Luca Guadagnino has captivated audiences with his deeply personal, intimate, and sensual filmmaking. Unapologetically provocative and delving deep into complex and sometimes even taboo topics, like cannibalism, few movies are as engaging and polarizing in modern Hollywood. 

Most recently, Guadagnino’s divisive new movie, After the Hunt (2025), premiered on Prime Video, drawing new audiences to the filmmaker. If you’re interested in delving further into his filmography, you can use our guide to find out where you can watch all Luca Guadagnino movies, ranked to the best, on Prime Video, Mubi, MGM+, and more.

10. The Protagonists (1999)

The Protagonists is Guadagnino’s feature film debut, which follows a film crew as they document the 1994 homicide case of Mohamed El-Sayed (Andrew Tiernan). It’s an interesting film-within-a-film story and utilizes a more unconventional format than most of Guadagnino’s movies. I enjoyed the meta elements and found it impressive that, back in 1999, Guadagnino was already exploring society’s problematic attitude toward true crime.

At the same time, The Protagonists struggle to evade becoming what it warns about. The strange film-within-a-film premise and choppy recreations of a terrible actual crime case don’t say anything profound about it. The format and ambiguity are also quite confusing, resulting in The Protagonists taking last place on this list.

9. After the Hunt (2025)

After the Hunt is a psychological thriller that centers on Alma (Julia Roberts), a Yale professor who finds herself caught in the middle when her student, Maggie (Ayo Edebiri), accuses Alma’s colleague, Hank (Andrew Garfield), of sexual assault. Like most of Guadagnino’s films, After the Hunt contains powerful performances and big ideas. Roberts, especially, dazzles with a quiet but sharp performance, while the increasingly complex web of “he said, she said” keeps viewers intrigued in this talk-heavy drama.

After the Hunt parallels movies like Promising Young Woman (2020) and Luckiest Girl Alive (2022) in terms of its themes, though it maintains a higher level of ambiguity. Even though After the Hunt tackles interesting ideas, its execution is a little shaky. The film is overly long and struggles to say something significant about its topic, preventing it from ranking higher on this list.

8. Melissa P. (2005)

Melissa P. is Guadagnino’s second feature film and tells the story of the titular protagonist (María Valverde), who begins exploring her sexuality while juggling a turbulent relationship with her mother. The film is as erotic and provocative as customary for Guadagnino. It also features his common coming-of-age topics and exploration of complex relationships and sexual awakening. However, it’s even darker than most of his films, as Melissa P. explores human cruelty and sexual predators.

Although the darker subject matter may not appeal to everyone, Melissa P. still reminded me of other well-received movies, such as A24’s Anora (2024) and Eighth Grade (2018). It’s a difficult watch, but there are elements of hope, nonetheless, and a realism that comes from viewing the coming-of-age experience from a teenage girl’s perspective. 

7. A Bigger Splash (2015)

A Bigger Splash is a psychological drama that follows rock singer Marianne Lane (Tilda Swinton) and her husband, Paul (Matthias Schoenaerts), whose vacation in Italy takes an unexpected turn when they run into Marianne’s former lover, Harry Hawkes (Ralph Fiennes). It’s an intriguing drama with complex relationships and unexpectedly dark narrative twists. Although A Bigger Splash begins as a soapy drama, the plot twists keep it fascinating and add layers of depth and ambiguity.

A Bigger Splash reminds me most of Guadagnino’s other works, Call Me By Your Name (2017) and Bones and All (2022). It boasts the same dreamy, hazy summer-vacation vibes as Call Me By Your Name, thanks to its idyllic Italian setting, while the dark plot twists are reminiscent of Bones and All. However, the ambiguity of the plot means it’s the type of movie you may not get a lot from on the first watch, but that offers a new interpretation with every subsequent watch.

6. Suspiria (2018)

Suspiria is Guadagnino’s remake of the 1977 horror film of the same name and centers on Susie Bannion (Dakota Johnson), a young ballerina who begins studying at a prestigious dance academy in Germany and becomes suspicious of its mysteries and odd phenomena. The film accomplishes a difficult task of holding up well against the original. By offering additional plot elements and elevating the brutality, it feels almost like its own project.

Suspiria also shines because of its strong performances, especially Tilda Swinton, who portrays multiple characters throughout and essentially carries the movie. Dark and disturbing with intriguing feminist themes, Suspiria is a thoughtful horror movie. It’s a great film if you enjoy thought-provoking, slow-burning horror like Climax (2018) and Black Swan (2010), though you may be disappointed if you’re looking for more conventional horror. 

5. Bones and All (2022)

Bones and All tells the story of two young cannibals, Maren (Taylor Russell) and Lee (Timothée Chalamet), who form a connection while drifting and struggling to make sense of their pasts. Between its mature subject matter and grisly body horror, Bones and All isn’t an easy film to stomach. However, those who enjoy or are ambivalent to body horror will find it’s also a very rewarding and complex coming-of-age romance.

Russell and Chalamet shine as young lovers, navigating a world where they don’t quite fit in. The cannibalism is a little less jarring when one recognizes it can be seen as a metaphor for many things, including substance abuse or trauma. While the extreme nature of its horror prevents it from ranking higher on this list, Bones and All is still an excellent coming-of-age horror-esque tale reminiscent of Raw (2016) and Only Lovers Left Alive (2013).

4. Queer (2024)

Queer follows William Lee (Daniel Craig), an American immigrant in Mexico City in the 1950s, who finds himself falling for a young G.I., Eugene (Drew Starkey). The film strongly parallels Call Me By Your Name, evoking the same dreamlike atmosphere and telling a hauntingly beautiful, intimate tale of love and yearning. However, Queer also seems to adopt a darker, perhaps more realistic, lens.

Whereas Call Me By Your Name is a dreamy, summer romance, Queer centers on two men struggling to subdue their sexuality and desires. There’s a haunted and dark feel to it, though the visuals are gorgeous and Craig’s performance as the desperate Lee is mesmerizing. Like many of Guadagnino’s films, it paints an intriguing portrait of human loneliness and the search for connection.

3. I Am Love (2010)

I Am Love centers on Emma Recchi (Swinton), who begins a whirlwind love affair with a chef. At the same time, her husband and children grow increasingly divided over an inheritance issue involving their paternal grandfather. The film reminds me a bit more of Melissa P. and A Bigger Splash, due to its gorgeous visuals, cinematography, and feminist themes. In addition to its romance tale, it’s a thoughtful family saga and exploration of one woman’s journey to self-discovery.

I Am Love is also the kind of movie that one can rewatch and discover something new about each time, including opening one’s eyes further to the gravity of Emma’s situation. The movie is passionate, visually pleasing, and thought-provoking. However, its relatively standard “trapped/bored housewife” trope prevents it from reaching the heights of the best Guadagnino movies on this list. Still, I Am Love is an excellent watch for fans of A Bigger Splash and Babygirl (2024).

2. Challengers (2024)

Challengers tells the story of tennis coach and former tennis champion, Tashi (Zendaya), as she coaches her husband, Art (Mike Faist), through a Challenger event, where he’ll face off against her ex-boyfriend, Patrick (Josh O’Connor). You’ll never realize just how interesting tennis can be until you watch Challengers. While the central love triangle is one of the biggest draws, the impeccably choreographed, intense, sweaty, and intimate tennis matches throughout keep the pace and adrenaline running high.

Despite the love triangle element, Challengers doesn’t feel like a romance movie. Instead, it plays out more like a psychological thriller, as viewers explore the manipulation, attraction, and betrayal among three people over thirteen years. As a result, it feels a little different and more refreshing than the typical romance drama. It’s a must-see for viewers who enjoy complex romances, such as those in May December (2023) and Shiva Baby (2021).

1. Call Me By Your Name (2017)

Call Me By Your Name is a romance film in which 17-year-old Elio (Chalamet) finds himself increasingly drawn to Oliver (Armie Hammer), the 24-year-old graduate student living with the Pearlmans for the summer. The film is an achingly beautiful and authentic depiction of first love. It captures both the intensity and yearning, as well as the innocence and wholesomeness of true love.

What really makes Call Me By Your Name so appealing is that its themes and depictions of love resonate with a universal appeal. Although it’s a love story between two men, it’s told with such empathy and beauty that many viewers can see themselves reflected in its themes of love and heartbreak, regardless of their sexuality. Call Me By Your Name combines the strengths of all of Guadagnino’s best movies, boasting the authenticity of Queer but with the aesthetics of I Am Love and the passion of Challengers, making it his best film. 

MTV may have reinvented itself more times than most of us have changed hairstyles. But its most iconic shows have a staying power that's hard to match. Before streaming shaped what we watch and how we watch it, MTV was the place where young people discovered new music and new trends. And yes, it also gave us a handful of genre-defining shows that walked so the rest of modern pop culture could run. What's fun about revisiting MTV programming today is how different the context feels.

Shows that once defined pop culture now feel like time capsules or a familiar echo in an empty room. Reality TV still follows the blueprint MTV drafted. Music documentaries still chase the intimacy MTV Unplugged (1989) perfected. And scripted teen dramas still borrow the essence of series like Teen Wolf (2011). With several MTV classics finding new digital homes on Paramount+, Prime Video, and more, this is the perfect moment to rediscover (or finally catch up on) the best the network created.

MTV Unplugged (1989-Present)

MTV Unplugged was a special musical experience in which major artists were invited to perform stripped-down acoustic sets. Bands performed intimate renditions of their biggest hits, which occasionally redefined their entire careers. Performers have included Oasis, Bob Dylan, Alicia Keys, Pearl Jam, and Jay-Z. No other music series has captured music history in such a raw, documentary-like format.

Some of the most famous live shows ever recorded happened on the MTV Unplugged series, making it the perfect pick for concert-goers and anyone who enjoys music in its rawest form. Not every installment is a masterpiece, but the great ones transcend time. Even today, the Nirvana and Mariah Carey sessions remain benchmarks for live performances. 

The Real World (1992-2019)

Long before reality television became a viewing staple, The Real World tossed a group of strangers into a shared apartment and documented the messy reality that comes with being a young adult. Cameras captured everything, from clashes over identity, hookups, heartbreak, and the kind of blow-ups that happen when people from wildly different backgrounds are forced into close proximity. It's impossible to overstate how foundational The Real World is to modern television.

It shaped the language and structure of unscripted storytelling before "reality show" even existed as a category. It's perfect for anyone who loves social-experiment shows, viewers who are curious about early millennial culture, and fans of Love Island (2019) who want to see where the formula started. Opinions expressed by the cast reflect the decade they came from. But that's part of its value.

The Osbournes (2002-2005)

The Osbournes gave the world an inside look at heavy-metal legend Ozzy Osbourne, his wife Sharon, and children Kelly and Jack, long before celebrity reality shows became a proper thing. Their Beverly Hills home became ground zero for some of reality TV's most unforgettable moments as they balanced ordinary home life with fame. Across four seasons, the show humanized the rock icon while simultaneously exposing the absurdity of celebrity life.

Some moments feel over the top, but the emotional honesty (especially Ozzy's vulnerability) gives the show a surprising amount of depth. It's messy, loud, and sometimes insensitive by today's standards, but that authenticity is what made it iconic. It's perfect for fans of rock history, outrageous family dynamics, and the early 2000s era of reality television, especially since it paved the way for Keeping Up with the Kardashians (2007).

Punk'd (2003-2015)

Hosted by Ashton Kutcher in its original and most famous run, Punk'd inflicted pranks on unsuspecting celebrities, capturing unrehearsed reactions from stars like Justin Timberlake, Beyoncé, and Drake. When it premiered, the show redefined what celebrity entertainment could be. It flipped the power dynamic of fame, letting everyday viewers see panic, outrage, and disbelief from people normally surrounded by handlers and PR filters.

Some pranks land flawlessly, while others feel a touch mean-spirited by 2025 standards. But the show's cultural significance is undeniable, especially in its early seasons when the concept felt fresh and chaotic in the best way. Anyone who enjoys prank shows, early-2000s pop culture, or celebrity reality content with a comedic twist will love Punk'd. 

The Hills (2006-2010)

The Hills follows Lauren Conrad, Heidi Montag, Audrina Patridge, and Whitney Port as they chase careers, chase dreams, and sometimes chase each other out of their lives while living in Los Angeles. What begins as a post-high-school adventure quickly morphs into an LA fairy tale with sharp edges. Few series better capture the glossy escapism of late-2000s reality storytelling like this Laguna Beach: The Real Orange County (2004) spin-off.

The Hills perfected that "scripted but not scripted" vibe that came to dominate lifestyle-centric shows for years. Watching it now is like revisiting an era of oversized sunglasses, emotionally vague boyfriends, and impossible rent prices. It's ideal for fans of comfort-drama reality shows, anyone who loves the early influencer aesthetic, or viewers looking for an easy binge with maximal nostalgia.

Teen Wolf (2011-2017)

Teen Wolf begins when shy high-schooler Scott McCall (Tyler Posey) is bitten by a mysterious creature and eventually discovers that he's become a werewolf. His transformation upends his life and forces him into a supernatural world filled with hunters, rival creatures, and impossible moral choices. Alongside best friend Stiles Stilinski (Dylan O'Brien) and love interest Allison Argent (Crystal Reed), Scott must balance homework with saving the world.

Teen Wolf expertly mixed supernatural mythology with surprisingly engrossing emotional arcs. It's equal parts scary, romantic, and earnest, a combination MTV hadn't attempted on this scale before. The show ran for six seasons and continued the story in Teen Wolf: The Movie in 2023. It's a must for viewers who enjoy coming-of-age fantasy, supernatural romance, and serialized drama with teen-adventure vibes like Buffy the Vampire Slayer (1997). 

Scream (2015-2019)

Inspired by the Wes Craven films, the first two seasons of the Scream series follow Emma Duval (Willa Fitzgerald) as a masked killer terrorizes her small town, exposing secrets and pushing her friend group into paranoia. Scream cleverly modernizes the franchise for a digital-age audience. Social media, bullying, and online anonymity become part of the horror, making the scares feel unsettlingly contemporary.

Scream Season 3 follows football star Deion Elliot (RJ Cyler). He is tormented by Ghostface, who uses his darkest secrets and tragic past against him, while going on a killing spree. The show is super fun and a lot more emotionally resonant than you'd expect from an adaptation of such a popular film series. It's ideal for slasher fans, teen-drama enthusiasts, or anyone who enjoys horror. It's also a fun companion piece for fans of the original movies.

The tail end of the year is usually one of the most exciting times in the world of film. Not only are many movies that received accolades at film festivals beginning to be released, but several of them are racking up nominations at prestigious awards ceremonies. Just this past week, the Golden Globes revealed its nominations, and while several of the films that received multiple nominations were expected, one movie took many cinephiles by surprise. That film was Joachim Trier’s Sentimental Value (2025).

Despite being in limited release and not premiering on a streaming platform like Netflix, Sentimental Value was nominated for eight separate Golden Globes, including Best Motion Picture - Drama. For comparison’s sake, the only other film to snag more nominations is Paul Thomas Anderson’s One Battle After Another (2025). To make things more interesting, the Golden Globes are oftentimes a major indicator of which films will be nominated for the Oscars, so Sentimental Value’s surprisingly strong performance makes it a dark horse this awards season. If you haven’t heard of this film before, here’s everything you need to know about Sentimental Value, including whether or not you should see it. 

What Is The Plot Of ‘Sentimental Value’?

Sentimental Value primarily follows Nora Borg (Renate Reinsve) as her father, Gustav (Stellan Skarsgård), re-enters her life after years of separation. It’s not an emotional reunion, mostly because Gustav abandoned Nora and her sister to pursue his career as a movie director. His career was successful, but Nora grew to resent him, even as she began to take up acting. Now, as an adult, Gustav reaches out to her in the wake of his ex-wife’s and Nora’s mom’s death to ask Nora to star in his latest film, one based on his own childhood, where Nora plays his mom.

While the film is mostly from Nora’s perspective, Sentimental Value also shifts frequently to Gustav as he attempts to make what he intends to be his final film. In those moments, the film becomes a story about an aging director trying to create art on his terms and the difficulties of doing so. We see how he tries to acquire funding, a distributor for his film, and the compromises he makes along the way, including recasting his daughter with a popular American actress, played by Elle Fanning. Sentimental Value doesn’t shy away from the complex emotional realities of both characters, though, as they use this experience to at least attempt to understand where the other is coming from.

Who Is Joachim Trier, And What Other Films Has He Directed?

If you’ve never heard of Sentimental Value’s director, Joachim Trier, before, don’t feel bad. After all, unless you live in Norway, there’s a very good chance he wouldn’t have been on your radar. Trier began directing films in 2006 with his debut film, Reprise. It garnered positive critical buzz and set a precedent for him for years to come. 

While Sentimental Value was shortlisted for Norway’s submission for the Academy Awards’ International Feature category, some of Trier’s other films got pretty close, like his sophomore outing, Oslo, August 31st (2011), and Thelma (2017). However, everything changed with The Worst Person in the World (2021). That film went on to win critical acclaim both in Norway and was nominated in two categories at the 94th Academy Awards, Best International Feature Film and Best Original Screenplay. It would lose to Drive My Car (2021) and Belfast (2021), respectively, but it would later be considered one of the best films of the 21st century, at least according to the New York Times.

Where You Know The Cast Of ‘Sentimental Value’ From

While you may assume that you wouldn’t know any of the cast from Sentimental Value, considering it a foreign movie, that couldn’t be further from the truth. Many of the actors involved are not only good, but they’re some of the best in the business. 

Take Renate Reinsve, for example. She previously collaborated with Trier on The Worst Person in the World, in which she played the lead, Julie, earning her numerous accolades. Even if you have never seen a film from Norway before, she made her Western debut in A Different Man (2024) as Ingrid, starring opposite Sebastian Stan.

As for Stellan Skarsgård, patriarch of the Skarsgård family, most moviegoers will probably recognize him as the imposing and manipulative Lord Harkonnen from Dune (2021) or as Bill from Mamma Mia! (2008). Elle Fanning most recently appeared in dual roles in Predator: Badlands (2025), but also showed her acting chops in A Complete Unknown (2024) and The Neon Demon (2016).

Why You Should Watch ‘Sentimental Value’

Sentimental Value, like The Worst Person in the World, is a very emotional, vulnerable movie that feels both grounded and authentic. It’s not melodramatic in the slightest. Instead, it’s a movie for people who simply want to see a realistic and believable familial drama. 

The film doesn’t paint any of its characters as good guys or bad guys, but humans with their own flaws. It’s probably one of the better examples in recent years of a dysfunctional father-daughter relationship, hitting a lot of the same beats as Aftersun (2022), but without leaving you horribly depressed and hollow after viewing it.

Even if you can’t necessarily relate to the familial dynamic in Sentimental Value, it’s also just a great movie about an aging director trying to go out on his own terms, but can’t because of the restrictions of the modern movie-making landscape. At first, it’s small concessions, but it slowly progresses to the point where he deludes himself into thinking the film he’s making is still his original vision and not a pale imitation of its former self. Either way, Sentimental Value is just a well-made and thought-provoking movie, and it’s no wonder it earned as many Golden Globe nominations as it did. 

While TV shows like Better Call Saul (2015) and Succession (2018) are revered for their season finales, other series have the opposite legacy. Despite starting strong, the shows on this list stumbled in their final seasons, creating glaring divides in their fandoms. In most cases, one (or two) bad seasons doesn't spoil an entire series, but it can certainly break your heart. 

With Stranger Things (2016) already creating controversy and division mid-way through its long-awaited final season, it's the perfect excuse to look back on some of the most divisive final seasons in TV history. If you're here to relive the pain, that's one thing. However, don't let a questionable finale completely put you off a first-time watch. Instead, boot up Hulu, HBO Max, and other streamers to watch these series for yourself and form your own opinion.

The X-Files (1993-2018)

The X-Files is a landmark series and '90s staple that popularized so many of the tropes you see on TV now. While it's most definitely worth watching, temper your expectations when you hit Season 9, the final season of the original run. Really, The X-Files' issues began before that in Season 8 when David Duchovny left the series, resulting in Mulder's absence from the vast majority of the show's last two seasons. Couple that with a confusing, convoluted mythology, and it's a recipe for disaster.

Scully and Mulder's dynamic makes the show, so not having them on-screen together feels like a cardinal sin. While The X-Files' final episode gives them a pretty satisfying reunion and poetic happy ending, it's not enough to save Season 9 as a whole. That said, The X-Files is an addictive, intriguing watch for seven solid seasons. Plus, its "Monster of the Week" format makes it easy enough to jump into whenever (just don't skip the pilot).

The Sopranos (1999-2007)

The Sopranos is a bit of a mixed bag because its final season isn't terrible. In fact, it's quite good. Maybe you could complain about its slightly slower pace, but really, The Sopranos remains a masterpiece of television. However, the final episode is largely notorious for dividing audiences, with most feeling that the ambiguous cut-to-black ending tainted the final season's build-up and impact.

Personally, I favor ambiguity, although in this case, I'd argue there are enough clues to reach a pretty solid conclusion about Tony's fate (and it's not pleasant). I can totally understand why so many viewers felt unsatisfied. Still, The Sopranos is well worth the watch—last season and all. If you like gangster settings and complex characters, you're in for a real treat. James Gandolfini delivers one of the best performances of his career, and one of the best performances to ever grace the small screen in general.

Gilmore Girls (2000-2007)

While the Gilmore Girls revival didn't exactly knock the socks off fans with its ending, the final season of the original run might sting even harder. With creator Amy Sherman-Palladino exiting the series in Season 6, Gilmore Girls' seventh and final season suffered. You know when something feels "off," well, that's pretty much what happened here. Lorelai's marriage to Christoper has this rushed vibe to it, while Rory ends up not choosing anyone, leaving her ending somewhat ambiguous and incomplete.

Some people call Season 7 "lazy," but again, it really depends on who you ask. It might have some weak points, but overall, it still retains the heartwarming aura that makes Gilmore Girls so enduring. If you're looking for your new comfort show, this might be it, especially if you adore the softer edges of dramas like Hart of Dixie (2011) or New Girl (2011).

Lost (2004-2010)

Similar to The X-Files, Lost got a little lost (you see what I did there?) in its mythology. Across its six seasons, the series grew from a survival drama to a full-blown sci-fi adventure, complete with the mysterious, supernatural entity dubbed The Smoke Monster and a whole lot of other weird stuff. As a result, a lot of questions were raised that didn't exactly get answers. Understandably, that created frustration for some. Cap it off with Lost's infamous final episode, which (spoiler!) involves a purgatory reveal, and you're almost left hollow.

Did you spend six seasons wasting your time? Well, that depends on how you interpret that ending and your tolerance for lingering plot points. Lost's final season (and final episode) certainly has its supporters, and as one of the greatest TV shows of all time, it's still worth watching if you like character-driven stories and genre mash-ups.

How I Met Your Mother (2005-2014)

How I Met Your Mother's final season was a major disappointment, with (spoiler!) the titular mother, Tracy, dying and Ted and Robin's second-chance romance feeling entirely rushed and kind of… sleazy as a result. Like so many entries on this list, the last season crammed too much into too little, which hurt what should've been such a tremendous emotional payoff after nine seasons of building.

If you want to point fingers, blame the pre-filmed ending originally intended to air in Season 7. Instead, the story continued, forcing HIMYM writers to write around it, which is never an easy thing to do. While the complete series DVD included an alternate ending, it couldn't erase past sins. It sounds bad, and it is bad. However, if you want a relatable, relatively lighthearted sitcom to get lost in, HIMYM is still a comfort watch for so many—horrible last season and all.

Game of Thrones (2011-2019)

There's good TV, and then there's TV so great that it literally changes the pop culture landscape. Game of Thrones falls into the latter category, with gritty, fantasy storytelling so phenomenal that butts dropped on couches every Sunday night to see who would sit on Westeros' coveted Iron Throne. Unfortunately, the excitement started to crumble in Season 8 (and probably even before that, depending on who you ask). Rushed pacing played a big role in Game of Thrones' downfall, with not enough care or time devoted to tying up storylines and making character development feel earned or even make sense in the first place (talking about you, Daenerys).

What's so difficult to forgive here is that Game of Thrones, from its very first episode, establishes a long-spanning plot. It's meant to build and build and build, until the "Winter" is dealt with and the Iron Throne gets a rightful contender. Too bad we never really get either. It is disappointing for sure. However, I still rank Game of Thrones among the best TV series ever made. If you're a fan of The Lord of the Rings or fantasy in general, you'll devour this, even if it doesn't stick the landing.

Hannibal (2013-2015)

As someone who has read Thomas Harris' Hannibal series, the Hannibal Lecter-centered universe, in my opinion, fumbled its ending. Personally, I'd also argue the TV series, Hannibal, did, too. Season 3 has a plethora of defenders, but many of us found it… boring. Some of that likely has to do with the show's shift from procedural to an arthouse drama that feels like someone brought David Lynch on to direct. If you don't mind slow-burn, almost meandering stories, then maybe Season 3 won't bother you. However, the sudden change in style and pacing is pretty jarring.

To be fair, Hannibal's abrupt cancellation also resulted in issues. However, all those loose plot threads and infamous cliffhanger ending weren't exactly in the show's control. Despite all that, I still recommend Hannibal to anyone looking for psychologically challenging television. A little like Mindhunter (2017) or The Sinner (2017) in vibes but with the characters you know and love from The Silence of the Lambs (1991) and other Thomas Harris stories, Hannibal is darkly intriguing and beautiful. 

“Dad Movies” are a unique subgenre that make for perfectly cozy epics. The quintessential Dad Movie can be found on something like TNT at 2:00 PM on a Saturday, a movie with enough inspirational elements, clever action, and bittersweet emotion to make even the burliest guy soften up. Historical epics, lone wolf thrillers, and sports movies are often considered the bread and butter of this genre, and for good reason.

With the likes of Rear Window (1954), National Lampoon’s Vacation (1983), Old School (2003), and Top Gun: Maverick (2022) often held up as great entries in this subgenre, others appeal to that simple joy of tucking into the right kind of movie on a couch, kicking your feet up, and diving into the specific but varied tone of a Dad Movie. Here are the best 10 Dad Movies and where you can check them out on Tubi, Netflix, HBO Max, and more.

Gladiator (2000)

One of the best ever examples of a pinnacle Dad Movie, Gladiator has a lot of the key ingredients that make up this subgenre. The historical epic, directed by Ridley Scott, focuses on a Roman battlefield commander who is betrayed by his new Emperor. Russell Crowe is pitch-perfect as the aggrieved warrior, whose anger over the loss of his family translates into a dogged and furious quest for revenge.

The film’s period setting during the height of the Roman Empire will also appeal to the inner history buff, with a fun mix of invented concepts and accurate historical recreation. Topped off with a quietly subversive undercutting of the dramatic final battle trope, Gladiator will hit that parental spot in your heart just right, and it makes for a crowd-pleaser that other similar films like Troy (2004) and Gladiator II (2024)  aim for but can’t quite reach.

Master and Commander: The Far Side Of The World (2003)

Another historical epic starring Russell Crowe, the seafaring epic Master and Commander: The Far Side of the World is a slower, more meticulous approach to the concept of a good Dad Movie. The globetrotting adventures of the crew of HMS Surprise serve as a surprisingly effective contrast to Ridley Scott’s Napoleon (2023), showcasing the efforts of other nations to contend with the French military’s expansive and aggressive push to control Europe.

At times, taking on elements of Moby Dick (1956)  in its themes about dogged and sometimes even reckless ambition, the historical setting (brought to stunning life thanks to its Oscar-winning cinematography), and the underlying camaraderie of brothers in arms at the heart of the film make it a terrific lazy afternoon epic. Master and Commander might not be the most action-packed historical movie, but it’s a bittersweet and effective one.

The Fugitive (1993)

Harrison Ford is one of the quintessential Dad Movie stars, and The Fugitive might be one of the best examples of his charisma and star power. An adaptation of the TV show of the same name, The Fugitive follows Ford’s Dr. Kimble as he tries to avoid arrest for a murder he didn’t commit. An expansive thriller that rewards crafty wit over blunt violence, The Fugitive is a great thriller that appeals to the Dad Movie’s tendency to pit a single man against a world out to get him.

What makes this film especially effective is the chief antagonist, Samuel Gerard, a committed US Marshall who isn’t a villain but will bring Kimble to justice. Fans of this movie should also check out U.S. Marshals (1998) for the return of Tommy Lee Jones’ Gerard, or check out Ford’s other great Dad Movies like Witness (1985) and Air Force One (1997).

The Blues Brothers (1980)

Delightfully deadpan and frequently wacky, The Blues Brothers is the ultimate musical Dad Movie. John Belushi and Dan Aykroyd star in the first cinematic Saturday Night Live (1975) adaptation, bringing their titular musicians to the big screen for an adventure to reunite their old band in time to save the orphanage they grew up in.

Filled to the brim with musical interludes by the likes of Cab Calloway, Aretha Franklin, and Ray Charles, the film’s silliest moments have become synonymous with Dad humor for a decade. Alongside other SNL adaptations like Wayne’s World (1992) and Coneheads (1993), The Blues Brothers is a great example of the Dad Movie filtered through the comedy genre. While some elements haven’t aged the best, there’s an undeniable charm to the musical adventure.

Field of Dreams (1989)

Plenty of sports movies can be described as Dad Movies, although none of them quite reach the same emotional heights as Field of Dreams. Kevin Costner, who is also the star of other classic movies in this subgenre, like Bull Durham (1988) and Dances With Wolves (1990), is terrific as a farmer who builds a baseball field in his cornfield for a mysterious purpose he doesn’t quite understand.

Openly emotional about the quiet, often unspoken emotional connection between fathers and their children, Field of Dreams has the same bittersweet emotional core that makes The Shawshank Redemption (1994) and The Green Mile (1999) so effective and memorably heartbreaking. A good blend of the emotional heartwrencher and the feel-good sports story, Field of Dreams is peak Dad Movie.

Indiana Jones and the Last Crusade (1989)

While the whole series probably qualifies for this list, Indiana Jones and the Last Crusade is the best example of the series as a Dad Movie. The third film in the larger Indiana Jones franchise, Last Crusade forces Harrison Ford’s Indy to team up with his father, a crusty but clever archeologist played by Sean Connery.

Years after he became an icon of Dad Movies by playing James Bond in Dr. No (1962) and Goldfinger (1964), Connery is perfectly cast as Indy’s prickly father, especially when they can’t help but bicker. With an adventurous spirit, World War II setting, and a surprisingly strong emotional core as two men wrestle with everything unsaid in their relationship in the face of the unknown and impossible, Last Crusade is a terrific adventure Dad Movie.

Dunkirk (2017)

Plenty of war movies could be accurately described as Dad Movies, but Dunkirk might be the most effective. While The Dirty Dozen (1967), Saving Private Ryan (1998), and Fury (2014) might have their champions, Dunkirk’s fusion of several storylines is what makes it so uniquely compelling. Telling the story of the British evacuation from German-occupied France, the film hops between various characters and their own parts to play in the chaos.

Ranging from intense aerial battles to stirring sea rescues, Dunkirk is awe-inspiring in its depiction of the event, all without ever losing the human core of the concept that makes the story so inspirational decades later. One of Christopher Nolan’s most technically impressive films, Dunkirk is a must-watch for anyone who loved Band of Brothers (2001).

Miracle (2004)

An inspirational sports story like Miracle is perfect fodder for Dad Movies, as it speaks to the sort of dogged determination that the subgenre often embodies. Miracle adapts the story of the 1980 American hockey team, which pulled off one of the greatest upsets in Olympic history by defeating the favored Russian team. With a similar emotional arc to Rudy (1993) and a fun US vs. USSR element that can also be found in Rocky IV (1985), Miracle borders on schmaltzy but retains just enough grounded grit thanks to performances from stars like Kurt Russell.

If you want your sports films gritty, this isn’t the movie for you. However, anyone who loves an emotionally stirring and effectively staged drama will find that Miracle is a great example of why sports movies are perfect for this subgenre.

Blazing Saddles (1974)

Westerns are a staple of the Dad Movie, and one of the best, Blazing Saddles, also happens to be the funniest. The brainchild of Mel Brooks, Blazing Saddles is a satirical, cutting, and uproariously silly film that is never afraid to rip into prejudice. Focusing on a suave Black sheriff forced to protect a town that doesn’t want him around, Blazing Saddles has all the elements that make for compelling Westerns like Rio Bravo (1959), but with the goofy wit that makes stuff like Young Frankenstein (1974) so good.

Bolstered by charming lead performances that never let up on the comedy but also never feel like pure caricature, Blazing Saddles is a great example of the kind of Westerns and comedies that make for good Dad Movies.

Cast Away (2000)

Although he hasn’t been featured yet on this list, Tom Hanks might be the king of Dad Movies, with Cast Away standing out as the best example of his star power. Road to Perdition (2002), Catch Me If You Can (2002), and even his earlier films like Big (1988) and Splash (1984) have the proper mix of cinematic whimsy and existential dread that makes for an ideal Dad Movie. 

Cast Away is the best example, though, a film that only survives because of Hanks’ likability. He overcomes an impossible situation, finds companionship in unlikely places, and is faced with the bittersweet realities of life in short order. Cast Away is a terrific film that takes a simple premise and stretches it out in some seriously effective ways, as any great Dad Movie should. 

Outlander (2014) made headlines when it first began airing on Starz, but there was nothing quite like the reception of Bridgerton (2020) when it first aired at the height of the COVID-19 pandemic as a series that pushed many viewers to pick up the books the Netflix series is based on. And as the genre that's ultimately the reason book sales are booming worldwide, it's still shocking that we don't have nearly as many adaptations as we should.

And respectfully, I'm not talking standard romantic comedies with all white heterosexual leads. I'm talking about inclusive shows, from books written by BIPOC authors, that give us unique, well-rounded stories and joy that also don't end in tragedy for members of the LGBTQ+ community.

Often, when there's critical recognition or even awards hype with love stories, it centers on films like Call Me By Your Name (2017) or shows like Fellow Travelers (2023). And while they're both beautiful in their own right, it's high time shows like Heated Rivalry (2025) remind people that joy and romance are also deeply profound in their narratives. Now playing on Crave and HBO Max, Heated Rivalry is an undeniable triumph in more ways than one.

‘Heated Rivalry’ Is A True Game Changer For LGBTQ+ Romance Adaptations

Based on the romance novels by Rachel Reid, the reception of Heated Rivalry is revolutionary. I haven't seen this much fanfare around a show on social media all year, save for The Pitt (2025), which, in its own way, was a game-changer for medical dramas. The weekly distribution for Heated Rivalry also ensures that fans get online after every episode to deconstruct their favorite parts and geek out with each other, proving that we've been begging for more shows like this, and we'll show up for them. 

And despite the fact that paperback copies have been sold out everywhere, Rachel Reid still hit the New York Times Best Sellers list in the Combined Print and E-Book Fiction category because the demand is all there. Networks and executives often underestimate the sheer power of social media campaigns, and we have proof yet again of all the ways fans and critics are willing to show up. (If I could only write about Heated Rivalry for the rest of the year and onward, I happily would.) 

Again, while there are excellent and joyful LGBTQ+ romances out there like Heartstopper (2022) and Red, White, and Royal Blue (2023), the approach that Jacob Tierney takes with Heated Rivalry allows it to feel cinematic. Visually, tonally, and narratively, it tells a breathtaking story that not only involves one couple but two through a lens that deserves big-screen reception. 

The Layers In ‘Heated Rivalry’ Brilliantly Prove How Nuanced The Romance Genre Is

People love to throw around phrases like "mindless smut" when it comes to the romance genre, but the level of character building that occurs within every page is unlike anything else I've seen. All of this boils down to one vital component that's present in each of them, which is that the romance genre isn't afraid of allowing its characters to be vulnerable. 

Sex and intimacy can, at times, be mindless, sure—and there's nothing wrong with that approach—but more often than not, there are layers to two people getting to know each other through their bodies. Despite the progress we've seemingly made in Hollywood and around the world to break gender norms, toxic masculinity is still very much at large. Kindness and gentleness are often seen as weaknesses, whereas stoicism is revered as a strength. When grief gets tangled with villainy or some sort of dark aftermath, then it's perceived as a profound human emotion in film or TV. 

Yet, where the romance genre is concerned, strength is present in all the quiet moments and loud ones, too. Moving through grief and feeling the pangs of loss are welcomed without someone wanting to burn down the entire world in a nihilistic manner. Characters—whether male, female, or non-binary—aren't punished for crying or feeling frustrated. 

The common ground we all share as human beings is our capacity to love, and no genre explores this with as much detail as romance. Now, here's the thing, sitcoms and dramas often do this, too, and I'm not saying they don't. But there's a frequent misconception, especially with dramas, that if there's a happy ending instead of a tragedy, it'll be too easy—too cliche. Sitcoms often go in the opposite direction, thankfully, but at the same time, they aren't always taken as seriously as dramas. 

It's a double-edged sword as there's a lot of hypocrisy floating around, but everything Heated Rivalry accomplishes proves that people simply aren't looking close enough to decipher how much depth lies in a story that's centered around two people sharing their lives. From the directing to the writing, along with every performance, Heated Rivalry delivers a masterful depiction of how vulnerability and openness that result in joy can consistently initiate heartfelt conversations, all while evoking profound, much-needed hope at a time when it feels like everything else hurts too much. 

Prime Video’s wildly popular superhero satire series, The Boys, will conclude with a fifth and final season, set to premiere on April 8, 2026. Naturally, anticipation is high for the show, which attracted attention through its dark take on superheroes and over-the-top sex and violence. Based on the official teaser trailer, The Boys Season 5 will have quite the intense and shocking conclusion.

However, before diving into The Boys’ epic final season, there is another series you’ll want to watch first. A highly underrated but fantastic show has slowly established its importance in The Boys universe over two seasons, now making it vital to understanding Season 5. If you want to enjoy and understand The Boys Season 5 to the fullest extent, Gen V is a must-see.

How ‘Gen V’ Fits Into ‘The Boys’ Universe

Gen V is a spin-off of The Boys that premiered in 2023. Set in the same universe as The Boys, Gen V centers primarily on the younger generation of superheroes, also known as supes. It centers on Marie Moreau (Jazz Sinclair), a powerful young supe with blood-manipulation abilities who enrolls at Godolkin University, a special college for young adults with superhuman powers. While she quickly climbs the ranks at Godolkin University, she begins to realize that nothing is as it seems after a tragedy.

Not only does Gen V take place in the same universe as The Boys, but it also fits within its timeline: Season 1 occurs between The Boys Seasons 3 and 4, and Season 2 between The Boys Seasons 4 and 5. As a result, it serves as a bridge, filling in the gaps of what happens between seasons of The Boys. Meanwhile, Seasons 1 and 2 featured cameos and guest appearances from many of The Boys’ stars, including Butcher (Karl Urban), Starlight (Erin Moriarty), A-Train (Jessie T. Usher), Tek Knight (Derek Wilson), and Victoria Neuman (Claudia Domnit).

Gen V does an excellent job of filling the gaps in The Boys and exploring interesting story arcs that the main show may not have time for. I especially liked how Gen V expanded on The Boys’ Compound V reveal. While The Boys explored the fallout from supes learning that a higher power didn’t bestow their gifts, Gen V gets into the nitty-gritty of children and teens discovering that their parents chose to inject them with Compound V. It also continues The Boys’ exploration of what superheroes would truly look like in real life by showing the traumatic ways many children come unexpectedly into their powers.

Yes, ‘Gen V’ Is A Must-Watch Before ‘The Boys’ Season 5

Naturally, when Gen V Season 1 premiered before The Boys Season 4, the hottest question was whether you had to watch it first. The answer was slightly more complex back then. While Season 1 introduced a virus storyline that The Boys expanded on extensively, the Gen V characters don’t feature prominently in the season. If you weren’t overly interested in where the virus came from, you could probably get by without Gen V.

However, Gen V Season 2 is a different story. The series centers on Marie and her friends as they become suspicious of Godolkin U’s new dean and whispers of a mysterious “Project Odessa.” I can’t say too much without spoiling it, but let’s just say the cast teams up with an essential The Boys character and learns “Project Odessa” has surprising connotations for Homelander (Antony Starr).

Gen V’s season finale heavily hinted that its characters will play an essential part in The Boys Season 5. Most of the cast have since been confirmed to appear, although the extent of their roles is unknown. Also, The Boys and Gen V creator, Eric Kripke, has been firm about not merging the shows entirely. So the Gen V characters may not appear as much as viewers hope. Still, if you want to get a feel for the high stakes, tense atmosphere, and rumblings of resistance in The Boys universe, you’re going to want to watch Gen V.

‘Gen V’ Is The Perfect Spin-off Of ‘The Boys’

While Gen V is important to The Boys Season 5, you should also watch it because it’s a great show and the perfect spin-off for The Boys’ fans. The series is every bit as bloody, over-the-top, and wild as The Boys, constantly pushing boundaries and dialing up that shock factor. Although the vibes are very similar to The Boys, it also tells its own story. The college premise and the younger cast feel refreshing and intriguing. Of course, Gen V also contains some fan service, and one of the best parts of the series is holding your breath, wondering when another central The Boys character will pop up.

I also found Gen V slightly more relatable than The Boys. All of The Boys’ characters appear morally ambiguous, and most are seeking revenge. However, Gen V is more relatable in its portrayal of college-aged students unfairly drawn into a life they never asked for, yet still choose to do the right thing. They’re surprisingly easy to empathize with, and the premise gives Gen V a coming-of-age feel that The Boys doesn’t have.

The Boys is gritty through and through, but if you’re looking for a show that somehow manages to pull off similar levels of violence and sex but maintains a feeling of innocence in its characters, Gen V is the way to go.

As with the surplus of movies that are released every year, TV is more often than not doubled and impossible to keep up with. The Emmy Awards are often a great place to gauge whether something might be right for you, but additionally, so are the Golden Globes, as they sometimes include the shows that miss the cutoff. Personally, this last year hasn't been a favorite for me where movies are concerned, but TV is on another level with dramas, comedies, and limited series all delivering excellent content in spades.

If you're looking for the next best thing to start, we've got you covered with the 2026 Golden Globe-nominated TV shows, as well as where you can stream them on Netflix, Apple TV+, HBO Max, Hulu, and more. 

Best Television Series - Drama

• The Diplomat (Netflix)
• Pluribus (Apple TV+)
• Severance (Apple TV+)
• Slow Horses (Apple TV+) 
• The Pitt (HBO Max) 
• The White Lotus (HBO Max) 

Severance (2022-Present) 

More than any other genre, dramas are stacked with excellent shows this year. (Also, let's informally add The Bear's "comedy" nomination here, too, because we all know it's where it belongs.) Though ultimately, nothing tops Severance's long-anticipated sophomore season. It's not only better than its debut, but it also brilliantly focuses on character development and expertly balanced narratives that provide entertainment and much to think about on a deeper level, relating to grief, human connections, and the choices characters are forced to grapple with.

It's not only visually stunning, but the performances are also some of the best on TV right now, with its seventh episode, "Chikhai Bardo," being the single greatest flashback I've seen in years. Seriously, all the awards for Jessica Lee Gagné for an accomplishment that's truly indescribable no matter how long you sit with it. Perfect for anyone who wants mind-bending plot twists with grounded and achingly realistic character arcs, Severance is the best drama on TV right now.

The Pitt (2025-Present) 

Despite its obvious connection to ER (1994) with Noah Wyle's leading role, The Pitt is unlike any other medical drama and is in a league of its own. With a unique pacing decision that allows the entire season to take place during one emergency room shift, it not only delivers one catastrophic emergency after another, but it also manages to find quiet beats in between to give us chances to get to know the doctors we're meant to care for.

As someone who generally can't stomach medical dramas in any capacity, The Pitt is a unicorn of sorts in how it manages to not only lock me in but somehow make everything palatable. It's especially relevant to the real world and addresses matters that we need on our screens more often. Full of gripping performances left and right with some intriguing character dynamics blooming amid the emergencies, The Pitt is a must-watch for anyone who wants something that's both heavily plot-driven and centers the characters in a unique way.

Best Television Series - Musical or Comedy 

• Abbott Elementary (ABC)
• The Bear (FX) 
• Hacks (HBO Max)
• Nobody Wants This (Netflix)
• Only Murders in the Building (Hulu)
• The Studio (Apple TV+) 

Abbott Elementary (2021-Present)

For five seasons now, Abbott Elementary continues to deliver non-stop entertainment while simultaneously healing the kid in me who hated school. It's the closest mockumentary we have to the positivity and comfort that came from Parks and Recreation (2009), and with every season, Quinta Brunson and the whole cast prove that they're only capable of getting better and better. Truly, there's not a dull moment, and that's an amazing achievement on its own.

It's been especially riveting during the back half of Season 4 and the start of Season 5 for the romance fans, as Janine and Gregory's slow-burn friends-to-lovers arc becoming canon is a bonus that makes everything sweeter. Crossing every milestone with them is a gift that keeps on giving, and how sitcoms often explore romantic relationships is a strength we don't talk about nearly as much as we should. If you want something lighthearted that'll simultaneously hit you with profound emotions, Abbott Elementary is the show to consider.

The Studio (2025-Present) 

It's hard to imagine an awards season where The Studio centers an episode around the Golden Globes and gets snubbed, so I'm really hoping they actually win and, more importantly, that they each thank Sal Saperstein when they do. And if you're confused reading this, then here's your cue to watch it immediately, because if you've ever wanted insight into how a movie is made, The Studio is the show for you. Bold and wildly hilarious, the show calls out so much of what happens behind the scenes in Hollywood that it's legitimately shocking it was even made.

Yet, that's exactly what makes it such a unique and compelling comedy because it feels especially relevant in our market when everyone's wondering why we constantly get remakes and reboots. The sea of guest stars and original characters is each so entertaining that the show is a triumph in storytelling for its on-the-nose humor. And again, the Golden Globes episode alone is a gift in and of itself.

Best Television Limited Series, Anthology Series, or Motion Picture Made for Television 

• Adolescence (Netflix)
• All Her Fault (Peacock)
• Black Mirror (Netflix)
• Dying For Sex (FX)
• The Beast in Me (Netflix) 
• The Girlfriend (Prime Video) 

All Her Fault (2025)

Because limited series have a specific set of episodes to tell a whole story, they generally don't get the leg room to deliver an "okay" pilot—they have to lasso the audience's attention immediately, and like Adolescence, which is also nominated, no show grips you quite as intensely as All Her Fault. Within a few minutes, you're locked in and ready to binge the whole thing. But the best part lies in its compelling and earned ending—something that's both seamless to catch if you're paying attention, yet so well executed that you're also shocked beyond measure.

Sarah Snook comes back strong after her incredible performance in Succession (2018) to prove that there's absolutely no role she can't take on. The entire cast is full of greats all around, but really, Snook is so unbeatable that it's a must for those who are already fans of her. If you want a riveting and bold mystery that'll keep you on the edge of your seat with a ton of emotions at every turn, All Your Fault is the one to turn to. 

Josh O'Connor delivers one memorable performance after another in everything he tackles, making him one of the most enthralling actors of our generation. Plus, one of his favorite movies is Ratatouille (2007), and if that's not a man with excellent taste, then I don't know what is. O'Connor's range is truly sensational and so indescribable that one minute he can play a character you'll loathe with your whole chest, while the next film, you'll want to protect his character with everything in you. And that, my friends, is called range. Brilliant, inimitable range.

From Emma (2020) to a whole bunch of hidden gems, we've compiled a list of the best Josh O'Connor movies, ranked, as well as how you can watch them on platforms such as Netflix, Prime Video, and more.

7. Emma (2020)

My first introduction to Josh O'Connor was in Autumn de Wilde's Emma, and what a gift that is for someone who did her dissertation on Jane Austen. And while Mr. Elton is one of the most insufferable characters in any book that's out there, how O'Connor embodies him makes him a bit more tolerable. Mostly, he's hilarious, and it's glorious to watch him in every scene he is in.

This version of Emma might not be the most accurate adaptation of Austen's longest story, but it's certainly the funniest and most stylistically directed. It's entertaining all the way through, and the entire cast brings their A-game through performances that are both heartfelt and delightfully whimsical, making the adaptation unique on all fronts. If you only watch one movie version of Emma, let it be this one. But if you want an accurate version, BBC's Emma (2009) is the one to top. If only O'Connor were also in that. 

6. La Chimera (2023)

La Chimera is proof that Josh O'Connor pours his heart and soul into every role he embodies. It's proof that his talents are limitless, and he can take us through any sort of odyssey. The film is quietly contemplative at times, and achingly harrowing in others, while simultaneously providing enough levity to keep us invested. It's gorgeously shot, and the screenplay delivers something profoundly memorable to sit with. Perfect for anyone who loved the thematic beats in The Dig (2021). 

As we follow O'Connor's Arthur through uncovering his own chimera—an imaginary monster compounded by incongruous parts, which is the definition—we understand something bigger about ourselves. We see something moving about humanity and artifacts and preservation. It's the type of movie that'll end with you wanting to do more research to understand just how much goes into every frame and every narrative decision. If you want something that'll make you think about excavations and human connections, this one's a must. 

5. Aisha (2022)

Like La Chimera, Aisha is a quieter movie and one that unfortunately flew under the radar. Still, it's a heartfelt depiction of what immigration looks like and how lonely the entire process can be. Led by Letitia Wright as the titular character, it's a beautiful account of finding home away from home and the people who look out for you. It's not an easy film to watch, but O'Connor's performance is a warmth that reminds us how there are always good people out there who'll look out for those in need.

He may not be the key player here, but everything he delivers continues to showcase how much range he's capable of and how he's the type of chameleon actor we need to pay closer attention to. It's a tender, deeply moving watch, and while it's not the best film ever made, it's still something lovely that's worth watching at least once.

4. God's Own Country (2017)

At times, God's Own Country is a challenging film to watch because the probabilities of what can happen in a small town, in a contained space, generally lead to not-so-comforting outcomes. Yet amid its heartbreaking moments, it's a beautiful exposure of finding oneself and protecting the world around you, shot beautifully with picturesque shots from director Francis Lee.

It's not exactly the happiest of romances, given the time period, but it's still hopeful. O'Connor is simply breathtaking in his embodiment of Johnny, a character who goes from deeply dejected and shut off to someone who finds longing and levity. The relationship between Johnny and Gheorghe feels raw and heartfelt, adding an extra layer of heart to a film that would've otherwise been too melancholic to watch. If you appreciate scenic movies and character-driven narratives, add God's Own Country to your list. 

3. The Crown (2016-2023)

Respectfully, only Josh O'Connor could make Charles, the Prince of Wales, a somewhat tolerable historical figure to watch on screen. In large part, The Crown was a success because of the actors embodying the real people, and it's especially prevalent in someone like O'Connor, who had to really dig into various emotional places to deliver something that'd land him an Emmy win. 

It's likely one of the few times you'll be deeply frustrated with a character he's playing, but it's ultimately proof of just how versatile he is as an actor. When you're watching him in The Crown, it's impossible to think about any of the other characters he's played. Honestly, it's impossible to see anyone other than Prince Charles. Perfect for anyone who loves stories surrounding the royal family, no show does a better job of layering them like The Crown does.

2. Wake Up Dead Man (2025)

Between Emma and Wake Up Dead Man: A Knives Out Story, Josh O'Connor has now played a priest of some kind twice, and with both characters being so vastly different from each other, it's undeniable evidence of what an astounding actor he is. Wake Up Dead Man is also the most compelling of the three Knives Out (2019) films so far, and dare I say, it's entirely because of O'Connor. He imbues Reverend Jud with so much goodness and so much heart that I'd happily go to church every Sunday if he were a real leader.

It's a must-watch film for anyone who loves a classic whodunnit, but more than that, it's a captivating account of how bigotry has taken over Christianity. O'Connor's performance is so mesmerizing that it makes the entire film something worthy of theological dissertations. So profound in its context that a few words simply cannot sum up the depth. But let Josh O'Connor be reason enough. He alone is worthy. And afterwards, if you want something with similar vibes, look no further than Granchester (2014). 

1. Challengers (2024)

One thing about me? The person I was before Challengers and the person I am now aren't the same. It rewired my brain chemistry—full stop. It's a perfect spin on the love triangle trope and a delicious movie to watch for anyone who loves the idea of friends becoming lovers. More than that, it's a tour de force where performances are concerned, with Josh O'Connor, Mike Faist, and Zendaya each delivering unforgettable performances that span decades within the movie itself.

Patrick Zweig isn't an easy character to love, but from start to finish, Josh O'Connor ensures that we see all his heart and layers. He gives us moments that are achingly complex, which adds nuance to how we examine the film and the relationships. How each of the actors plays off one another is also something incredible to acknowledge, because really, it isn't easy for an actor to play the same character around different ages, and they each nail this art brilliantly. In other words, Challengers is a game-changer in every way. 

The Golden Globe nominations are here, and they're full of some gems along with frustrating snubs that are very likely saddening to not just critics, but casual viewers, too, who connected to movies on a deeper level. At the same time, it's one of the better years, and that alone is a win, even while I'm actively upset that Train Dreams (2025) as a film wasn't nominated in the movie categories. 

That said, we also know how hard it can be to keep up with movies throughout the year, so the Golden Globe nominations are a great place to start, so we've got you covered with all the nominations, as well as how to watch them on platforms like Prime Video, Netflix, and more.

Best Motion Picture - Drama

• Frankenstein (Netflix)
• Hamnet (Focus Features) 
• It Was Just an Accident (Memento Distribution) 
• Sentimental Value (Nordisk Film) 
• Sinners (Warner Bros.) 
• The Secret Agent (Vitrine Filmes) 

Hamnet (2025)

Visually, Frankenstein is the most striking and breathtaking motion picture of the year, but structurally and performance-wise, Hamnet is the one I want to keep screaming about. Though it's the type of movie I could never rewatch, it's the one that's haunted me the most since my initial viewing. Thankfully, Jessie Buckley is also nominated for her performance; otherwise, I'd be gathering up my pitchforks.

Buckley's performance alone is everything in Hamnet. There have been a number of sensational performances throughout the last decade, but the harrowing grief and unthinkable pain she delivers in Hamnet is indescribable. It's the best female performance of the last ten years, and I stand by that declaration. Whether you're a fan of Shakespeare's Hamlet or not, Hamnet is a must-watch for anyone who wants a thoughtful depiction of how grief and art go hand-in-hand.

Best Motion Picture - Musical or Comedy

• Blue Moon (Sony Pictures Classics) 
• Bugonia (Focus Features) 
• Marty Supreme (A24) 
• No Other Choice (CJ Entertainment) 
• Nouvelle Vague (ARP Sélection) 
• One Battle After Another (Warner Bros. Pictures) 

Blue Moon (2025) 

There's a good chance that Paul Thomas Anderson's One Battle After Another will take the award for Best Motion Picture in a Musical or Comedy, but Blue Moon is an underrated gem that more people should be talking about. Ethan Hawke delivers a heartfelt, brilliantly complex performance that highlights the end of one's life and the sheer adoration for creativity and theatre.

For viewers who loved Oklahoma! (1955) and want to deep dive more into the creative process of a Broadway musical, Blue Moon is a great film to underscore how grueling the thoughts can be for the creators in the world. It's not a musical by any means, but it's a thoughtful exploration of the people who make the productions we love, brought to life by reflective conversations that will hit hard in their simplicity.

Best Motion Picture - Animated

• Arco (Neon)
• Demon Slayer: Kimetsu (Aniplex) 
• Elio (Walt Disney Studios Motion Pictures) 
• KPop Demon Hunters (Netflix) 
• Little Amélie or the Character of Rain (Haut et Court)
• Zootopia 2 (Walt Disney Studios Motion Pictures) 

KPop Demon Hunters (2025)

KPop Demon Hunters rightfully took the world by storm in 2025 and proved that allowing creators the time and means to make what's in their hearts can have a monumental impact on the world. From kids to adults, everyone is still belting out the songs and appreciating everything that the story stands for as a reflection of how to take back agency and be your truest self while in the spotlight.

With all the deserved hype surrounding it, it's hard to believe that there's anyone out there who hasn't yet seen it, but even if you aren't a musical fan, it's still something that I'm positive anyone can appreciate. Gorgeously animated and full of brilliantly inimitable performances, it not only deserves the nomination for Best Animated Motion Picture, but it deserves the win, too. 

Zootopia 2 (2025)

It's not every Disney sequel that sticks the landing and deserves as much hype as its original, but Zootopia 2 is a triumph in every way as yet another installment that's not only timely but deeply profound in the thematic message it delivers. It might even be better than the original, solely for how established the characters are and how lived-in the performances feel, allowing the narrative arc to shine with even more humor and heart.

Plus, the romance? Yes, it's a romance, and no, I will not hear any objections, including those that come from the Mouse himself. Nick and Judy's gorgeous partnership makes the second installment that much more engaging, and the film as a whole glistens with stunning animation and clever writing to make it stick. The nomination is so wholly deserved, and it's a must-watch for anyone who loved the original.

Best Motion Picture - Non-English Language

• It Was Just an Accident (France)
• No Other Choice (South Korea)
• Sentimental Value (Norway)
• Sirāt (Spain)
• The Secret Agent (Brazil)
• The Voice of Hind Rajab (Tunisia) 

Sentimental Value (2025) 

Sentimental Value is one of the year's most surprising films and an undeniable masterpiece in how it tells a story of healing, reconnecting, loss, and the importance of art amid everything. With career-best performances from Stellan Skarsgård, Renate Reinsve, and the whole cast, they each ensure that every moment of the film sticks the landing. 

We have a few films this year that reflect creativity of some kind, like Hamnet and Blue Moon, so it's fitting that Sentimental Value also gets the recognition it deserves. It's quietly reflective and loud where it needs to be, supplying the type of drama that isn't just well written, but it feels achingly authentic and full of heart. And how it marries juxtaposing emotions is also no small feat in delivering a thought-provoking narrative.

A large part of the reason why Zootopia 2 (2025) is such an incredible and worthy sequel is that, outside of the timely themes, it's a gorgeous reflection of partnership.

And we can be here for days arguing about whether whatever's happening between Nick Wilder and Judy Hopps is romantic or not, but the point is, their loyalty shines throughout the movie and allows it to be the most memorable part. The hype surrounding them online right now feels like something we'd watch on a TV show with actual canon relationships, which makes it that much more intriguing. 

That said, if you loved the partnership and thematic importance of doing the next right thing in Zootopia 2, here are some of the best movies to watch afterwards, as well as where to stream them on platforms such as Disney+ and more. 

The Aristocats (1970)

If you're suddenly attracted to a cartoon fox and questioning your sanity, don't worry, I've been there before, and it all started with Thomas O'Malley, the suavest alley cat in the business. Thomas O'Malley basically ran, so a fox like Nick Wilder could walk. And following similar themes like in Zootopia 2, The Aristocatsis about a family of cats trying to find their way back home while exposing the terrible person who is the reason they've strayed from home. 

The dynamic between Thomas O'Malley and Duchess, the house cat, along with her kittens, is so perfect and wholesome, I clocked this one as an all-time favorite the second I watched it as a kid. The animation is also deeply nostalgic and so precious that it's still something to be in awe of. Don't ask me to explain it, but this one's for the romance girlies. Trust me.  

Shrek 2 (2004) 

One of the funnest parts of watching Zootopia 2 is acknowledging all the Easter eggs and engaging movie references made with animals instead of humans. And no film nails this same type of artistry better than Shrek (2001), but specifically Shrek 2, which also takes us through a similar path where characters question whether they're good enough for those in their lives. Shrek even goes so far as to change himself from an ogre to a human before realizing that Fiona loves him as he is.

Like Zootopia 2, the cameos and clever real-world nods like Farbucks, as well as the prominent theme of addressing those in power and how corruption sometimes comes from the top, are no small feat. If you love Zootopia 2 but somehow haven't seen the Shrek movies, please do yourself a favor immediately. 

The Muppet Christmas Carol (1992)

I wouldn't be me if I didn't find a way to scream about The Muppet Christmas Carol and its inimitable greatness as the single best adaptation of Charles Dickens' A Christmas Carol. But beyond that, if we're talking partnerships, there can never be a more immaculate duo than Gonzo as Charles Dickens and Rizzo the Rat as Himself. 

Their ridiculous banter throughout the movie results in some of the film's most iconic lines, and I personally think about the nose kiss at least once a day and twice on Sundays. The undertones of their partnership are so similar to Nick and Judy's in Zootopia 2, but beyond that, how the story naturally addresses the corruption of billionaires and builds a worthy redemption arc is exactly what makes it such a holiday staple. 

Monsters, Inc. (2001)

While there aren't any talking animals or too many pop culture references, the partnership in Monsters, Inc. is one of the best additions to Disney since Toy Story. The dynamic we get between Sully and Mike is rich with nuance, layered, and so poignant when we also examine the role of monsters and how sometimes, it's not the ones who look like they can be dangerous, but rather the ones disguised as heroes.

Similar to Zootopia 2 in that vein, but also equally creative in its way of honoring myths and legends, is also its own unique accomplishment. Monsters, Inc. is a near-perfect movie that doesn't get enough praise as it deserves to. Clever in every way and genuinely refreshing from start to finish, it's been one of the best additions to Pixar from the very beginning.

Lilo & Stitch (2002)

Thematically, there's much we can discuss about how Zootopia 2 uncovers and touches on immigration, and how it explores stereotypes wherein anyone that looks a certain way must automatically be a certain way. And few movies look into similar matters while also addressing the preservation and care of one's homeland, like Lilo & Stitch. The way the story plays with the found family trope is also what makes it such a triumph, with the titular characters and their bond being one of the most memorable Disney partnerships.

Lilo & Stitch isn't just adorable in every way, but it's profoundly meaningful and well-written on all fronts. If you loved the live-action, which was also released this year, the animated version does a significantly stronger job of not glossing over critical matters. It's also perfect for anyone who recently loved Elio (2025).

It’s only a matter of time in your filmmaking obsession before you start taking note of who directed your favorite movies. Much like everyone has a favorite sports team or a favorite car maker, who you choose as your favorite director says a lot about you. Do you enjoy the raucous action of a Tarantino film? The bleak suspense of Hitchcock’s classics? You’ll be tracking your favorite director’s career before you know it. 

But with that may come a few surprises. Directing is as much art as anything else, and sometimes your favorite director may step out of their norm to experiment (or, let’s be real, to get a paycheck to fund their next venture). Take, for example, these 10 dueling choices of films, a selection of wildly different movies that are by the same director, and our handy guide for where you can watch them all on streamers like HBO Max, Hulu, and more. You may not think about your favorite director the same after seeing what they did just a few years apart. 

The Omen (1976) & The Goonies (1985) by Richard Donner

When you think of iconic horror movies, you likely think of The Omen, the horrifying 1976 tale of a boy destined to be the Antichrist. What you might not think about is the film Richard Donner made just over a year later, 1985’s all-ages classic, The Goonies.

The reality is that Donner was a director with an incredible range. Sure, he made Superman: The Movie (1978), easily one of the best superhero movies ever made, but he also helmed the quintessential buddy cop film franchise with Lethal Weapon (1987). From spine-tingling horrors to goofy action, Donner’s work shows a range most directors would kill for.

First Blood (1982) & Weekend at Bernie's (1989) by Ted Kotcheff

1982’s First Blood is the odd man out of the Rambo movies, but Ted Kotcheff did something really special with this film. First Blood is a gripping, slow, haunting thriller, less about a musclebound hero saving the day and more about a traumatized veteran who had been abandoned by his country. It is, for my money, the actual best Rambo film, as it’s the only one that humanizes the character.

Just a few years later, Kotcheff made… Weekend at Bernie’s, a wild comedy about two guys trying to secure a promotion by parading their dead boss around. You couldn’t really pick two more different films, but, for better or for worse, Kotcheff makes them work, as Weekend at Bernie’s is still a part of the pop culture discussion today and perfect for fans of outlandish comedies. 

When Harry Met Sally… (1989) & Misery (1990) by Rob Reiner

While our previously discussed entries go from horror to lighter fare, acclaimed filmmaker Rob Reiner did the opposite and earned praise for it. 1989’s When Harry Met Sally… remains the definitive rom-com for a generation, a tale of two wayward lovers and the decade between them. But his very next movie was a different kind of romantic tale, one of toxic obsession.

Misery is an adaptation of the Stephen King novel about a popular author who is held captive by an obsessed fan. Both When Harry Met Sally… and Misery became pop culture touchstones: one, the definitive ‘80s comedy and the other an unforgettable thriller to kick off the ‘90s. The one you prefer will entirely depend on your taste. 

Braindead (1992) and The Lord of the Rings (2001) by Peter Jackson

Released in New Zealand in 1992, Braindead is a bit of an unsung hero of filmmaking. It was the last of acclaimed director Peter Jackson’s “splatter” era, a movie hailed as the goriest ever committed to film. And even though it got a US release (though it was retitled Dead Alive), the movie failed to make much of an impact. That is, until Jackson blew up big time.

After a handful of more traditional studio films, Jackson made history helming The Lord of the Rings trilogy. As a result, Braindead was reappraised by horror fans, who came back around on the goofy, campy fun. It couldn’t be more different than The Lord of the Rings, but both films highlight the ingenuity and love Jackson puts into all his projects. 

GoldenEye (1995) & Green Lantern (2011) by Martin Campbell

Martin Campbell surprised the world when he brought back James Bond with GoldenEye in 1995. The film, which starred longtime fan-favorite casting choice Pierce Brosnan as the perennially English superspy, kept the more serious tone that previous films had attempted and grounded Bond in a world of intrigue. Campbell did so well at it that he came back in 2006 and saved Bond again with another reboot, Casino Royale (2006)!

So it’s a bit of a shocker that after that, he made the notorious cosmic stinker Green Lantern. To Campbell’s credit, he was saddled with a production already in trouble and a star he didn’t want (and who didn’t want him), but it’s still wild that the director of two legendary James Bond films couldn’t do more with Green Lantern. If you like cheesy superhero movies, then you might actually enjoy Green Lantern, but Campbell’s Bond films are inarguably the stronger choices for action thriller fans. 

The Godfather (1972) & Jack (1996) by Francis Ford Coppola

1972’s The Godfather is a must-see film for any generation. This was the definitive mafia film, long before Goodfellas (1990) became everyone’s dad’s favorite movie. Francis Ford Coppola made a once-in-a-lifetime masterpiece, the story of a man reluctantly getting drawn into his family’s business and the way it changes his life, for better and for worse.

Coppola was behind several of the greatest dramas of any age, which is why 1996’s Jack stands out so much. Reportedly made because Coppola wanted to work with his good friend Robin Williams, this critically panned melodrama about a 10-year-old boy who ages so fast that he looks 40 might just be the polar opposite of everything The Godfather was. It’s hard to say that you’ll like Jack if you liked The Godfather, but if you must see everything Coppola directed, add these to your list.  

RoboCop (1987) & Showgirls (1995) by Paul Verhoeven

If The Godfather is the definitive gangster movie, then RoboCop is the definitive science-fiction film of the ‘80s. Paul Verhoeven took what should have been a by-the-numbers, hyperviolent schlock film about a murdered cop reborn as a robotic law enforcement officer and turned it into something with emotion and pathos. It also started a hell of a run for Verhoeven, who followed it with the introspective Total Recall (1990) and the definitive erotic thriller, Basic Instinct (1992).

That said, it may surprise you to learn that the streak ended with the most infamous flop of the ‘90s, Showgirls. Verhoeven’s trademark bombastic style and wit are present in Showgirls, but the film is so crass and campy that it just doesn’t work. Fortunately, you can see a bit of Verhoeven’s style slip back in with 1997’s Starship Troopers, though it sadly soared right over the heads of audiences who took it at face value at the time. 

The Muppets Take Manhattan (1984) & The Score (2001) by Frank Oz

Frank Oz is an accomplished director by any means, but he’s probably still best known for his puppeteering work, be it as Yoda in The Empire Strikes Back (1980) or, in this case, as a cavalcade of characters in his first solo directorial effort, The Muppets Take Manhattan, where he portrays Miss Piggy, Fozzie Bear, and more. It may surprise you, though, to learn that Oz has had a prolific non-Muppet career, too.

Perhaps the highlight is 2001’s The Score, though not for any reason you may imagine. The film, which stars Robert De Niro and Edward Norton as a pair of thieves trying to steal a valuable sceptre, is notable for being Marlon Brando’s final film role. Brando, naturally, was reportedly cantankerous on set and repeatedly clashed with Oz, meaning this film goes down in history for all the wrong reasons. Still, it’s a solid enough watch for fans of heist movies wanting to see a big-name cast do their thing. 

Babe (1995) & Mad Max: Fury Road (2015) by George Miller

Okay, this is probably the one everyone knows by now, but it wouldn’t be a list of different films by one director without it. George Miller has had a prolific career, and it’s all thanks to his Mad Max films. Set in a dystopian future, Miller’s work on Mad Max has become generational, presenting not a lore-heavy franchise, but as a series of epics with a mythical, ageless figure in the titular Mad Max, all the way through 2015’s groundbreaking Mad Max: Fury Road.

They’re dark, gritty, apocalyptic films with a serious, haunting tone. However, George Miller also directed Babe, the adaptation of a beloved children’s book about a pig who wants to herd sheep. They are truly polar opposites, but Miller makes both work thanks to his sincere approach to the material and his genuinely underrated directorial style. 

Crouching Tiger, Hidden Dragon (2000) & Brokeback Mountain (2005) by Ang Lee

Ang Lee has had a prolific but fairly uneven career, to say the least. If you want to know what that means, look no further than his two biggest hits. He took the world by storm with 2000’s Crouching Tiger, Hidden Dragon, a romantic epic wrapped up in a shiny martial arts coating. That wirework-heavy martial arts style made Crouching Tiger a brief sensation, cementing a Western fascination with martial arts films that had begun with The Matrix (1999). It also made Lee, who had been directing movies for decades at this point, a prominent figure.

Still, his background was in romantic dramas, not action flicks, so it shouldn’t be a surprise that he was also behind the masterful and equally important Brokeback Mountain, the critically acclaimed Western about the struggles of two gay lovers in the American Midwest. It’s a bit of a surprise for new fans to realize Brokeback Mountain and Crouching Tiger, Hidden Dragon are by the same director, given how fundamentally different they are, but it’s a testament to Ang Lee’s skill that both films work so well and are so highly regarded among all types of audiences. 

It's time to get into the festive holiday spirit. But this time we're not decking the halls with boughs of holly, we're decorating with blood-drenched axes. For over four decades, the Silent Night, Deadly Night franchise has delighted horror fans by turning Christmas cheer into slasher terror. Since the original debuted in 1984, the series has spawned a few sequels, some odd detours, and a 2012 reimagining.

With a brand new film set to hit screens on Dec. 12, 2025, now is the perfect time to revisit the franchise that refuses to rest quietly under the tree. If you're gearing up for a horror marathon or just want to sip hot cocoa while watching Santas carve up more than cookies, this list explains how to watch all Silent Night, Deadly Night movies in order on platforms like Netflix, HBO Max, and Hulu.

Silent Night, Deadly Night (1984)

Silent Night, Deadly Night begins when a little boy named Billy Chapman witnesses his parents' brutal Christmas Eve murder at the hands of a man in a Santa suit. The trauma sticks, and as an adult, Billy dons the same red coat to hand out his own twisted Christmas justice. The film was super controversial and was pulled from theaters a week after its release for daring to depict Santa as a killer.

It remains the most effective entry because it refuses to toy with tone. There's no levity, just fear, guilt, and vengeance under a cold, unblinking Christmas moon. However, the movie is still careful not to romanticize violence. Instead, it lays bare how childhood horror can warp someone's psyche. It's perfect for horror fans who crave gritty reality rather than stylized gore.

Silent Night, Deadly Night Part 2 (1987)

Three years later, the franchise doubled down on its murdery Santa premise by reviving the nightmare through Billy's brother. Ricky, who has been arrested for going on a killing spree of his own, breaks free to continue the holiday mayhem. There's a bizarre quality to Silent Night, Deadly Night Part 2 because so much footage from the original is recycled. But it's re-framed through a second character's psyche.

In a way, it's a commentary on how trauma can echo across generations. The reused scenes can feel repetitive. The pacing is also uneven and feels like three different movies awkwardly stitched together. However, die-hard psychological-horror fans who like their slasher wrapped in guilt and mental unraveling will love Part 2 for its strange, uncomfortable tone.

Silent Night, Deadly Night 3: Better Watch Out! (1989)

Silent Night, Deadly Night 3: Better Watch Out! dives into weird territory. The story begins six years after Part 2, with a comatose Ricky on life support, waiting for a second lease on homicidal hell. When he wakes, he sets his sights on a blind girl with psychic powers and her brother, turning the siblings' holiday road trip into a nightmare.

In terms of tone, this is where the series starts to shed its original skin. The gritty psychological horror is abandoned in favor of late-80s slasher tropes and psychedelic stylistic flourishes. But there's something perversely entertaining about the story because it doesn't feel like a retread. It's perfect for horror aficionados who enjoy the horror vibes that only direct-to-video B-movies can offer.

Silent Night, Deadly Night 4: Initiation (1990)

If you thought Part 3 was bizarre, Silent Night, Deadly Night 4: Initiation takes things to the next level by dropping the Billy Chapman and Ricky Caldwell characters entirely. Instead, the story follows Kim Levitt (Neith Hunter), a reporter who decides to investigate how a woman outside her office spontaneously burst into flames. She soon finds herself mixed up with a coven of Lilith-worshipping witches.

The horror unfolds through occult rituals, bug-infested nightmares, and surreal visuals that drag the series miles away from its Christmas-slasher roots. The holiday setting exists only by virtue of timing (Christmas Eve rituals), but the spirit of yuletide gore is pretty much gone. Viewers who enjoy cult horror with a weird tone will feel that they found a hidden gem in this movie.

Silent Night, Deadly Night 5: The Toy Maker (1991)

Silent Night, Deadly Night 5: The Toy Maker is the final film in the original franchise run. This time, the story follows a deranged toy maker and his son who produce deadly playthings that turn innocent children's gifts into instruments of death. The movie is filled with nightmare fuel, creepy robotics, and a finale that toes the line between horror and weird sci-fi.

Yet, for all its flaws, The Toy Maker is wildly entertaining. It leans into horror-toy hysteria with almost gleeful abandon. If you ignore the weak script and often erratic tone, you're left with a grotesque, hallucinatory holiday nightmare. The movie is a must for anyone who enjoys horror that veers off the rails—creepy dolls, story logic be damned.

Silent Night (2012)

The franchise received the reboot treatment in 2012 with Silent Night, reimagining the killer-Santa mythology for a new generation. The story follows Deputy Aubrey Bradimore (Jamie King) as she investigates a fresh wave of Santa-themed murders in a remote Midwestern town. While it doesn't directly follow the original storyline, it resurrects the core concepts of trauma and rage.

Silent Night has a more polished production value compared to the original and its VHS-era sequels. The gore effects are updated, and there's a slightly more modern pacing that acknowledges the overall horror movie evolution. But the downside is that it somehow feels less edgy. It's still a fun watch for horror lovers and a must for franchise fans, even if its murdery axe has been filed down slightly.

Silent Night, Deadly Night (2025)

The remake, Silent Night, Deadly Night (2025), takes the franchise back to the original's core trauma-to-ravage premise. The story follows a child named Billy Chapman (Rohan Campbell), who witnesses his parents' murder by a man in a Santa suit. Years later, an adult Billy dons a Santa costume and goes on a violent quest for retribution against those responsible for his traumatic childhood.

The movie is also rumored to feature a romantic arc as Billy meets a woman who challenges his dark side. But the question on everyone's mind is whether the film will honor the bleak intense tone of the original or soften it for modern sensibilities. If the hype is correct, Silent Night, Deadly Night might be the reboot that horror fans have been waiting for.  

Some of the greatest, most enduring Christmas movies of all time are the simplest. 

A Christmas Story (1983), for example, became a holiday classic on a modest budget of just $3.3 million. Even as costs rise with advances in special effects, more modern Christmas movies like Elf (2003) got by on a $33 million budget. However, sometimes studios seek to add a bit more magic to their films.

Most recently, Red One (2024), the holiday film starring Dwayne “The Rock” Johnson and Chris Evans, racked up a staggering $250 million budget thanks to its visually dazzling Christmas-action premise. Although a heftier budget doesn’t always correlate with success, the bigger budget Christmas movies almost always offer an eyeful. Use our guide to find out where to watch the biggest budget Christmas movies of all time on platforms like Apple TV+, Disney+, and more.

Spirited (2022) - $75 million

Apple TV+’s Spirited is a musical comedy offering a modern take on Charles Dickens’ A Christmas Carol. In the film, The Ghost of Christmas Present (Will Ferrell) is determined to redeem greedy media consultant Clint Briggs (Ryan Reynolds), despite his fellow ghosts’ warnings that Clint is beyond hope. It’s a funny, lighthearted take on a classic story, and offers some catchy tunes. I especially enjoyed “Good Afternoon,” and was pleasantly surprised by Ferrell and Reynolds’ singing abilities.

The $75 million budget is put to good use through epic musical and dance sequences and festive costumes. Although it doesn’t depart significantly from A Christmas Carol, the story is jolly enough to get you in the Christmas spirit. If you’re eager to see another Ferrell Christmas movie after Elf and enjoy modern takes on A Christmas Carol, like Scrooged (1988), you’ll love Spirited.

The Grinch (2018) - $75 million

The Grinch is a computer-animated take on Dr. Seuss’s classic story, How the Grinch Stole Christmas. It follows the Grinch (Benedict Cumberbatch), who forms a devious plan to steal Christmas and stop his Whoville neighbors from celebrating the bothersome holiday. The Grinch is a nice modern adaptation of the classic story, and Cumberbatch is an excellent choice to voice the grumpy character. With eye-catching computer animation and a score from Danny Elfman, it’s a well-crafted Christmas movie.

Like Spirited, it struggles to add some originality to the story. Even so, it offers lighthearted, warm, and festive vibes and is more family-friendly than How the Grinch Stole Christmas (2000). Meanwhile, its $75 million budget proved effective, as The Grinch is the highest-grossing Christmas movie of all time. Viewers looking for a sturdy and visually gorgeous, family-friendly Christmas movie will want to watch The Grinch.

Arthur Christmas (2011) - $100 million

Arthur Christmas is an animated Christmas movie that centers on Arthur (James McAvoy), Santa Claus’s (Jim Broadbent) youngest son, who sets out to deliver a present to a child that Santa accidentally missed. Featuring a $100 million budget and cutting-edge CGI animation, it’s an excellent choice if you enjoyed The Grinch’s visuals but are seeking a more original tale. Arthur Christmas is refreshing, festive, and funny enough that both children and adults will enjoy it.

I enjoyed how quotable the movie was and how it boasted an unexpected level of emotional depth for an animated Christmas movie. It balances its light atmosphere and heavier subject matter surprisingly well. Additionally, the imaginative take on Santa’s operation will intrigue viewers. If you’re looking for an underrated, excellent animated Christmas movie, akin to Klaus (2019), Arthur Christmas is the movie for you.

How the Grinch Stole Christmas (2000) - $123 million

How the Grinch Stole Christmas is one of the earliest and most expensive live-action Christmas movies, with a whopping $123 million budget. In the film, the Grinch (Jim Carrey) plots how to ruin Christmas for everyone before he meets a little girl, Cindy Lou Who (Taylor Momsen), who might just change his heart. The film’s big budget is evident in the extensive makeup and visual effects, which bring Whoville to life in stunning detail and fully transform Carrey into the Grinch.

Carrey offers a phenomenal performance as the Grinch, and How the Grinch Stole Christmas has an element of strangeness and absurdity that will appeal to some fans. If you liked The Grinch but want a Dr. Seuss adaptation that gets a little more chaotic and daring, you’ll be intrigued by How the Grinch Stole Christmas. 

Rise of the Guardians (2012) - $145 million

Rise of the Guardians tells the story of winter sprite Jack Frost (Chris Pine), who fights to save the world’s Guardians, including Santa Claus (Alec Baldwin), after Pitch Black (Jude Law) hatches a plan to weaken children’s belief in them. Although not strictly a Christmas movie, many viewers see it as such since it takes place during winter and features Jack Frost and Santa Claus. However, it’s unique in that it brings together all the big holiday mascots, from the Easter Bunny (Hugh Jackman) to Santa, in an Avengers-esque crossover.

The film is creative and refreshing, featuring gorgeous animation. I thought it was a bit overstuffed, but excellent if you’re looking for a unique holiday mashup. Although the film struggled significantly at the box office and lost millions due to its hefty $145 million budget, it’s reminiscent of The Christmas Chronicles (2018) in that it’s a great film to enjoy from home around the holidays.

The Polar Express (2004) - $170 million

The Polar Express follows Christopher (Daryl Sabara and Josh Hutcherson), a young boy who is losing faith in Santa, until a magical train stops outside his home one night. The movie’s $170 million budget is evident in its dazzling visuals, which use motion-capture animation, resulting in a striking, innovative look. In addition to its meticulous, hyperrealistic animation, The Polar Express stands out for its more mature story and serious tone.

The Polar Express does away with much of the holiday cheer and offers a more intense adventure as it delves into topics of adulthood and loss of belief. Like Arthur Christmas, I feel The Polar Express is a bit underrated. Although it didn’t reach the heights of Elf and Home Alone (1990), it offers a hauntingly magical, unforgettable experience for children and adults alike.

A Christmas Carol (2009) - $200 million

A Christmas Carol is an animated retelling of Dickens’s story of the same name. It centers on Ebenezer Scrooge (Carrey) as the Ghosts of Christmas take him on a transformative journey through his life. Like The Polar Express, A Christmas Carol boasts the same stunning, realistic motion-capture animation, telling the familiar story in vibrant, incredible detail. The film also shares the same lightly dark and strange premise, true to Dickens’ story.

Although A Christmas Carol has a similar vibe to The Polar Express, it lacks some of the originality. Still, the timeless tale never fails to evoke the Christmas spirit. While I prefer the 1999 film featuring Patrick Stewart as Ebenezer Scrooge, I feel the 2009 A Christmas Carol is the better version for children and families to enjoy together. If you enjoyed The Polar Express and love Dickens, you’ll like A Christmas Carol.

Red One (2024) - $250 million

Red One tells the story of Callum Drift (Johnson), who enlists the black-hat hacker Jack O’Malley (Evans) to save the kidnapped Santa Claus (J. K. Simmons). With a budget of $250 million, Red One has just about everything in the way of special effects, from snowman henchmen to flying sleighs to CGI polar bears. Like Rise of the Guardians, it’s also bursting with star power, which certainly played into its massive budget.

Red One is most reminiscent of How the Grinch Stole Christmas in that it offers one wild, absurd take on the Christmas holiday. The film is original, imaginative, and weird, while still boasting some touching moments. Although it loses some of the magic due to its focus on special effects, Red One is perfect if you’re seeking an original, action-packed Christmas adventure.

K-dramas are, at this point, more of a lifestyle choice, and less of a genre you watch once every other month. Some people pick up hobbies, some people start businesses on the side, and some people embark on the quest to find the next bingeable drama (I sincerely hope you’ve apologized to your sleep schedule.) 

With so many different titles dropping each month, it can feel as though the universe is telling you to abandon all responsibilities and dedicate your life to watching beautiful people fall in love, chasing demons or serial killers. Tempting, yes, but totally impractical. 

Instead, here are ten K-dramas you can watch right now on Netflix, Viki Rakuten, and more, so whether you’re in the mood for crime, comedy, romance, or even a dose of the paranormał, they’re  an excellent place to start… or spiral.                            

Second Twenties (2015)

Second Twenties is one of those dramas that sneaks up on you—you go into it expecting a midlife story, and before you know it, you’re cheering for a woman you don’t know in real life. The show follows 38-year-old Ha No-ra who reclaims her life after putting her dreams on hold for nearly two decades, while being trapped in a dissolving marriage (disclaimer: her husband is.. frustrating, to say the least) and putting everyone else first. What makes Second Twenties so watchable is its blend of midlife crisis comedy and coming-of-age warmth, without trying to be profound; it isn’t interested in pitying No-ra, it’s rooting for her throughout. 

The drama keeps things breezy but quietly sneaks in emotional depth. If you’re looking for high-stakes twists like in The Guest, then this drama may feel a bit too slow-paced. If you’ve ever fantasized about a do-over (be it in school, career, or life in general) and liked the “reinvent yourself” vibes of movies like The Intern, then you’ll love this. Personally, I love how the drama reminds you that starting over in life doesn’t have an expiration date—though I still refuse to retake any math classes, no matter how inspiring the message may be.

Tunnel (2017)

If you’re the kind of person who wants a juicy mystery thriller with a sci-fi twist, then Tunnel is your show. It follows Gwang-ho, a 1980s detective who accidentally time-travels into present day Seoul while chasing a serial killer, only to realize the murders never stopped (because apparently catching a killer in your own decade is too easy). He teams up with officers who don’t appreciate his vintage swagger, as he navigates modern policing (and you know, using a mobile phone correctly.) 

Tunnel is the kind of show that confidently blends its tones; it’s gripping and emotional with moments of pure awkwardness and fish-out-of-water humor, but it never loses sight of the darker murder-mystery procedural. The pacing is tight with real stakes without veering off into 500 subplots, and the characters are surprisingly layered, which makes you invested in their arcs. Compared to The Guest, which jumps into total horror territory immediately, Tunnel is more accessible; it’s intense, but not “sleep with the lights on” intense, if you know what I mean. If you enjoyed Signal (which is considered the gold standard of time-traveling police shows), you’ll love this underrated gem.

Love in Contract (2022)

Love in Contract is one of those shows that sounds unhinged when you describe it, but when you watch it you end up thinking, “You know what? This works.” Choi Sang-eun is a professional wife-for-hire whose clients “marry” her to avoid nagging families, societal pressure, and being single in a judgemental world, until unintended feelings nudge their way into her strictly business life (I know, it’s delightfully chaotic!) Yes, the premise does require a generous suspension of disbelief, similar to Busted!, but I’ll allow it, because Love in Contract just wants you to have a good time. 

It’s a little absurd, but surprisingly easy to recommend to anyone, with its dry humor and oddly relatable and self-aware protagonist. For anyone who loves romantic comedies, slow burn relationships, and love triangles with a heroine who looks like she just walked out of a skin care commercial (seriously, what is Park Min-young’s skin care routine?), this drama checks all of the boxes. If you liked the playfulness of What’s Wrong With Secretary Kim you’ll find Love in Contract on the same spectrum. 

Witch at Court (2017)

If you’re tired of watching legal dramas that follow the script, and want something with more bite, then you’ve come to the right place. Witch at Court delivers bite alright, along with sass, and a lead character who doesn’t bat an eye about bending the rules, and that’s the best part about it; it lets our lead character prosecutor Ma Yi-deum be flawed, morally flexible, and sharp-tongued without punishing her for it. The show does lean a bit into the melodrama (which good K-drama doesn’t?) but the energetic courtroom scenes and brisk pacing constantly keep things interesting (and it’s such a refreshing change to see a legal drama without monotone old-school prosecutors.) 

Yi-deum doesn’t care about being liked, and that makes her extremely likable. As fiery as she is, Yi-deum comes with a tragic backstory, giving her character a duality that gives the audience a deeper look into why she is the way she is. Though The Killing Vote is also essentially a “justice must be served” sort of drama, it’s more grim when compared to Witch at Court, which uses satire and attitude. If you liked Lawless Lawyer or How To Get Away With Murder, you’ll enjoy Witch at Court. 

The Guest (2018)

If you want a K-drama that fully commits to horror (no “mysterious happenings at the abandoned lodge” but actual “your worst nightmare just showed up”), then The Guest is your stop. It follows a trio—a psychic, a priest, and a detective—teaming up to find a malevolent spirit. Tonally, this drama is completely different from the other entries on this list; it’s dark and unsettling, with a thick, unnerving atmosphere. The Guest is for viewers who want horror that doesn’t just rely on consistent jump scares; it builds dread slowly and on purpose, and each jump scare feels earned. 

Though it can feel like the drama is pure horror (and it is), when you pull the layers back, it’s also about exploring trauma and faith, which makes this show that sticks with you long after the credits roll. If you’re easily rattled and prefer lighter supernatural content (like Hotel del Luna), then this might be a lot. I wouldn’t recommend younger viewers watch The Guest because it can be intense and graphic (think exorcisms, possessions, psychological terrors), so I think this show is best watched only by mature viewers. Where Tunnel has some eye-widening moments, The Guest says “absolutely not,” kind of like The Exorcist, which I respect.  

Business Proposal (2022)

If The Guest left you checking under your bed for monsters at 3 a.m. (I’m sorry but that’s the worst possible time to watch a horror drama, but anyways!) you’ll want to cleanse your palate with something light like Business Proposal. The story is about a woman who accidentally ends up on a blind date pretending to be her friend, only to discover that the man across from her is her company’s CEO. Yep, cue the office chaos, enemies-to-lovers trope, and a fake dating plot you don’t need a single brain cell to follow (and needless to say, there are no possessions here, only CEO-induced butterflies.) 

Business Proposal knows what it is—a classic, sweet rom-com where you’re yelling at the screen but secretly shipping the leads. The plot is predictable and the stakes are so low you can practically jump over them, but who cares? That’s part of the fun. If you want a romantic comedy with more emotional stakes, then Welcome to Samdal-ri might be a better fit. But if you’re someone who enjoys watching effortless, cozy, and low-stress movies, like Set it Up, then Business Proposal is right up your alley. If you’ve never watched a K-drama before, this can be a great entry point. 

The Killing Vote (2023)

The Killing Vote has the kind of premise that’ll have you hooked from episode one. The drama follows a masked vigilante who conducts nationwide “votes” to determine whether certain criminals deserve death—and if the public says yes, the vigilante delivers. Meanwhile, we have the police scrambling to stop a killer who says he’s merely following democracy. I know, riveting right? The Killing Vote is compelling and bold, while balancing social commentary with thriller pacing; some reveals land beautifully, while others could have used a bit more work, but regardless it’s the kind of show that asks the uncomfortable questions about justice, morality, and power, while also giving you enough tension to clench your jaw for 12 episodes straight (I can confirm this firsthand.) The show is fast-paced, so if you’re looking for a comparatively slower-paced legal drama, then Witch at Court could be the right show to watch instead. If you love social thrillers or vigilante-justice angles, like Taxi Driver, then The Killing Vote is the perfect next choice.

Welcome to Samdal-ri (2023)

After some of the more thrilling entries on this list, it’s a bit of a relief to once again talk about a slow, atmospheric comfort watch like Welcome to Samdal-ri. The slice-of-life drama is about a successful photographer whose career collapses, forcing her to return to her hometown where she meets her childhood love once again (and we all know where this is heading, don’t we? It sounds like a plot of a Hallmark movie, yes!) This is a small-town drama done right, it’s warm and thoughtful (and refreshingly unhurried, bringing your heartbeat right down after The Killing Vote.) 

There’s no over-the-top drama, just real people navigating real problems. Where Second Twenties is about reinventing your life, Samdal-ri is about rediscovering it. They both have the same pulse, but Samdal-ri feels sunnier. If you’ve ever returned home after being away for a long time, this drama captures the “needing it more than you realized” feeling perfectly. So if you want to escape to a coastal town with a lovable and quirky community, like in Hometown Cha-Cha-Cha, look no further than Welcome to Samdal-ri.

Busted! (2018-2021)

Okay, so I have to confess, Busted! isn’t a traditional K-drama in the strictest sense, but I just couldn’t keep it off the list. It’s pure entertainment, and I’ll tell you why. A quirky team of detectives come together to play fictionalized versions of themselves to solve a case-per-episode, while untangling an overarching mystery that unfolds throughout the season. If you’re someone who loves variety shows where the cast solves puzzles and challenges together, but wished they had an ounce of a storyline, that’s where Busted! steps in. 

There’s nothing like Busted! on this list; it operates in a variety show format, but masquerades as a mystery show, and that’s what makes this show unique. Though the mystery parts of the show are scripted, the cast’s interactions are largely unscripted, making it pure, unserious fun. The cast chemistry (and celebrity cameos) is fabulous, and it’s very clear that they’re having a wonderful time. The episodes themselves are wildly addictive, and I was surprisingly invested in the mysteries and plot twists as well, and not just the antics. It’s as if Running Man was mixed with Knives Out (only with more giggling, and less logic.) 

The Heirs (2013)

We’re taking this one back to the early-2010s with The Heirs. With privileged kids, angst, and the kind of family dysfunction that money definitely does not fix, fans of melodrama will find that in troves here. Some parts feel dated, and others have aged like milk (you know, the cliches, classism, the “he stares at her and therefore must be in love with her” stuff), but it’s the kind of luxurious escapism that only a K-drama can deliver. Lee Min-ho leads the pack as the brooding-heart-of-gold heir (with a killer wardrobe!) 

The drama is glossy but made watchable with its iconic soundtrack. If you’re a fan of dramatic wealthy-teen romance which highlights that “rich kids have problems too,” then The Heirs should be next on your list. Where Business Proposal is modern and more polished, The Heirs runs on nostalgia, drama, and is sometimes unintentionally funny (one of the side characters is so hilarious, I found him to be the highlight of the show.) If you liked classic teen dramas with love triangles, like Boys Over Flowers or Gossip Girl, then you’ll probably love The Heirs.                  

Romance fans get fed frequently where books are concerned, but we rarely get shows or movies that deliver happy endings in a way that's as memorable. Movies and TV shows that don't just offer a love story for the sake of it, but ones that take their time to give us multiple scenes that deep dive into strengthening the relationship, while giving us moments that we can get online and squeal about with fellow fans because they're too good not to dissect everything. 

There aren't many this year in 2025, and a new season of Bridgerton (2020) drops early next year, but we've rounded up the best properties that are bound to make you swoon, as well as where you can watch them on platforms such as Prime Video, HBO Max, and more.

Heated Rivalry (2025-present)

Heated Rivalry is everything—full stop. It's a breathtaking, achingly intimate queer hockey romance that's full of so much longing and joy that by the time an episode is over, you'll be left trying to juggle a plethora of feelings. It hits in all the right ways, with not one pairing but two, and because it's based on a romance novel series, we have the guarantee that no matter how many seasons are released, it'll always have a happy ending. 

Bold, genuinely compelling, and full of achingly sincere performances that ensure vulnerability pushes through with every scene is no small feat. It's the type of series that people are going to refer to for a long time in terms of its storytelling and adaptation. It's already breaking molds and making a genuine difference in the space for romance and dramas in general. There's nothing quite like it on screen right now. It's the perfect show for anyone who loves Red, White, and Royal Blue (2023)—another LGBTQ+ adaptation that perfectly honors the book it's based on in every way possible. 

Eternity (2025)

If you're in the market for a unique twist on the love triangle trope, look no further than Eternity. Smart, profoundly moving, and poignantly transparent, it's the perfect narrative to showcase how people can love more than one person in their lifetimes and how they'll navigate through choosing in a unique afterlife. It's an honest reflection of grief and various personalities, too, allowing it to be an intricate blend of love and loss.

In many ways, it would've been better if she'd chosen both. Let's go throuple, babes. But that's what fan fiction is for because everything about Eternity is beautiful when it comes to revealing why Joan's choices matter. At the same time, Elizabeth Olsen delivers one of her best performances alongside Callum Turner and Miles Teller, who are both such incredible scene partners that they all ensure the narrative beats feel earned. 

My Fault London (2025)

This one's for the forbidden romance fans—the ones who probably watched Life With Derek (2005) back in the day and thought that the chemistry between Derek and Casey was a bit too heated for step-siblings. My Fault: London floors it with the romance—metaphorically and figuratively, as there are actual street races, too. And with fun performances plus a genuinely compelling relationship, it makes the bond between Nick and Noah effortless to root for. 

It's not without its drama, and surely more will follow in the remaining films as it's a remake of the Spanish version Culpa Mia (2023), but it's wholeheartedly too good not to scream about. Full of moments that are both fiery hot and achingly soft, it's one of the biggest surprises of the year as a romance that's not just good, but actually memorable. Trust me on this one, give it a go—the soundtrack is aces, too, and that's always a major win in my book.

The Summer I Turned Pretty (2022-2025)

For those longing for the days of quintessential teen dramas and angsty love triangles, unlike the kind featured in Eternity, Jenny Han's adaptation of The Summer I Turned Pretty is the show for you. In Season 3, Belly Conklin finally makes her choice between the Fisher brothers, Conrad and Jeremiah. The best part is, the show's popularity is so tremendous that even if you don't watch it, you likely know every detail that goes into it and are also likely rooting for Conrad, which makes the decision earned.

The Summer I Turned Pretty might be over as a TV show, but fans will also be getting a movie that will hopefully feature more of the beloved couple during their bliss. It's dramatic at times, understandably frustrating, but when the romance hits, it hits hard. And every part of it is incredible to continue adding more romance adaptations to our screens. 

School Spirits (2023-present)

School Spirits is unlike any of the shows on this list, but it's the supernatural alternative for viewers who need a bit of spooky intermingling with their romance. But I suppose, like in Eternity, they're all dead, so there's also that. More importantly, it doesn't just come equipped with one ship, but two for now, with the third being hinted at. Full of profoundly well-written characters who are easy to adore, it's a breath of fresh air in every way as a series that deep dives into second chances in the afterlife.

Well-written and intriguing from start to finish, the romances are not only some of the best of the year, but they're so wholesome you might shed a tear or two. It's honest and heartfelt and feels so unique in a pool of similar shows that solely rely on drama. School Spirits does something thoroughly poignant with every episode to ensure that the characters are always at the center.

Wild Cards (2024-present)

If you love a good procedural and grumpy/sunshine dynamic, then Wild Cards will deliver in spades for you. It's an absolute blast from the very first episode with the type of fake first kiss in an undercover situation that's bound to make you soon. And while Max and Ellis get under each other's skins, their partnership expands brilliantly in Season 2 as it evolves their slow-burn romance to make them one of the best pairs of 2025. 

Wild Cards isn't just a joy where the romance is concerned, but it's a fascinating procedural that deals with the detective/consultant dynamic through a con woman, flipping expectations through effortlessly compelling narratives. The cases are fun, and the showrunners clearly understand their audience because they consistently deliver gripping content that's so delicious if you're someone who loves shipping. I know, I do, and I need ten more seasons.

Disney is a company that doesn’t typically rock the boat, but 25 years ago, that’s exactly what it did with The Emperor’s New Groove (2000). While the film was originally conceived as a musical much in the same vein as other Disney Renaissance titles, thanks to a troubled production, it changed to a wild and kinetic 78-minute comedy. Gone were the songs by Sting and in were buddy comedy gags, dry wit, and some of the best one-liners in the company’s 100-plus-year history. In other words, it’s amazing and comes highly recommended.

Since its release, the film has earned a strong cult following and endures as an icon of meme culture. It’s a comedy that’s perfect for all ages, and a part of the movie’s charm is its wonderful cast of voice acting talent. While The Emperor’s New Groove wasn’t a career highlight for any of them, it introduced an entire new generation to some comedy powerhouses from across the spectrum. After you’ve finished watching The Emperor’s New Groove over on Disney+ and you want to know what happened to the cast since then, then we at JustWatch are here to enlighten you.

David Spade (Kuzco) - Hotel Transylvania (2012)

There’s a running joke within the Disney community that Kuzco is the greatest Disney Princess of all time, and a part of that comes from the wonderful performance of David Spade. His sardonic narcissism really helped elevate Kuzco into the perfect brat that you love to see get taken down a peg.

Following The Emperor’s New Groove, Spade spent the decades since mostly working alongside former Saturday Night Live (1975) alum Adam Sandler and his production company, Happy Madison. This collaboration helped Spade create his most well-known role since The Emperor’s New Groove, Griffin the Invisible Man in Hotel Transylvania. For four movies, Spade continued to deliver his lines with a snarky and lackadaisical attitude and helped make the series a spooky but approachable franchise for kids, much like The Addams Family (2019). If you want a family-friendly series of movies that capture that Halloween vibe, Hotel Transylvania is right up your alley.

John Goodman (Pacha) - Monsters Inc. (2001)

Out of all of the cast members of The Emperor’s New Groove, John Goodman is probably the most well-known and beloved. Goodman does a wonderful job playing the warm and compassionate father role, and Pacha is no exception. He’s calm, understanding, and just a loveable guy you want to be around.

While he already made a name for himself as Dan Conner in Roseanne (1988), his most beloved role came only a year after The Emperor’s New Groove when he appeared in another Disney project, Monsters, Inc.. Goodman plays Sully, the kindhearted monster who does whatever he can to protect Boo and send her back home. If you found yourself enjoying the whimsy but mature tone of The Wild Robot (2024), then Monsters, Inc. will make you feel the same way, almost entirely thanks to John Goodman’s performance.

Eartha Kitt (Yzma) - Holes (2003)

An icon of the ‘60s, Eartha Kitt was a sex symbol for Baby Boomers who saw her play Catwoman in Adam West’s Batman (1966). By the time she appeared as Yzma, she was 73 years old, but that didn’t stop her from making Yzma one of the most delicious Disney villains of all time. Up until her death in 2008, whenever she had the opportunity to play Yzma, she would always relish it.

Kitt spent most of her years after The Emperor’s New Groove appearing in children’s movies and shows, with her most iconic role being Madame Zeroni in Holes. Ask any kid who watched Holes growing up, and they’ll tell you why Zeroni is a woman not to be messed with. After all, you don’t want to be cursed for all eternity if you forget to return to her. Holes is filled with cartoonish moments that may seem goofy to adults, but feel as gargantuan to a kid as the adventures the kids in The Goonies (1985) went on. It’s an underrated adventure movie that’s perfect for kids who may feel like they’re too old for Disney, but aren’t quite ready for PG-13 young adult adaptations. 

Patrick Warburton (Kronk) - The Venture Bros. (2004-2018)

Kronk is a lovable idiot. His earnest stupidity is infectious, and the way that Patrick Warburton speaks each line is comic gold. Like Keith David or Kevin Michael Richardson, he has a distinct voice and tends to pop up in dozens of different animated shows and movies. Like Goodman, Warburton also had an active and healthy career before playing Kronk, with most people probably recognizing him as Joe Swanson from Family Guy (1999). However, following The Emperor’s New Groove, he stepped into the shoes of the greatest bodyguard of all time in The Venture Bros., Brock Samson.

While Kronk is warm and inviting, Sampson is the exact opposite. He’s cold, violent, and doesn’t like being around people, which makes most of the action scenes in the show brutal and hilarious. It’s an adult comedy to be sure, with the focus on a large cast of characters with complex relationships, which isn’t too far off from how Archer (2009) handles its characters. The Venture Bros. knows how to balance campy fun with the absurdity of its premise, making it ideal if you want a modern take on Hanna-Barbera cartoons. At the very least, Patrick Warburton will still deliver the laughs, even if Brock isn’t as charming as Kronk. 

Wendie Malick (Chicha) - The Owl House (2020-2023)

While she may not be as well-known as Kuzco, Pacha, Yzma, or Kronk, Pacha’s wife, Chicha, is not given as much respect as she deserves in The Emperor’s New Groove. She has to take care of her family, doesn’t put up with Kuzco’s antics, and tells it like it is. The woman who brought her to life is Wendie Malick.

Despite her underrepresented performance, Malick has been very active in numerous shows and movies. Granted, most of these appearances have been supporting roles, but she brings that same no-nonsense energy to each role. Disney fans will undeniably recognise her as the voice of Eda from The Owl House (2020-2023). Like Chicha, Eda has a down-to-earth personality and doesn’t put up with anyone’s stupidity. Sure, she may not exactly be on the up and up herself, but she tries to do the right thing, and Malick conveys that wonderfully. It’s a surprisingly mature animated show, too, despite being directed at kids, with complex emotional beats that would feel right at home in shows like Infinity Train (20191). Even with the darker imagery, The Owl House is still a great show for people looking for a wholesome but serious animated series about the wonders of magic, and Wendie Malick helps to convey that vision 

Debuting in 1959 as Superman’s cousin, Supergirl has gone on to become one of the DC Universe’s most iconic female heroes. A well-meaning if brash superhero who came to Earth as a refugee, as opposed to her cousin’s fantastical riff on an immigrant story, Supergirl is just as powerful as Clark Kent but with less of the firm confidence or bubbly friendliness. This makes her a uniquely flexible character, as evidenced by all the different versions of her that have appeared over the years.

Some adaptations lean into her alien qualities, even positioning her as an antagonist that Superman has to convince to lower her guard. Other portrayals cast her as a noble and heroic woman who struggles to find her place in the larger world. All of them highlight the qualities that have made Supergirl so enduring, although some films are better than others. With the first Supergirl (2026) trailer here, let’s spotlight the 10 best Supergirl appearances across film and television, ranked.

10. Supergirl (1984)

Supergirl’s first big adaptation into another medium, Supergirl (1984), might be a mess of a movie, but it has its campy charms. Tangentially connected to Christopher Reeve’s Superman: The Movie (1978), Supergirl has memorable elements, like solid production design and Helen Slater in the lead role. However, it suffers from a lackluster story and bizarre performances, especially from Faye Dunaway, whose Selena might have been a good fit for a knowingly goofy superhero production like Adam West’s Batman (1966) but doesn’t gel nearly as well with the earnest qualities of Supergirl.

Slater tries her best, but she’s let down by a movie that has little interest in her as a character and is far more focused on the sci-fi worldbuilding that was never the most memorable element of the Richard Donner Superman movies. Still, for all its faults, Supergirl does a good job of highlighting the charming core of the character that has made her compelling across several different iterations. 

9. Superman/Batman: Apocalypse (2010)

Superman/Batman: Apocalypse is one of the many DC Animated Universe movies to come out of Warner Bros. Animation, and one of the few to really focus on Supergirl. Unfortunately, the film adapts the “The Supergirl from Krypton” storyline from the comics, which has aged particularly poorly. Typically a sequel to the far more entertaining Superman/Batman: Public Enemies (2009), Superman/Batman: Apocalypse focuses on a version of Supergirl that has been corrupted by Darkseid into an agent of chaos.

While Firefly (2002) star Summer Glau is solid in the film as a more muted and troubled version of Supergirl, the mismatched tone and strange narrative choices let the character down. There are plenty of DCAU movies that are actually terrific, like Justice League: The New Frontier (2008), but this one is easy enough to skip unless you’re a true completionist. 

8. The Flash (2023)

A wild example of the highs and lows of the modern superhero genre, The Flash was a strange exit point for the DCEU that wasn’t quite the final nail in the coffin for the franchise… but close. To the film’s credit, it does have some compelling elements, such as the return of the Michael Keaton Bruce Wayne from Batman (1989). It also has a very effective version of Supergirl, here imagined as a long-term prisoner of the Russians who is unleashed onto a world she has little reason to care about.

Played by Sasha Calle, this Supergirl is a dark reimagining of the character and also one of the film’s only true strengths as a powerhouse with a vulnerable core who finds an unlikely companion in the titular speedster. While The Flash can’t quite escape the shadow cast by its many controversies, Calle’s version of Supergirl is at least a bright spot in a very uneven film.

7. Superman: Unbound (2013)

A better example of the DC Animated movies, Superman: Unbound is much more in line with the tone and tenor of Superman films that fans have come to appreciate more. Pitting the Man of Steel and his cousin against Brainiac when the alien AI arrives on Earth with plans to add the city of Metropolis to his collection, Superman: Unbound is a slick and entertaining superhero romp that may not be too impressive, but it has charm to spare.

Molly Quinn delivers a solid voice performance as Supergirl, especially alongside Matt Bomer’s version of the Man of Steel. Non-essential but entertaining for any superhero fan, Superman: Unbound is one of the rare movies or TV shows that actively shows the Kryptonian cousins actually working together for the greater good.

6. Smallville (2001-2011)

Smallville was quietly one of the most important superhero shows of the 21st century, laying the groundwork for a lot of the genre’s resurgence. The seventh season of the show introduced Laura Vandervoort as Lara, a version of Supergirl who has to learn about humanity and the fate of Krypton.

Playing to the melodramatic heights of the drama, Kara was crucial to the Season 7 storyline but was pushed back onto the sidelines for the rest of the show. It’s a shame, too, because Vandervoort finds a fun dynamic with Tom Welling’s Clark Kent that deserved a bit more screentime. Engaging without becoming overwhelming, the Supergirl of Smallville was a memorable chapter in that series that could have benefited from more focus during the show’s second half.

5. Superman (2025)

Although she only appears at the end of the film, the Supergirl of Superman is one of the comedic highlights of the entire movie. In direct contrast to the cool-headed and well-meaning Clark Kent, the movie quickly establishes his cousin as a rough and rowdy Kryptonian who has none of the patience that Superman is known for.

However, Superman also highlights her softer side with the reveal that Krypto is her dog and matches her high energy, a sweet little coda for the film and a solid tease for the upcoming Supergirl movie set in the same universe. A genuine delight in a movie full of such beats, the Supergirl appearance in Superman may be brief, but it is a lot of fun for any DC fan.

4. Superman: The Animated Series (1996)

Starting with Superman: The Animated Series and building to a number of appearances across the DCAU shared universe of shows (not to be confused with the movies of the same name), Supergirl got one of her best-ever showcases as a character during this era. Portrayed as a hot-headed but heroic young woman, the Supergirl of the Superman series quickly became a fan favorite for her attitude and fun dynamics with the rest of the cast.

She only became better when she returned for Justice League Unlimited (2004) as a member of the larger team, with a subtle storyline playing out over the show that highlighted her growth into her own hero. Nicholle Tom is an absolute blast in the role, finding the right balance of spunky and confident to make her Supergirl a really compelling character.

3. DC Super Hero Girls (2019-2021)

One of the few DC adaptations that puts Supergirl firmly in a lead role while shunting her cousin off to the side, DC Super Hero Girls is a delightful take on the superhero franchise that finds humanity in the heroes. Depicted as one of the titular team of high school crimefighters, Supergirl is the rough and tumble brawler of the group who has to learn to hold back and be vulnerable with her friends.

Nicole Sullivan is great in the role, with the right mix of sincerity and bravado to make a very likable character. In turn, her Supergirl ends up getting some of the show’s most effective comedy and dramatic beats. A happy medium between the absurdist comedy of Teen Titans GO! (2013) and the more character-driven superhero stories of Your Friendly Neighborhood Spider-Man (2025), DC Super Hero Girls is a wonderful showcase for Supergirl.

2. My Adventures With Superman (2023-Present)

A fantastic riff on the Superman mythos, My Adventures With Superman had a phenomenal second season in large part due to the focus on Supergirl. Reimagined as the adopted daughter of Brainic, who initially meets her cousin as an enemy, this version of Supergirl is one of the most overtly dramatic takes on the character.

Torn between a genuine curiosity for Earth and the orders of her “father,” this version of Supergirl has a darker edge that never betrays the inherent appeal of the character. All of this makes her gradual arc in the season, where she finds common ground with her cousin, all the more appealing. With Season 3 currently in production, Kiana Madeira’s compelling take on the character will hopefully step back into the spotlight.

1. Supergirl (2015-2021)

The best show for fans of Supergirl, the Arrowverse version of Supergirl is an optimistic, big-hearted love letter to everything that makes the character great. Played by Melissa Benoist, Supergirl flips the script on the typical Superman narrative by having the Man of Steel fully off in his own corner of the universe. 

While Superman & Lois (2021) is also a lot of fun, it doesn’t compare to the thematic strength and sci-fi heights of this DC adaptation that knows how to find the right balance between hokey superheroics, topical social commentary, and soap opera romance. Bolstered by arguably the best Supergirl performance to date, this entry in the larger CW adaptation of the DC Universe remains a major highlight of the genre on TV and proof that the character can work just as well on her own as supporting Superman. 

Every year, Hallmark releases so many movies that it can be impossible to keep up. It's hard enough to keep up with regular movies and TV shows, let alone the ones airing on Hallmark. Most people also only watch Hallmark during the holidays, but every so often, there are regular 'ol romance movies that hit in all the right ways, and they aren't always holiday-based. 

In truth, Hallmark movies aren't for everyone. They're for those of us who love romance and those of us who understand that these movies aren't that serious. We don't need to get out there and critique them like the next Best Picture contender. Sometimes, they're just fun, and these days, we can use more of that. That's why we've got you covered with the five best Hallmark movies of 2025, ranked, as well as how you can watch them on Hallmark+. 

5. Adventures in Love & Birding (2025)

Based on the deliciously steamy romance novel by Sarah T. Dubb, Adventures in Love & Birding is an absolute blast. I'm not going to pretend I know anything about birding, but I do know a thing or two about romance and tension, which the movie delivers in spades. Rachel Boston and Andrew Walker make a tremendous team as they navigate through a birding retreat, fake dating, and the art of falling in love for real.

In order for Hallmark movies (and really all romances) to hit in all the right ways, we have to believe in the chemistry. We have to believe in the fact that the quiet moments are bigger and that the couple we're watching will last beyond the last frame. It's not just believable in Adventures in Love & Birding, but it's adorable on all fronts with some incredible trope-filled moments that are sure to make you swoon. It's especially perfect for those of you who want all the best tropes wrapped up in a unique premise.

4. Christmas at the Catnip Cafe (2025)

The second I saw the title for this movie, I knew that it was tailor-made specifically for me, and from the very beginning, I kicked my feet and screeched at every narrative decision because it's that delightful. The ranking of this list is fully objective, but make no mistake, this is the number one of my heart. Christmas at the Catnip Cafe has everything: cozy holiday vibes, countless cats, and an unlikely partnership that gradually grows into something deeper.

We talk a lot about what dreamboats Andrew Walker and Tyler Hynes are in the Three Wise Men (2022) trilogy, but we don't talk nearly enough about how magnetic Paul Campbell is, too. Numerous movies from the past prove this, but seeing him as a veterinarian here while holding cats proved that he's also an "it boy." Pair him with someone as charming as Erin Cahill, and the movie is bound to make you so giddy. This is especially the case if you're already a cat person. Prepare to have your socks charmed off. I might've even cried.  

3. Christmas Above the Clouds (2025)

Anytime Hallmark does some sort of twist on Dickens' A Christmas Carol, they nail it. While Ghosts of Christmas Always (2022) will always be my favorite, Christmas Above the Clouds is a close second, doubling as an angsty and delightful second chance romance on top of the whole redemption arc. Erin Krakow and Tyler Hynes are incredible together as two exes trapped on a plane, on their way to Australia, when Krakow's Ella gets Scrooged.

As we travel through the past, the present, and the future, the performances keep us glued to our screens, with the question of how everything will unravel. We all know how narratives surrounding A Christmas Carol end, but it's how the characters and their romance keep us engaged that makes this movie so riveting. And they do. If you want to watch a spin on the classic that sticks the landing with poignant moments of growth, look no further.

2. We Met in December (2025)

We Met in December is so dreamy and so pleasant, and particularly made for the real ones who know that Serendipity (2001) is one of the best Christmas romances. Niall Matter and Autumn Reeser make an excellent team as two people for whom one day changes everything, but they somehow forget to exchange contact information because they believe they'll see each other on the flight the next morning. Except he sleeps through his alarm, and well…you can imagine where things go.

While you have to suspend a bit of disbelief for this one, like Christmas Above the Clouds on this list, the writing and performances do an excellent job of making us believe what we see through flashbacks while longing fills the present-day moments. It's achingly romantic, poignant, and full of so much Christmas magic that your Grinchy heart might grow with hope (it's me. My heart grew a bit from this one.) 

1. Three Wisest Men

Three Wisest Men concludes the Three Wise Men trilogy with a profoundly moving story that's full of so much heart, I know I'm not the only one who'll miss the Brenner brothers. Like in each of the films that have come before, they each have some roadblock they need to push through to become the best versions of themselves, and Andrew Walker, Tyler Hynes, and Paul Campbell deliver excellent performances to ensure their journeys feel earned. 

This arc feels especially relevant today, where it feels like so many people are not only struggling with their careers but questioning decisions that are too big to make without thinking them through. It's an honest and heartfelt reaction to moving away from your childhood home, and how that'll look in the future. So many moments are legitimate tearjerkers with beats of nostalgia that make it the best Hallmark film of the year.

The Abandons' rise on the Netflix streaming charts owes a good portion of its appeal to its leads, Gillian Anderson and Lena Headey, two accomplished actresses with filmographies stacked with strong female characters. Here, they play feuding adversaries against an 1850s backdrop. While middle-aged women in starring roles are rare in the Western genre, they're relatively rare in the TV landscape as a whole. However, if you're asking me, no character archetype is quite as compelling as the cool, cunning, and borderline villainous matriarch.  

While Anderson and Headey's characters make excellent additions to this list, they aren't the only morally questionable women to leave you intrigued, scared, and a little excited. This list is for anyone seeking more middle-aged baddies to root for and against. Here are the best shows with matriarchs you love to hate (and hate to love). Ready for your new favorite anti-heroine? Streamers like Hulu, HBO Max, and more hold your answer.

Lucille Bluth - Arrested Development (2003-2019)

Out of all the entries on this list, Arrested Development is the only sitcom. However, don't let its comedy fool you. Lucille Bluth, the matriarch of the once-wealthy Bluth family, is downright awful… in the best way. Manipulative, narcissistic, and selfish, Lucille tosses around scathing one-liners like it's her full-time job. Her oedipal relationship with her son, Buster (Tony Hale), also makes for wonderfully dark comedy that feels ripped straight from Psycho (1960). 

While it all sounds bad on paper, Lucille is likable for that very reason. She's a caricature of an elitist who does wonders for Arrested Development's satirical humor. Really, all credit goes to the late Jessica Walter, who excels at comedic timing and, apparently, playing manipulative matriarchs in general, as her performance in Archer (2009) also proves. If you like Schitt's Creek (2015) and want to see a darker, more cunning version of Moira Rose, Arrested Development is your answer.    

Gemma Teller - Sons of Anarchy (2008-2014)

As anyone who grew up watching Married… with Children (1987) knows, Katey Sagal has undeniable charisma. While her character on Sons of Anarchy is wildly different from Peggy Bundy, that same charisma is there. Gemma, like all of the show's characters, is morally complex. Everything she does is to protect her family. However, there is an element of selfishness in these actions that complicates things.

Like many of the women on this list, Gemma is a master manipulator who uses her cunning to pull the strings in the all-male motorcycle club her husband leads. She doesn't necessarily have power; she creates it. In some ways, it's admirable. In other ways, it's horrific. With no shortage of one-liners and badass moments, Gemma is the biker gang queen. You'll love her. You'll hate her, and she'll also scare the heck out of you. Watch Sons of Anarchy if you like anti-hero dramas about criminal enterprises like Peaky Blinders (2013) or The Shield (2002).   

Cersei Lannister - Game of Thrones (2011-2019)

With Lena Headey also starring in The Abandons, she has the esteemed honor of appearing twice on this list. While Fiona Nolan is a complicated matriarch in her own right, she doesn't hold a candle to Cersei Lannister, one of Game of Thrones' most complex characters. Similar to Gemma in Sons of Anarchy, Cersei might be wealthy, but she doesn't hold as much power as her male family members, including her own children. Thus, every ounce of power she amasses stems from her ruthlessness, manipulation, and quiet intelligence. Throw in a little incest with her twin brother, Jaime Lannister (Nikolaj Coster-Waldau), and you've got one of the most despicable villains in TV history.

Still, there's something tragic about Cersei that makes her likable… or, at least, sympathetic. Controlled by men and emotionally destroyed by a doomed prophecy, it's easy to see how and why she became so power hungry. Maybe you're like me, and those types of tormented, ruthless women excite you—or maybe you're normal. Either way, Cersei is one of Game of Thrones' most important characters. Without her, you'd have no story, and anyone who appreciates a good villain will understand why right from Season 1, Episode 1.

Fiona Goode - American Horror Story Season 3 (2013-2014)

Poll 100 American Horror Story fans, and I guarantee that the vast majority of them will say the same thing: Jessica Lange made the series. While she played four distinctive characters during her tenure on the show, Fiona Goode undoubtedly deserves a spot on this list. She is selfish, manipulative, and borderline sociopathic, the type of woman who would sacrifice her own daughter to achieve her goals without batting an eye.

Still, American Horror Story Season 3 sprinkles in just enough moments of humanity to keep her from being completely reprehensible. Likewise, Jessica Lange embodies the character so perfectly that she drips with charisma and class. You'll want to wear her outfits just as badly as you'll want to see her get her comeuppance. If you like supernatural stories that are heavy on drama and horror, American Horror Story Season 3 is practically mandatory viewing, especially if witches pique your interest.

Norma Bates - Bates Motel (2013-2017)

Listen, as a big fan of Psycho, I put off watching Bates Motel for a long time. Psycho presents Norman's mother as an overbearing, cruel woman, and four prequel seasons of that seemed tedious. Color me surprised when Bates Motel didn't just prove me wrong about its story, but also about its take on Norman's mom. Before there was Mother, there was Norma Bates. While she's utterly dysfunctional, manipulative, and weirdly devoted to her son, she's also very likable (and so isn't Norman, to a point). 

A big reason Bates Motel works for me is that it takes time to explain its characters' psychology. Norma is anything but one-dimensional. She is a deeply complicated person, consumed by past traumas, current traumas, and a fierce but twisted love for her son. It's hard to talk about Norma without talking about Norman. She fears the monster he is, without ever fully realizing how she helped create it. Vera Farmiga delivers what I consider her career-best performance, managing to portray Norma as hopeful but damaged. There is nothing quite like Bates Motel out there, but fans of dark, psychologically heavy horror series like Hannibal (2013) will find a similar vibe.  

Cookie Lyon - Empire (2015-2020)

When it comes to this list, perhaps no one walks the line between villain and heroin quite like Cookie Lyon. Empire's fierce matriarch is just as likely to steal your heart as she is to make your jaw drop (Political correctness? Nope, this is Cookie we are talking about). Like many of the women on this list, her ruthlessness comes from a place of twisted protection. Her sons are everything, but her relationships with them are also complicated and, at times, very dark—just like her past.

Taraji P. Henson plays Cookie as proudly loud and brazen, but that doesn't stop her from showing vulnerability, which is one of the reasons she's so easy to love. You'll also hate her at times, but hey, that's half the fun of Empire. Some, including me, might even say that Cookie is Empire. If you like complicated family dramas like Succession (2018), Empire will give you similar dynamics, just with hip-hop music as its focus.  

Jeanin 'Smurf' Cody - Animal Kingdom (2016-2022)

If you dig crime dramas and haven't watched Animal Kingdom yet, please rectify that mistake immediately. Relatively underrated in the genre, Animal Kingdom is a little like Sons of Anarchy ditched the motorcycles, got a sunny California makeover, and gave its matriarch all the power. If you thought Gemma was scary in SOA, Smurf will terrify you. Employing an oedipal hold over her kids and grandson, Smurf aims to create a loyal gang of henchmen to grow her criminal empire.

Truthfully, Smurf doesn't have many redeeming qualities, yet Ellen Barkin delivers a captivating performance nonetheless. It's so good, in fact, you just might find yourself manipulated into liking her alongside the characters, even when you see her cracks. If you want a series that balances heist-level action with psychological depth and unpredictable twists, look no further than Animal Kingdom. Smurf is one of my favorite villains ever written for a TV series. Nothing she does is without purpose, so pay attention. 

Fiona Nolan & Constance Van Ness - The Abandons (2025)

The Abandons is a landmark series for its representation of women. It's not very often that the Western genre gives women the spotlight, and it's even less often that those women are middle-aged. Those familiar with Lena Headey's aforementioned role as Cersei in Game of Thrones probably won't be shocked by her competent performance as a vulgar Irish Catholic with questionable moral values. However, it's not often—if ever—that we get to see Gillian Anderson of The X-Files (1993) fame step into a more villainous role. 

To call either of them villains might be too much of a stretch. Instead, they're morally gray characters, each pushed further and further by their own agendas. Constance might be a bit more challenging to like than Fiona, but both women take turns dipping into antagonistic territory. What's unique here is that we also watch them feud with each other. So, if you're here because you love stories about complex, powerful matriarchs who embrace morally questionable choices, what's better than watching two of them on-screen at once? 

‘Tis the season for glistening lights, family gatherings, roasted hams… and absolute chaos. That’s right, my friends, the holidays are upon us, and the world once again spirals into the dredges of what humanity can become. Oddly enough, that’s always reflected perfectly in holiday movies, which actually have some of the worst characters in cinema history. 

Some movies are open and honest about their bad characters. Movies like The Grinch (2018) and Bad Santa (2003) at least let you know with their titles what you’re about to experience. But the real nefarious holiday films are the ones that are seemingly innocent and “family friendly.” 

But just how family-friendly are these Christmas classics? From psychological abuse to robbery, assault, and more, the characters in these holiday movies are better suited for prisons than tinsel season. But what are some of the worst offenders of mistletoe madness? Read on to find out and discover how to watch them all on streamers like Disney+, Netflix, and more.  

Home Alone (1990)

It’s one of the most iconic holiday movies ever, but Home Alone is also filled with some of the worst humans imaginable. Lots of reviews and retrospectives like to focus on the level of violence perpetrated by a child, but in my opinion, Kevin (Macaulay Culkin) has every right to do whatever he wants. 

First of all, while home alone for days on end, two bandits try to rob his house and do who knows what else to him while they’re there. Kevin was basically just defending himself. What we really need to dive into is the fact that he was left home alone at all. How horrible must a family be not to realize their son isn’t with them when traveling? How do you even make it through airport check-in and security without noticing that extra boarding pass in your hand? Remember, back then, they were physical pieces of paper you had to carry around, so there would have been a physical reminder that someone wasn’t there the whole time. 

But beyond that, does anyone else remember the opening scene of that movie? Does anyone else remember just how absolutely terrible that family was to Kevin? His brother harasses him, yet Kevin gets blamed? Not to mention the horrible names he’s called at the start of the movie. “You little jerk.” “Kevin, you’re such a disease.” “You’re what the French call les incompetents.”

I think brutally assaulting the wet bandits was probably a cathartic experience for Kevin, who undoubtedly had enough repressed rage he could fill Santa’s sleigh with it. But also, Home Alone is such a fun movie. It’s iconic for a reason. Culkin was a brilliant child actor, and the traps and schemes he cooked up were pure genius. If you love the comedy vibes of Planes, Trains and Automobiles (1987) or home invasion comedies like Remote (1993), you need to watch Home Alone. 

A Charlie Brown Christmas (1965)

It’s about time we talk about just how cruel the Peanuts gang are. First off, we have our chronically depressed and joyless Charlie Brown, who is then mocked by all his “friends” for basically everything, from his chronic malaise to his flimsy, half-dead tree, and his inability to grasp the concept of Christmas… which is, admittedly, ridiculous. Eat food and open presents, Charlie, it’s simple! 

And yet, somehow, a Christmas special about a young, depressed boy being abused by those around him has become an iconic holiday staple. Maybe that’s because deep down, we all feel like Charlie Brown sometimes. Also, it doesn’t hurt that the soundtrack for A Charlie Brown Christmas is fantastic, and its classic animation style likely brings back tons of nostalgia for older viewers. If you love other Peanuts specials, like It’s the Great Pumpkin, Charlie Brown (1966), then this should be on your watchlist for the holidays.

Christmas with the Kranks (2004)

Determining who the worst people are in Christmas with the Kranks is pretty hard. First off, we have our joyless couple (Tim Allen and Jamie Lee Curtis during her “bad wigs” era) who decide to completely skip Christmas and take a cruise after learning their daughter joined the Peace Corps and won’t be coming home for the holidays.

Then, we have their psychotic neighbors (led by Dan Aykroyd) who, for some reason, become infuriated that the Kranks won’t decorate for Christmas this year. Yes, that’s seriously the plot of this movie. As their daughter helps starving, impoverished people, her parents and their neighbors squabble over decorations. The neighborhood erupts into the pettiest, shallowest conflict ever because, apparently, these people don’t have any real problems. 

But the stupidity of this movie ends up becoming its strength. Its “conflict” is so trifling and trivial that you actually can’t help but laugh. Granted, you won’t laugh with this movie; you’ll laugh at it. But I guarantee you won’t be able to turn it off. Think if The Room (2003) or Troll 2 (1990) were a Christmas movie. Sounds fun? Then it’s time to watch Christmas with the Kranks. 

Jingle All the Way (1996)

Nothing says Christmas quite like a deadbeat dad! And that’s exactly what we get in Jingle All the Way, where Arnold Schwarzenegger plays an absent father who has let down his son one too many times. To make it up to him, he decides to get him the year’s hottest toy: the Turbo Man action figure.

And wow, what a father won’t do for his son that he’s abandoned for years. We see Schwarzenegger steal, harass minors, impersonate a police officer, get involved in an illegal smuggling scheme, and commit numerous reckless endangerment felonies, including speeding toward oncoming traffic in the wrong lane. There’s even a scene with a bomb threat! Aren’t the holidays magical? 

What makes Jingle All the Way even wilder is that just weeks after its release, the very real Tickle-Me Elmo craze began, and very real people started committing very real crimes to get the toy, just like Schwarzenegger did in the film… coincidence? 

National Lampoon’s Christmas Vacation (1989)

As one of the various sequels to National Lampoon’s Vacation (1983), Christmas Vacation sees the Griswolds host their extended families for the holidays. But like all Christmas movies, the holidays quickly spiral out of control thanks to the Griswolds’ plethora of horrific relatives. 

Let’s see here (checks list), we have the poor, dirty brother and his family who are mooching off Clark because they’re broke; we’ve got the wife’s parents who think everything Clark does is wrong; we have the stuck-up neighbors who put Clark down at every chance they get; and…am I missing anything? Ah, yes, eventually, Clark goes crazy, and his brother kidnaps his boss and takes him hostage. Just another holiday at the Griswold house. 

But the madness is super enjoyable, and while your family (probably) isn’t as bad as the Griswolds, something about them and their whole ordeal just feels way too relatable. If you loved the way A Christmas Story (1983) captures the holidays of yesteryear, you’ll enjoy how Christmas Vacation skewers the holiday experience of modern America. 

The Guardians of the Galaxy Holiday Special (2022)

In The Guardians of the Galaxy Holiday Special, Mantis (Pom Klementieff) and Drax (Dave Bautista) notice that Peter (Chris Pratt) is depressed during the holidays. To help cheer him up, they decide to give him a gift. That gift is Kevin Bacon. The real, actual Kevin Bacon.

To get Kevin Bacon, they go to Earth, break into his house, chase him down, assault police officers, and then brainwash him into thinking he wants to travel through space to hang with Peter for Christmas. 

As we all know from holiday movies, actions like these are only acceptable if committed during the Christmas season. Because with a little holly, jolly spirit, any and all crimes can be overlooked! The holiday special is just a lot of fun, and it’s especially great for newcomers who aren’t super familiar with the MCU because it’s a pretty tight, standalone story that doesn’t require the kind of in-depth franchise knowledge most MCU projects do these days. But if you’re a Guardians of the Galaxy (2014) fan, you’ll especially love the holiday special. 

Happiest Season (2020)

Happiest Season is a holiday movie that’s actually all about abuse. In the film, Harper (Mackenzie Davis) invites her girlfriend, Abby (Kristen Stewart), to come stay with her family for the holidays. But she forgets to mention that her family is homophobic and doesn’t know that she’s gay. She also told them that Abby is coming with her for Christmas because her parents are dead (they aren’t).

Wow… that is, just wow. Then, throughout the entire movie, Harper pushes Abby further and further away, even though Abby is stuck there as a guest. Not to mention that the entire ordeal is all Harper’s fault. 

Harper is such a horrible person that Happiest Season is actually hard to watch and is less a holiday film and more a story about a toxic, abusive relationship. Seriously, the level of psychological abuse here is on par with movies like Gaslight (1944) or Enough (2002), so it’s perfect for anyone who wants a gripping drama parading around as an innocent Christmas movie. 

Deck the Halls (2006)

In Deck the Halls, Matthew Broderick and Danny DeVito star as two fathers who live across the street from each other and engage in an epic battle of who can be better at Christmas. Broderick is the “traditional” Christmas fan, full of standard white lights, caroling, and wreaths; while DeVito is the gaudier, tackier side, filled with obnoxious blow-up decorations and multi-colored lights everywhere. The film was met with very bad reviews, and as someone who has, unfortunately, sat through the whole thing, I can personally attest to just how boring and dull the plot is and how truly awful the characters are.

When combined, we get two of the worst characters in Christmas movie history, and we watch as their petty, pathetic competition completely consumes their lives. They’re so awful that they even push their families away. Literally, halfway through the movie, their families end up leaving them. Then, they both go to a Christmas concert where they start sexually harassing the women performing. At one point, Broderick shouts, “Who’s your daddy?” and the girl turns around and… she’s his daughter. Cringe! It gets worse, though, and the two fathers then run to a nearby church to wash their eyes with holy water. 

I dare you to sit through this stinker of a movie. Actually, no, I don’t. That would just be cruel. But if you’re a Christmas completionist like me and feel compelled to watch every holiday movie at least once, you’ve been warned.

A24 and Timothée Chalamet’s latest movie, Marty Supreme (2025), is right around the corner and already generating Oscars predictions. The film’s latest marketing tactic has further stoked anticipation after Chalamet posted a hilarious 18-minute skit on Instagram to promote the movie.

If the video has piqued your interest in other unhinged but brilliant marketing campaigns for films, our guide will show you how to watch the movies with the wildest marketing campaigns on platforms like HBO Max, Hulu, and more.

Psycho (1960)

Alfred Hitchcock’s Psycho was one of the earliest movies to utilize an unusual marketing campaign. At the time, theaters had looser admission policies, often resulting in audiences arriving in the middle of a movie. However, Hitchcock demanded that theaters instill a “no late admission” policy to ensure no one would miss the iconic twist after Marion Crane (Janet Leigh) arrives at the Bates Motel. Although theaters initially balked at the policy, it intrigued audiences enough that long lines quickly formed outside theaters as viewers waited to enter.

Psycho’s unique marketing worked well because it is the kind of movie that demands a unique theater experience. Popularizing the slasher genre and offering one of the most memorable murders in horror cinema, few films compare to Psycho. It’s a must-see for fans of Hitchcock’s work, especially Vertigo (1958) and Rear Window (1954).

The Blair Witch Project (1999)

Today, most of us know The Blair Witch Project as a horror movie that employs the found-footage technique. In 1999, though, some audiences went into the movie believing it was real, thanks to its wild marketing campaign. The creators marketed the film as a real case, going so far as to create a website with missing-person posters and staged interviews. The Blair Witch Project was even preceded by a 45-minute faux documentary, Curse of the Blair Witch (1999), to fool audiences further.

Not only was The Blair Witch Project one of the first movies to utilize the internet for its marketing, but it also helped popularize the found-footage format. It makes excellent use of the technique, keeping audiences in the dark and adding another layer of creepiness through its ambiguity. If you love found footage movies like The Dyatlov Pass Incident (2013) and Creep (2014), you’ll want to check out The Blair Witch Project.

The Dark Knight (2008)

The Dark Knight is the sequel to Batman Begins (2005) and sees Batman (Christian Bale) face off against The Joker (Heath Ledger). It boasted one of the most interactive marketing campaigns in recent years through ARG (alternate reality gaming). Fans were able to uncover details of the movie through clues on websites, a Gotham-inspired newspaper, and at San Diego Comic-Con. These clues led to the first image reveal of Ledger’s Joker, or to fans voting in the fictional election for Harvey Dent (Aaron Eckhart).

Thousands of people participated in The Dark Knight’s expansive campaign, helping build anticipation for the movie. The film was deserving of such a campaign, as it stands among the best Batman movies of all time. Dark, thrilling, and featuring, arguably, the best iteration of The Joker to date, The Dark Knight demonstrated just how sophisticated superhero movies can be. It’s an excellent watch for fans of mature superhero films like Watchmen (2009).

The Cloverfield Paradox (2018)

The Cloverfield Paradox is the third movie in the Cloverfield series, and sees a group of astronauts attempt to solve Earth’s energy crisis, only to cause a terrifying paradox in the process. The film boasted a pretty unusual marketing campaign. Its first trailer took audiences by surprise, dropping abruptly during Super Bowl LII on February 4, 2018, and announcing that the movie would premiere on Netflix immediately after the game. One major marketing push during the biggest sports event of the year, along with a surprise release, certainly caught viewers’ attention.

The Cloverfield Paradox is a nice addition to the Cloverfield franchise. Even if you’re not familiar with its predecessors, it’s a sturdy, albeit slightly predictable and formulaic sci-fi movie. I found The Cloverfield Paradox fit in well with the franchise and offered a standard space thriller in the vein of Life (2017) and Event Horizon (1997).

Smile (2022)

Smile follows Dr. Rose Cotter (Sosie Bacon), who begins suffering haunting visions and hallucinations, including sinister smiles, after witnessing a traumatic event. The film capitalized on just how creepy a smile can be by bringing them into the real world. If you were watching live sports in the months leading up to the film, there’s a chance you caught glimpses of audience members standing stock still and smiling eerily at the camera. The creepy stunts went viral on social media and were strange and disturbing enough to generate interest.

Smile’s marketing campaign highlighted the movie’s strongest aspect: its deeply eerie, disturbing visual imagery. From contorted beings to creepy smiles, Smile consistently creates an unsettling, dreadful atmosphere. It also goes a little deeper than most horror movies, touching on trauma and mental health. It’s a great watch if you’re interested in unique and complex horror films like The Ring (2002) and Cuckoo (2024).

Barbie (2023)

Barbie centers on Barbie (Margot Robbie) and Ken (Ryan Gosling) as they venture into the real world on Barbie’s journey of self-discovery. The film enjoyed an extensive marketing campaign. Barbie collabs popped up everywhere, including with Airbnb, which opened a renovated, life-sized, hot-pick Barbie Dreamhouse mansion for rent. Most notably, Barbie also embraced the internet phenomenon of “Barbenheimer,” which celebrated the concurrent release of Barbie and Oppenheimer (2023). Although much of that marketing was generated by social media users, Barbie’s team played into it, including having Greta Gerwig and Robbie pose with their Oppenheimer theater tickets.

Barbie’s marketing perfectly captured the movie’s eye-catching set designs and costumes. With vibrant colors, stunning outfits, and gorgeous, practical effects, the film brings Barbie to life in a way no other movie has. On top of that, its strong feminist themes added depth to its otherwise fun, humorous premise.

Longlegs (2024)

Longlegs tells the story of FBI Agent Lee Harker (Maika Monroe) as she attempts to solve a serial killer case with occult elements. The film garnered attention for its unconventional marketing campaign, especially since audiences initially didn’t know which movie the campaign was for. Longlegs’ studio, Neon, began releasing cryptic, disturbing short video teasers. For example, one was titled “Every year there is another,” and featured an image of a family against the backdrop of a 911 call. The end of the teasers contained hieroglyphics that fans had to solve to reveal which film the video teased. Another teaser unveiled the release date via heroglyphics.

Longlegs’ cryptic, creepy marketing did justice to the film’s frightening premise, as many critics dubbed it the scariest movie of 2024. Featuring an unhinged performance from Nicolas Cage, a constant atmosphere of dread, and nightmarish imagery and jump scares, it’s an excellent horror movie that really capitalizes on your anxiety. 

Novocaine (2025)

Novocaine is an unconventional superhero story about Nathan Caine (Jack Quaid), a man with a rare condition that prevents him from feeling pain, who sets out to save his abducted love interest. The film boasted a cheeky marketing campaign reminiscent of Smile. Quaid attended a Los Angeles Clippers game before Novocaine’s premiere. Audiences were a bit concerned when, every time the camera turned to Quaid, he appeared to have sustained progressively worse injuries, ending the game in a neck brace and with fake blood on his face.

The funny marketing campaign caught the audience’s attention and wasn’t as unsettling as Smile. Novocaine itself is a witty, bloody, and wildly entertaining superhero underdog story. With its unconventional hero, dodging of superhero tropes, and twisty premise, it’s sure to be a hit among The Boys (2019) fans.

Bugonia (2025)

Bugonia is Yorgos Lanthimos’ new movie, which follows Teddy (Jesse Plemons) and Don (Aidan Delbis), two men whose conspiracy obsession drives them to abduct Michelle Fuller (Emma Stone), the CEO of a pharmaceutical company. Promotional materials unveiled Stone with a shaved head for her role as Fuller, and the studio decided to capitalize on the hype around her unexpected look. In Los Angeles, audiences had the opportunity for an advanced screening. The price for admittance, though, was to shave your head. An on-site barber was available for those interested in the deal.

The strange marketing tactic actually fits in quite well with Bugonia, a peculiar movie. Boasting the signature absurdity of Lathinmos’ films, it delves deep into the nature of conspiracy theorists through a darkly comedic lens. Satirical, absurd, and complex, it’s a must-see for fans of Lanthimos’ work, especially Poor Things (2023) and Dogtooth (2009).

Marty Supreme (2025)

Marty Supreme is a sports comedy in which Marty Mouser (Chalamet) seeks greatness through table tennis. The film attracted attention with a creative marketing stunt from Chalamet. The actor uploaded an 18-minute meta-video in which he met with A24’s marketing executive to pitch his increasingly ridiculous marketing ideas for Marty Supreme, such as pouring ping pong balls into crowds and painting the Statue of Liberty orange. From his unhinged ideas to his interjections of “SCHWAP” to emphasize his opinions, the video is funny, self-deprecating, and oddly relatable to those in the corporate world.

The video accomplished its purpose, quickly going viral on social media and earning a positive reception from many media outlets. It also seems to foreshadow Chalamet’s character in Marty Supreme and the drawbacks of unfettered ambition. If the film is as intense or humorous as its marketing campaign suggests, it could be a hit upon its December 25, 2025, release.

With the number of movies and TV shows that are released every year, it can be impossible to keep up. It's hard for us as critics, too, let alone general audiences. How do you choose what's worthy? Do we rely on awards? Do we take advice from our peers? Years ago, I'd made the decision that I was going to watch all of AFI's Top 100 movies before finally choosing to embark on this career as a critic, and since then, I've often found that their choices are what work best for me. 

AFI has now released their Top 10 Awards for both 2025 movies and TV shows, and we're sharing the list of how you can watch them on platforms such as Netflix and Disney+, amongst others, as well as which ones stood out to us, specifically. 

Top 10 AFI Movies

• Avatar: Fire and Ash (20th Century Studios)
• Bugonia (Focus Features)
• Frankenstein (Netflix)
• Hamnet (Focus Features)
• Jay Kelly (Netflix)
• Marty Supreme (A24)
• One Battle After Another (Warner Bros.)
• Sinners (Warner Bros.) 
• Train Dreams (Netflix)
• Wicked: For Good  (Universal Pictures)

Frankenstein (2025)

In every way, Frankenstein is the type of story that was written for an artist like Guillermo del Toro to adapt. Mary Shelley's classic isn't everyone's favorite, but pair her words with a visionary director like del Toro, and we have something indefinable, transcendent, and genuinely masterful on our hands. From the cast to every brilliant directorial decision, Frankenstein shines as one of the most breathtaking films of the year.

Avatar: Fire and Ash and Wicked: For Good may be the most colorful movies of 2025, but in every way, Frankenstein is the work of art because of how del Toro uses darkness and gothic elements to create a spectacle on the duality of man and human fragility when it comes to the things we don't understand. It's a profoundly moving movie, perfect for anyone who loved his previous Best Picture winner, The Shape of Water (2017).

Hamnet (2025)

For the longest time, I was convinced that the AFI Top 100 film, Sophie's Choice, was the most devastating narrative centered around a mother and her children. Now I'm convinced that Hamnet is its equal. Adapted from the bestselling novel of the same name by Maggie O'Farrell, the story follows the death of Shakespeare's son Hamnet and the birth of his most renowned tragedy. Chloé Zhao's carefully crafted adaptation is harrowing on all fronts, made even more gut-wrenching by Jessie Buckley's perfect performance (if she doesn't take home every award next year, there's no justice in the world.)

In many ways, 2025 movies are quieter; they're not exactly roaring to life with big narratives. They're contained within a few sets, and none are more astonishing in how they utilize every space the way that Hamnet does. Buckley's performance is the type of tour de force we're going to be talking about for years to come. It's not for the faint of heart, but if you can stomach pain and grief and the art of creativity amid our struggles, then look no further.

Sinners (2025)

Sinners, like Frankenstein, is a tremendous jaw-dropper on all fronts as two films where humans and monsters exist in the same space, and we're meant to sit with our emotions to question where the real atrocity lies. It's significantly darker and bloodier, but with it, Ryan Coogler proves that we need to trust creators to deliver the unique stories they want, no matter how they sound on paper, because it's proof that greatness lies in those eerily integrated metaphors.

As someone who doesn't particularly love vampires, I was blown away by the craftsmanship and performances in Sinners. I was in awe of how Coogler told a story of racism and stereotypes through a lens that also uplifts and honors the role music plays in communities. It's the type of movie people can write dissertations about years from now because the thematic relevances within are vast and immensely significant.

Top 10 AFI TV Shows 

• Adolescence (Netflix)
• Andor (Disney+)
• Death by Lightning (Netflix)
• The Diplomat (2023) (Netflix)
• The Lowdown (FX)
• The Pitt (HBO Max)
• Pluribus (Apple TV)
• Severance (Apple TV)
• The Studio (Apple TV)
• Task (HBO Max)

Andor (2022-2025)

Andor isn't just a show for Star Wars fans, but it's a masterclass in storytelling through analogies that carefully and poignantly reflect matters of the real world that aren't just timely today, but will likely still matter years from now. It's a cautionary tale about oppression and bigotry and the ordinary people who fight through it. Diego Luna delivers one of the most memorable performances in any TV show, adding his name to the list of greats that prove there's profound relevance in the sci-fi genre.

If you've never watched anything in the Star Wars saga, Andor is a great place to start, as a beginning to the end. It's intriguing and thought-provoking, guaranteed to get you aboard an even bigger ride to a galaxy far, far away. Every minor detail, every thoughtful conversation, and every set piece tell a masterful addition that's rich with layers to deconstruct an even bigger revolution.

The Pitt (2025-present)

As a hypochondriac who generally cannot stomach medical shows, The Pitt is a perfect exception, and for that, I'm thankful. So if you're anything like me and can't handle medical shows, trust me on this one: give it a shot. You'll be thankful you did. Though it shares similarities with ER (1994), The Pitt isn't an ordinary medical drama, and it's entirely because of its structure in telling intimate stories that span throughout a single shift. 

It's guaranteed to make you examine medicine in a whole new light. However, more than that, it's the character development that occurs throughout the single day that makes it so extraordinary because it's proof of excellent writing that strikes an effective balance between plot and character. With inimitable performances in every corner, it's the type of series that is carefully and consistently doing something revolutionary in a genre that doesn't often get as much recognition.

Severance (2022-present)

Like Andor, a sci-fi series might not be for every viewer, but Severance should be an example of how it can be universal. Perfect for anyone who also loves the mind-bending plot twists that service the characters as opposed to the plot, it carefully deconstructs matters such as grief and conditioning to unravel what it truly means to be a human being amid harrowing experiences. 

As we dive deeper into unraveling what happens behind the scenes at Lumon, it becomes home to one of the most achingly haunting flashback episodes and plot twists that are guaranteed to keep you up at night. Because of how carefully and thoughtfully it explores intricate topics that aren't easy to crack through, Severance is, in every way, the best drama of the year. Adam Scott also delivers a career-defining performance throughout Season 2, and if you love him in a show like Parks and Recreation (2009), you owe it to yourself to see how much range he's capable of by also watching Severance. 

The 2026 Golden Globes have announced its nominations, and there are some real surprises and snubs in the pack. The goofy global cousins to the Oscars and the Emmys, the Golden Globes are usually a good barometer of the state of the award season race every year. Due to its splintering based on genre, it’s also always a bit of a random chance which films and shows will earn some love from the Governor’s Board.

Some of the biggest award season narratives surrounding One Battle After Another (2025), Sinners (2025), Sentimental Value (2025), and Marty Supreme (2025) all cemented their standing, while other prospective contenders that have suffered from critical drubbings like Christy (2025) fell. However, there are some pretty big surprises and snubs across both the TV and film categories that stand out. Here are the biggest shockers from the 2026 Golden Globe nominations and where you can find them on Paramount+, Netflix, and more.

Surprise: Helen Mirren Gets A Nomination For ‘Mobland’

Helen Mirren’s Golden Globe nomination for Mobland (2025) comes as something of a surprise, given the reception that the show received otherwise. Mobland is a fairly by-the-numbers crime drama, not too dissimilar from other shows like Tulsa King (2022) or The Gentleman (2024). While the cast is strong, Mirren doesn’t particularly stand out compared to co-stars Tom Hardy and Pierce Brosnan.

However, the Golden Globes connected with the performance on some level, going by her nomination for Best Performance by a Female Actor in a Television Series – Drama. While a win wouldn’t be out of the question, it would be a massive surprise given the quality of the competition, including Rhea Seehorn’s frontrunner status for Pluribus (2025) and Keri Russell for The Diplomat (2023).

Snub: ‘Alien: Earth’ Didn’t Take Off

Alien: Earth (2025) is one of the most ambitious shows of the year, building off the legacy of the classic franchise while also charting an exciting (and disturbing) path forward. While the performances were often strong, they also usually took a back seat to the alien designs and massive worldbuilding.

There were some expectations that Alien: Earth would at least earn nominations for Noah Hawley and his team, who took everything that makes Alien (1979) so memorable and refined it for great effect. Alien: Earth didn’t end up with a single Golden Globe nomination, which is a bit of a shocker given the impressive effects and strong critical reviews. Overall, the year wasn’t a big win for sci-fi as a whole, so this lack of a nomination might be a bit of a larger trend. 

Surprise: Glen Powell In ‘Chad Powers’

Glen Powell has been cementing himself as a blockbuster star in recent months, but even that doesn’t make his Chad Powers (2025) nomination any less surprising. The football comedy is a great chance for Powell to showcase his comic chops, with a charming lead performance that helps make the show work.

While the series was popular with viewers, it had a harder time with critics, who were more mixed on the show’s approach. It seems like the Golden Globes sided more with the audience than the critics, with Powell snagging a nomination for Best Lead Actor. In a year that saw Powell’s potential tested with the mixed reception to The Running Man (2025), the nomination is a major victory for the actor and retains his rising popularity.

Snub: No Love For ‘The Lowdown’

The Lowdown (2025) is a blast, a charming and explosive crime caper that gives Ethan Hawke (as well as co-stars Peter Dinklage, Keith David, Kyle MacLachlan, and Jeanne Tripplehorn) a terrific showcase. It’s also earned no nominations at this year’s Golden Globes, which is a real surprise.

The FX series has just the right amount of comedy and darker satirical edges to feel like a natural fit for the ceremony, and the supporting performances (especially the one by Keith David) definitely feel like they deserve some recognition. While other FX shows like The Bear (2022) were able to snag solid nominations, it wasn’t the best year at the Golden Globes for the network. Fans of the show will just have to keep hope alive for a Season 2 announcement.

Surprise: ‘The Smashing Machine’ Gets Two Big Nominations

The Smashing Machine (2025) was initially announced with a lot of award season ambitions. Dwayne Johnson was considered a potential contender for Best Actor, and several people were predicting massive success. However, the film fizzled out, with a historically low box-office return for Johnson and a mixed critical reception.

Johnson and co-star Emily Blunt are keeping the film’s award hopes alive, thanks to a nomination for Best Performance by a Male Actor in a Motion Picture – Drama and Female Actor in a Supporting Role. Blunt, in particular, has a unique challenge in The Smashing Machine, forced to contend with a relative lack of screen time compared to Johnson and a broader characterization in the script. Blunt is as good as ever in the role, though, justifying her seventh nomination.

Snub: No Comedy/Musical Nomination For ‘Wicked: For Good’

Wicked: For Good (2025) had the benefit of following up on the massive success of Wicked (2024), which became a global phenomenon. It’s also not like Wicked: For Good has been shut out, as the film has earned five nominations (Best Performance by a Female Actor in a Motion Picture – Musical or Comedy, Best Performance by a Female Actor in a Supporting Role, two nods for Best Original Song, as well as Cinematic and Box Office Achievement).

However, the film missed out on a nomination for Best Motion Picture - Musical or Comedy. The fact that films like One Battle After Another, which barely fit that category, still earned nominations must sting for musical fans, although the more tepid response it received from critics may have prepared fans for disappointment.

Surprise: ‘No Other Choice’ Snags A Best Comedy Nomination

One of the best films of the year, No Other Choice (2025) has been struggling to stand out in a crowded field. The South Korean dark comedy is a purposefully grim and painfully human watch, with a pitch-black sense of humor that works incredibly well. However, other films like It Was Just an Accident (2025), Sentimental Value, and The Secret Agent (2025) have been overshadowing it in other competitions for non-English language films.

Luckily, the Golden Globes gave No Other Choice some renewed life in the award season race, thanks to a nomination for Best Motion Picture - Musical or Comedy, as well as a nomination for Squid Game (2021) star Lee Byung-Hun for Best Performance by a Male Actor - Musical or Comedy. While actual wins might still be a tall order, No Other Choice has at least kept itself alive in the award season race.

Snub: ‘Stranger Things’ Misses Out On A Nomination

Stranger Things (2016) has been one of the biggest TV shows of the last decade, with the ‘80s-inspired romp growing from a single tightly designed drama into a cultural phenomenon. The first half of Season 5, which debuted over the Thanksgiving holiday, was such a success that it even brought down Netflix’s servers for a time.

While some had been hoping that the final season would connect with award voters, it seems that the Golden Globes weren’t all that focused on Hawkins. The show received zero nominations at the Golden Globes, which comes as something of a surprise given the amount of attention that has been paid to the lead performances. At least fans still have two more episode drops to look forward to. If you’re a sci-fi fan who hasn’t watched the Netflix phenomenon, this is your time to check it out. 

Surprise: Natasha Lyonne Gives ‘Poker Face’ One Last Hope

If you like case-of-the-week mysteries, Poker Face (2023) is a great show, with a one-of-a-kind lead performance by Natasha Lyonne grounding it. The brainchild of Rian Johnson and a companion piece of sorts to his Knives Out films, Poker Face is a classic episodic mystery series that revolves around Charlie Cale, a drifter with the uncanny ability to perceive any and all lies. 

The show is an absolute delight, a modern-day answer to Murder, She Wrote (1984) that flipped the script and subverted expectations. Although Peacock has ended Poker Face after two seasons and Johnson is hard at work pitching it elsewhere, Natasha Lyonne’s nomination for Best Performance by a Female Actor in a Television Series – Musical or Comedy could give it a final victory on the way out.

Snub: Wunmi Mosaku Doesn’t Get A Nomination For ‘Sinners’ 

Sinners (2025) had a very solid run at the Golden Globes, earning seven nominations across multiple categories. However, one person left out of the running was Wunmi Mosaku, who delivered one of the film’s most understated and emotional performances as Annie. Mosaku has been picking up momentum across several award ceremonies, but the Golden Globes didn’t end up giving her the nod for Supporting Performance.

While the competition is stiff this year (and Ariana Grande and Teyana Taylor are expected to be in a two-person race for the award across the board), it’s a shame that the Golden Globes didn’t give Mosaku recognition for a performance that required her to be both an emotional bedrock of the film and the primary exposition dump for vampire lore. Fans of vampire movies or unique horror in general should give Sinners a watch and judge for themselves. 

Generally speaking, it's impossible to please everyone, let alone a whole family, when everyone has different tastes. As much as I want to force everyone to watch While You Were Sleeping (1995), I know that one is better suited for the romance aficionados. So really, it's tough to sit with everyone, especially on Christmas day, but thankfully, there are a few movies that I genuinely and wholeheartedly believe can satisfy most people to some extent, while providing entertainment that delivers the perfect escapism. 

It can also be tough to find content that's streaming, but these five movies can all be found either on Disney+ or Prime Video, and they're very likely the ones that won't warrant a complaint from grandpa or even Tiny Tim. Perfectly appropriate for all ages, with distinct beats in each of them to garner laughter and joy, here are the five best movies to watch on Christmas Day.

The Muppet Christmas Carol (1992)

The Muppet Christmas Carol isn't just the best Christmas movie, but it's truly the most accurate adaptation of Charles Dickens' A Christmas Carol. It's so hilarious that there's no shortage of jokes that are ridiculously easy to quote and laugh about, like "No cheesus for us meecus," "1800? Imagine the grocery bills." "Heat wave! This is my island in the sun." But really, it's a perfect movie, and I don't trust anyone who says they don't love it. Imagine being wrong? Couldn't be me.

In many ways, The Muppet Christmas Carol isn't just a movie—it's a lifestyle, a religion, an experience. It's nostalgic and comforting, but it's full of so much heart that every viewing brings something entirely different. It's the ideal film for all age groups as it delivers something poignant and transcendent with its narrative, but is so distinctly hilarious that it fires on all cylinders. It is, without a doubt, the one holiday movie that everyone owes themselves to watch at least once, if not multiple times.

It's a Wonderful Life (1946)

Christmas is, and will forever be, synonymous with It's a Wonderful Life. No character's journey will ever hit as hard as George Bailey's, and despite some of the mature themes, there's really no movie out there that's more appropriate for all ages—parental guidance needed, but still. It's a classic gem on all fronts and the type of exposure we all need every year to remember that we're on the right path. 

The holidays can be hard and contemplative for most people, but like The Muppet Christmas Carol, we need the wholesome reminder that all we can really do is look out for other people—that's how we make an impact. That's how we ensure that we're on the right path. Selflessness and kindness are the very cornerstones of the holiday, and It's a Wonderful Life perfectly underscores why. It's one of the few movies of all time that legitimately has no flaws and hits every emotional beat with impeccable performances that are part of an even larger legacy.

Home Alone (1990)

Few things scream Christmas the way Home Alone does. Hilarious, charming, and bonkers in all the right ways, it's the one movie even the pickiest people can agree on. The fact that my whole family—with all our varying preferences—adore it and rewatch it yearly should say something. It's nostalgic and cozy, but it's also so well done that even with the newer standards we have today, it still upholds its greatness as a movie that's hilarious but not once unnecessarily offensive.

It's also so ridiculously quotable that it feels imperative to rewatch it every year and find joy throughout. It's certainly appropriate for both kids and adults, resulting in the kind of Christmas joy that we still haven't replicated with any other movie. The honest reflections, the hijinks, the performances, John Williams' "Somewhere in My Memory"—every beat of Home Alone is astounding in how it nails the spirit of Christmas with a warmth that hits hard.

Home Alone 2: Lost in New York (1992)

I'm often torn between which Home Alone is my favorite—the original or the sequel, Home Alone 2: Lost in New York. But really, this one's especially ideal for those of you who live in warmer climates and want to feel some semblance of true Christmas coziness (it’s me, I'm the one who's desperate for colder weather, so I keep running to shows and movies that actually take place in seasonally appropriate places.) But more than that, it's a worthy sequel that still features all the best details from the original in a manner that allows the premise to be organic.

Full of heart, perfect scenery, and double the hijinks from the original, Home Alone 2 is guaranteed to be appealing for the whole family and makes for an excellent double feature. Really, isn't that how we all watch it anyway? I know I do. If you have early '90s nostalgia and want the perfect escape, no other movie will provide it in spades.

How the Grinch Stole Christmas (2000)

If the romance fans in your family really want to watch Frankenstein (2025) instead, propose How the Grinch Stole Christmas as a holiday alternative that also features distinct relationship vibes between a mortal and a creature. Trust me on this one. How the Grinch Stole Christmas has everything, and it's singlehandedly the best Dr. Seuss adaptation to date, with the type of production level that we simply don't get enough of these days.

It's bound to provide entertainment and a thorough warmth as a lesson on acceptance. It's transparent and heartfelt on so many levels, but it's also festive and wildly hilarious, bound to make you find something new to laugh at even if you've already seen it before. Delivering on all fronts, it's also the year's most popular movie, proving that 20 years later, everything about it still holds up.

In the wide world of American cartoons, there’s no larger name than SpongeBob SquarePants (1999-Present). For over a quarter of a century, SpongeBob has delighted kids and adults, whether it be through silly jokes, gross-out humor, or clever adult jokes. Most kids can easily identify the voices of Tom Kenny, Bill Fagerbakke, and Clancy Browne as SpongeBob, Patrick, and Mr. Krabs, respectively. Still, in several SpongeBob SquarePants movies, you may hear or see celebrities that you probably weren’t expecting.

Some celebrities decide to appear in SpongeBob SquarePants to delight their kids. Some do it for a paycheck. Regardless of the reasons why, nobody was really expecting these six celebrities to appear in a SpongeBob SquarePants movie. The upcoming The SpongBob SquarePants Movie: The Search For SquarePants (2025) will most likely contain a treasure trove of weird and delightful celebrity cameos, so let’s take a look at some of the most unexpected celebrities to appear in a SpongeBob movie. All of these films can either be found on Paramount+ or Netflix, so head over there if you want to see some bizarrely iconic cameos.

David Hasselhoff - The SpongeBob SquarePants Movie (2004)

Arguably, the most iconic cameo in all of the franchise would be the moment when the legendary David Hasselhoff, star of Knight Rider (1982-1986) and Baywatch (1989-2001), came running across the screen to save SpongeBob and Patrick from dehydration.

Hasselhoff’s kids loved the series, so when he was offered the opportunity to play a more exaggerated version of his character from Baywatch, he jumped at the opportunity. His appearance was an instant hit with adults and kids alike. Kids loved watching this ridiculous man swim like a speedboat across the water, while adults got a kick out of seeing the most-watched man on TV act as a cartoony caricature of himself. To this day, Hasselhoff’s appearance in The SpongeBob SquarePants Movie has made him a memorable part of the franchise, to the point where he has cameoed in later SpongeBob projects, including the recent video game SpongeBob SquarePants: Titans of the Tide.

Scarlett Johansson - The SpongeBob SquarePants Movie (2004)

Nowadays, most people know who Scarlett Johansson is. Between her tenure in the MCU as Black Widow, her award-winning performances in Marriage Story (2019), and her recent box office behemoth Jurassic World Rebirth (2025), she needs no introduction.

Back in 2004, that was hardly the case. While she gained prominence the year before thanks to Lost In Translation (2003), Scarlett Johansson was relatively unknown, especially in the realm of voice acting. Nevertheless, she voiced King Neptune’s daughter, Princess Mindy, in The SpongeBob SquarePants Movie, who helped SpongeBob and Patrick on their quest to retrieve her father’s crown. Her cameo is still a surprising reveal to longtime fans, since she was rarely featured in the marketing in the lead-up to the film’s release, and in part because of how she quickly catapulted into the realm of Hollywood A-Lister in the decades that followed. But looking back, this helped introduce her to a mainstream audience and would only be another step in her meteoric rise to stardom.

Alec Baldwin - The SpongeBob SquarePants Movie (2004)

Rounding out our trio of notable celebrity cameos in The SpongeBob SquarePants Movie would be the man who played Dennis, the imposing and dangerous bounty hunter sent to hunt down SpongeBob and Patrick, portrayed by Alec Baldwin.

While Baldwin’s star has dimmed significantly since the release of the film, and mostly in part due to the controversy surrounding the filming of Rust (2024), he’s nevertheless a well-known name within the world of cinema. While he’s mostly known for his sardonic wit, seeing him play an intimidating bounty hunter actually manages to work pretty well, channeling a performance that takes some cues from Slade from Teen Titans (2003-2007). It’s unexpected to see such an A-list actor play this relatively silent menace, but leave it to Alec Baldwin to get the most out of what should be a simple villain.

Keanu Reeves - The SpongeBob Movie: Sponge on the Run (2020)

For most of the 2010s, Keanu Reeves was seen as the perennial Hollywood badass. Thanks to the popularity of John Wick (2014), as well as a breathtaking performance in the video game Cyberpunk 2077, Keanu Reeves was all the rage. So much so that his cameo in The SpongeBob Movie: Sponge on the Run seemed inevitable. 

In it, Keanu Reeves plays a spirit inhabiting a tumbleweed who was meant to guide SpongeBob and Patrick on their journey to rescue Gary. He pops up intermittently to offer courage, positive reinforcement, and the kind of platitudes that you would expect from mentors like Splinter in Teenage Mutant Ninja Turtles (1987-1996). However, there’s no getting around the fact that just seeing Keanu Reeves’ face inside a tumbleweed is bizarre. Apparently, the role was conceived solely for Reeves, so the uncanny appearance is intentional and part of the joke. It certainly does leave an impact and is probably the most memorable thing about the film, making it just as surprising as Hasselhoff’s role in The SpongeBob SquarePants Movie.

Johnny Knoxville - Saving Bikini Bottom: The Sandy Cheeks Movie (2024)

While there have only been four theatrically released SpongeBob SquarePants movies, there have been a few direct-to-streaming feature films that have their own odd and unexpected celebrity cameos. Probably the most unexpected one would have to be Johnny Knoxville appearing as Sandy’s brother Randy in Saving Bikini Bottom: The Sandy Cheeks Movie.

While this isn’t Knoxville’s first appearance in the franchise, his role as Randy will definitely be nostalgic to those who remember watching Knoxville on Jackass (2000-2001). Randy works at a rodeo and dresses like an Evel Knievel knock-off, and he, alongside the rest of Sandy’s family, helps Sandy and SpongeBob save Bikini Bottom. Even for the little time he’s present in this 82-minute movie, Knoxville shows that he’s grown and matured since his younger days. He’s less obnoxious, and seeing his character lean into what made Knoxville such a fun presence in his early years lets you appreciate Knoxville’s appearance all the more. 

Ice Spice - The SpongeBob Movie: The Search For SquarePants (2025)

It’s not uncommon for animated movies to get a tie-in pop song from a popular artist. Plenty of films have done it, yet seeing Ice Spice not only produce the lead single for The SpongeBob Movie: The Search For SquarePants, the infectiously catchy “Big Guy,” and appear as a character is pretty unexpected.

If you’re a fan of her music, though, that shouldn’t be too big of a shock. After all, one of her first singles was titled “Bikini Bottom,” and she talks about how she grew up watching the series. Say what you will about her talent as an artist, but seeing a younger celebrity cameo in a franchise like SpongeBob SquarePants makes perfect sense. Ice Spice herself has also been dipping her toes into acting this year as well, with her recently cameoing in Spike Lee’s Highest 2 Lowest (2025). Thanks to Nickelodeon’s marketing machine, it’s impossible to separate Ice Spice from The Search For SquarePants, and even if she’s only in the movie as much as Johnny Knoxville was in Saving Bikini Bottom: The Sandy Cheeks Movie, that’ll probably be the case for years to come. 

Leonardo DiCaprio has reached that comical level of stardom where even his early roles now feel like sacred artifacts. 

He started out in roles that required him to be bright-eyed and sincere (The Boy’s Life, What’s Eating Gilbert Grape), then slid into romantic heartthrob territory (Titanic, Romeo + Juliet), and then spent the next two decades (wow!) proving he could play morally dubious men who really should’ve considered therapy. Fast forward to today, and we’ve arrived at his latest film One Battle After Another, where Leo is still choosing characters who seem like they’re allergic to being stable. But this is what makes his work fun: Leo’s got range, and he doesn’t shy away from showing it. 

With that being said, let’s take a stroll through Leo’s emotional multiverse—the tender, the tragic, and the unhinged—because if there’s one thing Leo is good at, it’s giving an unforgettable performance. Here are 10 of his movies, ranked, and where you can watch them on Netflix, Prime Video, and HBO Max, amongst others.

10. Romeo + Juliet (1996)

Let it be known that I actually love this movie, but when compared to Leo’s later work, it’s slightly inconsistent in tone and doesn’t really showcase Leo’s strengths. If you’re a fan of modern Shakespeare adaptations, like 10 Things I Hate About You, then Romeo + Juliet is a ‘90s maximalistic treat. The most watchable part of the movie, even through the frenzied energy, has to be Leo’s earnest teenage sincerity, and his chemistry with Clare Danes which feels volatile and pure at the same time. He delivers Shakespeare’s language with clarity (and we know that if it’s not done correctly, it could sound stiff.) Few actors have survived being heartthrob-level famous at 22 and lived to tell the tale, but Leo’s Romeo cemented him as a romantic lead, long before Titanic made that official. Where The Great Gatsby is more of a refined romantic tragedy, Romeo + Juliet is more impulsive, but Leo’s longing in both stays the same.

9. The Revenant (2015) 

Ninth place may seem low for Leo’s Oscar-winning performance, but hear me out! The movie is more about endurance, and the elements sometimes overshadow the acting, making The Revenant not a movie you’d casually put on on a Friday night to relax. The gorgeous cinematography does make up for the lack of dialogue, and Leo fully throws himself into the role—it’s two and a half hours of him crawling, freezing, and screaming—but the emotional arc is thinner compared to his work in The Departed. If grueling, man vs nature survival stories like Apocalypto appeal to you, then The Revenant is worth watching. The movie is brutal and intense (to put it lightly), so needless to say, this movie isn’t for kids. Leo absolutely deserved the win, I mean he ate a raw bison liver (for real!); but let’s be honest, the bear deserved a nomination too. 

8. The Great Gatsby (2013)

If you’re someone who loves watching movies with style, aesthetic party sequences, and characters who express their feelings through longing glances, then Baz Luhrmann’s The Great Gatsby is tailor-made for you. Though—and I say this with affection—Luhrmann’s maximalist style sometimes overwhelms the emotional core, Leo’s performance of the charming, yet vulnerable Jay Gatsby, along with sheer spectacle of visuals turns the watchability factor up a notch (or ten!) Compared to Romeo + Juliet, which is another “beautiful disaster” creation by Luhrmann, Gatsby is more controlled, but no less dramatic. No one has ever said “old sport” with more conviction, and that definitely counts for something in my book. If lavish tragic romance is your thing, then the similarly beautiful and similarly tragic Anna Karenina should be your next stop.

7. Revolutionary Road (2008)

If you like watching marital dramas that aren’t afraid to peel off romantic illusions, then you’ve found the right movie. Revolutionary Road reunites Leo with his Titanic co-star Kate Winslet to play Frank Wheeler, a man quietly drowning in the expectations of suburban adulthood. But let’s be clear, Revolutionary Road is not a relaxing watch (in fact, his arguments with Kate in the movie feel so real you almost want to hide behind a pillow.) Leo’s chemistry with Kate is electric yet again, but in a completely different way than in Titanic; here it’s painful and heavy, so if you’re looking for a more breezier watch, then Catch Me If You Can might be a better choice. Leo gives his most emotionally mature and nuanced performance, where he drops the charm and swagger, and isn’t afraid to get real. He leans into fear, selfishness, and fragility without trying to make the character likeable. If you want another emotionally devastating marriage story, then Blue Valentine should be your next watch.

6. Titanic (1997)

Here’s another one for the romantics, historians, and Leo-Kate fans! Titanic is the blockbuster film that made Leo into a global household name. What makes the movie watchable even decades later, is how sincerely Leo plays Jack Dawson (and how good he looks in suspenders), even though it might not be his most nuanced performance. He radiates sweetness and warmth in a way that’s almost shocking if you’re used to his later work, where his characters look like they haven’t had a good day in months. Yes, the movie does veer slightly into melodrama territory at times, but Leo grounds it. Jack Dawson is almost like a fantasy; he’s simple, optimistic, and absolutely willing to die for a girl he met 48 hours ago (which, you know, youth). Titanic is the sunlit, nautical counterpart to the doom-filled romance in Romeo + Juliet, but if that’s the vibe you like, then Atonement should be next on your list. If there’s one thing that’ll outlive us all, it’s the door debate (even though we all know buoyancy physics is not what the movie is about.) 

5. The Departed (2006)

Titanic showcased a version of Leo we don’t get to see often anymore—he’s youthful and glowing like someone who hasn’t yet discovered that Martin Scorsese will eventually put him through psychological warfare for sport. This brings us to The Departed, which lies smack in the middle of the list. While it’s an excellent film (there were moments in the film, cough the elevator scene cough, which genuinely took me by surprise), Leo’s performance shares the spotlight rather than owning it, due to the ensemble format; however, he still gives an adrenaline fueled performance as Billy Costigan, a role he plays so convincingly that you want to reach through the screen and tell him it’s all going to be okay (especially during his meltdown at the psychiatrist.) If you enjoy crime dramas and undercover stories like Donnie Brasco, then The Departed offers the same flavor. My only (tiny) critique would be that the film’s pacing can feel a bit uneven, especially when compared to the precision of Inception, still Leo’s emotional unraveling makes it gripping.  

4. Catch Me If You Can (2002)

Want a movie that’s effortlessly rewatchable? Then, you’ve stumbled upon gold, because Catch Me If You Can is one of Leo's most playful entries in his filmography. This one’s recommended for the viewers who love watching morally slippery characters undertaking stylish capers with emotional undertones. Leo plays Frank Abagnale Jr. with youthful charm and mischief, running circles around adults using nothing but confidence (and cheekbones!), and it’s so refreshing to watch him play a character who isn’t drenched in trauma. Oh also, Leo and Tom Hanks in a weirdly endearing cat-and-mouse dynamic? Sign us up! The movie is a breezy watch, compared to the gloom of Shutter Island or high-anxiety of The Departed, and that fun shows in Leo’s performance, where you end up rooting for him, even though you know you shouldn’t be because technically, it’s a crime story. If movies with the same slick energy, charm, and lovable criminals hits the spot for you, try Ocean’s Eleven, though this one has more ensemble antics, and lesser childhood wounds. 

3. Inception (2010)

In third place is Inception because it proves Leo can anchor a brain-twisting blockbuster without melting into the spectacle. Sleek and ambitious (and sometimes confusing, I’ll admit), Leo plays Dom Cobb, a man weighed down by a memory; he’s guilty, determined, and grieving, not in the explosive way he was in The Departed, but in a more controlled, stoic-with-depth way. At times a bit too polished, Inception manages to be a puzzle, a therapy session, and an existential crisis, all disguised as an action movie with the ability to deliver a “wow, I am both moved and mind blown” effect. Though some fans found the planning and explanation scenes a bit unnecessary, I personally thought it was one of the best parts of the movie. Watching the team brainstorm and break things down, gave me the feeling of excitement that one gets when they’ve successfully solved a complex problem. Inception is for anyone who loves sci-fi movies with a blend of spectacle and emotions, similar to Arrival. Also, the ‘spinning top’ discourse is more interesting than half of the modern film breakdowns on social media. 

2. The Wolf of Wall Street (2013)

Leo and Scorsese have done it again. The Wolf of Wall Street is simply Leo at his most unleashed, and it’s glorious. Leo commits, and I mean commits, to his role as Jordan Belfort. The quaalude crawl? Wonderful. The Swiss Bank scene where dialogues were delivered without their mouths moving? Chef’s kiss. Tonally, it’s fast-paced, just like Catch Me If You Can, and where Shutter Island is him simmering until he boils over, Leo in Wolf is 200% unhinged. Sure, the movie is loud, excessive, and three hours long, but with Leo refusing to be subtle and disappear into the background for even a second (except for when Matthew McConaughey out-performed him in that one scene), it’s definitely worth the watch. With explicit language and graphic scenes, the movie isn’t suitable for kids, but for anyone who loves high-energy films, and wants something wild but not depressing, like American Hustle, The Wolf of Wall Street is your crown jewel, where it feels like someone poured Red Bull directly onto the script (in a good way!)

1. Shutter Island (2010)

Number one for me, with no hesitation is Shutter Island. The fourth Leo-Scorsese collaboration brings Leo’s incredible ability to turn dread and the quiet horrors people hide from themselves into art, to the forefront. Shutter Island is the kind of movie you’d recommend to a friend who wants to watch something where the tension builds slowly, but isn’t gory, and who loves films that mess with their brains in the best possible way. Leo truly imbibes his character, and plays Teddy Daniels with raw vulnerability and spiraling paranoia, unlike in Inception (which also plays with themes of memory and reality) where his unraveling is more restrained. What makes the movie watchable isn’t just the twist (which itself hits you like a tonne of bricks), but it’s the film’s unique ability to be layered, where a dozen new details reveal themselves only on rewatches. If you enjoy this brand of psychological storytelling, Prisoners delivers a similarly tense, emotional punch. Shutter Island might be Leo’s best, most underrated performance (as evidenced by his last line in the movie, if you know, you know. What a masterpiece!)

There are so many streaming services out there, each with their own vast libraries of movies and TV shows ranging from recent releases to classics to wholly original content. That can make it difficult, overwhelming even, to pick what to watch.

That’s where our list of the top five movies and the top five TV shows viewers have been streaming comes in handy. Since we’re right in the middle of the holiday season, this week’s list is a mix of new releases and beloved Christmastime classics. Check out the list below to find out where you can watch the biggest movies and TV shows this week, available on HBO Max, Netflix, Peacock, and more.

5. It’s a Wonderful Life (1946)

It’s a Wonderful Life has been a Christmas tradition for many families for decades now, so it’s no surprise that the film has earned a spot on this week’s list. The film follows George Bailey (Jimmy Stewart), who is convinced to keep living by his guardian angel Clarence (Henry Travers) after being shown the positive impact he’s had on those around him and how different the world would look without him. 

George Bailey’s story shows how much each individual matters, making it a powerful reminder worth revisiting annually. So it might be a surprise to learn that It’s a Wonderful Life initially received mixed reviews and was considered a financial flop, not earning its status as a Christmas classic until it began airing on TV during the holidays in the 1970s. Nearly 80 years later, though, It’s a Wonderful Life has more than earned its place as a timeless classic with an inspiring and universal message we can carry with us year-round.

4. Die Hard (1988)

Similar to It’s a Wonderful Life, Die Hard is a key part of this season for many people, though its status as a Christmas movie is famously disputed. At the very least, the iconic Bruce Willis-led action flick is a good alternative for those bored by sappy Christmas movies.

Die Hard follows everyman detective John McClane (Willis), whose attempt to reconnect with his estranged wife on Christmas Eve puts him in the center of a terrorist plot led by the ruthless Hans Gruber, played menacingly by Alan Rickman in his film debut. With his wife held hostage in her office building, John McClane takes it upon himself to defeat the terrorists and save the day. Regardless of where you stand on the “Is Die Hard a Christmas movie?” debate, the movie’s status as one of the most influential action movies and a perennial classic is indisputable.

3. Bugonia (2025)

The only new release to join the list this week is Bugonia, an Emma Stone-led black comedy that was released in theaters earlier this year and is now available to stream on Peacock. A remake of the South Korean film Save the Green Planet! (2003), it follows two young men, played by Jesse Plemons and Aidan Delbis, who kidnap the CEO of a major pharmaceutical company (Stone), believing she is an alien sent to destroy the Earth.

Bugonia is a pretty grim movie that feels prescient amid the rise and spread of conspiracy theories in the age of social media, but it does so with plenty of wit and impressive performances from Stone and Plemons. It’s not for the faint of heart or anyone looking for escapism, but Bugonia’s message about the environment and humanity’s impact on it is incredibly relevant.

2. Elf (2003)

Christmas classic Elf has been high on the list since Thanksgiving, and it’s jumped to number two this week. The film stars Will Ferrell as Buddy the Elf, a human raised at the North Pole by Papa Elf (Bob Newhart). When Buddy learns the truth about where he came from, he sets out on a journey to meet his biological father, played by James Caan, in New York City. But instead of letting the cynicism of his father and other jaded New Yorkers get to him, Buddy spreads Christmas cheer wherever he goes, teaching children and adults alike to believe in Santa and holiday magic again.

Hilarious and heartwarming, Elf is one of those rare movies that instantly becomes a holiday classic. In fact, I’m not sure I’ve gone a December without watching it since the first time I saw it in theaters! If it’s not a perfect Christmas movie, it’s pretty darn close, making it ideal for anyone looking for a film that’ll have the whole family laughing.

1. One Battle After Another (2025)

On top for a second week is One Battle After Another, a dark comedy and action thriller that’s been one of this year’s Oscar frontrunners since it was released in theaters back in September. Directed by Paul Thomas Anderson, who’s known for films like There Will Be Blood (2007) and Phantom Thread (2017), it stars Leonardo DiCaprio as Bob, a former revolutionary who is dragged back into danger when the corrupt Colonel Lockjaw (Sean Penn) goes after his teenage daughter Willa (Chase Infiniti).

Gripping, timely, and surprisingly funny, One Battle After Another is widely considered one of the best movies of 2025, topping a variety of year-end lists. The movie is both an epic about resistance in the face of evil and injustice and a touching story about a father-daughter relationship. It may not look as good at home as it does on a big IMAX screen, but regardless, One Battle After Another is a must-watch for anyone who wants to be part of this year’s award season conversations.

5. Heated Rivalry (2025-Present)

Romance series Heated Rivalry remains in fifth place for a third week in a row. The romance series follows two gay hockey players who try to maintain a years-long secret relationship while appearing to be feuding adversaries. Based on a series of novels by Rachel Reid, the show deals with the challenges queer athletes face, especially in a sport like hockey that emphasizes traditional masculinity.

If you like forbidden romance stories, particularly those with LGBTQ+ characters, you’ll love Heated Rivalry. An appreciation for sports will help, but even if you don’t know the hockey world, the show makes the sport pretty approachable. Leads Shane (Hudson Williams) and Ilya (Connor Storrie) have great chemistry that will keep you rooting for them to be together, and while the amount of sex scenes may dissuade some viewers, they are not gratuitous, instead helping move the story forward.  

4. Landman (2024-Present)

Neo-Western drama Landman kicked off its second season on Paramount+ in mid-November and remains on the list at fourth place for a second consecutive week. Created by Taylor Sheridan of Yellowstone (2018) fame, along with Christian Wallace, the show stars Billy Bob Thornton as a middleman for an oil company whose job is to go between those working on the rigs and the wealthy executives at the top. This season, Sam Elliott, a staple of Westerns who starred in Yellowstone prequel 1883 (2021), has joined the cast as Tommy’s father, T. L. Norris.

If you’re a fan of Sheridan’s other work, you’ll probably enjoy Landman, too. Though set in the modern day, the series maintains that Western feel and contains the kind of soap opera-adjacent drama that kept fans watching Yellowstone. However, the series’ romanticization of the oil industry and treatment of female characters may rub you the wrong way.

3. Stranger Things (2016-2025)

Stranger Things is back in the top five after releasing the next three chapters of its highly anticipated final season on Christmas Day. The sci-fi horror series—which will conclude with a feature-length series finale that releases on New Year’s Eve—centers on the residents of Hawkins, Indiana, a fictional small town that becomes the site of paranormal and supernatural activity after scientists accidentally open a rift to the Upside Down.

This season, the group is out to finally kill Vecna, the ruler of the Upside Down and cause of all the chaos in Hawkins. So far, the season is delivering all the tension and emotional character moments fans expect, though the fact that the young cast has clearly aged out of their characters, who are only supposed to be four years older than they were in Season 1, may be immersion-breaking for some. Regardless, Stranger Things is all about coming-of-age. A big part of that is learning to say goodbye, and so far, Season 5 is setting up a fitting end to this legendary show. 

2. Fallout (2024-Present)

Fallout remains in second place this week as Season 2 continues to release on Prime Video. Based on the long-running video game franchise, the series is set in a retrofuturistic society over two centuries after nuclear war sent human survivors into Vaults, secure bunkers created by the corrupt megacorporation Vault-Tec. It follows Lucy MacLean (Ella Purnell), who leaves Vault 33 to explore the dangerous Wasteland of what once was Los Angeles in search of her kidnapped father. Along the way, she’s joined by Maximus (Aaron Moten) and The Ghoul (Walter Goggins), who have their own dangerous paths to walk.

This season, after learning some painful truths about Vault-Tec and her father, Lucy and company’s journey will take them to New Vegas, a place fans of the games will recognize. But even if you aren’t familiar with Bethesda Softworks’ iconic franchise, Fallout stands on its own just like The Last of Us (2023) and Arcane (2021). Sure, knowing the franchise’s extensive history and lore may allow you to catch deep-cut references, but Fallout is a great choice for anyone who enjoys post-apocalyptic dramas.

1. Pluribus (2025-Present)

Breaking Bad (2008) creator Vince Gilligan’s sci-fi thriller Pluribus remains at number one following its Season 1 finale. The show stars Rhea Seehorn, known for her work as Kim Wexler in Better Call Saul (2015), as Carol Sturka, a jaded author who is one of just a handful of people on Earth left unaffected by an extraterrestrial virus that turns the rest of humanity into a terrifyingly happy hive mind.

If you like shows where there are no easy answers and plenty of shocking twists, you need to watch Pluribus. Each episode adds to the mystery while providing few answers to Carol’s philosophical and ethical conundrum, but in a way that is intriguing rather than frustrating. With a premise that sounds like an episode of The Twilight Zone (1959), Pluribus looks to be essential viewing for anyone interested in thoughtful sci-fi that asks viewers to really think about humanity. 

As we approach the holidays and the end of 2025, let’s not forget about the wildly underrated month of November. As it gets colder and closer to winter, odds are, you’re going to be watching more movies and TV shows to pass the time, and there is certainly no shortage of options to pick from. This month’s top fives are heavy on horror and thrillers, including holdovers from October’s spooky season, but there are some lighter films, too, ones the whole family can enjoy.

Here are the top five movies and TV shows streamed in November 2025, as well as what to know about them and where you can find them on Netflix, HBO Max, and more.

5. The Fantastic Four: First Steps (2025)

The Fantastic Four: First Steps came to Disney+ in November, allowing fans to stream the iconic team’s MCU debut. Set in a 1960s-inspired, retro-futuristic world separate from the main MCU timeline, the movie sees the quartet take on their greatest challenge yet: welcoming a new member.

While Reed Richards/Mister Fantastic (Pedro Pascal) and Sue Storm/Invisible Woman (Vanessa Kirby) prepare to welcome their first child, the team must confront a powerful cosmic entity that threatens the entire planet and tests their family ties. Joined by Joseph Quinn and Ebon Moss-Bachrach as Johnny Storm/Human Torch and Ben Grimm/The Thing, respectively, The Fantastic Four: First Steps is a joyful celebration that honors the Marvel comics and reminds us that nothing is more powerful than family.

4. A House of Dynamite (2025)

One of two movies from October’s top five to make the November streaming list is the political thriller A House of Dynamite, available on Netflix. The latest film from Oscar-winning director Kathryn Bigelow depicts the United States government responding to a nuclear missile launch, telling a tense story of potential armageddon from three distinct perspectives.

A House of Dynamite’s continued place on this list can be attributed to the online discourse that has surrounded the movie since its release, particularly in regard to its controversial ending and overall structure. While some critics and audiences found the film repetitive and unfulfilling, others say it’s riveting and sobering considering its connection to contemporary geopolitics. Regardless of how you feel about it, A House of Dynamite is one of those rare films that gets everyone talking like film critics, and that’s an achievement in itself.

3. Weapons (2025) 

Speaking of movies that have everyone talking, Weapons is the other returning entry from last month’s top five. The horror movie tells the story of a small town searching for answers after 17 children from the same third-grade class mysteriously run away from home at the same time. 

Dark and twisted like an old school fairy tale, Weapons has a lot to say about how we address, or fail to actually address, problems that endanger children. Of course, horror movies that center around kids aren’t for everyone, but if you can handle the dark content and enjoy movies like Pulp Fiction (1994) with non-linear storytelling, watch Weapons.

2. Wicked (2024) 

The only film on the November list not to have released this year is Wicked, which has shot back up the streaming charts thanks to its sequel, Wicked: For Good (2025), which came to theaters in late November. Based on the Gregory Maguire novel and its Broadway musical adaptation, it tells the story of the young women who go on to become the Wicked Witch of the West and the Good Witch in The Wizard of Oz (1939).

Cynthia Erivo and Ariana Grande shine as Elphaba and Galinda, with Wicked’s clever and catchy songs serving as perfect showcases for their powerhouse vocals and impressive acting chops. Their duo’s journey from loathing to loving each other is beautiful and charming, no matter how many times you watch it play out, and for those who have already seen For Good, your next viewing of Wicked will certainly hit different.

1. Frankenstein (2025)

Guillermo del Toro’s Frankenstein came to Netflix in November after a limited theatrical run the previous month and has remained high on the streaming charts ever since. Starring Oscar Issac as Victor Frankenstein and Jacob Elordi as the Creature he creates, the film is a more faithful adaptation of Mary Shelley’s iconic novel than most, though it does take some creative liberties. Among them is fleshing out Elizabeth (Mia Goth), the story’s most prominent female character, and changing her relationship with Victor.

Most notable, though, is the way this iteration of Frankenstein humanizes the Creature. Elordi gives a phenomenal performance, balancing the character’s superhuman strength and childlike innocence in a role with few lines. If you enjoy gothic movies that focus on atmosphere and character over horror, such as del Toro’s own Crimson Peak (2015), consider this a must-watch.

5. Down Cemetery Road (2025-Present)

Apple TV’s Down Cemetery Road premiered in late October and has been airing new episodes on Wednesdays since, with its finale coming on December 10. Based on a novel by Mick Herron, who also wrote the book Slow Horses (2022) is based on, the British series tells the story of a woman (Ruth Wilson) who hires an investigator (Emma Thompson) to investigate a child’s disappearance.

The show sets up an intriguing conspiracy for the duo to unravel, though you may agree or disagree that Wilson and Thompson’s performances make up for any flaws in writing and tone. Down Cemetery Road is a must-watch for Slow Horses fans, as well as anyone else who enjoys twisty British mystery series like Broadchurch (2013) and Sherlock (2010).

4. All Her Fault (2025)

Another new thriller that people were watching in November was Peacock’s All Her Fault, starring Sarah Snook of Succession (2018) fame. Snook plays Melissa, a mother whose life and marriage fall apart when her son disappears after a playdate. She’s joined by Jenny (Dakota Fanning), a fellow mom who becomes Melissa’s unlikely ally.

All Her Fault is filled with nail-biting tension and shocking turns that’ll have you binging it in one sitting. Though it suffers from some illogical plot twists, the series makes up for that with excellent performances, tight plotting, and a compelling premise that evokes every parent’s worst nightmares. 

3. Landman (2024-Present)

The latest show by Yellowstone (2018) creator Taylor Sheridan, Landman is back for a second season, which premiered on Paramount+ on November 16. It stars Billy Bob Thornton as a middleman for an oil company whose job is to go between those working on the rigs and the wealthy executives at the top. Joining the show for Season 2 is Sam Elliott, a staple of westerns who starred in Yellowstone prequel 1883 (2021), who plays Tommy’s father, T. L. Norris.

If you’re a fan of Sheridan’s other work, you’ll probably enjoy Landman, too. Though set in the modern day, the series maintains that western feel and contains the kind of soap opera-adjacent drama that kept fans watching Yellowstone. However, the series’ romanticization of the oil industry and treatment of female characters may rub you the wrong way.

2. It: Welcome To Derry (2025-Present)

It: Welcome To Derry premiered on HBO right around Halloween, and it continues to air new episodes every Sunday. The show serves as a prequel to It (2017) and dives into the origins of Pennywise (Bill Skarsgård) with a planned three seasons set in 1962, 1935, and 1908. Working backward, this season takes place in 1962, the last time the Dancing Clown terrorized Derry, Maine, before the modern film adaptation.

Welcome To Derry is a gory and terrifying addition to the It franchise, tailor-made for anyone interested in Derry and Pennywise lore. The show doesn’t hold back on the blood or the frights, delivering terrifying moments that’ll delight It fans and deter the faint of heart. 

1. Pluribus (2025-Present)

Sci-fi thriller Pluribus has been high on the streaming charts since it premiered in early November, with each new episode raising more questions about the strange new world Carol Sturka (Rhea Seehorn) finds herself in. Carol is one of just a handful of free-thinking humans who remain after an extraterrestrial virus turns billions into a terrifyingly affable hivemind that seeks to assimilate the rest.

The new show from Breaking Bad (2008) and Better Call Saul (2015) creator Vince Gilligan presents a compelling mystery and dives into the philosophical and ethical questions Carol’s situation presents. If you’re a fan of The Twilight Zone (1959) and shows that leave you with lots of deep thoughts to ponder, consider Pluribus essential viewing. 

The Star Wars franchise enjoys one of the biggest and most diverse fandoms. Given that the original trilogy premiered in 1977, while the sequel trilogy concluded in 2019, it’s quite the multi-generational fandom. At times, it can also be quite intense. You almost question if you’re a real fan if you don’t harbor a burning hatred for any of the movies or one particular trilogy in the franchise.

Hence, when celebrities, whether part of the Star Wars universe or not, start offering their hot takes on the franchise, things get pretty interesting. Use our guide to find five celebrity Star Wars hot takes that divided fans.

Ed Sheeran’s ‘The Phantom Menace’ Take

Star Wars: Episode I - The Phantom Menace is one of the most divisive Star Wars movies. It kicked off the prequel trilogy in 1999, years after the original trilogy’s smash hit success. A little cheesier and clunkier in its dialogue, the film was panned by many critics and fans. Although fans have re-evaluated it in a slightly better light in recent years, it still isn’t most fans’ favourite Star Wars movie, unless you’re Ed Sheeran.

Sheeran unapologetically named The Phantom Menace his favorite Star Wars movie because it was his introduction to the franchise. Sheeran told JustWatch, “And you can’t take that feeling that I had as a kid watching them.” For younger generations, The Phantom Menace was their Star Wars movie, which explains why many have a more sympathetic view of it and are more likely to enjoy the whole prequel trilogy.

Mark Hamill’s ‘The Last Jedi’ Take

Mark Hamill, who portrays Luke Skywalker in Star Wars: Episode VII - The Last Jedi (2017) and beyond, stirred controversy by criticizing his character’s arc. He admitted to telling director Rian Johnson that he “disagreed with every choice” he made for Skywalker, especially because he felt Skywalker would “double down” in the face of trial, rather than becoming a self-exiled hermit (Vanity Fairy).

Hamill later clarified that his comments were nothing more than mere creative differences and that he still enjoyed the movie overall, challenging fans and the media’s exaggerated claims that he disliked Johnson or hated Star Wars: The Last Jedi. Skywalker’s characterization in the film has sparked debate. However, fans unanimously agree that Hamill’s performance is a highlight of the film, and his character arc added another layer of complexity to Skywalker. If you love strong sequel movies, like Dune: Part Two (2024) and Blade Runner 2049 (2017), you’ll love Star Wars: The Last Jedi.

David Corenswet’s ‘Star Wars’ Watch Order Take

How to watch the Star Wars movies in order is one of the hottest debated topics in the fandom. Hence, viewers took note when Superman (2025) star David Corenswet offered his watch order on Brittany Broski’s Royal Court. He suggests watching the movies in the order, “4-5-1-2-3-6.” The idea is that you watch Star Wars: Episode VI – Return of the Jedi (1983) last to maintain the big reveal that Darth Vader (James Earl Jones) is Skywalker’s father. Of course, given that the big reveal is kind of old news to most of us, centering a watch order around it is a bit wild.

Most agree that watching in the original release order is the best way to enjoy Star Wars. However, if you’re one of the fans who believe Return of the Jedi is the best Star Wars movie due to its epic finale and featuring some of the most iconic moments of the franchise, perhaps saving the best for last isn’t a bad idea.

Alec Guinness’s ‘A New Hope’ Take

Alec Guinness was the first actor to bring Obi-Wan Kenobi to life in Star Wars: Episode IV – A New Hope (1977). Although he reprised his role for The Empire Strikes Back (1980) and Return of the Jedi, he made his distaste for Star Wars quite clear. He described A New Hope as “fairy-tale rubbish,” and called the dialogue “excruciating,” although he praised the spectacle of it (Business Insider). A New Hope is as iconic as Dune (2021) or The Lord of the Rings: The Fellowship of the Ring (2001) for kick-starting an epic film franchise, making Guinness’s criticism quite surprising.

Guinness’s alleged “hatred” of Star Wars has made the rounds throughout the fandom, though it isn’t as controversial a take as it sounds. When he agreed to do Star Wars, he was an established actor with three Oscar nominations and was known for his Shakespearean roles. One can understand his frustration at being known to younger generations simply as Obi-Wan Kenobi.

Liam Neeson’s ‘Jar Jar Binks’ Take

One reason The Phantom Menace stirred such divisive reactions is Jar Jar Binks (Ahmed Best). While he was meant to be the film’s comic relief, many viewers found him grating and irritating. However, Liam Neeson, who plays Qui-Gon Jinn in the movie, defended both The Phantom Menace and Best’s performance as Jar Jar Binks. He stated (as reported by The Hollywood Reporter), “He [Best] was probably one of the funniest guys and talented guys I had ever worked with.” Neeson even called Best the “new Eddie Murphy” and bemoaned how The Phantom Menace’s backlash hurt Best’s career.

Over the years, fans’ opinion on Jar Jar Binks has softened a bit, with some even stirring up a fan theory that he’s secretly a mighty Sith Lord. Many now feel the hate for Jar Jar Binks went too far. Regardless of whether the character was a hit or miss, Neeson is right that it shouldn’t have impacted Best’s career so negatively.

History can be a great source of storytelling inspiration, with countless films over the years adapting real events. Going all the way back to the early classics like Battleship Potemkin (1925), real events have been getting fictionalized for the big screen. Some filmmakers are incredibly dedicated to replicating the tales with vivid historical accuracy. Films like All the President's Men (1976), Schindler's List (1993), and 12 Years a Slave (2013) remain (mostly) true to the people, times, and stories they are adapting.

Sometimes, however, filmmakers take some pretty big liberties with their ideas. Even something like Hamilton (2020) that takes a radically different approach to adapting history is more accurate than some films that present themselves as true to fact. Some of the most famous and acclaimed films based on real events fabricated entire people, changed the nature of battles, and reinvented history for the sake of the story. While all the films became more compelling or dramatic for these changes, here are 10 historical movies that left history behind and where you can find them on Tubi, Netflix, and more.

Argo (2012)

Directed by and starring Ben Affleck, Argo is a great espionage thriller that takes a lot of liberties with the historical story that inspired it. The movie is based on the “Canadian Caper,” a joint operation between the United States and Canada to use a fake film production as the cover for a mission to rescue six diplomats caught in the Iranian Revolution. The film’s tense direction and tight screenplay are terrific, giving the entire mission a sense of danger, even as the charms never quite rub off from the unique concept.

However, Argo has come under fire for tweaking the plot to emphasize the CIA’s efforts in the operation. It was also a primarily Canadian-led operation, to the point where overt complaints led to Affleck changing the epilogue text at the end of the film to address the Canadian role in the story. Iranian government officials have also criticized the film for how it portrays the Iranian people during the tumultuous 1979 revolution. 

The Imitation Game (2014)

The Imitation Game is one of the best films in Benedict Cumberbatch’s filmography, but its celebration of Alan Turing includes some pretty important changes to historical fact. A slow-burning character drama caught up amid Britain’s efforts to crack the German Enigma code during the height of World War II, The Imitation Game features Cumberbatch as the unforgettable, blunt mathematician who joins the mission and struggles with the ensuing moral quandaries and personal invasions.

The Imitation Game gives Turing an early contrast in the form of Charles Dance’s Commander Denniston. The actor brings the same level of cold authority he used to embody Tywin Lannister in Game of Thrones (2011). However, in real life, Denniston didn’t have a contentious relationship with Turing and was actually the one to recruit him in the first place. Denniston’s family has even been open about their frustration with the film’s representation of the man. Still, The Imitation Game will be a sure hit for fans of Cumberbatch and World War II-set thrillers in general. 

Braveheart (1995)

One of the most well-regarded films in Mel Gibson’s career, Braveheart used an old folk story as its inspiration for a historically inspired war movie. The film depicts the First War of Scottish Independence, with Gibson starring as freedom fighter William Wallace. The film pulls from an epic 15th-century poem, taking the story and translating it into a massive and emotional epic. 

However, historians noted that Braveheart’s low-born hero, William Wallace, is very different from the real man, who hailed from the upper class and would kill soldiers who refused to fight for him. It’s probably better not to think of Braveheart as super historically accurate, though, and compare it more to Troy (2004) or Apocalypto (2006), which Gibson also directed. 

The Patriot (2000)

Another historical epic starring Mel Gibson, The Patriot has a lot of tonal similarities to Braveheart, albeit set during the events of the American Revolution. The film is a fictional story that largely attempts to replicate the look and feel of the era. While that results in a more concise story, it also means the film glosses over a lot of history. Gibson’s character, Benjamin Martin, is a composite of multiple real-life figures from the Revolutionary War. This includes Francis Marion, who was accused of atrocities during the war.

This follows a general trend, with The Patriot whitewashing much of the violence perpetrated by American soldiers during the Revolutionary War. William Tavington, the film’s villainous British general, is also largely based on Banastre Tarleton, whose legacy in Britain resulted in the city of Liverpool calling for apologies from the film producers over how inaccurate The Patriot was. The Patriot is a beloved classic, but audiences looking for more accurate versions of the American Revolution should check out John Adams (2008) or Turn: Washington’s Spies (2014).

Cool Runnings (1993)

Cool Runnings is a warm-hearted sports comedy about a Jamaican team braving the cold of the Winter Olympics’ bobsled competition. One of the final films made starring John Candy before he passed away, the film adapts the story of the four athletes who try to learn bobsledding.

A fun movie with an inspiring story about overcoming low expectations and prejudiced doubt, Cool Runnings amplified the real team’s success for dramatic purposes. This includes the film’s finale, which has the team earn eighth place in their second race. In reality, they never came in above 24th. Coming from the same era as Angels in the Outfield (1994) and Rudy (1993), Cool Runnings is a heartfelt example of how tweaking stories for drama can add more tension to a retelling of historical fact.

Gladiator (2000)

Ridley Scott’s historical epic is one of the greatest “dad” movies of all time. However, Gladiator also invents a lot of its lore. The film follows Russell Crowe’s disgraced general Maximus as he is brought into the Colosseum to fight—and gets the chance for revenge. Taking inspiration from real events that happened in Rome during the 2nd century, the film created Maximus and fictionalized almost all of his arc.

Gladiator particularly turns Commodus into a more reprehensible villain. In reality, Commodus didn’t kill his father, ruled for 20 years, was far less aggressively dangerous, and was killed in the bath by the wrestler Narcissus. Similar to The Patriot, Gladiator put more effort into replicating the look and style of real life while telling an original story. Fans of this one will find about the same amount of historical accuracy in Gladiator II (2024), but with a memorable Denzel Washington performance.

Amadeus (1984)

The Academy Award-winning drama Amadeus, about the rivalry between Wolfgang Amadeus Mozart and Antonio Salieri, is a classic film and must-see for drama fans, but it also completely fabricates its emotional core. Amadeus is a tale of jealousy and the downfall it leads to, focusing on Salieri’s rage at the immature Mozart’s natural skill. It’s a powerful story, but one that is openly fictional.

The film’s writer and director took the dynamic between the two leads from plays and operas rather than history. While the two were professional rivals, the real Mozart and Salieri were actually more akin to colleagues. Some even believe they were friends, with Salieri serving as the music teacher for Mozart’s son following Mozart’s death. It makes the intensity of their rivalry in the film off-putting in retrospect. However, it’s still a compelling watch if you consider it “fan fiction,” rather than fact. 

300 (2007)

Zack Snyder’s hyper-stylized action epic 300 is memorably over-the-top, so much so that it leaves a lot of real history in the dust. The film focuses on Leonidas, the King of Sparta, who leads a small contingent of soldiers to hold off the invading Persian army. In the process, the movie largely glosses over the darker qualities of the Spartans’ culture to depict them as more heroic and noble in contrast to Xerxes and his army.

300 also depicts the Spartans as the only true Greek warriors in the battle, outside of a small group of Athenian soldiers who join for a time but retreat before the final battle. In reality, Leonidas and his 300 men fought alongside upwards of 6,000 other groups from around Greece, helping maintain the battle. The war with the Persians was also not really pushed back until a number of naval battles, which served as the inspiration for 300: Rise of an Empire (2014). While inspired in part by history, the film is more accurately an adaptation of Frank Miller’s 300 comic series, which took the original liberties with historical fact to tell a stylized action epic instead.

Shakespeare in Love (1998)

Shakespeare in Love uses the immortal bard’s history as the grounding for a romantic comedy, all while taking plenty of liberties with the history of not just Shakespeare but also theater in the 16th century. The film focuses on the romance between Shakespeare and Viola de Lesseps, with their relationship serving as part of the inspiration for Romeo and Juliet. The pair even ends the film with Viola performing the play on stage opposite William, impressing the Queen of England enough that she saves them from arrest.

In reality, the Queen would have seen the shows in private; there were also several plays that Shakespeare wrote that were omitted by the film. While Shakespeare in Love will delight historical romance fans, other adaptations of Shakespeare’s life, such as Hamnet (2025), take a more measured and tragic approach to the idea, even if they are also heavily fictionalized.

Anastasia (1997)

An animated musical released to compete with the Disney resistance, Anastasia takes one of the more famously tragic moments from the Russian Revolution and uses it as the starting point for a more romantic story. When the Russian Empire collapsed, the ruling Romanov family was slaughtered. However, rumors swirled for decades that the princess, Anastasia, had survived and gone into hiding.

This idea served as the inspiration for Anastasia, which focused on the hunt for the amnesiac princess, the romance that blossoms between her and a con man, and the magical Rasputin chasing after her. It makes for a fun counterpart to the likes of Beauty and the Beast (1991) and The Little Mermaid (1989). However, the real story ends on a much more somber note, as modern technology has been used to investigate the scene of the massacre and confirm that Anastasia did die that night with her family. 

It’s been a long time between seasons, but Netflix’s most deranged action anime is finally back. I’m, of course, referring to the legendary (or infamous, depending on your perspective) Record of Ragnarok (2021). It’s a shameless action series that abandons any semblance of narrative in favor of just watching Gods and humans duke it out. There are laughable super moves, plenty of cheesecake to ogle over, and a reckless abandon that’s infectious. Is it trashy? Yes, and I wouldn’t have it any other way.

But Record of Ragnarok isn’t the only action anime that revels in its absurd premise. There are plenty of anime that go all in on being completely off their rockers, to the point where you just have to throw your hands up and embrace the chaos. These shows, with many of them on Crunchyroll, may be niche action series, but are nevertheless gripping and command your attention. If you’re looking for more ridiculous battle anime and have some time to spare, consider giving these eight anime, ranked from least to most unhinged, a watch.

8. Akudama Drive (2020)

While plenty of action anime are all about showcasing off-the-wall fight scenes, Akudama Drive doesn’t… at least at first. Good things come to those who wait, though, and those who are willing to let the series cook for its 12 episodes will find a dystopian sci-fi series perfect for the anarchist in you.

Akudama Drive, much like The Suicide Squad (2021) or Danganronpa: The Animation (2013), is what you get when you hire a group of eccentric anime villains and force them to work together. They’re pretty straightforward (There’s a character named Brawler whose entire purpose is to punch things really, really hard.), but each character relishes in the mayhem they bring. You’ll grow to love this group of psychopaths as they carve their way through the futuristic city and help burn it to the ground. There’s plenty of explosions, conversations about justice, revolution, and a man who uses a motorcycle as a grappling hook. What more do you need? 

7. Jojo’s Bizarre Adventure (2012-Present)

Depending on which season of Jojo’s Bizarre Adventure you watch, the plot can be pretty straightforward. However, thanks to the oftentimes incomprehensible nature of the superhuman Stands, viewers are almost always treated to some trippy and unfathomable fights that can’t be found anywhere else.

Jojo’s Bizarre Adventure is incredibly melodramatic and makes every fight scene a life-or-death encounter, even if it sounds ridiculous on paper. Do you want to see a cat turn into a plant and shoot air bullets at a man who collects fingernails? What about watching our heroes fight a chain-smoking orangutan with a porn addiction that controls a freighter? You may laugh, but Jojo’s Bizarre Adventure plays each of these moments with deadly seriousness and still has style to spare. These fights are stunning to watch and channel the comical brutality of Fist of the North Star (1984), giving action lovers plenty to admire. It’s not for everyone, but if you want an unconventional action anime, Jojo’s Bizarre Adventure is the poster child of nonconformity.

6. Kinnikuman: Perfect Origin Arc (2024-Present)

If you’re a fan of ridiculous action, then there’s a chance you also love professional wrestling. There’s pageantry, drama, weird gimmicks, and plenty of people beating each other up, and no other anime captures the spirit of professional wrestling better than Kinnikuman: Perfect Origin Arc.

While people in the States may be more familiar with the localized version from 4Kids Entertainment, Ultimate Muscle (2002), the recent remake captures the essence of what makes professional wrestling such a fun watch. Each character has their own odd yet distinctive appearance, and some of them are just objects given sentience that carry super moves like they’re from Ultraman (1966). It may appear goofy because of that, and at points is even weirder than Jojo’s Bizarre Adventure, but the action is on point, and it never forgets to be a spectacle to watch as the show continuously tries to one-up itself. If you’re the kind of wrestling fan who knows what “one fall” means, then Kinnikuman is for you.

5. Kill la Kill (2013-2014)

Studio Trigger is known for being extreme. The studio’s character designs, fight choreography, and scale are highly distinctive and unlike any other animation studio out there, but by far its best and most unhinged action series is Kill la Kill. 

At first, Kill la Kill may seem like a trashy show that gawks over its female leads and their incredibly revealing clothing, which they utilize to fight each other. However, the show uses its trashiness to tell a shockingly progressive story about objectification and the importance of freedom. It embraces its action pedigree for 24 episodes and delivers a constantly escalating threat that never slows down. It’s as irreverent as FLCL (2000) and as crass as Panty & Stocking With Garterbelt (2010), but never undermines its own premise. Sure, you may laugh at the thought of a girl using alien clothing to fight a fascist regime, but Kill la Kill is perfect for those who want an action anime with a loud and brash feminist perspective.

4. Kengan Ashura (2019-2024)

Sometimes you want to watch an action anime with magical deities using god-like powers to fight their foes, and sometimes you want to see two people just slug it out with their fists. If you want a martial arts battle series in the purest definition of the word, Kengan Ashura is ready to answer the call.

There is a plot to Kengan Ashura, but it firmly takes a back seat to watching its characters beat the life out of each other. Almost every character has their own weird quirk, like a man who decided to turn his femurs into swords. Does it make any sense? No, but there’s an artistry to the violence, since the anime has a shocking amount of knowledge on various martial arts styles and painstakingly depicts them. At points, it feels like a more brutal Fighting Spirit (2000), and the use of CGI elevates the technical acumen of the fights. Kengan Ashura may not be for everyone, but if you get a thrill from watching two people just slug it out, it’s for you.

3. Baki Hanma (2021-2023)

Baki Hanma is what you get when Kengan Ashura decides it no longer wants to take itself seriously. The two series share similar fanbases, but if you were to ask a Baki fan what makes the series so good, it’s how it relishes violence.

Sure, the characters may not be gods like in Record of Ragnarok, but they certainly act like them. The feats of strength they’re capable of are absolutely laughable to the point where it’s perfect popcorn entertainment. It doesn’t try to hide the fact that this is a battle anime about giant, burly men beating each other up in the most excessive way possible. Ripping off faces, fighting elephants, and smashing concrete with ease may be jaw-dropping in other shows, but in Baki, it’s just another Tuesday. The muscular monstrosities of Baki Hanma are pure fighting machines, and if you want two seasons of unadulterated violence and nothing else, no anime does it quite like Baki. 

2. Mad Bull 34 (1990)

There’s an argument to be made that anime today is too sanitized and not as eager to go completely off the rails. Every now and then, an anime comes along that is so far gone and mad that you can’t help but admire it. Mad Bull 34 is demented and not for the faint of heart. 

Mad Bull 34 is the kind of anime that lovers of trash will be head over heels for. It’s the kind of ultra-violent shlock that littered the anime scene in the early ‘90s, and sits comfortably alongside other infamous relics of the era like Demon City Shinjuku (1988). There’s undeniably a comedic edge to the series that Mad Bull 34 embraces on its war path to cause as much destruction as possible. After all, this is a series where a cop has a bunch of grenades attached to his crotch. Is the anime problematic? Undeniably, but you can’t turn away from it. There are explosions, curses, and plenty of blood, and a reckless abandon you can’t help but respect.

1. Bobobo-bo Bo-bobo (2005-2007)

No matter how ridiculous you may think these seven other anime are, they’re, at the very least, rooted in some logic. There’s a reason that these fights are taking place, and viewers can easily comprehend what’s going on. Bobobo-bo Bo-bobo has abandoned all logic, and because of that, it’s impossible to resist.

At its core, Bobobo-bo Bo-bobo is a gag anime much in the same way as Gintama (2006). There are constant threats for Bobobo to fight with his sentient nose hairs, including a man made of jelly and a man who fights with farts. To describe what a single episode of Bobobo-bo Bo-bobo is like is an effort in futility. It throws everything and the kitchen sink at viewers to make them laugh, including violent fights, bizarre comedic bits, and plenty of reactions to the farcical action taking place over the show’s 76 episodes. It’s just fight, after fight, after fight with no attempt to rationalize any of it. Bobobo-bo Bo-bobo is the definition of chaos, and if you need to laugh, it’ll make you roll on the floor in seconds.

Reality TV often gets a bad rap, but it has come a long way since The Real World (1992) spearheaded the genre as we know it today. Sure, reality shows can be a great way to relax and unwind from the stresses of our own lives, but they also provide fascinating glimpses into how other people live and the very human struggles we all face.

These shows are more than just rich women throwing wine in each other’s faces, though that somehow never gets old. Shows like The Secret Lives of Mormon Wives (2024) hook you in with intriguing premises—like a sex scandal involving a famously traditional religion—but what keeps you coming back are the human stories and drama. If you’re looking for the next guilty or not-so-guilty pleasure show to binge-watch, here are seven of the best.

The Secret Lives of Mormon Wives (2024-Present)

Like many of the best reality shows, The Secret Lives of Mormon Wives was born from a scandal, one that rocked the “MomTok” world. When influencer, now Secret Lives cast member, Taylor Frankie Paul went viral after admitting to participating in non-monogamous activity with her husband and other Mormon couples, she broke trust and damaged alliances with others in her MomTok friend group. The first season picks up in the midst of the fallout from that scandal, but the drama has only escalated from there.

What makes The Secret Lives of Mormon Wives so compelling and watchable is how candidly it deals with the typical reality TV topics of marriage, sex, and friendship with the added layer of the Mormon church. The show highlights the differences and intra-church conflict that exists within the Mormon community, especially as this younger generation of women seeks to balance personal expression with the expectations of a faith known for being quite restrictive. 

The Real Housewives of Salt Lake City (2020-Present)

My personal guilty-pleasure favorite, The Real Housewives of Salt Lake City, is an obvious perfect follow-up to The Secret Lives of Mormon Wives, but it’s absolutely worth watching even if you haven’t seen that show. Also centered on a group of luxurious women from Utah, RHOSLC is packed with drama and scandals, including the arrest and eventual felony conviction of former Housewife Jen Shah and a shocking Season 4 finale that’s too juicy to spoil.

Mixed in with the typical reality TV fare are genuine moments of friendship, family, and personal growth, with the ladies sometimes using their platform to shed light on important topics like addiction and religious trauma. The best example of this is Heather Gay, a former Mormon whose journey of publicly leaving the church is documented in early seasons. Recently, she released the limited series Surviving Mormonism with Heather Gay (2025), which dives into the church’s dark history and controversial practices. Stories like this are part of why reality TV is valuable outside of mindless entertainment, but even if you just want to watch some ridiculous and fabulous women hurl wine and insults at each other, don’t worry—there’s plenty of that here too.

Vanderpump Rules (2013-Present)

Vanderpump Rules is the show I would recommend to anyone who is new to reality TV. It follows, for the most part, employees at SUR Restaurant & Lounge in West Hollywood, run by former The Real Housewives of Beverly Hills (2010) star Lisa Vanderpump. The first 11 seasons are packed with memorable quotes and wild moments that made stars of people like Ariana Madix, who now hosts Love Island (2019), and Stassi Schroeder, who most recently hosted The Secret Lives of Mormon Wives Season 3 reunion.

Now, following the very public cheating scandal known as Scandoval involving Madix and ex Tom Sandoval, Vanderpump Rules has been rebooted with a new cast. Season 12 has just started, so it’s impossible to say whether the new SURvers are going to be as dramatic and fun to watch as the OGs, but it is nice to go back to the restaurant after several seasons that deviated far from the initial premise.

Love Is Blind (2020-Present)

If you like dating shows with a side of social experimentation, Netflix’s Love Is Blind should be your next watch. The show follows groups of men and women who meet and date in separate “pods” and cannot see each other until they get engaged. At this point, the couples spend a week at a resort getting to know one another, then several weeks living together in an apartment complex to meet their new partner’s friends and family and plan a wedding—all in the span of four weeks.

As its title suggests, the show examines the role of physical attraction in romantic relationships and whether you can actually pick your ideal partner without knowing what they look like. Considering how few of the couples on the show have gotten married and stayed together in the years after, it seems the answer may be “no,” but that doesn’t make the drama and sheer absurdity of Love Is Blind any less entertaining, especially if you like dating reality shows like Are You the One? (2014).   

Below Deck Mediterranean (2016-Present)

If maritime drama is your cup of tea, there’s no shortage of Below Deck (2013) content to watch. The original show is still going strong after 12 seasons, but if you need to pick one, I suggest Below Deck Mediterranean. The franchise’s first spin-off is currently airing its tenth season with fan-favorite Captain Sandy Yawn at the helm, a position she’s held since Season 2.

Below Deck Mediterranean, like the rest of the franchise, follows crew members on a superyacht as they balance personal relationships with their jobs and the demands of the wealthy clientele who charter the ship. But, if you’re like me and watch reality shows for the drama, Mediterranean outshines other Below Deck series in that department, with plenty of petty feuds and unwise romantic entanglements to keep you coming back for more.

90 Day Fiancé (2014-Present)

Like Love Is Blind, 90 Day Fiancé is another romance-centric reality show involving short engagements. In this case, the K-1 visa process motivates the short courtship, which allows the foreign fiancé of an American citizen to enter the United States for up to 90 days, during which time they are required to marry if they wish to stay permanently. The couples in question already know each other, though some have never met in person, and intend to wed, setting it apart from other reality shows that focus on the initial meeting and dating process.

That doesn’t mean it’s smooth sailing, though, not by a longshot. In addition to planning a wedding, 90 Day Fiancé couples have to navigate cultural differences, family expectations, and sometimes language barriers as they prepare to say “I do,” with the foreign partner, in particular, often dealing with culture shock as they adjust to living in a new country. It may not always lead to lasting or healthy marriages (watch spinoff 90 Day Fiancé: Happily Ever After? (2016) if you’re curious about how couples fare after the wedding), but it does make for endlessly interesting television for those who want to learn a little about world cultures while they take in other people’s relationship drama.

The Traitors (2023-Present)

There’s no shortage of reality competition shows, with long-running series like Survivor (2000) and Big Brother (2000) being among the most popular, but The Traitors is really something special. The American version of the Dutch show De Verraders (2021) places celebrity contestants in a social deduction game similar to Werewolf, Mafia, or Among Us, where everyone is either a Faithful or a Traitor. The Faithful’s job is to figure out who the Traitors are, while the Traitors work together to sow chaos and throw the Faithful off their scent.

What makes The Traitors so fun is its melodramatic tone. The series is set in and around a castle in the Scottish Highlands, giving it an extravagance and feeling of heightened drama that Emmy-winning host Alan Cumming perfectly embodies. Plus, the cast usually features plenty of reality TV stars from shows like The Bachelor (2002) and RuPaul’s Drag Race (2009), so you’ll probably see some familiar faces. If you love games of strategy where the low-stakes drama is treated as deathly serious, then you should definitely watch The Traitors, especially with Season 4 releasing in January 2026. 

With the Avengers: Doomsday cast confirmed and the film scheduled for release in the United States on Dec. 18, 2026, viewers might want to start preparing by revisiting the Marvel Cinematic Universe's film library. The cast also suggests that viewers may need to look beyond the MCU and explore 20th Century Fox's X-Men series.

Since plot details are unknown, the best preparation strategy is to catch up with the MCU's Multiverse Saga and revisit the films most relevant to Avengers: Doomsday's cast. Use our guide to find out which movies you need to watch before Avengers: Doomsday and where you can watch them on platforms like Disney+ and more.

The Original X-Men Trilogy (2000-2006)

One of the biggest surprises of the Avengers: Doomsday cast announcement was the presence of the original X-Men team from Fox's film series. For the first time in decades, Professor X (Sir Patrick Stewart), Magneto (Sir Ian McKellen), Beast (Kelsey Grammer), Cyclops (James Marsden), Mystique (Rebecca Romijn), and Nightcrawler (Alan Cumming) will share the screen. To fully enjoy their thrilling return, you can watch the entire original movies in order, starting with X-Men (2000).

You can then watch the iconic sequel, X2 (2003), which introduced Cumming as Nightcrawler. Lastly, X-Men: The Last Stand (2006) completes the trilogy and includes Grammer's debut as Beast. In addition to watching X-Men for the original stars, the trilogy is perfect for any Marvel or superhero fan. It's faithful to the comic books and action-packed. If you enjoy superhero films featuring teams, such as The Avengers (2012) and The Guardians of the Galaxy (2014), the original X-Men series will be a real treat.

X-Men: Days of Future Past (2014)

It's unclear if Avengers: Doomsday will also bring back the X-Men prequel series' cast. While X-Men: Days of Future Past is an origin story, it features actors from the original and prequel X-Men series, as Wolverine (Hugh Jackman) travels back in time to enlist the help of a young Professor X (James McAvoy) and Erik Lehnsherr (Michael Fassbender). X-Men: Days of Future Past essentially changed the original trilogy's ending, making it essential viewing before Avengers: Doomsday.

Critics and fans often hail Days of Future Past as one of the best X-Men films, across both the original X-Men movies and their prequels. It boasts a darker tone than its predecessors and convincingly fixes some continuity issues. Days of Future Past especially shines because of its emphasis on character development, featuring the X-Men at some of their darkest moments with the highest stakes. Its darker tone parallels later, more mature X-Men adaptations, such as Logan (2017) and X-Men '97.

Loki (2021)

The first two seasons of Loki are crucial to understanding the Multiverse Saga, as they delve into the technical aspects of the multiverse, explaining the Time Variance Authority, branching timelines, and variants. The series is especially relevant because Tom Hiddleston's Loki is confirmed to return in Avengers: Doomsday. With Loki's close connection to the multiverse potentially playing into Avengers: Doomsday, Loki is a must-see.

Loki is one of the MCU’s best original series, as it delves into the fan-favorite trickster god and offers a wild story of redemption and time shenanigans. The ever-changing setting and time keep the show engaging, while Loki's character arc and development are everything MCU fans ever hoped for. Viewers who enjoyed Avengers: Endgame (2019) and The Adam Project (2022) for their blend of action and time travel but hoped for something with even more depth and character development will love Loki.

Shang-Chi and the Legend of the Ten Rings (2021)

One of the newest heroes appearing in Avengers: Doomsday is Simu Liu's Xu Shang-Chi, who debuted in Shang-Chi and the Legend of the Ten Rings. The film serves as an introduction to his character and is one of the first movies to launch the current Multiverse Saga in the MCU. It also contains an ambiguous but crucial mid-credits scene that explains how Shang-Chi first connected with some of The Avengers and strongly hints that his Ten Rings will play a significant role in the MCU’s future.

Shang-Chi and the Legend of the Ten Rings is one of the most distinctive new Marvel features, often leaning more into fantasy and kung fu than superhero action. As a more self-contained film, it's easy to forget its part of the MCU at all. Hence, it's an excellent film for viewers struggling with superhero fatigue and looking for a refreshing MCU entry. The unique tone makes it feel more in line with Eternals (2021) than the MCU films that came before.

Doctor Strange in the Multiverse of Madness (2022)

Doctor Strange in the Multiverse of Madness is essential to watch before Avengers: Doomsday because it's the first official introduction to the multiverse. It marked the first time a Marvel character explored the multiverse on-screen. Understanding the multiverse will likely be the key to understanding how the MCU and X-Men collide in Avengers: Doomsday. On top of that, Doctor Strange in the Multiverse of Madness marked the most recent appearance of confirmed Avengers: Doomsday star Professor X. 

Doctor Strange in the Multiverse of Madness is similar to Shang-Chi and the Legend of the Ten Rings in that it’s a refreshing and unique entry in the MCU. However, it leans more into horror than fantasy with an emphasis on body horror. If you loved the blend of superhero action and body horror in Guardians of the Galaxy Vol. 3 (2023) or What If…?'s (2021) Marvel zombies, Doctor Strange in the Multiverse of Madness will be right up your alley.

Thor: Love and Thunder (2022)

Thor (Chris Hemsworth) is the only original Avengers member confirmed for Avengers: Doomsday, so it's important to rewatch his adventures throughout the Multiverse Saga. Thor last appeared in Thor: Love and Thunder, where he was pulled out of retirement by the arrival of Gorr the God Butcher (Christian Bale) and the return of his ex-girlfriend, Jane Foster (Natalie Portman). It's unclear if the events of Love and Thunder will have an impact on Avengers: Doomsday, but it will explain where we last saw Thor in the MCU.

Love and Thunder matches the tone and vibe of Guardians of the Galaxy and Thor: Ragnarok, with an emphasis on comedy and good music. Director Taika Waititi's influence is evident, marked by his signature humor and absurdism. Viewers who enjoyed Jojo Rabbit (2019) and Next Goal Wins (2023) may be interested in his take on Thor: Love and Thunder. Ultimately, it's an excellent film for viewers seeking a more self-contained and irreverent MCU movie.

Black Panther: Wakanda Forever (2022)

Avengers: Doomsday will mark the return of multiple characters from Black Panther: Wakanda Forever, including the new Black Panther (Letitia Wright), mutant-hybride Namor (Tenoch Huerta), and Wakanda's new king, M'Baku (Winston Duke). The movie explains the significant changes to Wakanda’s leadership and the Black Panther mantle. Since Wakanda’s leadership will figure into Avengers: Doomsday, you'll definitely want to revisit Black Panther: Wakanda Forever before the upcoming movie.

Black Panther: Wakanda Forever is an excellent sequel to Black Panther (2018), which continues the story of Wakanda and pays a beautiful tribute to the late Chadwick Boseman, who portrayed King T'Challa in the original movie. It's a moving, emotionally raw, diverse, and powerful film that makes you excited for Marvel’s future and potential. Viewers who loved Black Panther can’t miss Black Panther: Wakanda Forever.

Ant-Man and the Wasp: Quantumania (2023)

Paul Rudd’s Ant-Man is returning for Avengers: Doomsday, and the last time viewers saw him was in Ant-Man and the Wasp: Quantumania, which introduced Kang the Conqueror (Jonathan Majors). Marvel has since dropped the Kang storyline, so most of the plot points tackled aren't likely to figure into Avengers: Doomsday, but it's still worth a watch to explain where Ant-Man currently is in the MCU.

Quantumania is perfect for fans of the first two Ant-Man films, as it boasts the same lighthearted tone and heartwarming themes about family. Despite its lighter tone and dropped storyline, it still contains some treats for Marvel fans with its inclusion of Kang and MODOK (Corey Stoll). Mostly, though, Quantumania stands out for its entertainment value. If you're a fan of funny superhero movies in general, from Mystery Men (1999) to Shazam! (2019), the film is a good fit for you. 

The Marvels (2023)

Viewers will want to watch The Marvels before Avengers: Doomsday, primarily due to its mid-credits scene. While none of the Marvels (Brie Larson, Teyonah Paris, and Iman Vellani) are confirmed for Avengers: Doomsday, the film contains a crucial mid-credits scene featuring an important Doomsday cast member, which explains how the X-Men are already in the MCU.

The Marvels is a must-see for fans of Ms. Marvel (2022) and Captain Marvel (2019), bringing together a trio of women with similar powers and satisfactorily bringing Carol Danvers' (Larson) story full circle. In addition to appealing to fans of female-centered superhero movies like Wonder Woman (2017) and Birds of Prey (2020), The Marvels will also appeal to fans of the MCU's lighter movies. The comedy parallels the tone of the Ant-Man films and Thor: Love and Thunder, while its musical scenes and character dynamics add a nice touch of creativity.

Deadpool & Wolverine (2024)

Deadpool & Wolverine is another must-see because it's a major multiverse film introducing a key Avengers: Doomsday cast member. Although neither Wolverine (Jackman) nor Deadpool (Ryan Reynolds) has been confirmed for Avengers: Doomsday, Deadpool & Wolverine marked the debut of Avengers: Doomsday’s surprise cast member, Gambit (Channing Tatum). In addition to explaining the multiverse and featuring Gambit, Deadpool & Wolverine is easily the most entertaining of the Deadpool movies.

It's violent, irreverent, vulgar, and delivers the one thing viewers have wanted for nearly a decade: a Deadpool and Wolverine crossover. Like Spider-Man: No Way Home (2021) and Doctor Strange in the Multiverse of Madness, Deadpool & Wolverine capitalizes on its multiversal premise by offering plenty of shocking and exciting fan service cameos. However, it's a lot less serious and even more enjoyable than the MCU's previous multiversal film due to its R-rating, a lack of restraint, and emphasis on adult humor.

Captain America: Brave New World (2025)

With Captain America (Anthony Mackie) and his sidekick Falcon (Danny Ramirez) confirmed for Avengers: Doomsday, viewers will want to catch up with them in Captain America: Brave New World. Captain America: Brave New World is a reasonably self-contained film that doesn't involve the multiverse. However, it's necessary to understand the current status of Falcon and Captain America in the MCU. The movie is an excellent addition to the Captain America films and the 2021 The Falcon and the Winter Soldier series.

It's also filled with nods to The Incredible Hulk (2008), bringing back many familiar faces from the movie and helping them reach their full potential. Viewers who enjoyed The Incredible Hulk despite the MCU largely erasing it from the timeline will feel some closure with Captain America: Brave New World. Meanwhile, fans of Mackie's Falcon and Captain America won't want to miss his first official solo film.

Thunderbolts* (2025)

Even before Thunderbolts* premiered, almost the entire Thunderbolts team was confirmed for Avengers: Doomsday, including Yelena (Florence Pugh), Bucky Barnes (Sebastian Stan), Red Guardian (David Harbour), and newcomer Sentry (Lewis Pullman). Given that the Thunderbolts are returning for Avengers: Doomsday, viewers won't want to miss their MCU debut beforehand. Thunderbolts* is the MCU's best superhero crossover since the Avengers movies.

For the past few years, viewers have watched the wildly different arcs of Yelena, Bucky, and U.S. Agent (Wyatt Russell), and seeing them converge in unexpected and hilarious ways is immensely satisfying. It perfectly captures their dynamic and the way they relate to one another, giving viewers an underdog superhero team that is highly reminiscent of The Suicide Squad (2021) and The Guardians of the Galaxy. However, Thunderbolts* sets itself apart from most MCU entries with its commentary on mental health.

The Fantastic Four: First Steps (2025)

The Fantastic Four and the team's archenemy, Doctor Doom (Robert Downey Jr.), are confirmed for Avengers: Doomsday. The team made their MCU debut in The Fantastic Four: First Steps. The movie delivers the best Fantastic Four adaptation yet, as Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach wholly embody Marvel's first family. It also delivers a supersized MCU villain in Galactus (Ralph Ineson) that will leave fans breathless.

First Steps also boasts strong emotional undertones with its tale of family, sacrifice, and regret. Viewers seeking a strong MCU entry with serious themes and star power can't go wrong with The Fantastic Four: First Steps. In addition to introducing the team, one of the movie's post-credits scenes directly sets up Doctor Doom's role in Avengers: Doomsday, showing him looming over Reed and Sue's young son, much to the horror of his mother.

My Hero Academia (2016-2025) is the Reese’s of the anime world. The series takes two flavors that are great individually—in this case, Western comic books and Japanese manga—and mixes them into something truly magical. 

For eight seasons, anime fans like myself have been enamored with the world of My Hero Academia, and it’s earned its title as one of the best Shonen series of the modern era. In fact, it’s currently sitting within JustWatch’s Top 250 TV shows, so people are clearly clamoring for the series before it takes its final bow. 

But what if you don’t want it to end, yet you’ve watched the series from front to back numerous times? In that case, have you considered watching any of the My Hero Academia movies? Unlike anime like Demon Slayer (2019-2024) where the films aren’t standalone and essential viewing to understand the ongoing narrative, the opposite is true for My Hero Academia's films. Its four films are filler and aren’t essential viewing, but in exchange, they’re great jumping-on points for newcomers, and we’re going to rank them from worst to best. If you haven’t seen any of these movies yet and you consider yourself a MHA fan, then go to Crunchyroll or Netflix and enjoy them while the fervor for the series is at a fever pitch. 

4) My Hero Academia: Two Heroes (2018)

It’s important to note that none of the My Hero Academia movies are bad. All of them are varying degrees of good, but outside of the climax, My Hero Academia: Two Heroes is arguably the weakest of the bunch.

The biggest sin that Two Heroes commits is that it’s just not all that exciting compared to its sequels. There’s a bountiful amount of exposition establishing the setting, the series' gargantuan supporting cast barely does anything, and the movie's original villains are just kind of dull. It exists to be an action showcase first and foremost, with only minimal story, much like Dragon Ball Z: Broly - The Legendary Super Saiyan (1993). But much like Broly, it all comes together in the end when All Might and Deku both team up to save the day, something that doesn’t happen all too often in the anime proper. It’s nothing revolutionary, but if you prefer anime films that go out with a bang, My Hero Academia: Two Heroes certainly does so and then some. 

3) My Hero Academia: World Heroes’ Mission (2021)

At its core, My Hero Academia: World Heroes’ Mission is a perfectly enjoyable and entirely skippable entry in the series. It doesn’t do anything inherently wrong, but it also misses out on some very interesting story beats in favor of maintaining the status quo. 

Having an evil organization that is dead set on killing all Quirk users is a fascinating premise for the film to take, especially considering how Deku himself was once a person without a Quirk. Not only that, but the film also puts Deku on his back foot, with him being framed for a crime he didn’t commit and being forced to go on the run. The sad part is that outside of introducing these ideas, World Heroes’ Mission never expands on them, which should be familiar to fans of Bleach: Memories of Nobody (2006) or Bleach: Hell Verse (2010). It’s still a fun ride, and its climax is just as satisfying as the final fight in Two Heroes, so watch it if you want to see a pure distillation of My Hero Academia. Just be aware it's also filled with untapped potential. 

2) My Hero Academia: You’re Next (2024)

As the latest entry in the film series, My Hero Academia: You’re Next may seem like a cheap cash-in, but it’s a great opportunity to see Deku take charge and be the hero he wanted to be as he takes a stand against his mentor… kind of. 

The film’s big bad is a dark version of his idol, All Might, but instead of making them a lazy evil version with no personality, Dark Might has a well-thought-out character arc that ties directly into the events and themes of the main series. Granted, nothing really comes from his perversion of All Might’s ideals, much in the same way that One Piece Film Red (2022) promised a connection to one of that franchise’s biggest characters that ultimately amounted to very little, but he’s still a delightful and charming bad guy you love to hate. At 110 minutes, it’s the longest film in the series, but when it also contains some of the best fight choreography and animation on par with the show’s final season, the added length is hardly a negative. If you love a good scenery-chewing villain, then you’ll probably enjoy what My Hero Academia: You’re Next offers.

1) My Hero Academia: Heroes Rising (2019)

What sets My Hero Academia: Heroes Rising apart from the other films in the series isn’t its action, although it’s pretty spectacularly animated. Instead, it’s from how the film handles the core relationship between Deku and his frenemy Bakugo.

The biggest challenge anime filler films like My Hero Academia: Heroes Rising face is balancing the needs of both fans and newcomers. Heroes Rising does both wonderfully. Fans and beginners alike will get something out of seeing Deku and Bakugo team up to save the day, and because the film is entirely centered on them, their relationship is much better here than it is in World Heroes’ Mission. In the same way that Spy x Family Code: White (2024) perfectly understood the dynamics between its leads to create an inoffensive yet fun adventure, the same can be said for Heroes Rising. Plus, the film actually utilizes the anime’s large supporting cast in a way that doesn’t make them feel like glorified cameos! If you’ve ever wanted to see what My Hero Academia is all about, Heroes Rising is the perfect jumping-on point and a great treat for veterans and Bakugo lovers.

This article has been updated by Atreyi Jayadutt.

Amazon Prime Video’s adaptation of Mercedes Ron’s wildly popular Wattpad series, Culpables, proved to be a smash hit for the platform. The first two movies in the series, Culpa Mia and Culpa Tuya, became Prime Video’s most-watched international titles in 2023 and 2024, respectively. The third and final film instalment, Culpa Nuestra, released in 2025, along with an English-language film, My Fault: London, which is a remake of Culpa Mia. 

Though all the movies can technically be watched as standalones, the emotional conflicts might be jarring if you jump back and forth between the films. Think of it like the After films or the To All the Boys trilogy; sure, you can jump around, but why would you deprive yourself of the escalating drama (when that’s the best part?) 

If you’re interested in the highly hyped romance series, this guide will demonstrate where you can watch all the Culpables movies in release date order, available to watch on Prime Video. 

Culpa Mia (2023)

Culpa Mia, known as My Fault in the United States, is the first installment in the Culpables series. It centers on stepsiblings Noah Morán (Nicole Wallas) and Nick Leister (Gabriel Guevara), who slowly develop a relationship despite their parents’ disapproval. Culpa Mia plays out a bit like a soap opera, spotlighting a juicy, scandalous central romance and plenty of additional drama through sordid family histories and complex family dynamics.

At times, Culpa Mia’s drama and plot can veer into outlandish territory. However, the forbidden romance and drama keep it intense and engaging for audiences, while the over-the-top plot developments add excitement to the movie. If you’re a sucker for forbidden, toxic romances that thrive on drama and controversy, such as those in Cruel Intentions (1999) and After (2019), you’ll devour Culpa Mia.

Culpa Tuya (2024)

Culpa Tuya, or Your Fault, is the sequel to Culpa Mia. It follows Nick as he tries to leave his reckless racing lifestyle behind and move forward in his relationship with Noah, but the past continues to tug at them. The film offers the same appeal as the original, especially in giving viewers more insight into Nick and Noah’s relationship and drama. However, it emphasizes the setting and aesthetic with some gorgeous visuals.

Culpa Tuya also elevates the drama, putting Nick and Noah in situations that seem rife with temptations and trials. As a result, it's slightly darker and more heartrending than the first film. Culpa Tuya is highly reminiscent of other romance sequels, like After We Collided (2020) and Fifty Shades Darker (2017), where the central relationship continues but starts to deflate after its whirlwind beginning, paving the way for even more drama and heartbreak.

My Fault: London (2025)

My Fault: London is the English-language remake of Culpa Mia, retelling the story of Noah (Asha Banks) and Nick’s (Matthew Broome) fateful meeting and the beginning of their romance. While it’s a remake, it boasts some notable differences from the original besides language and actors. Culpa Mia is more faithful to the source material, while My Fault: London takes some creative liberties, most noticeably removing some of the toxicity from Noah and Nick’s relationship.

Given that it’s a remake, it’s not a must-see for those interested in the series. However, fans of the books and original films will appreciate that My Fault: London tries to take the story in a different direction. Those who prefer a romance story that isn’t as risky and provocative as Culpa Mia may also appreciate the more toned-down nature of the remake.

Culpa Nuestra (2025)

Culpa Nuestra, or Our Fault, is the third and final installment in the Culpables original trilogy. In the film, Noah and Nick reunite four years after going down separate paths and contemplate for the final time whether a relationship between them could work. It takes a similar route to romances like The Summer I Turned Pretty (2022) and Normal People (2020) which include up to four-year time jumps, allowing viewers to follow the characters further into adulthood.

Where Culpa Tuya was the most packed plot-wise, Culpa Nuestra ties loose ends and heals relationships between characters (though of course there’s still conflict from the “bad guys”), and anyone who’s been following Nick and Noah’s story for years, will finally get the payoff they’ve been waiting for. But if you feel as though you’re not ready to say goodbye to the story yet, then you’re in luck, because two more English-language remakes of the Spanish movies are in production.

Sequels are generally challenging to get right, but Disney sequels are even tougher. Because really, so much of the story is contained and neatly wrapped up, so we don't exactly need more when the originals are as good as they are. Still, some sequels are not only incredible additions, but they're even better than the original as they expand the story and give us further character development through a thoughtful narrative.

From the recently released and near-perfect Zootopia 2 (2025) to a hidden gem that might surprise some people, here are the best Disney and Pixar sequels that got everything right on all fronts, as well as how to watch them on Disney+.

Zootopia 2 (2025)

Zootopia 2 is well worth the nine-year wait as an astonishing sequel that not only expands the fictional world, but its themes and messages are timely to the real world. How the movies give us a clear look at ourselves through animals is no small feat, and it's something that I've always thought about since the original. But here, even the animation is a vast improvement.

But I wouldn't be me if I didn't also talk about the romance—it doesn't matter what Disney says, Nick and Judy are basically married. The partnership we get between the two of them is stunning in the sequel and delivers one of the most achingly vulnerable conversations of the entire year, so much so that I genuinely can't believe it wasn't something that took place between two humans. Their dynamic is not only refreshing, but there's something so lovely about how all the best tropes are incorporated, too. Zootopia 2 is a must-watch for anyone who loves the original movie.

The Lion King 2: Simba's Pride (1998)

Simba's hot dad era will always be everything to me, and the forbidden romance between Kovo and Kiara is Disney's best non-human relationship to date (I will not hear any disagreements.) It's perhaps an unpopular opinion, but how The Lion King 2: Simba's Pride deals with grief and the beliefs we hold on to may be an even stronger depiction than in The Lion King (1994). It's in every small moment throughout the sequel where we really understand the gravity of losing a parent and how it impacts us after years, rather than immediately.

Because of this, so much of the sequel shines with a lot more heart and vulnerable conversations that lead to forgiveness and healing. Plus, the music is significantly catchier, with songs like "We Are One," "Love Will Find a Way," and "One of Us" firing on all cylinders. From the platonic relationships to the romantic ones, everything about the sequel is perfect. 

Inside Out 2 (2024)

Inside Out (2015) is such a perfect movie that it was hard to imagine the idea of a sequel and how it would work as well. But then the creatives brought in anxiety and embarrassment and every teenage emotion to punch us in the throats in a way only Pixar is capable of. Millennials are broken creatures—I swear, we cling to the past too much—but it's movies like Inside Out 2 that really paint a clear picture of why.

"Maybe that's a part of growing up, you feel less joy." If the first movie was meant to show us that sadness and joy go together, then the sequel is a reminder of how many of us are suffering through our anxiety. How, even though it's something that can never fully go away, these emotions make us who we are. They're a part of us, and it makes it that much easier to connect to other people. And through breathtaking animation plus superb voice acting, Inside Out 2 shows us all of this in a manner that hits hard. 

Frozen II (2019)

"Do the next right thing." That's the quote I've thought about for years since Frozen II released, and while the songs never hit the same way as the original (countless parents are probably happy about this), this message is one of the greatest sources of inspiration to come from Disney. Anna's journey and everything she experiences in the sequel are far more relatable than in the first, where we're all just wondering what our next move can be. 

Everything about Frozen II sticks the landing, but more than that, this one's for the autumn girlies. The foliage in the sequel is unreal, and the type of animation we get is a rare treat, too. It's all so stunning that I want to live inside of it. More than that, it expands on the original story with a thoughtful premise that continues to leave characters at the center without sacrificing their arcs.

Toy Story 2 (1999)

It really is unfair that Toy Story (1995) has the ability to make me cry so much, and while Toy Story 2 is no Toy Story 3 (2010) when it comes to the amount of waterworks, it's still a gorgeous and worthy sequel. The concept of broken toys living in fear that their owner will lose interest in them has no business hitting like a ton of bricks, yet here we are, because don't we all fear that any sort of imperfection we have can lead to people loving us less?

While the original movie tackles the idea of co-existing with new toys and changes, this one goes deeper to explore our heartaches. It touches on flaws in a way that's so nuanced, it actually hurts when you think about it too much. But like Inside Out 2, it's a reminder of the fact that we're not alone in our struggles, and the right people will love us regardless (and it makes me very, very emo.)

Beauty and the Beast: The Enchanted Christmas (1997)

The fact that more people don't talk about this movie, especially around the holidays, is beyond me. I might've even watched it way more than the original when I was younger because I come from the days of the Disney vault, where it felt like Beauty and the Beast was its longest resident. But Beauty and the Beast: The Enchanted Christmas is a dream—a stunning, gorgeous Christmas movie with new songs, beautiful animation, and delicious angst. 

Don't ask me to explain it, because it's all vibes, but this one's for The Phantom of the Opera (2004) girlies. It's gritty and darker but still funny, soft, and achingly romantic in a way that hits in all the right ways. It's not only a worthy sequel but genuinely an underrated Disney movie, too. Much like Frozen II, it’s the kind of quietly moving sequel that explores the aftermath of the first film, making it feel like essential viewing right alongside the original.

Wicked (2024) and Wicked: For Good (2025) have dazzled viewers not only with their music and whimsical tale but also with the intriguing relationship between Elphaba (Cynthia Erivo) and Glinda (Ariana Grande). They have everything that makes for a dramatic yet affectionate relationship, capturing fans’ hearts. Starting as rivals but slowly becoming friends, there’s a frenemy vibe to their relationship, as well as the humor that arises from their clashing, opposing personalities.

If you can’t get enough of Glinda and Elphaba’s relationship, you can use our guide to find out how to watch the best movies with similar relationships on platforms like Hulu, Netflix, Disney+, and more.

Thelma & Louise (1991)

Thelma & Louise is a buddy black comedy centered on Thelma Dickison (Geena Davis) and Louise Sawyer (Susan Sarandon), two lifelong best friends whose road trip together turns into an unexpected crime spree. The pair parallels Glinda and Elphaba through their opposing personalities. Thelma is a timid, shy housewife, while Louise is a tough and cynical woman. Yet, throughout the movie, they realize their personalities are just what the other needs to thrive.

Thelma & Louise is much darker than the Wicked movies and far less fantastical. However, it tackles similar themes of feminism, liberation, and independence. Both films are really about women gaining the power to lead the lives they choose. Thelma & Louise has a strong central relationship and is an excellent, comedic, feminist spin on the road-trip genre. 

Jennifer’s Body (2009)

Jennifer’s Body follows Anita “Needy” Lesnicki (Amanda Seyfried), a teenage girl, who grows concerned over her best friend Jennifer’s (Megan Fox) increasingly demonic behavior. In some ways, Jennifer and Needy remind me of Elphaba and Glinda, especially since the latter have elements of toxicity in their relationship just like the former do. Jennifer isn’t always kind to Needy, but she almost seems to harbor romantic feelings for her under the surface, which is reminiscent of Glinda and Elphaba’s initial shaky relationship.

Jennifer’s Body is excellent for fans of Wicked searching for female friendship and female-centered stories, but encased in horror. It’s more campy than scary, and offers a satirical take on gender roles in horror, evoking some feminist vibes. If you enjoy feminine horror movies like Ginger Snaps (2001) and Suspiria (1977), you’ll be especially intrigued by Jennifer’s Body.

Black Swan (2010)

Black Swan tells the story of Nina Sayers (Natalie Portman), a professional ballerina whose intense rivalry with fellow ballerina Lily (Mila Kunis) causes her to unravel as she grows increasingly attracted to Lily. Nina and Lily’s similarities to Glinda and Elphaba are hard to ignore. In both relationships, a perfectionist is contrasted with the more uninhibited half of the pair, who begin as rivals but are undeniably drawn to one another.

Black Swan is a far darker and more complex story than Wicked. It explores the dark side of the dance profession and the crushing pressure ballerinas face. Through its mind-bending psychological premise, it also touches a bit on repressed sexuality and sexual awakening. Black Swan’s dark psychological premise and themes of sexual awakening are highly reminiscent of Raw (2016) and Swallow (2020).

Frozen (2013)

Frozen centers on Anna (Kristen Bell), who sets out to save her kingdom from eternal winter after her sister, Elsa (Idina Menzel), accidentally casts a spell on it before fleeing. In the film, Elsa and Anna share a relationship reminiscent of Elphaba and Glinda, bonding despite their opposing personalities. Frozen also offers a story, rather than just a relationship, similar to Wicked and Wicked: For Good.

Frozen offers a whimsical, fantastical tale about two orphaned royal sisters, one of whom has powerful ice-manipulation abilities. Like Wicked, the story is complex enough to intrigue adults as the sisters grapple with acceptance, sisterhood, romance, and grief, yet light enough for children through its catchy songs and comedy. If you enjoy Disney or Pixar movies that offer a bit more maturity, like Up (2009) and Encanto (2021), Frozen is a must-see.

A Simple Favor (2018)

A Simple Favor follows Stephanie Smothers (Anna Kendrick), a mommy vlogger, who slowly gets pulled into her wealthy, popular friend Emily’s (Blake Lively) web of mysteries. I see Stephanie and Emily’s relationship as strongly paralleling that of Elphaba and Glinda, though it’s a bit more complex. The pair share an emotional bond but also get caught in a game of cat-and-mouse, which resembles the way Glinda pursues Elphaba in Wicked: For Good. 

A Simple Favor offers a few more twists and turns than the Wicked movies. The psychological crime thriller constantly keeps you on your toes and pulls off a few shocking surprises. It also offers a nice dose of dark humor and absurdity through a feminist lens, reminiscent of Thelma & Louise and Jennifer’s Body, but with an additional noir bent.

Luca (2021)

Luca centers on Luca Paguro (Jacob Tremblay) and Alberto Scorfano (Jack Dylan Grazer), young sea monsters and best friends who venture on land but struggle to conceal their identities and find acceptance. Luca and Alberto share an intense emotional bond akin to that of Glinda and Elphaba. Unlike Glinda and Elphaba, the pair were best friends since childhood and never quite rivals. Still, I see similarities to Glinda and Elphaba in the innocence and intensity of the friendship. 

Like Frozen, Luca also parallels the whimsical, lighthearted nature of the Wicked movies. All three movies follow lead characters who possess unique abilities or appearances but find supporters and friends who accept them as they are. Luca, though, offers a more straightforward plot about two boys’ adventures, adding another layer of childhood innocence that’s certain to appeal to children. Fans of Elio (2025) and The Good Dinosaur (2015) will especially enjoy Luca’s adventurous premise.

The Banshees of Inisherin (2022)

The Banshees of Inisherin tells the story of Pádraic (Colin Farrell) and Colm (Brendan Gleeson), who become entangled in an increasingly vicious feud after Colm abruptly tries to end their friendship. Pádraic and Colm strongly resemble Glinda and Elphaba: Pádraic and Glinda share the same naïvety, while Colm and Elphaba are more intellectual and brooding. Even though each pair does cruel things to one another, they never wholly stop caring for each other, despite how much they may try. 

The Banshees of Inisherin is quite a unique film. It’s almost one of those feel-bad movies, as you watch the senseless deterioration of a friendship. However, the touches of dark comedy and absurdity, along with the deep dive into human loneliness, keep it intriguing. If you enjoy movies and shows that aren’t afraid to get dark in their exploration of feuds, such as Bring Them Down (2025) and Beef (2023), you’ll love The Banshees of Inisherin. 

The School for Good and Evil (2022)

The School for Good and Evil follows two girls, Sophie (Sophia Anne Caruso) and Agatha (Sofia Wylie), whose friendship is tested when they are admitted to rival schools, the School for Good and the School for Evil. Sophie and Agatha are the perfect Glinda and Elphaba-esque pair. Sophie dreams of being a princess and finding true love’s kiss, while the townspeople have dubbed Agatha a “witch.” While their school and society try to set them against each other, their friendship remains strong.

The School for Good and Evil also parallels Wicked in its exploration of good and evil. The schools try to put Sophie and Agatha into a “good” or “evil” category, but the girls recognize that labels are rarely that simple, just as there’s so much more to Elphaba’s story than being “wicked.” The School for Good and Evil is excellent if you’re looking for the themes of Wicked, but in a less complex story, easier for children to digest.

His Three Daughters (2023)

His Three Daughters centers on three estranged adult sisters who must come together as their father, Vincent (Jay O. Sanders), reaches the end of his cancer battle. It’s an excellent pick for viewers looking for themes of sisterhood and connection, but through a much more emotional story. In the film, the way Vincent’s biological daughters treat his stepdaughter, Rachel (Natasha Lyonne), as an outsider is also reminiscent of Elphaba’s treatment in Wicked. The ultimate bond between the three sisters, though, reminds me of the complex connection between Elphaba, Glinda, and Elphaba’s sister, Nessarose (Marrisa Bode).

His Three Daughters is also a very grounded movie, radiating with a simplistic beauty. The story is straightforward but often searing, and will hit close to home for those who have experienced complicated family dynamics and grief. Fans of hauntingly beautiful movies like Nomadland (2020) and Fremont (2023) will enjoy His Three Daughters.

Nyad (2023)

Nyad tells the story of Diana Nyad (Annette Bening), who attempts to complete the feat she failed 30 years earlier: swimming nonstop from Cuba to Florida. To accomplish this, she employs the help of her best friend and former lover, Bonnie Stoll (Jodie Foster). Although the two are opposites, with Diana’s impulsivity and ambitions, and Bonnie’s down-to-earth, more realistic nature, they share an unbreakable bond. The pair help each other accomplish their dreams, much as Glinda and Elphaba could only achieve theirs together.

While friendship is a strong element in Nyad, it’s also an excellent story for those seeking inspiration. It goes a little deeper than a typical feel-good sports biopic, delving into Nyad’s past trauma and the many failures she experienced. Her determination and work ethic in the face of many obstacles, alongside Bonnie’s endless support, is awe-inspiring. It’s a must-see if you loved Young Woman and the Sea (2024).

Love Stephen King books, but are sick of the same old page-to-screen adaptations? The good news is there are plenty of movies that feel like they're ripped from the mind of Stephen King. Whether it's because they exude nostalgia for eras past or they capture King's distinctive brand of small-town horror, these eight movies might leave you scanning the credits just to ensure the author's name isn't there. 

While most of them are horror-heavy (because, yes, that's how most of us like Stephen King best), a couple of them are tame enough to enjoy with the whole family. Spanning popular streamers like Netflix and free platforms like Tubi, here are eight movies that feel like a Stephen King book but actually have nothing to do with the horror author.

The Goonies (1985)

Including The Goonies on a list like this might seem controversial to some. After all, the Richard Donner classic is a family-friendly adventure story that lacks King's usual horror elements. However, Stephen King also writes outside of horror. It's not scary, gutter clowns and telekinetic high schoolers all the time. Sometimes, it's slow-burn, character-driven dramas like The Shawshank Redemption (1994), for example. My point: In another universe, I could totally see King thinking up an adventure comedy like The Goonies. 

It's got a similar "kids on bikes" vibe to stories like It (2017) and Stand by Me (1986), with a close-knit group of young protagonists delving into adventure and peril. Plus, it's dripping in '80s nostalgia, which plays a big role in so many of King's books and movie adaptations. If you're craving horror, look elsewhere. However, anyone wanting the essence of a Stephen King story without the scares, The Goonies might be your best bet. 

The Sandlot (1993) 

Stephen King? Family-friendly? Again? However, when I was writing the entry for The Goonies, I couldn't help but think about how The Sandlot captures a similar vibe. Perhaps what's even more fitting here is the baseball plot. Anyone who reads Stephen King knows he's a big Red Sox fan. References to the Boston team litter his books, and he even wrote a survival horror novel titled The Girl Who Loved Tom Gordon in 1999. So, yes, in another alternate universe, The Sandlot could've been a Stephen King story, too. 

Centered on a group of kids playing baseball during the summer of 1962, The Sandlot is the ultimate coming-of-age comedy for those needing some nostalgia and laughs. It manages to capture the innocence, wonder, and fears of childhood, giving it mass appeal despite anchoring its plot to baseball. I'll also say there's something just so Stephen King about the kid's encounter with The Beast (you know, the dog chained in the yard over).

In the Mouth of Madness (1994)

If you're reading this list in order, hooray! We've finally gotten to the horror entries, and what better way to kick them off than with In the Mouth of Madness? Sam Neill stars as John Trent, an insurance investigator assigned to investigate the disappearance of a horror author, only to get sucked into a surreal, supernatural mystery. And if that doesn't already sound like a Stephen King book, I don't know what would.

Director John Carpenter masterfully delivers a mind-bending, psychologically taxing movie that will leave you questioning reality right alongside Neill's character. While In the Mouth of Madness pulls heavy inspiration from H.P. Lovecraft (the title even pays tribute to one of his novellas), there's also something very King about it. No stranger to homaging Lovecraft in stories like The Mist (2007) and Revival, King has dabbled in cosmic horror. In that regard, In the Mouth of Madness is perfect for anyone wanting a mash-up of two of history's greatest writers.

Frailty (2001)

Calling all psychological thriller fans. If you haven't seen Frailty yet, it's an absolute must-watch. Bill Paxton plays a serial killer. However, the crux that will have your eyeballs glued to the screen and your jaw inching open in disbelief: He believes God commands his killings and his two sons become entangled in his religiously motivated crimes. Twisted? Absolutely, and that's why it's such an engrossing watch for dark thriller fans.

King frequently explores religion as a motivation for horrific actions. Think of Margaret White (Piper Laurie) in Carrie (1976), for example. Yet, Paxton's tormented father will also spark comparisons to Jack Torrance from The Shining (1980), whose increasingly disturbing behavior will leave you thinking about him long after the credits roll.  

Joy Ride (2001)

If you spent any time at all flicking through channels in the early '00s, then you probably stumbled across Joy Ride at some point. Starring Paul Walker, Steve Zahn, and Leelee Sobieski, the horror thriller follows the trio's desperate attempts to escape a deranged trucker (voiced by Ted Levine) hellbent on seeking revenge after a prank involving the CB radio. 

While I wouldn't call Joy Ride a masterpiece, it's certainly a lot of fun. Tense, slick, and surprisingly funny at times, it will entertain anyone who likes suspenseful cat-and-mouse thrillers. Rusty Nail, the deranged trucker in question, feels like a villain ripped straight from a Stephen King book, while certain menacing shots of his truck will conjure similarities to Christine (1983) and Maximum Overdrive (1986).  

Summer of 84 (2018)

Perhaps lesser known than most of the entries on this list, Summer of 84 is perfect for anyone looking for a time capsule of summer vacations from a bygone era. Much more horror-leaning than The Goonies, but not quite as scary as It, the movie focuses on a group of teenagers who begin to suspect their neighbor is responsible for the disappearances of local boys.

While the nostalgia might pull you in, the mystery will keep you there. Although more of a slow-burn than some of the entries on this list, Summer of 84 builds to a divisive, albeit brutal, ending. If you like Stranger Things (2016) or, obviously, the childhood friendships King creates in many of his books, Summer of 84 is worth watching at least once.  

The Black Phone (2021)

Perhaps it's cheating to put The Black Phone on this list, considering the movie stems from a short story written by Joe Hill, Stephen King's son. However, no one can emulate Stephen King like him. (Fun fact: The first time I read Joe Hill, I thought, "This author sounds exactly like Stephen King. Little did I know, they were related at the time.) All this to say that The Black Phone feels pretty reminiscent of Stephen King fare like It or The Boogeyman (2023). 

Ethan Hawke's Grabber makes quite the impression as a certifiably creepy serial child killer. He may not be as memorable as Pennywise, but overall, The Black Phone is a decently entertaining horror movie, especially for fans of supernatural thrills. Funny enough, Black Phone 2 might surpass it in terms of quality (rare, I know), but I'd recommend starting with the first one before jumping into the sequel, regardless. 

Dark Harvest (2023)

As a child of the '90s, I'm well acquainted with R. L. Stine's Goosebump series, and in some ways, Dark Harvest feels like it could exist in that universe. However, its R-rating, thanks to ample amounts of gore and violence, places it more firmly in Stephen King territory. But, hey, isn't Stephen King just R. L. Stine for adults? Right? Am I on to something? 

Anyway, Dark Harvest manages to mash together fantasy and horror to deliver a story about an annual ritual where teenage boys must hunt and kill a malevolent creature known as Sawtooth Jack. Set in a small Midwestern town in the 1960s, Dark Harvest has all the small-town horror one has long come to expect from Stephen King. Likewise, its rural, cornfield-lined setting makes it the perfect companion to Children of the Corn (1984).  

Action cinema is filled with iconic heroes who headline sprawling franchises and characters whose stories continue because audiences simply refuse to let them go. But for every John Wick or Ethan Hunt, there are equally cool action characters that only appeared in one film, despite having the kind of charisma, worldbuilding potential, or narrative momentum practically begging for a sequel.

Revisiting these one-off entries, which can be found on Netflix, Hulu, and more, is like finding a hidden room inside the action genre where each lead character left behind a blueprint for a franchise that never materialized, whether due to studio hesitation, box-office timing, marketing misfires, or simple bad luck. Here are six action movie characters that deserve their own franchise. 

John Matrix – Commando (1985)

Commando comes from that glorious mid-'80s sweet spot when action movies were loud and unabashedly fun. The story follows former United States Army Special Forces colonel John Matrix (Arnold Schwarzenegger), who sets out to save his daughter, Jenny (Alyssa Milano), kidnapped by a dangerous group of mercenaries. The film sets up a world where John has an entire past filled with covert operations, old enemies, and former allies who could surface at any moment.

That alone is fertile ground for sequels or even modern spin-offs. The character also works for fans who love classic, quippy, explosive action that feels larger than life without tipping into outright parody. The movie is perfect for viewers who enjoy movies like Rambo: First Blood (1982), where the action feels personal. A sequel could have explored a darker mission or a new chapter in John's relationship with his daughter, but instead, he became the best franchise starter that never was.

Turkish – Snatch (2000)

While Snatch is primarily known for Guy Ritchie's direction and unforgettable ensemble cast, it's Turkish (Jason Statham) who quietly holds the film together. The movie follows two plots. The first is about the search for a stolen diamond, and the second centers on Turkish, a small-time boxing promoter who gets involved with a dangerous gangster. Although he isn't the flashiest character, he's the one with the most narrative potential.

Turkish operates at the crossroads between hustlers, thieves, and mobsters, which means the possibilities for follow-up stories are endless. His observant, always skeptical perspective makes him the perfect guide into the chaotic world of Snatch. Viewers who enjoy dialogue-driven, character-rich crime comedies like Lock, Stock and Two Smoking Barrels (1998) would easily follow Turkish through multiple sequels since his understated energy balanced the frantic pace of the film perfectly.

Evelyn Salt – Salt (2010)

Salt had all the ingredients of a long-running spy franchise with Angelina Jolie delivering one of her most commanding action performances as the titular Evelyn Salt, who tries to clear her name after being wrongfully accused of being a Russian sleeper agent. The movie builds an entire mythology around her identity, training, and loyalties, hinting at a bigger universe of sleeper agents and hidden agendas, which makes it even more surprising that Salt never returned for a sequel.

Salt is perfect for fans who love espionage thrillers like Mission: Impossible (1996) since it features a protagonist who can stand toe-to-toe with the genre's best. Evelyn is adaptable, intelligent, and constantly shifting between vulnerability and lethal precision. The character deserved more films because she represented a female-led action franchise with genuine international intrigue and complex motivations, which was rare at the time.

Major William Cage – Edge of Tomorrow (2014)

Edge of Tomorrow's Major William Cage (Tom Cruise) is one of the most popular action protagonists of the last decade because he breaks the mold. He doesn't start as a hardened soldier, but as a reluctant participant forced to evolve after getting trapped in a time loop. This premise is used to chart one of the most satisfying character arcs in modern action cinema. By the end of the story, Cage is a different man, setting the stage for an intriguing sequel that never happened.

The film is rich with potential for a follow-up. Humanity is on the brink of extinction, alien threats still exist, and Cage's altered relationship with time could open the door to new conflicts. His partnership with Rita Vrataski (Emily Blunt) is another angle that could be explored. Fans of sci-fi action movies like Oblivion (2013) would absolutely follow Cage into another adventure. Especially since his particular brand of heroism feels earned.

Holland March and Jackson Healy – The Nice Guys (2016)

The Nice Guys introduced viewers to two characters who deserved more than one movie. The story follows Holland March (Ryan Gosling) and Jackson Healy (Russell Crowe), who decide to work together when a teenage girl goes missing. Their chemistry is electric, but the film also establishes them as unlikely heroes operating in a heightened version of 1970s Los Angeles. Although the setting and the duo were begging to be revisited, a sequel never materialized.

The Nice Guys has the perfect tonal balance—part action, part noir mystery, and part buddy comedy, which will appeal to viewers who enjoy movies like Rush Hour (1998). March and Healy each carry their own emotional baggage, which makes their partnership funny and unexpectedly sincere. That complexity is precisely what made them such strong candidates for a franchise. They weren't just good detectives. They were the start of what could've been a great franchise.

Alita - Alita: Battle Angel (2019)

Alita: Battle Angel introduces viewers to a world full of cyborg warriors, aerial cities, underground competitions, and political intrigue. The story follows Alita (played through motion-capture by Rosa Salazar), a discarded cyborg girl who is pulled from a scrapyard. After she is revived, Alita remembers nothing of who she once was. As she relearns the world, her caretaker does everything he can to protect her from the dangerous truths buried in her past.

The film ends with Alita ready to confront even greater threats, making it clear her story is far from over. But a sequel never got off the ground, even though the movie appeals to fans of sci-fi and anime adaptations. Alita's greatest strength is her emotional sincerity because she's not defined by cynicism or vengeance. That kind of hero resonates across all types of audiences and genres, sort of like Atomic Blonde (2017). Alita isn't just ready for a sequel; she was built for one. Fingers crossed, Robert Rodriguez and James Cameron get it off the ground. 

Walt Disney Animation has been a benchmark of the cinema landscape for almost a century, with Snow White and the Seven Dwarfs (1937) establishing the theatrical arm of the company. In the years since, there have been several dozen releases that have crafted their own inventive, gorgeous worlds for audiences to fall in love with. While many of these films work perfectly fine as standalone movies, some of them utilize shared pop culture elements to poke fun at the past or reference great films. 

Many of these are references that will only appeal to older audiences, who have a wider knowledge of cinematic history. In fact, many of the best deep-cut references hidden in Disney movies are from films that younger audiences won’t recognize at all. Here are the best pop culture references hidden throughout Disney animated movies that most kids won’t understand, and where you can find them on Disney+, HBO Max, and more.

Zootopia (2016)

Zootopia is far from the first movie to reference The Godfather (1972), but it commits to the idea more than almost any other. Zootopia is a crime-noir riff that combines the cute animal characters of a Disney film with a mystery that doesn’t feel out of place alongside The Maltese Falcon (1941).

One of the big plot beats in the film sees Officer Judy Hopps and con-man Nick Wilde bring in a local shrew crime-boss. Mr. Big specifically recalls Marlon Brando’s performance as Don Corleone, with a similar costume and vocal performance. Notably, his love for his children is also brought over from the crime epic, albeit with his daughter, Fru Fru, modeled more after the modern Jersey stereotypes seen in shows like Jersey Shore (2009).

Zootopia 2 (2025)

Mr. Big and Fru Fru return in Zootopia 2, but they aren’t the best reference to older films. While the movie also includes sly allusions to movies like Babe (1995) and The Silence of the Lambs (1991), the best deep-cut is to The Shining (1980).

After betraying Judy and becoming the primary antagonist of the film, Pawbert tries to reach the patent for the Zootopia climate walls before she can. Moving through a massive frozen hedgemaze, Zootopia 2 introduces the score from the classic Stanley Kubrick horror film. Pawbert even glares into the camera at one point, with the same kind of twisted and maniacal look that Jack Nicholson’s Jack Torrance is most remembered for. For extra effect, the hedge maze may not resemble the actual maze from The Shining, but it contains a similar look to the distinct carpet design seen throughout The Overlook Hotel.

Mulan (1998)

Mulan doesn’t contain as many pop culture references as other movies from the Disney Renaissance era, but it does have a pretty sly moment that alludes to both Rambo III (1988) and Batman (1989). At the climax of the film, Mushu scares off a few people in a nearby tower, which will give him access to the fireworks there. To frighten them, Mushu lands with a kite at his back. Coupled with his ears sticking up and the growl in his voice, it’s a visual marker for the Michael Keaton version of the Dark Knight.

The dialogue is a reference to another movie, though, as it’s actually a direct quote from Rambo III. Calling himself “your worst nightmare,” Mushu and Rambo both get a bit of intimidation in the middle of an otherwise spectacle-driven action scene. 

Hercules (1997) 

Hercules has a lot of humor hidden under the noses of children, ranging from sly references to Greek history and art to Easter eggs that recall other movies in the Disney library. However, one of the film’s most obvious references is to The Karate Kid (1984).

During both films, the protagonist has to train in combat so that they can grow, both physically and spiritually. The Karate Kid’s training montage, set to “You’re The Best” by Joe Esposito, sees Daniel LaRusso training on a beach and working on his crane kick. During Hercules’ training with Phil in the song “One Last Hope,” he does the same thing on the beach. The shot is even modeled after the frame from The Karate Kid. Both movies are perfect for fans of underdog stories. 

Aladdin (1992)

Given Robin Williams’s habit of referencing pop culture in his improvised comedy routines, it shouldn’t be surprising to see his Genie do a lot of deep cuts about pop culture figures in Aladdin. One of the most obvious is his turn as Rodney Dangerfield, mimicking the vocal stylings of the comedian from Caddyshack (1980) and Back to School (1986).

He also includes a vocal reference to Jack Nicholson in Prizzi’s Honor (1985), talk show host Ed Sullivan, Peter Lorre from Casablanca (1942), and Groucho Marx from Duck Soup (1933), although each of these turns doesn’t necessarily reference any specific film so much as those iconic actors. Aladdin’s sly references actually helped popularize the pop culture reference trend that later animated films would include, although they feel more like sly tributes rather than deliberate recreations.

Tangled (2010)

Tangled largely stands on its own as a Disney animated film, lacking the overt references that appear in other movies from the studio. However, there is one beat that seems to be a deliberate callout to Raiders of the Lost Ark (1981).

After taking a frying pan as a weapon for himself (albeit after having Rapunzel prove its offensive potential against him), Flynn almost loses the tool during a rock slide. At the last moment, Flynn pulls the pan out of the way of falling rocks, keeping it on him. This is a reference to the way that Indiana Jones, whenever he almost loses his iconic hat, always reaches back and grabs it at the last second before it’s lost forever. While the two are very different movies, Tangled’s sly reference should elicit a little chuckle from action-adventure fans. 

The Lion King (1994)

Similar to Mulan, The Lion King finds a way to include two distinct movie references into a single scene. During the climax of the film, Pumba races into the hyena den to save Timon and Zazu. When the hyenas dismissively ask, “Who’s the pig?”, Pumba grows furious and asks if they’re talking to him. This, of course, is a reference to Robert de Niro’s iconic scene from Taxi Driver (1976), where he practices being a tough guy in the mirror by repeatedly asking, “You talking to me?”

Pumba angrily follows the question by declaring himself to be “Mr. Pig.” This is a shout-out to the classic noir film In the Heat of the Night (1967), where Sidney Poitier’s Virgil Tibbs responds to a racist slapping him by slapping him right back and saying, “They call me Mr. Tibbs.”

A Goofy Movie (1995)

A Goofy Movie is one of the few Disney movies nominally set in a realistic setting, with the father/son dynamic at the core of the narrative meant to be deeply relatable despite the presence of Goofy as the main character. This means many of the film’s references are to real pop culture, from the nerdy side characters wearing Star Trek (1966) shirts to pop-star Powerline replicating the stylings of Prince and Michael Jackson.

However, the film’s goofiest reference comes with the appearance of Bigfoot, who is distracted from attacking Goofy and Max by going through their things. This leads to him hearing disco music, at which point he replicates the distinct dance moves seen in the John Travolta disco movie Saturday Night Fever (1977).

The Incredibles (2004)

The Incredibles is full of references to the lore and history of the superhero genre, with plenty of riffs that make it a strangely perfect peer to Watchmen (2009). However, the best reference in The Incredibles has nothing to do with the genre and more to do with one of the stars.

When Mr. Incredible and Frozone are briefly held at gunpoint by a police officer, Frozone takes a drink of water and uses it to replenish himself enough to freeze the cop and get them out of the situation. This is a deliberate reference to Die Hard with a Vengeance (1995). That film saw Zeus, John McClane’s unlikely ally, do something similar during a tense stand-off. Notably, both Zeus and Frozone are played by Samuel L. Jackson.

WALL-E (2008)

WALL-E is one of the best films in the Pixar filmography, an environmentalist sci-fi film with as many references to Hello, Dolly! (1969) and Charlie Chaplin as Blade Runner (1982). However, one of the biggest references is to 2001: A Space Odyssey (1968), one of the most important and iconic sci-fi films ever made.

Specifically, both films feature a malicious AI as a major threat. HAL and Auto are both depicted as ruthless characters, with a clear disdain for people. Notably, Auto is personified with a single unblinking red light, which is modeled after HAL. It lends the films a thematic connection that feels especially fitting, given how both HAL and Auto refuse to be ordered around by the people they nominally serve. If you’re looking for something more mature and slow burning, 2001: A Space Odyssey fits the bill. However, don’t sleep on WALL-E. It might be for kids, but it packs a surprisingly deep message. 

There’s something magnetic about the world of Wicked—the sisterhood drama, the romantic entanglements, the music (how can we forget the music?), and the idea that sometimes the “villain” is just the only person in the room who’s willing to call out nonsense. Once the movies end, many fans are left with a familiar ache of: I need more. 

So if you’ve fallen down the emerald-green rabbit hole of Wicked and its much anticipated follow-up Wicked: For Good, then welcome, you’re among friends. Movies like Wicked come in all flavors (variety is the spice of life, after all) with fantasy, drama, humor, and emotional complexities, so whether you want something family-friendly, moodier, or even over-the-top, there’s something for everyone (one of them includes so much eye-popping candy, I’m sure you know where I’m headed with this.) 

So grab your broomsticks, and let’s head down this yellow brick road together with these 10 films which you can stream on HBO Max, and Disney+, amongst others.

Into the Woods (2014)

If Wicked fans love one major thing (among other things, I’m sure) it’s a fairy tale with complications, and Into the Woods carries that blueprint. If you enjoy watching musicals and moral gray zones that make you mutter “oh great, another existential crisis” at the screen, then Into the Woods is your jam. The tonal elements in the movie are its charm, though it can give you whiplash by being whimsical one minute, and dark the next, but the ensemble cast makes it worth the watch. 

Emily Blunt could sing about her grocery list and I’d still watch, Anna Kendrick somehow makes every indecision into a character arc, and Meryl Streep plays the role of the Witch so convincingly that you wonder if she has a broomstick parked off-screen. Into the Woods embraces its dark corners, unlike Enchanted which keeps the tone light. If you enjoy your stories with fantasy and a side of melancholy like Big Fish, then you’ll like watching Into the Woods. 

Maleficent (2014)

Maleficent is for anyone who watched the original Sleeping Beauty and thought, “Okay, but what if the tall angry woman had a point?” If Elpheba is the misunderstood girl next door, Maleficent is like her moodier goth sibling, the kind of person who swears she’s totally fine but then dramatically stares into the distance. The best part of the movie has to be Angelina Jolie’s performance; she embodies Maleficent with icy, broody, and wounded brilliance (and let’s be honest, her cheekbones deserve their own Wikipedia page.)

Maleficent is perfect for anyone who is drawn to villain-redemption arcs like in Cruella. Tonally, the film’s darker mist-soaked tone is miles away from the “sparkly ballet fever dream” vibe of The Nutcracker and the Four Realms, and while it’s not flawless, it’s the closest relative to Wicked in terms of how easily a misunderstood woman can become a myth. If you enjoy the kind of movies where classic fantasy stories are reframed through the eyes of the “monster” like in Beastly, then Maleficent should be next on your watch list.

The Nutcracker and the Four Realms (2018)

Have you been craving some holiday magic fantasy? Perhaps with more peppermint and glitter, and fewer flying monkeys? Then, The Nutcracker and the Four Realms doesn’t shy away from bringing visual extravagance to the forefront. The plot in itself leaves a lot to be desired, but though it’s not structurally elegant, it’s charming. 

Mackenzie Foy (remember Renesmee from Twilight: Breaking Dawn? Yeah that’s her!) is sweet and gentle as Clara Stahlbaum, and Keira Knightley’s performance was the movie’s biggest surprise (if you’ve watched the film, you know what I’m talking about), and she commits to her role as the Sugar Plum Fairy in a bizarre, yet oddly captivating way. 

Being a Christmas fantasy film, it’s extremely nostalgic to watch around the holidays, and is one of the only entries on the list capturing that spirit. Like Wicked, if you’re someone who enjoys watching family-friendly fantasy with lavish world-building, but also want something where it feels like an illustrated storybook has come to life, like in A Wrinkle in Time, then the Four Realms checks those boxes. 

Charlie and the Chocolate Factory (2005)

If you like your fantasy a little weird (or, a lot weird) and a little sugary, then Tim Burton’s Charlie and the Chocolate Factory is your next watch. Johnny Depp’s Willy Wonka is truly the highlight of the film; he gives the character a sort of offbeat eccentricity that can be considered either genius or unsettling, depending on your mood. The film works because of Burton’s signature whimsical gloom, that has been turned up a notch. The production design has to be the film’s greatest strength, each scene looked like it was carefully crafted by a candy-obsessed architect. 

Just like how Wicked reframed Elpheba as a character with a misunderstood reputation from the “Wicked Witch of the West,” similarly, Charlie shows Wonka’s truth about why he is the way he is by giving the audience some context into his life. Though some fans find his childhood trauma unnecessary to dive into, I find that his backstory adds an additional layer of depth to Wonka who’s usually considered to be ‘strange’ or ‘mysterious.’ Charlie is tonally closest to The Nutcracker and the Four Realms, just substitute the glitter with candy. If you enjoy movies with oddball, yet tender protagonists like in Edward Scissorhands, then Charlie and the Chocolate Factory offers the same sugar rush. 

The Greatest Showman (2017)

If you love flashy musicals that proudly lean into spectacle, without apologizing for it, The Greatest Showman is pure entertainment. The selling point of the film has to be Hugh Jackman, not because his character is flawless (far from it), but because he truly believes life’s problems can be solved with a good dance and jazz hands. The soundtrack carries a third of the movie (seriously, I was humming to ‘The Other Side’ continuously for weeks), the choreography carries another third, and Zac Efron and Zendaya’s chemistry carries the rest. 

To be frank, the movie isn’t historically accurate, and cuts out some of the more ethically questionable things P.T Barnum did in real life, but The Greatest Showman is a highly sandpapered version of his legacy, and can’t really be considered his biopic. The Greatest Showman, though popular, was remembered mostly for its music, and its showy approach is the opposite of Ella Enchanted, which is more subdued. If you’re in the mood for another musical with heartfelt undercurrents, watch Mamma Mia! Here We Go Again.

Enchanted (2007)

Enchanted is for anyone who loves fairytale tropes, but also wants to poke fun at them (which, let’s be honest, Wicked viewers will appreciate.) The film is completely charming with its musical numbers and surprisingly grounded emotional arc. Amy Adams gives a wonderful performance as Giselle, where she’s equally earnest and sincere, but in a way that the satire never slips into mockery. 

Where Into the Woods unravels fairytales in a somber way, Enchanted celebrates the genre while also parodying it, and that’s what makes the film still feel so fresh today. Though the sequel, Disenchanted, tries to recreate that same magic onscreen two decades later, I personally feel it falls short. I did appreciate Amy Adams’s slightly darker persona, but overall, the movie didn't land for me. If you enjoyed the meta-fairytale tone of The Princess Bride, then you’ll find Enchanted scratches the same cheekiness mixed with warmth itch.

Cruella (2021)

With style, attitude, and enough costume changes that make it fit to qualify for New York Fashion Week, Cruella is for the viewers who want fashion, drama, and a villain origin story, all neatly wrapped in one package. Emma Stone dominates the screen, and she embodies Cruella’s edge, intensity, and spite with ease. Even if you know nothing about the 101 Dalmatians and Cruella de Vil lore, this movie can be watched as a standalone. 

Cruella’s monologue from the film has to be the best scene for me (I genuinely shed a tear); the way Cruella accepts that try as she might, she’ll never be “sweet Estella” was so real (and the fact that this entire scene was done in one take impresses me even more; Emma Stone is such a star.) Looking at Maleficent—another “villain who maybe isn’t actually a villain”—who’s a brooding, moodier version, while Cruella is the punk-rock cousin who arrives late and just doesn’t care. If you like stylish anti-heroes, like Birds of Prey, then Cruella needs to be next on your list. It has the same neon-soaked chaotic charisma, but with fewer dogs. 

Stardust (2007)

Stardust is for romantics (or non-romantics, we don’t judge) who enjoy fantasy and adventure with a mischievous streak. The movie’s watchability comes from its cast; they’re clearly having a ball, especially Michelle Pfeiffer, who seems to thrive whenever she’s handed the villain role (remember her in Batman Returns as Catwoman?) 

Stardust feels like a classic fairytale, but filtered through modern sensibility and emotional themes, similar to Wicked. I mean, pirates, witches, fallen stars, and Robert De Niro? It all pretty much works great. I personally think it’s the most underrated fantasy film of the 2000s, it genuinely deserves way more hype. The film feels like a whimsical, more charming relative of The Hobbit, but with fewer songs about misty mountains. A fairytale romp that has the audacity to be funny and magical? We love it. 

Ella Enchanted (2004)

All Anne Hathaway fans assemble! Soon after she discovered she was the Princess of Genovia, Anne was taking on curses and going on quests in Ella Enchanted. Another satirical take on the fairytale genre, just like Enchanted, Ella Enchanted is the breeziest title on this list. The movie is heartfelt but goofy, and is for everyone who enjoys bright, lighthearted fairytale capers, sprinkled with musical moments. Anne gives her all to her performance with impeccable comedic timing. 

The ending of the movie is predictable (as expected), but sometimes, something simple and straightforward is exactly what we want. For better or for worse, the humor does feel a bit early-2000s (I’m not sure how else to describe it), but Ella Enchanted knows it’s cute and playful, and leans into it without trying to reinvent the genre. If you want to watch another quirky, sweet, curse-breaking story post-Ella Enchanted, then check out Penelope, which is a lovely companion piece.

The Wizard of Oz (1939)

This one’s a bit of a throwback, but would I do justice to this list if I didn’t add the original movie from which Wicked and Wicked: For Good were adapted? The Wizard of Oz is one of those movies that’s for literally everyone—fans who enjoyed all subsequent adaptations, but also new people who enjoyed both the Wicked movies and now want to revisit the entire emotional lore. Judy Garland is a gem as Dorothy, giving a sweet and grounding performance in a movie that otherwise involves Ruby-colored footwear and flying monkeys. 

If you’re a fan of classic vintage magic movies like Mary Poppins, then The Wizard of Oz shares the same sense of wonder. Some people may find the effects slightly outdated (I mean, they did what they could in the era they were in), but I think the movie is a tornado of Technicolor, making it a fan-favorite even eight decades later. While Wicked humanizes Elpheba, I’m more of a fan of the cackling Wicked Witch of the West in The Wizard of Oz, there’s just something about that pointy hat and broom that screams iconic. 

A gripping mystery, a tense thriller, tons of questions, the suspense builds… there’s really nothing quite like the mystery and thriller genres. They keep you guessing, and more importantly, they keep you entertained. Especially as we head into the colder months, nothing beats a nice night at home, cuddled up under some blankets while exploring a tense mystery. 

And what could be better than getting to watch these great mystery and thriller movies completely for free? If you’re like me, you’re already paying for a few streaming services, so it’s great to have free streamers like The Roku Channel and Pluto TV, which offer tons of content without having to pay a dime. If you want to watch some great mystery and thriller movies for free, check out the list below. 

What Lies Beneath (2000)

First of all, we need to talk about the powerhouse combo of Harrison Ford starring alongside Michelle Pfeiffer. Do you really need another reason to watch What Lies Beneath? The film sees Ford and Pfeiffer as an idyllic married couple living in a beautiful lakeside home in Vermont. But something about the house feels wrong, and as the film goes on, something about the marriage seems wrong, and then… well, you know what? I’ll just let you watch and find out. 

Just know the movie is loaded with fantastic performances. It’s one of those films that has real star power as its main driving force, with both Pfeiffer and Ford delivering standout performances. Plus, the mystery and tension build throughout, all leading to a life-or-death chase at the end. If you enjoyed more modern films like The Night House (2020), then you’ll love What Lies Beneath. 

Panic Room (2002)

Another great thriller led by some massive star talent is 2002’s Panic Room. In the film, Jodie Foster plays a single mother (and her daughter is played by Kristen Stewart in her first major role) who has her sprawling Manhattan brownstone broken into by a group of thieves. Luckily, the brownstone’s previous owner was a paranoid, reclusive millionaire who built himself a panic room. But why are the intruders there, what do they want, and why won’t they leave? The mysteries and tension build the longer the night goes on, and it becomes clear this is no ordinary burglary. 

Panic Room is so brilliant because the entire movie is set inside the brownstone. Placing everything in a single set helps amp up the movie’s suspense and makes audiences really feel the claustrophobia of being trapped inside your house. If you like home invasion films like Hush (2016) or When a Stranger Calls (1979), you’re gonna love Panic Room. 

When a Stranger Calls (2006)

In 1979, a thriller debuted that changed cinema forever, giving Hollywood one of its most iconic lines ever and scaring the crap out of young women home alone everywhere. But that’s all I’ll give you about the plot, because the big twist is what gives this movie its edge. I’ll just say this: It’s about a girl who is home alone and starts getting strange and threatening phone calls from a stranger. 

The original is totally iconic, and it was also pretty low-budget. However, in 2006, When a Stranger Calls got a reboot, bringing some much-needed modern, big-budget production value. This time around, we get some proper film and sound quality and a legit score, which really helps amp up the tension. For hardcore genre fans, the original is a must-watch, but for everyone else, the remake is a great place to start. 

Identity (2003)

So, it’s a stormy night in the desert, and a group of wayward motorists get stranded at a roadside motel because of mass flooding. We have a huge ensemble cast, including Amanda Peet, Clea DuVall, John Cusack, Ray Liotta, and for some reason, even Jake Busey. But a killer is on the loose, and one by one, people start dying. 

However… that isn’t actually what’s going on at all. Nope! And I’m not telling you anything else, because the mystery and confusion are what help make this thriller so damn good. Identity is like someone took a psychological thriller and then wrapped it up, disguising it as a slasher movie to create a giant mystery for audiences that has a great, shocking twist at the end. I’ll give you this hint: If you loved Shutter Island (2010), this is the film for you.  

The Silence of the Lambs (1991)

Arguably the pinnacle of the thriller genre, The Silence of the Lambs is a masterclass in virtually everything. From its gripping characters to its sly writing, and even its unique story about two serial killers on the loose, it is virtually flawless from start to finish. In the movie, a young FBI agent (Jodi Foster) must track down an infamous serial killer. But he’s very elusive, so to help profile him, she seeks the help of another infamous killer, the cannibalistic Hannibal Lecter (Anthony Hopkins). From there, she finds herself in the middle of two very dangerous, untrustworthy villains.

The Silence of the Lambs took home all five major Oscars at the 64th Academy Awards, including Best Picture. Honestly, there really are no other movies out there quite like The Silence of the Lambs, which should play like a horror film. But, thanks to expert pacing and great performances, it becomes a tense thriller instead. Imagine the vibes of Seven (1995) and Longlegs (2024) somehow came together. 

The Skulls (2000)

Inspired by the real Skull and Bones secret society at Yale, The Skulls sees student Luke (Joshua Jackson) get caught up in the school’s infamous secret society. But it turns out the Skulls have more power than he ever could have imagined, influencing not just the school’s faculty, but also state and national politics. The film really picks up after a murder is committed, and Luke tries to discover the truth. 

Yes, in 2000, The Skulls came off as some hardcore pulpy melodrama, but with everything we’ve learned in the last few years about America’s elite and how much control and influence they have (and how they often wield it in horrific ways), the film now feels eerily real. If you love juicy, salacious teen dramas like Gossip (2000) or Cruel Intentions (1999), but want a good dose of thriller thrown in, The Skulls is a must-watch. 

Side Effects (2013)

Famed filmmaker Steven Soderbergh directed Side Effects, which is about a woman who starts acting erratically after being prescribed a new medication. She eventually commits murder while under the drug’s effects, but things aren’t quite adding up, and questions arise surrounding the crime.

Side Effects has some total Gone Girl (2014) energy and plays out as a tense slow burn filled with unanswered questions that keep you guessing. But, in the end, the conspiracy turns out to be bigger than anyone could have known. It’s also got a great cast, including Channing Tatum, Jude Law, and Rooney Mara. If you loved twisted revenge tales like The Ghost Writer (2010), you’ll love Side Effects. 

Wicker Park (2004)

In Wicker Park, hot young people have passionate romances and even hotter drama. But then, a mystery emerges. Questions arise about a missing woman, and it’s possible that someone is actually impersonating her. If you loved movies like Influencer (2023) or The Talented Mr. Ripley (1999), then you’ll enjoy the pulpy and sexy Wicker Park.

Plus, thanks to its (at that time) young cast, including Josh Hartnett, Rose Byrne, and Diane Kruger, it’s a great, more youthful take on the mystery genre. Like all great teen movies, it’s also loaded with over-the-top emotion and melodrama, making this mystery thriller a true guilty pleasure. 

The Illusionist (2006)

2006’s The Illusionist will keep you guessing until the very end. Set in the late 1800s, the film is about a magician who specializes in illusions. But then a woman is murdered, and he’s able to bring her spirit to life on stage. Is this really an illusion, or are these spirits real? And who was the killer? Can he be caught? Like all good mystery films, you’ll just have to watch and find out. Plus, the ending offers a shocking reveal. 

Many viewers probably already know Christopher Nolan’s The Prestige (2006), which was released just two months after The Illusionist, and fans of that film will surely find lots to love with this movie. But The Illusionist is more of a mature, slow-burn mystery, filled with decadent visuals and an engrossing atmosphere, which helped earn it an Oscar nomination for Best Cinematography. 

Serenity (2019)

Serenity has one of the wildest twists of any movie I’ve seen. The film centers around a fishing captain named Baker (Matthew McConaughey), who is approached one day by his ex-wife (Anne Hathaway), who says she’s in danger and begs him to kill her new abusive husband. But there’s a twist. A big one. And the movie is nothing what it seems, and I refuse to tell you anymore of the plot. 

The twist is so major and so shocking that it’s on-par with The Village (2004), where the entire movie changes in an instant, creating a jarring shock for viewers. Just like The Village, for some audiences, that will be off-putting and too distracting. But for those who can strap themselves in and just enjoy the ride, it’s a great movie. 

Westerns have been a part of Hollywood since the early days. After all, there's something so adventurous and compelling about bank robberies, horse riding, and high-stakes shootouts. However, Westerns often come with controversy. These days, the whole "cowboys vs. Indians" trope feels… problematic, to say the least. That's where the neo-Western comes in. Essentially, the genre takes the setting and tropes of traditional Westerns but updates the formula. Whether achieved through a modern setting, unique themes, or a blend of other genres, that's up to the creatives behind them.

The Abandons (2025), hitting Netflix, proves the genre is far from dead. The series applies modern themes to a historical setting while positioning two matriarchs (Gillian Anderson and Lena Headey) as the leads, which, truthfully, we don't get enough of. So, if you're craving more stories with a similar flavor, here are the seven best neo-Westerns of the past decade worth watching on Paramount+, Hulu, and more.

Bone Tomahawk (2015)

Bone Tomahawk might take place in 1890, but its horror elements give it a unique, albeit brutal, neo-Western twist. In short, it follows Kurt Russell's small-town sheriff and a posse on their quest to save three people abducted by a cannibalistic tribe. And yeah, it's about as gritty and disturbing as you might imagine.

Although Bone Tomahawk starts as a slow burn, it benefits from multiple gripping, intense moments that culminate in one heck of a climax. If you dig the Western-horror fusion in movies like Near Dark (1987) or The Wind (2018), you'll find a similar vibe here, just with a lot more violence. While not without controversy for its portrayal of racist stereotypes, Bone Tomahawk might be the most unique neo-Western in the last decade.

Hell or High Water (2016)

If you're looking for a critically acclaimed movie that is nowhere near as disturbing as Bone Tomahawk, consider Hell or High Water. Set in the then-present day, the film follows two bank-robbing brothers (Chris Pine and Ben Foster) whose desperate mission to save their family ranch involves the pursuit of relentless Texas Rangers, played by Jeff Bridges and Gil Birmingham.

Hell or High Water ensures you don't miss its commentary on economic hardship. However, it's also just a well-directed, beautifully shot film that will give you all the thrills of a good heist movie. Nothing feels more quintessentially Western than a bank robbery story, so if you're searching for that classic Western trope in a modern setting, Hell or High Water will have you glued to your screen for its 102-minute runtime.

Wind River (2017)

While Taylor Sheridan of Yellowstone fame wrote Hell or High Water, he also stepped into the director's seat for Wind River, the last installment in Sheridan's American Frontier Trilogy. Don't worry. Despite the trilogy sharing themes, it's not connected by plot or characters, making each movie (which also includes 2015's Sicario) work as a standalone. Here, an FBI agent (Elizabeth Olsen) and a Fish and Wildlife tracker (Jeremy Renner) team up to solve a murder on a Wyoming Indian reservation.

Not only does Wind River feature a female lead, which is relatively rare in the Western/neo-Western genres, but it also shines a bright spotlight on the Indigenous women neglected by the US justice system. Atmospheric, moody, and compelling, Wind River is for fans of character-driven mysteries. If you like The Silence of the Lambs (1991), you just might find a hint of Clarice Starling in Olsen's inexperienced FBI agent, too.

Yellowstone (2018-2024)

The neo-Western genre existed long before Yellowstone (thinking of you, Justified), but it most definitely helped popularize it. Taylor Sheridan and John Linson's Paramount hit took streaming and network TV by storm, as viewers tuned in to watch the Dutton family struggle through all manner of conflicts to keep their Montana ranch. While I could sit here and list all the spin-offs in the Yellowstone franchise to prove its success, that's just boring.

Really, all you need to know about Yellowstone is it's the neo-Western show. Twisty, engaging, and filled with cowboys doing all those cowboy things, it's the type of series that slowly sucks you in until the Dutton family and their drama consume you. Of all the modern-set neo-Westerns on this list, Yellowstone will give you the most authentic Western feel, if that's what you're in search of. Just boot up Paramount+, and you've got the entire franchise at your fingertips.

The Power of the Dog (2021)

Maybe it's just me, but Benedict Cumberbatch doesn't exactly scream Western actor. Yet, he absolutely kills it as Phil Burbank, a domineering rancher who initially clashes with his brother's new wife and her son when they come to stay with him. Set in 1925 Montana, The Power of the Dog delivers all the expected Western tropes, coupled with gorgeous cinematography, while presenting a more psychological side of the genre.

The topics up for analysis are repression, loneliness, and most prominently, toxic masculinity. Considering toxic masculinity typically runs rampant in the genre, that alone makes The Power of the Dog worth checking out. Be warned. This isn't for fans of action-packed shoot 'em ups. Instead, this movie will appeal to anyone who loves to get lost in slow-burn, character-driven stories.

Dark Winds (2022-Present)

Just like the Western genre so often underrepresents women, it typically neglects Native Americans, relegating them to side characters or, worse, depicting them as villainous stereotypes. Dark Winds, which Game of Thrones author George R. R. Martin executively produces, changes all that. The series makes a tribal police lieutenant (Zahn McClarnon) and an undercover FBI agent (Kiowa Gordon) its leads, as the two work together to solve crimes on a Navajo reservation in the 1970s. 

While the authentic Native American storytelling is a big plus here, Dark Winds is also just straight-up gorgeous. The desolate desert setting and sprawling New Mexico landscape really add to the atmosphere. Filled with mystery, suspense, and even supernatural elements, Dark Winds will appeal to fans of the mysterious, surreal-like vibe of Twin Peaks (1990). 

Tulsa King (2022-Present)

Like Benedict Cumberbatch in The Power of the Dog, Sylvester Stallone doesn't seem like anyone's first pick for a Western. However, he works wonderfully in Taylor Sheridan's neo-Western, Tulsa King, where he plays a recently released mafia caporegime looking to start a new criminal organization in Tulsa, Oklahoma.

As a bona fide success on Paramount+, Tulsa King isn't for audiences craving a historical vibe. With a modern setting and mafia influence, the series blends the tropes expected of the gangster and Western genres together to great effect. Think of it like Ray Donovan (2013) meets The Godfather (1972) meets a Clint Eastwood Western. Yeah, something like that.   

Soaring through space, battling aliens, encountering androids, and more. There’s just something so endlessly fascinating about sci-fi movies, especially for genre fans. And while many people out there subscribe to a few streaming services, sometimes it’s fun to find new movies that might not be on Netflix or Disney+. That’s why free streaming services like Tubi and Pluto TV can be so valuable. 

Without paying a penny, audiences can hop on these free streamers and find a massive hoard of content, from iconic classics to modern hits to indie favorites and more. For anyone out there who loves the genre, check out these 10 sci-fi movies that are streaming right now, completely for free! 

Species (1995)

They say sex sells, and Species absolutely uses that to its advantage. In the ‘90s, sci-fi nerds everywhere got all hot and bothered for Sil (Natasha Henstridge), a sexy alien-human hybrid who goes on a deadly rampage with one goal: to mate. While the sleazy premise was almost certainly used to lure in young male audiences, Species is actually a really fun and interesting movie. Plus, it’s got some seriously good practical effects, like Sil’s alien form. 

If you love sexy sci-fi films like Barbarella (1968), or movies where alien genetic mutations take some very (cough, cough) unexpected turns, like in Splice (2010), then you need to watch Species. 

Cube (1997)

Scoring Best Canadian First Feature at its 1997 TIFF premiere, Cube became one of sci-fi’s most iconic under-the-radar hits. In the film, a group of strangers wake up in a cube, surrounded by other cubes that all form one giant, interchanging cube. They have no idea why they’re there or how to get out. Even worse, some of the cubes have deadly traps. 

The film is an absolute masterclass in tension, and while some audiences might get annoyed by how few answers are provided, the mystery and confusion are what add to the movie’s terror. Cube is perfect for anyone who loves a good, trippy, disturbing sci-fi tale. Many genre fans also note the film’s similarities to Saw (2004), thanks to its traps and sadistic plot, which almost feels like the victims are in some type of twisted game. It’s also got similar psychological tension to films like Circle (2015), if that’s your jam. 

Jason X (2001)

 Like all horror franchises that run out of steam, Friday the 13th launched itself into space with Jason X. This time around, armed with a good dose of self-awareness and meta silliness, the film is nothing like its predecessors. Instead, it’s got this hilariously dated 2000s aesthetic combined with vibes of a Syfy Channel Original Movie.

In the film, Jason is cryogenically frozen and then reanimated aboard a spaceship in the distant future. Just imagine Jason on a rampage, but this time surrounded by androids, holograms, and nanobots. Yes, it’s wildly stupid. But it’s also wildly fun, and at times, laugh-out-loud funny. If you love other horror films that went to space, like Leprechaun 4 (1997), then buckle up and get ready for this doozy of a movie. 

Killer Klowns from Outer Space (1988)

Killer Klowns from Outer Space is so bonkers that it’s hard to even categorize it as campy. It’s so ridiculous that it’s almost a parody, all while still being a very good and very enjoyable sci-fi horror movie. As the title implies, the film sees a group of clown-like aliens (the Klowns) who arrive on Earth and begin killing and harvesting humans. 

The movie is pure carnival chaos, and thanks to its practical effects, it’s more than just a wacky romp. It’s a downright bloodbath. If you love over-the-top horror comedies like Thankskilling (2008) or Slotherhouse (2023), you need to check out Killer Klowns. 

Tammy and the T-Rex (1994)

Imagine it’s 1994 and Paul Walker is savagely mauled by a lion. After, a mad scientist takes his brain out of his now-mangled body and puts it into a giant robotic T. rex. Then, dinosaur Paul Walker sets out to get revenge on those who killed him using his new Jurassic upgrade. Let me introduce you to Tammy and the T-Rex.

It’s wild, fun, and straight-up weird. When Tammy and the T-Rex released in ‘94, it struggled to find success, but in 2019, it was re-released as its originally intended R-rated version (filled with more gore!) and became a cult hit. I’m trying to think of comparable movies to Tammy and the T-Rex, and I honestly can’t. It’s a teen movie, a revenge film, a dinosaur movie, and sci-fi film, all with horror elements. And that’s what makes it so special. There’s really no other movie out there quite like it.

The Faculty (1998)

What happens when Robert Rodriguez (1996’s From Dusk Till Dawn) takes on a script from Scream (1996) writer Kevin Williamson that’s intended to be a modern, cool, totally ‘90s revamp of Invasion of the Body Snatchers (1978)? You get The Faculty. Lingering somewhere between horror, sci-fi, and Dawson’s Creek (1998), the movie is a wildly fun adventure filled with the wildest ensemble cast ever (and one epically cool giant alien queen). 

The Faculty is a hard movie to categorize since it blends so many genres, but that’s also why it’s so unique and fun. It’s got this almost comic book feel, where somehow a movie about parasitic aliens is blended with campy vibes and a ‘90s alt-grunge soundtrack. If you love the ‘90s teen horror genre, like Urban Legend (1998) or I Know What You Did Last Summer (1997), and want it infused with a fun sci-fi take, this is absolutely the film for you. 

Sphere (1998)

Audiences love a good underwater sci-fi movie. And yet, it seems like Hollywood makes so few of them. Underwater (2020) and The AbyssI (1989) are probably the two most notable examples, but in ‘98, the world also got Sphere. In the movie, a team of researchers discover a mysterious vessel at the bottom of the ocean. Before long, strange and deadly events begin to occur, leading to a mystery about who or what is behind it. 

Sphere is a complex film that takes traditional sci-fi tropes and throws them into a psychological horror movie. If you love a sci-fi horror film with a tangible villain, maybe this isn’t the movie for you. But if you like films about confusion, fear, and paranoia… all with a sci-fi twist, then Sphere is a sleeper hit you need to see. It’s perfect for anyone who loves trippy sci-fi films like Solaris (1972) or Moon (2009).

Kaboom (2010)

In 2026, Gregg Araki will make the biggest movie of his career with I Want Your Sex, starring everyone from Charli XCX to Olivia Wilde, Johnny Knoxville, Cooper Hoffman, and more. For fans to get acquainted with Araki’s dark, queer style before then, check out Kaboom. The 2010 film is a wild, sexy ride that follows a group of horny college students who suddenly find themselves in the middle of a massive conspiracy involving cults and the end of the world. 

Kaboom has a fantastic shock ending, and it even took home the inaugural Queer Palm award at the 2010 Cannes Film Festival. While it can certainly feel a little low-budget to some (it is an indie film after all), it’s got a lot of passion and quirk. If you love your sci-fi films served up with a side of brooding angst and horny technicolor, you’ll love Kaboom. It’s like Donnie Darko (2001) meets American Pie (1999). 

The Mist (2007)

Often considered one of the best Stephen King adaptations, The Mist sees a small town become suddenly drenched in a strange mist so thick that you can hardly see 10 feet in front of you. Even worse, giant monsters lurk within the mist, trapping a group of residents inside a grocery store. 

The Mist is a brilliant blend of horror and sci-fi, and its cramped setting creates tons of tension between the residents who are all scared, confused, and quickly running out of resources. And as anyone who has seen the movie can tell you, the ending is seriously shocking. I remember my jaw just dropping the first time I watched this movie. If you want a great sci-fi horror film that has a super strong emotional punch at the end, this is it. It’s also great for fans of John Carpenter’s hit The Fog (1980), since there are some definite similarities. 

Feast (2005)

Created as part of Season 3 of Project Greenlight (2001), the sci-fi horror film Feast sees a ravenous alien attack a rural dive bar in the desert. To survive, the patrons must band together and fight off the monster. But this isn’t an eerie, atmospheric alien film like Ridley Scott’s classic. Feast is a bloody, gutsy, gooey, messy splatterfest that was inspired by old grindhouse movies of the ‘70s. But it’s also a lot of fun. It isn’t gory in that ultra-hardcore way like Hostel (2006) or Saw (2004).

The film very much knows it’s a wild alien flick, and there’s a vibe of playfulness and camp throughout the entire movie. It’s more like someone took Alien (1979) and then blended it with Gremlins (1984) and Tremors (1990). If you love either of those wacky movies, then Feast will be a real… dare I say, feast? 

If you've ever scrolled through December streaming trends and wondered why 1999's Eyes Wide Shut, Stanley Kubrick's chilly, erotically-charged psychological noir, keeps popping up like a rogue ornament on a very adult Christmas tree, you're not alone. For years, the film has quietly become a holiday staple across the U.S., France, and pockets of Europe.

Eyes Wide Shut follows Dr. Bill Harford (Tom Cruise), who finds himself in a nightlong odyssey of temptation and masked intrigue after his wife, Alice (Nicole Kidman), confesses a troubling sexual fantasy. His journey through the secret underworld of New York's erotic scene forces him to confront the fragility of his marriage.

Why 'Eyes Wide Shut' Became A Bizarre Christmas Classic

It's not exactly the kind of movie you put on while decorating cookies with the kids, but the fascination likely comes from the film's curious fusion of old-world Christmas aesthetics (twinkly lights, department-store holiday decorations, and upscale parties) with an icy exploration of desire, fidelity, and the masks we wear in relationships.

December, with all its performative joy, romantic expectations, and undercurrents of loneliness, ends up being the perfect emotional backdrop for Kubrick's final film. In terms of the plot, it's the holiday vibes that heighten everything, like connection, disconnection, longing, temptation, and the pressure to be your "best holiday self." And Eyes Wide Shut taps directly into those feelings.

The masked rituals, cold blue lighting, shifting power dynamics, and the unspoken jealousies give the film a mysterious quality. Some sequences tend to linger a little too long, and its depiction of sexuality leans heavily toward the surreal. But that's part of what makes the film popular. It's not designed to comfort you, but to unsettle you just enough to reflect.

Should You Watch Eyes Wide Shut?

The short answer is probably yes, but that also depends on what you're hoping to get out of it. If you're expecting a sensual thriller filled with scandal and loads of risque scenes, Eyes Wide Shut might feel slow or too introspective. It's erotic, yes, but in more of a psychological unease way than a steamy escapism way. The film is less concerned with titillation and more interested in exploring the challenges of marriage.

Cruise and Kidman, who were married in real life at the time, give performances that feel vulnerable in ways that blur the line between fiction and reality. And that is part of what makes the film worth checking out decades after its release. It's perfect for viewers who enjoy films that demand hours of conversation about the best way to interpret the plot.

But there's more to the story than mood alone. JustWatch streaming data shows that every holiday season, audiences veer toward "non-Christmas Christmas movies." These films, which can be found on platforms like Netflix, Hulu, and HBO Max, are set during the holidays but themed around anything but tidings of joy as viewers crave counterprogramming that mirrors the chaos beneath the tinsel.

Other Non-Christmas Christmas Movies To Watch Next

After drifting through the psychological maze of Eyes Wide Shut, you might crave more holiday-adjacent films. Die Hard is one of those must-see options. The story follows off-duty NYPD officer John McClane (Bruce Willis) as he becomes the lone force standing between a group of terrorists and their hostages during a Christmas Eve office party. McClane must use his wits to save everyone trapped inside.

Since its release in 1988, Die Hard has become an unofficial Christmas classic. The holiday setting and McClane's gritty determination will totally resonate with audiences who prefer their festive viewing with a little adrenaline. If you love tightly constructed action and '80s style bravado, this deserves a place on your holiday movie watchlist.

Released in 1984, Gremlins follows Billy Peltzer (Zach Galligan), who receives a Mogwai named Gizmo as a Christmas gift. When Billy fails to follow the rules that come with caring for his new friend, mischievous gremlins are unleashed on his hometown. The mix of practical effects, dark humor, and small-town charm makes it a perfect "family-but-not-too-family" holiday watch.

Lethal Weapon, which hit screens in 1987, also falls into the holiday movie sub-genre. The story follows a grieving, unstable detective and a by-the-book veteran cop who are forced to work together to investigate a dangerous drug ring. Its Christmas setting shines a light on the feeling of loneliness that comes during the holidays, along with the power of friendship.

Released in 1983, Trading Places follows Louis Winthorpe III (Dan Aykroyd), an uptight commodities broker, and street-smart hustler Billy Ray Valentine (Eddie Murphy), whose life circumstances are experimentally swapped without their knowledge during the holiday season. It's perfect for viewers who want something mischievous, energetic, and a little edgy for the holidays. 

The return of Percy Jackson and the Olympians has done something pretty magical: an entire generation of readers have been reunited with the characters and world they grew up imagining (and wishing they were a part of), and at the same time, it has introduced a fresh batch of fans to the demigod chaos we all experienced (not just through the books, but also through the two Percy Jackson movies that were released in 2010 and 2013 respectively.) 

With Season 1 garnering a lot of attention, and still fresh on everyone’s mind, and Sea of Monsters releasing on Disney+ on December 10, 2025, the hype isn’t going to slow down anytime soon, making this the perfect time to ask the question we pretend we don’t Google at 1 a.m.: “Where have I seen that actor before?” With a mix of new faces and old, each cast member brings their own flavor to their characters and lights up the screen. Let’s break it down, demi-god style, and also where you can stream their work on Netflix, Hulu, Prime Video, and more!

Walker Scobell (Percy Jackson) - The Adam Project (2022)

Walker Scobell crashed into everyone’s radar with The Adam Project, making it the kind of breakout debut every young actor dreams of (I mean, who doesn’t want Ryan Reynolds as a co-star, while playing his younger self?) The movie is tailor-made for anyone who loves snappy dialogue and banter, along with sci-fi and emotional moments. Scobell’s performance is so much fun to watch, as he blends in seamlessly with the clever action and truly holds his own amongst a stacked cast (Mark Ruffalo, Jennifer Garner, Zoe Saldaña, phew!) He doesn’t try to imitate Reynolds, he channels it with a confidence that screams “I was born with this comic timing!” 

Though the movie does have its hilarious moments, at times it feels like it overdoes it a tad bit, but Scobell smooths that out, and doesn’t wobble when handed sarcasm. Where Leah Jeffries’ had a raw, grounded intensity in Beast, Scobell brings youthful charm; this contrast is part of what makes the Percy Jackson cast so exciting. If you enjoy time-travel themes mixed with family in your movies, then you’ll love The Tomorrow War, which taps into the same vibe that The Adam Project brought. 

Leah Sava Jeffries (Annabeth Chase) - Beast (2022)

Before she was Annabeth Chase, Leah Sava Jeffries was stealing scenes alongside Idris Elba in Beast. She came into the movie like she had something to prove, and honestly accomplished that in the first 10 minutes. A survival thriller that's not only about a rogue, man-eating lion, but also about family scars, Beast is perfect for fans of films with tension-heavy plots, grounded in real human stakes. 

Jeffries nails her performance as Elba’s younger daughter, channeling fear and bravery to become an emotional anchor while the whole thing is falling apart. I did feel as though the story doesn’t really let her drive a lot of the scenes, but even then, she gives a sincere and soulful performance that elevates the film and makes it so watchable (Jeffries is going to own dramatic roles for years, she’s that good!) If you’re a fan of thrillers where the family dynamics hit just as hard as the monsters, like A Quiet Place, then you’ll enjoy Beast.  

Aryan Simhadri (Grover Underwood) - Cheaper by the Dozen (2022)

Aryan Simhadri’s most recognizable pre-Grover role is in the 2022 Cheaper by the Dozen remake, which leans into the dynamics and chaos of a blended family. This movie is for younger viewers, family audiences, and really for anyone who appreciates a good ensemble comedy, the kind you put on when you want something warm and doesn’t make your heart race in anxiety (sometimes, movies with goofy hijinks and low stakes are exactly what the doctor ordered!) 

Simhadri isn’t the main lead of the film, but he makes his scenes count, giving a performance that is genuinely charming, without trying too hard (in fact, you can see the flashes of humor he’d later bring to Grover through his upbeat presence.) Sure, the movie itself feels like it’s sometimes juggling too many “modern family” tropes at once (as if the filmmakers wanted to check every single box in a bingo card), but Simhadri makes it work, even when he’s not trying to be funny. If you enjoy wholesome family comedies similar to Alexander and the Terrible, Horrible, No Good, Very Bad Day, then Cheaper by the Dozen will scratch the same, crazy chaos itch. 

Daniel Diemer (Tyson) - The Half of It (2020)

If you’re a fan of character driven, coming-of-age stories with quiet romance, then look no further than The Half of It. Daniel Diemer plays Paul Munsky with a certain earnest awkwardness and emotional depth that makes him feel like a real teenager navigating real feelings, which is refreshing from the otherwise “clueless jock” stereotype that is usually portrayed in movies, like in She’s the Man.

Tonally, the film is soft and restrained, which is completely different from Beast. At times, the movie does make Paul seem a bit too naive and obtuse, but Diemer handles his character in a way that keeps him grounded even when he’s oblivious. Other than his character arc, Diemer’s gentle chemistry with his co-star Leah Lewis is also the highlight of the film. If you liked Love, Simon for its tender and understated story, then The Half of It can be deemed a natural companion piece.  

Tamara Smart (Thalia) - Resident Evil (2022)

Tamara Smart brings suspicion, defiance, and fear to Jade Wesker in Netflix’s Resident Evil, her biggest role pre-Thalia. The show is built for people who enjoy monster mayhem and apocalyptic horror, with a side of teen drama (because that is absolutely essential). Even when the show flitters between tones (and trust me, it does), Smart remains locked in, making her performance immediately watchable. 

Where Leah Jeffries’s emotional power is the highlight in Beast, Smart brings a more internalized tension, where you can see a lot of conflict happening behind her eyes before it ever hits her voice. If high-stakes, brooding sci-fi movies are your vibe, then The Maze Runner delivers the same kind of flavor. Smart is genuinely one of the few things in Resident Evil that worked, without a doubt, and if you enjoyed her performance in this show, you’ll also like watching her in A Babysitter’s Guide to Monster Hunting, where Smart played a major role as Kelly Ferguson, a teenager who joins a babysitters society to protect kids from monsters.

Glynn Turman (Chiron) - The Wire (2002)

Glynn Turman’s work in The Wire is the kind of performance that sneaks up on you and refuses to leave your brain. He plays Mayor Clarence Royce, a calculating, yet charming politician. Though The Wire is one of TV’s most revered dramas, it does require patient viewing, and is for viewers who appreciate complex storytelling along with messy characters, and Turman blends into that world as though he’s been living in it for decades. 

Turman’s presence is what makes the show watchable, but if there’s one thing I have a bone to pick with, it’s that we don’t see him as often as we’d like. He steals every scene, and then disappears for episodes at a time. Where Courtney B. Vance brings electrifying courtroom intensity in American Crime Story, Turman’s performance is more deliberate and controlled. If you’re a fan of shows with political intrigue, then House of Cards is the natural next step (well, its earlier seasons, at least.)

Jason Mantzoukas (Dionysus/ Mr. D) - Brooklyn Nine-Nine (2013)

Ah, where to begin with Jason Mantzoukas? If you’ve watched Brooklyn Nine-Nine, you know what I’m talking about, and if you haven’t, then run over to watch it first! It feels like Mantzoukas is everywhere, from The Good Place, to most recently, A Man on the Inside, but he’s most recognized for his role as Adrian Pimento. Mantzoukas plays the paranoid, unhinged, yet brilliant detective, a character he plays so convincingly that it makes you question whether this role was written for the script, or if for Mantzoukas himself. 

Though Pimento isn’t a main character in the show, he really leans into absurdity (and emotions, when the script calls for it) with sincerity. You’ll laugh at him, and with him, and wish he was a permanent fixture. Where Glynn Turman dominates the screen with calm authority in The Wire, Mantzoukas teeters between genius and meltdown, and somehow makes both of those things work. If you’re a fan of workplace comedies with a big heart and even bigger chaos, like The Office, then Brooklyn Nine-Nine is right up your alley.                      

Courtney B. Vance (Zeus) - American Crime Story: The People v. O.J Simpson (2016)

Courtney B. Vance’s portrayal of defense lawyer Johnnie Cochran in American Crime Story: The People v. O.J Simpson is the kind of performance that needs to be dissected in every acting school ever. Vance captures Cochran’s razor-sharp intellect and charisma with precision, and he gives a grounded delivery even when the show sometimes slips into melodrama. If you enjoy walking courtroom tension and real-world drama, then American Crime Story is the perfect watch. 

Compared to Glynn Turman’s measured performance in The Wire, Vance comes in hot, cementing him as a character who’s impossible to ignore. If morally complex shows are your jam, then Michael Clayton (the 2007 film) should be next on your list, as it has the same gripping tone as American Crime Story. Honestly, Vance’s acting hypnotizes and completely immerses you in that world; he isn’t just one of the best performances in the series (as evidenced by his Emmy award win), he’s also the reason the show worked as well as it did. 

Lin-Manuel Miranda (Hermes) - Hamilton (2020)

Lin-Manuel Miranda’s role as Alexander Hamilton in Hamilton is one of those rare cultural moments where a performance becomes a phenomenon (I mean, turning the Founding Fathers into pop stars? Sign us up!) For anyone who loves historical storytelling (told in an audacious way) blended with R&B, hip-hop, and razor-sharp lyrics, Hamilton is the cure. After reshaping Broadway, Hamilton is now available on Disney+ to stream (so if you weren’t able to catch it live, now’s your chance to check it out!) 

The show itself is a high energy rollercoaster, but Miranda grounds the role and brings a flawed and raw Hamilton to the forefront. Compared to Jason Mantzoukas’ comedic explosion, Miranda is more tightly coiled, yet relentless. If you like musicals that reimagines history and does it in a stylish and bold way, then Moulin Rouge! (either the stage version or the movie) should be your next stop. 

Megan Mullally (Mrs. Dodds) - Will & Grace (1998)

Before unleashing her inner Fury in Percy Jackson, Megan Mullally was one of TV’s most iconic sitcom characters, the unstoppable force of nature known as Karen Walker on Will & Grace. Mullally is endlessly watchable largely because of her commitment to the role; she is Karen Walker, a messy, wildly inappropriate, martini-wielding human, who is still somehow deeply endearing. Will & Grace itself is still one of the most well-known shows, because of how fresh the storytelling feels, even decades later. 

If you’re a comedy lover who enjoys sharp wit, equal parts ridiculous and moving friendship dynamics, and sharp one-liners, then Will & Grace is a must watch. Jason Mantzoukas and Megan Mullally both embody their characters and exude pure electricity in their performances; Mantzoukas’ comedic style is more like a human grenade, whereas Mullally handles her comedic style in a more polished (yet snarky!) way. I genuinely think that Karen Walker could out-sass Dionysus (who’s pretty sassy himself), and he’d probably thank her for her kindness.   

Stranger Things (2016) has been a boon for adventure, horror, and sci-fi fans alike, with the Netflix show’s various dimensional hops taking viewers from mundane Indiana to the horrors of the Upside Down. As the series has progressed, more and more layers of reality have turned into a battlefield for Eleven and Vecna. 

This isn’t the first show or movie to use reality-bending parallel dimensions as a plot point. Going back decades now, franchises like Doctor Who (1963) and Star Trek (1966) have had a lot of fun with the concept of alternate realities and parallel dimensions. The best use the idea to explore deeper thematic questions or moral quandaries, pondering the ambiguity of the universe while hopping between realities, although sometimes, it’s just a good excuse to get giant robots fighting monsters. Here are the best parallel universes in movies and shows you can watch on Apple TV, Hulu, and more.

Fringe (2008-2013) - The Other Side

Similar to Stranger Things’ focus on interdimensional conflict, Fringe is a great showcase for the storytelling potential of parallel universes. The series starts out as a fun super-science procedural but quickly develops a morally complex overarching plot focusing on alternate realities coming into contact—and then conflict—with one another.

The other reality is tweaked just enough to seem strange and familiar enough to almost feel sinister. While it’s not as much of a stark divide as the Upside Down is from Hawkins visually, the dimension-hopping qualities of the show are just as important. Not necessarily for audiences who prefer their sci-fi simplified, but definitely a must-watch for Star Trek fans, Fringe is a great show about parallel realities to follow up Stranger Things with.

Back to the Future (1985) - The 1950s

A pop culture touchstone forty years after its release, the time-hopping teen comedy Back to the Future showcases how the past can serve a similar story purpose to the Upside Down in Stranger Things. Focused on a teenager who ends up flung into the past of his small town and inadvertently threatens his own existence, Back to the Future uses the parallels between the time periods and the differences alike to tell a rewarding, unapologetically goofy adventure. 

Alongside other ‘80s sci-fi icons like Bill & Ted’s Excellent Adventure (1989) and Ghostbusters (1984), Back to the Future has a clear influence on Stranger Things’ nostalgic aesthetic, to the point where the Netflix series even included a directed shout-out to the film in the first half of Season 5. If you want to understand the spirit of Stranger Things, this is the right film to watch.

Donnie Darko (2001) - Tangent Universe

A grim cult classic from the start of the 2000s, Donnie Darko’s strange space between reality uses the same trippy touches of other dimensional stories. Donnie Darko focuses on a high school student who survives a freak accident. However, as his suburban life continues on, the lines between dimensions start to give way.

A masterful piece of atmospheric scares filled with unsettling characters like Frank the Rabbit, Donnie Darko is a moody mind-twister about breaches in the lines between time and space. The result is a trippy film that will appeal to fans of other complex sci-fi riffs on time travel, like Looper (2012) and Source Code (2011), but it might be a little unsettling and dark for fans of Stranger Things’ young adventure tone.

Spider-Man: Across the Spider-Verse (2023) - The Spider-Society

Arguably the best example of a superhero multiverse in film, Spider-Man: Across the Spider-Verse showcases the vast potential that the story mechanic possesses. The sequel to Spider-Man: Into the Spider-Verse (2018), the new film follows Miles Morales as he ventures across dimensions and learns a terrible secret about the dimensional nature of superheroes. 

Quietly self-reflected on the medium in a way other self-aware superheroes like Deadpool (2016) and She-Hulk: Attorney at Law (2022) play with, Across the Spider-Verse touches that deeper thematic exploration in vibrant worlds that reimagine New York City as New Delhi, introduces dinosaur wall-crawlers, and delivers truly phenomenal animation. A sequel to one of the best superhero films ever made, Across the Spider-Verse is a great showcase of all the different types of parallel universes that can fill up the big screen.

Barbie (2023) - Barbie Land

Barbie has a fascinating exploration of parallel universes, with the influence of one on the other serving as a more cerebral approach to the concept. In Barbie, the make-believe space that exists is where the personification of childish wonder suddenly has an existential crisis. Barbie has multiple characters that venture between the shared imagination and the real world.

A well-acted and clever introduction to questions about societal responsibility, personal agency, and gender politics, Barbie makes the leap between two dimensions hilarious thanks to Margot Robbie and a perfectly deployed Ryan Gosling as Barbie and Ken, respectively. A brightly-colored, dimensional riff that was made with just as much care and craft in its worldbuilding as the dreamscapes of Christopher Nolan’s headiest films, Barbie is a good use of a parallel universe as a thematic tool to explore the film’s larger questions.

Inception (2010) - The Dream Layers

An exploration of the dreamscape that will feel familiar to anyone who has been watching Stranger Things and its use of battles in the mind, Inception is one of the most visually ambitious action films of the last 20 years. Focusing on a team of thieves who use special technology to break into the minds of their targets, Inception uses multiple layers of reality and dream dimensions within one another to create a larger world of almost infinite possibilities. 

Similar to the Duffer Bros. show, Inception keeps everything grounded with a mix of emotionally gripping tragedy and fun side-characters (Steve Harrington has the same energy as Tom Hardy’s Eames, tell me I’m wrong) that makes it a charming watch even at its strangest. Inception might be a bit too heady for some viewers, especially those who didn’t care for Tenet (2020), but the fight scenes alone make this a must-watch. 

Annihilation (2018) - The Shimmer

One of Alex Garland’s most visually haunting films, Annihilation is for fans of Stranger Things who want to take the horror up a notch. The film centers around a team of scientists who investigate a mysterious breach in reality where monsters roam, and duplicates come into being. Strange, creepy, and, at times, absolutely horrifying thanks to terrific monster designs, Annihilation is a bit intense and heady, which can be confusing for audiences who are prone to tuning out the trickier sci-fi elements.

Garland, who also wrote and directed films like Ex Machina (2014), creates a memorably unsettling space for Natalie Portman’s Lena to explore. If you prefer Torchwood (2006) to Doctor Who (2005) and Fallout (2024) to Firefly (2002), then this is the atmospheric and haunting sci-fi film you’ve been needing to see. 

Pacific Rim (2013) - Precursor Rift

If you just want an excuse to watch big things punch each other, then the straightforward action tropes of Pacific Rim’s monster dimension are right up your alley. Set in a universe where kaiju-sized monsters have become a common occurrence, and the world has responded by building massive mech armors, Pacific Rim is Guillermo del Toro’s most conventional blockbuster, which is saying something.

While the other fantastical realms of Pan’s Labyrinth (2006) and Hellboy II: The Golden Army (2008) are terrific, the breakdown between a monstrous reality and humanity in Pacific Rim will be plenty familiar to fans of Stranger Things who like a good Demogorgon attack. Only, this time, humanity gets the chance to fight back with robofists. Bombastic, fun, and dumb in the best of ways, Pacific Rim is far from del Toro’s best film, but it may be one of his most fun.

Twin Peaks (1990-1991) - Multiple Universes

An understated inspiration for Stranger Things, Twin Peaks is one of the best examples of David Lynch’s reality-bending, genre-defining approach to dimensional-hopping. Moving through different tones at the same speed as it does different planes of existence, Twin Peaks starts as a murder mystery and unravels into a far more twisted and surreal experience.

Fans of classic sci-fi like The Prisoner (1967) will see the show as a successor to the purposeful ambiguity of the British classic, and Twin Peaks has gone on to play a part in inspiring everything from Lost (2004)  and Riverdale (2017) to Gravity Falls (2012). Strange and surreal, so a likely skip for anyone looking for something more grounded, Twin Peaks is a true one-of-a- kind story.

Last Action Hero (1993) - Jack Slater IV

Goofy and meta but with real heart, Last Action Hero is the ultimate fusion of Barbie’s fourth wall-touching satire with an entire fictional medium serving as an alternate universe. Last Action Hero starts off as a funny parody of Arnold Schwarzenegger’s archetypes that drags one of the actor’s action-movie characters into the real world. However, the film takes on a more melancholic element as it goes on, with Schwarzenegger’s Jack Slater going from surprisingly sad to extremely funny from scene to scene.

Meta-textual and self-reflective of the way art is its own alternate dimension to reality, Last Action Hero is a lot like Hot Fuzz (2007) and Blazing Saddles (1974) in that it’s referential even while telling its own story. Funny, unforgettable set pieces help elevate this dimension-hopping meta adventure. 

This list has been updated by Charlene Badasie.

With the first part of Stranger Things Season 5 already out, fans are diving back into its unique blend of sci-fi and '80s vibes, which has drawn nostalgic comparisons to movies like E.T. and Stand By Me. If you're looking for more shows with retro charm, this guide will reveal 10 similar TV shows that can be found on platforms like Netflix, Max, Prime Video, and more.

These picks are ideal for viewers who love teen-led adventures, supernatural mysteries, and genre storytelling that balances humor and horror with a heartwarming message. Many of these titles also perform well on the JustWatch streaming charts, thanks to renewed interest in retro-inspired shows sparked by the return of Stranger Things.

Misfits (2009)

Misfits sees a group of teenagers navigating supernatural occurrences as they all discover they have wild powers after an electrical storm. The story follows Nathan, Kelly, Simon, Curtis, and Alisha, as they struggle to understand their new abilities, the group becomes entangled in increasingly bizarre and dangerous situations, forcing them to rely on each other to survive. Fans who enjoy the chaotic energy of characters like Dustin or Robin, and who want something more irreverent, may find this a perfect next watch.

Dark (2017)

Dark boasts several similarities to Stranger Things, especially since it is set in a fictional town where several teenagers begin investigating the disappearances of children. Although the show initially takes place in the present day, Season 2 is set in the '80s. However, Dark also distinguishes itself from Stranger Things by delving into time travel rather than alternate dimensions and featuring more mature themes and content. For viewers wanting a more puzzle-box style mystery show, Dark is one of the most critically acclaimed options.

Cobra Kai (2018)

Cobra Kai isn't set in the '80s, but its predecessor, The Karate Kid, was. As a result, the '80s nostalgia is almost as strong as in Stranger Things, with numerous references to '80s movies, cars, music, and more. Additionally, its story of a group of teens who join karate dojos and become involved in feuds and town secrets is almost as intriguing as Stranger Things, even without the supernatural elements. This show is perfect for viewers who love the drama and coming-of-age energy of the Hawkins kids. It's also a great pick if you want something more comedic.

Deadly Class (2019)

Set in the 1980s, Deadly Class follows the adventures of Marcus (Benjamin Wadsworth), a homeless teen who gets recruited into King's Dominion, an elite private school for the children of prominent crime families. It plays like a dark, rebellious teen drama with '80s undertones, violence, and high stakes. This show is a strong choice for viewers who enjoy the rule-breaking, angsty side of Stranger Things, especially the rebellious energy of characters like Eddie and the earlier-seasons dynamic among the older teens.

His Dark Materials (2019)

For those intrigued by Stranger Things' Upside Down, His Dark Materials offers a deep dive into the sci-fi concept of alternate dimensions. The series follows Lyra Belacqua (Dafne Keene), whose investigation of a kidnapping and a mysterious substance known as Dust leads her on an adventure through multiple worlds. With strong character development and faithfulness to its source material, His Dark Materials is an exceptionally well-made teen adventure series. Fans who enjoy the friendship bonds, big mysteries, and heroic coming-of-age arcs in Stranger Things will love this show.

I Am Not Okay with This (2020)

Like Stranger Things, I Am Not Okay with This is set in the 1980s and focuses on a girl with telekinetic powers that she doesn't quite know how to control. While its lead character is reminiscent of Stranger Things' Eleven (Millie Bobby Brown), I Am Not Okay with This also leans more into the coming-of-age elements and has an indie feel to it. Still, viewers who love Eleven's emotional journey and want something shorter and more character-focused will appreciate this grounded, slightly offbeat approach to storytelling.

From (2022)

From elevates the horror/sci-fi elements of Stranger Things, placing viewers into a mysterious town that traps its residents and holds terrifying secrets. While Stranger Things has elements of mystery surrounding its small town with grim secrets, From delves deeper into this premise with a town that offers viewers a very complex and terrifying puzzle. This series is ideal for fans who want something scarier and more mythology-heavy, with a tone that is a lot closer to Stranger Thing's most horror-driven episodes.

Paper Girls 2022

Paper Girls has drawn strong parallels to Stranger Things with its '80s setting and group of teen friends who bike around their town and investigate supernatural activity. It sets itself apart from Stranger Things by having the teens caught in the middle of a time-traveling conflict rather than alternate dimensions. Additionally, it approaches the sci-fi genre from a feminist perspective with its all-female lead cast. This is a great option for viewers who want another heartfelt, kid-led adventure but with a slightly different emotional tone.

Lockwood & Co. (2023)

While it's set in the present day, Lockwood & Co. still brings the '80s vibes by occurring in an alternate dimension reminiscent of the '80s. In the series, a group of teens are forced to take matters into their own hands when they learn that only children can sense and dispose of ghosts who pose a deadly threat. With '80s vibes and a group of ghost-hunting and mystery-solving teens, Lockwood & Co. is a solid supernatural alternative to Strange Things. Fans of found-family dynamics will enjoy this show, even with added paranormal danger.

Dead Boy Detectives (2024)

Dead Boy Detectives is set in the present day, but Charles Rowland (Jayden Revri), the ghost of a teenage boy who died in 1989, brings in some '80s flavor. With 1980s vibes, teen detectives, and plenty of grisly stories about demons and ghosts, Dead Boy Detectives will appeal to viewers who especially enjoyed the horror elements of Stranger Things Season 4. If you liked the darker, more creature-focused stretch of the series (especially the Vecna arc) this show hits a similar sweet spot with a slightly more whimsical tone.

Where to watch TV shows like Stranger Things online

Check out our list below to find out where to stream TV shows like Stranger Things in the United States!

Winona Ryder is the kind of actress who's in so many renowned properties that one look at her IMDb page and you'd be shocked to learn just how many. She's been a comfort actress to so many of us for years because of the incomparable work she's brought to iconic roles that have defined our childhoods and early teenage years, making her the type of actress some of us would follow to whatever movie or TV show is next.

With Stranger Things (2016) nearing its end and continuing to give Ryder incredible material to work with as she challenges herself as an actress, here are the best Winona Ryder movies and TV shows, as well as where to watch them on platforms like Netflix, Disney+, and more.

10. How To Make an American Quilt (1995)

How to Make an American Quilt isn't exactly the most sensational movie, but there's something incredibly endearing about its simplicity, and it's something that fans of The Divine Secrets of the Ya-Ya Sisterhood (2002) can appreciate. Mostly, it's lovely because of the performances, with Winona Ryder's at the top of the list. 

There's something about stories with grandmothers that I'll always have a soft spot for because I never got to live near mine. It feels extra nostalgic, comforting, and wholesome to hear stories about other generations and how they can impact us during significant moments in our lives. If you have a soft spot for generational stories, quiet moments, friendships, big decisions, and wholesome performances, How to Make an American Quilt is a must-watch.

9. The Crucible (1996)

While The Crucible isn't the best adaptation of Arthur Miller's novel, it's still a tremendous accomplishment in more ways than one. And again, not to sound like a broken record throughout this list, but while the beats in the film are undoubtedly stunning, it's the performances that are memorable, in which Winona Ryder, Daniel Day-Lewis, and the whole cast each deliver something worthwhile. 

Ryder's performance, like everything she does, feels lived in and grounded. How she embodies the fire and warmth in Abigail Williams is extraordinarily nuanced, giving us something worthy throughout, even when the movie isn't exactly one that most people rewatch. Still, if you're a fan of Ryder's work and the Salem witch trials, it's worth checking out at least once for what she delivers. 

8. Edward Scissorhands (1990)

Edward Scissorhands shines entirely because of what Winona Ryder brings to the table and the softness she exudes in each frame she's in, touching on a deeply human performance that I often think about. And also because Tim Burton's vision is stunning throughout, making the movie a rare and whimsical treat that we should have more of.

Movies like Edward Scissorhands are why so many of us grew up loving campy, colorful movies with unconventional romances. It's heartfelt and tender, but more than that, Ryder's performance feels ethereal. In every way, it's the definition of whimsical. How she delivers her scenes does a thoroughly compelling job of showing us far more than the dialogue does, and it allows the role to be as memorable as it is. 

7. Girl, Interrupted (1999)

Based on the memoir by Susanna Kaysen, Winona Ryder, alongside Angelina Jolie, both deliver career-defining performances in the psychological thriller centered around mental illnesses. Girl, Interrupted isn't an easy movie to watch for viewers who might be faint-hearted, but it's a worthy exploration of various mental illnesses and, subsequently, the stigmas surrounding them.

Both women deliver such astounding performances that, whether you've seen the film or not, you've likely heard of the performances. As the primary character the memoir is inspired by, Ryder's performance is what brings the story to life through a deeply empathetic and heartwarming lens. So much of it could've been perceived as one-dimensional, and as a '90s story, matters aren't handled with the care we know about today, yet it's still excellent for anyone who's looking for an authentic portrayal of mental illnesses. 

6. Bram Stoker’s Dracula (1992)

Bram Stoker's Dracula is a solid and worthwhile adaptation of the classic novel and is hailed by critics as one of the best, which is in large part because of the cast. It's because of Gary Oldman's performance as the titular character, as well as Ryder's embodiment and everything she delivers to bring Mina Harker Elisabeta to life. Dark, gritty and rightfully sensual in the areas where it should be, it's a must-watch for vampire lovers.

A role like Mina Harker Elisabeta feels tailor-made for an actress like Winona Ryder, yet what's riveting about her is that every beat of the performance feels fresh and unique. You aren't seeing any of the other characters she's played in it, nor does the movie feel familiar as a vampire tale. It's alluring in a way that only Dracula-based stories can be, but how Ryder moves and behaves as the character makes even the images look utterly appealing. 

5. Heathers (1988)

If you know Winona Ryder, then you know Heathers, and there's magic in every corner of the wild ride that results in one of her best performances and one of the most iconic films of the late '80s. In more ways than one, it's a quintessential high school movie with mean girls to showcase the social hierarchy we know all too well, no matter the decade we're in. 

Still, it stands out for its means to do something completely over-the-top in a way that surprisingly feels organic. Fans of Stranger Things are more than likely to appreciate how it handles various matters without the alternate dimension because the vibes in a lot of ways feel so similar. Ryder's performance is nuanced, layered, and undoubtedly one of the best parts of the story.

4. Beetlejuice (1988)

Beetlejuice is the kind of campy gem that I'm not quite sure works if you aren't a little (super) emo. It's creepy, a little bonkers, and wildly outlandish with the type of performance from Winona Ryder that's made so many of us fans of her work. So much of Beetlejuice works because of the cast, and pairing Ryder with people like Catherine O'Hara and Michael Keaton really is icing on top of the weirdest cake.

But it also feels important to acknowledge that it's her performance as Lydia Deetz that also makes Beetlejuice Beetlejuice (2024) such an incredible sequel that improves the original lore and focuses intently on the character journeys that make the story memorable. Ryder is too good at delivering gothic characters, and a movie like Beetlejuice is proof of this fact in a way that's tailor-made for those who adore the macabre. It's also an incredible showcase of her range when we look back at the similar world of Edward Scissorhands and see how she touches two sides of the same coin with darkness and warmth. 

3. The Age of Innocence (1993)

So much of The Age of Innocence is in its title. Based on the novel by Edith Wharton, Martin Scorsese's adaptation delivers an elegant, poignantly thoughtful exploration of society at a time that we surprisingly don't see too often. And hailed by critics as one of the best films of the year, it touches on a passion that's indefinable and vast. It's also a performance that garnered Winona Ryder a Best Supporting Actress nomination at the Academy Awards, so that says everything. 

Ryder is perfect for the role because it's her range that delivers fire and profoundly layers emotions throughout. From start to finish, she embodies the role of May Welland with such stamina and poise that when we compile lists like this, it's stunning to genuinely bear witness to how many different types of characters she's played. If you love the underrated classic, The Leopard (1963), then The Age of Innocence is a must-watch for you.

2. Stranger Things (2016-2025)

So many people discovered Winona Ryder's prowess in Stranger Things, and it's a good thing, because everything she delivers as Joyce Byers is transcendent. The vulnerability and fierce protectiveness she brings to the screen are so comforting that I'm actively judging anyone if her character isn't a favorite of yours. 

Stranger Things is a unicorn of a show—it's not every sci-fi or fantasy show that non-fans of the genre can also appreciate, yet the broader appeal of the series needs to be studied. And while the show is intriguing, it really is the cast and characters that keep everyone invested. I wouldn't have started if Winona Ryder weren't in it, and that's a fact. Still, for those who want a clear look into what she's capable of, softness, warmth, and rage, Joyce Byers is the role to turn to. 

1. Little Women (1994)

When an actress has as much capacity as Winona Ryder, it's impossible to pin down her best role. They each feel right based on who we are and how we connect to the character she plays. And as an English major who turned out to be a writer, Jo March will always have such a special place in my heart, so naturally, I'll always adore everything that Ryder brings to Little Women. For many of us, this was also the first adaptation we watched, so it's extra special in that regard.

Ryder does something indescribably special in every role she plays, and how she adds strength and softness simultaneously to Jo is no small feat. It's tender and comforting, and it ensures that the adaptation will continue to stand the test of time. Perfect for anyone who loves Little Women (2019), you've got to add this one to your watchlist, too (if it isn't already on yearly rotation, that is.)