdul-Mateen II is starring in a remake of Man on Fire. It’ll be a TV show version of the Tony Scott movie from 2004, which starred Denzel Washington. No release date has been given yet, but if you like movies such as Sicario or John Wick, you had better keep an eye out for this one dropping.

Ricky Gervais & the Duffer Brothers’ New Netflix Shows

There’s original content flowing through Netflix’s slate for the year, too, and huge names attached to some very interesting-sounding projects.

Chances are you’re already pining to go back to Hawkins after the conclusion of Stranger Things. While we can’t offer you any good news regarding ‘Conformity Gate,’ we can confirm the Duffer brothers have a new show hitting Netflix this year. The Boroughs basically sounds like Stranger Things but with retirees rather than nerdy teenagers, with an extra-terrestrial threat descending on a stellar cast that includes Alfred Molina, Bill Pullman, and Geena Davis.

Alternatively, if you’re partial to the dark comedy of the legendary Ricky Gervais, you’ll be happy to hear that he’s got a new show on the way. Alley Cats is an animated, six-episode series about feral British cats living their wild life on the street. Expect some foul language, risky jokes, and quirky characters. Think After Life, but with cartoon animals, and you’re on the right lines.

Peaky Blinders & Narnia Lead Netflix’s Big Original Movies Slate in 2026

While I love a good TV show, they can be quite the undertaking at times. That’s why I often prefer to dive into a movie, and there are a couple of corkers coming to Netflix this year.

After six seasons and years of rumours, we’ll finally see Tommy Shelby and his family in a feature-length tale of crime and violence in Peaky Blinders: The Immortal Man. Set against the backdrop of World War II, this story of clandestine missions and inner demons will see Cillian Murphy reprise his iconic role, and we can’t wait. The spinoff movie is out on March 20.

In complete contrast, Greta Gerwig’s reimagining of Narnia is sure to be a hit with anyone who enjoyed what she did with Barbie. The acclaimed director has managed to bag big names like Emma Mackey, Daniel Craig, Meryl Streep and Carey Mulligan for this fantasy epic, and we’re sure she will put a surprising spin on the classic story. The only downside is that you have to wait until Christmas Day for it to drop on Netflix.

With all this and more to look forward to, cancelling that Netflix subscription is not something I’ll be rushing to do this year. Consider all of the above, and make up your own mind.

James Cameron’s The Terminator is a near-perfect masterpiece. The story, if you’ve somehow never seen it, follows waitress and student Sarah Connor as she finds herself the target of a killing machine from the future. This terminator’s mission is to assassinate Sarah before she can become pregnant with a child who will one day cause the downfall of the machine overlords of a future apocalypse. 

The film is an excellent example of ‘tech noir’ (the fusion of crime and sci-fi), and features some incredible effects from special effects wizard Stan Winston. Cameron’s movie also has a fantastic romance plot between Sarah and the soldier sent back to protect her, Kyle Reese. This fusion of heart and sci-fi action is a tricky one to balance, but Cameron proved it could be done, and it is easy to understand why the film has become so influential. 

Since the release of The Terminator in 1984, there have been countless directors and films that have tried to replicate it. But where many have tried, only a few have succeeded. Brothers Kevin and Matthew McManus are the latest directors to nail that Terminator formula, without simply replicating Cameron’s classic. Their new film, Redux Redux, has been hailed by many critics and early audience members as ‘the new Terminator,’ but why are they saying that? How have the McManus’ cracked the secret formula to Cameron-esque low-fi sci-fi without creating a carbon copy? After some careful studying of both movies, here’s everything we know. 

What Is Redux Redux About?

Rather than following the time-travel angle of The Terminator, Redux Redux pivots into the multiverse, following the journey of a lone woman, Irene Kelly, who is on a relentless mission: to locate the man who murdered her daughter, and kill him, in every universe. Irene also clings to the hope that in at least one universe, her daughter will be alive, but with so many universes under her belt, she is starting to despair. Then, during a visit to a new universe, she manages to save one of the killer’s victims, Mia. Also desperate for vengeance, Mia pleads with Irene to allow her to help with her mission, leading to complicated and conflicted feelings. 

Much like both The Terminator and Terminator 2: Judgment Day, in Redux Redux, the sci-fi slant is merely a lure to hook the viewer in. The story is more grounded and focused on the dynamic and relationship between these two women. Redux Redux posits the question of how far someone would (and should) go for vengeance. Does revenge ever work? Is the ‘eye for an eye’ philosophy healthy or sustainable? 

These are complex ideas and emotions, and it is this meaty undercurrent that is set to make Redux Redux one of the longer-standing multiverse stories. The decision to keep the changes between multiverses super subtle is another clever move, eliminating unnecessary fantastical elements and allowing the story and emotive performances to shine. 

Why Redux Redux Could be the New Terminator

With its low-fi, grounded take on the science-fiction elements, Redux Redux does for the multiverse movie what The Terminator did for time-travel films. It isn’t simply that its lower-budget sci-fi story has drawn comparisons to Cameron’s work – despite following a different path to The Terminator, Redux Redux has the DNA of the classic film laced throughout. 

Firstly, the McManus brothers have admitted in interviews that Cameron’s movie is something of a North Star for the duo. The pair grew up on the films of James Cameron, and The Terminator and Terminator 2: Judgment Day were particular favourites. With the director being such an integral part of their movie education, they couldn’t help but splice some overt references and homages into Redux Redux. 

This comes most noticeably in some of the character names. All of the police officers in Redux Redux are credited with names such as Officer Cameron, Hurd, Reese and Silberman - references to both characters and creatives from the Terminator films. Another direct nod is in the costuming of Mia and Irene. Mia sports John Connor’s basic jeans and t-shirt combo, and Irene wears a denim jacket akin to the one Sarah Connor wears in T2. 

Furthermore, just like both of James Cameron’s Terminator movies, Redux Redux is a road movie. Part of this stems from Irene’s multiverse hopping, but there are also a lot of driving and car sequences, a style heavily featured in the Terminator films. All three films are set in and around Los Angeles, spending time in the desert, leading the aesthetic of Redux Redux to almost subconsciously become linked to Cameron’s classics. 

Irene makes an interesting fusion of both The Terminator’s T-800 cyborg killer and the Terminator 2 soldier variant of Sarah Connor. Like Sarah, Irene is driven by her maternal nature, and Michaela McManus is stunning in the part, juggling the gritty and softer sides of Irene to convey a compelling and fully-formed character. Paul Koch’s score is reminiscent of Brad Fiedel’s work; there’s a Polaroid picture that Irene carries around with her, and honestly, there are so many little touches that connect Redux Redux to the 1984 film that this list could go on. 

All of these nods, details, and references, both conscious and unconscious, are decoded by the viewer and connected to Cameron’s work. It is hard to fully articulate exactly how the McManuses have managed to capture the spirit of Cameron’s Terminator movies as well as they have. That they have achieved the impossible is not only of great credit to them as filmmakers, but is an exciting prospect for those who love the original Terminator films, but who have been let down by what followed. If you want a film to scratch that Terminator itch, Redux Redux is definitely one to try. 

More Movies with Terminator DNA

Redux Redux isn’t the first movie to riff off of The Terminator, and if the McManus Brothers have whetted your appetite for more films with the DNA of Cameron’s classic, here are some suggestions. 

With its machines against humanity angle, Gareth Edwards’ The Creator is another great example of a film that follows in Cameron’s footsteps. Set in a world where machines and mankind are at war, an ex-special forces agent is recruited to find and destroy the leader of humanity’s evil AI foe. 

Since his debut movie, Monsters, Edwards has demonstrated that he can achieve great results with even a tiny amount of money. The budget for The Creator was far greater than that of Monsters, but at $80 million was still far less than some of its blockbuster companions and still looks far more expensive than most. A far more similar world to The Terminator than Redux Redux, The Creator feels akin to what the future-set Terminator Salvation could have been. 

Another great science fiction that is heavily reminiscent of James Cameron’s Terminator films is Rian Johnson’s Looper. The film stars Bruce Willis and Joseph Gordon-Levitt as the same character, Joe. Willis plays the older version, who travels back in time to hunt down the child who will grow up to become a maniacal crime lord known as the Rainmaker. In turn, Gordon-Levitt’s younger version of Joe must kill his older self, and ‘close his loop’. What follows is a cat and mouse tale as both men try to find the child first; older Joe to kill the child, the younger to lie in wait to execute his future self. The plot sounds more complex than it is, but the premise of a killer coming from the future to assassinate someone before they can fulfil their fate is right out of the Cameron playbook. 

The dynamic between the potential Rainmaker, Cid, and young Joe has an air of T2’s T-800 and John Connor. Emily Blunt plays an overprotective mother who knows how to handle a weapon, and is incidentally also named Sarah. Despite Looper being set in the future, the sci-fi elements remain fittingly low-fi and tangibly realistic. More T2 than Terminator, Looper is still a must-watch for fans of either film. 

Directed by Anthony Scott Burns, Come True is a film that, on the surface, has nothing in common with The Terminator. However, with a little digging, the DNA from Cameron’s film is undeniable. Present more as vibes than explicit story beats, Come True is a film that will speak to fans of The Terminator, though they might not strictly understand why. The plot follows Sarah, a young girl having troubles at home. In need of a safe space to sleep, she signs up for an experimental sleep trial, but gets more than she bargained for when the study spirals out of control. Come True explores the phenomenon of dreams and sleep paralysis, all within neon-soaked lights, low-fi tech, and a pulsating score, provided by Burns’s composer alter-ego, PilotPriest.

Having a lead character called Sarah is an obvious link to The Terminator, but male lead Jeremy has an air of Kyle Reese about him, not limited to his choice of trench coat. At least one sequence involving the pair feels lifted straight out of The Terminator, and Burns even sneaks a poster for the movie in. These elements aside, it is the use of colour, music, and urban industrial nocturnal locations that most closely align it to The Terminator. While vastly different in story, the stylistic connection is indisputable, and truly devout Terminator fans will find themselves siren called to Come True. 

Often compared to Friends, the apparent holy grail of sitcoms, How I Met Your Mother was a cornerstone of pop culture throughout its nine-year runtime. Airing between 2005 and 2014, the series followed Ted Mosby (Josh Radnor) and the highs and lows of his group of friends as he embarked on a quest for true love. 

Along with college besties and power couple Marshall Erkisen (Jason Segel) and Lily Aldrin (Alyson Hannigan), the ‘gang’ included fan-favourite lothario Barney Stinson (Neil Patrick Harris), and strong-minded journalist Robin Scherbatsky (Cobie Smulders) — a woman so lovable that she became the on-off love interest of not just Ted, but Barney, too.

Narrated retrospectively through the dulcet voice of Bob Saget, the series was hinged on the fairly original premise of an older Ted telling his children how he met their mother (thus giving the show its title). However, to his kids’ despair, he’s telling them the long version. A version so long, in fact, it took 208 episodes for the story to draw to a close — but don’t even get me started on that ending.

In the years since How I Met Your Mother concluded, the cast have cropped up in the most surprising of places; read on to learn more and see where you can catch their latest exploits on streaming platforms.

Josh Radnor (Ted Mosby)

While he was still playing HIMYM’s lovesick protagonist, Radnor headed behind the camera, writing, directing, and starring in a couple of movies. The first film, dramedy Happythankyoumoreplease, premiered at the 26th Sundance Film Festival back in 2010. Then, at the 2012 Festival, Radnor premiered Liberal Arts, which depicts Radnor’s character falling for a much-younger college student played by Elizabeth Olsen.

Outside of movies, Radnor has appeared in TV shows like Mercy Street (2016-17), which focuses on the American Civil War, musical drama series Rise (2017-18), and thriller Hunters  (2020-23), which follows a group of Nazi hunters.

He’s also made a splash on the theatre scene, having previously been nominated for a Tony in 2014 and had a starring role in the off-Broadway play The Alley in 2024.

One to Watch: Liberal Arts is widely praised by critics for its intelligence and wit. 

Neil Patrick Harris (Barney Stinson)

It’s no secret that Barney was the breakout character of How I Met Your Mother. He won no less than four Primetime Emmys at the time of this show, and at the height of its popularity, he hosted numerous award shows, including the Tony Awards and Emmys. 

Since the series has ended, the opportunities have continued to come flooding in for Harris. While it was short-lived, he did front a variety show, Best Time Ever with Neil Patrick Harris, in 2015. In Netflix’s adaptation of Lemony Snicket’s A Series of Unfortunate Events (2017-2019), he played series antagonist Count Olaf. 

In 2021, he appeared in The Matrix: Resurrections and played a guest character on Russell T. Davies’ drama It’s A Sin. One of his most recent roles was in 2023 as classic Dr Who villain the Toymaker in one of the 60th anniversary specials of the show.

One to Watch: His appearance in It’s A Sin is short, but deeply effective. 

Jason Segel (Marshall Eriksen)

Jason Segel first found his footing on a little dramedy known as Freaks and Geeks (1999-2000). Simultaneous to his role as gentle giant Marshall, he starred in an abundance of movies, most notably Forgetting Sarah Marshall (2008) and The Muppets (2011). 

Since How I Met Your Mother ended, Segel has appeared in movies like sci-fi romance The Discovery (2017), biographical drama Our Friend (2019) and crime thriller Windfall (2022). Over on the silver screen, he played Paul Westhead in Winning Time: The Rise of the Lakers Dynasty (2022-23) and, most recently, stars opposite Harrison Ford in the hit Apple TV+ show Shrinking. For his role, he earned two Emmy nominations and one Golden Globe nomination.

One to Watch: The Muppets, if only for the Oscar-winning song ‘Man or Muppet.’

Alyson Hannigan (Lily Aldrin)

So, this one time, in band camp… Alyson Hannigan joined the How I Met Your Mother cast. Her breakout roles were as Willow in Buffy the Vampire Slayer (1997-2003) and as Michelle Flaherty in American Pie. She appeared in a total of four films in the franchise, alongside other select films like Date Movie.

After How I Met Your Mother ended, Hannigan presented the magic competition series Penn & Teller: Fool Us between 2016 and 2023. She’s also worked with Disney a couple of times, playing Kim Possible’s mother in the 2019 live-action adaptation of the series and voicing Claire Nancy in the Disney Junior show Fancy Nancy (2018-22). She also appeared in the 2023 series of Dancing With The Stars.

One to Watch: You might never be able to see Hannigan in the same way again, but American Pie is definitely worth watching. 

Cobie Smulders (Robin Scherbatsky)

Arguably, Smulders has had a pretty solid career since leaving How I Met Your Mother. She’s appeared in several TV series, including Friends From College (2017-19), Stumptown (2019-20), and Impeachment: American Crime Story (2021). She even reunited with Neil Patrick Harris after playing a recurring role in A Series of Unfortunate Events (2017-19). 

On the big screen, she’s appeared in two LEGO movies, Results (2015), The Intervention (2016), and Jack Reacher: Never Go Back (2016). 

However, HIMYM aside, she’s most well-known for her role as Maria Hill in the MCU. The S.H.E.I.L.D agent has been part of the universe for more than a decade. She first appeared in The Avengers (2012) and, without giving anything away, had her last appearance in the TV series Secret Invasion (2023). 

Like Radnor, she’s also made a name for herself in theatre, having made her Broadway debut in 2017 — but nothing quite compares to the stage presence of Robin Sparkles. 

One to Watch: Check out how Maria’s story ends in Secret Invasion. 

Cristin Milioti (The Mother/Tracy McConnell)

Sure, ‘The Mother’ only appeared in the last season of the show, but right away, she seamlessly fit into the gang’s dynamics. Cristin Milioti brought a kind of warmth to the character that almost made it worth waiting eight seasons to meet her.

She’s appeared in various other TV shows over the years, like Fargo (2015) and Made For Love (2021-22), but the most notable are Black Mirror and The Penguin. In Black Mirror, she played the role of Nanette Cole in a 2017 episode before reprising the role in 2025. As for The Penguin (2024), she played Sofia Falcone, for which she earned a Critics’ Choice Television Award and an Emmy win. 

She also starred opposite Andy Samberg in wibbly wobbly timey-wimey rom-com Palm Springs (2020), which has an impressive 94% Rotten Tomatoes rating.

One to Watch: To see what all the fuss is about, check Milioti out in The Penguin.

If you were gaming during the summer of 2023, you wouldn’t have escaped a certain Dungeons & Dragons RPG, featuring, among other characters, a fiery-red Tiefling with a big axe, a sassy, pale Elf with a thirst for blood, and a whining wizard on the verge of magically blowing himself up. Baldur’s Gate 3, the latest in a video game series that began in 1998, went on to sell 20 million copies as of 2025, achieved a record-breaking run of awards success, and spawned a passionate, ship-heaving fanbase.

Combine all that with the ongoing resurgence of D&D since the half-century-old TTRPG (table-top role-playing game) was revamped in 2014, and the tie-in video game is not a hard sell for adaptation material – and that’s exactly what we’re getting: Baldur’s Gate is being made into a TV series by The Last Of Us’ Craig Mazin. The quality of the HBO iteration of that other critically and commercially successful video game series, not to mention the increased quality consistency of game-to-screen media over the last decade (the Sonic films, Super Mario Bros., Fallout, Detective Pikachu and more), is great news for fans of D&D and Baldur’s Gate.

For those who are interested in the project but are less familiar with both those things, here’s what you need to know, and how to get better acquainted with the Forgotten Realms via other existing adaptations and ‘inspired by’ films and shows.

What You Need to Know About Baldur’s Gate 3 Before the TV Series

Excluding spin-offs and expansions, there are three main games in the Baldur’s Gate series. As previously mentioned, they take place in the main setting of D&D, the Forgotten Realms — more specifically, in and around one of the largest cities in the region of the Sword Coast, the titular Baldur’s Gate – and use the character races, classes, lore, and mechanics of D&D for its gameplay. 

While the games are sequels to one another, they are only loosely sequential, meaning you can easily pick up the newest one, BG3, without ever having played the previous ones (as I did). Similarly, you don’t ever have to have rolled a single d20 in your life to get to grips with its system, though prior experience and knowledge certainly make the learning curve less steep.

Interestingly, Mazin’s TV series will take place right after the events of BG3, making it even more enticing for players eagerly waiting for the next game instalment. On paper, this implies a higher bar for entry for newcomers. However, I assume that, in the same way the prior two games provide the background for the third one without presuming every player is already au fait with them, the TV continuation will use BG3’s story as a jumping off point to tell an entirely new story.

All you need to know, broadly, about D&D to get to grips with the TV series is that it’s a classic, high fantasy world where you can fight things like dragons and evil wizards, make deals with gods and devils for fantastic power, or just be really good at swinging a sword around. If you’re familiar with The Lord of the Rings, from which D&D takes heavy inspiration, you already know the vibe to expect.

In BG3, you, the player character, wake up aboard a Mind Flayer ship – otherworldly beings with psychic powers and a hankering for world domination – as you’re infected with one of their tadpoles. This process, known as ceremorphosis, should quickly turn you into a Mind Flayer… But strangely, it doesn’t. After escaping, you meet others who’ve also been infected (as well as some who haven’t but have a vested interest in helping you regardless), whom you can recruit as allies. They, too, are somehow holding off the ceremorphosis transformation, and there’s a mysterious figure who visits you all in your dreams, offering advice. Together, you journey to Baldur’s Gate in search of a cure and unravel the mystery of a sinister cult with a link to your affliction, as well as the identity of the mysterious dream figure aiding you. Whether you choose a heroic or more villainous path, the game concludes with a spectacular battle for control of godlike powers, leaving much of the titular city reduced to rubble by the end.

What happens thereafter in the epilogue depends on the choices you’ve made along the way, meaning there is no definitive ending for BG3 – as is the nature of RPGs. Game studio Larian have confirmed it’ll have no involvement in the TV show, though it is still supportive of it. This gives Mazin a lot of creative license in essentially creating the original sequel to the game that fans desperately want, and won’t get from Larian, as the studio is done with Baldur’s Gate entirely. 

The show could take place in the immediate aftermath of the climactic assault on the city, where the rebuilding process and potential power vacuums could make for interesting storytelling opportunities. Fans will doubtless be eager for the party characters – Shadowheart, Laezel, Gale, Astarion, Wyll, Halsin, Jahiera, Minsc, and optional ‘evil’ recruit, Minthara – to make appearances. But I suspect they’ll be relegated to cameos in favour of an original cast picking up the reins.

D&D Films & Shows to Watch Before the Baldur’s Gate 3 Adaptation

There are scant ‘proper’ adaptations of D&D available, and only two that I’d truly recommend you watch. The 1980s animated series is considered a nostalgic classic for a certain generation, though it may be a bit hokey if you don’t fall into that demographic. The 2000 movie, which features a villain in blue lipstick and a Wayans brother character called Snails, is firmly on my ‘so bad it’s good’ list, but barely resembles the IP it bears the name of.

Instead, one of your best options for official D&D media is easily the 2023 film, Honour Amongst Thieves. It stars Chris Pratt and Michelle Rodriguez as an unlikely duo of rogueish antiheroes, who assemble more misfit adventurers to their cause when they’re betrayed by Hugh Grant’s delightfully slippery villain. It’s everything you could want from a fantasy, action-adventure romp, and as a seasoned D&D player, I highly endorse it as a whistle-stop tour of what life is like in the Forgotten Realms, as well as a decent overview of how things like spellcasting works for different classes. The only thing more criminal than Grant’s wheeling and dealing is the fact that it somehow hasn’t gotten a sequel in a movie landscape saturated with unnecessary ones.  

Alternatively, if you want a quicker fix, I also recommend the first episode of the animated video game adaptation anthology, Secret Level. The episode is a brief but blisteringly action-packed, stunningly animated dip into an epic D&D battle, wherein a party come face-to-face with one of the game’s legendary Big Bads, the Dragon Goddess Tiamat.

In terms of D&D-related media, you can’t go wrong with the animated series, Vox Machina and its sequel, Mighty Nein. They’re both based on the first two campaigns of actual play (playing a game in real-time) legends, Critical Role, and even with the dice-rolling and improvised chaos absent from the screen, the shows are incredibly entertaining, streamlined versions of real campaigns set in original worlds that are based on D&D’s play system, character races and classes. For anime nerds, the same can be said of Record of Lodoss War, a lovely little slice of early ‘90s, old-school fantasy anime, based on creator Ryo Mizuno’s original TTRPG, Forcelia, which was essentially D&D homebrew (user-customised content). Fans of Ghibli’s maligned Tales From Earthsea will be on its wavelength.

Speaking of actual play, if you don’t feel you have the time to spare for three to four hours of every episode of Critical Role, which are all available for free via YouTube, Dimension 20 is a more comedic, compact watch, and there’s lots of crossover between the two casts. D20 is also available on YouTube, though you’ll need a paid subscription to Dropout to watch. If you’re curious about how a real game is played, these are two of the most popular options – and for good reason: the players are a mixture of professional voice actors and comedians, making the role play riveting, but they also have enviable chemistry as real-life nerdy friends who simply love the game. You’ll wish you were around the table, rolling dice with them, even if you know you’d be improvised right under said table.

On Saturday evening, the jury of the Berlin International Film Festival had the honour of handing out the Golden Bear for the 76th time in the festival’s history, and, in 2026, it went to Ilker Çatak's Yellow Letters. In previous years, this coveted prize has been taken home by the likes of Hayao Miyazaki (for Spirited Away), Paul Thomas Anderson (Magnolia) and Ang Lee (Sense and Sensibility). While the 2026 edition couldn’t quite boast those kinds of names (at least not yet), there were still plenty of incredible films on offer.

In the list below, I’ve rounded up ten of the best or most interesting movies I watched in the last two weeks. Some are from the main competition, some are from other sections, but each left me feeling either moved, gripped or provoked—or some combination of all three. Read on to discover more about the best films of the 2026 Berlinale and use the guide below to keep an eye on when you can see them—whether in theatres or on services like AppleTV, Netflix, Prime Video and elsewhere. 

1. Mouse

If you like American coming-of-age stories set during the final year of high school, you’re in for a treat with Mouse—especially if, like me, you grew up in the early ‘00s. The story follows a grieving mother (an incredible performance by Slow Horses star Sophie Okenedo) who starts to hang out with her daughter’s best friend after the girl tragically dies. 

Watching this movie last week at the Berlinale, I was fully convinced it was the best film of this kind that I’d seen since Greta Gerwig’s Lady Bird.

2. Josephine

Okay, so this one is kind of cheating as Beth de Araújo’s Josephine already won the main prize in Sundance this year—but seeing as it was my first time seeing it, and seeing as it’s very good, I feel it more than warrants a mention.

Araújo’s film is a story about what happens to a young person after they witness a brutal crime, but it’s also a touching family story. The star of the show is Mason Reeves, but Channing Tatum gives a wonderful performance alongside her. If you’re a fan of Channing in indie mode (think movies like last year’s Roofman), this is one to add to your list. 

3. Prosecution

Fans of juicy courtroom dramas (and especially the brilliant recent thriller, Red Rooms) are also in luck thanks to Faraz Shariat’s Prosecution. This gripping thriller follows a state prosecutor in East Germany who becomes obsessed with tracking down her assailants after she becomes the victim of a racially charged attack. 

This is Shariat’s second feature after his eye-catching debut, No Hard Feelings, premiered at the festival in 2019, but, in terms of cinematic style, political heft and propulsive storytelling, it’s a remarkable leap forward for him as a filmmaker.

4. Queen at Sea

The great Tom Courtenay won Best Actor at the Berlinale 11 years ago for playing a stubborn and slightly doddery but mostly likeable husband in Andrew Haigh’s incredible sophomore feature, 45 Years. He returned this year with another excellent (and kind of similar) performance opposite Juliette Binoche in this thought-provoking and skillfully assembled film about dementia and family.

Remarkably, Queen at Sea is the first movie that Lance Hammer has directed since his debut feature Ballast in 2008, so if you were a fan of that movie (or appreciated Train Dreams last year, which was shot by the same DP), this is one to keep an eye out for. 

5. Roshbush Pruning

No film at this year’s festival divided audiences quite like Karim Aïnouz’s Rosebush Pruning—but if you’re a fan of early Lanthimos movies, like Dogtooth and Alps (both of which share the same screenwriter as this one), there’s every chance you’ll be into it, or at the very least intrigued to see it.

Set outside Girona in Catalonia and focusing on a family of very wealthy and very, very terrible people, it’s a garish, over-the-top, and provocative film that, like it or not, will get people talking.

6. The Garden We Dreamed

One of the best discoveries of this year’s festival, for me, was Joaquín del Paso’s The Garden We Dreamed. This is the kind of movie that says a lot about a very real situation while still delivering the propulsive and pulpy thrills of a genre movie—the kind of story (like Leave No Trace) that is so otherworldly and near dystopian to think about that it’s not hard to imagine it being set in the world of Mad Max or even a colony on Mars.

Unfortunately, the situation it depicts—i.e., the dangers currently being faced by people attempting to cross borders in search of better lives—could hardly be more real or urgent. The story is told through the eyes of a tight-knit and loving family who end up trapped in a kind of indentured servitude in an illegal logging operation in a forest in Mexico.

7. Everybody Digs Bill Evans

If you’ve been following the Norwegian actor Anders Danielson Lie via his collaborations with Joaquin Trier (Oslo: August 31st, The Worst Person in the World, Sentimental Value), his starring turn in Everybody Digs Bill Evans will be right up your street.

Lie stars as the eponymous, and still legendary, jazz pianist in a film that takes place in the period between two of his biggest albums (and just after his long-serving bass player, Scott LaFaro, died), when Evans went to lay low with his parents, who are played, quite wonderfully, by Bill Pullman and Laurie Metcalf. It’s a touching and thoughtful piece of work.

8. Animol

Just because Stephen Graham has played about 6,000 unlikely father figures to troubled youths over the course of his career doesn’t mean I’ll ever get bored with seeing him do it. The Liverpudlian legend shines again as a councillor in a young offenders institution in Animol, the debut film of Ashley Walters, who co-starred with Graham in Adolescence last year.

Graham is actually just a small (if crucial) part of a movie that focuses on a handful of the younger characters—notably newcomer Troy (Tut Nyuot), a soon-to-be ally named Krystian (Vladyslav Baliuk), and a soon-to-be enemy named Mason (a frankly phenomenal performance by Ryan Dean). If you appreciate movies like Starred Up, keep an eye out for this one’s inevitable UK release. 

9. Flies

Fans of Alfonso Cuarón’s Roma will feel right at home in this gorgeous, monochrome, period-set movie about a young Mexican boy’s attempts to both visit his mother in hospital and beat a Space Invaders-style arcade game.

Flies is the latest feature from Fernando Eimbcke, a filmmaker who won the FIPRESCI award here for Lake Tahoe in 2008. Something tells me he won’t be going home empty-handed this year, either.

10. The Red Hangar

Since Tricia Tuttle took over as festival director in 2024, a new sidebar category called ‘Perspectives’ has been showcasing a finely curated selection of debut films each year. The 2026 crop has been, in my opinion, the most varied and interesting selection that the sidebar has produced so far—and none more so than Juan Pablo Sallato’s The Red Hangar (Hangar Rojo).

Set over the course of two days in Chile in 1973, this 81-minute-long political nail-biter follows Captain Jorge Silva, a real-life former head of Air Force Intelligence, as he attempts to go about his daily tasks as the Allende government is overthrown around him and the claws of Pinochet’s authoritarianism start to sink in. What makes the film so special is that Sallato never once leaves Silva’s side—imagine the approach of the Oscar-winning film Son of Saul, but set during a military coup in the 1970s in Latin America, and you’ll have some idea of what’s in store.

We all know there’s more than enough magic in the main timeline of the Harry Potter movies, but if you want to take your wizarding education to the next level, you might be keen to dive into the Fantastic Beasts series, too.

Harry Potter fans have plenty of time to take that trip, too. While we wait for the new TV show version of the beloved fantasy movies to hit the small screen via HBO, revisiting Hogwarts is a great idea. But what about the world outside of the original stories and characters?

Five years after the core line of movies ended, director David Yates produced (literal) magic again with the first of his Fantastic Beasts spinoff movies, and, thankfully, you won’t need the Marauder’s Map to plan out your journey through the 11 films in the franchise.

How to Watch Harry Potter In Chronological Order

If you’re looking to watch the Harry Potter saga in chronological order, there’s a very simple route to take. Start with Fantastic Beasts and Where to Find Them, which is set in 1926, then move on to The Crimes of Grindelwald and The Secrets of Dumbledore, which are direct sequels. After this trilogy, you can begin the original film series, starting with Harry Potter and the Philosopher’s Stone, which is set across the 1991/92 school year. By the time you get to the final film, Harry Potter and the Deathly Hallows Part 2, you’ll be in 1997/98 – 60 years after The Secrets of Dumbledore. 

Here are all the Harry Potter and Fantastic Beasts movies in chronological order, and the years they take place in:

• Fantastic Beasts and Where to Find Them (1926)

• Fantastic Beasts: The Crimes of Grindelwald (1927)

• Fantastic Beasts: The Secrets of Dumbledore (1932)

• Harry Potter and the Philosopher’s Stone (1991/2)

• Harry Potter and the Chamber of Secrets (1992/3)

• Harry Potter and the Prisoner of Azkaban (1993/4)

• Harry Potter and the Goblet of Fire (1994/5)

• Harry Potter and the Order of the Phoenix (1995/6)

• Harry Potter and the Half-Blood Prince (1996/7)

• Harry Potter and the Deathly Hallows Part 1 (1997/8)

• Harry Potter and the Deathly Hallows Part 2 (1998)

However, I would recommend going the opposite, and sticking to release order. For a start, there’s very little in the way of meaningful connections between the two timelines. Even the insight into Albus Dumbledore’s earlier life would carry far less weight if you saw that before getting to know the man he becomes in the Potter movies.

More importantly, though, it’s better to immerse yourself in the heart of the Wizarding World with the original movies before you broaden your horizons. Only when you’ve embraced the charm and wonder of those eight films can you really appreciate the external world-building of the Fantastic Beasts stories.

Here are all the Harry Potter and Fantastic Beasts movies in release order:

• Harry Potter and the Philosopher’s Stone (2001)

• Harry Potter and the Chamber of Secrets (2002)

• Harry Potter and the Prisoner of Azkaban (2004)

• Harry Potter and the Goblet of Fire (2005)

• Harry Potter and the Order of the Phoenix (2007)

• Harry Potter and the Half-Blood Prince (2009)

• Harry Potter and the Deathly Hallows Part 1 (2010)

• Harry Potter and the Deathly Hallows Part 2 (2011)

• Fantastic Beasts and Where to Find Them (2016)

• Fantastic Beasts: The Crimes of Grindelwald (2018)

• Fantastic Beasts: The Secrets of Dumbledore (2022)

Are the Fantastic Beasts Movies Worth Watching?

I’m not going to tell you that any of the Fantastic Beasts movies are anywhere near as good as the Harry Potter films. But if you’re a fan of the franchise or just a fantasy movie aficionado, the spinoffs are absolutely serviceable.

The first movie, Fantastic Beasts and Where to Find Them, is arguably the best of the three. It does a great job of laying the foundations for the time period, the characters, and the overarching story. In particular, it works well because there’s a really fun and light feel to it all, especially with the focus on the weird and wonderful creatures Eddie Redmayne’s protagonist, Newt Scamander, encounters.

The Crimes of Grindelwald takes a decidedly darker turn. That’s not necessarily a bad thing, especially if you’re more attuned to the likes of Harry Potter and the Prisoner of Azkaban. However, the narrative does fall foul of some slightly convoluted pivots. The decision to replace Colin Farrell with Johnny Depp made the character of Grindelwald far less interesting, and he takes the limelight away from Newt so much that the main hero becomes underdeveloped.

By the time we get to The Secrets of Dumbledore, it feels like we lose sight of the big picture. The plot gets messy, to say the least, but there are some great moments, still. Jude Law is fantastic as a younger Dumbledore; anytime he’s on screen is a real treat. The same can be said for Mads Mikkelsen, who takes over as Grindelwald and brings genuine menace to the character. The CGI and broader visuals are superb, too. However, there is one glaring issue…

The One Big Problem with the Fantastic Beasts Movies

Given the immense popularity of Harry Potter, fleshing out the Wizarding World was a no-brainer, and there were grand plans to make at least four Fantastic Beasts movies. Naturally, then, the third movie ends on a real cliffhanger to set up the next instalment.

The problem is, no one banked on The Secrets of Dumbledore struggling at the box office. The movie made roughly $407m against a budget of $200m, making it the worst performer of the whole franchise. Critical reception around the film wasn’t very positive either, and it’s currently unclear if we will ever get the fourth film now.

So, as the big finale of the Fantastic Beasts story may never be shown on the big screen, I can’t promise you’ll be completely satisfied after watching the three movies we did get. However, there’s more than enough to appreciate about them if you need a little more magic for your next movie marathon.

Taylor Sheridan is set to continue his domination of the small screen with his upcoming series, Marshals. For those in the know, the fact that this is a Yellowstone sequel will come as no surprise, but there’s still plenty to learn about this new show.

Marshals is coming along at the perfect time, too, given that another Taylor Sheridan show has just come to an end. Landman Season 2 was just as explosive and chaotic as you’d expect, but fans of that show, as well as Yellowstone, may well be in for a bit of a surprise when Sheridan’s latest series rolls around.

The showrunner has made his name (and a healthy fortune, no doubt) crafting soap opera-esque drama series. However, with Marshals, it finally looks like we’ll be seeing more of the gritty, visceral storytelling he delivered when he wrote Sicario, Hell or High Water, and Wind River.

What is Taylor Sheridan’s Marshals About?

Marshals is a direct sequel to the acclaimed and hugely popular Yellowstone. It will focus on Kayce Dutton, the son of John Dutton and one of the key characters in the main Yellowstone timeline.

The show will be set in the present day and will follow Kayce as he joins a specialist unit within the US Marshals in Montana. Naturally, his background in the Marine Corps will stand him in good stead when it comes to dealing with cartel drug runners and wild outlaws.

While Yellowstone was all about protecting the ranch and staving off the expansion of greedy corporations (and the odd rodeo show or two), we’ll see Kayce leave behind his life working with cattle and cowboys to dive headfirst into a world of crime prevention.

From the trailer, it seems that all of the cheesy dialogue and lighthearted subplots that we see so often – and enjoy so much – in Landman and the sort will be abandoned, too. The stakes will be incredibly high here, and there’s simply no place for quips and sexual innuendo when people’s lives are at risk.

Marshals is definitely giving us Sicario vibes, which is a massive compliment. That Denis Villeneuve movie digs deep into the psychological toll a job like this takes on a person and throws up countless moral dilemmas for the characters and the audience to contend with. Hopefully, we see Kayce experiencing exactly that here.

Which Yellowstone Actors Are in the Marshals Cast?

The most obvious Yellowstone actor to reprise their role for Marshals is Luke Grimes, who has played Kayce Dutton since the show first aired in 2018.

He will be joined by Gil Birmingham, who plays Indian Reservation Chief Thomas Rainwater, and his right-hand man, Mo (played by Mo Brings Plenty). The pair are closely connected to Kayce due to his wife, Monica, being of Native American descent. However, it is unknown yet whether she will appear in Marshals.

We will see their son, Tate Dutton, though. He’s played by young actor Brecken Merrill, who has portrayed Tate since he was a very little boy in the first season of Yellowstone, right through to his teenage years now.

There will, of course, be new faces in the cast, too. Arielle Kebbel joins as Belle Skinner, Ash Santos will play Andrea Cruz, Brett Cullen has a recurring role as Harry Gifford, and Tatanka Means is on board as Miles Kittle.

Perhaps the most exciting addition, though, is Logan Marshall-Green. He’s playing Pete Calvin, a friend of Kayce’s from their time in the military. You’ll recognise Marshall-Green from movies like Upgrade, The Invitation, and Prometheus – yes, he’s the guy who looks a lot like Tom Hardy!

When and Where Can You Watch Marshals?

The first two episodes of Marshals will air on Sunday, March 1. There will be 13 episodes in total, releasing weekly every Sunday through to May 17.

As with all of Taylor Sheridan’s work, you can watch Marshals on Paramount Plus. He’s got an exclusive deal with the studio, and its corresponding streaming service is the only place to watch shows like Marshals, Yellowstone, and Landman without having to pay extra for the privilege.

The video game adaptation is always a tricky beast, especially when it comes to horror games. A lot of this rests on the unrealistic expectations of the viewer who thinks that they will be just as scared sitting in a dark cinema as in their armchair at home, gaming. 

This is never how it goes, mainly because the immersive environment of a game is hard to replicate, coupled with the fact that watching a movie is a passive activity, while gaming involves active participation. But despite the challenge, it is not impossible to craft a feature film that captures the essence of games enough to leave the audience suitably unsettled.  

So far, 2026 has gotten off to a bad start on the horror game adaptation front, with Christopher Gans’ Return to Silent Hill pretty much a complete disaster. Quite how Return to Silent Hill is so terrible is hard to understand, as Gans is the director of the original Silent Hill movie, a horror game adaptation that the fans have embraced. Whilst Gans manages to capture some of the aesthetic of the famous town in Return to Silent Hill, the film is plagued with a weak script, weaker acting, and a series of hairpieces so bad that it looks like they were snagged from Temu to save the production some pennies. 

Fans of the franchise have been disappointed with the film, and so all eyes turn to the next horror game adaptation on the horizon – Jeremiah Kipp’s The Mortuary Assistant, coming to streaming on March 27. Does it succeed where Return to Silent Hill failed? 

What Is The Mortuary Assistant Game Like?

Originally released in 2022 on the PC, the video game version of The Mortuary Assistant became an almost immediate viral sensation. Fans of horror games flocked to play it, and The Mortuary Assistant was soon ported to Xbox, PlayStation, and the Nintendo Switch. From there, the cult grew even more, with players enraptured by the game's blend of life simulator and jump scares. 

The game follows the story of newly certified mortuary assistant Rebecca Owens, who, during a night shift, discovers that demons are trying to possess her via the bodies that she is working on. Gameplay finds the player trapped inside the morgue, with the only way out being to try and banish the demonic entities that are targeting her. This is done through a mixture of performing realistic embalming techniques, as well as looking for clues to identify the various demons, so that they can be banished. 

Rather than being action-based like the Resident Evil series of games, The Mortuary Assistant is a quieter affair, relying on atmosphere, disturbing imagery, and psychological dread to render the player a nervous wreck. These components all sound easy enough to replicate for the big screen, with the game’s narrative themes of body horror and possession also being very popular with the modern horror movie crowd. 

How The Mortuary Assistants' Unique Scare Could Translate To The Big Screen

Interestingly, work on a The Mortuary Assistant movie was already underway before the game was completed. Director Jeremiah Kipp has explained in interviews that he was brought on board early, meaning that he was one of the first people in the world to experience the gameplay. Kipp admitted to connecting with the game’s protagonist, Rebecca Owens, and the opportunity to explore her psyche was what drew him to the project. Owens remains as the protagonist for the feature, the story digging into her past addictions and unresolved grief after losing her father. 

Having Kipp steeped in the game from the start, rather than coming to it later, should hopefully ensure that the essence of the game is better translated to the screen. Whilst an engaging protagonist is vital to the enjoyment of any film, horror or otherwise, the success of The Mortuary Assistant will also rely on its scare factor. For gamers, the frights came from the unsettling atmosphere and the knowledge that at any moment, the cadaver in the room with them could spark to life. Alongside that, the game would often, without warning, plunge the player into darkness. This unpredictability continued with the arrival of shadowy creatures who not only appeared from nowhere, but could also race towards Rebecca at an alarming rate. These elements all feel achievable in film, especially with Kipp being no stranger to the horror genre. 

Kipp’s movie Slapface tells the dark story of a young boy and the monster he finds lurking in the woods. Swaddled in darkness and oozing with atmosphere, Slapface demonstrates that Jeremiah Kipp can craft a film filled with near-oppressive dread, a vital element for The Mortuary Assistant’s success. The director has also gone on record confirming that the film will more closely resemble its source than some of its peers. Fingers crossed for an adaptation closer to The Last of Us than Return to Silent Hill.

What To Watch If You Like The Mortuary Assistant

Although the game adaptation angle is new, The Mortuary Assistant isn’t the first horror movie to centre itself inside a morgue. Narratively, The Possession of Hannah Grace is perhaps closest to the film. The plot joins cop and recovering addict Megan Reed as she begins working at a morgue. There, she starts to experience a series of bizarre and unexplainable events, leading her to believe that one of the corpses is possessed by an evil presence. The film was released in 2018 and sounds a lot like it might have, consciously or subconsciously, helped inspire The Mortuary Assistant video game. 

More morgue-set nightmares can be found in the fantastically creepy The Autopsy of Jane Doe. Set over the course of one night, the film finds a father and son mortician team called in to look at the body of a Jane Doe. As the autopsy progresses, strange things start to happen, and, after finding odd markings on the body, it becomes clear that something very sinister is occurring. Directed by André Øvredal, The Autopsy of Jane Doe demonstrates just how terrifying silence and stillness can be when orchestrated correctly. One thing that is certain about watching it, you’ll never look at a bell in the same way again. 

Another movie in the same vein is the similarly named The Mortuary Collection. A horror anthology that features an early performance from the now Oscar-nominated Jacob Elordi, The Mortuary Collection has an eccentric mortician recounting spooky stories of his experience in the job to his potential new assistant. Although full of gore and some frights, the film is much more of a horror comedy, making it the perfect viewing choice after watching The Mortuary Assistant, to try and shake off any potential nightmares. 

Scanning through the listings of a local multiplex at any point in the last two decades, and you would be forgiven for thinking that ‘Sequelitis’ is a modern phenomenon. In fact, the idea of movie sequels and franchises is really as old as the industry itself—and as long as we keep paying to see them (as I intend to keep doing), Hollywood will continue to dream up ways to bring its most successful movies and characters back.

Outside the big-name instalments and expanded universes, however, it’s always good to take a look at what’s coming up in the world of sequels that nobody asked for. In the list below, which I’ve arranged by order of release date, you’ll find ten of the most unlikely sequels coming to theatres in the next two years—in genres as wide-ranging as horror, spoof comedy, and Christ-core—and my attempts at explaining why we can’t wait to see them. 

Read on to discover more and use the guide below to keep track of where and when to see them in theatres and (eventually) on services like AppleTV, Netflix, Prime Video and elsewhere. 

1. Ready or Not 2: Here I Come (April 2026)

When Ready or Not became a surprise hit for Fox Searchlight in 2019, nobody could have imagined we would have to wait seven years for a follow-up to this darkly comic, manhunt-style horror. Directors Matt Bettinelli-Olpin and Tyler Gillett, however, had other plans—namely, taking the reins of the Scream franchise for the fifth and sixth instalments. 

They were scheduled to make the seventh but eventually pulled out for various reasons, meaning that they could finally return to the title that helped make their name. If the trailer is anything to go by, Here I Come picks up directly where the first film left off, with Samara Weaving’s bloodied bride being dragged back into another manhunt—this time against what appears to be the Illuminati. Sign us up!

2. Scary Movie 6 (June 2026)

It’s been 13 years since the world last saw a new Scary Movie film, which means that the franchise’s creators, aka the brothers Wayans, have a whole generation of horror movies to poke fun at.

Consider this: A24 released its first-ever feature just a couple of months before Scary Movie 5—this means that 6 will have the entire history of “elevated horror” to dunk on. Can we expect to see the Babadook smoking a blunt as a freaky girl in an orange hoodie hangs her head out of a car door window? I wouldn’t bet against it. 

3. Jackass 5 (June ‘26)

If, like me, you grew up in the ‘00s and have yet to see your sense of humour evolve since then, you are in for a treat this June thanks to the dual release of Scary Movie 6 and a recently announced fifth instalment in the Jackass franchise.

The movie, currently titled Jackass 5, will once again round up Johnny Knoxville, Wee Man, Chris Pontius and Steve-O alongside a batch of fresh recruits, all of whom will likely once again be putting their bodies and dignity on the line to make us laugh, like the degenerates we are. 

4. Focker in Law (Nov 2026)

Another upcoming sequel we’re all secretly dying to see is Zoolander writer John Hamburg’s Focker in-Law—the tetralogy-making fourth feature of a series that has so far given us Meet the Parents, Meet the Fockers and Little Fockers.

This new instalment reunites series originators Ben Stiller and Robert DeNiro with newcomers like Beanie Feldstein, of Booksmart fame, and Wicked star Ariana Grande—who, if her SNL appearances are anything to go by, should be a hilarious addition to the cast.

5. Practical Magic 2 (Sep 2026)

Sequel fans with a taste for ‘90s nostalgia will, perhaps, be delighted to hear that Nicole Kidman and Sandra Bullock are primed to reunite for another round of flirtatious witchcraft when Practical Magic 2 is released later in the year.

Like so many cult classics, the original wasn’t so warmly received at the time of release, but its amber colours and cosy vibes have made it into one of the most rewatchable autumnal movies ever made. If I had to guess, the new film, which is being directed by Oscar-winning filmmaker Susanne Bier, will involve Bullock and Kidman’s Sally and Gillian Owens passing their magical gifts onto a new generation—Joey King and Maisie Williams’ characters, perhaps? We shall see.

6. Godzilla Minus Zero (Nov 2026)

If you were as thrilled as we were to see the special effects team of the low-budgeted Godzilla Minus One beating out the likes of Guardians of the Galaxy and Mission: Impossible for the 2024 Best Visual Effects Oscar, you have probably also been secretly pining for a sequel ever since—and if so, you’re in good company.

This new instalment, titled Godzilla Minus Zero, which will once again take place in a historical setting and is set for release later this year, is being billed as the 39th film in the Godzilla franchise. If it ain’t broke, etc.

7. The Adventures of Cliff Booth (late ‘26)

The strangest upcoming sequel, in a lot of ways, is David Fincher’s The Adventures of Cliff Booth, a spinoff sequel to Quentin Tarantino’s Once Upon a Time… in Hollywood. This one is tantalising for a lot of reasons—namely, as it’s Fincher’s first time directing a sequel since Alien 3 (his debut feature) and Tarantino’s first time ever writing one—unless you count Kill Bill 2. 

The story is set to follow Brad Pitt’s attractively relaxed stuntman into the 1970s, where, if the trailer is anything to go by, he is now working with a very cool-looking woman played by Elizabeth Debicki. Imagine Tarantino’s dialogue with Zodiac’s aesthetic, which kind of sounds like a dream combo.

9. Beekeeper 2 (Jan 2027)

Of all the Jason Statham movies named after professions (Mechanic, Spy, Working Man, etc.), I must admit I’m most fond of The Beekeeper—in which the Stat-man does as advertised until some goons inevitably come along and ruin his day.

The follow-up to that surprisingly controversial 2024 hit, titled Beekeeper 2, is set for release next year. I fully expect it to contain similar levels of beekeeping (not a lot) and violence (a lot).

10. The Resurrection of the Christ Part 1 & 2 (Mar 2027)

I might be in the minority on this one, but I must say I’m morbidly intrigued by the idea of a Mel Gibson-directed follow-up to his phenomenally successful 2004 Christian torture porn hit The Passion of the Christ. Like I said: degenerate.

In the bible, it only took three days between Jesus’ crucifixion and his resurrection, but due to Gibson's rap sheet of off-screen antics, it’s taken the former leading man 23 years to get here. I have no idea if the movie, The Resurrection of the Christ Parts 1 & 2, will in any way be worth the wait, but I can’t say that the guy doesn’t know how to direct a movie. Colour me intrigued.

It already feels like Marvel has packed the Avengers: Doomsday cast with every character that makes sense for this universe-defining story. In fact, it’s bursting at the seams so much that some of the casting decisions really left us surprised.

For instance, who would have guessed that the likes of Patrick Stewart and Ian McKellen would be back for one last(?) dance as their iconic X-Men characters? Or that Robert Downey Jr. would turn heel and take on the role of Doctor Doom? Not that we’re complaining, mind you.

One of the major successes of the Avengers: Infinity War and Avengers: Endgame two-parter was the fact that those huge ensemble casts were handled perfectly, with everyone having a significant part to play.

But if we know anything about the MCU by now, it’s that there’s bound to be even more surprises waiting for us when it comes to Avengers: Doomsday. So, here are eight Marvel cameos that would truly blow our minds if they showed up later this year.

1. Nicolas Cage as Ghost Rider

Just before the MCU began, the legendary Nicolas Cage took on the role of Johnny Blaze in 2007’s Ghost Rider. I’ll be honest, it wasn’t a great film, with poor CGI and a convoluted story spoiling what could have been a really distinctive, dark comic book movie. Still, he returned as the character again in 2011 for a sequel, Ghost Rider: Spirit of Vengeance. That was arguably even worse than the first film, but it’s hard not to have a bit of fun when you’re watching Cage playing a demon vigilante on a motorcycle.

Does it make sense for Nic Cage’s Ghost Rider to show up in the MCU? Not really. Does that stop us wanting it to happen? Absolutely not. It would be brilliant to see him tearing it up on the battlefield, even just for a brief moment. The actor himself has recently insisted that while his character is not part of the MCU, he doesn’t need to be: “I’m Nic Cage.” It sounds like he could take it or leave it… or maybe he’s just really good at keeping secrets?

2. David Hasselhoff as Nick Fury

It’s almost impossible to imagine anyone but Samuel L. Jackson as Nick Fury now, but way back in 1998, we glimpsed an alternate reality where David Hasselhoff plays the character. Interestingly, Nick Fury: Agent of S.H.I.E.L.D. doesn’t feature any superheroes; it’s just a story of the main man having to come out of retirement to take down HYDRA.

It’s an incredibly camp and cheesy action movie that was made for TV, and one that most people have likely forgotten about, but that doesn’t mean the Hoff can’t make a comeback now. He actually popped up in Guardians of the Galaxy Vol. 2 when Ego was trying out different looks for his human form, so he’s clearly got a contact at Marvel. Plus, with the Nick Fury we know slipping out of the picture in recent movies, it could make sense for an alternate version to show up.

3. Tom Cruise as Iron Man

This is a fan-casting that has been doing the rounds for decades now, and if it’s ever going to come true, then now is the time to do it. Tom Cruise was the top choice to play Tony Stark in the late ‘90s, but it never came to fruition because the actor was hesitant to take a risk on an untested character. Since then, the rumours have persisted, despite Cruise playing down the idea and insisting he loves what Robert Downey Jr. has done with the character.

We’re likely to see how his version of Tony Stark becomes Doctor Doom in Avengers: Doomsday. But, while the Iron Man we know and love is dead, that does leave a significant void among the roster of Earth’s Mightiest Heroes. With Cruise’s commitment to the Mission: Impossible franchise over and this colossal crossover event providing the perfect platform for the MCU to experiment with different variants, our dreams could finally come true.

4. Natalie Portman as Jane Foster

The last time we saw Natalie Portman in the MCU, she was wielding Mjolnir and had evolved into a fully-fledged superhero in Thor: Love and Thunder. Jane Foster was pretty badass as the Mighty Thor, but she was also hiding a secret: she was dying of cancer. Sadly, by the end of that movie, Jane passed away and is seemingly out of the MCU for good.

However, with Chris Hemsworth back as Thor in Avengers: Doomsday, and all kinds of strange things happening in this multiversal tale, there is really no character that can be truly off the table. Indeed, in the comics, Jane is resurrected by Thor and becomes a Valkyrie, so there is precedent for her to return in some capacity here.

5. Terence Howard as War Machine

Remember in Iron Man when Colonel James Rhodes was played by Terence Howard? In Iron Man 2, he was replaced by Don Cheadle after a pay dispute and has never been seen in the MCU again. Frankly, there would be absolutely no reason to bring Howard back as War Machine at this point, but it would be kind of funny to just throw him in there for the sake of it.

Given how the partnership between Howard and Marvel ended, it’s unlikely that we’ll see him in Avengers: Doomsday, but, as we say, there are multiple variants of these characters out there; he doesn’t need to be Earth-616’s Rhodey. He could even come back as some kind of ally to Doctor Doom. If, as we suspect, Doom is a version of Tony Stark that went rogue, it would make sense for him to have an evil Rhodey by his side.

6. Robert Downey Jr. as Tony Stark

Speaking of the main man himself, it’s still almost unbelievable that Robert Downey Jr. is going to not only be in Avengers: Doomsday, but will be the Big Bad of the story. It’s pretty safe to assume that the fact Doom looks just like Tony Stark will be addressed by the characters who knew him as Iron Man, but what if we actually get Downey Jr. playing another variant of Stark, too?

In the MCU, we’ve already seen Captain America fight Captain America, Deadpool take on a whole army of different versions of Deadpool, and Loki wander through different timelines admiring himself. That’s without even mentioning what was going on in Doctor Strange in the Multiverse of Madness. There’s obviously nothing in the rule book that says Downey Jr. can’t play two roles in this film, and that could even be the thing that forces the multiverse to collapse in on itself.

7. Edward Norton as Bruce Banner

The character of Bruce Banner, aka the Hulk, is an odd one for Marvel. Let’s not forget that Edward Norton first took on the role in The Incredible Hulk, which is technically part of the MCU – it even has a post-credit scene with Downey Jr. as Tony Stark. The fact that Mark Ruffalo now plays the Hulk is just something we’ve all become accustomed to, but just like Terence Howard, there is a teeny, tiny chance we’ll get Norton back, too.

In fact, it’s far more likely for Norton to return given that he exited the franchise over creative differences with Marvel over the direction the studio wanted to take his character, and the fact that he didn’t want to be tied down. It’s not like he left on terrible terms, and with the introduction of Hulk’s son, Skaar, there’s obviously room for more than one big, green monster in the MCU.

8. Scarlett Johansson as Black Widow

There are very valid concerns over the idea of assembling the original Avengers once more. Chris Evans and Downey Jr. having parts to play (albeit as a different character for the latter) does cheapen the emotional impact of that brutal Avengers: Endgame finale. Still, there is a part of me that’s very excited to see them again. So, why can’t Natasha Romanoff return, too?

She paid a heavy price in Endgame, sacrificing her life on Vormir to secure the Soul Stone for Clint Barton. But guess what? So did Gamora, but a version of her still lived on after Thanos chucked her off a cliff. Johansson is busy working on The Batman Part II as we speak, which means she’s probably too busy to hop over from DC and film a scene or two for Marvel. But wouldn’t that be the perfect alibi for a secret cameo?

Few series have captured our romantic imaginations quite like Bridgerton. From the glittering ballrooms of Regency London to the whispered scandals buzzing down every promenade, the series has made lust, heartbreak, and longing into an addictive, immersive experience. More than just a saucy period romp, Bridgerton explores the many forms that love can take—and what it requires to spark a truly electric bond.

Season 4 finally brings the focus to the second eldest brother, Benedict, a notoriously unconventional bachelor—at least, until he meets Sophie. Although Benedict still doesn’t realise that Sophie the maid is the same mysterious woman he fell for at the masquerade ball, things are nevertheless starting to heat up between them. In anticipation of Part II’s release on February 26, let’s see how Benedict and Sophie measure up so far compared to the other Bridgerton couples. 

While each season has brought its slow-burn romances to a boil with aplomb, some pairs have succeeded in igniting our imaginations better than others—so read on for our ranking of the Bridgerton couples, from the least compelling to the stuff of dreams. 

6. Francesca and John

While Francesca and John’s relationship was never the focus of an entire season, it is nevertheless an important Bridgerton pairing. It’s easily the most subdued relationship in the series—a quiet counterpoint to the fireworks that usually define Bridgerton romances. Still, while Francesca and John’s relationship might work a bit differently from the others, it’s compelling in its own way and has brought important topics like the orgasm gap to the fore. 

Francesca Bridgerton (Hannah Dodd) first makes her society debut in Season 3 and is chosen by Queen Charlotte to be her season “sparkler”—not quite as bright as a “diamond”, but for sure something. Deeply introverted, she craves a calm life of music and quiet, far removed from the constant buzz of her big family. When she meets the reserved but gentle John Stirling (Victor Alli), the two forge a steady connection uncharacteristic of the rest of the Bridgerton clan. In fact, the couple’s seeming lack of passion makes Violet concerned, but Francesca’s insistence that this kind of love is equally valid wins the argument—at least for now. We have yet to properly explore Francesca’s flustered reaction upon meeting John’s cousin Michaela—and we know from the books that they eventually end up together—so perhaps she will get the experience her mother wants for her after all.

While Francesca and John’s relationship is beautiful in its way, it’s also the one that feels the least like a romantic fit. Let’s be honest, big fireworks and passion are the lifeblood of Bridgerton. The series is a study in how tension and friction can ignite a connection and carry it forward with both chemistry and longevity. For that reason, their relationship doesn’t measure up to the rest of the series, even though, in a broader sense, the question of whether or not big love requires big sparks still adds a level of depth. I guess we’ll have to keep watching to find out! 

5. Violet and Marcus

Although new and still developing, Violet and Marcus’s late-in-life connection is an exciting addition to the Bridgerton mix. Throughout the series, the Bridgerton matriarch Violet’s (Ruth Gemmell) main focus has been raising her five children and supporting them in their search for love. With such a big job, it’s no wonder Violet has completely neglected her own love life—until now. Season 3 introduced Lady Danbury’s charming brother, Marcus Anderson (Daniel Francis), whose chemistry with Violet was immediate.

Although Lady Danbury had initially tried to keep them apart, the more significant block between Marcus and Violet coming together came from Violet herself. In Part I of Season 4, she comes to terms with the idea of still being desirable at an older age, as well as still deserving romance and passion after years of putting others before herself. 

Since all of the other Bridgerton couples are young and experiencing love for the first time, Violet and Marcus’s relationship is a refreshing addition, reminding us that Bridgerton-level love can find you at any age. However, since they’ve had so little screen time, it’s hard to tell where they will ultimately land in the ranking. Although their relationship only just got started at the end of Part I in Season 4, I am looking forward to seeing Violet fully come back into her sexuality in the second half of the season.

4. Penelope and Colin

Season 3 of Bridgerton turned the spotlight on Penelope Featherington (aka Lady Whistledown) and Colin Bridgerton, delivering one of the steamiest arcs yet. While their season had moments hot enough to melt the wheels off a carriage, a lot of the story was occupied by Penelope’s big Whistledown reveal. In addition to Colin spending much of the season angry at her, Penelope’s shame—over her gossipy alter ego, over betraying both Eloise and Colin in her writing, and even over her appearance—was a heavy load to bear and, while important, somewhat dimmed the fun of their connection for me.

While shame is probably the least sexy emotion imaginable, the season did manage to balance it out with some genuine heat. The infamous carriage shag—not to mention the naughty feel-up in front of the mirror—added some serious points to Colin and Penelope’s season, but not quite enough to catch up to the entries ahead.

3. Sophie and Benedict

We might only be through Part I of Season 4, but I am already all in on Benedict and Sophie’s blossoming love story. It’s got all the ingredients of a good Bridgerton romance—the intellectual challenge, the evolving feelings, the yearning—and the added spice of Sophie’s Shakespeare-style secret identity and the undeniable chemistry between actors Luke Thompson and Yerin Ha, and we may have another weapons-grade romance on our hands this season!

And yet, there are a few things that downgrade Sophie and Benedict for me. Throughout the previous seasons of Bridgerton, Benedict had been in a highly experimental, explorative phase, and still seemed to be firmly in that at the start of Season 4. I’m not fully convinced that the conversation between him and Sophie at the masquerade ball was scintillating enough to make someone like him change course so quickly. 

However, I appreciate he is growing before our eyes this season, and it’s promising that he realised that the woman before his eyes deserves more attention than a fantasy—although his less than compelling proposal to Sophie at the end of Part I suggests that a lot more change is needed if he’s going to be worthy of her affections in Part II. However, I have high hopes that Benedict will turn it around and that all those promising sparks won’t go to waste.

2. Daphne and Simon

Daphne and Simon’s romance set an incredibly high bar in the first season of the series and has succeeded in remaining one of Bridgerton’s most scintillating pairings. Since Regé-Jean Page unfortunately declined to return after Season 1, their on-screen relationship sadly remains confined to the past, but the echoes of their intense push-pull dynamic set the stage for all subsequent romances and kept us coming back for more—no small feat!

Season 1 introduces the eldest Bridgerton daughter, Daphne (Phoebe Dynevor), after she is selected by Queen Charlotte to be that season’s “diamond”, the woman the Queen decides is the most eligible of all the debutants. After her brother Anthony’s over-protective antics scare most of her suitors away, Daphne and the marriage-shy Simon strike up a mutually beneficial deal to pretend to be courting, which turns fiery fast, evolving from a strategic alliance into a torrid obsession. Although they weather some truly challenging storms, that only serves to make their relationship more compelling, and they ultimately come out the other side stronger and happier than ever. A truly perfect Bridgerton story.

1. Kate and Anthony

While the first season of Bridgerton primed us to expect a certain standard of love story, Kate and Anthony’s sizzling Season 2 relationship tore right through the darn ceiling. From their heated disagreements to their longing, lustful glances, there was enough sparkage to set a blazing fire that has luckily continued to burn well into Season 4—albeit now in cameo form.

Season 1 introduced the eldest Bridgerton son, Anthony (Jonathan Bailey), as a proud bachelor convinced no one woman could ever capture his heart, but in Season 2, the smart and self-sufficient Kate Sharma (Simone Ashley) succeeds in melting his cynicism through sheer force of character. At the start of the season, Kate is similarly resigned to remaining unmarried rather than compromise on her desires, but as the friction between her and Anthony builds—culminating in an explosive kiss—what was clear to all of us from the outset becomes undeniable to both of them too. 

Now happily married with one child, and more on the way, Kate and Anthony’s magnetism still steals every scene they appear in, making them the undeniable gold standard of Bridgerton love.

We are probably going to be second-guessing Marvel’s masterplan for Avengers: Doomsday all the way through to December, and it’s more than likely none of us will figure out what’s truly in store.

You can read all the comic books you want, but the MCU constantly subverts storylines and tweaks characters to keep us on our toes. That doesn’t stop us theorising, though, and the mystery behind Robert Downey Jr.’s return as Doctor Doom has really got the cogs turning in the fanbase lately.

The fact that Downey Jr. is in the Avengers: Doomsday cast at all is crazy, considering his previous character, Tony Stark, aka Iron Man, is canonically dead. Even crazier is the fact that he’s gone from playing Earth-616’s greatest hero to becoming the new Big Bad. Still, if this theory about why the actor is back in the MCU is correct, his villainous turn actually makes perfect sense.

Was Tony Stark Secretly Victor Von Doom All Along?

This interesting train of thought comes from Marvel Mania on Twitter/X, who laid out a theory this week that drastically alters everything we thought to be true in the MCU so far. The question they pose is simple: What if Tony Stark has always been Doom?

It all stems back to Avengers: Endgame. Specifically, when Tony travels back in time to 1970 and crosses paths with his father, Howard Stark. While there, Howard explains that he and his wife, Maria, are expecting a child. That’s no big surprise, as we obviously know Tony arrives in the world months later… right?

Well, here’s the catch that most of us missed in 2019. Tony speaks to his dad on April 7. Tony was born on May 29, 1970. But when Howard discusses Maria’s pregnancy, it sounds like she has just found out she’s expecting. Even Tony’s face looks confused by the timing of it all.

The new explanation – dubbed the ‘Adoption Theory’ – suggests that the child Maria was carrying died shortly after Tony’s visit. In order to maintain the Stark legacy, Howard and Maria adopted an orphan baby. From where, you ask? How about from Latveria? And the most famous Latverian orphan of them all is, of course, Victor Von Doom.

Marvel Mania then asks us to recall a line from Howard Stark in Iron Man 2. While watching a video from his father, Tony hears him say, “My greatest creation is you.” At the time, we all assumed Howard meant that in the literal sense – that he helped conceive the child and is proud of what his son became. But what if he is instead referring to the lies he told and the persona he helped create by changing Victor’s identity to that of Tony’s?

As the original poster states, this line becomes “not a father’s love, but a scientist admiring his masterpiece. Howard didn’t raise Tony Stark; he built him.”

Robert Downey Jr.’s Return Makes More Sense Thanks to the ‘Adoption Theory’

If this theory is correct – and that’s a big ‘if,’ we know – then it makes Downey Jr.’s return to the MCU as Victor Von Doom not only plausible but actually incredibly simple. While we’ve been analysing how Tony Stark could become Doom because of his turbulent past, the real solution could have been staring us in the face all along.

More specifically, Downey Jr.’s face was staring back at us. No one else could play Doctor Doom, because he and Tony Stark are the same person.

The only difference is that, while on Earth-616, that Latverian orphan was brought into a wealthy, healthy, relatively happy family environment; other variants of the character throughout the multiverse may not have been so lucky. At least, the Doom we meet in Avengers: Doomsday wasn’t. He was never adopted. He stayed in Latveria, where his brilliant mind led him down a much darker path.

“Robert Downey Jr. returning makes sense now,” Marvel Mania wrote. “Everything we loved about Iron Man was just a mask for the monster inside.”

Kang’s Connection to Tony Stark Would Have Made the MCU Even More Interesting

Now you might be thinking that there’s a huge problem with this theory: Doom wasn’t even supposed to show up at this juncture. Before actor Jonathan Majors was fired by Disney, his supervillain character, Kang the Conqueror, was intended to be the new nemesis for the Avengers.

In the wake of his sudden exit, the MCU had to pivot dramatically in the direction of Doom, but perhaps the seeds of this Tony Stark theory were there all along. You see, in the comics, Kang’s origins usually have him being a descendant of Reed Richards (his real name is Nathaniel Richards, most of the time). However, there’s a good chance that lineage would have been given a trademark twist for the MCU to have him be a part of the Stark family tree instead.

A theory posted to Reddit suggests Kang’s mastery of time travel aligns with Tony’s own skillset, while the fact that Tony is the “heart” of the MCU makes it far more logical to have Kang be related to him than a character we have barely met.

They may well be on to something. However, if the Adoption Theory is correct, maybe Kang was not a descendant of Tony’s, but rather a multiversal sibling. It’s not unfathomable that Marvel was lining up Kang to be the brother Tony never had – hence why Howard and Maria’s birth timeline didn’t line up with Tony’s – before having to quickly recycle elements of this idea and change course to a Doom storyline instead.

We won’t know whether this theory is on the money or not for a few months yet. Maybe it’s way off, but it’s an intriguing hypothesis nonetheless, and one I’ll be thinking about as I take my seat in the cinema for Avengers: Doomsday on opening night.

Imagine going back to 1993, telling Harold Ramis that in 30 years, journalists, scholars and movie fans would still be poring over Groundhog Day for deeper meanings. 

We’ve already heard how Phil’s experiences resemble the stages of grief. We’ve already seen his journey to enlightenment compared to Buddhism and Siddhartha. We’ve even entertained the theory that he stays in the loop for more than 10,000 years.

One of the more recent ideas that’s gained traction online originally came from an article by the culture writer Megan Gaber in The Atlantic, titled ‘Groundhog Day Was a Horror Movie All Along.’ In this piece, I’ll dive a little deeper into Gaber’s theory and see why it, and the movie, continues to resonate six years later. Read on to discover more and use the guide below to find some of the movies we mention on services like AppleTV, Netflix, Prime Video and elsewhere. 

What is Groundhog Day About?

If, for some reason, you’ve yet to see Groundhog Day, I’m both jealous and not jealous—in a way. Ramis’s stone-cold classic is amazing to see for the first time, of course, but it’s also one of the most rewarding movies on rewatch—in fact, seeing it for the sixth, 12th or 18th time has a way of revealing different things. It helps that not a second of its 101 minutes is wasted and that each frame is crammed with little jokes and ideas.

The story follows Bill Murray’s Phil Connors, a comically arrogant Pittsburgh weatherman, as he makes his annual professional pilgrimage to Punxsutawney to cover the local tradition of seeing whether a groundhog will come out of hibernation on February 2, thus predicting how many more weeks of winter there’ll be. While there, for no reason other than karmic justice, some higher power decides that Phil has to live this day repeatedly—or at least, you guess, until he learns to be a better person. 

What Does Groundhog Day’s Plot Have to Do With Horror Movies?

In a sense, Ramis’ screenplay borrowed the blueprint of Charles Dickens’ Christmas Carol (Murray had even starred in Scrooged a few years earlier) as well as movies like It’s a Wonderful Life but kind of gamified it, allowing him and his co-screenwriter Danny Rubin to dream up a bunch of side quests for Phil to go down before getting to the more sobering parts of his journey. The director wanted to lean towards comedy, but Murray insisted it be darker—one of the main reasons the movie is so great is that they found a way to split the difference.

The horror movie vibes come downstream of the stages of grief that Phil experiences: denial, anger, bargaining, depression, and acceptance. Seen from another angle, his actions also start to look like the seven deadly sins—and it’s only after committing these, and getting no satisfaction, that Phil starts to lose the will to live. This leads to a bout of nihilism and several suicide attempts that the movie just about plays for laughs.

To call it a horror movie would, in a way, be like calling A Christmas Carol (even the Muppet version) and It’s a Wonderful Life horror movies, too, which, in a sense, they both are. And to think we’ve been arguing about Die Hard for all these years…

Is Groundhog Day REALLY a Horror Movie? (It Depends On Your Perspective)

Another thing that links the movies we’ve mentioned is that they all at least partially play out in uncanny realities—places that are familiar to the characters but where something is off. It’s a feeling that you get while watching movies like The Truman Show or shows like Pluribus: stories set in worlds with fewer consequences, by design, but where things have been stripped of meaning as a result.

Indeed, one person’s heaven can easily be another person’s hell. It’s like that story about the man who wakes up on a golf course with Adolf Hitler, Joseph Stalin and Genghis Khan. When his first shot flies in, he goes wild, but as he keeps sinking them, one after the other, he starts to feel uneasy. “That’s the problem with this place,” Stalin explains, “every shot you hit is a hole in one.”

Sadly, Game of Thrones spinoff A Knight of the Seven Kingdoms is already gearing up for its season finale. But don’t cry because it’s over, smile because it happened. And oh boy, did it ALL happen in Episode 5.

Titled ‘In the Name of the Mother’, the penultimate episode of the first season of A Knight of the Seven Kingdoms was pretty perfect. Beginning with a brief but brutal onslaught of attacks on our hero, Dunk, the episode tails off into a flashback detailing his journey to becoming a squire for Ser Arlan of Pennytree.

It felt like an unusual pivot at first, taking us away from the battlefield and the much-anticipated Trial of the Seven. However, it all comes full circle when it throws us back into the blistering conflict just in time for some epic camerawork and a very satisfying victory for Dunk, wrapping up one of the best episodes of television I’ve seen in years.

Unfortunately, though, there’s no such thing as a happy ending in Westeros. No, there was still just enough time in the episode to deliver one final gut-punch. If you don’t want to know what that was, be warned that there are spoilers from this point on!

Baelor Targaryen’s Heartbreaking Fate

Sadly, one of our favourite characters failed to make it out alive. Our beloved Baelor Targaryen – who shouldn’t even have been involved in the fight – suffered a gruesome blow to the back of the head and collapsed dead in Dunk’s arms. After his noble decision to help the hedge knight in his trial, it hardly seems fair that this kind prince should meet such a grizzly and tragic end.

Worse still is the fact that it was Baelor’s brother, Maekar, who delivered the fatal blow. With his son, Aerion, at the mercy of Dunk, Maekar swings wildly at both Baelor and Lyonel Baratheon in an attempt to rescue his monstrous heir. Fuelled by that one desire only, Maekar likely doesn’t even realise what he’s done, but it’s a mistake that will haunt him for years to come.

Baelor’s final words, though, were laced with nothing but pride. Reflecting on his injury, he says, “My brother's mace, most likely… He's strong". A delightful smile plays across his face, largely because he doesn’t realise the severity of his condition, but also because he’s just so happy to tell people how brilliant his brother is.

Clearly, Baelor does not blame his brother for the incident, and neither does actor Bertie Carvel, who played the popular character. Speaking to TV Insider, he said, “I think he understands his brother’s actions. He loves his brother deeply. You see that, right to the end.

“[...] He’s excited by [his power], like when they were boys, and they would revel in their ability to wound one another. There’s a fondness there and no blame. This is what happens when you get into fights. Somebody gets hurt.”

The fact that Baelor (and Carvel) can embrace this death with such grace speaks volumes for the character. It also serves to cement this as one of the most heartbreaking deaths in Game of Thrones history.

Game of Thrones Would Have Been VERY Different if Baelor Were King

For the people of Westeros, the death of Baelor Targaryen must have been a real hammer blow. In a period of peace under King Daeron II – also known as Daeron the Good – Baelor would have continued that trend when he ascended the Iron Throne. He was a man who would have ruled without fear, a Targaryen who didn’t need a dragon to get what he wanted, who earned respect rather than demanding it. 

On the benevolence of Baelor, Carvel added: “Anger doesn’t seem to be his default, which is why they’ll talk about him as a good king, I’m sure, or the king that never was. You’d like to believe… that our leaders don’t default to anger very easily. He’s certainly a good example to leaders who might be out there. He’s cut from the right cloth.”

Indeed, the Seven Kingdoms would have been a very different place had Baelor survived, but that’s exactly why George R. R. Martin had to write him out of the story at this exact juncture. The master author even said as much in 2022, telling fans that Baelor’s death is the single most impactful moment in the history of Westeros. Put simply, Game of Thrones wouldn’t have been very interesting if he hadn’t.

Baelor’s death sends the Targaryen dynasty spiralling in a wildly different direction. Aside from Aegon the Unlikely’s calm tenure as King, the rest of the monarchs taking to the Iron Throne are pretty nasty pieces of work. 

Most notably, King Aerys II, also known as the Mad King, brought chaos and destruction to the realm. He burned his opponents with wildfire at every opportunity, he brutally executed both Rickard and Brandon Stark, and even planned to raze King’s Landing to the ground.

From there, as we know from Game of Thrones, Westeros suffered under the rule of Robert Baratheon, who brought debt and neglect to the kingdom, while Joffrey Baratheon’s short reign was filled with atrocities and cruelty. If that wasn’t bad enough, it all ended with Daenerys Targaryen enacting her father’s malevolent and fiery plan for King’s Landing, killing hundreds of thousands of civilians in the process.

And to think, all of this might well have been avoided had Baelor not been so eager to fight by Dunk’s side!

A Knight of the Seven Kingdoms Could Continue For Years

It’s a good job both Dunk and Egg are such lovely characters; A Knight of the Seven Kingdoms might be at risk of stuttering in the wake of Baelor’s demise. Thankfully, the show has so much more still to offer far beyond its first season.

A second season has already been given the green light and is expected to be released in 2027. That next instalment will be based on the second story in the original novella, called ‘The Sworn Sword’. While there are only three stories in Martin’s source material, that doesn’t mean we’re limited to just three seasons of this fantastic show.

Showrunner Ira Parker has ambitious plans to stay with these characters for quite literally a lifetime. He said, “I hope George keeps writing these. The truth is – and I’ve pitched this to HBO with a couple of very polite eye rolls – I want to do four or five [seasons] now with Egg as a kid. Then, I want to come back in ten years and do four or five more seasons.

“It would be with Dexter [Sol Ansell] and Peter [Claffey], just the age that they are at that point. Then, we’ll come back ten years after that and do Egg the adult. So, it would be over the course of their lifetime. And mine too.”

If the quality stays this high and those two amazing actors aren’t replaced, I’ll be on board the A Knight of the Seven Kingdoms hype train until the end of the line.

Other streaming services have come and gone, but Netflix has stayed at the top of the pile for the best part of a decade now. The reason? There’s simply so much to choose from that it’s impossible not to find something you love.

It’s thought there are over 6,000 titles on the platform, with new content added all the time. But, while that incredible range of movies and TV shows means you’ll always find something you want to watch, it also means you’re likely to spend a fair bit of time pondering what’s actually worth pressing play on.

Here at JustWatch, we can help you with that. Instead of wasting time deciding what to watch, we’ve broken down the top 10 films and TV shows on Netflix over the past week and highlighted the titles you should be giving your attention to.

TV Shows in Netflix’s Top 10 That You Have to Watch

Incredibly, this is the first time this year that His & Hers has not been in the top 10 TV shows on Netflix, but we still have the likes of Bridgerton, The Lincoln Lawyer, and another instalment of WWE Raw hanging around. There are some exciting new titles to dive into, too, though.

Here are the top 10 most popular shows on Netflix this week: 

1. Reality Check: Inside America's Next Top Model (2026) 

2. Being Gordon Ramsay (2026)

3. The Night Agent (2023-)

4. How to Get to Heaven From Belfast (2026)

5. Bridgerton (2020-)

6. Jeffrey Epstein: Filthy Rich (2020)

7. The Lincoln Lawyer (2022-)

8. The Middle (2009-2018)

9. Love is Blind (2020-)

10. WWE Raw (1993-)

Reality TV is always popular on Netflix, as are documentaries. So, it figures that this week’s gold medal winner is a docuseries about one of the most famous reality TV shows of all time, America’s Next Top Model. The original show was full of incredible meltdowns and vicious takedowns, and you can see how it all went down behind the scenes with Tyra Banks herself.

Speaking of brutal criticism, how about a dose of the foul-mouthed super-chef, Gordon Ramsay? In his new docuseries, Being Gordon Ramsay, the man himself shows us the pressure he works under while trying to launch five new culinary ventures in the second-tallest building in London. If you enjoy his shows like Hell’s Kitchen and Kitchen Nightmares, this’ll be a must-watch.

For something only slightly more intense, The Night Agent will scratch the itch for those who enjoy a good spy thriller. It’s very much along the lines of shows like The Night Manager and Bodyguard, with a low-level FBI agent called into action when he least expects it. Season 3 just dropped last week, so start your binge-watch mission today!

Okay, enough of swearing and stress, how about something a lot lighter? If you’re looking for a sit-com to watch and you’ve already exhausted the obvious choices like The Office and Modern Family, you should really give The Middle a go. It’s not necessarily laugh-out-loud funny all the time, but it’s got a charm that makes it a really nice comfort watch.

The Best Movies in Netflix’s Top 10 Right Now

KPop Demon Hunters continues its unbelievable run in the top 10 for the 33rd week now, while true crime doc The Investigation of Lucy Letby drops from the top spot, and Joe’s College Road Trip sticks around for another week. But there are a lot of fresh faces in the chart this week.

Here are the top 10 most popular movies on Netflix this week:

1. Cellar Door (2024)

2. Tarot (2024)

3. If (2024)

4. Prometheus (2012)

5. KPop Demon Hunters (2025)

6. The Investigation of Lucy Letby (2026)

7. The Addams Family 2 (2021)

8. Rumble (2021)

9. Kung Fu Panda (2008)

10. Joe’s College Road Trip (2026)

Netflix customers must be feeling brave this week because the top two spots are taken by horror movies. Technically, neither of them is considered very good – both Cellar Door and Tarot have awful scores on Rotten Tomatoes, but honestly, they’re perfect if you just want to watch something trashy and thrilling that isn’t going to give you a headache trying to figure out all the symbolism and deeper meaning.

Another film that gets a really bad rep from certain fans and a lot of critics is Prometheus. I absolutely love it, and I think this Ridley Scott movie is one of the most interesting and bold additions to the Alien franchise. Go back to where it all started and find out the origins of the Xenomorph, plus lots of other creepy extraterrestrial terrors.

Finally, just because the school holidays are over doesn’t mean the kids need any less attention and entertainment. If yours are anything like mine, they’ll love the subtly spooky vibes of The Addams Family 2 (and its predecessor, which is also on Netflix). The animated reboot of the classic kooky characters has a brilliant voice cast, including Oscar Isaac and Charlize Theron, and a really eye-catching visual style that’ll keep the little ones engrossed for an hour and a half.

It feels like we’ve been talking about “Wuthering Heights” for months already, and yet it’s only just hit cinemas this month. Billed as a steamy and modern twist on the classic Emily Brontë story, this film was always going to cause a stir, but that doesn’t really seem to be an issue for writer/director Emerald Fennell.

While critics are divided over “Wuthering Heights”, there are plenty of moviegoers who are coming away from the film satisfied. In fact, the film has already recouped its costs from its opening weekend alone. More specifically, while devoted Brontë fans find Fennell’s take on the story to be rather offensive, those who haven’t read the novel are largely unbothered by the controversy surrounding the adaptation.

It takes a brave filmmaker to dive into this kind of project. Even a highly faithful adaptation could upset a few folk. But for Fennell, that’s just par for the course.

Emerald Fennell’s Career Has Been Leading to “Wuthering Heights”

Emerald Fennell’s first big gig was as a writer on Killing Eve. She joined for Season 2 of the Phoebe Waller-Bridge darkly funny series, and to be honest, it’s not surprising she was picked up for that project.

Waller-Bridge and Fennell have a very similar sense of humour, while Killing Eve had plenty of scope for the shocking storylines, sexual themes, and grandiose costume work Fennell has become renowned for since.

From there, Fennell was given the chance to bring her own, original story to the big screen with Promising Young Woman in 2020. She won an Oscar for her screenplay, which was something of a surprise given that many viewers and critics were frustrated by the way the story ended. Like it or love it, though, Fennell’s feature debut was eye-catching with its clash of pastel colours and violent themes.

Promising Young Woman put Fennell on the film map, but it was her follow-up, Saltburn, that made her more of a household name. Bringing together rising star Barry Keoghan and heartthrob Jacob Elordi was always going to be a safe bet for a crowd-pleasing movie. Throw in a catchy ‘00s soundtrack, some risqué nudity, and surface-level shocks, and you’ve got the ideal flick to get viewers excited.

Critics and more seasoned film fans weren’t as happy, though. Indeed, Saltburn is a film that doesn’t really have anything new to say, with predictable plot twists for anyone who has seen the likes of The Talented Mr Ripley and Gattaca. Meanwhile, Fennell’s script is not sharp or incisive enough to truly dig into the issues of classism the novel raises, which leaves the film itself guilty of being more style over substance.

Still, that element of style is definitely a huge positive in Fennell’s body of work. Her eye for a beautiful shot is uncanny, while the production design in all of her films is sublime.

With enough technical ability and mainstream appeal to get noticed, Fennell earned the right to take on a major IP as her next project. And, with a penchant for darkly sexual content and dissecting of class conflict, there was really no reason not to give her the keys to Brontë’s classic tale.

Controversy Is Nothing New For Emerald Fennell

Just as we shouldn’t be surprised that Fennell was given the green light for her take on Wuthering Heights, we also saw the controversy around the release coming a mile off. After all, she’s a filmmaker who revels in subverting expectations and clearly wants her movies to get people talking, for better or worse.

Fennell’s motivations behind Promising Young Woman, for example, were admirable. Released around the time of the #MeToo movement, Fennell always intended this story to confront the systemic problem of how women are treated in modern society.

She also spoke about how the term “empowered” didn’t sit right with her, instead preferring to portray a raw and complex version of the vengeful woman trope. Fennell didn’t want to give her audience easy answers, and she did not want a happy ending. The fact that she went against the grain certainly divided audiences.

When Saltburn hit the big screen, Fennell said she was “thrilled” that it similarly provoked such extreme reactions from viewers. She insisted on keeping the most shocking sexual scenes in the final cut, as they depicted the true “horrors of love”. Interestingly, Fennell even compared Saltburn’s more intense scenes to moments she remembered from her favourite novel – and we all know what that is, don’t we?

Meanwhile, Saltburn itself even led to a new term being coined, with the ‘Saltburnification’ of film now very much a thing. Fennell’s trademark, whether she likes it or not, is to tackle serious, controversial issues through a highly stylised lens and with hypersexualised themes, all the while perhaps only really scratching the surface of what she could and perhaps should say. 

For some, it’s considered the epitome of everything that’s wrong with filmmaking for the social media generation – creating nice-looking content that’s easily digestible yet ultimately shallow. For others, it’s exactly the kind of fast food cinema they crave – just enough to be entertained and feel thrilled for a couple of hours, before moving on to the next trend

Similarly, Fennell’s “Wuthering Heights” distorts Brontë’s story in just the right way to both infuriate those who know enough about the source material to care and be exhilarating for those who don’t. She never wanted to make a direct adaptation, stating such a thing is simply “not possible” given how complex the novel is. But that concept fits perfectly into Fennell’s modus operandi; she doesn’t make films to please everyone, she wants to challenge audiences and ruffle a few feathers.

In many ways, it’s an admirable approach to filmmaking. It won’t guarantee you positive reviews or box office success (though “Wuthering Heights” is proving the latter wrong), but at least Emerald Fennell has a recognisable voice and style.

Other Movies That Fit Fennell's Brand of Shock Storytelling

In a nutshell, the foundations of Fennell’s brand are to paint a lavish, eye-catching picture and adorn it with big, flashy concepts and sexual overtones. What always seems to bring those foundations crashing down, though, for critics, is the handling of the actual story from a substantive point of view. It’s pastel-painted shock-baiting, and it’s not a method that’s wholly exclusive to Fennell, even if she’s its poster child.

There are a few recent films that fit into this niche category. Unless you checked the credits, you’d probably think a movie like Thoroughbreds belonged to Emerald Fennell, particularly for the way it addresses classism through a bloodthirsty lens. Likewise, the intense sexual story at the heart of the recent Nicole Kidman flick, Babygirl, feels aligned with the kind of work Fennell creates.

As for those style-over-substance claims, few films in recent years have suffered similar accusations quite as much as Olivia Wilde’s Don’t Worry Darling. With a strong cast and lofty ideas, this project had so much promise, and it’s hard to deny that it looked incredible, but narratively, it was a mess.

Judging by “Wuthering Heights”’ doubling down on all her trademarks, plus its box office success thus far, Fennell is unlikely to change her ways anytime soon. In this film, she goes all in on controversial depictions of sexual dynamics, heightening problematic elements of the original story to truly rile some people up. That, combined with the whitewashing of Heathcliff and the chopping up of Brontë’s ‘sacred text’, suggests Fennell knows exactly what she is doing, and doesn’t mind, or maybe even enjoys leaning into a divisive and distinctive filmmaking style. 

It might not win her many critical plaudits, but altering course now would arguably be more disingenuous and detrimental to her career. Fennell has established her brand, and it’s allowed her to play around with a beloved classic. This definitely won’t be the last we see of her.

At the end of January, the British Academy of Film and Television Arts announced its slate of nominees for the 79th annual BAFTA awards. The ceremony (which will be available to stream for free on BBC iPlayer) is set to take place on February 22 at the Royal Festival Hall, in London’s Southbank Centre. Viewers can expect to see many of the familiar faces of this year’s awards circuit—some of whom will be hoping to gain momentum in the lead-up to the Oscars.

Like every year, those A-list stars will share the spotlight with a host of British and Irish talent who, for whatever reason, didn’t quite make the cut for those glittering L.A. galas. As a result, the BAFTAs have usually managed to stand out from other ceremonies by giving movies like I Swear and Pillion the chance to go head-to-head with Hollywood juggernauts like Sinners and One Battle After Another. 

In the list below, you’ll find information on ten of the most nominated 2026 Bafta movies—a group that is actually nicely split between those two camps. Read on to learn a bit more about them and use the guide below to find them on services like AppleTV, Netflix, Prime Video and elsewhere. 

One Battle After Another

The current frontrunner for Best Picture and Best Director, Paul Thomas Anderson’s One Battle After Another, has been hyped to the heavens by basically every person who’s seen it since it opened in September. Luckily for us, the film has managed to live up to that billing, and then some, becoming the rare frontrunner that’s as much a hit with audiences as critics. 

One Battle After Another is the story of an ageing revolutionary (played by Leonardo DiCaprio) who puts his struggle to one side in the hopes of giving his daughter a more normal life. However, when a figure from his past (Sean Penn) reappears and takes her prisoner, he decides that it’s time to come out of hiding. If you’ve enjoyed Anderson’s work to this point (especially recent movies like Phantom Thread and Liquorice Pizza), this one aptly feels like a crowning achievement. 

Pillion

One movie that didn’t get a mention on the American awards circuit, despite receiving a ton of buzz from its premier in Cannes and plenty of love from audiences and critics ever since, is Harry Lighton’s debut feature, Pillion. It’s a hot, heavy and very British kink movie (hookup in an alleyway behind Sainsbury’s, withstanding) that’s also an incredibly touching romance. 

Nominated at BAFTA for Original Screenplay, British Film and British Debut, Pillion is a contemporary rom-com set in the world of BDSM culture—perhaps “dom-com” is more appropriate—that focuses on an introverted young lad (Harry “Dudley Dursley Melling) who enters into a sub/dom relationship with a hunky biker (Aleksander Skarsgård). Then, somewhat more awkwardly, he starts to fall in love. 

Sinners 

Ryan Coogler’s Sinners had to settle for 13 nominations at the Baftas (three less than its record haul at the Academy Awards), leaving it one behind Anderson’s film in the ranking of nominees. What’s surprising is that two of the nominations that didn’t cross over the pond were the supporting nods for Delroy Lindo (who grew up in Lewisham) and Wunmi Mosaku (who moved from Nigeria to Manchester when she was one).

That strange snag aside, we can expect Coogler's vampire musical sensation (think Creed meets From Dusk Till Dawn) to win big with the crafts (like Best Score and Cinematography) before falling just short in the most coveted categories.  

I Swear

The other multiple BAFTA nominee that has yet to make much of a splash stateside is Kirk Jones’ I Swear—a movie about a young man with Tourette's syndrome that became an instant critical darling after its premiere in Toronto last September.

I Swear is based on the life of John Davidson, a Scottish man whose experiences with that particular neurodevelopmental disorder were captured in the 1989 television documentary John’s Not Mad. Using that film for inspiration, Davidson is played by Robert Aramayo, who you’ll recognise for his wonderful portrayal of Elrond in Amazon’s Rings of Power. He’s joined here by fellow Rings alum Peter Mullen in the kind of movie you could recommend to anyone. 

Hamnet

Given its subject matter and Irish stars, it’s no surprise that Chloe Zhao’s Hamnet scored a few more nominations here (11) than it did with the Academy (eight)—notably Emily Watson in Best Supporting Actress and Paul Mescal for his Supporting turn as William Shakespeare.

Based on Maggie O’Farrell’s best-seller, the film imagines how the Bard might have written Hamlet as a way of processing the death of his son. Shakespeare purists might scoff at that, but there’s no denying the raw power of Zhao’s film or Jessie Buckley’s central performance as his wife, Agnes. Make sure to have some tissues nearby. 

The Ballad of Wallis Island

Another British indie gem that’s gone a little under the radar outside of BAFTA is The Ballad of Wallis Island, a touching comedy about a lottery winner who decides to use some of his money to reunite his favourite ‘00s folk act on the remote island where he lives.

It’s a charming, funny and moving film that’s elevated by a lovely supporting turn from Carey Mulligan, but Tim Key (The Paper) and Tom Basden (Plebs)—who co-wrote the screenplay—deserve just as much credit.

Marty Supreme

The joint third most nominated movie at BAFTA is Josh Safdie’s Marty Supreme, a 1950s-set ping pong hustler romp that might yet earn Timothée Chalamet his first Oscar. 

Based on the life of Marty Reisman, the movie is as stylish, cool and nerve-shredding as anything in the Safdies’ back catalogue, but the most obvious comps have to be Good Time and Uncut Gems—and if you liked Oneohtrix Point Never’s synth-driven scores in those movies, Marty’s is even better. 

Sentimental Value

If you were a fan of Joachim Trier’s The Worst Person in the World from a few years back, you’re going to love Sentimental Value. For one, this touching, intergenerational family drama sees the Norwegian director reunite with that film’s effervescent star, Renate Reinsve, who gives a similarly wonderful performance as the actress daughter of a celebrated filmmaker.

What Worst Person didn’t have is Stellan Skarsgård (Andor), Elle Fanning (Predator: Badlands) and Inga Ibsdotter Lilleaas in supporting roles. All four performers are nominated, just as they were at the Oscars, and justifiably so. 

Frankenstein

If you’ve just seen “Wuthering Heights” this week and are dying to for more images of Jacob Elordi roaming through dramatic countryside in search of doomed romance, Guillermo del Toro’s Frankenstein might be the movie for you—especially if you’re fond of Del Toro’s work on recent films like The Shape of Water and Nightmare Alley. 

Elordi is nominated here for playing the “Creature” in what is a loving and fateful adaptation of Shelley’s immortal 1818 novel. 

Bugonia

The last, and certainly not the least, on our list of major BAFTA nominees is Yorgos Lanthimos’ Bugonia. Based on the Korean cult classic Save the Green Planet!, it’s a story of two conspiracy theorists who kidnap the head of a tech company in the hopes of exposing her as an alien.

This is the adventurous Greek director’s fourth collaboration with Emma Stone in just over seven years (the sixth if we’re including adverts and shorts). If you happened to enjoy Poor Things or The Favourite, this will likely be up your alley, too.

Remember the Ice Bucket and Mannequin challenges? Even in 2026, there’s always a new social media fad that everyone wants to get involved with. The latest one that has recently swept social networks has seen celebrities rewind the clock back ten years to 2016. 

Life seemed much easier back then, and everyone has been jumping on the nostalgia bandwagon. But if you’re not keen on sharing pics of the 2016 version of yourself, why not celebrate the year with a movie marathon of some of the year’s best offerings instead? 2016 was an exceptional year of film quality, with some of the best movies of the last decade all having been released that year. 

Here’s a selection of movies that have just turned 10 years old that best represent the highly quality of films that arrived during that magical 12 month period.

1. Arrival (2016)

Before he got lost to the world of sandworms with the Dune movies, director Denis Villeneuve gave the world the emotionally devastating sci-fi film Arrival. Based on Ted Chiang’s novel Story of Your Life, Arrival is an alien invasion movie like few others. Rather than attack, these strange new beings wish to communicate. and so it is left to Amy Adams and Jeremy Renner to find a way to converse with the extra-terrestrials. 

A mesmerising and melancholic and meme-able movie of complex depths, in any other year Arrival would have swept awards season, but it had some very strong competition. 

2. Captain America: Civil War (2016)

Back in 2016, cinema was still caught in the chokehold grasp of superhero movies and the MCU. While in recent years the slate of superhero movies has thinned back to only a couple, 2016 had no less than six, which included X-Men: Apocalypse, Doctor Strange, Batman V Superman, Suicide Squad, and Deadpool. The biggest of them, though, was Captain America: Civil War.

As with many MCU movies, the plot of Civil War was years in the making and follows how political interference with the Avengers causes a team-wide rift between Captain America and Iron Man. Being Team Cap or Team Stark is essentially the comic crowd’s version of Team Jacob or Team Edward, so pick a side and get ready to cheer them on. 

3. The Witch (2016)

2016 was the year that the horror community gained the fantastic Robert Eggers with the release of his feature debut, The Witch. Starring Anya Taylor-Joy as Thomasin, The Witch is a ye olde set, and spoken, story of a Puritan family ripped apart by witchcraft. Featuring Eggers' now trademark attention to historical accuracy, The Witch is incredibly atmospheric and features one of the most iconic animals in recent horror history, Black Phillip. 

Since The Witch, Eggers has gone from strength to strength with The Lighthouse, The Northman, and Nosferatu all winning over critics and audiences alike. All eyes are now on his next project, Werwulf. 

4. Hunt for the Wilderpeople (2016)

In Hunt for the Wilderpeople, the rebellious Ricky Baker and his foster uncle find themselves on the run from the social services. As the pair travel through the New Zealand bush, they encounter all manner of quirky characters and, more importantly, learn how to bond with one another. 

Directed by Taika Waititi, Hunt for the Wilderpeople features that magic brand of New Zealand humour, so if you’re a fan of that branch of comedy, get this one queued up on your watchlist ASAP. 

5. Green Room (2016)

Directed by Jeremy Saulnier, Green Room is an incredibly intense thriller that pits punk rockers against neo-Nazis with disastrous results. Starring the late Anton Yelchin as one of the punk rockers in over their head, Green Room sets him against Sir Patrick Stewart.

Beloved as Captain Picard in Star Trek: The Next Generation, and Professor X in X-Men, Stewart plays heavily against type as the menacing leader of the neo-Nazis. Once seen, it’s hard to see him in the same light. 

6. Moonlight (2016)

Although for a hot minute it looked like La La Land was going to take home the prize, Moonlight won the Academy Award for 2016’s Best Picture. It doesn’t take long to figure out why. Not only is the story – which chronicles the life experience of a Black gay man – incredible, but the performances of the cast are insanely strong, and the film looks and sounds beautiful. 

A movie that is not merely one of the best films of 2016, Moonlight currently sits at number 60 in Sight and Sound’s 250 ‘Greatest Movies of All Time’ list. 

7. Raw (2016)

Julia Ducournau is one of the most exciting directors working within genre cinema. Her 2021 film, Titane, earned Cannes’ prestigious Palme d’Or award, but before that she grabbed the horror crowd's attention with her debut feature, Raw. Set within a veterinary college, Raw is a coming-of-age story told through the genre lens, as new student and life-long vegetarian Justine succumbs to cannibalistic urges after a hazing ritual at the school. Justine must battle with her burgeoning hunger for flesh, acting as a perfect metaphor for the transition from girlhood to womanhood. 

In addition to its compelling narrative, Raw also features some gnarly moments of gore that are rumoured to have had some early festival audiences vomiting and fainting in the aisle. 

8. Ratchet and Clank (2016)

Ratchet and Clank is easily one of the best video-game adaptations in film history, and yet, it is criminally underseen. Anyone who has grown up around a Sony PlayStation will be familiar with big-eared Lombax Ratchet and his robot sidekick, Clank. The pair have been a part of the console since the PS2, and fans of the game series will find a ton to enjoy in the animated movie. 

Featuring the original voice artists from the game, alongside the more famous vocals of Bella Thorne, John Goodman, Sylvester Stallone, and Rosario Dawson, Ratchet and Clank captures the spirit of the series beautifully. Full of references to the games, Ratchet and Clank also retains the games’ wry and sometimes satirical humour while also telling a fun space yarn about friendship and courage. 

9. La La Land (2016)

While La La Land narrowly missed out on the 2016 Best Picture, the film did scoop several Academy Awards, including Best Director and Best Lead Actress. A love letter to jazz and Hollywood, the film follows the romance of aspiring actress Mia and musician Seb. Rather than go full sugar-coated schmaltz, La La Land has a kicker of a bittersweet ending that allows it to rise above some of its more sickly sweet peers. 

It also manages to marry drama and musicals in such a way that even the most anti-musical of viewers will get swept away. 

10. Train to Busan (2016)

The zombie movie has been popular ever since George A. Romero’s Night of the Living Dead was released back in 1968. Though he pioneered the subgenre, there have been several filmmakers that have helped revitalise and revolutionise it, and Yeon Sang-ho’s Train to Busan is a prime example. Set during the outset of a zombie outbreak, the Korean film finds a father and daughter trapped on the titular train surrounded by fast and feral zombies. 

Not only does it feature some of the most stressful zombie encounters in recent history, but the movie also carries an incredible amount of emotional heft and had audiences crying at a zombie film long before 2025 hit, 28 Years Later. 

For some, Valentine’s Day is the most romantic, wonderful time of the year. For others, it’s a celebration they’d rather avoid at all costs. If you’ve just been through a painful breakup or have decided that 2026 is the year you’ll focus on yourself rather than diving into a relationship, February 14 is unlikely to be a day you mark on your calendar.

There are plenty of movies to watch if you hate Valentine’s Day, but if you don’t want to be alone, you could invite your gal pals round for a nice movie night in. This is not a new concept; it’s an increasingly popular post-Valentine’s tradition known as Galentine’s Day.

The following 10 movies will be ideal for anyone seeking stories about female friendship. They’ll make you laugh, make you cringe (in a good way), and will make you truly appreciate the value of platonic relationships – the perfect remedy for romance-averse viewers on February 15.

1. The Edge of Seventeen (2016)

We start with a lovely slice of coming-of-age dramedy, The Edge of Seventeen, which is perfect for teenage viewers, but is equally as effective for Millennials, too. Now a decade old, this funny, sweet, yet surprisingly sharp study of the complex lives of teenage girls stars Hailee Steinfeld and Haley Lu Richardson as Nadine and Krista, whose friendship unravels at the seams.

Granted, the cause of the problem is a boy, but this is still a brilliant movie to watch on Galentine’s Day because ultimately, it reinforces the idea that friends are more important than any romantic relationship – even if you don’t immediately realise that. I’m not an adolescent girl, but I do have a teenage daughter, and I would say this is a very authentic and realistic portrayal of that period of a woman’s life. It’s light for the most part, especially when Woody Harrelson is on screen, but there’s the odd heavy moment that gives this film extra weight you wouldn’t expect.

2. Booksmart (2019)

In a similar vein, Booksmart tackles the topic of friends growing apart as they realise they may have less in common than they thought, while still trying to make time and look out for each other. The Olivia Wilde film highlights the pressures of the education system, societal expectations and norms, and even delves into how young people deal with their sexuality. There’s a lot to digest, but it’s all packaged up into what is genuinely one of the funniest comedies of the past few years.

Booksmart is almost like a tamer version of Superbad, which is high praise for me, indeed. But it’s in no way derivative; instead, it feels fresh and provocative and very genuine. You can catch it on Netflix right now, and given it’s only just over 100 minutes long, there’s really no excuse not to give this a watch at some point, even if it doesn’t make the cut this Galentine’s Day.

3. Bridesmaids (2011)

If I could only pick one movie for this list of recommendations, Bridesmaids would be it. I love this film so much, as does my partner, and my daughter also watched it recently and was a fan. That says a lot about the quality and range of the humour on offer with this Paul Feig movie – it not only holds up 15 years later, but is also accessible for a completely different generation.

It helps that some of the funniest comedians on the planet assemble for this flick – most notably Kristen Wiig and Melissa McCarthy, while the likes of Jon Hamm, Maya Rudolph, and Rose Byrne are also on top form. If you haven’t seen Bridesmaids before, you can still probably guess what it’s all about: one friend is getting married, the other is a bridesmaid but has a ton of personal issues to resolve at the same time. It’s chaotic energy at its finest, and you can see it on Prime Video now.

4. Mean Girls (2004)

Can you believe it’s been more than 20 years since Mean Girls hit our screens and became a pop culture phenomenon? The amount of memes and references this film gave the world is truly a gift; from what to wear on Wednesdays, to where people are allowed to sit, the importance of October 3, and, of course, those annoying folk who try to “make fetch happen”... There’s so much to love about Mean Girls.

This 2000s cult classic not only gave us fantastic quotes, but it also helped two superstars, Rachel McAdams and Amanda Seyfried, get their big breaks. Obviously, it’s Lindsay Lohan who’s the key to this, and while her career choices of late have been questionable, she was superb as the likeable, multi-layered Cady Heron. If you and your friends fancy a gossip-filled, twisting and turning tale of backstabbing and betrayal, you can see the drama unfold on Paramount+.

5. Ingrid Goes West (2017)

Not all friendships are plain sailing. In fact, most of them have their fair share of bumps in the road, but in Ingrid Goes West, we see what happens when that bump becomes more of a mountain. This wild tale sees Audrey Hepburn’s Ingrid attach herself to social media star Taylor Sloane, upending her whole life to get closer to her new friend. However, when their whole relationship is built on lies, it’s all destined to come crashing down.

Not only is Ingrid Goes West a darkly funny and thrilling little comedy, but it’s also a visual treat, and it has a lovely soundtrack, too. If you like films like Shiva Baby and Zola, you’ll love this one, and you can watch it for absolutely nothing on YouTube (as long as you don’t mind the odd advert).

6. Thelma & Louise (1991)

Who would have ever thought that Ridley Scott would make a perfect Galentine’s Day movie? The filmmaker is better known for his blistering action movies and historical epics, with the likes of Russell Crowe, Denzel Washington, and Matt Damon often his leading men. However, back in 1991, he put out one of the finest crime thrillers ever made, with two badass women at the fore.

While Thelma & Louise is an absolute must-watch, you might be feeling more inclined to watch something a bit fluffier and easy-going this weekend. But if you fancy a bit of gunfire, exhilarating car chases, and lots of criminal activity, this is the one for you. Get signed up to MGM+ now and give it a watch.

7. Rocks (2020)

This wonderful little indie film made waves at the BAFTAs a few years back, picking up seven nominations and winning the award for Best Casting. That makes sense, given that Rocks was assembled almost exclusively of genuine schoolkids with no real acting experience, but the young stars absolutely knocked it out of the park.

It’s a story of a teenage girl dealing with the fact that her mother has abandoned her and her little brother, while also trying to navigate school life and maintain her friendships. If you’re into gritty, realist dramas like Aftersun and Fish Tank, you’ll be all over Rocks. It’s important to support independent cinema, and you can do so by watching this endearing flick on Prime Video.

8. Bend It Like Beckham (2002)

Bend It Like Beckham is an absolute staple of British cinema in the 21st century, blending sports drama with rom-com vibes to produce one of the most charming, harmlessly cheesy films you could opt for on Galentine’s Day. It’s a wonderful depiction of post-millennium culture in the UK, with young Indian teenager Jess (Parminder Nagra) striking up a friendship with the more mature Jules (Keira Knightley) to play football, even though her family forbids her to do so.

You don’t have to like football to be invested in Bend It Like Beckham. The sport is purely the backdrop for what is essentially a love story and a journey of self-discovery in one. Anyone over the age of 30 has likely already seen this film before, but that doesn’t mean you shouldn’t watch it again. And, if you’re younger, well, what better way to get acquainted with the ways of the not-so-distant past? You need not look far, either: Bend It Like Beckham is on Netflix, so what are you waiting for?

9. A League of Their Own (1992)

If football isn’t your bag, how about some American sports? A League of Their Own is an underdog story about a women’s baseball team that rises during World War II, with an all-star cast that includes Geena Davis, Madonna, and Tom Hanks. What starts as a calamitous roster of players and a drunken coach evolves into something truly special, as everyone begins to pull in the same direction.

If you enjoy feel-good, funny sports movies like Tin Cup and Hustle, you’ll find the infectious energy and spirited chemistry from the cast utterly irresistible. Again, much like Bend It Like Beckham, you won’t need to know the baseball rulebook inside out to get on board with A League of Their Own – this is no Moneyball, trust me. You will have to pay to rent this film at the moment, but it’s certainly worth it if you don’t mind watching an older movie.

10. Birds of Prey (2020)

Okay, enough of dramedies, classic comedies, and sports films – how about a superhero movie? And there can only be one pick. After Margot Robbie stole the show in the rather terrible Suicide Squad as Harley Quinn, she was always going to get more screentime. In fact, she only went and bagged her very own movie, along with a whole host of fearless female anti-heroes.

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) may be quite the mouthful to say out loud, but it’s an absolute delight to watch. The action set-pieces are exquisitely crafted, the story is exactly the kind of thing you’d find in a comic book, and it’s got a killer soundtrack to boot. If you and your girlfriends want to feel empowered this weekend, there’s no better way to inspire badassery and solidify that feeling of sisterhood than seeing a gang of strong women combine forces to save the day. Catch it on Now TV Cinema, but be quick, it’s only on there until the end of February.

It’s already the most talked-about movie of the year, and I am pretty sure "Wuthering Heights" will remain a hot topic of conversation for weeks to come. With the pairing of hugely popular actors Margot Robbie and Jacob Elordi in the lead roles (despite backlash to the latter), and a release date lined up perfectly for Valentine’s Day, it’s easy to see why so many people are interested in this film.

But that attention comes in two very distinct forms. Before the release, there has been a very vocal subsection of fans outraged by the idea of this distorted interpretation of Emily Brontë’s classic novel from director Emerald Fennell. On the other side, folks who just want to enjoy a steamy romance drama have been hyped up by the trailers and marketing.

As things stand, “Wuthering Heights” sits at 65% on Rotten Tomatoes based on 178 critic reviews at the time of writing. That’s not a bad score by any means, but it will likely continue to drop – it was at 72% just 24 hours earlier. Regardless, I have a feeling the audience score will be a lot higher. So, what’s making this such a divisive project, and why is it likely to split critics and audiences down the middle?

What Critics Are Saying About “Wuthering Heights”

Even among the critics, there is a staggering breadth of positive and negative noise around “Wuthering Heights”.

Sarah Manvel describes the film as: “Astonishing, gorgeous and stupefyingly hot” and adds, “Wuthering Heights is a sensation.”

There’s more praise from James Mottram, who waxes lyrical in his review, saying: “Beautifully costumed, designed, shot and performed, the film is an impeccably made tale of doomed lovers, one that will bring a tear to the eye.”

Those sentiments are not shared by Kate Sánchez, who claims this adaptation is “abysmally dull, despite its constant attempts at shock.” In her review, Deborah Ross lambasts this attempt, stating, “Fennell’s treatment is eye-catching but superficial.”

Likewise, Eric Marchen offers a scathing critique in his review. “Emerald Fennell appears relatively uninterested in the source material, stitching together loose bits and bobs while cutting from whole cloth to fit her pastiche-laced gown of gloom,” he says.

Meanwhile, Troy Ribeiro writes: “This film is bold, confident, and wilfully divisive… As a film, it dazzles; as an adaptation, it strays freely.” And therein, I think, lies the big problem.

Why Emerald Fennell’s 2026 Adaptation Is So Divisive

If you’re going into this modern spin on the Brontë classic hoping for a faithful adaptation, you’re going to be disappointed. And Fennell has already, very candidly, told us exactly what to expect from her take on the 1847 novel.

Explaining why her movie title has quotation marks around it, Fennell told Fandango: “[The book] means a lot to me. It’s very important that everyone who loves it as much as I do, feels almost a part of it.

“You can’t adapt a book as dense and complicated and difficult as this… It’s not possible. What I can say is, I’m making a version of it. There’s a version that I remembered reading that isn’t quite real. There’s a version that I wanted stuff to happen that never did happen.”

In a further affront to the source material to many, the casting of Jacob Elordi as Heathcliff, a character described as “dark-skinned” in the novel, really caused a stir. Again, though, Fennell cited her own experience with Brontë’s work in her explanation behind the casting choice, saying Elordi “looked exactly like the illustration of Heathcliff in the first book that I read”.

This is obviously a very personal and subjective interpretation from Fennell. It’s impossible to please everyone, and sometimes – in fact, the majority of the time – creatives simply have to tell the story they want to tell, and just hope it resonates with the audience.

Let’s not forget, Fennell has always been a divisive filmmaker. Her previous work on Promising Young Woman and Saltburn can hardly be described as universally loved. With provocative themes, a darkly sexual tone, and a tendency to go style over substance, Fennell is polarising, to say the least. 

As with any spectrum, there will be extremes, and to that end, I do believe there will be a mass of more casual filmgoers who fall in love with this new iteration of the timeless tale. 

Why Audiences May Enjoy “Wuthering Heights” More Than Critics

To put it simply, if you haven’t read the book, you’ll probably have little to no issue with Fennell’s playful take on Wuthering Heights.

Based on the marketing tactics, this film is clearly being billed as this generation’s next big romantic epic, following in the footsteps of the likes of Gone With The Wind, Titanic, and Moulin Rouge. This is no mean feat, but that ‘crazy in love’ theme will definitely help its chances of striking a chord with a modern audience. In the recent past, gritty films with twisted love stories, like True Romance and Natural Born Killers, excelled in that dangerous realm and have since achieved cult status. That idea of intense, obsessive infatuation was key to the cultural impact of Fennell’s previous movie, Saltburn, and was infamously the foundation for the hugely successful Fifty Shades of Grey series.

What was once taboo is now sought-after, particularly in the book market, with dark ‘romantasy’, ‘enemies to lovers’ and ‘red flag’ relationships like the one Christian Grey and Anastasia Steele shared in E. L. James’ S&M novels, proving to be a huge lure for readers, and in turn, viewers. It says a lot about the habits of modern audiences that Fifty Shades, despite getting poor reviews and causing so much of a stir, still made an absolute killing at the box office. It would seem most people don’t really care about critical consensus in certain cases, and they’re certainly not afraid of controversy; we flock to it because we’re just too curious, aren’t we?

On the other end of the scale, in 2011, Andrea Arnold tried her hand at adapting Brontë’s tale, and was just about as faithful as you could be. It was regarded as a critical darling at the time, but that version of Wuthering Heights failed at the box office. 15 years later, it seems nobody is eager to make the same mistake; Fennell’s version is the polar opposite of Arnold’s in substance, style, and tone.

Even on the small screen, spicy, sexualised romantic period dramas like Bridgerton and Outlander have thrived in recent years. There’s obviously a huge appetite for the direction Fennell has taken the story here, and that will likely translate into more commercial success than critical, at the very least.

In the immortal words of Chazz Michael Michaels, when we look back on Fennell’s “Wuthering Heights”, we may well say, “No one knows what it means, but it’s provocative… it gets the people going.” That’s not a terrible legacy to leave, is it?

As Valentine’s Day brings lovers together for one special night, it’s the perfect time to watch some soppy romance movies. Getting the right film for this occasion is very important – at least, if you want the most famous date night of the year to go smoothly.

There are a lot of obvious picks if you want a nice, simple rom-com. Some folks like to find alternative options for Valentine’s Day, which is a great idea if you know where to look. However, thinking outside the box always comes with the risk of getting things catastrophically wrong.

With the release of “Wuthering Heights” being so intrinsically linked to the big day this year, we felt it was apt to send a warning to any couples hoping the Emerald Fennell adaptation will set the mood. Here’s why it might be best to avoid the new film until after this weekend, plus five others that could spoil Valentine’s Day for you, but are still worth watching at a later date.

1. “Wuthering Heights” (2026)

All of the marketing around this new iteration of Wuthering Heights suggests it’s a love story for the ages. Margot Robbie and Jacob Elordi have been professing their love for one another and hyping up their intense connection on the press tour, while the steamy trailers we’ve seen have stoked that fire even more.

While we know this is Fennell’s own interpretation of the iconic novel by Emily Brontë, and features a lot of variation from the source material, it’s impossible to ignore the themes contained within the original story. For a start, Cathy and Heathcliff have a destructive and worryingly codependent relationship. There’s also the fact that the latter, driven by his own miserable upbringing, becomes a tyrant hellbent on revenge against those who wronged him. All of this is the main focus of the 2026 film, and while erotically-charged, it’s hardly the model of a positive, loving relationship.

2. Phantom Thread (2017)

If you’ve watched One Battle After Another recently and fancy browsing through Paul Thomas Anderson’s back-catalogue, you may be tempted to stick on Phantom Thread for Valentine’s Day – especially if you and your significant other have aspirations of being true cinephiles. However, the intense romance intertwined with this period piece is not exactly a lesson in love anyone should be following.

There are very sweet moments shared between Reynolds Woodcock and Alma, including an absolutely delightful little dance scene that gave us one of the most gorgeous shots of any film in the last decade. But this is a story packed with its fair share of controlling behaviour and sharp insults. There’s even one extreme instance of food poisoning. I sure hope no one watches Phantom Thread before cooking a romantic meal for their partner.

3. Marriage Story (2019)

If you only see the poster for Marriage Story, you’d be forgiven for letting the smiling faces of Adam Driver, Scarlett Johansson, and their on-screen son lull you into a false sense of security. On the surface, the film appears to be a playful story about a happy family. That could not be further from the truth.

This is a brutal story of a marriage breaking down, a man and woman painfully falling out of love, and the impact this has on their child. If you’ve ever seen Kramer vs. Kramer, you’ll be disheartened to learn that this is essentially a modern version of that story. Both are excellent films, but not the kind of thing you want to watch if you’re looking to celebrate your unending love for one another.

4. Anora (2024)

2025’s Oscar-winning picture from Sean Baker is a fun thrill ride that centres around a young girl and her new lover as they get swept up by hedonism and passion. Anora is a nice, romantic film, but only if you switch it off after about an hour. What begins as a sweet story of young love soon descends into absolute chaos. Honestly, you might as well watch Uncut Gems instead – it might just be less stressful.

Anora is full of explicit sex scenes, wild violence, and frankly, some pretty nasty moments of betrayal. After Valentine’s Day, though, you should definitely check this out if you haven’t already. If you’re into frantic and funny misadventures, you’ll love it, and it’s definitely universal enough to make for a successful movie night.

5. A Star Is Born (2018)

This is another one where you could easily be fooled by the poster, and the beautiful songs from the film don’t help either, but trust me, A Star Is Born is only going to leave you both feeling depressed if you watch it on Valentine’s Day. It’s a very painful love story, one filled with harsh truths about the sacrifices we make when we’re in a relationship – albeit with very extreme examples.

My partner and I went to see this at the cinema in 2018, and she had sobbed her heart out by the end. That’s fine for any other day; it may be even a nice bit of catharsis – we can all benefit from a little cry now and then. But on Valentine’s Day, do you really want to be wiping away each other’s tears? If you want something musical, I would recommend Sing Street instead – it’s far more uplifting and has some truly special songs, too.

6. The Worst Person in the World (2021)

If, like me, you’re constantly trying to get your other half to dive into the world of foreign language films, might I suggest you avoid showing them The Worst Person in the World on February 14? It’s a fantastic film, and both Renate Reinsve and Joachim Trier are very on-trend right now thanks to their awards season success with Sentimental Value, but this is not a happy story.

Set over four years, The Worst Person in the World depicts the troubled love life and pursuit of purpose for young Julie. It’s more likely to lead to an existential crisis for those watching than provide any kind of romantic inspiration. Between one-night stands, heated arguments, and cruel break-ups, this will only put you in a bad mood on Valentine’s Day. If you’re looking to inject a little culture into the big day, I’d suggest going for something more along the lines of Paterson or Cold War.

There’s something deliciously masochistic about choosing heartbreak for company on Valentine’s Day. Maybe it’s the comfort of shared pain, or the relief of knowing love doesn’t always look like a perfect rom-com montage. Either way, we all have that one film we press “play” on, knowing full well it’ll leave us emotionally wrecked but cathartically cleansed.

With Emerald Fennell’s “Wuthering Heights” adaptation starring Margot Robbie and Jacob Elordi already stirring up discourse—complete with stormy moors, doomed passion, and the promise of gothic misery—it feels right to revisit the cinematic heartbreak hall of fame. The following films scratch a peculiar Valentine’s itch and remind us that love, however fleeting or flawed, is the fundamental stuff of life. So if you’re craving something tender, tragic, and maybe even a little toxic, gather your tissues and a hefty box of chocolates, and settle in for an emotionally devastating February 14. 

1. Eternal Sunshine of the Spotless Mind (2004)

Michel Gondry’s Eternal Sunshine of the Spotless Mind has become something of a ‘softboi’ romance cult classic since its 2004 release. Featuring Jim Carrey in one of his most emotionally restrained roles as the moody Joel, and Kate Winslet as the chaotic, neon-haired Clementine, the film follows their strange, fragmented love story. After their breakup, Clementine undergoes a procedure to erase her memories of Joel—and he does the same, only to regret it mid-process.

This movie is an emotional rollercoaster, both tender and devastating. The heartbreak comes from watching their relationship unravel across time and memory, but also from the film’s quiet insistence that love is worth remembering—even when it hurts. In Alfred Lord Tennyson’s immortal words, “‘Tis better to have loved and lost than never to have loved at all”.

2. The Fault in Our Stars (2014)

John Green’s adaptation of The Fault in Our Stars remains a masterclass in emotional demolition. Shailene Woodley and Ansel Elgort play Hazel and Gus, two teenagers with terminal cancer who meet in a support group and fall, unavoidably, in love. You know where it’s going, and yet every rewatch hurts more than the last.

Hazel and Gus’s connection through shared humour, exchanged books, and vulnerabilities brings the story forward, even as their mortal deadlines loom closer. Despite the devastation this film wreaks, it’s a powerful reminder to appreciate small, intimate moments, and to remember that although love can be cruelly brief, there is beauty in choosing to feel it anyway. 

3. Blue Valentine (2010)

“You always hurt the ones you love”, that’s the little Mills Brothers ditty Dean sings to Cindy on his ukulele while they’re falling for each other—and it foreshadows everything that comes to pass in Derek Cianfrance’s Blue Valentine. Starring Ryan Gosling and Michelle Williams as Dean and Cindy, and told in a non-linear fashion, the film tracks the tender beginning and painful disintegration of their marriage. 

Both Gosland and Williams give raw, heartbreaking performances that make Dean and Cindy feel tragically real. While their love for each other is palpably authentic and beautiful, their resentments, exhaustion, and lost dreams make it tragically impossible for them to find their way back to each other. I’d recommend this one only for those who can handle a particularly blue Valentine’s Day.

4. A Walk to Remember (2002)

Every Nicholas Sparks adaptation should come stamped with the warning label “tears ahead”, and A Walk to Remember is a prime example of why. The film (which is set to be rebooted) stars Mandy Moore and Shane West as high schoolers Jamie and Landon. The popular Landon finally notices the quiet Jamie when they both participate in the school play, and their push-and-pull dynamic eventually leads to them falling in love. The catch? Jamie has terminal leukaemia. 

Deeply moving and devastating in equal measure, A Walk to Remember is ultimately a story about choosing love, even when you know the ending. It’s a testament to the bravery of the heart—but boy, will it wreck you on Valentine’s Day (and any day, tbh). Don’t believe us? Just ask Sinners’ director, Ryan Coolger.

5. Brokeback Mountain (2005)

Ang Lee’s Brokeback Mountain remains one of cinema’s most aching portrayals of forbidden love. This tragic romance stars Heath Ledger and Jake Gyllenhaal as Ennis and Jack, two cowboys whose brief affair in 1960s Wyoming becomes an intense, impossible lifelong attachment.

Ledger and Gyllenhaal are magnetic on screen, and their portrayals convey the tenderness and tragedy of Ennis and Jack’s stolen moments together. The film is ultimately a study in repression and longing that refuses to simplify the cost of love. The ending may wreck you, but the beauty of Brokeback Mountain will stay with you far longer.

6. Moonlight (2016)

My personal favourite for whenever I fancy ripping my heart out of my chest is Berry Jenkins’s Best Picture winner Moonlight. It is the quietest—but perhaps most devastating—film on this list. Told in three acts, Moonlight centres around Chiron, from his childhood growing up Black and closeted in an impoverished neighbourhood in Miami, through his teenage years as an outsider bullied for his sexuality, and as an adult, where a chance phone call leads to the slow disintegration of his armour. 

Moonlight is based on playwright Tarell Alvin McCraney’s unpublished autobiography, and you can tell it is based on lived experience from its specificity and raw emotion. From complex figures like the drug dealer Juan, who takes Chiron under his wing, to Kevin, whose tender reconnection with Chiron years later brings tears to my eyes just thinking about it, Moonlight is the rare film that both exposes and carefully heals the most painful wounds of the heart.

A new wave of horror filmmakers is emerging, with famous YouTube personalities trying their hand at breaking into the movie industry. And, with a built-in following and an already established creative mindset, why not?

In 2025, highly respected YouTube movie critic Chris Stuckmann entered the scene with his directorial debut, Shelby Oaks. While that particular mystery-horror hybrid didn’t go over that well with critics, it’s still very exciting to see new ideas and a different approach to production in this increasingly tough market.

Now, it’s Mark Fischbach’s turn. The high-profile YouTuber known as ‘Markiplier’ is renowned for his gaming videos, and one indie horror title struck a chord with him so deeply that he made it his mission to turn it into a film. In 2026, he’s succeeded, and his debut movie, Iron Lung, has already been making waves – and even breaking a record.

Markiplier’s Iron Lung Is the Bloodiest Movie of All Time

Iron Lung is set in a dystopian world where life in our universe has been mostly wiped out. In a desperate attempt to find more life out there, a convict is sent into the depths of a mysterious ocean of blood in a submarine to see what lies beneath.

Naturally, the film required an obscene amount of blood to make its creepy setting work; a whopping 80,000 gallons of the fake stuff, approximately, as the filmmaker was keen to have a convincing level of practical effects for his bloody body of water.

This ambitious undertaking has earned Markiplier and his team a place in movie history, with Iron Lung thought to feature more fake blood than any other film in history so far. The record was previously held by Fede Alvarez’s gnarly Evil Dead reboot from 2013, which used 70,000 gallons of fake blood.

Unfortunately, Markiplier ended up in the hospital because of this excessive amount. The blood, which is a glycerin-based substance, is safe, generally speaking. However, the filmmaker got so much of it in his eyes that he had to be checked over.

“It’s safe to use… supposedly,” Markiplier said. “My eyes disagree.” In a YouTube video explaining what happened, he added: “My eyes are a bit red… It's actually terrifying. But I’m fine… turns out a lot can happen when you’re going for the record for the most blood in a horror movie. Turns out, if you go too deep into the blood, you have to go to the doctor to make sure your eyes aren’t melting out of your face.”

Iron Lung is Already an Incredible Indie Achievement

If that gruesome record wasn’t enough to earn your appreciation, Iron Lung has done some other very cool things, which are especially impressive considering it’s an independent movie.

For a start, this project has been entirely funded by Markiplier himself. The budget, which comes in at around $3 million, was all out of his own pocket, bypassing any semblance of the traditional studio approach to filmmaking.

Initially, Iron Lung was set to play in just 60 theatres across the U.S. Markiplier wanted more, naturally, and asked his fans to plead with their local cinemas to ask for screenings. That plan worked – and then some – with the movie ending up in over 4,000 theatres, now.

In its opening week, the film grossed close to $40 million. So, not only is Iron Lung a remarkably successful investment for Markiplier, but it’s also clear proof that there’s still a huge market for independent horror films if they’re given the chance to thrive. 

Financial gain aside, all that fake blood has additionally resulted in the real stuff pouring in: Markiplier paired some of the theatrical releases with local blood drives, pulling in nearly 40,000 in donations. A bloody film, and a bloody good deed. 

One of the many everlasting tropes in horror movies is that of the cursed item. Legions of poor, unfortunate souls have stumbled across a range of seemingly harmless objects only to find themselves desperately fighting for survival. What makes these cursed objects so fascinating to watch is that, unlike the traditional masked killer or vengeful ghost, the victim selection is entirely random. 

These items have no bias, and they work on poor bad luck from the user. However, in some cases, sympathy for those on screen can be hard to muster as these strange artefacts typically come with some clear red flags. The breadth of cursed objects on screen is vast, ranging from the traditional antique, like the decorative box in Wish Upon, to the more modern cursed app as seen in Countdown. But which are most powerful? 

Directed by Corin Hardy, 2026’s Whistle is one of the newest recruits to the pantheon of cursed objects and one that is sinister on many levels. Its release has prompted us to delve into the cinematic archives (being careful not to touch anything!) and draft up a list of some of the most formidable cursed objects in films, ranked from least to most powerful, and where to find them. (A quick note: we’ve excluded dolls and animatronics, such as Annabelle or the Five Nights at Freddy’s robots, as they fall more into the ‘haunted/possessed’ category than cursed, and could make up an entire separate list by themselves.) 

10. Spellbook - Hocus Pocus (1993)

At the start of Hocus Pocus, the story of the Sanderson Sisters’ capture is told. As the trio of siblings is executed for being witches, they chant a spell that will enable them to be resurrected. Centuries later, new kid on the block Max ignores stories of the curse, lights the Black Flame candle, and unwittingly brings the Sandersons back. 

While the candle is a little eerie, it is the lead witch Winnie’s book that is creepiest. Bound in human skin and featuring a working eye, the book is full of curses and spells, and its appearance is rather ghastly for what is, at its heart, a kids' movie. 

9. Board Game - Jumanji (1995) 

On the face of it, the titular board game in Jumanji doesn’t look particularly powerful, but the ramifications of playing it prove otherwise. Two siblings stumble across a mysterious board game, but soon after they begin playing, they are met with grown-up Alan Parrish. Alan has been trapped in the game for 30 years, and if they don’t finish the game, they could even suffer the same fate, and everything they unleash could become permanent. 

Playing Monopoly can feel as though it goes on for years, but in Jumnaji it genuinely does. Add to that the eerie sound of the tribal drums during gameplay and that all threats on the spaces and cards come to life, and the game becomes one cursed object you definitely want to avoid. 

8. VHS Tape - Ring (1998)

A couple of decades ago, the tape from Ring would have been deemed far more creepy and powerful. The innocuous-looking VHS tape could easily have been hidden amongst a pile of others in your home, and you wouldn’t realise what it was until it was too late and it had been watched. Now, with the decline of VHS and physical media in general, this happenstance is less likely to occur. Even still, what happens after viewing said tape – the viewer being killed by the vengeful Sadako after seven days – remains horrific. 

Sadly, time has diluted the potency of this cursed object, though the more recent US sequel did try to digitise the cursed tape. This update failed to land, though, as, to be honest, the internet is a scary enough place already.

7. Scarab-Shaped Mechanism - Cronos (1993)

Right from his debut feature, Cronos, director Guillermo del Toro proved himself to be a master of his craft. The film presents an interesting spin on the traditional vampire movie and lore, as it tells of a mechanism that can grant eternal life; the catch being that it has an insatiable appetite for blood. In Cronos, an elderly antique dealer uncovers the artefact and finds himself battling its want for blood as well as a powerful businessman who wants the trinket for himself.  

As with all of del Toro’s other films, the production design of Cronos is immaculate, and the design of the scarab-shaped device is startling. Somehow simultaneously beautifully ornate and macabre, the item is alluring and repulsive in equal measure. The events in Cronos' work are a great deterrent to becoming a vampire. 

6. Mirror - Oculus (2014)

Before Mike Flanagan brought the world The Haunting of Hill House, he was making audiences afraid to look in the mirror with Oculus. Based on his short film Oculus: Chapter 3 – The Man with the Plan, and much like Hill House, the film is told across two time periods. In both, siblings Tim and Kaylie find their fates intertwined with an antique mirror. While the power of the object is not to be trifled with, it doesn’t look too different to any other Gothic-style mirror. 

This is, of course, part of its magic; no one is going to buy something that looks grotesque, and its beauty perfectly masks the malice within. Oculus replica mirrors can actually be purchased, should anyone wish to tempt fate. 

5. Monkey Toy - The Monkey (2025)

Based on Stephen King’s short story of the same name, The Monkey features a wind-up drum -playing monkey toy that racks up a body count that even Freddy, Jason, and Michael combined can’t match. The curse of the monkey is straightforward enough – if you wind the key, someone will die. Yet preventing the devastation proves difficult as the toy appears to have a charm and sway over those who get too close. It’s a good thing for it, too, considering how creepy it looks. 

What parent thinks that this will make an adorable toy for their little bundle of joy makes the mind boggle, but then The Monkey is a horror film, and leaps of logic are to be expected. 

4. Embalmed Hand - Talk to Me (2023)

The cinematic universe that directors Danny and Michael Philippou have created with both Bring Her Back and Talk to Me is terrifying. During Bring Her Back, a ton of cursed-looking items are glimpsed, meaning that the siblings have plenty more frightful tales in the bank, but whether any of them will match the embalmed hand of Talk to Me remains to be seen. Touching the hand and saying, ‘I let you in’, enables a dead person to enter the holder’s body. Apparently, this is safe for around 90 seconds, but after that, the deceased starts to get rather cosy in the host's skin suit. 

As with so many cursed items, the hand is hard to resist, giving the user an intoxicating high with each use, and it quickly becomes the drug of choice for the teens in the film. Poor Mia ignores the rules, though, and finds herself targeted and haunted by hordes of the departed.

3. Aztec Death Whistle - Whistle (2026)

The premise of Whistle sees new kid Chrys find an ancient Aztec Death Whistle in her newly assigned locker. She soon discovers that those who hear it put themselves at the top of the Grim Reaper’s list. As with anything good in horror, despite Whistle being a work of fiction, the idea behind the object and the implications of its use mean that there would be trepidation about approaching even a prop replica. 

The ancient whistle holds so much power; it reaches beyond the screen. The design is unsettling; it looks like a miniature skull, and authentically ancient. Hardy has admitted during interviews that the prop looked so realistic that he noticed people giving the item a wide berth, and who can blame them? 

The ancient whistle is also battered, which alludes to it having cursed thousands of poor souls over the centuries. Another troubling factor is that the whistle summons forth death, not just for the person who blows the whistle, but for anyone in the vicinity who hears it too. This means that even those who are most respectful and superstitious of the object could still find themselves cursed just by accidentally overhearing someone else using it. Now that’s power. 

2. Puzzle Box - Hellraiser (1987)

It takes a truly depraved mind to conjure up something like Hellraiser’s puzzle box, and anyone who has read any of Clive Barker’s books will understand why he was the man for the job. The puzzle box, or Lament Configuration Box to use its correct name, is both a mind-bending puzzle and a gateway to another realm. Within that world reside the Cenobites, a group of beings who believe that pain and suffering produce the greatest pleasure. The ‘reward’ for opening the box is an eternity of anguish at their hands. This promise draws in the adventurous Frank in the first instalment, but after he escapes, his niece Kirtsy is left battling the interdimensional creatures. 

Hellraiser’s puzzle box is a perfect example of an item that no sensible horror fan would ever welcome into their homes; its power is too strong, and yet replicas are easy to buy for those with an affinity for risk.

1. Necronomicon - The Evil Dead (1981)

Books can be scary. Never has that been more apparent than in The Evil Dead. What should be a weekend of fun and frolicks in a secluded cabin in the woods becomes an absolute nightmare for Ash and his friends. Suddenly, Deadites spring forth, possess everyone, and leave Ash fighting for both his life and sanity. The book in question is the Necronomicon Ex-Mortis, aka the Book of the Dead. It is bound with flesh and is filled with gruesome imagery. 

One would hope that it being written in an ancient language would deter people from triggering the curse, and yet, film after film, a safety-averse character begins reading the book, unleashing actual Hell on those around them.  

Despite Valentine’s Day being all about romance, horror films perform surprisingly well during the season of love. Some question why a slew of them arrive in cinemas in February rather than October, but the reality is that horror is very popular during the season of love. Why? Well, they make for great date night movies, allowing audiences to snuggle up to their Valentine. 

While technically any scary movie can fulfil the brief of getting couples cuddling up closely, there is an art to picking the one best suited for Valentine’s. For example, Necromantik will only have a niche viewership with the film being capable of tanking most romantic evenings, so what films are safe, but still somewhat horrifying? After some careful consideration, here’s a selection of Valentine’s Day-friendly horror movies.  

1. Heart Eyes (2025)

Released in 2025, Josh Ruben’s Heart Eyes is the perfect marriage of slasher and rom-com. Paying homage to films from both the world of horror and romantic comedy, it’s the perfect Valentine's selection for those couples with opposing tastes. In appealing to both sides, Josh Ruben’s film puts a stop to those arguments caused by disagreements over what type of film to watch, making the director a real-life Cupid. 

Set on Valentine's Day, Heart Eyes sees singletons Ally and Jay mistaken for a couple by notorious serial killer Heart Eyes. Full of humour, horror, and heart (both literal and emotional), Heart Eyes might just be the greatest Valentine's horror film ever made.

2. Bones and All (2022)

After director Luca Guadagnino launched his career with Call Me By Your Name, Timothée Chalamet returned to work with cannibal romance Bones and All. Adapted from the book by Camille DeAngelis, this is a road-movie romantic horror where runaway ‘eater’ Maren finds her soul mate in the enigmatic Lee. 

Discovering he has a taste for flesh just like her, the pair embark on a relationship, mixed with murderous appetites. Featuring a bittersweet ending, Bones and All gives new meaning to the phrase ‘I love you so much, I could eat you all up.’

3. Lisa Frankenstein (2024)

The release of Season 1 of Stranger Things brought with it a wave of ‘80s nostalgia. Scores of films and television shows have since set their stories within the decade and pumped the screen full of neon and synthwave music. Whilst these projects have provided a fun trip down memory lane, Lisa Frankenstein feels as though it is a lost movie from the era. Starring current scream queen Kathryn Newton, Lisa Frankenstein sees a lonely teenage girl accidentally resurrect a several hundred-year-old corpse. 

Initially afraid, she soon realises that he is harmless and in need of her help. Cue a pile of dead bodies as the pair dispatch various townsfolk to replace his damaged parts. Whilst perhaps too twee for those with a taste for extreme horror and gore, Lisa Frankenstein is ideal for those teen couples experiencing their first Valentine’s Day, especially those who enjoy Beetlejuice, Goth culture, and the ‘80s vibe. 

4. Nina Forever (2015)

Nina Forever is going to need a more robust horror palette to enjoy. Certainly not for the faint of heart, in Nina Forever, Holly and Rob begin dating. All starts well, but Rob is still grieving the death of his last girlfriend, Nina, whose ghost overshadows their relationship and even manifests herself in their bed. 

Featuring plenty of ooey gooey bloodshed, sexy shenanigans, and some interesting commentary about past relationships, Nina Forever is one for the more adventurous couples. 

5. My Bloody Valentine (2009)

There are two versions of My Bloody Valentine. The first was released in 1981 and was in that first wave of titles to copy the Halloween formula of tying a slasher plotline to a popular holiday. Then, in 2009, came the remake, My Bloody Valentine, which followed both the remake and 3D trend, with the slasher one of the first to adopt the newly resurged format of storytelling. 

But which version to choose? The plots of both films are fairly similar, featuring a coal miner who stalks through the town of Harmony during Valentine’s Day, wielding a pickaxe. Purely based on the cast, the remake has the slight edge as it features Jensen Ackles, Jaime King, and Kerr Smith. 

6. Double Date (2017)

If you’d like your Valentine’s viewing to be a little silly and very British in tone, then Benjamin Barfoot’s Double Date needs to be on your list. Written by the film's lead actor, Danny Morgan, Double Date is a wicked black comedy featuring sibling satanists who hunt virgins. Morgan plays 30-year-old virgin Jim, who, after some coaching from his friend Alex, finds himself in the crosshairs of murderous sisters Kitty and Lulu. 

As the foursome goes for a night on the town, the noose starts to tighten around the oblivious Jim’s neck; can he survive the night? Balancing some exceptional instances of cringe comedy against flurries of demented darkness, Double Date promises a hilarious and slightly warped love story.  

7. Your Monster (2024)

Your Monster could easily be mistaken for a common variety of romantic comedy. The colours are all pastel hues, there’s a handful of catchy showtunes, and a downtrodden single lady whose life is changed by the arrival of a mysterious stranger. However, there’s a twist here: singleton Laura finds her head turned by the monster who lives in the closet within her childhood home. Granted, Monster is more Disney’s Beast than Gollum, but he’s not the conventional rom-com lead. 

Do not let its Beauty and the Beast façade and musical numbers trick you – Your Monster masks a real vein of darkness. The final act is sublime, as is the film’s message about self-confidence and empowerment. An easy gateway horror movie, Your Monster is for those who are only willing to dip their toes into the darker side of romance. 

8. Valentine (2001)

Despite being directed by Urban Legend’s Jamie Blanks, Valentine is often forgotten about. At the time of release, the film was panned by critics, but over the last 25 years, it has found its audience. Not as self-referential as Urban Legend, Valentine takes its story of a group of young women stalked by a killer in a Cupid mask very seriously. 

This tone is at odds with some of the campier elements, such as the killer (mask and all) getting a nosebleed after every kill. Valentine will never win any awards for innovation, but it pairs great with drinks and is genuinely worth a watch for Denise Richards’ hot tub sequence alone. Get ready to shout at her for pretty much saying, “Here, killer, killer,” as she hunts the source of the strange noise…

9. Spring (2014)

Directing duo Aaron Moorhead and Justin Benson may now be better known for their head-melting sci-fi movie The Endless, and their work on Loki and Daredevil: Born Again, but back at the start of their careers, they were hopeless romantics. Their beautiful debut, Spring, is essentially the love child of Richard Linklater and H. P. Lovecraft. Think Before Sunrise meets Cthulhu. 

Set in Italy, the story follows traveller Evan as he meets and falls for Louise, a woman hiding a devastating secret. A Valentine’s Day movie for those who enjoy making their heart ache, but have more twisted sensibilities, Spring will have you clinging to your lover, lest they vanish. 

10. Lovers Lane (2000)

Those after a more traditional slasher for date night should seek out Lovers Lane. A teen slasher, Lovers Lane sees a group of children punished for the past actions of their parents as they get hunted down by a hook-handed killer. 

It’s also set on Valentine’s Day, making the occasion the kismet opportunity to cross it off your watchlist. It also features an early turn from Anna Faris, who would become the face of the slasher parody, Scary Movie.   

After 14 years, Kathleen Kennedy has stepped down as President of Lucasfilm. While a very vocal section of the Star Wars fandom has been quick to criticise her over that time, she should hold her head high as she departs the company – she brought Star Wars back into the limelight for a whole new generation of fans, mostly hitting the mark with the projects she helped produce.

Sure, The Rise of Skywalker was a bit of a mess, and The Last Jedi was highly divisive due to the way it handled legacy characters like Luke Skywalker. Still, The Force Awakens is excellent, while Andor is one of the very best TV shows ever made, if you ask me. Between the good and the bad, Kennedy comes away with a net positive, and the new man at the helm, Dave Filoni, has some big boots to fill.

However, it’s not just a galaxy far, far away that Kathleen Kennedy has helped to shape. As a film producer, she’s also helped bring to life some of the best and most interesting movies of the past 40 years, including franchises like Indiana Jones and Back to the Future. Here, we take a look at 10 incredible films you probably didn’t know she was involved in, from beloved classics to lesser-seen gems.

1. The Curious Case of Benjamin Button (2008)

While David Fincher is better known for his dark, psychological thrillers, he does dabble in the more emotional, human side of things from time to time. With The Curious Case of Benjamin Button, which Kennedy produced, he tapped into a wonderful mix of romantic and personable storytelling with a splash of the fantastical. It’s a long one, coming in at two hours and 46 minutes, but this epic tale is worth the time.

If you’re into big, sprawling love stories like the Before trilogy or Eternal Sunshine of the Spotless Mind and About Time, you’ll probably find something that resonates with you in this Fincher flick. Brad Pitt is great in the lead role, but I personally think it’s Cate Blanchett who really steals the show as his love interest, Daisy. 

2. Ponyo (2008)

Oddly, there’s a little bit of crossover between Ponyo and The Curious Case of Benjamin Button. Both stories centre on the idea of what it is that makes us human and how relationships evolve. The only difference is that Ponyo is an animated tale about a goldfish who wants to become a human, so it’s slightly more surreal.

Aside from her immense body of work in Hollywood, Kennedy also dabbled in the world of anime, producing American versions of two Studio Ghibli films. One is Ponyo, and it’s really underrated compared to others, if you ask me. It’s cute, fun, and a perfect way to introduce younger viewers to the world of anime, with a fairly simple story and poppy visuals that make it wholly engaging. Ponyo is only 100 minutes long, and it’s on Netflix, too, so it’s super accessible, which is a nice bonus.

3. War of the Worlds (2005)

If you’re looking for something big and bold, more in line with Star Wars, you’re better off looking at Kathleen Kennedy’s collaborations with Steven Spielberg. They’ve worked together on critical darlings like Schindler’s List, as well as commercial hits like E.T. the Extra-Terrestrial, but we want to direct you to something a little more leftfield here. When the pair combined for War of the Worlds in 2005, they put a modern spin on the classic H.G. Wells story, with incredible design elements for the robotic aliens causing all the carnage, and the star power of Tom Cruise leading the line.

This is explosive, enthralling sci-fi horror at its finest. If you like dystopian, survivalist films such as A Quiet Place and I Am Legend, then this is the movie for you. It’s also a real popcorn flick that’ll keep you on the edge of your seat and offer the thrills you’re seeking on a Friday night, but it’s also got a bit of heart and sentiment to it – as is to be expected from Spielberg.

4. The Sixth Sense (1999)

Speaking of horror elements, how about a nice ghost story? Kennedy has worked with M. Night Shyamalan a few times – and I was close to including Signs on this list – but the master of the plot twist has never been better than when he delivered The Sixth Sense. This movie was a real pop culture phenomenon when it was released in 1999, with the shocking ending becoming a hot topic of conversation, even leading to various spoofs and references in other shows and movies. 

I went to see The Sixth Sense again in cinemas last year, and I was curious to see how the film would hold up, given I obviously knew what was coming. And let me tell you, it worked brilliantly. It’s really satisfying watching the story unfold and looking for those little clues, just proving how clever the script really is. It’s a great watch if you want something a little bit eerie without being overwhelmingly scary.

5. Twister (1996)

Clearly, there’s a bit of a theme to the kinds of projects Kathleen Kennedy takes on. It seems she’s got a soft spot for big, bombastic disaster movies, like Twister, a quintessential ‘90s blockbuster that has just the right balance of action, thrills, cheesy dialogue and schlocky romance. I mean, you put Bill Paxton and Helen Hunt together 30 years ago, and you just know you’re going to get fantastic on-screen chemistry.

It says a lot about the quality of this movie and its story that the long-awaited sequel, Twisters, found it difficult to improve on what we got in 1996. Still, watching the original and then the follow-up is a great excuse to see colossal storms and Glen Powell rocking a cowboy hat. You can catch both films on NOW TV Cinema at the moment.

6. The Flintstones (1994)

Honestly, you could go through Kathleen Kennedy’s filmography and keep the kids entertained for days. As producer on The Flintstones in 1994, Kennedy helped resurrect an age-old classic of the small screen and made a cracking family movie that works for audiences of all ages in the process. 

One of my favourite things about this film and others like it – such as Paddington and The Addams Family – is that the humour works on different levels for both children and adults. The Flintstones may have first hit our screens back in the ‘60s, but clearly their appeal has endured to this day for a reason. John Goodman and Rick Moranis really capture the charm of Fred and Barney, while the production design is staggering. If I made that film today, I’d be proud, and it was quite the achievement at the time.

7. Jurassic Park (1993)

Speaking of outstanding technical achievements and production design triumphs, there are very few films that can hold a candle (or a flare) to Jurassic Park. This is another spectacular collaboration between Kennedy and Spielberg, and a generation-defining picture. The fact that we’ve now had six sequels to this film and none of them have come close to the original says everything you need to know about its immense quality.

Much has been said over the years about the brilliant core trio in the cast, and it really cannot be overstated just how perfect Sam Neill, Laura Dern, and Jeff Goldblum are together. The designs of the animatronic dinosaurs are awe-inspiring and hold up far better than most CGI today. At the time of writing, you can still catch Jurassic Park on Prime Video for a limited time, but it’s also on Netflix and NOW Cinema.

8. Cape Fear (1991)

It’s refreshing that, among the sci-fi and family flicks, Kennedy also has a dark, violent, and gritty crime thriller in her portfolio. As you can see from this list, she’s worked with true masters of the craft, and Martin Scorsese is certainly right up there as one of the finest filmmakers to ever exist. Interestingly, Cape Fear is probably not even in his top ten best films, but it’s still an absolute banger (that says more about his filmography than the quality of this effort).

If you like seeing Robert De Niro play the unhinged bad guy, this is about as close as he gets to replicating his brilliant work in Taxi Driver. There are so many scenes in this movie that showcase De Niro’s wild side, from the movie theatre conflict to his intense fireworks show, and while he’s absolutely despicable as Max Cady, you just can’t take your eyes off him. You’ll have to pay at least £2.49 to rent this movie, but my word, it’s worth it.

9. Who Framed Roger Rabbit (1988)

If I ever get an excuse to write about Who Framed Roger Rabbit, I’m going to take it, so here we are. This was one of my favourite movies growing up, and I’ve grown to appreciate it even more as an adult. For a start, the technical feat of putting cartoon characters alongside real actors – and getting a flawless, dynamic performance from Bob Hoskins in the process – is the stuff of legend. 

To do all that in the context of a gripping neo-noir story and make it work with these larger-than-life characters was a big swing, but Robert Zemeckis knocked it out of the park. Zemeckis and Kennedy previously combined forces for the brilliant Back to the Future, but I’m sure you don’t need reminding about how great that time-travel comedy is. Instead, Who Framed Roger Rabbit is another film that works for kids and adults, with jokes that’ll fly over younger heads but land perfectly for grown-ups. You can catch Who Framed Roger Rabbit on Disney+ right now.

10. Poltergeist (1982)

It’s kind of crazy that Poltergeist was able to get a PG rating. This ‘80s cult classic isn’t pure horror, but it’s definitely not the kind of film I would show my young kids without much trepidation, so bear that in mind if you’re thinking of introducing your offspring to this haunted house movie. I’d say it’s pretty much in line with the old Ghostbusters movies from that era or Gremlins – movies that won’t necessarily give anyone nightmares, but will probably unsettle younger viewers for a while.

Interestingly, this was Kathleen Kennedy’s very first producer credit on a motion picture – not a bad way to start your career, right? It’s also where her working relationship with Spielberg began (he was one of Poltergeist’s writers), so you could say this project set her up for life. You’ll have to pay £3.49 to rent this movie currently, but if you’re looking for something mildly spooky, you can’t go wrong with Poltergeist. 

The hierarchy of power in the new DC Universe is about to change forever. No, Black Adam isn’t coming back, but Kara Zor-El, aka Supergirl, is stepping into the spotlight, and we couldn’t be more excited.

After a brief and brilliant cameo in James Gunn’s Superman movie (more on that later), Milly Alcock will return for her very own solo film in this year’s Supergirl. We’ve seen a few trailers already that suggest this’ll be another fun ride for this burgeoning franchise, and with Craig Gillespie at the helm, we know Kara is in good hands.

This vibrant character has not been utilised too often on the big or small screen to date. So, unless you’re a devout reader of DC Comics, you’ll need to do a little bit of research into Superman’s crazy cousin before this summer. To help you on your way, here are the six best Supergirl appearances so far, in order of our least to most favourite.

6. Supergirl (1984)

Is the original Supergirl movie any good? Not really. But it’s important to see where the character started so you can truly appreciate how far she has come. This 1984 flick was a spin-off from the epic Christopher Reeve version of Superman, and the plan was to have a whole trilogy around Kara Zor-El. Sadly, that never came to pass, with the film panned for its poor visual effects and messy tone, putting it completely at odds with Richard Donner’s approach to superhero movies.

Helen Slater took on the titular role here for her first-ever big screen outing, and while Supergirl was an unmitigated disaster at the box office and among critics, she wasn’t the main culprit. In fact, screen icons Peter O’Toole and Faye Dunaway, who took on supporting roles in the movie, picked up Razzies nominations for their performances.

5. The Flash (2023)

There are so many things wrong with Andy Muschietti’s The Flash, but Sasha Calle’s turn as Supergirl is certainly not one of them. She was the first Latina actress to take on the role of Kara Zor-El, and brought a fascinating, darker vibe to the character that really worked. I can say with very little hesitation that Supergirl is the best part of this final chapter in the much-maligned DCEU, which is incredible considering Michael Keaton returns as Batman in this movie. 

While Keaton is obviously great, with all the dodgy CGI and the convoluted plot, it’s hard to properly engage with the storyline. Still, there are some fun action set-pieces throughout, and if you’re into nostalgia plays with legacy characters, you’ll be all over The Flash.

4. Superman/Batman: Apocalypse (2010)

If you were disappointed that Zack Snyder’s Justice League and the tantalising tease of more Darkseid never came to fruition, you’ll love seeing more of the ultimate DC big bad in Superman/Batman: Apocalypse. This animated movie sees Superman’s cousin cause all sorts of problems, as she is unwittingly recruited by the overlord of Apokolips. Meanwhile, Batman makes it his mission to stop the destructive duo.

You’ll have to pay £2.49 to rent this film from Prime Video, but honestly, it’s worth it. The sharp, modern animation style is so striking and marries up perfectly with the New 52 era of DC Comics. Meanwhile, you get excellent voice work from the likes of the late, great Kevin Conroy, Andre Braugher, Tim Daly, and Summer Glau to bring this short but scintillating story to life.

3. Supergirl (2015-2021)

Credit where credit’s due, Melissa Benoist had an impressive six-year stint on the small screen as Kara Danvers (the human alias of Krypton’s hedonistic heroine) in the Supergirl TV series. To be a part of the Arrowverse for so long is no mean feat, especially during a time when the superhero market has been so saturated with the rise of the MCU. Still, Supergirl fought off the competition and various villains over the years to produce a consistently solid show.

There are 116 episodes to dive into, and if you really want to get to know this character properly before the new movies crash land in theatres, this is your best chance. You can catch all the episodes on Prime Video or for free on ITVX, and while the show largely has an overarching, continuous plot, you could dip in and out and still enjoy the adventures. For a singular story, make sure you watch Season 3, Episode 9, ‘Reign’, or for something more all-encompassing, you should check out the ‘Crisis on Infinite Earths’ crossover with the rest of the Arrowverse clan. 

2. Superman (2025)

We all thought Krypto, the loveable Super-dog, was the best part of James Gunn’s Superman. That is, until the final moments, when his true owner, Kara, appeared in the Fortress of Solitude. In just a couple of minutes, Milly Alcock gave us everything we needed from this new version of Supergirl: funny, full of energy, very, very drunk, and clearly the kind of relative who’ll give Clark Kent a headache.

Hopefully, we will see their dynamic evolve in the next few years. We’ll certainly learn a lot more about this iteration of Kara when her solo outing hits the big screen later this year, and the fact that Lobo will appear in Supergirl suggests that both these characters will have a role to play in the 2027 project, Superman: Man of Tomorrow.

1. DC Super Hero Girls (2019-2021)

Believe it or not, the very best Supergirl appearance to date comes in an animated series that’s primarily aimed at a younger demographic. While DC Super Hero Girls may focus on teen versions of the likes of Supergirl, Wonder Woman, and Batgirl, it’s actually a great show for kids and adults to watch together.

I’ve watched this with my young son, and we both absolutely loved the episodic nature of the show. DC Super Hero Girls is a brilliant introduction to a wide range of characters from this particular universe. It has a really entertaining vibe, with a brilliant blend of lighter, more playful stories and some more high-stakes adventures. Kara Danvers is a real highlight of the show, and one particular episode titled ‘League Of Shadows’ is a standout that we revisit pretty regularly in our household. It’s got a delightfully dark storyline, and features one of the most catchy songs you’ll ever hear in a TV show.

Valentine’s Day is the day for roses, chocolates, and romance. For many, the day is also for snuggling up with a good rom-com, but for some, those movies just don’t cut the mustard. For every person who goes all mushy when watching Bridget Jones finally get her man, or seeing The Notebook’s Allie and Noah kissing in the rain, there is someone left feeling unmoved. 

There is a whole subset of the audience that is turned away by the overt saccharine of these films, but that doesn’t mean that they are closed off to romance; they just look for it elsewhere. 

If you fall into this category, worry not; there do exist stories of romance that don’t come with a side of cheese and a heavy sprinkling of sugar. You just have to know where to find them. Here we have created a guide that exemplifies some alternative couples to spend Valentine’s Day with. Expect punk rockers, time travellers, petty thieves, and even zombies (yes, zombies), in our wide variety of selections. 

1. Patty and Simon - Dinner in America (2020)

Adam Rehmeier’s Dinner in America is one of the greatest films of the last decade. Vastly different from his debut, The Bunny Game, Dinner in America is a punk-rock love story that deserves to be seen by all. The story revolves around punk singer Simon and pet shop worker Patty. After Patty gives Simon sanctuary from the police, the pair strike up an odd friendship, but that soon becomes something deeper after the pair realise that Simon is the man under the mask of the lead singer Patty is in love with, and that Patty is Simon’s poetry-writing anonymous fan mailer. 

Although drenched with a biting humour, Dinner in America is also overwhelmingly charming, and the moment that Patty begins singing the Watermelon song (which became a hit on TikTok), you’ll be putty in Rehmeier’s hands. 

2. Ed and Lorraine Warren - The Conjuring 2 (2016)

The relationship of Ed and Lorraine Warren is the linchpin of the Conjuring universe, but never is it more prominent than in the second film, The Conjuring 2. As the couple travel to the UK to investigate the Enfield haunting, Lorraine is plagued by thoughts that something terrible is going to happen to Ed. This leads to several sweet and intimate conversations between the two, where the chemistry between Patrick Wilson and Vera Farmiga shines. 

They might not be the most passionate couple, nor the most historically accurate rendering of their (problematic) real-life counterparts. Yet, they’re still an exceptionally sweet portrayal of marriage, and are surrounded by all the jump scares your heart desires.   

3. Curt and Julie - Return of the Living Dead 3 (1993)

Return of the Living Dead 3’s Curt and Julie might not be on most Valentine’s Day watchlists, but they should be. When the couple sneak into the military facility where Curt’s dad works, they witness an experiment that brings the dead back to life. After Julie dies in a motorcycle crash, Curt uses the same drugs on Julie, bringing his beloved back to the land of the living. Julie, however, isn’t quite the same and is now hungry all the time, with a strong craving for brains! 

At the same time as being a silly and over-the-top gory horror comedy, Return of the Living Dead 3 is also very sweet with its portrayal of Curt and his zombie bride. The last moments are 100% Shakespearian; needless to say, if Shakespeare been like this at school, more kids would have paid attention. 

4. Corky and Violet - Bound (1996)

Directed by the Wachowskis early in their career, Bound is a crime caper that got everyone talking when it was released in 1996. The bulk of the discussion was around the sex scenes between Corky and Violet, but when you look beyond that, this couple are far more than mere titillation. In Bound, ex-con Corky crosses paths with Violet when she begins her plan to rob Violet’s partner, Caesar. 

With Violet herself longing for escape from her boyfriend, the pair grow close and fall passionately in love with one another. That there is a whole taut crime thriller narrative happening around the duo is barely noticeable, as this pairing is electric. 

5. Sarah Connor and Kyle Reese - The Terminator (1984)

James Cameron’s The Terminator is one of the greatest science-fiction movies ever created, but did you know it’s also an epic love story? The main hook of the story is that a cyborg from a future war is sent back through time to kill the young woman, Sarah Connor, who will one day give birth to the man who will defeat the machines. With Sarah’s son, John, aware of the plot, he sends soldier Kyle back to save her. Except Kyle willingly volunteers for the mission, as, having seen a Polaroid picture of a young Sarah, he has fallen in love with her. 

Girls don’t want flowers; they want a man to travel across time on what is essentially a suicide mission, just so he can meet the woman he loves. The motel scene’s admission of love holds up against anything a rom-com has to throw at it. 

6. Johnny Utah and Bodhi - Point Break (1991)

There is one bond that is stronger than a romance, and that is a bromance. Although not overtly romantically linked, Point Break’s FBI agent Johnny Utah and surfer guru Bodhi are clearly made for each other. Yes, Johnny starts dating waitress Tyler, but all the time, the two men are making eyes at each other. The plot, which would go on to be refitted for the Fast and the Furious franchise, has a young FBI agent go undercover as a surfer to try to identify the Ex-Presidents, a gang of bank robbers. 

Unfortunately for Johnny, his target is none other than Bodhi and the complicated feelings that this stirs go far beyond simple respect. It is clearly Johnny’s love for Bodhi that sees him allow Bodhi to escape when he has him in the crosshairs of his gun. The union between Johnny and Bodi is the greatest love story that never got to be. 

7. Bea and Paul - Honeymoon (2014)

While most film couples’ stories conclude with their happy ending, in Leigh Janiak’s Honeymoon, the happy ending is the start of the journey for the lead couple, Bea and Paul. Opening with their wedding, the story shifts to their honeymoon. What initially is a lot of consummating the marriage quickly becomes something more sinister. One night, Paul finds Bea wandering the woods outside their cabin, and from that point on, everything changes. 

Honeymoon perfectly articulates the changing dynamic of a relationship when partners go from partners to spouses, and the concept of suddenly not recognising the person you married. Whilst not the most cheery of Valentine’s Day viewing, Bea and Paul’s love is alluring enough that the viewer is desperate for them to survive their ordeal. 

8. Ray and Colin - Pillion (2025)

In Pillion, the shy barbershop quartet singer, Colin, embarks on a relationship with motorcyclist Ray. Their romance, however, is far from traditional, delving instead into the world of kink as Colin becomes Ray’s submissive. As the relationship continues, Colin begins to develop deeper feelings, which causes problems for Ray. 

Although set within the kink world, Pillion is also endearing, charming, and unexpectedly funny. The interactions between Ray and Colin also straddle a frisson of danger and sweet comedy that make them utterly intoxicating.  

9. WALL-E and EVE - WALL-E (2008)

Who says that love has to be confined to us mortals? Love is love after all, and never is this better exemplified than in Pixar’s WALL-E. Set in the aftermath of a global disaster, the remains of humanity live on a ship floating through space. Earth has been left to robots tasked with cleaning up the mess, but only one remains: WALL-E. The isolation has made him a little peculiar, but he loves nothing more than spending his nights watching Hello Dolly on repeat. 

His life is thrown into disarray when the far fancier EVE robot arrives in search of plant life. WALL-E is immediately smitten, and though it takes him a while to woo over EVE, he eventually does, and their union is capable of making the most stone-hearted burst into happy tears. 

10. Clarence and Alabama Worley  - True Romance (1993)

Upon hearing the title, True Romance, one can be forgiven for assuming that the movie in question will fall into the rom-com genre, but that couldn’t be further from the truth. The plot instead follows newlyweds Clarence and Alabama as they travel to Los Angeles to sell the drugs they accidentally find themselves in possession of. Along the way, they find themselves hunted by the true owners of the drugs and the police alike, but luckily, the duo is so cool that they manage to hold their own. 

What True Romance does so well is capture that honeymoon, lustful phase of a relationship beautifully. Although their relationship is always at the forefront, it is never more magical than during the opening 15 minutes, which shows the couple falling head over heels for one another after just one epic date night. 

It’s no secret that the Harry Potter franchise is one of the most popular and successful of all time, but we never expected one of its most nefarious characters to end up being the poster boy for the Chinese Lunar New Year.

Daniel Radcliffe and the titular hero he played spent a decade and eight movies fighting off Lord Voldemort and his wizarding cronies. From Harry Potter and the Philosopher’s Stone right through to the Deathly Hallows two-parter, the fabled Boy Who Lived was someone we could all root for.

Over in China, however, it seems one of Potter’s most troublesome nemeses has finally been forgiven for all the problems he caused. In fact, he’s very likely to get a whole year in the spotlight, and here’s why.

Why Draco Malfoy Is a Big Deal in China This Year

On February 17, China will welcome in a new year. The Year of the Horse is upon us, but it’s Draco Malfoy who is being put forward as the symbol of this joyous celebration.

Turns out, the name Malfoy roughly translates to “Ma Er Fu” in Mandarin. “Ma” means horse, which already helps to align the fictional wizard with the impending occasion. Still, when you consider that “Fu” translates to “good fortune”, it becomes abundantly clear why Chinese citizens are adorning their walls with pictures of the blonde bully.

If there’s even a small chance that these shrines to Malfoy are going to bring luck in the Year of the Horse, then why not hail the Slytherin prince? It’s even more fitting that we are saying goodbye to the Year of the Snake. The Hogwarts sorting hat would have a field day with the way this has all aligned.

Folks in China are really going all in on this trend ahead of the Lunar New Year, too. Red posters (also known as fai chun) with celebratory phrases are not unusual, but these have now been reworked with a young Tom Felton’s face.

Even the actor himself has noticed the craze. He recently took to Instagram to reshare a photo he spotted of a huge electronic banner in a shopping mall that had Malfoy’s smug grin staring back at him.

The Harry Potter Movies Made a Killing at the Chinese Box Office

This may seem unusual, but we really shouldn’t be surprised, given how popular the Harry Potter movies are in China.

According to the Chinese publishing company behind the translated versions of the books, more than 10 million copies of the series were sold even before the final instalment was released in 2007.

The movies have done well over there, too. In 2020, a re-release of the first film raked in a massive $27.6 million. In 2024, a marathon of all eight films added another $42.64 million to the franchise’s global box office figures.

Harry Potter and the Deathly Hallows Part 2 made waves when it was first released in China, earning a record-breaking $26.5 million in its initial run in 2011. That record may have been snatched away from the fantasy film since then, but clearly, the cultural impact of the Wizarding World has not faded at all – not for Draco Malfoy, at least.

We still might not fully “get it” on this side of the Atlantic, but the Super Bowl continues to be the most sought-after place for advertisers to sell their wares—the kind of rarefied airtime that only the wealthiest companies can afford. 

Want to see Serena Williams unsubtly flog a weight-loss drug? How about 30 seconds of Matthew Broderick selling his soul to AI? Or what about a de-aged Joey from Friends and a de-aged George from Seinfeld joining a de-aged Ben Affleck and Matt Damon in a Dunkin' Doughnuts-themed reenactment of a scene that once helped them win an Oscar? There is still only one place to go!

Even in an era when many of these adverts pop up simultaneously online, there’s still something exciting about seeing them live—and especially the 30-second promos for the biggest upcoming movies of the year. In the list below, which I’ve ranked from least to most anticipated, you’ll find the nine movie trailers that played in the early hours of Monday morning during Superbowl VX—a group of titles that contains new additions to beloved franchises, an original film from one of the greatest living directors, and a sequel that nobody asked for and absolutely everybody’s dying to see. 

Surprisingly, one thing you won’t see is the final, rumoured, and apparently Robert Downey Jr.-focused teaser for Avengers: Doomsday. Read on to discover more about the others and use the guide below to find out where and when you can see them in theatres and on services like Netflix, Prime Video and elsewhere. 

9. Minions & Monsters (July 1)

A pretty straightforward one to start with. Minions & Monsters is the seventh feature film in the Despicable Me franchise and the third Minions spinoff overall. It’s directed by franchise originator Pierre Coffin—who also voices the little yellow guys—and takes place in 1920s Hollywood, where a group of Minions go to make it in the movie industry but end up encountering, well, monsters!

The Super Bowl spot is actually a teaser for a longer trailer that was released online simultaneously. Style-wise, I like this one. It’s smart and minimal and clearly made specifically with the Super Bowl in mind, so bonus points for all that. The film itself? I’m sure it’ll be fun, and I’m sure it'll make Illumination another gazillion dollars. 

8. Scream 7 (February 27)

With six movies and a TV show released in the last 30 years, we probably didn’t need the amount of plot that was crammed into this one-minute Super Bowl teaser for Scream 7. Yes, Neve Campbell is once again back as Sydney Prescott and is once again running away from a knife-wielding killer in a Ghostface mask, apparently with her daughter (who is being played by McKenna Grace) in tow.

All that said, there does seem to be a more horror-forward tone to this one (just check out those creepy drawings in the psychiatric hospital), so perhaps all the talk of “burning” things down really does mean a rejig of the franchise’s self-aware tone—or maybe this killer just likes a bit of arson. All will be revealed in just a few weeks—and yes, I’ll be lining up to see it.

7. Super Mario Galaxy Movie (April 1)

When Universal Pictures and Nintendo teamed up for The Super Mario Bros. Movie in 2023, they probably didn’t expect it to become the 15th highest-grossing movie of all time. 

If they had, they may have decided to keep a few more bits of classic Mario IP for the sequel. Not to worry,  the trailers so far have introduced us to Rosalina (Brie Larson), Bowser jr. (Benny Safdie), a Mad Max-looking sand bike sequence and, as was hinted in the first movie’s post-credit sequence, Yoshi! 

This new micro-promo sees the adorable dino saving baby Mario from a T.rex attack after the little tyke plays the apex-predator’s teeth like a xylophone. Looks fun!

6. Hoppers (March 6)

The first Pixar of 2026 is set to be Hoppers, a movie from We Are Bears creator Daniel Chong. It’s the story of a teenage girl who uses a new technology to move her consciousness into a robotic beaver to help save a local habitat from an evil corporation. This new 30-second spot basically covers most of what we saw in previous trailers—except this time at breakneck speed. 

Speaking at the D23 conference recently, Chong explained that the movie was inspired by both Avatar and the Mission: Impossible movies, so expect some action sequences along with all the humour and feels that the studio does best.

5. Star Wars: The Mandalorian and Grogu (May 22)

As a longtime Star Wars fan and Mando appreciator, I’m not entirely sure what to make of The Mandalorian and Grogu just yet. With its surprisingly sketchy CGI and Jeremy Allen White-voiced Jaba, the first trailer really didn’t feel like anything we’d seen in Star Wars before—but there’s every chance that’s a good thing.

This new 30-second spot is actually even stranger: a snowy sequence in which our two heroes ride a wagon led by Tauntauns. There’s a voiceover that sounds like Sam Elliot, which kind of makes the whole thing feel like an advert for Ford or Bud Light. Given that the spot was made especially for the Super Bowl, however, I’m guessing that’s the joke—in which case, respect. 

4. Supergirl (June 26)

When the teaser trailer for Supergirl was released a couple of months ago—with Milly Alcock’s Kara Zor-el waking up with what looked like a super-hangover as her super-dog took a super-piss—it confirmed that Craig Gellespie’s first foray into the DCU would be very much in the style of head honcho James Gunn’s galaxy-hopping Guardians movies. 

This new, 45-second spot starts with a more brooding, heroic tone before plunging back into chaotic scenes of spaceships and lasers; looks like a pretty good time. 

3. Project Hail Mary (March 20)

With less than two months to go until Project Hail Mary’s release, this new “final trailer” was never going to reveal much that we hadn’t seen before—and let’s be honest, if you’re as much a fan of Phil Lord and Chris Miller as I am, you’re probably already seated for this one.

The Lego Movie and Spider-Verse directors have yet to miss, and this new sci-fi —based on a novel by Andy “The Martian“ Weir and co-starring Ryan Gosling, an alien called Rocky and the great Sandra Hüller—looks like an absolute blast. 

2. Disclosure Day (June 12)

Movie fans will be in for a treat this June with the release of Disclosure Day, Steven Spielberg’s first original science fiction movie since A.I. The first trailer, released last month, led with Josh O’Connor, some eerie woodland creatures and a scene in which a weathercaster (Emily Blunt) appears to start talking in an alien tongue.

This new minute-long spot continues to tease out the mystery with images of crop signs and Eve Hewson’s character asking, “Are they people?” I’m not entirely sold on this CGI deer situation just yet, but I am counting down the days for this one nonetheless. 

1. The Adventures of Cliff Booth (TBA)

Trailer prognosticators had expected most of the movies on this list to have something lined up for the Super Bowl, but nobody was expecting a full-on, content-heavy, hilariously redacted trailer for Netflix’s The Adventures of Cliff Booth, which is still honestly one of the most unusual projects in recent memory. 

The movie, which was written by Quentin Tarantino and adapted from his own novel, is a spinoff sequel to QT’s 2019 masterpiece, Once Upon a Time… in Hollywood, with Brad Pitt reprising the role that won him an Oscar, but it’s being directed by none other than David Fincher. 

How these two aesthetically dissimilar and big-egoed filmmakers have agreed on the tone is anyone’s guess, but the trailer does suggest that Fincher has gone back to the rich browns and greens of his 1970s-set classic, Zodiac. Elisabeth Debicki also looks divine in the period setting—apparently playing Booth’s manager. If Netflix and Cannes can work out their differences, expect this one to premiere on the Croisette before releasing late summer. This is all great news!

If you’ve been following the Outlander journey for the last seven seasons, you’ll know we’re on a collision course for a dramatic and exciting conclusion to Jamie and Claire’s story. But while we’re looking forward to the final season of the hit romance show, it’s not going to be any less upsetting to say goodbye to these characters.

When the time-hopping series began in 2014, audiences were enraptured by the beautiful love story unfolding between Jamie and Claire. But having followed the characters on screen and in the pages of Diana Gabaldon's novels for many years, we’re now at a crossroads.

As we head into Outlander Season 8, Gabaldon’s final book is yet to be released, meaning none of us know where the last leg of this adventure will take us. However, after speaking to stars Sam Heughan and Caitriona Balfe about what to expect from the grand finale, JustWatch can shed some light on the situation.

Sam Heughan & Caitriona Balfe Discuss Outlander’s Bittersweet Ending

In an exclusive interview with JustWatch ahead of the release of Outlander Season 8, Heughan warned fans to prepare for a rollercoaster ride of emotions. "You're going to cry, you're going to laugh, you're going to be elated but probably not depressed,” he said.

You’d be hard-pressed to find a devoted Outlander fan who hasn’t cried at some point over the last 12 years. Still, the fact that Heughan doesn’t believe it will leave audiences depressed surely means there’s some kind of happy, or at least satisfying, ending to come.

He added, “It is coming to an end, so we do have to tie it up. We hope it serves the characters and the story, and of course, the fans as well.” Naturally, in any dramatic journey, there are sacrifices and farewells that we don’t necessarily want to see, but are crucial to good storytelling.

Outlander is a show that has never been afraid to kill off a key character. We don’t know whether even Jamie or Claire will make it out of Season 8 alive. Thankfully, the actors and the whole cast and crew have been able to realise the overarching vision for this sprawling epic TV show right to its planned conclusion. That’s a rarity, and not something that is lost on the stars.

Balfe explained what it was like on-set for the final days of shooting the new season, and by the sounds of it, we’re set for an absolutely monumental, emotional scene that was extremely tough for the two actors to complete.

“We had all the execs, all the producers, all the crew, all the cast had come in, and it was just Sam and I trying to get through a seven-page scene,” she said. “It was very, very emotional, and it felt very special and real.”

A long scene with that much weight behind it sounds like something that could really knock us for six. Balfe concluded by describing Outlander Season 8 as “a real celebration and mourning at the same time.” Meanwhile, Heughan called it a “bittersweet” send-off. Hopefully, that mourning is only for the show, and not for our beloved protagonists.

What Do We Know About Outlander Season 8?

Looking back at the events leading up to the Season 7 finale, one of the key storylines to keep an eye on will be Claire’s theory that her daughter, Faith, is not really dead. Her tragic death in Season 2 broke our hearts, but then all these years later, along came Fanny, a young girl Claire and Jamie welcome into their clan at Fraser's Ridge.

When Fanny begins singing ‘I Do Like to Be Beside the Seaside,’ the song Claire used to sing to Faith, it sparks her belief that her stillborn daughter may have somehow survived and that Fanny is actually a descendent of Faith’s. The fact she is wearing a necklace that says “Faith” on it only adds further fuel to this fire. Given the time-travel elements in Outlander, it’s not beyond the realms of possibility, and it would be a fantastic twist to bring Claire’s journey full circle if she can finally find some solace in what happened to Faith.

Meanwhile, the new trailer for Outlander Season 8 focuses very heavily on the idea of fate. Most notably, Jamie reveals he has read about his own death in an upcoming battle. Should he answer the call and join the conflict that will surely lead to his demise, or will he listen to Claire and avoid the fight altogether? We know what we want him to do, but that’s just not the way Jamie Fraser operates, is it?

There are a few too many guns and fiery scenes in that new trailer, which certainly doesn’t put our mind at ease when it comes to fearing for the Fraser family. But Balfe did say fans will “really enjoy” the final season, so hopefully, even if it is painful at times, it’ll all be worth it in the end.

As we enter the final stretch of the 2025/26 awards season, there’s still a surprising amount of wiggle room in some of the top races. Naturally, a lot of the fog will have cleared by the time that BAFTA, the WGA, the PGA all hand out their respective gongs, but there’s a growing sense that some of these categories are about to go down to the wire—at least more of them than in any other recent ceremony.

At time of writing, Jessie Buckley looks like a lock for Best Actress, but everything from Actor (Leo v Chalamet), male and female Supporting Actor (Penn v Stellen v Elordi v Benicio; Madigan v Taylor) to Best Picture (One Battle After Another v Sinners v Hamnet), and various others, all remain at least somewhat up for grabs. The most intriguing case will be Best Director, a category currently split between the respective filmmakers of those Best Picture nominees: Paul Thomas Anderson, Ryan Coogler and Chloe Zhao—any one of whom, in their own way, would represent a historic win. 

Let’s take a deeper look at the story here and use the guide below to find links to the movies we mention on services like Apple TV, Netflix, Prime Video and elsewhere. 

Why is Best Director This Year’s Most Important Oscars Category?

As has been the case in recent years, the 2026 Best Director category is arguably the most diverse of the major awards. Of the 20 acting nominations, a record four have gone to non-English language performances this year. Three of those have gone to Joachim Trier’s Sentimental Value, which is perhaps a little less significant than it sounds. 

The real history could be made in Trier’s category where, despite him being the only non-American (Zhao is Chinese, but her work has almost always chronicled American lives) filmmaker in the running, after Park Chan-wook (No Other Choice), Yorgos Lanthimos (Bugonia) and Kleber Mendoçha Filho (The Secret Agent) failed to make the cut, nationality will not be the most interesting factor. The smart money is still on Paul Thomas Anderson, a contemporary legend of American cinema who has somehow never won a single Oscar in his career—though he will likely have picked one up for Original Screenplay by the time that Best Director is awarded on the night.

The more historically significant outcome would be if Zhao or Coogler were to take the prize. If the Hamnet director wins on March 15, she would become the first woman to win two directing Oscars after becoming only the second of three women to win the award in its admittedly shameful history (as she did for Nomadland in 2020) and, so far, the only woman of colour. With respect to Chloe Zhao, the most historic win would surely be Ryan Coogler, as the Black Panther and Creed director would become the first Black filmmaker, male or female, to ever take home the Best Director Oscar. Expect a thunderous ovation if he pulls it off.

Is the Best Director Category Usually This Unpredictable?

In a word: yes. Trier, being the only non-American-based filmmaker among this year’s nominees, is actually quite uncommon. The directors’ voting body tends to recognise two or three of their international colleagues each year. In fact, the last time that four Americans competed, in 2019, they all ended up losing to Bong Joon-ho for Parasite. Moreover, when Sean Baker won for Anora last year, he became only the fourth American to receive the prize since 2009—and two of those winners were the “Daniels” of Everything Everywhere All at Once.

The reason for this is that the DGA, the group that decides who gets nominated, has a reputation for being a little more aware of international cinema and, like the documentary section, considers itself a little more high-brow. This is why so many international nominees have made it in here in the past, which used to be especially noticeable in the years when there were only five Best Picture nominees. Now, as the Academy’s focus moves away from L.A. to places like Venice and Cannes, and more and more international films start to feature in the biggest races, don’t be surprised if this becomes the norm in most categories. 

Who’s Going to Win Best Director at the 2026 Oscars?

Given that Chloe Zhao has already won, and did so quite recently, my gut tells me that it’ll be either Paul Thomas Anderson or Ryan Coogler’s night. A classic Oscar move would be to split Best Picture and Best Director between the two movies, although usually when this happens, the more normy film takes Picture with Director going to the more “auteur” option—in previous years, this meant Picture going to middlebrow movies like Shakespeare in Love and Crash while masterpieces like Saving Private Ryan (Steven Spielberg) and Brokeback Mountain (Ang Lee), respectively, had to settle for the slightly lesser prize. 

The trouble with this comparison is that Sinners and One Battle both fall into the latter category, with Hamnet the closest thing to the kind of ‘Oscary’ period piece that the older demographic of voters used to favour in those circumstances. It’s emblematic of where the Academy is at since diversifying its voting body that we’ve been left with this particular two-horse race at all. 

In my heart of hearts, I still think Anderson’s movie has the edge for both of these awards, not least after taking the top prize at the DGA ceremony on February 7th, but if One Battle and Sinners end up splitting the younger votes, there is every possibility that Zhao sneaks in—an event which would ironically leave Steven Spielberg (who is nominated as one of Hamnet’s producers) winning out over the recognised cinephile options just like he once lost out to Shakespeare in Love. 

Whatever happens, we might finally have an Oscar race worth losing sleep for.

If you’re looking to curl up with someone this Valentine’s Day, there are whole continents of cinema devoted to that mood. As usual on February 14, however, the less romantically inclined amongst us will likely reach for something a little different; something a little more nihilistic, perhaps; the kind of movie that reminds you that, despite it all, there are far worse things than being single. 

If you feel like going out, there’s a good chance that Emerald Fennel’s “Wuthering Heights” will satisfy viewers of both persuasions. For anyone looking to stay at home, however, we’ve got you covered. The following list, which I’ve arranged in no particular order, contains rom-coms, thrillers, sex, sci-fi and even a movie from 82 years ago, and any one of them should pair nicely with a glass of something strong as it’s raised against this allegedly “most romantic” day of the year. 

Read on to discover more and use the guide below to find them on services like AppleTV, Netflix, Prime Video and elsewhere. 

1. Gone Girl (2014)

It took a minute before people came around to the fact that David Fincher’s Gone Girl was a modern pulp classic. On first viewing, the movie leads you to believe you’re watching it from the man’s perspective—a New York writer (Ben Affleck) who believes he’s being framed for his wife’s, at best, disappearance, at worst, murder.

Without giving too much away, the movie then pulls the rug from underneath you with a delicious second-act swerve that’s punctuated with one of the great anti-romance monologues of the last 20 years. Come to this one if you’re a fan of Fincher's work (Zodiac and Mindhunter in particular) but stay for Rosamund Pike’s career-best performance. 

2. Eternal Sunshine of the Spotless Mind (2004)

Ten years before Gone Girl was released, Charlie Kaufman wrote a screenplay that also focused on the mistruths we choose to tell about each other while in relationships—albeit through the lens of a science fiction movie. 

That screenplay became Michel Gondry’s Eternal Sunshine of the Spotless Mind: a movie about falling in love too easily that also asked if, during the depths of a break-up, you might consider having all those memories removed, good and bad, as if the whole thing had never happened to begin with. Check this one out if you like Kaufman’s other work, like I’m Thinking of Ending Things and Being John Malkovich—either of which would be worthy of a place on this list, too. 

3. Blue Valentine (2010)

Derek Cianfrance’s Blue Valentine takes place over two time periods, flicking back and forth. The first shows the impossibly romantic early days of a relationship between two beautiful young people (played by Michelle Williams and Ryan Gosling). The second shows how, just six years later, even this idyllic beginning can lead to heartbreak and catastrophe.

Few movies in recent years have delivered such a bummer message about the disastrous possibilities of romance as Cianfrance’s 2010 indie classic, which is exactly why it’s ideal fodder for our list. For similar movies stylewise, think Cianfrance’s Place Beyond the Pines or his recent and criminally underrated Roofman.

4. Midsommar (2019)

For something with a more rousing ending, at least in the spirit of the anti-Valentine’s Day movie, consider putting on director Ari Aster’s (he of Hereditary and Eddington) 2019 horror movie Midsommar. This is the one where a group of friends take a holiday to Sweden but end up in the midst of a pagan death cult. 

This one is more than eligible for our list as the protagonist (played in a breakout performance by Florence Pugh) has to try and process these new and terrifying surroundings while also coming to terms with the fact that her boyfriend kinda sucks. Needless to say, it doesn’t end well for him.

5. Gaslight (1944)

George Cukor’s 1944 movie Gaslight makes our list because a) it’s a low-key classic, and b) it quite literally coined the name of one of the most talked-about relationship red flags of the last decade. The plot is set in 1880s London, where a husband begins to quietly manipulate his wife into thinking she’s lost her mind.

Come for that early (and possibly accidental) dissection of toxic male behaviour, but stay for the great Ingrid Bergman playing off an adorably fresh-faced Angela Lansbury in one of her very first Hollywood roles. 

6. (500) Days of Summer (2009)

Given the memes that do the rounds these days from (500) Days of Summer—think Joseph Gordan Levitt being surprised that Zooey Deschanel knows who the Smiths are—you might think that the film is totally unaware of its protagonist’s softboi behaviour. That might still be true, but the movie (despite being written and directed by three dudes) was actually relatively self-aware for its time—Deschanel’s casting, for one, was more of an attempt to weaponise her manic pixie persona than indulge in it. 

As indie romances go, (500) Days offers a sharp critique of how people (mainly men, but not always) sometimes fall in love with the idea of another person before taking the time to get to know them. For some more genre-based comps, movies like Ruby Sparks and Ex Machina aren’t a million miles off. 

7. Eyes Wide Shut (1999)

Enough of all that melancholy self-reflection. Eyes Wide Shut is Stanley Kubrick’s last ever film, and it’s about as cynical about the possibilities of love and marriage as anything out there. Filmed over a record 400+ days, the experience of watching this movie is a bit like seeing a relationship fall apart in real time—it will come as no surprise for viewers to learn that its lead actors, Nicole Kidman and Tom Cruise, divorced not long after its release. 

The movie follows Cruise’s New York City doctor over a single, depraved night, during which he thinks about sex, talks about sex, and watches people having sex without ever having any himself—in other words, a perfect watch for all the Valentine's haters in your life. 

8. Promising Young Woman (2020)

If you do make it out to a preview of “Wuthering Heights” before February 14, you might be interested in going back and watching Emerald Fennel’s previous work. Her 2023 movie Saltburn is plenty of fun, but for a good reminder of worst-date-scenarios, look no further than her 2020 breakout, Promising Young Woman.

This pulpy revenge flick can get a bit messy from a narrative standpoint, but it mostly works thanks to Carey Mulligan’s dedicated—and Oscar-nominated—performance in the central role. 

9. Happiness (1998)

If you’ve never seen a Todd Salontz film, it’s almost best to go in blind. Few filmmakers have ever reached the levels of discomfort that the director plunged to with his singular 1998 breakout hit, Happiness, a movie that really has no comparison since or before.

The best way to think of it is to imagine Philip Seymour Hoffman’s most unhinged performances (think Paul Thomas Anderson’s Boogie Nights and Punch-Drunk Love) but with those characters’ knack for self-loathing turned up to 11. That’s the energy that the actor brings to this movie about depraved people and their depraved desires. Wherever you land on this one, you certainly won’t be feeling romantic afterwards. 

10. Shame (2011)

And speaking of depraved desires, no movie in the current century has sounded the alarm for what all that easily available pornography might be doing to people than Steve McQueen’s Shame—a movie that feels like American Psycho with a fraction of the humour and a hundred times the futility.

This endlessly stylish, endlessly sad movie stars a perfectly-cast Michael Fassbender as Brandon Sullivan, an affluent Manhattanite with an insatiable appetite who has to re-jig his daily rituals when his sister (an even better Carey Mulligan) comes to visit.

Listening to Glen Powell talk about The Truman Show’s eerily accurate predictions (more on them in a moment) on a recent episode of The Rewatchables, I started thinking about what other speculative ‘90s movies got things right—or at least made a decent go of it.

As we reach (or pass) these movies’ 30th anniversaries, it’s probably not a huge surprise that some of what people hoped for at the time—or, more likely, worried about—has come to pass. Below, we’ve listed 10 movies from that decade that, whether through good research or pure chance, predict something about the future we now live in. Read on to discover more and use the guide below to find them on AppleTV, Netflix, Prime Video and elsewhere.

1. The Truman Show (1997)

Released in 1997, basically before reality TV went mainstream, The Truman Show felt like a cautionary tale—not only about what broadcasters might be capable of, but also about the kind of everyday mundanity we would happily tune into. In the character of Cristof (played by Ed Harris), we also get a prototype for the now ubiquitous tech CEO villain.

Almost 30 years on, the movie (which was directed by Peter Weir, and if you like his other stuff, like Dead Poets or Master and Commander, be sure to check it out) was only off on a couple of details: firstly in underestimating how dominant reality TV would become, but mostly in not seeing how quickly we would all start broadcasting our own lives—and willingly. 

2. Gattaca (1998)

Having failed to deliver the impossibly futuristic dreams of the 1960s (dude, where’s my flying car?), ‘90s sci-fi tended to focus more on the science than the fiction. A year after co-writing The Truman Show with Weir, Andrew Niccol wrote and directed Gattaca, a still astonishing debut feature (and if you liked Looper and Predestination, this one’s for you) that explored how society might be altered by advancements in genetic engineering. 

Today, gene editing technology like CRISPR and the rise of the ancestry business (not to mention transhumanist thinking) have made a lot of what Gattaca predicted, if not quite here, then certainly feasible. Thankfully, it hasn’t quite resulted in a new, vaguely fascist social hierarchy—at least not yet.

3. Ghost in the Shell (1995)

This September, Mamoru Oshii’s Ghost in the Shell (based on Masamune Shirow’s Manga from the early ‘90s) turned 30-years-old, but the questions it raised feel as urgent as ever. Namely, will AI eventually surpass us and will we, at some point, have to consider whether it has rights? At the time of writing, both those situations seem closer on the horizon than I’d like to admit.

The movie is full of action and is incredibly animated (especially if you like classic anime like Akira and Evangelion), but it’s Shirow’s ideas that live on, making it the influential classic that it is today.

4. The Net (1995)

Few people who saw The Net in 1995 thought it was anything but an entertaining thriller—and if you like movies like The Fugitive or Enemy of the State, you should check it out. The Net stars Sandra Bullock as a cybersecurity analyst whose reliance on technology—or so the film warns us—makes her vulnerable to identity theft. 

At the time of release, the idea that a person would live their life online in this way (willingly offering up their personal information and data just to order a pizza) seemed vaguely laughable—the kind of thing done only by your most introverted IT friend. Little did they know…

5. Strange Days (1995)

If the recently released A House of Dynamite confirmed anything, it’s that Kathryn Bigelow is still worried about our not-so-distant future. 30 years ago, the director made Strange Days, a prescient cyberpunk classic (part-Matrix, part-Videodrome) that imagined what life online (at least in terms of entertainment and pleasure seeking) might become. 

It’s true, we haven’t come close to reaching the capabilities of SQUID—a device that allows users to directly experience other people’s memories and emotions—but if the advancements in VR and neurolink are anything to go by, it’s probably only a matter of time.

6. The Matrix (1999)

As many people reading this list will know, it’s probably fair to say that movies like Ghost in the Shell and Strange Days walked (or jogged really fast) so that The Matrix could run—but boy, did that movie run.

Released just before the turn of the millennium, it’s amazing how many key anxieties of the 21st century the Wachowskis’ movie tapped into: namely, the rise of the surveillance state, how we’ve given up privacy in return for interconnectivity, and, of course, our increasing reliance on AI and what that might ultimately lead to. 

7. Demolition Man (1993)

Aside from predicting that Taco Bell would become the most beloved fast food chain (I’m only half joking), the 1993 movie Demolition Man (a sci-fi that fans of Total Recall and Judge Dredd will love) got more things right than it probably wanted to. 

A lot of the technology (self-driving cars, touch screens, and video meetings all feature) is now with us, but the societal ideas (like a machine that fines you for swearing and a policy of no touching) are what feel the most prescient—the first of those could be read as suggesting the culture war over free speech, and the second eerily predicts both the after-effects of the COVID era and the dropping rates of physical intimacy. What’s more, the movie (which is set in 2032) jokes that Arnie becomes president, which has so far only become half true.

8. Jurassic Park (1993)

In a similar way to Gattaca, Steven Spielberg’s Jurassic Park convinced the world that bringing back the dinosaurs wouldn’t be too difficult—at least in theory. Since the movie’s release, advancements in the fields of DNA and gene splicing have led to the successful cloning of animals. In more recent years, a company called Colossal has made plans to bring back long-extinct animals like the dire wolf and the woolly mammoth.

Of course, whether any of this is advisable is what Jurassic Park (and a bunch of other movies that came after it, like Deep Blue Sea and Splice) are ultimately about… But like, wouldn’t it be sweet to see a mammoth IRL?

9. Starship Troopers (1997)

When it comes to predicting the future, Starship Troopers is an interesting case. Paul Verhoeven adapted the movie to be a satire (and if you like Robocop and Total Recall, you’ll love it) of a genuinely right-wing book that imagined a world where, amongst other things, the only way to vote was to join the military.

Now, we’re not there yet, but the trends aren’t looking great. What it does nail, however, is the meme-ification of propaganda and the “would you like to more”-ification of our lives since the all-consuming rise of the internet. 

10. T2: Judgement Day (1991)

The original judgment day in James Cameron’s Terminator movies (both of which are classics, especially for Schwarzenegger fans) happened in 1997. So, depending on how you look at it, we’ve either dodged the bullet or an AI-instigated nuclear war is long overdue. 

Whatever the case, the nightmare images that Cameron imagined in 1991 continue to haunt our collective psyche—perhaps now more than ever. Gulp.

He’s one of the most accomplished and consistent filmmakers working today, and yet Park Chan-wook is not necessarily a household name. Sure, devout film buffs are crazy about the South Korean director, but anyone averse to reading subtitles has likely never even given him a chance.

Chan-wook is a master of stylish camerawork, loves a plot twist, and has a sharp sense of humour. Indeed, if you’re a fan of Bong Joon-ho’s work, you’re sure to love what his compatriot has cooked up, too.

So, if you’re ready to dive into Korean cinema, this list of Park Chan-wook’s best movies will provide the perfect tour guide. Or, for hardened veterans of the Asian cinema scene, now is your chance to compare notes and see if your tastes align with ours.

10. Sympathy for Mr Vengeance (2002)

The first of Chan-wook’s Vengeance trilogy is sadly his weakest, but it’s worth noting that this is still a worthy watch and the kind of film that most filmmakers would kill to have in their portfolio. Indeed, if you’re a fan of movies like Good Time or Caught Stealing, you’ll love the chaotic, anxiety-inducing nature of Sympathy for Mr Vengeance.

It’s a story of a desperate man and his lover who go to extreme lengths to fund a kidney transplant for his sister, but as things unravel around them, the violence ramps up. You may recognise Song Kang-ho here, who was also in Parasite, among many other brilliant Korean movies, and he plays an especially dark role in Sympathy for Mr Vengeance. The only issue is that this film is pretty hard to track down, so you may have to buy it rather than finding it on any streaming service.

9. Lady Vengeance (2005)

There’s very little to separate the previous entry and Lady Vengeance in my opinion, but the latter gets bonus points for just how brutal it is. Extreme violence is a common theme in Chan-wook’s work, and yet this 2005 effort is right up there as one of his most graphic and visceral. 

This tale of wrongful imprisonment and bloodthirsty revenge benefits from being slightly more concise than its predecessor; anything that can be wrapped up in under two hours is always a treat. It’s also far more accessible – it’s a very visual story rather than being especially complex and dialogue-heavy. Plus, you can actually watch Lady Vengeance on BFI Player, so there’s no excuse not to at least give it a go.

8. I’m a Cyborg, But That’s OK (2006)

Once Park Chan-wook had completed his Vengeance trilogy, he moved on to something far more surrealist and abstract with I’m a Cyborg, But That’s OK. This story takes place in a mental institution, and it’s easy to compare it to the likes of One Flew Over the Cuckoo’s Nest for the way it tackles the idea of forming bonds between two patients in that specific environment. However, with the lead character, Young-goon, believing she is actually a cyborg, there’s more of a scientific spin on this one.

Entangled in this tale is an unorthodox love story that adds another layer to proceedings, pushing it closer to the territory of films like The Lobster or Her – it’s certainly not a bad thing to be in that ballpark, that’s for sure. Now, time for the bad news: I’m a Cyborg, But That’s OK is extremely rare to find in the UK. In fact, it’s not on any platforms at all. I’m lucky that my friend has a copy on Blu-ray; hopefully, your buddies can come through for you, too.

7. Stoker (2013)

If you are really, really reluctant to read subtitles, then I have the perfect solution for you. Chan-wook got the chance to make an English-language movie back in 2013, and he assembled quite the cast, too. Nicole Kidman, Mia Wasikowska, and Matthew Goode star in Stoker, while the likes of Alden Ehrenreich, Dermot Mulroney, and Jacki Weaver also appear.

You’ll benefit from watching this twisted family drama without knowing too much about what’s to come, but Chan-wook throws in horror elements and a thrilling mystery at the heart of it all to keep the audience on its toes. Plus, Stoker has one of the greatest, most creative scene transitions you’re likely to find (a Chan-wook trademark, that is). You can even watch Stoker on Disney+, so what are you waiting for?

6. Thirst (2009)

Speaking of horror, how about a Korean vampire film? Song Kang-ho stars again here, and Thirst offers up a really interesting and fresh take on a tried and tested subgenre. There’s none of that Hollywood gloss with this film – and I mean that as a compliment – and there’s no reliance on horror clichés at all.

As always with Chan-wook, the camerawork and general direction in Thirst are absolutely exquisite, and he certainly gets the best out of his cast, too. I will admit, this film is just a little bit longer than it really needs to be, and the way it jumps around tonally is a tad jarring. But, for anyone who loves vampire movies, this is an absolute must-watch.

5. No Other Choice (2025)

Chan-wook’s latest release, No Other Choice, is actually very much akin to Parasite, though it tackles the idea of class hierarchy and capitalism more from the approach of frustration with the modern, technologically-advanced world rather than disillusionment with greed and ignorance of the upper class. No Other Choice is laced with black comedy, has a very compelling performance from Lee Byung-hun driving it forward, and when it goes to dark places, it truly thrives. The only thing is, I wish it embraced its wild side a little more often and with more vigour.

I would say No Other Choice is arguably the most mainstream and relatable story Chan-wook has ever taken on. It’s essentially a tale about how far one man will go to succeed and to have purpose in life; fans of Nightcrawler or Black Swan will certainly relish the thematic elements at play here.

4. Joint Security Area (2000)

I think, of all Chan-wook’s movies, Joint Security Area is the one that surprised me the most. Yes, there are films at the top of this list that shocked me in terms of their story, but this is a film I really didn’t expect all that much from. On the surface, it’s just a story about an investigation into the death of two soldiers, but with a Rashomon-style approach and conflicting accounts of the incident, proceedings soon take twists and turns that leave you second-guessing everything.

Joint Security Area (also referred to as simply JSA) is incredibly crafted and so meticulously put together that it’s easy to forget just how early this came in Chan-wook’s career. For a sophomore effort, this is pretty mind-blowing, to be honest. You can stream JSA on Arrow Video or rent it on Apple TV. Truth be told, I might be joining you if you do choose to watch this, as it’s one I am very eager to rewatch and see how the clues play out now that I know the endgame.

3. Decision to Leave (2022)

Much like No Other Choice, Chan-wook’s other more recent work on Decision to Leave has been far more tuned into Hollywood styles, and it does feel like he is – whether consciously or not – catering for viewers who are looking to take their first dips into the foreign language market. Indeed, if you’re keen on detective movies like Prisoners or Christopher Nolan’s Insomnia, you’ll love what Chan-wook is going for here.

The real beauty of Decision to Leave, however, is the erotically charged, forbidden romance that develops between the lead characters. This film feels like a wonderful homage to noir stories of old, while also possessing the technical and stylistic features – those Chan-wook transitions are on point once again – to make this one of the most visually-absorbing and beautiful thrillers of the 21st century. It’s on MUBI now, so dive on in.

2. The Handmaiden (2016)

Almost all of Park Chan-wook’s work is good. A lot of it is great. But it’s here that we draw the line and take things up a notch. The Handmaiden is utter perfection. This 1930s period piece takes us back to a time when Japan ruled Korea, which lays the foundations for a sprawling, epic tale of deceit and a dangerous love that spirals out of control. It’s absolutely enthralling stuff, even just as a mazy crime thriller, but with highly erotic romance elements and plot twists aplenty, The Handmaiden becomes one of the best, most intriguing movies of the past decade.

My partner and I watched this together, and I think it’s safe to say that our minds were well and truly blown. Interestingly, she doesn’t really watch international films, but she was delighted she made an exception for The Handmaiden, which plays like a crossover between Burning and Portrait of a Lady on Fire. It’s free to watch with a Curzon subscription right now. 

1. Oldboy (2003)

I have very rarely had an experience quite like the first time I watched Oldboy. I had heard this was a brilliant film and to expect shocking twists and turns. My expectations were high, naturally, but Oldboy smashed those and left my jaw on the floor. Again, I’ll not be spoiling any of the plot here, but just know it’s one of the most shocking stories in all of cinema. This Chan-wook masterpiece is bold, bizarre, and absolutely brutal at times, but it’s all so much fun.

If you’ve ever enjoyed one of those slick corridor fight scenes you see in superhero movies these days, you have Park Chan-wook to thank for that. Oldboy has the definitive combat sequence. It’s a movie that pushes the boundaries of storytelling, with Chan-wook excelling in both style and substance to craft a revenge tale that delivers a hammer blow to the senses. Please, if you think you can just watch the Spike Lee version of Oldboy and get the gist, don’t do this to yourself: watch the original, and revel in the madness. For me, this is the best foreign language movie ever made – so get on NOW Cinema and try it for yourself.

Fans of fantasy horror movies will no doubt have Robert Eggers’ next film sitting pretty high on their list of most anticipated releases for 2026. Indeed, Werwulf already sounds like another devilishly dark hit for the acclaimed filmmaker – but some suspect this could break the mould for Eggers.

He’s a director known for crafting unique and singular films that take us on a journey into the past. Eggers obviously has a penchant for mythology and the supernatural, but one thing we can’t imagine him doing is putting out sequels and building a franchise. It just doesn’t sit right with his indie roots.

However, is that about to change? The rumour mill is running overtime regarding Werwulf, with many theorising this upcoming release is tied to Eggers’ previous film Nosferatu. Let’s look at the evidence.

What We Know About ‘Werwulf’ So Far

We’ll start by breaking down the expectations around Werwulf. Mirroring all his past work, the film will be a period horror movie, this time set in 13th-century England. It will tackle classic folklore tales about werewolves, as you may have guessed, as a small countryside village is terrorised by a mysterious monster.

The bad news is that we will have to wait a while for Werwulf to hit our screens. In fact, it’s roughly a year away, with a release date set for Christmas Day, 2026. Still, as far as Christmas presents go, a new Eggers movie is a pretty great gift.

Werwulf reunites Eggers with screenwriter Sjon, who worked on his past hit The Northman. But it’s the talent in front of the camera that is pertinent to the Nosferatu theory, though. Aaron Taylor-Johnson will star, while Eggers' favourites Lily-Rose Depp, Willem Dafoe, and Ralph Ineson are also on board. Do you see the pattern here?

Is ‘Werwulf’ a ‘Nosferatu’ Sequel?

Yes, all of those actors were also in Nosferatu, which is one of the main reasons fans have been speculating about Werwulf being linked to Nosferatu. Given the personnel involved and the fact that Eggers is going from vampires to werewolves, it may even look like he’s secretly, and incidentally, resurrecting Universal’s plans for a Dark Universe.

What’s really interesting is that, in the extended edition of Nosferatu, there’s even a reference to werewolves as Count Orlok describes how, “Devil's magic bids the wolf to speak with tongues of men.” Throw in the fact that both movies are produced by Universal’s arthouse division, Focus Features, and it does feel like the company is covertly working on something bigger than we first thought. The clues are pretty convincing. However, Eggers himself has seemingly put that theory to bed.

Eggers has described Werwulf as a “spiritual sequel” to Nosferatu but stopped short of confirming anything official. In the past, when folk suspected The Witch and The Lighthouse were in a shared universe, he said: "It’s not like I’m trying to make a 'Robert Eggers Cinematic Universe'... Both films are me trying to commune with folk culture of my past and are me and my brother's take on New England folk tales. So they’re certainly companion pieces."

As it stands, the same applies to Werwulf and Nosferatu. But, we can dream, can’t we?

How Eggers' Films Echo Universal’s Failed ‘Dark Universe'

2017’s The Mummy, starring Tom Cruise, was supposed to be the first building block in Universal’s Dark Universe. Sadly, the poor critical reception and stuttering box office performance meant it turned out to be the nail in the coffin instead for those plans.

The slate for the Dark Universe reportedly included adaptations of Dr Jekyll and Mr Hyde starring Russell Crowe (who cameoed in The Mummy), The Invisible Man starring Johnny Depp, and rumours of a Van Helsing remake and a fresh Dracula movie.

Since then, we’ve had a fantastic take on The Invisible Man (from Blumhouse) and a less impressive one on the Wolf Man, two Leigh Whannell movies that were standalone, while Eggers has taken things in a different direction. Given how brilliant Nosferatu was and the faith we have in Eggers and Werwulf, it does seem the (un)death of the Dark Universe was for the best.

Shared universes were all the rage a decade ago, but superhero movie fatigue has certainly seen studios rethinking that tactic. Instead, Eggers should be given the freedom to deliver an anthology of epic, distinctive mythological stories based on the tales we all know and love, without being burdened by forced connections and misplaced Easter eggs.

Another new DC movie arrives later in 2026, as, following her cameo as Kara Zor-El in 2025’s Superman, Milly Alcock steps into the spotlight for her own solo film. Given the impact she made in such a short space of time in Kal-El’s movie, we’re in for a treat.

Obviously, Kara is the star attraction in Supergirl, and her story, which is based on the ‘Woman of Tomorrow’ comic book arc, is a fascinating one. But there’s another character in this movie we’re also excited about – the first big-screen, live-action appearance of Lobo.

With an incredible skillset and a complex relationship with heroes like Superman and the Justice League, he’s an intriguing character. So let’s get to know Lobo better before he arrives on the big screen.

Lobo’s Origin & Powers, Explained

Starting with the simple stuff – who is Lobo? Lobo is the last remaining survivor of the Czarnian species, and with superhuman strength, astounding intelligence, and the ability to regenerate, he’s one of the most formidable antiheroes in the DC universe.

Lobo uses his abilities to become a feared mercenary and bounty hunter. If you were wondering what happened to the rest of his planet… Lobo killed them all. Why? He thought it would be fun. So yeah, that’s the kind of guy we’re dealing with here.

The character was created by Roger Slifer and Keith Giffen and is relatively new in comic book terms – his first appearance was in 1983, 45 years after the idea of Superman was conceived.

Lobo is striking in appearance: wild black hair, chalk-white skin, and black facial details. He also dresses the part for someone who describes himself as ‘The Main Man’, often donning biker leathers, big, stomping boots, and always craving cigars.

In the DC universe, Lobo has clashed with Superman many times, mainly because he was first tasked with hunting Superman for a collector of rare, endangered species. He’s worked with the Justice League and against them, depending on what mood he’s in. The only thing for sure is – if you touch his motorbike, you’re guaranteed to get on his bad side.

Key Lobo On-Screen Appearances Before Supergirl (2026)

Lobo’s first on-screen appearance was in Superman: The Animated Series. That’s when he was given the assignment to capture Superman for a character known as The Preserver. However, after defeating and delivering the Man of Steel to The Preserver, Lobo is betrayed after it’s discovered that he, too, is an endangered being.

For fans of his, one of Lobo’s best on-screen moments so far is in the Justice League animated show. After Superman gives up his life to save Wonder Woman, the League needs a new leader. Enter, Lobo. The mercenary claims he’s the right man for the job, and to be fair to him, he does prove himself to be a worthy hero while he’s needed.

He’s appeared in various animated movies, shows and shorts since then – including the brilliant Justice League: Crisis on Two Earths – but it’s his first live-action outing that I want to bring to your attention next. Lobo shows up in the rather underwhelming Krypton series, and interestingly, he’s looking for Brainiac, who will be the main villain in the sequel to Superman. I’ll be honest, it’s not a great cameo, and the costume is rather cosplay-esque, but it’s worth a watch even just for reference alone.

Lobo was tasked with capturing Superman once again in Superman: Man of Tomorrow in 2020. They may start as foes, but Lobo and Supes end up on the same team to face a common enemy. While the story in this animated flick is likely to be quite different to James Gunn’s proposed sequel, it’s worth checking out to get an idea of the dynamic between Lobo and Superman.

Why Jason Momoa Was Born To Play Lobo

People are pretty excited about Jason Momoa taking on the role of Lobo, including the man himself. 

Speaking to The National, he said: “I was influenced by Lobo since I was little. I had every comic, and that was the comic that I loved growing up. I didn’t have a motorcycle back then, I didn’t smoke cigars, I sure didn’t have dreadlocks – but I loved that character. He was pretty gregarious in my mind.”

Indeed, there are lots of visual similarities between the DC character and Momoa, even before he got the role. He even admitted that, when he was called in to audition for Aquaman back in 2014, he thought he was going up for the role of Lobo.

Now, he’s finally fulfilling that destiny thanks to the DC universe reset under James Gunn. We’re keen to see what he’ll bring to the table in Supergirl, but be warned, Momoa has already stated he’s only got a brief role to play. “I’m just there to be a little sprinkle, a dash of Lobo – to help the story,” he explained.

What happens to Lobo beyond that is still unknown. But, judging by what the character has done in the past, we could be in for a wild ride.

Emilia Clarke had just two TV credits to her name when she landed the role of a lifetime as Daenerys Targaryen in Game of Thrones. She went on to play the Mother of Dragons for the next eight years while still taking the time to appear in several romantic films and blockbuster tentpoles—including parts in both the Terminator and Star Wars universes, as well as a small screen role in the MCU. 

After Thrones, Clarke understandably took a little time away from the spotlight, but she appears to be coming back strong: In 2024, she was awarded an MBE and is currently garnering some of the best reviews of her career for her performance in PONIES—a delightful Cold War-era buddy comedy co-starring Hailey Lu Richardson.

With all that in mind, it feels like a good time to take a look back over Claker’s career thus far. In the list below, you’ll find our ten favourite Emilia Clarke movies and tv shows—which I’ve ranked in ascending order. Read on to discover more and use the guide below to find them on services like AppleTV, Netflix and elsewhere. 

10. Terminator Genisys (2015)

I think I’m safe in assuming that Genisys is nobody’s idea of a great Terminator movie, which is a shame, as Alan Taylor’s 2015 reimagining features Emilia Clarke as a young Sarah Conner, the great Jason Clarke as John (her son from the future), Squid Game’s Lee Byung-hun as a new T-1000, and Arnie as—well, that one goes without saying.

Pitched as a direct sequel to T2: Judgement Day—in an effort to airbrush out the jumbled lore of Rise of the Machines and Salvation—the movie was set to be a back-to-basics franchise reboot, but despite some decent numbers at the box office, it failed to connect with critics and audiences. If you’re a big fan of those actors, however, you might still have some fun with it.

9. Secret Invasion (2023)

Despite popping up in some of the biggest franchises, Clarke has arguably been a bit unlucky with the IP roles that have come her way over the years. Similar to Genisys, the 2023 MCU show Secret Invasion arrived at an inopportune time in the franchise’s history—i.e., just around the point when the MCU’s overarching narrative started to go a bit slack as superhero fatigue set in.

Regardless, Clarke’s portrayal of G’iah, a radical refugee Skrull and the daughter of Ben Mendelsohn's Talos, wasn’t at fault for the show’s lukewarm reception. Check this one out for her performance, as well as some nice work from Olivia Coleman (The Favourite) and Kingsley Ben-Adir (Bob Marley: One Love).

8. Dom Hemingway (2013)

One of Clarke’s first post-breakout roles came opposite Jude Law in Dom Hemingway. The movie, in which Law stars as a safe-cracker who’s just been released from prison, didn’t make much of a splash upon release, but if you’re looking for a solid three-star crime comedy with some Guy Ritchie-style flair and a more than decent cast (Richard E. Grant and Kerry Condon also feature), it’s worth seeking out.

For the movie, Clarke plays Evelyn Hemingway, the estranged daughter of Law’s ex-con and perhaps the only person capable of getting him back on the straight and narrow. 

7. The Pod Generation (2023)

With nearly two decades in the industry under her belt, it’s surprising how few independent movies Clarke has appeared in over the years. The Pod Generation, a fertility-themed sci-fi that premiered in Sundance in 2023, is one of the few.

Directed by Sophie Barthes, the story focuses on a couple (played by Clarke and Chiwetel Ejiofor) looking to have a child who decide to try out a new company that manufactures artificial wombs. If you liked Barthes’ similarly speculative sci-fi breakout Cold Souls, or appreciate the more benevolent episodes of Black Mirror, this might be up your street. 

6. Spike Island (2012)

Shortly after GoT blew up, Clarke landed her first big screen role in Spike Island, a slightly cliched but mostly charming British coming-of-age film about a group of friends attempting to make their way to a legendary Stone Roses gig in 1990.

As that plot suggests, the movie is full of nostalgia for the Madchester era—so, if you’re a fan of shows like This is England but also have a soft spot for cheesy rom-coms, you’ll probably find yourself bopping along to it. 

5. Solo: A Star Wars Story (2018)

We’re yet to get the full story about what happened during the production of Solo—a movie that was set to be directed by Phil Lord and Chris Miller (a duo who have yet to miss) before Ron Howard took the reins, mid-production. Whatever the case, I still think it was underappreciated.

Solo: A Star Wars Story stars the perfectly charismatic Alden Ehrenreich (Oppenheimer) as a younger version of everyone’s favourite intergalactic smuggler. Alongside him, Clarke plays Qi’ra, his love interest and childhood friend, with Woody Harrelson in the Obi-Wan/mentor role and Paul Bettany (WandaVision) as a genuinely formidable antagonist. What’s not to like?

4. Me Before You (2016)

Released in the slightly less considerate days of 2016, it’s fair to say that certain things about Me Before You haven’t aged the best. However, as a pure star vehicle for Clarke, the film was a significant hit.

Directed by Thea Sharrock and based on Jojo Moyes' best-selling weepy, the movie is a swooning romance in which Clarke plays the caretaker of a paraplegic man. If you’re fond of romantic tearjerkers like The Fault in Our Stars, this might be the one for you. 

3. Last Christmas (2019)

There is currently an entire cottage industry seemingly devoted to making the next annually-rewatchable Christmas rom-com—or at least trying to. One of the more palatable efforts in recent years was 2019’s Last Christmas, in which Clarke plays a Christmas shop worker who falls for a handsome courier (played by Henry Golding) who isn’t exactly what he seems.

It would be wrong to give anything else away about the plot’s unexpected twists and turns, but we can say that the movie features Michelle “flip it around” Yeoh as Clarke’s boss, a cameo from Broadway legend Patti Lupone, and even Emma Thompson as the actress’ mum—whose mere presence in any X-mas movie is usually enough to loosen the tear ducts.

2. Ponies (2026)

For all her talents, one genre we haven’t seen Clarke try too often is comedy. That could be about to change thanks to her new show, PONIES—a series set in Moscow during the late 1970s that offers a delightful mix of buddy comedy and Cold War espionage thrills. 

The story follows two secretaries (Clarke and Hailey Lu Richardson) at the American Embassy who are recruited to become CIA operatives after their husbands are killed. If you enjoyed Richardson’s performance in the second season of The White Lotus, you’ll love the chemistry between the two actors here. 

1. Game of Thrones (2011-2019)

It might have burned itself to ash by the end, but there’s no denying the visceral thrills of the first 6 or 7 seasons of Game of Thrones or the cultural impact that the series had on the world. If, for some reason, you’ve yet to see it, imagine an R-rated Lord of the Rings and you’ll have some idea of what you’re in for. 

There’s also no denying that Daenerys Targaryen is still both Emilia Clarke’s best performance and her most influential role—for proof, just consider the fact that around 3500 babies were reportedly named after her character during the show’s initial run. Whether or not they’ve held onto those names is another matter entirely…

In 2008, writer and director Bryan Bertino’s The Strangers was released. Inspired by a series of unconnected events, the home invasion horror performed well at the box office, grossing around $82.4 million from a budget of $9 million. The maniacal and creepy trio of masked tormentors - Dollface, Scarecrow, and Pin-Up Girl - proved popular with audiences, and a new franchise was born. 

Unlike many of its genre peers, The Strangers series has been a little stop/start. The first sequel came 10 years later with only a tenuous link to the original movie, and then in 2024, a new trilogy was announced. These three films are connected to one another, all following the same story across a short span of time. Originally, these three movies were planned to be released back-to-back, much like the Fear Street trilogy on Netflix, but for reasons unclear, that has not happened.

With the series currently standing at five movies, and the titles all easy to muddle up, it’s the perfect time to get our heads around the actual order of this franchise. So, here are all The Strangers movies listed in release order. 

1. The Strangers (2008)

The Strangers franchise began in 2008 when couple Kristen and James were terrorised by three masked figures in their holiday retreat. Home invasion films are very common, but director Bryan Bertino found a way to stand apart from the pack. One aspect of The Strangers that makes it so interesting is that the central couple are not the typical lovey-dovey pairing. In fact, their evening starts with a cloud hanging over their heads, with Kristen having rejected James’ proposal. The awkwardness between them lies thick in the air, but the arrival of the creepy nocturnal visitor asking for Tamara changes everything. Soon, the pair are doing everything they can to save each other, their love for one another overriding any hurt feelings. 

During the opening moments, The Strangers proclaims to have been inspired by true events, but rather than one case, Bertino was inspired by a range of stories. First, there was his own experience of being home alone as a child and answering the door to a stranger asking for someone who didn’t live there, then there were the crimes committed by the Manson Family, which involved home invasions and callous brutality. Of all the films in the series, this is perhaps the toughest to watch as it's the only time that the chilling reason the murderous threesome have targeted their victims really lands. From this point on, the audience already knows their reason, and so each subsequent ‘reveal’ is a case of diminishing returns. 

2. The Strangers: Prey at Night (2018)

Although The Strangers was a box-office success, it took a decade for its sequel, The Strangers: Prey at Night, to arrive. Directed this time by Johannes Roberts, the sequel begins after the events of the first film and opens with Dollface, Scarecrow, and Pin-Up Girl massacring a couple in a trailer park. The next day, the relatives of these new victims arrive for a scheduled family visit and find themselves the new targets. Switching from a couple to a family unit is a clever progression to distance itself from the original, but the film has a greater onus on action, which doesn’t always work. There is, however, one exceptional sequence involving a beautifully neon-lit swimming pool and Bonnie Tyler’s ‘Total Eclipse of the Heart’ that is well worth your time.

In comparison to its predecessor, The Strangers: Prey at Night made $31 million from a budget of $5 million. So, although still profitable, it was significantly less financially successful than the first movie, but it has had a lasting life since arriving on streaming. 

3. The Strangers: Chapter 1 (2024)

After the less-than-stellar performance of The Strangers: Prey at Night, a new approach was adopted for the third film. Announced as a full standalone trilogy that would also act as a reboot of The Strangers, The Strangers: Chapter 1 was released in 2024. All three films in the new trilogy are directed by Renny Harlin, who is better known for his work in action cinema. Harlin did get his start in horror, however, having directed A Nightmare on Elm Street 4: The Dream Master. 

As the opening film in this fresh attempt to revive the series, The Strangers: Chapter 1 is a fairly solid reworking of the original film. This time, the central couple are Maya and Ryan. The pair are driving cross-country for an interview and, after experiencing car troubles, finds themselves stranded in the isolated town of Venus, Oregon. As luck would have it, there is an empty holiday rental available, and so the couple reluctantly hunker down for the night. Then they receive a strange knock at the door from a young girl asking for ‘Tamara’, and all hell breaks loose. A very familiar retread until its finale, The Strangers: Chapter 1 works as a new beginning, especially for those with no previous knowledge of the original. 

4. The Strangers: Chapter 2 (2025)

Rather than release a month after Chapter 1 as originally planned, it took a whole year for The Strangers: Chapter 2 to be released. The story picks up immediately after the ending of the first chapter, throwing a still very injured Maya back into the maelstrom once more. By continuing Maya’s story, The Strangers: Chapter 2 moves into brand new territory, but it doesn’t seem quite sure what it wants to do. The film suffers from ‘middle film syndrome’ - it lacks a distinct identity of its own and exists merely to connect the first and final chapters. 

The opening half of the movie is a clear homage to Halloween II, but then the film essentially becomes just one long chase sequence. The Strangers: Chapter 2 also commits the big horror sin of trying to explain its monsters, and so the main story is intercut with flashbacks that reveal the origins of Dollface, Scarecrow, and Pin-Up Girl. It’s horrifically generic and ensures that this second chapter plays more as a comedy than a suspenseful horror. As repetitive and ridiculous as The Strangers: Chapter 2 is, it has to be watched, not only as the middle movie connective tissue, but also for the arrival of a boar. Its surprise arrival is so shocking that it had cinema audiences questioning if they had hallucinated it, or accidentally had a reel from another movie spliced in by accident. 

5. The Strangers: Chapter 3 (2026)

The final Strangers film for now is The Strangers: Chapter 3. The concluding chapter in Renny Harlin’s trilogy, the story once more joins Maya, who by now is held together with more tape than John Wick. Having seemingly vanquished one of the killer trio during Chapter 2, Maya must now take down the others. For the audience's sake, she needs to be successful, as this new trilogy has not worked out as well as it could have. While the quality doesn’t match the original, one can’t help but think that the original plan to release once a month would have made the narrative flow better. Psychologically, the year between each chapter makes the story feel as though it has dragged on. 

Renny Harlin has recently revealed that there is a single version of his The Strangers story. Rather than three movies, the director has made a super-cut version, a la Quentin Tarantino’s Kill Bill. According to producer Courtney Solomon, this version will eventually get a short cinema release ahead of a streaming launch and teases the inclusion of two more Strangers: Witch Face and Ghost Skull.