There's never been a better time to revisit the films that shaped (and were shaped by) the legacy of The Beatles, especially with the upcoming release of The Beatles – A Four-Film Cinematic Event. For anyone unfamiliar, The Beatles were a 1960s British rock band, made up of John Lennon, Paul McCartney, George Harrison, and Ringo Starr. Decades later, they are still considered one of the most influential groups in music history.

Because their impact reaches far beyond music, filmmakers have spent decades exploring their story, from behind-the-scenes portraits to stylized comedies capturing the frenzy of Beatlemania, and even modern fantasies imagining a world without their songs. Below, ranked from casual viewing to most essential, are the five best Beatles-related films, which can be found on Netflix, HBO Max, and Disney+, worth adding to your watchlist.

5. Yesterday (2019)

Yesterday follows a struggling musician who wakes up in a world where the Beatles never existed. He is somehow the only one who remembers their songs and decides to use them to his advantage. It's a clever, bittersweet fantasy, full of music, regret, and questions about whether art has any real meaning if no one remembers it. The film is perfect for viewers who love romance comedies and light drama.

It's not a must for die-hard Beatles purists, but it does highlight the power and longevity of Beatles music. For all its charm, though, Yesterday inevitably pales in comparison to films featuring the real band. It's polished and crowd-pleasing, but it lacks the history and the genuine context of fame and sibling-like camaraderie that other films deliver.

4. A Hard Day's Night (1964)

A Hard Day's Night follows the actual Beatles as they manage rehearsals, interviews, and a few misadventures while on their way to a television performance. The film is shot in a fun, semi-documentary style, which captures the chaos of Beatlemania and the band's unmistakable charm at its peak. It's perfect for fans of lighthearted cinema and anyone who wants to see The Beatles at the height of their fame.

A Hard Day's Night is a masterpiece of timing, humor, and style. It doesn't wallow in the angst of fame. Instead, it celebrates the sheer joyous chaos of being a Beatle. The energy is infectious, the characters, played by the actual band, are extremely likable. The overall tone is also bright, capturing the optimism of youth, which is a stark contrast to the heavier tone of Let It Be (1970).

3. Help! (1965)

Part spy spoof, part musical comedy, and entirely a product of peak Beatlemania, Help! follows the Fab Four as they're chased around the world by a cult that is trying to steal a sacrificial piece of jewelry from Ringo Starr. The plot is deliberately absurd and intentionally leans into surreal gags and the band's natural goofiness, making the film a delightful watch.

It's a colorful, globe-trotting companion to A Hard Day's Night, showcasing The Beatles at their most vibrant and carefree. Help! is perfect for viewers who want something fun and lighter than the emotional weight of Backbeat (1994). It's an ideal film for anyone who loves classic British comedy, music-filled adventures, and vintage '60s style.

2. Let It Be (1970)

Let It Be is a documentary about the band's final days together. It chronicles their rehearsals, arguments, good times, and the bittersweet unraveling of a band that used to be really close. It offers a raw, unvarnished peek behind The Beatles' legend with no dramatization, just real people at a pivotal moment in their lives and careers. This documentary is for anyone who wants a realistic, sometimes painful, look at fame's pressures.

Let It Be is essential not because it mythologizes The Beatles, but because it reminds us they were human. You see them getting frustrated, joking, trying to reclaim their art, and ultimately drifting apart. Compared to idealized films, this one doesn't shy away from cracks in the facade. If you enjoy music docs or behind-the-scenes insights, this is as authentic as it gets.

1. Backbeat (1994)

Set in early 1960s Liverpool, Backbeat dramatizes the early days of The Beatles. It focuses on the tempestuous presence of founding member Stuart Sutcliffe and his relationship with photographer Astrid Kirchherr. The film plunges you into smoky clubs, chaotic rehearsals, and the raw urgency of a band on the brink of fame.

This movie is a must for viewers who love origin stories or anyone curious about the human dynamics behind famous bands. Compared with more polished musicals or lighthearted comedies, this film's emotion and messy humanity make it far more compelling. If you're drawn to the raw, unfiltered shake-out before superstardom stories, this film is a must.

Christmas movies are great, and classics like National Lampoon’s Christmas Vacation (1989) and Home Alone (1990) never seem to get old. But there are also tons of great movies out there where the holidays are present but aren’t the only thing going on. These films are perfect for audiences who love the festive season but can’t handle watching A Christmas Story (1983) for the fifth time in one week.

We need variety. And while the Christmas classics absolutely deserve their perennial spots on your watchlist… sometimes, it’s nice to watch a holiday movie where the holiday itself doesn’t become the entire movie. So, if you’ve already blown through all the iconic Christmas hits and are now craving something different, then check out the list below to discover some great holiday movies that aren’t really holiday movies, but are, in fact, totally holiday movies. Plus, find out where they’re all streaming on Disney+, HBO Max, and more. 

Last Holiday (2006) 

A remake of the 1950 film of the same name, Last Holiday picks up just before Christmas and goes until New Year’s Day. The film centers around a lowly department store clerk (Queen Latifah) who finds out that she’s dying of a rare brain disease. Though she has no symptoms at all, the doctor says she only has a few weeks left. So, she does what any rational person would. She pulls out all her money from the bank and travels to the ritzy Grandhotel Pupp in the Czech Republic to live out her last week in luxury. 

The movie is loaded with fantastic and hilarious characters portrayed by actors like LL Cool J, Giancarlo Esposito, Alicia Witt, and my personal favorite, the cantankerous Ms. Gunther, played by Susan Kellermann. Last Holiday is a rom-com with a lot of heart. At times, it feels like a cartoon come to life, and at others, it offers some really poignant messages about living life to the fullest. Plus, it all takes place in a gorgeous, snowy mountain town during the holidays. 

Die Hard (1988)

(Takes a deep breath and lets out a sigh). A list like this was bound to have Die Hard, so let’s just get it over with. We’ve all met “that guy” who loves to tell us that his favorite Christmas movie is Die Hard. That guy is normally a straight white man over 30, who thinks he’s sooo funny and rebellious for declaring that an action movie is his favorite holiday film. Ha… ha… ha, so clever (rolls eyes). 

But Die Hard actually is a really fun movie, and it does take place during Christmastime. The film sees John McClane (Bruce Willis) save a group of partygoers at the top of a Los Angeles skyscraper after a terrorist group holds them all hostage during a Christmas party. Despite the movie’s annoying fanbase, it’s actually worth a watch, especially if you love classic action films like Con Air (1997) or True Lies (1994). 

Krampus (2015)

Since we’re on the topic of weird obsessions by straight white men over 30, let’s dive into Krampus. During the 2010s, a *certain* demographic of Americans became obsessed with Krampus, the mythical Germanic beast who would accompany St. Nicholas and punish children who had been bad.

The Krampus craze got so intense that hundreds of Krampus B-movies were released, but so was a full, big-budget theatrical horror movie starring Toni Collette and Adam Scott. Krampus is unique because, while it is very much centered around Christmas, it strangely doesn’t feel like it. The horror really takes center stage, just like in other holiday horror hits like Silent Night (2021) and It’s a Wonderful Knife (2023). Plus, Krampus is absolutely terrifying, so it’s perfect for fans of monster movies too. 

Silent Night (2021)

Speaking of Silent Night, this movie absolutely deserves a spot on this list. The film takes place during a Christmas party between family and friends (and the cast is very good, starring Keira Knightley, Annabelle Wallis, Lucy Punch, and Lily-Rose Depp, among others). But something is wrong. The vibe is off, tension is everywhere, and every joyful moment seems forced. Then, you discover this party will conclude with a suicide pact because the world’s air is becoming toxic and, in just a few hours, will kill everyone. 

Happy holidays, right? The film is gorgeously sick and subversive, turning the happiest holiday of the year into humanity’s final night on Earth. It’s pure dread at its best. If you’ve seen Melancholia (2011), you know the vibe Silent Night is going for, and trust me, it hits hard. Watch it if you dare. 

Planes, Trains and Automobiles (1987)

It’s one of the most iconic holiday films ever… but despite what most people think, it doesn’t take place during Christmastime. It’s actually a Thanksgiving movie. In Planes, Trains and Automobiles, two men (Steve Martin and John Candy) are trying to get home to Chicago for Turkey Day. But a massive blizzard ruins their plans, and they find themselves crossing America on every form of transportation imaginable. 

If you’re like me and have to fly home for the holidays, this movie will be super relatable, since it’s all about the absolute disaster of holiday travel. But thanks to the comedy genius of Martin and Candy, that disaster becomes comedy gold. Plus, it was written by John Hughes, who also wrote Home Alone, and the vibes are super similar. So if you love that Christmas classic, check this one out. 

Just Friends (2005)

In Just Friends, Ryan Reynolds plays an overweight, bullied kid who grows up and becomes a handsome, successful (and shallow) record producer in LA. His current client is a mentally unstable pop sensation, Samantha James (Anna Faris), and after an accident on their Paris-bound flight, the two find themselves back in his hometown a few days before Christmas. 

Just Friends is super relatable but also really funny, and it stars the most 2000s cast ever, with actors like Chris Klein and Amy Smart joining Reynolds and Faris. Plus, the hilarious Julie Hagerty plays Reynolds’ mom and, as always, she totally delivers. Just Friends is a blend of teen comedy and rom-com, all set during the holidays. Think of it as a mix between Van Wilder (2002) and The Proposal (2009). 

Office Christmas Party (2016)

What would happen if you took The Hangover (2009) and Superbad (2007) and turned them into a Christmas movie? You’d get Office Christmas Party. But don’t worry, just like all the films on this list, while the movie centers around an office Christmas party gone horribly wrong, it really has nothing to do with Christmas. Instead, it’s a drug-fueled comedy about adults doing everything wrong in the funniest way possible. 

It’s also got a great cast, including Jennifer Aniston, Olivia Munn, Jason Bateman, and SNL alums Kate McKinnon and Vanessa Bayer. If you want a raunchy, rowdy movie with a fun holiday setting, check this one out. But fair warning, this ain’t exactly a family-friendly film. 

The Nightmare Before Christmas (1993)

As all fans of Spooky Season know, while The Nightmare Before Christmas might feature the yuletide holiday, it is most certainly a Halloween movie. Just think about it. The gloomy setting, the aching vibes of melancholy, the dimly-lit colors. The Nightmare Before Christmas is what happens when Halloween tries to make a Christmas movie.

But the result is also a beautiful piece of animation that remains iconic to this day, thanks to its great music and distinctive style. It’s an especially good choice for all the horror fans out there and all the pumpkin spice-obsessed devotees of autumn who still crave that spooky vibe well into the holidays.

There’s Something in the Barn (2023)

Inspired by the Nordic legends of barn elves, There’s Something in the Barn sees an American family move to a picturesque, snow-covered town in Norway. But, as the title implies, there’s something in the barn. And as the family continues to decorate their new homestead for Christmas, all the lights and decorations anger their little barn-dwelling inhabitants, leading to a full-blown holiday war. 

If you’ve seen wild Scandinavian holiday films like Rare Exports (2010), then you already know the fun and twisted journey you’ll take with There’s Something in the Barn. But it’s also loaded with a lot of humor and heart, making it more of a fun romp than a holiday horror movie. 

The Holdovers (2023)

The dramedy The Holdovers is set in an all-boys boarding school during the holidays, where one student is left there alone during winter break with a teacher and the school lunchlady. The three are alone because they all have no one else, and while the film has moments that are super sad, it also has moments of joy. 

There’s a reason why The Holdovers scored five Oscar nominations, including a win for Da’Vine Joy Randolph for Best Supporting Actress. If you want a holiday film that isn’t a sugar-coated family-friendly affair, and instead, is filled with real emotion, this is it. If you love a good movie about a ragtag group seeking redemption, like The Lucky Ones (2008), this is for you.

With iconic movies like Pulp Fiction (1994) and Reservoir Dogs (1992) to his name, Quentin Tarantino is rightly considered one of the best and most influential directors of all time. His filmography certainly backs up that claim, with even his lesser-received movies, like The Hateful Eight (2015), still cited as a favorite among many. Thus, it should come as no surprise that when it comes to cinema, everyone wants to know what movies Quentin Tarantino deems the best. 

The Bret Easton Ellis Podcast got Quentin Tarantino's most recent list of favorites. Here, the director declares the top 20 best movies of the 21st century, creating a limit of one film per director. Personally, I love that rule, which creates a larger margin of diversity rather than five movies from a big name like Steven Spielberg, for example. And diversity we get! Spanning violence-heavy horror to the slapstick humor of Jackass: The Movie (2002), more than one of Quentin Tarantino's best 21st-century movie choices is sure to surprise you.

 Here's what Quentin Tarantino says about these 21st-century movies, why you should watch them, and where you can find them on Disney+, Plex, and more. 

20. West Side Story (2021)

Honestly, of all the 21st-century titles named by Quentin Tarantino, this one might be the most surprising. Musicals don't exactly scream Tarantino, but neither do romantic dramas. Although Tarantino ranks West Side Story in last place, he calls it "the one where Steven [Spielberg] shows he still has it." Personally, I'm not quite sure anyone decided Spielberg didn't still have "it," but, yeah, West Side Story is good.

Funny enough, the movie actually bombed upon release, despite being considered one of the best musicals of all time… by people other than Tarantino. West Side Story, of course, is a well-loved classic that Spielberg manages to capture and improve upon with a modern aesthetic, diverse casting, and an overall infectious energy. If you like musicals, Spielberg's West Side Story is a no-brainer, but even if you don't, this is the one that might change your mind.

19. Cabin Fever (2002)

Calling Cabin Fever "charming," Tarantino places Eli Roth's directorial debut in the 19th spot. Personally, I consider Thanksgiving (2023) Roth's best movie to date, but Cabin Fever definitely has its fans. With the twenty-somethings here falling victim to a flesh-eating disease rather than a masked slasher, Roth managed to put a unique spin on the typical cabin in the woods trope. 

To back up Tarantino, it's both gory and humorous, with an evident love for low-budget horror movies like The Evil Dead (1981) and The Blair Witch Project (1999), among others. Be warned. Cabin Fever's body horror elements make a strong stomach necessary. Still, if you're well acquainted with the gnarly practical effects of other B-movie horror or the work of David Cronenberg, you'll be just fine. 

18. Moneyball (2011)

Tarantino's love for Moneyball might have less to do with the movie itself and more to do with Brad Pitt's performance. Here, Pitt takes the lead as Billy Beane, the general manager of the Oakland Athletics, who scrambles to assemble a competitive MLB team with a minuscule budget. If you're not a fan of sports dramas, Moneyball is a bit niche. However, its "based on a true story" element adds a layer of intrigue for almost anyone wondering, "Well, how in the heck will this play out?"

And Tarantino is right. Brad Pitt shines as Billy Beane to the point that he steals the focus of the movie. For the right type of viewer, that's not necessarily a bad thing. Really, Moneyball is a film you need to judge for yourself. If you enjoy other underdog sports stories like Creed (2015) or The Mighty Ducks (1992), it might just be for you.

17. Chocolate (2008)

Anyone who has seen Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004) knows Quentin Tarantino takes inspiration from kung fu and martial arts movies. Thus, it's not particularly surprising that he listed Prachya Pinkaew's Chocolate as one of the best movies of the 21st century. Star Yanin "Jeeja" Vismitananda delivers one heck of a performance as a teenage girl with autism who sets out on revenge quests to collect the debts of her sick mother.

As far as martial arts movies go, Chocolate is relatively underrated. Yet, as Tarantino says, it has "some of the greatest kung-fu fights" in cinema. Vismitananda delivers an outstanding performance that will genuinely leave your jaw on the ground. If you like action-heavy martial arts movies like The Raid (2011), you'll get a similar breakneck pace but with a female lead, which is pretty rad. 

16. The Devil's Rejects (2005)

I'm the first person to admit that Rob Zombie is a director people either love or hate. As for Tarantino, he remains a Zombie fan, listing The Devil's Rejects, the second installment in the Firefly trilogy, as one of the best movies of the 21st century. Bold? Perhaps, but ask most horror fans (including me), and they'll tell you Zombie created his own unique niche in the genre, and you can't take that away from him. Honestly, Tarantino might describe Zombie's style best: a mash-up between a Sam Peckinpah western and "sick hillbillies."

The Devil's Rejects is filled with sadistic, gory horror that will turn away more casual audiences but delight genre enthusiasts. As a well-known fan of grindhouse flicks, Tarantino's adoration of Zombie's movie isn't too shocking. After all, he took his own dive into the genre with the aptly titled project Grindhouse (2007), the double feature release he did with Robert Rodriguez.

15. The Passion of the Christ (2004)

It feels a bit bizarre to position The Passion of the Christ just above The Devil's Rejects, but hey, this isn't my list. It's Quentin Tarantino's, and he can do what he wants. Interestingly, the director also views Mel Gibson's biblical drama as so comically violent that he "was laughing a lot during the movie." Honestly, I get it. When things get uncomfortably violent, sometimes we cope by laughing, and there aren't too many things more uncomfortably violent than Jesus being crucified.

Tarantino has been a longtime supporter of The Passion of the Christ, praising the cinematography and emotional power of the story. As he told IndieWire back in 2004, "It has the power of a silent movie," and that he "couldn't believe that Mel Gibson directed it." While the movie isn't without controversy, The Passion of the Christ offers one of the most gritty and realistic takes on Jesus Christ's story and sacrifice to date.

14. School of Rock (2003)

Richard Linklater's School of Rock is a bona fide classic of early 2000s comedies. Tarantino loved his theater experience, describing it as "real fun, fun, fun screening." The movie, of course, follows Jack Black's struggling guitarist who finds new life at a prestigious prep school as a substitute teacher.

Anyone familiar with Jack Black's other comedy roles, like Tropic Thunder (2008) or Nacho Libre (2006), knows he shines in the genre. However, School of Rock tops them all. Heartwarming, hysterical, and filled with some killer music, it's the perfect movie for anyone craving something lighthearted and a little nostalgic. While some of us won't ever get the "fun, fun, fun" theater experience Tarantino had, School of Rock is always floating around on streaming.

13. Jackass: The Movie (2002)

Okay, forget about West Side Story. Jackass: The Movie is now officially the most surprising Quentin Tarantino pick. Tarantino loved it so much that he even showed it to the crew of Kill Bill, which was in production at the time. And he's right. Jackass: The Movie is "f***ing funny," especially if you love profane humor and teeth-gritting stunts that also might occasionally turn your stomach and make you wince. 

Jeff Tremaine brought the Jackass (2000) cast over to the big screen with bigger, bolder, and grosser stunts. Obviously, if you're a fan of the TV series, you'll love this. Even if you're not, though, you just might find it strangely cathartic. Think of the Jackass crew like a modern-day Three Stooges, just with a whole lot more vulgarity rooted in their humor.

12. Big Bad Wolves (2013)

Written and directed by Aharon Keshales and Navot Papushado, Big Bad Wolves evoked a comparison to Prisoners (2013) from Tarantino, who followed it up by saying Big Bad Wolves has more "guts and balls." An apt description? Perhaps. After all, Big Bad Wolves sees an Israeli cop and a desperate father team up to torture and interrogate a teacher they believe murdered and sexually assaulted several children. Like Prisoners, it's a dark vigilante story of sorts.

The main difference, perhaps, involves Big Bad Wolves' violence and vein of black comedy. Sitting somewhere between the horror and thriller genres, it's thoroughly captivating and suspenseful. It's got a certain level of ambiguity that may be frustrating to some viewers, but for others, that's the part of it that makes it so darn compelling in the first place. 

11. Battle Royale (2000)

Tarantino kicks off his Battle Royale entry by saying, "I do not understand how the Japanese writer didn't sue Susan Collins [author of The Hunger Games] for everything f***ing thing she owns." Harsh? Definitely. However, most of us who've seen Battle Royale and then watched (or read) The Hunger Games (2012) have thought the same thing. That said, I stand in defense of Collins, who clearly tackles the subject in a different way and with a YA audience in mind.

That said, if you dig death game movies like these, Battle Royale is superior for those seeking more violence, grittiness, and suspense. This movie isn't for teenagers, despite its high school characters. It's for adults looking for nail-biting tension created by life-and-death stakes. Tarantino has spoken about Battle Royale before, calling it his favorite movie of the past two decades, which makes sense when you consider Tarantino's penchant for stylized violence like this. 

10. Midnight in Paris (2011)

Woody Allen's fantasy comedy, Midnight in Paris, marks the middle point of Quentin Tarantino's best movies of the 21st century list. The film itself will appeal to time-travel fans, just don't expect the goofy hijinks of Back to the Future (1985). Instead, a screenwriter, played by Owen Wilson, travels back to 1920s Paris, where he interacts with creative icons, like Ernest Hemingway, F. Scott Fitzgerald, and Gertrude Stein, to name a few.

For literary nerds, especially, it's a dream come true, even if the movie makes it a point to dissect the issues with deeming a specific period in time the "best." Funny enough, Tarantino directs most of his analysis at Owen Wilson, saying, "I really can't stand Owen Wilson. I spent the first time watching the movie, loving it and hating him. The second time I watched it, I was like 'ah, okay, don't be such a pr*ck, he's not so bad.' Then the third time I watched it, I found myself only watching him." I can't speak for Owen Wilson here, but if I were him, I'm not sure if I'd be insulted or overjoyed.

9. Shaun of the Dead (2004)

As someone who also ranks Shaun of the Dead as one of their favorite 21st-century movies, I get it. The movie is endlessly quotable, lots of fun, and surprisingly heartfelt. If you're a horror fan, you'll love it, and if you appreciate George A. Romero's Living Dead trilogy, you'll catch no shortage of loving homages. As director Edgar Wright has proven with movies like Scott Pilgrim vs. the World (2010) and series like Spaced (1999), he is a big pop culture nerd, and he makes sure you know it.

What I love most about Tarantino's comments on Shaun of the Dead is this: "It's not a spoof of zombie movies, it's a real zombie movie, and I appreciate the distinction." That truly hits the nail on the head. Wright certainly shows his love for the genre, but he also manages to tell his own story without ever wandering into parody territory.

8. Mad Max: Fury Road (2015)

According to Tarantino, he almost didn't see Mad Max: Fury Road at all for the simple trap so many of us fall into: nostalgia. With a clear love for Mel Gibson as "Mad" Max Rockatansky, Tarantino thought what many of us did: There's no way this movie can compete with the original. Thankfully, that turned out not to be the case, with George Miller's sequel becoming the highest-grossing Mad Max movie to date.

Tom Hardy proved himself more than capable of stepping into Max's antihero shoes. Although if you've seen him as Bane in The Dark Knight Rises (2012) or as John Fitzgerald in The Revenant (2015), are you really that surprised? If you crave entertaining action balanced by a strong story, you can't do much better than Mad Max: Fury Road. It might be the fourth entry, but it makes the post-apocalyptic franchise proud.

7. Unstoppable (2010)  

Although Tarantino praised Man on Fire (2004), he ultimately put Unstoppable, the last movie Tony Scott directed before his death in 2012, in the seventh spot instead. While the movie is technically a disaster flick about a runaway freight train that Denzel Washington and Chris Pine's characters struggle to stop, Tarantino considers it a monster movie. "It's one of the best monster movies of the 21st century. The train is a monster. The train becomes a monster. And it becomes one of the greatest monsters of our time. Stronger than Godzilla, stronger than those King Kong movies," he said on The Bret Easton Ellis Podcast.

Honestly, it's an interesting way to look at Unstoppable and definitely an interpretation I can get behind. The movie itself is perfect for action movie fans, who also appreciate strong character-driven narratives among all the chaos. Masterfully directed, fast-paced, and all-around intense, this one will keep you on the edge of your seat. (I don't recommend watching it on your train commute, though.

6. Zodiac (2007)

David Fincher is arguably the king of psychological thrillers, and perhaps no movie shows that quite as well as Zodiac. Like Tarantino, I wasn't the biggest fan of this movie on first watch. And while I haven't had quite the same awakening as him, I do agree that Zodiac manages to pull you in, even if you're not entirely sold on it. It harbors Fincher's trademark moody aesthetic, which does wonders for immersion. 

If you're at all interested in the infamous Zodiac killer, it's one of the most faithful dramatizations of the manhunt and investigation, which spans from 1969 to the early '80s here. The movie places specific emphasis on the killer's interactions with the San Francisco Chronicle and its political cartoonist, Robert Graysmith (Jake Gyllenhaal), who becomes involved in the investigation.

5. There Will Be Blood (2007)

With One Battle After Another (2025) recently becoming the highest-grossing movie of Paul Thomas Anderson's career, it only feels appropriate for the director to make Tarantino's list of 21st-century favorites. Here, he selects There Will Be Blood, which might be Anderson's most acclaimed movie to date, after winning an Academy Award for Best Actor and Best Cinematography.

As a western thriller with one of Daniel Day-Lewis' finest performances of all time, Tarantino says it best: "[There Will Be Blood] had an old Hollywood craftsmanship without trying to be like that." It's quality filmmaking, plain and simple. If you're looking to get sucked into a movie and get transported to another time period, There Will Be Blood will keep you engrossed for its 158-minute runtime. So, lock in.

4. Dunkirk (2017)

"Gobsmacking." That's how Quentin Tarantino described his first watch of Dunkirk—and, honestly, that feels fitting. Christopher Nolan's war movie might be one of the most visceral and immersive World War II movies out there. The dread, the tension, it all just feels so real, which makes it one of the best and most challenging watches on this list.

At this point, Christopher Nolan movies come with expectations. Films like Interstellar (2014) and The Dark Knight (2008) set the bar incredibly high, but Dunkirk more than rises to the occasion. It's yet another masterclass in cinematography, with Nolan proving once again that his movies are just as technically impressive as they are narratively engaging. War movie fans, if you haven't watched this one yet, you're missing out.

3. Lost in Translation (2003) 

I'm not sure if I particularly like Tarantino using "girlie movie" to describe Lost in Translation because… eye roll. Sofia Coppola's movie might be a romantic dramedy, but its themes of loneliness and belonging are universal. It's not a "guy" or "girl" story; it's about the importance of human connection, especially when you're feeling isolated.

So, while I also don't appreciate Tarantino saying that he hasn't "seen such a girlie movie like that be so well done," I agree that Lost in Translation deserves its high spot on his list. Relatable, atmospheric, and moody in just the right ways, Sofia Coppola continues her mission of exploring the complexity of female identity with a unique softness. If you liked her other movies, like Priscilla (2023) or The Virgin Suicides (1999), you can easily get behind this one.   

2. Toy Story 3 (2010) 

Truthfully, I'm a bit surprised to see an animated kids' movie take second place on Tarantino's list. Then again, the Toy Story franchise has this unmatchable universal appeal that can make you laugh just as quickly as it can tear your heart in half. Lee Unkrich's Toy Story 3 put Tarantino through this very experience. As he said, "That last five minutes ripped my f*cking heart out, and if I even try to describe the end, I'll start crying and get choked up…"

Tarantino is also right. There are very few film trilogies (or franchises) that manage to nail those latter entries. However, Toy Story 3 remains a rare exception. If you like Pixar's other lighthearted yet emotionally damaging movies like Up (2009), then don't sleep on this one. Just because it's the third installment doesn't mean it isn't an "almost perfect movie."

1. Black Hawk Down (2001)

Black Hawk Down left Tarantino in a similar state as Dunkirk. Describing it as "so intense that it stopped working for [him]," it took Tarantino a couple more watches to truly label it a "masterwork." He compares the movie's "sense of purpose," "visual effect," and "feeling" to 1979's Apocalypse Now (which makes me realize now that Tarantino didn't include a single Francis Ford Coppola movie on this list). 

Director Ridley Scott delivers one of the most visceral and realistic looks into combat, this time during the Battle of Mogadishu. While World War II movies so frequently dominate the genre, the Somali Civil War backdrop offers a more unique setting and time period. If you like war films, especially those with a "based on a true story" element, then you might end up ranking Black Hawk Down as high as Quentin Tarantino did here. 

More often than not, LGBTQ+ love stories on our screens can't always be deemed a romance because they end with some sort of tragedy. It's why, after years of watching our favorite characters die, countless people not only have trust issues with creatives, but they're reluctant to give shows a chance because the concept of "bury your gays" is very much a real thing in TV and film. Thankfully, the world of romance novels has entered the chat, with writers unapologetically and beautifully writing queer joy to give characters the happy endings they deserve.

With this, we'll also hopefully be getting more and more adaptations that can guarantee happy endings for viewers to geek out over. From the latest piece of perfection, Heated Rivalry (2025),  to hidden gems like Fire Island (2022), here are some of the best LGBTQ+ romances with happy endings, as well as where you can watch them on HBO Max, Netflix, and more.

Heated Rivalry (2025)

Heated Rivalry is taking the world by storm, and rightfully so. The hockey romance adapted from Rachel Reid's Game Changers series is, dare I say, the best romance of the year. Thoughtful, soft, and achingly intimate, watching Connor Storrie's Ilya Rozanov and Hudson Williams' Shane Hollander fall in love is a gift that keeps on giving, with vulnerable moments that aren't just rare on TV, but it's so beautifully done here, it's setting the new standard.

We don't yet know how many seasons Heated Rivalry will get and how the story will pan out, but knowing what Jacob Tierney is capable of as a creator and how he understands the significance of LGBTQ+ romances, we can be sure that Ilya and Shane will have their happy ending, similar to the source material. If you're someone who appreciates softness and a grumpy/sunshine romance, run, don't walk to watch Heated Rivalry. 

Red, White, & Royal Blue (2023)

Rivals to lovers? Check. Two completely different worlds and a slight tinge of forbidden romance? Check and check. An uptight guy and a carefree spirit? Check check. Like Heated Rivalry, Red, White, & Royal Blue isn't just a perfect romance, but it's a perfect book-to-screen adaptation. It's so good that we have a confirmed sequel, Red, White, and Royal Wedding. It's rare for LGBTQ+ romances to get a happy ending on screen, but it's even more rare to get a sequel where we can spend more time with the characters.

Nicholas Galitzine and Taylor Zakhar Perez have such sensational chemistry that between every quiet moment and hilariously bickering beat, their scenes together aren't just lovely, but they're fun. They're hot and soft and so, so warm that even the angst between them hits deep. If you love stories about royals, but wish they were centered around LGBTQ+ pairings, this treasure's got everything for you.

Heartstopper (2022-Present)

Most millennials grew up on shows like One Tree Hill (2003), adding in LGBTQ+ high school characters solely for shock value. The depth and understanding of profound human emotions and how so many people find themselves during those pivotal moments were seldom ever included until Heartstopper. And while Sex Education (2019) did it effectively, too, the happiness and warmth we get in Heartstopper make it such a soft showcase of how vast the spectrum is.

Nick Nelson and Charlie Spring might be the precious faces behind the whole show, but it's full of well-written and thoroughly fleshed-out queer characters who feel real and relatable. Characters who you can tell the writers love and appreciate as much as the actors do. Characters who are also given nuanced and brilliant narrative arcs to shine and blossom. For anyone who wants something deeply wholesome and honest, look no further than Hearstopper. 

Bridgerton (2020-Present)

At the moment, Bridgerton is mostly centered on heterosexual couples (though Benedict Bridgerton is confirmed to be bisexual and his season is coming soon!), but with the show being renewed for Seasons 5 and 6, we now have a guarantee that we'll also see Francesca and Michaela's romance come to fruition. And here's another thing: Hollywood is indeed doing a better job of incorporating LGBTQ+ romances, but we rarely have two women getting together.

What'll also be incredible about Francesca and Michaela's love story is that it'll differ from most historicals that feature same-sex relationships because they often use the time period as an excuse not to carry on with the happy ending. Yet, because Bridgerton is a romance where these happy endings are a must, we know that they'll not only get their happy ending, but it will also be gorgeous in every way because the show knows how to deliver deeply memorable romantic relationships. And it'll be a must-watch for anyone who loves historical settings.

Schitt's Creek (2015-2020)

Schitt's Creek isn't just one of the funniest TV shows to grace our screens, but it's also unapologetically romantic and delivers some of the best romantic moments. With Dan Levy's David Rose and Noah Reid's Patrick Brewer, we get everything that makes romance novels so special. Their first meeting, first few moments of becoming friends, their first kiss, and the eventual marriage, which I dare you to watch without blubbering because it's too precious for words.

In every way where it matters, Schitt's Creek brings to our screens unapologetic queer joy all wrapped up in an unforgettable love story that still makes me giddy every time I think about it. Perfect for viewers who loved Letterkenny (2016), but truly for anyone who wants something that's guaranteed to always make them laugh and swoon. 

Fire Island (2022)

Have you ever wondered what Pride and Prejudice would be like if it were centered around LGBTQ+ characters and full of all the joys of summer and sunlight bring? Well, you don't have to wonder too much because Fire Island exists, and it's a compelling reimagining that not only delivers joy, but it's also brilliantly written to reflect a plethora of character depth. While some viewers aren't sure if the happy-for-now equates to a happy ending, it's safe to assume that the couples can last beyond the final episode. 

It's creative, genuinely so thoughtful, and so well-made that it's shocking it flew under the radar because it deserves far more hype. It's a win on all fronts with an inclusive cast that makes the entire movie feel refreshing, realistic, and deeply heartfelt. 

Movies are the best type of escapism, and when you truly want to disappear into a fictional world for a bit, no genre is better than fantasy. Whether it's the grandeur of medieval-set tales, the epic slashing of clashing swords, or the dark forests in fairy tales reimagined, fantasy excels at immersion. You'll want to get lost in these worlds, and who can really blame you? However, the next question becomes how do you watch them on streaming.

With no shortage of streaming services available these days, fantasy movies exist in the libraries of all of them. However, if you want to watch something epic without dishing out the big bucks, then free streamers like Hoopla, Plex, and Pluto will be your best bet. To take out some of the guesswork that follows, here are the 10 best fantasy movies streaming for free right now. 

Monty Python and the Holy Grail (1975)

Monty Python and the Holy Grail isn't the movie to watch when you're craving a serious fantasy movie. As a parody of Arthurian legend, this one is for fantasy fans who don't mind comedy aimed at the genre's tropes and clichés. Don't expect historical accuracy; if anything, prepare yourself for the wonkiest quest for the Holy Grail in all of film, littered with absurd and hilarious scenes.

Those familiar with Monty Python or the comedy group's other movies, like Life of Brian (1979), will feel right at home with the witty British humor often disguised beneath seemingly stupid jokes. This movie is quotable, so lock in and prepare to hurl all manner of iconic lines at your friends and family for the foreseeable future.

The Last Unicorn (1982)

The Last Unicorn sounds cute, right? Well, think again. The movie follows one unicorn's desperate search to discover what happened to the rest of her species, and what follows is a story packed with themes about mortality, existential fear, and regret. For these reasons, it's best suited for older kids and adults. This isn't My Little Pony (1986), meaning young children might have difficulty processing these mature themes despite the G-rating. 

Beautifully animated by Topcraft and produced by Rankin/Bass Productions, The Last Unicorn features a unique mash-up of Japanese and American animation, similar to the studios' previous collaboration with The Hobbit (1977). Coupled with an immersive soundtrack and star-studded voice cast, The Last Unicorn makes for a solid fantasy movie night pick.

The Company of Wolves (1984)

If you ask me, the best fairy tale adaptations have a tinge of darkness to them, and that's certainly the case with The Company of Wolves. This dark retelling of "Little Red Riding Hood" sees Rosaleen (Sarah Patterson) traveling through the woods to visit her grandmother (Angela Lansbury). Where the movie truly differentiates itself from the classic tale is with the wolf. 

While the original story has always acted as a metaphor about the predatory behavior of some men, The Company of Wolves shows how sexuality and dangerous desire can complicate that by throwing werewolves in the mix. It's unique, creepy, and perfectly weird. If you like the surrealist vibes of David Lynch movies like Blue Velvet (1986), you'll find something similar here.   

Highlander (1986)

The Highlander franchise is sprawling and mighty, but really, it never reaches the heights of the first movie. Starring Christopher Lambert as Connor MacLeod, Highlander chronicles his century-spanning story as he battles other immortals like himself. Told in a non-linear fashion with some genuinely impressive transitions between time periods, the movie offers a compelling time-travel story steeped in action and fantasy.

Like many of the entries on this list, Highlander was a commercial failure upon release that went on to amass a massive cult following. While most critics point their fingers at the movie's corny acting and, at times, confusing plot, that's precisely why fans love it. If action-heavy sword and sorcery fare is your weakness, you really can't do much better than Highlander.

Labyrinth (1986)

Right off the bat, if you don't like musicals, Labyrinth probably isn't for you. However, musical fans or those who don't mind some singing interludes will find an imaginative fantasy story that (mostly) stands the test of time. While the movie is symbolic of many things, in its simplest form, it follows a teenage girl's quest to save her brother from the Goblin King Jareth, played with smooth charisma by David Bowie.

Whether you've seen Labyrinth or not, most people know Bowie in that voluminous blonde wig. Thanks to its large cult following, the movie has found a place in pop culture. Admittedly, the plot can get… confusing (and yes, the age gap is problematic), but the real draw is the visuals. Director Jim Henson brings the creativity and whimsy expected of him, with some truly staggering puppetry and practical effects.

Ella Enchanted (2004)

If you like fairy tale-inspired stories, Ella Enchanted is one of the best. Based on Gail Carson Levine's Cinderella retelling, the movie stars Anne Hathaway as Ella, a woman seeking to undo the curse of obedience placed upon her at birth and live her own life. And, if it isn't already apparent by that description, Ella Enchanted is a feminist movie that seeks to give its heroine the agency and independence so many other fairy tale fatales lack.

While the book offers a more well-rounded story, the movie leans more into humor. Although that was an issue for some critics upon release, most audiences agree that Ella Enchanted is nothing but delightful. Sweet, silly, and romantic, it's the perfect choice for anyone craving a little fantasy romance in their lives. (Just note: There is singing!)

Rare Exports: A Christmas Tale (2010)

As a horror fan, I will never stop recommending this movie. This genre-blending mash-up tosses you into a world where Santa Claus isn't a jolly man who brings gifts on Christmas, but a bizarre, wild species that humans train and distribute as commodities. It sounds strange, but believe me, it somehow works to create a believable and effective story about consumerism and exploitation.

Rare Exports: A Christmas Tale isn't fantasy in the knights in shining armor sense. Still, it's a dark delight for audiences craving something in the realm of a dark fairy tale. From dead reindeer to supernatural Santas, Rare Exports is the ultimate holiday horror movie. Watch it now, or wait until Christmas. Either way, make sure to check it out.

Ne Zha (2019)

If you haven't heard about Ne Zha yet, then meet the current record-holder of the highest-grossing animated film of all time. Pulled loosely from Xu Zhonglin's 16th-century novel, Investiture of the Gods, the movie follows a young boy who learns to use his powers to fight demons and win back the hearts of those who turned on him.

This modern riff on ancient Chinese mythology offers a compelling tale about challenging fate. Critics love it, and audiences do, too. It's not often a Chinese animated film takes off in China and the rest of the world, but Ne Zha proves its story is universal. If you like other animated fantasy movies, especially those of the Disney and Pixar variety, you'll find a similar style here. Think Turning Red (2022), but with an emphasis on retelling a Chinese legend rather than just using mythology as a clever metaphor.

Gretel & Hansel (2020)

When it comes to fairy tales, you can't get much darker than "Hansel and Gretel." First collected by the Brothers Grimm in 1812, the story follows the titular children's confrontation with a cannibalistic witch. While there have been many adaptations of the story since, none do it better than Osgood Perkins' Gretel & Hansel.

The movie's biggest selling point, like many of Osgood Perkins' movies, is its creepy, atmospheric horror. If you like dark fairy tales, Gretel & Hansel fully immerses you in its dark, sprawling forest filled with witchcraft and supernatural stakes. The 87-minute runtime can feel long at times, but for audiences with horror inclinations, Gretel & Hansel is a worthy fairy tale adaptation for your next movie night.

Dark Harvest (2023) 

Like Rare Exports, Dark Harvest plants itself firmly in fantasy horror. Revolving around the supernatural legend of Sawtooth Jack, the movie thrusts teenage boys into a Halloween ritual that involves hunting and killing the monster before it reaches a church. Set against a rural Midwestern backdrop, Dark Harvest drips with an unsettling atmosphere and small-town horror vibes.

Based on a book by Norman Partridge, Dark Harvest delivers on the gore and mystery. Sawtooth Jack is sufficiently creepy and will most definitely appeal to anyone who appreciates the creature designs in Trick' r Treat (2007) and Pumpkinhead (1988). If you like your fantasy to feel like it's ripped from the pages of folklore, then add Dark Harvest to your watch list now. 

The words "horror" and "free" go together like bread and butter. With thousands of horror movies spanning countless subgenres, there is always an old classic or modern marvel dropping on a free streaming service. The tricky part is mining through the vast libraries of free streamers like Tubi and Pluto TV to find that hidden gem. While investing in Shudder might make your life easier, not everyone wants (or is able) to dish out more cash for yet another subscription.

That's where JustWatch's guide comes in. Whether you're a horror newcomer in search of a welcoming entry point or a terror connoisseur looking for a scary hit, here are the 10 best horror movies streaming for free right now, categorized by some popular subgenres for your convenience.

Halloween (1978) 

Best for Slashers

For horror heads, Halloween might seem like an obvious pick. However, for those just starting their descent into the horror genre, it's a great starting point. John Carpenter, known for other genre favorites like The Thing (1982) and They Live (1988), is a master of suspense. As a result, Halloween offers plenty of slow-creeping dread that so many other slasher films lack.

What starts with Michael Myers' chilling origins on one fateful night in 1963 jumps 15 years forward to when Michael escapes a mental institution and returns to his hometown to wreak havoc. While the larger Halloween franchise has a reputation for creative kills and gore, the original movie has very little blood, making it a solid option for more squeamish audiences that don't mind a retro feel. There's a reason Halloween remains a year-round favorite, with the movie shooting to an impressive top three spot on JustWatch's streaming charts the week of Halloween. 

The Cleansing Hour (2019)

Best for Possession

If you love and respect The Exorcist (1973), then you already know that almost every possession movie to come after tries to emulate it. For fans of the subgenre, it can get tiring. That's where The Cleansing Hour comes in. Although it's got all the standard possession movie tropes, it subverts expectations with a fake demonic possession turned real—all during a live stream.

The acting is great, the specific effects are solid, and, more importantly, the story keeps you engaged from start to end. There is even a little dark humor thrown in for measure. This one will surprise you, so if you think you've seen it all, give The Cleansing Hour a try.

Society (1989)

Best for Body Horror

Society tends to give its gruesomely weird premise away in trailers and marketing, but I promise you that it's best enjoyed with minimal spoilers. All you really need to know going in is that a wealthy, Beverly Hills teenager begins to suspect his family is part of an unusual cult. Simple, right? Well, what lies at the end of Society is pure nightmare fuel.

Once a box office bomb, the movie has become a bona fide cult classic, earning a spot in the body horror hall of fame alongside the works of David Cronenberg. If you're not squeamish and like a decent little mystery, Society should be your next watch.

Let the Right One In (2008)

Best for Vampires

Based on the John Ajvide Lindqvist novel of the same name, Let the Right One In delivers the expected vampire tropes with a unique spin. Rather than featuring the tall, dark, seductive vampires inspired by Bram Stoker's Dracula, Let the Right One In places the strange yet tender relationship between a bullied 12-year-old boy and a vampire "child" at its center. With an atmospheric, cold-weathered backdrop, the movie constantly reminds you how cold and lonely vampirism can be—but also how cold and lonely being a misunderstood child can be, too.

Just as dark, twisted, and taboo as you'd expect from the subgenre, Let the Right One In will appeal to anyone who loves supernatural stories with a touch of romance, if you can even call it that. Those who struggle with subtitles (or who just want a different version of the story) should consider the American remake, Let Me In (2010), instead.  

Ju-On: The Grudge (2002)

Best for Supernatural Horror

If you're looking for a one-word descriptor of Ju-On: The Grudge, it's creepy. Takashi Shimizu's supernatural story spawned a franchise for a reason. Watching Rika Nishina (Megumi Okina) encounter the cursed spirits living in the home of the elderly woman she's assigned to care for is as dark, spooky, and haunting as you can imagine.

Those who enjoy ghost stories with creepy imagery that evokes that look-over-your-shoulder feeling will find a lot to like in Ju-On. If you struggle with subtitled films (or just want another movie with a similar vibe), you should check out Takashi Shimizu's American remake,The Grudge (2004), which, at the time of writing, is streaming for free, too. Regardless of which version you choose, watch them with the lights off.

Triangle (2009)

Best for Psychological Horror

Christopher Smith's Triangle is underrated, plain and simple. Despite its tense, twisty premise, it doesn't make a lot of mainstream horror lists. However, for those who like think pieces where nothing is quite what it seems, Triangle is a must-watch. To divulge too much about the plot would be a disservice; just know the movie kicks off with Jess (Melissa George), a single mother in desperate need of a break, whose day out at sea with her friends turns into a bizarre nightmare when she gets the uncanny sense that they're being watched.

Scary, smart, and infinitely engrossing, Triangle will not disappoint fans of psychological horror. This isn't a "second-screen" experience movie; it demands your full attention. You've been warned.

Tucker & Dale vs. Evil (2010)

Best for Comedy Horror

Sometimes, the title of "horror comedy" gets tossed on any old movie looking to excuse its B-movie flaws. However, those searching for a genuinely laugh-out-loud, high-quality horror comedy will find nothing better than Tucker & Dale vs. Evil. Trust me, I've tried.

The film pokes fun at horror movie tropes, particularly those of the "hillbilly horror" or "rural horror" variety. While the actual scares are minimal, the movie offers up some creative kills and decent gore nonetheless. The real standouts are the titular leads themselves. With all their innocence, charm, and rock-solid comedic timing, it's difficult not to fall in love with Tucker (Alan Tudyk) and Dale (Tyler Labine). If you love the meta commentary in movies like Scream (1996) and The Cabin in the Woods (2011), you're about to add a new favorite to your list.

Train to Busan (2016)

Best for Zombies

Maybe George A. Romero's Living Dead movies still have your heart, or perhaps you prefer a more modern-day feel like The Walking Dead (2010). Either way, Train to Busan won't disappoint zombie enthusiasts.

Yeon Sang-ho's masterpiece is heavy on the action, featuring fast-moving zombies that would feel right at home in World War Z (2013). As the title hints, the movie follows the passengers on a train as a zombie outbreak plunges Korea into utter chaos. And while that's all thrilling in itself, Train to Busan shines in its quieter moments, whether it's characters staring death in the face or the social commentary surrounding Korea's class division.

Rare Exports: A Christmas Tale (2010)

Best for Creature Feature

While you might want to save this one for the holiday season, Rare Exports: A Christmas Tale makes this list for its sheer uniqueness. With creature features typically dominated by werewolves, mutated animals, and vampires, this Finnish flick positions bizarre, monstrous Santas as its main antagonists. While that in and of itself isn't anything special, considering films like Krampus (2015), Rare Exports treats these wild Santa Clauses like a rare species that various world governments want to exploit.

Told primarily through the eyes of a young boy, it blends adventure, fantasy, and horror to fantastic effect. If you think you've seen everything under the creature feature sun, Rare Exports raises the bar, giving you a different type of monster to fear (or root for).

The Mist (2007)

Best for Sci-fi Horror 

For fans of sci-fi and creature features, The Mist offers the best of both worlds. After an unusual fog descends upon a small Maine town, a ragtag group of survivors stuck in a grocery store has to band together to survive the extraterrestrial monsters lurking outside. And, of course, a group of strangers working together under tense situations involves heaping loads of drama.

If you didn't already know, The Mist stems from a Stephen King short story, so expect the usual tropes and small-town New England horror present in the author's other adaptations like Pet Sematary (1989) or Misery (1990). However, just know that this adaptation is much more sci-fi. With one of the most shocking endings in cinema history (do not spoil yourself), The Mist is an easy choice for King fans or anyone craving an atmospheric, character-driven horror story. 

Whether popular classics or hidden, long-forgotten gems, there are always a myriad of incredible romances to stream for free on platforms like Plex, Hoopla, and more. What is a romance film? By definition in the literary world, it's a story that ends with a happy ending for the couple we are following. So, no, Romeo and Juliet is not a romance, but a tragic love story instead. However, a romantic comedy like 13 Going on 30 (2004) sure is. 

There are countless tropes that make up the fabric of the genre, and excellent chemistry is always needed to sell the relationship we're watching on-screen, so it's always a bit of a treasure hunt to see what a romantic film will explore and how it'll do so. From newer book-to-screen adaptations like The Hating Game (2021) to early 2000s treasures like She's the Man, here are the 10 best romance movies streaming for free right now.

Letters to Juliet (2010)

As one of the most romantic films with two relationships at the center, Letters to Juliet is a must-watch for fans of the second chance romance trope. Set in the beautifully picturesque Verona and various other locations in Italy, the film is both a second chance romance and a tender strangers to lovers that leaves a mark. Sophie (Amanda Seyfried) responds to a lost letter tucked in the crevices of Juliet's wall, allowing the late Vanessa Redgrave's Claire to make contact with her in order to follow her heart back to her long-lost love. 

As the search for Lorenzo commences, Sophie and Claire's nephew, Charlie, quietly fall for one another in the background. With a gorgeous soundtrack, thrilling banter, and heart-melting love declarations, every frame is what romantic comedy dreams are made of. For the viewers who love heart pounding longing, this one's got it all. 

Mr. Malcolm's List (2022)

As a fantastic and incredibly thoughtful book-to-screen adaptation with a refreshingly inclusive cast, Mr. Malcolm's List is a gorgeous historical romance and an absolute joy ride from start to finish. Featuring stunning, swoonworthy shots in every frame, the romance between Freida Pinto's Selina and Sope Dirisu's Mr. Jeremy Malcolm quietly develops with the type of slow burn tension that's so deliciously enamoring. It's surprisingly funny at times, too, which period dramas generally don't get to be, adding an extra bit of fun to the yearning. 

Every beat of the film feels earned, and the entire cast, along with the platonic relationships, make it an adaptation to remember. For fans of Bridgerton (2020) who want a quick but rewarding movie to watch, this one's not to be missed.

Persuasion (2007)

Pride and Prejudice might be Jane Austen's most popular novel, but Persuasion is inarguably her most romantic, and the 2007 adaptation starring Sally Hawkins and Rupert Penry-Jones is the perfect film to showcase the depth of longing that's sprinkled into every page. As what might be the archetype of a second chance romance, so much of the film's impact comes from the performances. Persuasion is the type of book that takes longing incredibly seriously, and without the presence of Captain Wentworth's agony, various adaptations fall short. But the 2007 version nails every beat, allowing even the quiet moments to scream with gut-wrenching want. 

Perfect for fans of the trope, but also for viewers who want a gorgeous adaptation to an already breathtaking book. It's also best suited for those who appreciate movies like Letters to Juliet or any sort of story where a written letter discloses all bottled-up emotions. 

Northanger Abbey (2007)

A little spooky and indescribably cozy, Northanger Abbey is not only an underrated Jane Austen adaptation, but it's a quaint little romance that deserves more hype. Starring Felicity Jones as Catherine Morland and JJ Feild as Henry Tilney, the delightful love story is set primarily in Bath and features a stunning portrayal of the strangers-to-friends-to-lovers trope. 

Directed by Jon Jones, the adaptation is a charming feature that checks every period drama box while simultaneously delivering something intriguing for those who generally aren't fans of the historical setting. In addition, as Austen's most gothic story, Northanger Abbey is also perfect for viewers who prefer a bit of edge in their romances. Lightly spooky elements woven into the quiet moments make the film especially perfect for a rainy fall afternoon.

She's the Man (2006)

She's the Man is now a classic rom-com for countless reasons, and at the top of the list is its perfect balance between humor and romance. Starring Amanda Bynes and Channing Tatum, the Twelfth Night adaptation hits every evocative trope with the type of humor that still holds up and is somehow even funnier today. With hilariously quotable lines like "I'm allergic to the sun" and "my favorite's gouda," the college-based film has something for every kind of viewer. 

With a well-written screenplay and an incredibly fun cast, the movie doesn't miss a beat in ensuring that every character is a joy to watch on our screens. And to top things off, the romance that develops between Viola and Duke genuinely feels earned at the end, eliciting butterflies and every giddy emotion that only amazing romances are capable of.

13 Going on 30 (2004)

As the quintessential childhood-best-friends-to-lovers romance, 13 Going on 30 still holds up gorgeously as a result of its relatable storytelling. When a heartbroken Jenna makes a wish on her thirteenth birthday to fast forward through time, she learns that her thirties aren't all their cracked up to be, except for one part of it, which is reuniting with her best friend Matty. With sweet and captivating chemistry between Jennifer Garner and Mark Ruffalo, the angsty yet poignant love story shines from beginning to end, telling a story that still manages to hold up today. 

13 Going on 30 is especially perfect for people who love the trope because it carefully explores both the consequences and benefits of a relationship in this area, which doesn't happen often. Its thematic reassurance of every age having its advantages also makes it solid viewing for various age groups.

 Love & Basketball (2000) 

 Love & Basketball is a must-watch for One Tree Hill (2003) fans who loved Nathan and Haley's journey. It's a stunning love letter to basketball, teenage angst, and the type of second chance romance that hits every time. It does such a brilliant job of weaving in the sport with the central love story between Omar Epps' Quincy and Sanaa Lathan's Monica that the words "double or nothing" will forever be synonymous with them.

There's something so deeply angsty and compelling about the type of friends-to-lovers to second chance the film explores, and still to this day, there's been nothing like it with the tropes. Written and directed by Gina Prince-Bythewood, the film spotlighted the concept of the female gaze long before it became a talking point on social media. 

Ella Enchanted (2004)

Fantasy, a musical, and romance? What more could anyone want than the dazzling and star-studded Ella Enchanted? Cursed to obedience from birth, Anne Hathaway's Ella embarks on a quest to undo the stripping of her agency, falling in love with Hugh Dancy's Prince Char in the process. Achingly romantic and surprisingly nostalgic, there's something special about the movie that boils down to the costumes, the music, and the cast, adding a charming veil to every scene. 

Criminally underrated, it's another film that deserves far more hype, like the iconic The Princess Bride (1987). The fairytale approach understandably doesn't always work for every viewer, but there's a realism sprinkled into Ella Enchanted that makes it beautifully stand out. 

Plus One (2019)

An underrated friends-to-lovers story, starring Jack Quaid and Maya Erskine, Plus One sizzles with banter and chemistry from beginning to end, even with its flaws in pacing. Opposites attract in more ways than one, as both Ben and Alice have their demons. However, when they decide to be each other's plus ones at the weddings they're invited to, sparks torch, taking their friendship from platonic to achingly romantic in a way that's fully organic. 

With sweet moments and hilarious bits of banter, too, Plus One is the type of rom-com that even fans outside of the genre could appreciate. Perfect viewers who loved the chemistry in Set It Up (2018), this one's a modern day rom-com that's easy to love.

The Hating Game (2021)

Based on Sally Thorne's novel of the same name, The Hating Game is a worthy adaptation and an even better workplace rivals romance. Starring Lucy Hale and Austin Stowell as Lucy and Josh, the movie is stacked with the best tropes, longing, and plenty of antics to make you wish it were a trilogy of sorts. 

So many of the best contemporary romance novels follow a similar pattern of rivals becoming lovers, meaning there's a reason it's so popular. Here, we have the perfect office romance that gradually morphs into something bigger and better. While it doesn't fit all of the book into the film, it's still a worthy adaptation and easy to dive into for non-book readers as well. As a star, Lucy Hale is also so delightful in romantic comedies, and her performance is worth every minute.

Comedies are meant to drive people to laugh out loud, with clever beats and great character journeys that make the story feel layered and uplifting. It's often said that writing a drama is easier than writing comedies because determining what people will find funny isn't as easy as digging into the dark parts of the human psyche to make something relatable. Comedy is also subjective when we examine that there are people who have dry humor versus those who appreciate more on-the-nose jokes.

Netflix is especially chock-full of great comedies that are streaming right now. Whether they're now classics or newer gems that'll very likely still hold up years from now, here are 10 of the funniest comedies to choose from.

Glass Onion: A Knives Out Mystery (2022)

Rian Johnson's Knives Out (2019) is good, but Glass Onion: A Knives Out Mystery is even better. A truly excellent whodunnit and an even better comedy, rich with a time-appropriate story that takes place during the COVID-19 pandemic, the film examines a billionaire's role in our world and explores what happens when people have had enough. Since he's more grounded in the role, Daniel Craig's Benoit Blanc's dry humor shines with more nuance here, and stars like Kate Hudson and Kathryn Hahn portray characters viewers love to hate with hilarious remarks that effectively poke fun at the rich.

As isolated stories with alternating characters in each film, viewers can dive right into Glass Onion without watching Knives Out. Perfect for fans of lighthearted crime dramas, these films aren't to be missed. 

Derry Girls (2018-2022)

Lisa McGee's Derry Girls is an unmistakable treasure and one of the best coming-of-age comedies to have ever graced our TV screens. As a series loosely based on The Troubles, the waging arguments between Protestants and Catholics, as well as the teenage woes, never fail to provide ample entertainment. 

Brimming with the kind of humor that grumpy people can probably relate to best, Derry Girls mixes various personality types in the most deliciously obscure cocktail that delivers the kind of jabs that are both culturally specific and universally easy to relate to. 

Wicked Little Letters (2024)

Olivia Colman's range as an actress is a gift that keeps on giving in Hollywood, and thus far, there's nothing quite like the comedy she plays with in Wicked Little Liars. The role of Edith Swan is so different from anyone Colman has played that the period piece is bound to leave a mark for that reason alone. 

But there's one scene, in particular, toward the end that involves so much cursing, it gloriously puts a Shakespearean monologue to shame and allows Colman's prowess to glisten in the most hilariously obscure and crude manner. Perfect for viewers who not only love British humor but especially those who appreciate flowery language. 

One Day at a Time (2017-2020)

If any cancellation on Netflix still stings, it's One Day at a Time. The underrated and beautifully thoughtful comedy starring Justina Machado, Rita Moreno, Isabella Gomez, and more became a beacon of hope as a solid representation of Latine homes with unbeatable heart and exceptionally relatable humor in every single episode. 

The sitcom feels like the kind of classic gem that's both genuinely hilarious and wholesome in a way that proves that the writers wanted to do right by every line in a way that would feel organic to everyday households. It's one that holds up today, and it's surely one that people will keep turning to years from now as they discover it for the first time. Perfect for fans of Modern Family (2009), One Day at a Time is a delightfully family-focused must-watch. 

A Man on the Inside (2024-Present) 

Mike Schur has an indescribable ability to take an ordinary career or a not-so-exciting setting and make it wonderfully hilarious and undeniably wholesome. He does this with all his properties, and for the viewers who loved Ted Danson in The Good Place (2016), you'll adore the work he brings to Netflix's A Man on the Inside. Season 2 is set to release on November 20, so now's the perfect time to catch up.

A Man on the Inside is everything a comedy should be and more. It spotlights a demographic we don't get to see often, but to top things off, it gives us another cozy mystery that's especially perfect for viewers who love The Thursday Murder Club (2025). Sharp, hilarious, and deeply wholesome, it's the type of series that you'll want on replay. 

Crazy Rich Asians (2018) 

For the viewers who want an excellent romance alongside their humor, look no further than Jon M. Chu's Crazy Rich Asians. With the release of Wicked: For Good (2025) later this month, it's a perfect time to revisit the bold comedy and get a sense of what Chu is capable of when it comes to relationships as well.

More than anything, Crazy Rich Asians is not only one of the best book-to-screen adaptations we have, but it's the type of true rom-com we don't have nearly enough of. It's easily quotable, laugh-out-loud funny, and the type of film that many fans would still do anything for a sequel. Plus, it stars a number of excellent actors who make the film a must-watch. 

Hit Man (2024)

Richard Linklater's Hit Man isn't just a delicious showcase of Glen Powell's exceptional range, but it's a wildly uproarious ride that has no business being as funny and as sharp as it is. An undercover hit man thrust into an unexpected situation does indeed have all the markings to be awkwardly funny, but it's everything that comes along with the dark thriller that makes it so well-written. 

The comedy is subtle, yet it's exactly why it pairs so well with the performances and the off-the-wall narrative. Hit Man will likely stay on Netflix for a long time, and it's especially perfect for viewers who want a gripping romance woven into their comedies.

Grace and Frankie (2017-2021) 

If you're a fan of Reba (2021) and have wondered what it'd be like for the titular character and Barbara Jean to be the ones to move in together after divorce, then Grace and Frankie is an absolute must-watch for you. It's a must-watch regardless because of the impeccable performances Jane Fonda and Lily Tomlin consistently bring to the role, but still.

Grace and Frankie is a hilarious spectacle from start to finish that's expertly written to honor the characters and, more importantly, the friendship they build. There's an indescribable heart woven into every interaction that's so sincere, it makes the series even more special. In other words, it's the type of show that's so rare, we may never get anything like it again.

Brooklyn Nine-Nine (2013-2021) 

There will never be another Brooklyn Nine-Nine because there will never be another actor whose unbeatable dry wit could hit as hard as the late Andre Braugher's. Sharp, thoughtfully inclusive, and remarkably self-aware, the writing on Brooklyn Nine-Nine consistently sticks the landing because all it tries to do is honor its characters and humanity as a whole. Because of this, the show becomes 10 times funnier, allowing the jokes to turn into memes that hold relevance years after the episodes premiered.

Plus, Andy Samberg's Jake Peralta breaking into an unplanned jam session, singing "I Want It That Way" by the Backstreet Boys while trying to identify a murderer, is a brilliantly clever inclusion of pop culture jabs that feel acutely well-placed. If you loved Parks and Recreation or Superstore, Brooklyn Nine-Nine is a must-watch in every way. 

White Chicks (2004)

There are undoubtedly parts of White Chicks that don't hold up today, given conversations we have about bodies and women, but for the most part, it's a solid feature that's always worth watching for the unexpected laughs it manages to evoke. 

To this day, countless people associate Vanessa Carlton's "A Thousand Miles" with the film's characters belting the lyrics at the top of their lungs. With an incredible cast, a solid script, and thoroughly fantastic performances, there's a reason it's one of the easiest movies to rewatch. If you want an accurate depiction of early 2000s humor and antics, few films do it as gloriously as White Chicks did.

Big news from Quentin Tarantino, and no, it doesn't involve that elusive tenth movie of his. Instead, the director is adding on to the beloved duology consisting of Kill Bill Vol. 1 (2003) and Kill Bill Vol. 2 (2004), with a short titled "The Lost Chapter: Yuki's Revenge." The interesting thing here isn't so much the 20-year-plus gap between Kill Bill's release and "Yuki's Revenge," but the manner in which it's being released. 

Spoiler! It involves a partnership with Fortnite. You know, that battle royale game your kid (and adults like me) won't stop playing. This, of course, isn't the first time Fortnite has collaborated with creatives. It has hosted a variety of virtual concerts for big names like Travis Scott, Eminem, and even Ariana Grande. However, "Yuki's Revenge" is something unique, and I will break down everything you need to know about Quentin Tarantino's new Kill Bill movie, including how to watch it, below.

What Is Quentin Tarantino's New' Kill Bill' About?

To clarify, Tarantino's new Kill Bill movie isn't exactly new. It has actually existed for decades, with the eight-minute short just an animated version of a scene that Tarantino originally cut from the film. As Tarantino described in a Q&A (reported by Vice), "This is a lost chapter that I always wanted to see the light of day, and now it has."

Uma Thurman returns for motion-capturing and to voice her character, The Bride, while Miyu Ishidate Roberts steps into the role of Yuki Yubari, the twin sister of Gogo Yubari (Chiaki Kuriyama). Using Unreal Engine and Fortnite models, Epic Games brings Yuki's vengeful fight against The Bride to life in animation. And while Kill Bill more than stands the test of time as an action-packed revenge story filled with beautifully choreographed fights, animation holds exciting possibilities. To quote Tarantino again, "Bringing this into Fortnite sounded cool and felt like a wonderful fit for the game world and the characters."

As a bonus, players can also play as these characters, with The Bride skin (and an alternate Beatrix Kiddo skin) currently available in the Fortnite Chapter 7 Battle Pass. Anyone who logged into Fortnite between November 27 and December 1 should also have received the Yuki Yubari skin for free. Likewise, a Gogo Yubari skin was offered as a free promotional item if you bought tickets for Kill Bill: The Whole Bloody Affair's theatrical release. So, if you've ever dreamed of stepping into The Bride's shoes and gunning down virtual enemies, now is your chance.

How To Watch The New' Kill Bill' Short

"The Lost Chapter: Yuki's Revenge" premiered in Fortnite on November 30, 2025, and, at the time of writing, is still available by navigating to Fortnite's "Discover" tab. (Just do a quick search if it's not showing up on the main page.) While Fortnite is free to play for anyone with the appropriate console, not everyone will want or be able to access the short movie that way. 

The good news is that "Yuki's Revenge" will also receive a limited theatrical run alongside the theatrical rerelease of Kill Bill: The Whole Bloody Affair on December 5, 2025. And while those are the only two ways to watch it now, I hypothesize that Quentin Tarantino and Epic Games' animated collab will find its way to streaming, or at the very least, onto a a new Blu-ray edition of Kill Bill: The Whole Bloody Affair at some point. 

Is The New 'Kill Bill' Short Canon?

The short answer is yes. "Yuki's Revenge" expands Kill Bill's lore and fleshes out Yuki's quest for vengeance after The Bride took out her twin sister, Gogo Yubari in Vol. 1. Here, we get to see Yuki and The Bride face off in a tense chase. The tension is there, but anyone who has seen Kill Bill in its entirety already knows who will come up on top, so don't expect a big twist, just more of Tarantino's trademark action and stylized violence, although filtered through Fortnite's cartoon violence bearing a Teen rating as opposed to the Kill Bill movies' R sensibilities.

Does this technically make Fortnite's Peely a canon character in Quentin Tarantino's movie universe, too, then? Well, the answer to that is also a resounding yes as funny as that sounds. 

Stephen King's reputation as the Master of Horror isn't just built on his 50+ years of bestselling novels. It's also shaped by the enormous impact his stories have had on film and television. With the recent release of Welcome to Derry, there's no better time to revisit the long, ever-growing list of King adaptations.

This guide brings together some of the most popular films, series, and miniseries based on his work (along with the original book or story each comes from) so you can trace how his pieces of horror, suspense, and dark fantasy have evolved on screen. These adaptations appeal to a wide range of viewers.

They are ideal for longtime horror fans, newcomers, and even non-horror audiences drawn to King's character-driven drama and supernatural mysteries. Many of these titles consistently chart well on the JustWatch streaming charts, and you can currently find a large selection on major platforms like Netflix, Hulu, and HBO Max.

Stephen King Adaptations in Order

• 1976 – Carrie (based on Carrie)
• 1979 – Salem’s Lot (based on Salem's Lot)
• 1980 – The Shining (based on The Shining)
• 1983 – Cujo (based on Cujo)
• 1983 – The Dead Zone (based on The Dead Zone)
• 1983 – Christine (based on Christine)
• 1984 – Children of the Corn (based on Children of the Corn)
• 1984 – Firestarter (based on Firestarter)
• 1985 – Cat's Eye (based on Night Shift)
• 1985 – Silver Bullet (based on Cycle of the Werewolf)
• 1986 – Maximum Overdrive (based on Trucks)
• 1986 – Stand by Me (based on The Body)
• 1987 – The Running Man (based on The Running Man)
• 1989 – Pet Sematary (based on Pet Sematary)
• 1990 – Graveyard Shift (based on Graveyard Shift)
• 1990 – Misery (based on Misery)
• 1990 – It (based on It)
• 1991 – Sometimes They Come Back (based on Sometimes They Come Back)
• 1992 – The Lawnmower Man (based on The Lawnmower Man)
• 1993 – The Dark Half (based on The Dark Half)
• 1993 – Needful Things (based on Needful Things)
• 1993 – The Tommyknockers (based on The Tommyknockers)
• 1994 – The Shawshank Redemption (based on Rita Hayworth and Shawshank Redemption)
• 1995 – The Mangler (based on The Mangler)
• 1995 – The Langoliers (based on The Langoliers)
• 1995 – Dolores Claiborne (based on Dolores Claiborne)
• 1996 – Thinner (based on Thinner)
• 1997 – The Night Flier (based on The Night Flier)
• 1998 – Apt Pupil (based on Apt Pupil)
• 1999 – The Green Mile (based on The Green Mile) 
• 2001 – Hearts in Atlantis (based on Hearts in Atlantis)
• 2003 – Dreamcatcher (based on Dreamcatcher)
• 2004 – Secret Window (based on Secret Window, Secret Garden)
• 2004 – Riding the Bullet (based on Riding the Bullet)
• 2007 – 1408 (based on 1408)
• 2007 – The Mist (based on The Mist)
• 2007 – No Smoking (based on Quitters Inc.)
• 2009 – Dolan’s Cadillac (based on Dolan's Cadillac)
• 2010 – Haven (based on The Colorado Kid)
• 2013 – Under the Dome (based on Under the Dome)
• 2013 – Carrie (based on Carrie)
• 2014 – A Good Marriage (based on A Good Marriage)
• 2016 – Cell (based on Cell)
• 2016 – 11.22.63 (based on 11/22/63)
• 2017 – The Dark Tower (based on The Dark Tower)
• 2017 – Gerald’s Game (based on Gerald’s Game)
• 2017 – Mr. Mercedes (based on the Bill Hodges trilogy)
• 2017 – 1922 (based on 1922)
• 2018 – Castle Rock (based on Castle Rock)
• 2019 – Doctor Sleep (based on Doctor Sleep)
• 2019 – In the Tall Grass (based on In the Tall Grass)
• 2019 – Pet Sematary (based on Pet Sematary)
• 2020 – Children of the Corn (based on Children of the Corn)
• 2022 – Mr. Harrigan’s Phone (based on Mr. Harrigan’s Phone)
• 2022 – Firestarter (based on Firestarter)
• 2024 – Salem’s Lot (based on Salem's Lot)
• 2025 – The Life of Chuck (based on The Life of Chuck)
• 2025 – The Monkey (based on The Monkey)
• 2025 – It: Welcome to Derry (based on It) 

Where To Watch Every Stephen King Adaptation Online

Use our guide (below) to find out where you can stream every movie and TV series that's adapted from Stephen King's work.

Donald Glover is one of entertainment’s most adaptable talents, with his best movies and TV shows highlighting the performer’s versatility. A graduate of NYU, Glover is perhaps best known for his musical career as the Grammy Award-winning hip-hop artist Childish Gambino. His music, which has seen him break into the Billboard Top 100, isn’t the only thing audiences might know him from. Glover has also established himself as a skilled stand-up comedian and a terrific writer, earning several awards for the latter.

Glover has appeared in several high-profile films and shows, even voicing the grown version of Simba who appears in The Lion King (2019) remake. Glover’s best works speak to his adaptability, highlighting his dramatic chops and comedic skills without undercutting one or the other. Glover is one of the rare genuine multi-hypheneites, someone who excels in whatever branch of the entertainment industry he tackles. While his comedic turns in films like The To Do List (2013) and dramatic turns in upcoming sci-fi films like Bando Stone & the New World highlight that flexibility, these 10 movies and shows best highlight Donald Glover’s charms and craft as a performer.

10. Mystery Team (2009)

Released in 2009 and serving as the cinematic launching pad for a number of modern comedy stars, Mystery Team was an early indicator of Donald Glover’s subversive comedic stylings. From the comedy group Derrick Comedy that Glover founded alongside Dominic Dierkes and DC Pierson, Mystery Team is a goofball comedy that plays like a parody of classic kids’ adventure films like The Goonies (1985) or E.T. the Extra-Terrestrial (1982).

Also serving as the feature film debuts for Aubrey Plaza, Ellie Kemper, Neil Casey, Ben Schwartz, and Bobby Moynihan, Mystery Team is a goofy film with plenty of laughs, even if the overall shagginess wouldn't match the heights it would achieve in later years. Loud, brash, and proudly weird, Mystery Team has the same kind of energy that makes movies like Hot Rod (20070 cult classics.

9. 30 Rock (2006-2013)

30 Rock was one of Donald Glover’s first true showcases for broad audiences, where the young actor worked as a writer and occasional guest star. Hired by Tina Fey to write on the show when he was just 23, Glover’s sense of comedy and style quickly helped establish him as one of the show’s most unlikely finds from one of the best sitcoms of the 21st century.

Following the employees at NBC and the sketch series The Girlie Show (quickly renamed TGS when Tracy Jordan joined the show), Glover served as an executive story editor and writer on several episodes. His contributions to the series include the “Werewolf Bar Mitzvah” sequence, as well as several memorable cameo appearances. Fans of Glover might not see too much of him in the series, but 30 Rock, which eventually earned Glover and the rest of the writing staff a WGA award, is a major foundational piece of the actor’s career.

8. Guava Island (2019)

A strangely perfect fusion of Childish Gambino and Prince’s Purple Rain (1984), Guava Island is deeply ambitious and musically compelling. Set on the fictional island of Guava Island, the film focuses on Glover’s Deni Maroon, a musician who intends to hold a festival on the island to celebrate the community. Bolstered by a supporting cast that includes Rihanna and Letitia Wright, the almost dream-like qualities of Guava Island give it a mysterious and charming element.

Fans of Childish Gambino’s music should definitely check out this film, which serves as the source for some of the singer’s biggest hits like “This Is America.” Glover’s answer to music-driven films like The Beatles’ Help! (1965), Guava Island is a delightful and tragic exploration of the impact that music and ambition can have on a person.

7. Swarm (2023)

Created by Donald Glover and Janine Nabers, Swarm is a good reminder of Glover’s talents as a creative working behind the scenes. The seven-episode miniseries focuses on Dre, whose obsession with the popstar Ni’Jah leads to a series of murders across the United States. At times evocative of darker stories like Misery (1990) and Yellowjackets (2021), Swarm is an unsettling and darkly comedic exploration of just how far fandom will push someone.

Glover doesn’t appear much in the show until Episode 7, which establishes a meta-layer that only adds to the darker implications of the story. Swarm may be more ambitious than tight, but all of that celebrity culture commentary and underlying themes about the price of fame and the cost of devotion make Swarm a must-watch for horror fans who love a bit of cultural satire in their scares.

6. Spider-Man: Homecoming (2017)

Donald Glover only appears briefly in Spider-Man: Homecoming, but his energy perfectly matches the Marvel Cinematic Universe’s more grounded take on the wall-crawling superhero. Glover appears as Aaron Davis, a street-level criminal saved by Spider-Man before meeting him again. It’s a brief scene but a crucial one, not just for advancing the plot but also for further establishing the kind of superhero Tom Holland’s Spider-Man is.

Glover deploys a blunt snark to the scene that undercuts all of Spider-Man’s interrogation efforts while highlighting the grounded and natural heroics of Peter Parker. It’s a funny beat that has left fans clamoring for Glover to return to the Marvel Universe, which he’s only done in minor appearances in the Ultimate Spider-Man (2012) animated show and Spider-Man: Across the Spider-Verse (2023).

5. Adventure Time (2010-2018)

Donald Glover was one of many celebrities to appear in the long-running Cartoon Network series Adventure Time and the first season of the subsequent spin-off series Adventure Time: Fionna and Cake (2023). Still, his appearance is also one of the most memorable. Glover plays Marshall Lee, the gender-flipped version of series regular Marceline within the Ice King’s in-universe fan-fiction. Glover delivers a memorably cool and disarmingly charming performance in the main show, but he gets more room to show off the depth of his vocal performances in Fionna and Cake.

Set within a relatively realistic world, Marshall Lee’s romance with Gary Prince is one of the sweetest aspects of the show’s first season. Glover fits in naturally with Adventure Time’s mix of snarky humor, emotional whimsy, and musical inventiveness to deliver a delightful performance. Fans of Steven Universe (2013) should definitely make sure to check out both series, and will be plenty excited when Marshall Lee arrives on the scene.

4. Solo: A Star Wars Story (2018)

Solo: A Star Wars Story is a mixed bag of a prequel, with the central performances doing their best to elevate a sloppy story. At the core of the cast’s appeal is the charming riffs on Star Wars icons, such as Alden Ehrenreich’s take on Han Solo and Phoebe Waller-Bridge’s memorable turn as a rebellious droid. However, the real scene-stealer is Donald Glover as Lando Calrissian.

Deploying the same layer of charm that made Billy Dee Williams so memorable in Star Wars: The Empire Strikes Back (1980) as an older version of the same character, Glover imbues Lando with a cool sense of confidence and charm that never takes away from the more dangerous qualities of the character. The film also adds layers to Lando through his more tragic backstory, giving Glover a chance to showcase his more dramatic side along the way. As the rumors of a Lando spin-off have never materialized, it’s a shame that audiences haven’t gotten another chance to see Glover shine in the role of Lando.

3. Mr. & Mrs. Smith (2024)

A quietly personal riff on relationships, Mr. & Mrs. Smith is an emotionally resonant dramedy that also knows how to embrace action when it’s called for. With Glover opposite Maya Erskine, the duo is terrific as strangers who pair up to pose as a married couple while working as undercover spies.

Darkly hilarious when it wants to be and genuinely exciting whenever the action hits, the real draw of the show is the dynamic that develops between John and Jane. Steadily growing closer as their missions become more dangerous, the back-and-forth between Glover and Erskine gradually becomes a fitting metaphor for the trials and tribulations of any long-term romantic relationship. Charming, exciting, and with just the right level of ambiguity, Mr. & Mrs. Smith is a terrific show that easily overshadows the Brad Pitt and Angelina Jolie Mr. & Mrs. Smith (2005) film that inspired it.

2. Community (2009-2015)

As the show that really put Donald Glover on the map, Community remains a high benchmark for comedy that few shows have been able to surpass. Set at the Greendale Community College, Community is an absurd fusion of Freaks and Geeks (1999) and The Simpsons (1989), an almost cartoonish riff on the basic sitcom structure that defined series creator Dan Harmon’s genre-hopping habits before Rick and Morty (2013).

Glover plays fan-favorite Troy Barnes in the show, a former high school star athlete who is short on smarts but makes up for it with charm and heart. At times, playing Troy like a nine-year-old in the body of an adult, especially when paired up with Danny Pudi’s Abed, Glover finds the right balance of emotion and comedy to make Troy more than just a punchline machine, even while remaining arguably the most consistently funny member of the cast.

1. Atlanta (2016-2022)

Donald Glover’s best achievement as a filmmaker, Atlanta, is one of the most ambitious and compelling dramedies of the 21st century. Glover created the series and starred in it, as well as serving as showrunner, executive producer, and writer. A sprawling show that initially focuses on Glover’s music manager, Earn, and his cousin, Paper Boi, the series gradually expands to a larger cast of characters, a blend of genres, and a willingness to experiment in a way that only the best shows ever even attempt.

Equal parts Twin Peaks (1990) and Rap Sh!t (2022), Atlanta is a wholly unique series that solidified Glover as a true master of his craft. A terrific series that benefits from Glover’s dramatic and comedic chops, Atlanta is almost perfect from end to end, and it remains the highlight of the filmmaker’s career so far, earning it the top spot on this list. 

Over his nearly century-long history, King Kong has crossed over into several franchises. Most famously, his path has frequently slammed into Godzilla, with the pair eventually entering a shared universe through the MonsterVerse. Although Kong meshes best with fellow kaiju, his popularity has earned him nods in other TV shows and movies, such as the Kong parody “King Homer” in The Simpsons (1989) and a cameo in The LEGO Batman Movie (2017). 

Doctor Who (1963) is another long-running franchise that has a penchant for pop culture references, from Harry Potter to Star Trek. Given that The Doctor has also run into his fair share of interesting species, you can’t help but wonder if the Doctor Who and King Kong franchises have ever collided. Sure enough, there is a Dr. Who in the King Kong universe, but not the one you’re familiar with.

Dr. Who Exists In The King Kong Universe (But Not That One)

Dr. Who exists in the King Kong universe, but he’s not related to The Doctor in Doctor Who. Instead, he’s an original villain who made his debut in The King Kong Show (1966). In the 1960s, King Kong vs. Godzilla (1962) had just experienced a massive box-office success, while Rankin/Bass Productions’ TV special Rudolph the Red-Nosed Reindeer (1964) proved an enormous hit among families. Hence, it wasn’t long before Rankin set about producing a King Kong animated series, one that would make the monster more accessible to children.

The King Kong Show offered a friendlier version of Kong, whom the Bond family takes in. Given that Kong is the hero of the show, it only follows that he needs a good villain to complement him. The series introduced Dr. Who (Paul Soles) as the primary antagonist. Unlike The Doctor, he’s not a time traveler or hero, but a mad scientist obsessed with world domination and Kong. Throughout the series, Dr. Who relentlessly pursues Kong, who wants to use the giant ape in his evil schemes.

Balding, with an oversized head, spectacles, and a lab coat, Dr. Who looks the part of the mad scientist to a T. From coming up with schemes, such as holding the Bond family hostage or melting ice glaciers to raise the tides, Dr. Who always has some diabolical plot simmering. However, his most famous scheme is by far his decision to create a mechanical copy of Kong, Mechani-Kong.

Dr. Who’s popularity led to his transition to live-action in the film King Kong Escapes (1967). Portrayed by Hideyo Amamoto, Dr. Who bears little resemblance to his animated counterpart but retains his evil schemes, with his Mechani-Kong becoming a primary antagonist in the movie. 

Although there’s little evidence that The Doctor inspired Dr. Who, you’ll notice some similarities between him and The Doctor, who William Hartnell portrayed at the time. Hartnell and Amamoto were close in age, while Dr. Who wore a strikingly similar hat and coat to Hartnell’s Doctor. When it came to personality and villainy, though, Dr. Who more closely parallels the Bond franchise’s Dr. No (Joseph Wiseman). Unfortunately, Dr. Who met his demise in King Kong Escapes, ending his King Kong run and any further comparisons to The Doctor.

Sorry, Kong, 'Dr Who' Likes Godzilla Better

Although there’s a Dr. Who in the King Kong universe, Doctor Who never mentions or crosses over with Kong. However, the franchise does reference Kong’s rival, Godzilla, more times than you might expect. Several Doctor Who comic books and web stories have referenced Godzilla in passing. One comic, Time Bomb, even has the Sixth Doctor’s shape-changing companion, Frobisher, transform temporarily into Godzilla to scare off an assailant. Godzilla also earns a mention in the Doctor Who spin-off series, Torchwood (2006), in Season 3, Episode 3, “Children of Earth: Day Three.” These brief but frequent cameos seem to confirm Godzilla exists in some capacity in the Doctor Who universe.

The Doctor also exists in the Godzilla universe. In the comic Godzilla Legends #4, the TARDIS makes a cameo in one panel, partially hidden near Mecha-Godzilla’s foot as the kaiju fights Hedorah. Although it’s a subtle, nearly imperceptible cameo, it further drives home the fact that Doctor Who clearly prefers Godzilla for its pop culture crossovers over Kong.

Is 'The King Kong Show' Worth Watching?

Whether you’ll want to dive into The King Kong Show and its Dr. Who character depends on the type of Kong media you’re looking for. It’s essential to keep in mind that The King Kong Show is a 1960s animated series geared toward younger audiences. As a result, it’s a bit more dated and tame than most Kong adaptations out there. Even so, it’s an interesting take on the character that still draws parallels to the Kong of the MonsterVerse and the original King Kong (1933), which emphasize the giant ape’s protective and heroic nature.

Although Kong is familiar, The King Kong Show takes a playful approach to the story. It places Kong in a Saturday morning cartoon with formulaic episodes and human-sized threats rather than fellow kaiju. If you like lighthearted Saturday morning cartoons like Milton the Monster (1965), you’ll enjoy The King Kong Show. However, for a more serious cartoon adaptation with higher stakes, you’ll likely prefer Kong: The Animated Series (2000), a highly underrated expansion of Kong lore.

As for the best introduction to Dr. Who, King Kong Escapes is superior to The King Kong Show. In the project, Dr. Who is most devious and most reminiscent of Doctor Who or James Bond villains, while the movie plays out more like a typical, campy, but entertaining monster movie than The King Kong Show.

As the year winds down and we at JustWatch begin to look back on the past year, I can safely say that 2025 was one of the biggest years yet for the anime industry. There was such an overabundance of great titles that, at times, it was hard to keep track of everything. Plenty of shows commanded the community’s attention, and some series dominated the discourse on social media for weeks, if not months at a time. 

So today, we’re going to look at the biggest anime moments of 2025 that live rent-free in my head. These are the moments in that fandom that stuck with me these past twelve months, regardless of the quality of the show. As long as it generated discussion, it was fair game. Most of these shows can be found on Crunchyroll or Amazon Prime Video, so if you want to see the anime moments that defined 2025, you know where to go. Now, without further ado, here they are, in chronological order.

Rentaro’s Speech - The 100 Girlfriends Who Really, Really, Really, Really, Really Love You (2023-Present)

Harem comedies, whether you like them or not, are an iconic part of the anime community. From Ranma ½ (1989-1992) to The Quintessential Quintuplets (2019-Present), harems have, and always will be, wish-fulfillment fodder for men. But few anime have committed themselves fully to the ridiculousness of the premise as The 100 Girlfriends Who Really, Really, Really, Really, Really Love You, best epitomized by its season 2 finale.

On paper, the finale is just a speech where the protagonist, Rentaro, says why he’s thankful to all the women in his harem. But given the sheer amount of women who love him, he has to compliment every one of them and fully detail the depths of his love. And it’s a long speech, so much so that it won a Guinness World Record for the longest speech in a manga. The end result is a wonderful gag that was perfectly presented and was the perfect capstone for a wacky comedy. It’s ludicrous in the best way possible, and those looking for an unapologetically silly comedy will love it.

Solo Leveling Season 2 and The Crunchyroll Anime Awards

2024 saw the debut of Solo Leveling (2024-Present), a fairly by-the-numbers power fantasy that nevertheless exploded in popularity. Lovers of sakuga quickly glommed over the title, and it’s so popular that even non-anime fans are embracing Sung Jin-Woo’s angsty action.

But therein lies the problem. When the Crunchyroll Anime Awards announced that Solo Leveling won nine of its 13 nominations, including Anime of the Year, the blowback to its success was immediate. Accusations began to fly that Crunchyroll favored Solo Leveling because it was their biggest hit and they wanted to promote their platform instead of other high-quality anime, like Delicious In Dungeon (2024-Present). Don’t get me wrong, Solo Leveling’s action is solid, and people who just want to turn their brains off and watch pretty animation will be in heaven, but it called into question the legitimacy of the ceremony at a point when anime is trying harder than ever to be accepted by mainstream audiences. 

“Happy Tenth Birthday” - One Piece (1999-Present)

With the One Piece anime having celebrated its 25th anniversary last year, the series spent most of 2025 detailing the backstory of one of its most enigmatic and imposing characters, Bartholomew Kuma. Unfortunately for fans, they weren’t prepared for how utterly heartbreaking and tragic it was. 

For eight episodes, fans experienced firsthand the suffering that Kuma endured over the course of his tragic life. We witnessed his enslavement at the hands of the World Government, the joy he had when he discovered that he was going to be a dad, and the lengths he went to ensure that his daughter could live a full life. And it will make you cry. Even writing about it has me welling up with tears, and I have no shame in admitting that. Some people cry at the horrors the cast of Made in Abyss (2017-Present) are made to endure, or the tragic circumstances that separate Hana’s children in Wolf Children (2012). But Kuma? That hits different. It will break you. 

Tougen Anki’s (2025) Female Character Designs Sure Are… Something

By all accounts, Tougen Anki (2025) is a fairly run-of-the-mill Shonen action series. Much like Blue Exorcist (2011-2025), it’s a series you’ve seen done plenty of times before. It has some good action beats, some decent powers, and a plot that isn’t at all complicated. It’s safe, generic, action fodder, and that’s perfectly okay. 

But what really got the internet looking at Tougen Anki was its female character designs. If people were rolling their eyes at the fan service in The 100 Girlfriends Who Really, Really, Really, Really, Really Love You, Tougen Anki takes it to a whole new level. Screenshots of the female characters quickly became the source of quality memes and jokes online. I mean, when characters are walking around like they came out of softcore ecchi shows like Eiken (2003) or walking around like Aphrodite fromRecord of Ragnarok (2021-Present), it’s going to draw some attention; mostly from a bunch of teenage boys, but it drew attention to the series nonetheless.

“Hunting Soul” - Dandadan (2024-Present)

If there’s one thing that’s true about Dandadan, it’s that it has great music. Both seasons of the show featured excellent opening and ending theme songs, but none could compare to the metal masterpiece that was “Hunting Soul.”

The entirety of Episode 18 is dedicated to an exorcism, and to do so, our heroes hire a seemingly goofy band named HAYASii to perform it. And they do so by debuting the most metal anime song since the opening to Watamote (2013). Thanks to vocals by DragonForce’s Marc Hudson and guitar from Marty Friedman of Megadeth, “Hunting Soul” brought a burst of adrenaline that only made the ensuing exorcism even more epic than it already was. Even the characters couldn’t resist headbanging to it! Both the English and the Japanese versions have been streamed tens of millions of times on Spotify, so do yourself a favor and listen to it and get ready to rock!

Panty and Stocking Make A Musical

While Dandadan was bringing down the house in the summer with its fast-paced metal magnum opus, NEW Panty & Stocking With Garterbelt (2025) was doing its own thing. Granted, that usually is the case with Panty & Stocking, but most people weren’t expecting them to dedicate an entire episode to parodying La La Land (2016). 

The entire episode is a musical wherein Panty, everyone’s favorite foul-mouthed nymphomaniac, is banned from cursing but discovers that she can sing as many curse words as she wants. And with that, we have song after song of Panty just swearing up a storm while everyone happily sings and dances along. It’s as if you took the most offensive songs from South Park: Bigger, Longer, and Uncut (1999) and went even further. And it worked! People started to pay attention to this raunchy send-up of American animation and fell in love with how different it was. Panty & Stocking with Garterbelt may have been away for 15 years, but it definitely didn’t feel like it.

The World of Uma Musume: Pretty Derby (2018-2023) Mourns A Horse

The Uma Musume: Pretty Derby took its time becoming popular in the West, but its time finally came when Uma Musume: Cinderella Gray (2025) was released in the Spring and dominated the discourse. And that timing was all too perfect, given what would come a few months later. 

For those who are unaware, the Uma Musume series centers around real-life anthropomorphized racing horses, who are depicted as cute anime girls. Why? Because, as Kemono Friends (2017-2019) discovered, everyone loves a cute anime girl, and one of the most lovable characters was the plucky Haru Urara. Both in the anime and in reality, Haru Urara was one of the most prolific losers in horse racing history, but people loved her regardless. That made it all the more sad when, on September 9, the real life Haru Urara passed away. Fans of Uma Musume were devastated and mourned her death on social media, which was definitely a strange chapter in the anime community, but a unifying one.

Demon Slayer and Chainsaw Man Conquer The Box Office

While Hollywood has been trying to crack the anime nut for years, with failed adaptations of anime properties like Bet (2025-Present) and Cowboy Bebop (2021), 2025 was a stark reminder that anime doesn’t need to be legitimized by Hollywood. Case in point, the box office performances of Demon Slayer: Infinity Castle (2025) and Chainsaw Man - The Movie: Reze Arc (2025). 

Together, both films earned over $175 million at the domestic box office and were worldwide sensations. Theaters were packed to see Demon Slayer: Infinity Castle, and it quickly became the most successful anime film at the North American box office since Pokémon: The First Movie (1998). As for Chainsaw Man - The Movie: Reze Arc, it was the first new installment of the series since 2022, and MAPPA delivered a cinematic spectacle that earned it arguably more acclaim than Infinity Castle. Now, both films have been shortlisted for Best Animated Feature at the Academy Awards. While it’s unlikely they’ll be able to dethrone the frontrunner, KPop Demon Hunters (2025), the fact that they have a chance is a huge milestone for a fandom that seems to only be represented at awards shows via Studio Ghibli productions. 

One Punch Man Season 3 Is… Rough…

The first season of One Punch Man (2015-Present) is one of the most well-animated shows of the 2010s. Between the action and comedy, it was a show that more than earned the fanbase it had. And once One Punch Man’s third season came out, almost all of those fans ran for the hills. 

It’s hard to just single out one moment from One Punch Man Season 3 that stuck with me for its terribleness. Was it Garou’s infamous slide down the hill? What about the constant cut frames of animation in fight scenes? Maybe it was the odd color choices used throughout, or just the entirety of Episode 6? No matter how you slice it, it’s bad, and everyone knows it. It’s a disaster of the same level as the second seasons of The Promised Neverland (2019-2021) and Blue Lock (2022-Present). One silver lining: at least it’s a fun trainwreck to watch, and everyone wants to see just how bad it can get. That’s… something?

Deku vs. All For One - My Hero Academia (2016-Present)

My Hero Academia has been a popular Shonen series since its inception. It was the perfect blend of Western superhero tropes and Eastern storytelling that proved an irresistible combo for fans of both. And in 2025, it all came to an end. While the last few chapters had some major issues that the anime looks set to repeat, at the very least, the final battle between Deku and All For One was glorious. 

It has everything you could want out of an action-packed finale. Heroic last stands. Surprise returns. Almost every character in the series appearing in some capacity to aid in the fight. And throughout, the animation is simply to die for. For eight episodes, fans were treated to a battle that was everything they expected it to be, and then some. Even if fans knew what was going to happen, seeing it unfold was a sight to behold, and it captured the same magic that Avengers: Endgame (2019) did with its explosive finale when it originally premiered. My Hero Academia may be over, but it went out with one hell of a bang.

There's so much to appreciate about Stranger Things (2016), but at the top of the list is the characters. Let's be real. As intriguing as the mystery elements of the Upside Down are, people wouldn't be investing all this time and care into the show if it weren't for riveting, fleshed-out characters brought to life by great actors who deliver layers and nuance every time. And of those characters, there's no one quite like the ultimate babysitter, mother, father, brother, chainsaw-wielding reformed bad boy angel human, Steve Harrington.

I'm biased, sure. I accept Steve Harrington's rights, and I accept his wrongs. (He can do no wrong.) And in Stranger Things Season 5, Part 1, he's a little pricklier than usual, which has a lot of people online claiming his character's been ruined. To that I ask, are we watching the same show? Because Steve Harrington isn't doing anything out of the ordinary in Season 5, nor is his behavior indicative of anything other than the fact that he's tired. And, really, who could blame him? More than that, the subtle way in which the writers are showing us the passage of time here is what's so fascinating because it's what makes the show so character-driven.

'Stranger Things' Season 5 Gives Us Realistic Insight Into Grief

From the moment Dustin Henderson befriended Steve Harrington in Stranger Things Season 2, the trajectory of the entire show changed. Those are big words, yes, but the redemption arc we get from a reformed bad boy to someone who'll lay his life down for all the kids he accidentally adopted is all we need to know exactly who Steve Harrington is. He's a neglected kid who wants to make sure that no one else goes through what he's gone through—neglect. 

But really, Steve is just a kid. They all are. And despite how much they've gone through, it's so easy for people watching their actions on a screen to be critical of their behavior when the real question is, what would you do? And what Stranger Things Season 5 effectively does is give us insight into grief. Losing Joseph Quinn's Eddie Munson wasn't easy on Dustin, and as a kid who's just trying to get through the next day, he has no idea how to swim past the waves. So, in short, Dustin is acting out and understandably so.

Steve may have been the one who gave Dustin confidence, but Eddie's the one who taught him how to be himself unapologetically. And while grieving, lashing out is perfectly normal. As human beings, we fail to see what's in front of us, and sometimes, we hang onto the people who've passed while we neglect those standing before us. No two people grieve the same way, and that's the most important thing to remember here.

In Dustin's grief, he's trying to do everything one way, while Steve is trying to do things in another. They aren't seeing eye to eye because neither of them knows exactly how to handle the circumstances, because there's also no right way. Stubbornness runs deep for both of them, so this rift is the most natural thing that we're getting in a season that's filled with fantastical and supernatural elements. 

This rift is human, and it's a reminder that both characters are not only inherently flawed, but they're kids trying to get through the day while their lives can be taken any minute. Plus, neither of them has had the type of parenting where they could've learned better ways to cope, so they're doing the best they can with the unfortunate cards dealt to them. Dustin's not exactly truthful with everyone, while Steve continues to shove aside all his emotions. It's making their dynamic even more profound, and more importantly, the scene in the trailer where Dustin's crying in Steve's arms is going to hit twice as hard because of all these fiery moments.

Steve Harrington Isn't Wrong - He's Just Not Great At Communication

Steve Harrington is literally the worst at communication because he'll beat around the bush, or he'll hyperfocus on something completely different and refuse to see any other outcome until someone basically spoon-feeds it to him. We know very little about Steve's home life other than the fact that he's often left alone, but Season 5, Episode 4, "Chapter 4: Sorcerer," also gives us a significant but super-brief glimpse into the type of person his father was when a young Harrington verbally bullies a young Joyce Byers in a flashback. Like father, like son, but only one of them is actively trying to become a better person, and that's Steve Harrington—every single day. 

Now here's the thing, since the first season, Steve's actions have always done the loudest talking. He doesn't always say the right thing, but he does the right thing. He's the one who cleaned off the inappropriate words written about Nancy. He's the one who grabs the most absurd and dangerous weapon to defend everyone. He fumbles a lot with his words and gets petty, yes, but when push comes to shove, he acts. He never once thinks twice about his own life, only about the lives around him. 

Death looms over each of their heads on Stranger Things, and now more than ever, they each know that. Steve might not know how to comfort or get through to Dustin in these first few episodes, but that's largely because his focus is on the necessary ways to fight. 

In addition, all this nonsense of a love triangle suddenly being the primary focus is so silly because it's always been the focus. Sort of. Steve and Nancy are friends, and again, Steve might not have the right words, but his actions and heart are in the right place. He clearly has no intentions of "stealing Nancy from Jonathan," nor is he trying to, despite what people see. Also, Nancy is her own person and not a toy. Full stop. Let's not dismiss her agency by proposing that she can somehow be a pawn for two men, er, boys, when the bigger focus here is on winning the fight against Vecna. 

More importantly, I think we forget how young these characters are because the actors playing them are a bit older. And if we're all being honest with ourselves, we've each said and done stupid things in high school and likely in our 20s, too, because our frontal cortex doesn't develop until 25. He gets a pass. They all do. 

This list has been updated by Charlene Badasie.

Few franchises are as popular as Predator. Since premiering in 1987, the Predator (or, more specifically the Yautja warrior) has spawned his own film franchise, appearing in comics and video games. There's even a popular crossover franchise, Alien vs. Predator. If you want to watch every movie in the Predator franchise, we've got you covered with this streaming guide. If you want to watch the movies in release order, you can watch with Predator (1987) before moving on to Predator 2 (1990).

The franchise then takes an unexpected turn with Alien vs. Predator (2004) and Alien vs. Predator: Requiem (2007), before returning to Yautja's standalone movies with Predators (2010) The Predator (2018) and Prey (2022). However, the latter takes place before the events of the flagship movie. So, if you want to stream the entire Predator franchise in chronological order, this guide has got you covered.

Predator: Killer of Killers (2025)

Placing Predator: Killer of Killers on a chronological timeline is difficult because the movie centers on three time periods; the Viking era, feudal Japan, and WWII. The animated movie follows the deadly alien species going up against human warriors from each historic era. Because this one hops around multiple eras, it's basically the franchise's first true anthology movie.

That alone makes it worth talking about. It's the sort of entry that fans of the comics or the more lore-heavy Predator stories will really appreciate, since it leans harder into the Yautja-as-mythology than any live-action film ever has. It's also a quick watch and the animation gives the whole thing a vibe that fans of graphic-novels will enjoy a lot.

Prey (2022)

Chronologically, the second movie in the series would be Prey, which is set back in 1719. In the film, a young Comanche woman (Amber Midthunder) wants to be a great hunter, but is not allowed since she's a woman. After encountering the Predator in the forest, she must not only become a hunter, but also survive being hunted.

Prey is brilliant because it's the first Predator movie in a long time that actually remembers what makes the creature scary. It strips away all the over-explaining from later sequels and brings the franchise back to something simple. If you're the kind of viewer who likes survival thrillers with gorgeous natural landscapes and a genuinely compelling protagonist, this is the one to watch.

Predator (1987)

Next up is the original movie which is set in the present day (1987 at the time). In the film, an elite military team is tasked with an extraction mission in a war torn Central American country. But escaping rebel forces in the jungle turns out to be the least of their worries once they find themselves stalked by the Predator.

There's no getting around it. Predator is still the gold standard for this whole franchise. It's one of those lightning-in-a-bottle movies where the atmosphere and the slow-burn horror all line up perfectly. Anyone who loves action cinema from the '80s should absolutely watch this. It's also a good reference point for how wildly the tone swings in later entries.

Predator 2 (1990)

Taking Predator from the jungle to the city, Predator 2 stars Danny Glover as a Los Angeles detective who is investigating drug cartels. Also, somewhat randomly, the film is set in 1997 instead of 1990 - perhaps to give the movie more of a dystopian future vibe (which iit didn't). But the cartels soon find that they're not just warring against each other and the police, but also the Predator.

Predator 2 is one of the weirdest sequels ever made, but it's also the first movie that tried to expand the lore. Setting the Yautja loose in a grimy, over-the-top future L.A. gives it a comic-book energy that some fans absolutely love. If you enjoy chaotic action films, this one is genuine fun and serves as a fascinating time capsule of early '90s cinematic excess.

Alien vs. Predator (2004)

This iconic head-to-head movie, which is known to fans as simple AVP, was inspired by a crossover comic book from 1989. When Weyland Industries identify a pyramid hidden underneath an island in the Antarctic, the unfortunate team sent to investigate becomes entangled in an intergalactic war between the Xenomorphs and the Yauja warriors.

If you're watching these movies for creature fights and Predators teaming up with humans, then AVP delivers exactly what you want. Still, the AVP movies are generally considered to be canonical within the Predator franchise but not recognized within the Alien franchise's canon. However, if you want to watch all of the Alien movies in order, it would be a mistake to skip AVP and its sequel.

Aliens vs. Predator: Requiem (2007)

Aliens vs. Predator: Requiem (or AVP 2) continues the ongoing fight between two of cinema's most recognizable alien species. The movie follows a Predator ship that leaves Earth with its captured Xenomorph face-huggers. But it's not long before there's a chest-burster aboard the ship, leading to the creation of an alien which has the characteristic traits of both species.

Requiem leans way harder into horror than the first AVP, sometimes to the point where you can barely see what's happening. But for fans who want the franchise at its grimiest, this one scratches the itch. It also introduces the Predalien, which is still one of the coolest (and grossest) creature mashups in the series, which makes it perfect for fans of a good scare.

Predators (2010)

Predators is highly debated because it never actually says when the story takes place. However, many fans believe its set between the first two movies. In the film, a group of humans awaken on an alien planet and learn that they're being used for hunting practice by the Predators. Even wilder, the Predator who was blown up in the first movie is somehow there and is being tortured by the other Predators.

Predators is a must-see because it feels like the franchise is trying to course-correct back toward the tone of the original. The alien planet setting is genuinely cool, and the idea of different Predator clans gives the universe a lot more depth. If you liked the jungle tension from the 1987 film but want something a little more sci-fi, this is the perfect middle ground.

The Predator (2018)

Another oddity is The Predator, which follows a group of soldiers and a scientist who team up to fight off invading Predators. Speaking to HyeuGuys in 2016, director Shane Black claimed that the movie takes place before 2010's Predators but also added that, "Predator 2 has probably happened already," which means even he doesn't even know where and when the movie takes place.

Still, The Predator is worth acknowledging because it represents the moment the franchise completely lost the plot — literally. It tries to explain the Yautja way too much, turns the alien into some kind of gene-harvesting super-scientist, and piles on subplots like it's being paid per storyline. It's a must if you're a completionist, or you just want to see how wild the tonal whiplash gets.

Box office numbers aren't always indicative of greatness or whether something is actually good, but they are rewarding for the creatives when a worthwhile movie performs well in theaters. It's rewarding when they not only get to make back everything they put into creating the piece of fiction, but also when there's more to give back to everyone who made it possible. 

Christmas movies have an advantage in that they are something that people can turn to during every season to revisit. In addition, with the time off that most people get, watching them in theaters can be fun for the whole family. The highest-grossing box office features might even shock some people, but from movies like Home Alone (1990) to Elf (2003), here are the top ten, as well as where to watch them on platforms like Disney+, Netflix, and more. 

Elf (2003) 

As someone who appreciates the humor of Elf and values it far more than movies like The Santa Claus (1994), it's entirely understandable that it'd gross $225,097,437 at the box office, but also go on to become one of the best Christmas movies of all time that people consistently rewatch. 

Hilarious in a way that very few movies manage to be, everything about Elf is so easily quotable it gets to me every single time. It also helps that most of the humor isn't dated either. The writing is so sharp, so expertly paced, and Will Ferrell's performance is so incredible that it makes the character easy to appreciate. All of these reasons are why it's so revered years later. It could've easily been something forgettable, but instead, it's memorable on all fronts.

Die Hard 2 (1990) 

It's riveting that Die Hard (1988) isn't in this top ten, but also, it's incredibly compelling when we take into account how some sequels operate. While I imagine that executives knew they had a solid action feature on their hands, I don't think people realized what a cult classic it'd become, only for its sequel, Die Hard 2, to then do significantly better at the theaters with a box office gross of $240,031,274.

And though the sequel isn't one that comes up in the same vein that Home Alone 2 does, it's still a relatively decent look back into the world of John McClane. Action-packed and well-paced, with another gripping performance from Bruce Willis, the plot and character arc are diligently balanced to deliver something worthy for those who want something thrilling around the holidays.

Love Actually (2003) 

Love Actually garnering $245,203,167 at the box office is a big win for romantic comedies and love stories. While it might not be everyone's favorite—The Holiday (2006) is my personal go-to—its legacy and the fact that people revisit it every year for Christmas don't just showcase how deeply people adore the genre, but it's a fascinating reminder of how desperate we all are for relatable human connections in our fiction.

Perfect for viewers who love ensemble stories and messy dynamics, Love Actually is a must-watch this time of year. It's also ultimately proof that if we can get more romantic comedies and movies like it on the big screen, then they have the ability to do well because the genre is so revered on streaming services.

Batman Returns (1992) 

Superhero movies often have the advantage of doing well in theaters, so the fact that Batman Returns did well isn't shocking. What is shocking, however, is that it didn't do more than $266,831,698. Still, while box office numbers in the '90s weren't bringing in the same numbers that superhero films do today, this is still a tremendous accomplishment for Tim Burton and a campy Batman adaptation.

Batman Returns might not be a conventional Christmas movie, but it's still one worth watching for a myriad of reasons, with the wildly popular kiss—er, lick—between Catwoman and the titular character of this entry. Campy and fun in a way that superhero films don't always allow themselves to be, this one's a rare gem for those who need something gritty around the holidays. 

The Polar Express (2004) 

Like A Christmas Carol, another holiday film with 3D animation delivering solid numbers, is something to welcome. And the fact that it's been over 20 years and it's still one of the best book-to-screen adaptations is also saying something. Because $315,249,768 is a great gross amount, and it's especially compelling because, as one of the older films, it shows how far animation has come, too.

I'll be honest about something—The Polar Express is one of my favorite books from childhood, but I didn't watch the movie in theaters because I was nervous it wouldn't be the same. Yet, years later, when I finally did, it turned out to be one of the most gorgeous holiday movies, with so much depth and care put into its entire production. It's a must-watch for anyone who adored the book as a kid.

A Christmas Carol (2009) 

It's not The Muppet Christmas Carol (1992), but as an animated feature grossing $325,286,646, it equates to a big win, and despite how long it's been, I hope it continues to be proof of the value of human-made content. This 3D computer-animated gem is a solid adaptation, and truthfully, one we might not get for a long, long time because we can't trust that people these days won't be using AI.

And with the popularity of Dickens' story, it's definitely something that's going to be reworked and touched on for years to come, so having this one is a lovely inclusion in a long list of must-watch holiday lineups. Perfect for anyone who loves Klaus (2019), Robert Zemeckis' A Christmas Carol delivers a gorgeous feast for the eyes.

How the Grinch Stole Christmas (2000)

When we look at the fact that the live-action version of How the Grinch Stole Christmas is this year's top Christmas movie in America, it's shocking to think that its box office numbers were less than the animated version (I mean, really good for animation!) But perhaps this was a case of wondering if the story would translate well into live-action. Still, $345,823,032 is a solid number for a movie that's now 25 years old.

How the Grinch Stole Christmas ultimately became a cult-classic as the years went on, and people started realizing how hilarious it is. Looking back, it's also a glorious adaptation where makeup and practical effects are concerned. The production design for Whoville alone is something I'll never get over. It’s perfect for anyone who loves the story, but really, even for those who are indifferent, there's something ridiculously fun in the adaptation that can be suited for those who are especially Grinchy this year.

Home Alone 2: Lost in New York (1992)

Coming in at number three with its $358,994,850 box office gross, Home Alone 2: Lost in New York doesn't exactly have the same numbers as its predecessor, but it's still a solid and worthy number to exhibit how excited people were about reuniting with the McAllisters. Frankly, if you ask me, the sequel is even better, so it's easier to wonder if people were perhaps nervous that it wouldn't hold up, so they didn't take the risk of seeing it in theaters.

Regardless, Home Alone 2 isn't just a good sequel, but it's perfect for anyone who loves movies set in New York. How it paints a captivating picture of life in the city while also delivering a wholesome message about taking care of those around us is why it holds up year after year. The pigeon lady's story still gets me weepy every single time, and the reunion with Kevin and his mom at the Rockefeller Christmas tree is a top-tier moment in any holiday film. 

Home Alone (1990) 

When a movie is as beloved as Home Alone, it isn't shocking that it's also one of the highest-grossing Christmas movies of all time. With $476,684,675 under its belt, Kevin McCallister's first adventure is a worthy movie to have this much praise and credit. The film's budget was also 18 million, which means this massive theatrical success, atop the glowing popularity, is what guaranteed we'd get the sequel.

It isn't every movie that's perfect for every type of person, but Home Alone is a hilarious, brilliantly written, and genuinely well-made Christmas movie that the entire family could enjoy. It's something even the biggest critics and anti-Christmas fans can appreciate, showcasing its greatness in more ways than one.

The Grinch (2018) 

The animated adaptation of The Grinch grossed a total of $538,920,602 at the box office, landing itself as the highest-grossing Christmas movie of all time. This is fitting, because it's a near-perfect animation with stunning work and craftsmanship to showcase an adaptation that feels both refreshing and honors the book in dazzling fashion.

Well-made and genuinely hilarious with incredible voice acting from Benedict Cumberbatch, The Grinch is a must-watch for anyone who loves the original story. It can be particularly perfect for kids as the live-action has some moments that might be inappropriate for children. More than that, if you love the animated work in The Lorax (2012) and Horton Hears a Who! (2008), this is another perfect Dr. Seuss adaptation.  

You can't have Christmas without Santa Claus. Often depicted with a big belly and warm, rosy cheeks, Kris Kringle symbolizes all the hope, joy, and kindness associated with the holiday. Leave it to the horror genre to take one look at that and say, "Hold my beer." The Santa Clauses of horror movies subvert all these adjectives, delivering a figure that looks a whole lot like Santa, just without the heart.

Deranged, disturbed, and psychopathically cold, the Santas of horror are just downright scary. Some are more terrifying than others, though. So, here are the scariest movie Santas, ranked by how likely they'll make you lose sleep. Head to streamers like Kanopy, Shudder, and more to watch them enforce holiday chaos now.

6. Joulupukki - Rare Exports: A Christmas Tale (2010)

Also included on my list of best movie Santas of all time, Rare Exports: A Christmas Tale features one of the coolest interpretations of Santa in cinema history. Here, Santa isn't a jolly-looking man with a white beard and red suit. Instead, he, or rather it, is a gigantic, horned creature that has more in common with Krampus than the traditional depictions of Kris Kringle. In Finnish, he is called Joulupukki, which translates to "Christmas goat."

Terrifying? Absolutely. However, Rare Exports protagonists manage to (spoiler!) destroy Joulupukki before he can do any damage, which earns him the last spot on this list despite a truly formidable form. Still, anyone looking for a unique horror and dark fantasy mash-up will love Rare Exports. I promise you've seen nothing like it before.

5. Norman - A Christmas Horror Story (2015)

If you ask me, A Christmas Horror Story is underrated, and that's a darn shame. Using William Shatner's radio DJ as loose connective tissue between four holiday-theme stories, the anthology movie delivers the type of gore, scares, and dark comedy found in Trick' r Treat (2007), just with elves, Christmas tree backdrops, and Krampus instead.

However, the Big Man in Red also makes an appearance in the movie's fourth short. George Buza plays a badass, zombie-slaying Santa who even has a big stand-off with Krampus. There is a pretty big twist that follows, though, so go in without spoilers. That said, the twist only adds to the horror, making Buza's Santa a memorable one for a couple of reasons.

4. Harry Stadling - Christmas Evil (1980) 

Christmas Evil sounds like a radically violent slasher with campy sensibilities, but it takes itself much more seriously than that. In some ways, it's more of a character study, as it follows Harry Stadling's psychological spiral from disgruntled toy factory employee to a murderous Santa. Like Black Christmas (1974), Christmas Evil tackles bigger themes about consumerism and mental health.

It's not a perfect film by any means, but Christmas Evil has a dedicated cult following for a reason. Moments of bleak, dark comedy offer a good balance to the violence. Nowhere near as disturbing or brutal as Silent Night, Deadly Night (1984), which I mention later on this list, Christmas Evil has a similar compelling, slow-burn pace to John Carpenter's Halloween, even if it's not quite as suspenseful.

3. Santa Claus/Mr. Shatan - Santa's Slay (2005)

Calling all fans of campy, turn-your-brain-off movies. If you haven't seen Santa's Slay yet, get on it. Pro-wrestler Bill Goldberg plays the titular Santa, who, in this universe, is actually a demonic entity once under contract to deliver presents and be "good." However, with that contract officially up, Santa is ready to break bad.

With a half a dozen kills right in the movie's first few minutes, Santa's Slay lets you know precisely the type of movie it is up front. If you like other fun holiday horror movies like Krampus (2015) or Christmas Bloody Christmas (2005), you'll love this one. And considering Goldberg's Santa is literally a demon, he deserves a decently high ranking on this list. Yes, it's cheesy, but it's also pretty scary if you think about it.

2. Billy Chapman - Silent Night, Deadly Night (1984)

While Billy Chapman doesn't quite have the stuff to make first place on this list, he is still one of the most infamous Santas in horror. After a particularly nasty event involving a deranged hitchhiker in a Santa Claus outfit during childhood (and more abuse at an orphanage), Billy grows to resent Christmas. But his hatred doesn't just involve bah humbug Scrooge antics. Instead, he brutally murders anyone he perceives as "naughty." Emphasis on brutal. 

Silent Night, Deadly Night was (and is) a controversial movie. The combination of brutality, violence (including sexual violence), and campiness won't be for every viewer. Still, those who want something dark (like truly dark) will find a gritty, grindhouse subversion of the typical Christmas movie here. You definitely wouldn't want to run into Billy on Christmas.

1. Art the Clown - Terrifier 3 (2024)

Like Silent Night, Deadly Night, Terrifier 3 is brutal. However, Art the Clown's turn as Santa edges Bill out with fear factor. Extreme, shocking, and absolutely soaked in blood, Terrifier 3 requires a cast-iron stomach and splatter horror sensibilities to truly enjoy. For everyone else, the movie is just pure nightmare fuel, especially if clowns give you the willies.

Art's goofy, exaggerated expressions offer a wonderfully demented contrast to his horrendous acts of violence. Put him in a Santa suit, eating cookies and drinking milk, and you've got yourself a bizarre holiday horror romp loaded with dark humor and some genuinely unsettling moments. Art is undeniably the scariest Santa to date, but special mention to his accomplice, Victoria Heyes. She might not be quite as festive, but she is more than adequately terrifying.  

Another Thanksgiving means another Black Friday. For many, it's a time to catch up on Christmas shopping and splurge on all those shiny, new gadgets that tend to drain wallets. While that's not necessarily a bad thing, it's also a reminder of America's consumer-heavy culture and not-so-subtly tendency to exploit holidays for capital gain. As the "black" in Black Friday suggests, the biggest shopping day of the year comes with dark undertones.

It's easy to get lost in the chaos, but these movies seek to remind audiences of the dangers of excessive consumerism. Some criticize mindless consumers, but most acknowledge the predatory nature of big corporations and manipulative marketers as the real villains. Want to do something else on Black Friday besides shop? Then, I suggest watching these eight anti-consumerism movies instead. Most are available on streamers like Netflix and HBO Max.

Dawn of the Dead (1978)

King of the Zombie Movie, George A. Romero, followed up 1968's Night of the Living Dead with another certified banger in Dawn of the Dead. The apocalypse started in Night of the Living Dead is now in its early beginnings, and a group of survivors find themselves barricaded in a shopping mall. However, the undead almost seem to be pulled there—and that's where the metaphor comes in.

The dead return to what they did in the living: consume. Honestly, watching Romero's zombies mindlessly wander around a mall doesn't feel that different from reality in some ways. Online shopping might be more popular now, but that mindless consumerism is still rampant. If you want an action-packed zombie flick with some of the finest practical effects in the biz, check out Dawn of the Dead. Anyone wanting a more modern setting can also find that in Zack Snyder's 2004 remake.

Gremlins (1984)

A movie about little, rambunctious creatures taking over a town during Christmas Eve might not seem overly deep at first glance. Yet, it packs plenty of commentary on consumerism, predatory capitalism, and holiday exploitation into its 106-minute runtime. It also has something to say about America's fear of immigrants, but that's for another article.

Gremlins is a horror comedy, but it's also a clever satire. The neat part is, though, you don't have to engage with it in that way if you don't want to. Those just wanting a fun, almost turn-your-brain-off comedy filled with dark humor and '80s nostalgia can undoubtedly get that. At the same time, the anti-consumerism message is right below the surface. After all, the spur-of-the-moment Gremlin gift offers a cautionary tale about getting someone something just to check a box.

They Live (1988) 

Honestly, it might not get more anti-consumerist than They Live. The John Carpenter masterpiece chronicles a drifter's (Roddy Piper) encounter with a bizarre pair of sunglasses that reveal dark secrets about the world. For starters, aliens control the government, and they manipulate humans into subservience through marketing and the media. While the movie takes aim at Reagan-era policies, it, unfortunately, remains just as relevant today.

At this point, saying companies are using ads to manipulate consumers isn't a conspiracy; it's a fact. If you've ever been frustrated by the amount of commercials on the expensive streaming service you pay for, or the intrusive nature of pop-up ads while you're scrolling the web, They Live offers a cathartic watching experience. Tense, thought-provoking, but also a little cheesy, it's one of John Carpenter's best movies.

Fight Club (1999)

Fight Club is so famous that you don't even need to watch it to know its most famous line. Still, I encourage everyone to watch it at least once. Director David Fincher puts his usual melancholic spin on Chuck Palahniuk's novel about a dissatisfied, disconnected narrator (Edward Norton) finding solace in a "fight club" that he forms with the rebellious Tyler Durden (Brad Pitt).

Gritty psychological thriller fans, you'll love the twist here. But, more importantly, you'll get plenty of strong messaging along the way. Fight Club shines a light on the dark side of consumerism, explaining how it creates disconnection and disillusionment in society. It also offers a critique of masculinity from both ends of the spectrum. After visiting this bleak, edgy world, you'll probably think twice about adding those extra items to your Amazon cart.

WALL-E (2008)

Unlike Fight Club, which almost points the finger at the consumer, WALL-E shoots its commentary arrow at big companies. Here, the titular robot lives on an uninhabitable Earth where he literally picks up garbage that once belonged to a thriving civilization. In case the message wasn't already clear, WALL-E spotlights how corporate greed and excessive consumerism can lead to the destruction of our planet.

For a kids' movie, it's indeed chilling. However, Pixar injects its usual dose of heart and humor to balance things out. You might cry in the end, but that's part of the charm. If you like the studio's other thought-provoking, emotional movies like Up (2009) or Ron's Gone Wrong (2021), WALL-E will also steal your heart. 

Parasite (2019)

Parasite didn't just win Best Picture for no reason. The Bong Joon Ho movie released with a tight, thrilling plot that also screamed, "Hey, you're going to think about this story and what it means." The story in question involves a low-income family infiltrating the house of a wealthy family by posing as staff and secretly living in their basement.

The movie itself is expertly shot and almost crisp in presentation. It sucks you in and doesn't let go for its entire two-hour and twenty-minute runtime. Parasite isn't so much anti-consumerism as it is anti-capitalism. Both families, wealthy and poor, become easy metaphors for the class divide. The rich hoard their wealth, while the poverty-stricken scrabble in a system designed to work against them. As dark as Fight Club, but as thought-provoking as They Live, Parasite is really the best of both worlds.

The Platform (2019)

Like Parasite, The Platform centers its messaging around the "haves" and the "have-nots." In this dystopian prison, a large platform filled with food descends each level of the prison. To probably no one's surprise, those at the top take too much, leaving those on lower levels with nothing but scrapes… if they're lucky.

Brutal, gory, and disturbing, this one isn't for the faint-hearted. Still, The Platform makes for a thoroughly engaging political allegory about class divide, greed, and consumerism. Horror and dark thriller fans, you'll love this one. Like Cube (1997) and Circle (2015), the unique setting gives it an edge over the usual genre fare. It's also a Netflix staple, which makes movie night that much easier.

Thanksgiving (2023)

As someone who watches a lot of horror, Thanksgiving has one of the most effective openings in the genre—seriously. As a mob of shoppers gathers outside a Walmart stand-in, you know things will go bad. However, the degree to which the events unfold is truly jaw-dropping. Tense, chaotic, and gory, the Black Friday massacre sets up a larger plot about a masked murderer dressed like a pilgrim.

While it sounds wild, Thanksgiving actually is a lot of fun. The dark humor and copious violence should be a sure hit for slasher fans, especially those with grindhouse sensibilities. Director Eli Roth is arguably at his best here. Also, of all the entries on this list, Thanksgiving is the only one to tackle Black Friday directly, making its anti-consumerist message all the more blatantly clear. 

The It franchise is making a comeback on the small screen thanks to HBO Max’s It: Welcome to Derry (2025), which garnered over 5 million views in its first three days. One of the reasons for its massive success is that the series knows how to tap into the true terror of Stephen King’s creation, Pennywise the Clown (Bill Skarsgård). Now, I’ll admit, like most viewers, I’ve been impatient for Skarsgård to appear as its most famous form, the dancing clown. However, the show’s decision to wait five episodes for his appearance is actually quite brilliant.

Both its TV format and the decision to keep Pennywise off-screen for a period allow It: Welcome to Derry to explore the character in more depth, including different sides and abilities. The show highlights how Pennywise is a whole lot more powerful than most of us realize, especially because it capitalizes on its terrifying ability to be in multiple places at once.

'It' Gives Pennywise Cosmic Powers

It: Welcome to Derry Episode 5, “29 Neibolt Street,” confirms what you were likely already starting to suspect in the series: Pennywise can be in two or more places at once. In the episode, Pennywise takes on several forms, including impersonating some of the characters. By the climax, it appears to be terrorizing at least three groups of people at once. Naturally, the episode left viewers questioning how it does this.

Pennywise does, indeed, have the power to appear in multiple places at once. If you’re familiar with the franchise, you’ve likely seen this ability before. In It (2017), there are scenes in which it appears to be terrorizing members of the Losers Club simultaneously in different parts of a house, such as the upper and lower levels. 

In understanding its powers, one must remember that Pennywise is a cosmic being. The clown’s appearance is just one of its many forms. Both It (1990) and It (2017) touch lightly on Pennywise’s origins and powers. In the novel, it is an ancient, transdimensional alien entity with cosmic origins. The creature originated billions of years ago in a void in space known as the Macroverse before arriving on Earth in a meteor. Not only is it not of Earth, but humans cannot even comprehend its proper form.

King’s book suggests Pennywise’s proper form are “deadlights,” a sort of energy mass that can hypnotize and even kill anyone who looks at it. In It Chapter Two (2019), the Losers believe what their minds perceive as a giant arachnid to be the closest to Pennywise’s proper form. It’s easy for us to think of Pennywise as just a clown or just a shapeshifter, but that doesn’t do justice to the sheer scale of its power. Just as humans can’t even comprehend its terrifying true nature, it’s challenging to grasp the sheer scale of its power, which includes omnipresence and near-omnipotence because it lacks a true physical form.

Pennywise Is All About Creating Fear

You can also understand Pennywise’s powers better when you recognize the goal of its abilities: to create fear. Pennywise feeds on fear, and the fear, in turn, fuels its power. As a result, its goal is to stir as much chaos and fear in Derry as possible. It does this through a range of abilities that go beyond just physical shapeshifting. Often, its powers actually come into play in its victims’ minds. 

In the 2017 It movie, viewers will recall how Pennywise creates illusions so powerful that it could manipulate the architecture around it. It trapped Bill (Jaeden Martell) and Richie (Finn Wolfhard) in a three-door sequence, while simultaneously trying to eat Eddie (Jack Dylan Grazer). Similarly, in It: Welcome to Derry, you’ll notice there are times when it appears to be physically there, while other manifestations seem to be illusions. For example, Major Leroy Hanlon (Jovan Adepo) sees things that Captain Pauly Russo (Rudy Mancuso) doesn’t, suggesting Pennywise is in his head. He also seems to be in Dick Haloran’s (Chris Chalk) head, while simultaneously physically with the children in the sewer.

Pennywise’s omnipresence is the most significant advantage in terms of fear. Nothing creates fear and chaos like simultaneously attacking more than one person at the same time. Any ideas one might have of distracting it or sneaking up on it go to waste. Nothing raises fear like the idea that an entity can be in anyone’s mind at any time. In this way, Pennywise becomes a manifestation of fear, an omnipresent threat that can affect people simultaneously.

'It: Welcome To Derry' Episode 5 Debuts Pennywise, But He’s Always Been There

Pennywise, in clown form, just made his long-awaited debut in It: Welcome to Derry. Within hours, the episode trended on social media, as viewers applauded the grand entry and the perfectly suspenseful, eerie buildup. Although we’ve all been waiting to see the iconic clown form and Skarsgård’s impeccable performance, Pennywise has been in the show the whole time.

In Episodes 1-5, Pennywise appears in a variety of forms. I also found it interesting that two of those forms were of pregnant women. It seems to be a nod to Pennywise’s proper form as a pregnant arachnid in the book, which the Losers Club members interpret to mean the entity is actually female, despite its gender being more complicated than that. It was also amusing when he appeared to the military men as “Uncle Sam.” Mostly, though, whether it’s an Uncle Sam, an eerie family, or a creepy man, Pennywise’s many forms in It: Welcome to Derry are wildly powerful.

The forms are gruesome, brutal, and lethal, highlighting the entity’s power in a way that the movies don’t. If you’re looking for an It adaptation that feels like a truly faithful iteration on Pennywise that doesn’t need to over-utilize Skarsgård to get attention, It: Welcome to Derry offers just that. Some viewers, though, may be in it more for the clown, in which case It (2017) and It Chapter Two might be more appealing.

Stranger Things (2016) Season 5, Part 1, debuted over Thanksgiving weekend on Netflix. While the division into three parts continues to make little sense, we get some solid material in the first act to keep us busy until Part 2. Namely, we not only have evidence of a time jump, but also a new mystery continues to touch on Vecna's plan while a fan favorite returns to give us some insight into the show's evil mastermind. 

When we left everyone back in Hawkins at the end of Season 4, Joseph Quinn's Eddie Munson had heroically sacrificed himself in the Upside Down while Sadie Sink's Max had her biggest face-off with Vecna, landing her in a coma. Now, every character is not only dealing with the aftermath, but they also know the end is yet to come—there's still so much more to be done while their world continues to move forward as if everything's peachy, while the entire town of Hawkins is under military surveillance.

What Does Max Reveal About Vecna in 'Stranger Things' Season 5?

One of the biggest revelations of Stranger Things Season 5 is that Max is back. Well, sort of. Her body is still in a coma at the hospital in Hawkins, but she's also trapped inside of Camazotz, Vecna's mental prison. As she explains her almost escape to Vecna's newest victim, Holly Wheeler, she uses the words, "everything went wrong." But with a new set of memories, as Max ran from Henry and hid in a cave, that's where she discovered the one place she's free from Vecna/Henry.

The cave located inside Camazotz is the one place that Vecna and Henry are both scared of. Terrified, rather. And while Max tells us this, it's Jamie Campbell Bower's performance that shows it. There's always been something so magnetic about how Bower conveys emotions through his eyes, and in this very moment, nothing makes it more apparent that the cave is home to his worst memories. 

It's the one place his powers are no match for, and the risk he cannot take, no matter how powerful he grows by luring children here while disguising himself as Mr. Whatsit. The evidence of his fears and the monsters he himself is running from live right inside the walls that Max has wisely made her hideout until she and the others can finally be free from him. And it's a solid revelation, that's for sure. 

Why Is Vecna/Henry Scared of the Cave?

Stranger Things Season 5, Episode 4, "Chapter 4: Sorcerer," doesn't explain Henry's fear of the cave right away, but it can very much be tethered to the brief revelations we get in Stranger Things: The First Shadow—the Broadway play. There, theater goers learned that Eleven banishing Vecna into Dimension X in Season 4, Episode 7, "The Massacre of Hawkins Lab," wasn't his first visit. The first time occurred when Henry Creel was a young boy, and he encountered Dr. Brenner's father, along with the Nevada Experiments and the entities within.

Now, exactly what they did to Henry in that cave and the story he once told Eleven about his curiosity with spiders and the rage he felt toward his parents—his father, especially, are likely tied together. As 001, we know that he was the first to experience every terrible thing that was also conducted on Eleven, and we can likely predict that it's worse than what any of us imagine. In the words of Brooklyn Nine-Nine's (2013) Jake Peralta, "cool motive, still murder."

As we dive deeper into Henry/Vecna's lore during this season, there's a solid chance that whatever happened to him inside the cave was so horrifically traumatic that he didn't know any better as a kid. It's not going to excuse any of his actions in the present day, but it'll be the very detail to ensure that every plot twist feels earned. 

Plus, this revelation is also what allows Henry/Vecna to be a fully fleshed-out villain and not a caricature of one. If he's also a victim of the evil he perpetuates, there can be a lot of meaty discussion in the coming weeks about nature vs. nurture and the choices human beings make by virtue of their upbringing and trauma. In fairness, he was always a compelling villain, but the understanding that he knows a fear this massive makes him far more interesting. It deepens everything.

In addition, the now richer and more nuanced material Bower gets to work with is about to show off his acting chops far more. What's so incredible is that Henry tricks and manipulates in a way that's so devious and calculated that this brief moment, where we catch the magnitude of his fear, is the one scene where he gets to be a boy. If you rewatch it, Bower makes Henry look so small, so fragile and fractured that it's a testament to his range and the knowledge of something we don't yet know—something bigger that's about to make the Stranger Things lore twice as gut-punching while he continues to layer the character and his motives.

Christmas and horror feel like polar opposites. Christmas carries a particular joy and whimsy that's difficult to replicate, while horror shines its light on the dark underbelly of humanity and supernatural unknowns. However, it's this very contrast that makes them work so well together. Mashing lighthearted holiday cheer with macabre themes and imagery can be delightfully twisted when done right.

With the holiday season creeping near, now is the best time to dive into Christmas horror. While Black Christmas (1974) is always a good place to start, this list tells you how to continue your "Creepmas" watchathon past this old classic. From well-loved favorites to lesser-known gems, here are the 10 best Christmas horror movies to watch this season and beyond. Streamers like HBO Max, Hulu, and more have your new favorite film lurking in their libraries now.

Gremlins (1984)

Despite its dark humor, Gremlins carries a widespread appeal. Whether you're a horror aficionado or a genre newcomer, you're sure to fall in love with Joe Dante's horror comedy that sees the titular creatures unleashed on an unassuming town on Christmas Eve. With a controversial PG rating, Gremlins isn't quite suited for the whole family. However, the '80s-steeped practical effects and over-the-top violence should be fine for older kids, specifically teenagers.

As one of the most famous Christmas horror movies of all time, Gremlins warrants a spot on anyone's watch list. Yes, it's silly, but beneath all the chaos lies solid commentary about the dangers of consumerism. And, hey, if giving the middle finger to holiday exploitation and overconsumption speaks to you, Gremlins 2: The New Batch (1990) takes the message even further. 

Jack Frost (1997)

Not to be confused with the Michael Keaton-starring movie of the same name, 1997's Jack Frost posits what would happen if a serial killer transformed into a mutant snowman after a chemical accident. The answer? Absolute stupidity. To even put it on a "best Christmas horror movie" list is… questionable. However, I'd argue Jack Frost is still a great movie, just for the right type of audience.

With a "so bad, it's good" vibe, Jack Frost has a certain charm that's sure to leave B-movie fans wildly entertained. It's corny, campy, and delightfully low-budget, although a rather disturbing moment of sexual violence hurts what is otherwise a fun time. If that particular trigger doesn't turn you away, though, expect a movie that feels like Child's Play (1988) got a bad Christmas makeover.

Dead End (2003)

If you're looking for less comedy and more psychological thriller, Dead End is your answer. Twin Peaks' Ray Wise and horror legend Lin Shaye lead a family of adult children who find themselves on a never-ending road trip on Christmas Eve night. Foggy, dark, and sufficiently compelling, Dead End feels like an episode of The Twilight Zone (1959).

Even if it isn't entirely groundbreaking, Dead End is the type of movie that sticks with you nonetheless. The performances are on point, but the film's desolate, forest-lined setting is just as much of a star. Dead End isn't for audiences who want festivity with their Christmas horror. This movie is bleak, but in that gritty psychological thriller way.

Rare Exports: A Christmas Tale (2010)

I never get tired of recommending Rare Exports: A Christmas Tale. Why? Well, maybe because it takes such an outlandish premise and makes it feel grounded. In this universe, Santa Claus isn't a jolly old man; he is an archaic creature with hundreds of wild elves at his disposal. Like I said, Rare Exports is outlandish but manages to feel believable by tethering its story to a dysfunctional father and his young son.

Equal parts dark fantasy and survival horror, Rare Exports is for the horror cinephile who thinks they've seen everything. Again, don't press the play button on this one expecting comedy akin to Gremlins. Instead, Rare Exports offers grim commentary on consumerism and the exploitation of Christmas with the setting and suspense of John Carpenter's The Thing (1982). 

A Christmas Horror Story (2015)

If deciding on one type of Christmas horror movie is too difficult, consider A Christmas Horror Story. Featuring four different but interconnected stories, this 2015 horror anthology offers something a little different every time it switches gears with William Shatner's interludes as a radio DJ. Story Two is a personal favorite, and arguably, the scariest out of the lot.

Essentially, A Christmas Horror Story is Trick' r Treat (2007) with a Christmas makeover. So, if that type of storytelling is your vibe, buckle up. It might not be a masterpiece, but A Christmas Horror Story is a fun romp nonetheless.

Krampus (2015)

Krampus is a near-annual favorite of mine, and as someone who has seen it probably a half-dozen times since its release, I vouch for it as a fun, slasher-esque crowdpleaser. Following a dysfunctional family's encounter with the titular creature and his minions, Krampus expertly balances its horror and comedy. Fun and suspenseful enough for horror veterans to get behind, the movie also never gets too scary or gory to alienate scaredy-cats.

It's got a B-movie feel that's elevated by a big budget and strong performances from a cast including names like Adam Scott, Toni Collette, David Koechner, and Allison Tolman, to name a few. If you like campy horror movies, Krampus delivers. After all, it's not every day you get to witness a giant Jack in the Box swallow a kid whole.  

Better Watch Out (2016)

Are home invasion movies your thing? Then, think of Better Watch Out like a mash-up of Home Alone (1990) and The Strangers (2008), except here, a babysitter rises up to defend her twelve-year-old charge from unknown intruders. Unlike those other movies, though, Better Watch Out has a pretty shocking twist that's best enjoyed without spoilers. Still, even those who've seen the movie before can enjoy all the foreshadowing.

Set during the Christmas season, the movie creatively uses holiday decor, like string lights and ornaments, to great effect. While that's not necessarily unique to this film, what really sets Better Watch Out apart is the subversion of genre tropes. When it starts, you might think you've seen this type of movie before, but I guarantee you haven't.

The Lodge (2019)

If you're a fan of dark, atmospheric horror, get acquainted with The Lodge. Set during Christmas, the story sees a troubled woman and her two soon-to-be step-children stranded at a remote lodge. As expected from any good psychological horror movie, things unravel and lead to the audience questioning reality right alongside the main character.

While this is technically a Christmas movie, The Lodge is equally unsettling and grim. If you like slow-burn horror, you get all that and more. What initially feels like a story ripped from an M Night Shyamalan movie, ultimately delivers the thrills and chills of something like The Innocents (1961) or Goodnight Mommy (2015).

I Trapped the Devil (2019)

I Trapped the Devil feels like a movie that should've been adapted from a book. The film kicks off with a couple, Matt (A. J. Bowen) and Karen (Susan Theresa Burke), traveling to the home of Matt's estranged brother, Steve (Scott Poythress), for Christmas, only to discover he has a man locked up in his basement. If that isn't unusual enough, Steve claims this strange man is actually the Devil.

Know going in that I Trapped the Devil is a slow burn with minimal action. The film is a think piece that explores themes like faith, evil, and family dysfunction. Mysterious and psychological, I Trapped the Devil has an arthouse style that won't appeal to everyone, but it will work for those craving something atmospheric and different this holiday season.

Terrifier 3 (2024)

Terrifier 3 might not be winning any Oscars, but, like Jack Frost, it's a sure hit for the right type of audience. While Terrifier (2018) isn't necessarily mandatory viewing, Terrifier 3 will make a lot more sense if you watch Terrifier 2 (2022), considering it brings Sienna Shaw (Lauren Lavera) back to face off against Art the Clown again.

If splatter-fests like Dead Alive (1992) or See No Evil (2006) are your jam, you'll love Terrifier 3. The movie's over-the-top violence, paired with the glowy Christmastime setting, makes for a delightful, demented pairing. Art remains as engaging as ever, but his accomplice, Victoria Heyes (Samantha Scaffidi), is quite the scene-stealer herself. 

With Christmas around the corner, it’s time to delve into some Christmas classics. Meanwhile, there’s no better place to look for magical, family-friendly Christmas movies than Rankin/Bass Animated Entertainment. While the entertainment company got its start producing series like Tales of the Wizard of Oz (1961), it struck gold in 1964 with the release of the TV special, Rudolph the Red-Nosed Reindeer. 

The success of its Rudolph special led Rankin/Bass to specialize in Christmas TV specials for the next two decades, producing many gems along the way. Some of these specials never lost their magic over the years. Viewers can use our guide to find out where to watch the Rankin/Bass movies that still hold up the best on platforms like Tubi, Prime Video, and more.

Rudolph the Red-Nosed Reindeer (1964)

Rudolph the Red-Nosed Reindeer marked Rankin/Bass’s first and, arguably, best Christmas special. Inspired by the Johnny Marks song of the same name, the special centers on Rudolph (Billie Mae Richards), Santa’s (Stan Francis) newest reindeer, who faces ostracization due to his red nose, but proves to be one of the bravest and most useful reindeer on Santa’s team. Rudolph the Red-Nosed Reindeer has an irresistible charm, with its eye-catching stop-motion animation, festive music, and a sweet, simple message of acceptance.

Given advances in technology, Rudolph the Red-Nosed Reindeer isn’t as visually stunning to modern audiences, but I find its old-fashioned stop-motion animation adds to its quaintness. Additionally, after all these years, it still holds up well thanks to nostalgia. There’s a wholesomeness, simplicity, and festivity to the special, similar to A Charlie Brown Christmas (1965), that just seems to transport you back to childhood Christmases.

Frosty the Snowman (1969)

Frosty the Snowman adapts the “Frosty the Snowman” song by Walter E. Rollins and Steve Nelson, telling the story of Frosty (Jackie Vernon), a snowman who comes to life and struggles to reach the North Pole before he melts. Like Rudolph the Red-Nosed Reindeer, the special adapts an iconic song while also expanding the story, adding adventure and higher stakes as Frosty tries to evade a greedy billionaire, and saves a child along the way.

Although the animation of Frosty the Snowman isn’t as eye-catching as Rudolph the Red-Nosed Reindeer, it still has a fun, Christmassy design, reminiscent of a Christmas card. Mostly, it thrives on the overall jolly and lighthearted atmosphere and warm, comforting narration and music. If you’re looking for a cozy, entertaining Christmas special in the vein of The Little Drummer Boy (1968), Frosty the Snowman is an excellent choice.

Santa Claus is Comin’ to Town (1970)

Inspired by the hit song of the same name, Santa Claus is Comin’ to Town follows postman Special Delivery "S.D." Kluger (Fred Astaire) as he tells a group of children the story of Santa Claus’s (Mickey Rooney) origin. It goes back to the stop-motion animation of Rudolph the Red-Nosed Reindeer, using charming wooden and plastic figures and even featuring a cameo from Rudolph. However, Santa Claus is Comin’ to Town stands out from Frosty and Rudolph because it veers away from the song into some intriguing, creative original territory.

I love how the originality gives Santa Claus is Comin’ to Town a sort of folklore/fairy-tale feel. The distinctive, captivating voices of Astaire and Rooney are another bonus to the Christmas special. Fans of Santa origin stories like Klaus (2019) won’t want to miss this classic tale that gets to the heart of Santa, featuring elves, toy-making, and flying reindeer.

The Year Without a Santa Claus (1974)

The Year Without a Santa Claus is based on Phyllis McGinley’s book of the same name. It tells the story of Mrs. Claus (Shirley Booth) and her elves, who set off to find some Christmas spirit to persuade Santa Claus (Mickey Rooney) not to cancel the holiday that year. I like that the special gives someone other than Santa the chance to shine, as the determined Mrs. Claus and the Miser brothers steal the show.

The Year Without a Santa Claus is most similar to Santa Claus is Comin’ to Town because of its creativity and folklore atmosphere. It goes beyond Santa and gives a little credit to some other deities, like Mother Nature (Rhoda Man). Like How the Grinch Stole Christmas! (1966), The Year Without a Santa Claus proves just how compelling Christmas villains can be while also telling a whimsical tale on par with Santa Claus is Comin’ to Town.

Jack Frost (1979)

Jack Frost is one more excellent story for viewers eager for the folklore side of Christmas. In the special, Pardon-Me-Pete (Buddy Hackett) tells the legend of winter sprite Jack Frost (Robert Morse) and the time he tried to become human for the girl he loved. It’s a little darker than Rudolph the Red-Nosed Reindeer and Frosty the Snowman through its tale of sprites, dark magic, evil kings, and unrequited love. However, the darker atmosphere is welcome for those seeking more substantial worldbuilding and lore.

Given its slightly more mature storytelling, Jack Frost is a perfect movie to look back upon. You’ll realize, as an adult viewer, how underrated this Rankin/Bass film is, as it features an intriguing premise and themes that resonate surprisingly well with older audiences. If you’re looking for slightly more mature holiday movies, like Krampus (2015), you’ll enjoy Jack Frost.

Hollywood tends to celebrate actors for their charisma, physicality, and emotional range. But one skill often overlooked is multilingualism. Yet dozens of major stars quietly switch between languages with the kind of ease most of us reserve for ordering takeout. And for many of them, this fluency isn't just a fun party trick. It's a creative tool that gives their performances an added edge.

These roles often reveal a new side of actors we thought we knew, whether that means embracing cultural heritage or stretching into unfamiliar genres. That's why this list focuses on actors who don't just speak another language. They've used those linguistic skills in various Hollywood blockbusters and international productions, which you can check out on Netflix, Hulu, and more.

Jodie Foster - English/French

Jodie Foster has always projected a kind of precise intelligence that sets her apart from her Hollywood peers. And nowhere is that clarity more evident than in The Silence of the Lambs (1991). As FBI trainee Clarice Starling, Foster delivers a quiet, observant performance as her character seeks the help of an imprisoned serial killer to catch another murderer. It's the film many viewers know her for, and it's perfect for audiences who gravitate toward psychological thrillers.

But what often surprises people is that Foster is also fluent in French and acts in the language with the same emotional exactness she displays in English. Her fluency shines in Vie Privée (2025), a story about a young woman's rise to stardom that spirals into chaos as fame consumes her personal life. If you're exploring Foster's body of work beyond the usual Hollywood fare, the French film offers a sharp contrast between her stoicism and her cinematic fluidity.

Johnny Depp - English/French

Johnny Depp's English-language career is practically defined by his offbeat charisma. Pirates of the Caribbean: The Curse of the Black Pearl (2003) remains his most iconic mainstream performance, which mixes unpredictability and theatricality in a way few actors could pull off without collapsing into caricature. The story follows Jack Sparrow, a pirate who teams up with a blacksmith to rescue a kidnapped woman from cursed undead sailors.

It's a film for fans of character-driven adventure, where the lead actor's personality becomes synonymous with the franchise. But Depp is so much more than that. In 2023's Jeanne du Barry, the actor puts his French-speaking skills on display. The story follows a working-class courtesan who rises to prominence as the favorite of King Louis XV. The film leans heavily into period drama aesthetics, making it perfect for viewers who enjoy court intrigue and lush historical settings.

Vera Farmiga - English/Ukrainian

Vera Farmiga is best known for her role in 2013's The Conjuring and its subsequent sequels. The story follows the Perron family, who seek out the help of paranormal investigators Ed and Lorraine Warren after they are terrorized by a dark presence in their new farmhouse. It's a film best suited for horror fans that prefer atmospheric dread over cheap shocks. And Farmiga, whose empathetic presence deepens every scare, is at the heart of why the film spawned a franchise.

But what many people don't realize is that Farmiga, who grew up in a Ukrainian-speaking household, often uses that language in various projects, like the gritty crime thriller Running Scared (2006). The story follows a low-level mob member who races through a violent criminal underworld to recover a missing gun tied to a murder. The movie is ideal for audiences who appreciate crime dramas with a surreal, almost feverish momentum.

Viggo Mortensen - English/Danish

Most audiences know Viggo Mortensen as Aragorn from 2001's The Lord of the Rings: The Fellowship of the Ring (2001), which follows a young hobbit who goes on a quest to destroy an ancient ring that holds great power. The actor reprised the role in two more films in the franchise that appeal to fans of adventure and fantasy. Mortensen's performance can best be described as a sort of quiet heroism with a command of physicality, which remains central to his international fame.

Yet beneath that blockbuster persona lies a much more linguistically flexible actor. Mortensen is fluent in Danish, and his multilingual upbringing has informed several of his more intimate, character-driven films. In 2020's Falling, the actor uses Danish in select scenes to bring authenticity to a story about a man struggling to care for his increasingly volatile father due to their fractured relationship. The film is slow, reflective, and aimed at viewers who enjoy family dramas.

Sebastian Stan - English/Romanian

Sebastian Stan has become one of the most popular stars in modern cinema thanks to his role as Bucky Barnes/the Winter Soldier in the MCU. He went on to expand his range by starring in movies like Fresh (2022). Perfect for fans of dark thrillers, the story follows Noa (Daisy Edgar-Jones), a young woman navigating the modern dating scene. When she meets Steve (Stan), Noa thinks she's finally found the perfect man. But she soon discovers that his appetite for romance is much too literal.

What fans may not realize is that Stan is a Romanian native and speaks the language in his movies whenever the opportunity arises. In 2016's Captain America: Civil War, which continues the story of Steve Rogers as different ideologies fracture The Avengers, the actor speaks Romanian in his first scene set in Bucharest, Romania, as he plays a man hoping for redemption. It's a must-watch for fans who enjoy superhero films with a deeper message about morality.

Priyanka Chopra - English/Hindi

Priyanka Chopra is one of the few true crossover stars who has built parallel careers in Hollywood and Bollywood. In the U.S., she's probably best known for her role in Baywatch (2017), where she plays a criminal mastermind drug smuggler, whom a group of lifeguards tries to take down. The role introduced many Western viewers to her on-screen charisma, while the movie itself is a must for fans of campy action comedies.

But that's only one angle of Chopra's versatility. To understand her full range, you have to look at her Hindi-language work in some of Bollywood's biggest blockbusters. The 2004 film Mujhse Shaadi Karogi showcases her romantic-comedy skills opposite Indian cinema veterans Salman Khan and Akshay Kumar. The story follows Sameer and Sunny, who both fall in love with the same woman. The movie is a must for viewers who enjoy light-hearted stories (with subtitles). 

If there's one thing better than cozying up with your favorite sitcom during the holidays, it's watching a Christmas-themed episode that hits all the right notes. Over the years, sitcom writers have mastered the art of combining comedy with warm, festive sentiment, so we can't help but return to these gems year after year.

Some are perfect for a light-hearted holiday hangout with friends, others for late-night comfort watching solo, maybe with hot chocolate in hand. Because these episodes, which can be found on streaming services like Netflix, Hulu, and HBO Max, vary wildly in tone, they are ranked based on a mix of rewatchability, emotional impact, comedy strength, and sheer holiday magic.

New Girl (2011)

New Girl Season 6, Episode 10, titled "Christmas Eve Eve," taps right into the popular millennial truth that says the holidays often feel less like a celebration and more like a logistics puzzle. Jess goes way overboard trying to organize a last-minute Secret Santa, and her excitement (combined with Schmidt's dramatics, Winston's weirdness, and Nick's confusion) creates a chaotic holiday energy.

Anyone who's celebrated Christmas with friends and created their own holiday traditions will find this episode relatable. It's perfect for viewers who want to watch something festive, without a heavy plot, since it's less about the meaning of Christmas and more about the pressure we put on ourselves. It's not the deepest entry if you compare it to Cheers or Black-ish, but it's still worth watching.

The Big Bang Theory (2007)

The Big Bang Theory, Season 2, Episode 11, titled "The Bath Item Gift Hypothesis," is a perfect snapshot of when the show was still deeply invested in exploring the rough edges of its characters' social development. The plot revolves around Penny giving Sheldon a Christmas gift, which sends him spiraling into a stress tornado because he believes gifts must be reciprocated with equal value.

Watching Sheldon compute gift equivalency like he's solving a physics equation is pure comedic delight, and the payoff (his impulsive, heartfelt hug) is a moment many fans still consider one of the show's most iconic. Compared with New Girl's chaos, it's sweet without being sentimental and built on a character moment rather than a holiday plot. It's ideal for anyone who loves geeky awkwardness.

Black-ish (2014)

Black-ish Season 1, Episode 10, titled "Black Santa/White Christmas," makes the holiday formula feel new again by centering the conversation around representation. Dre's mission to become the office's Black Santa gives the show space to explore the importance of seeing yourself reflected in traditions, something few sitcoms address at all, let alone in their festive episodes.

Meanwhile, Bow and the kids navigate their own holiday chaos at home. The magic of this episode lies in its balance. It's funny, sharply written, and also thoughtful about how traditions are passed down, adapted, and claimed. It lands lower on the ranking only because other sitcoms hit a more universal comedy sweet spot. It's a must-watch for viewers who appreciate holiday episodes with a point of view.

The Simpsons (1989)

The Simpsons, Season 1, Episode 1, titled "Simpsons Roasting on an Open Fire," sees Homer taking a secretly low-paying mall Santa job to save Christmas. Meanwhile, Bart saves and adopts the family's dog, Santa's Little Helper. The story combines humor with a familiar holiday panic that says, "We're doing our best but falling behind anyway," which many families can relate to.

Compared with the entries higher up on the list, this episode feels like a homemade gingerbread cookie, which isn't a bad thing. While it doesn't have the comedic timing of Friends or the precision of Frasier, it earns its place as a foundational animated holiday classic. Longtime Simpsons fans, families, and anyone who loves their Christmas stories with a dash of dysfunction and satire will love it.

Cheers (1982)

Cheers, Season 6, Episode 12, titled "Christmas Cheers," proves that sometimes the coziest holidays happen in the least traditional places. Set almost entirely in the bar, the episode captures the bittersweet feelings surrounding Christmas Eve, like loneliness and the unexpected comfort that comes from being surrounded by familiar faces, even if they aren't technically family.

The charm of this episode lies in its simplicity. No elaborate plots, just a bar full of people trying to get through Christmas Eve in one piece. The humor is gentle, the emotion understated, and the sense of community palpable. Compared to modern entries like Brooklyn Nine-Nine, this is quieter. But that quiet warmth is exactly what makes it perfect for fans of classic sitcoms.

Frasier (1993)

Frasier and Niles would tell you that Christmas is a time for refinement, but Frasier, Season 6, Episode 10, titled "Merry Christmas, Mrs. Moskowitz," gleefully dismantles that illusion. After Frasier goes on a date with a woman whose mother mistakenly believes he's Jewish, he attempts to maintain the deception during a holiday dinner, a plan destined to collapse in spectacular fashion.

What begins as a small misunderstanding turns into a massive farce, complete with frantic costume swaps and panicked white lies. Still, the story manages to be funny without sacrificing character integrity. It appears mid-list only because the top four carry a slightly stronger mix of humor and emotional resonance. Still, fans of holiday satire will love it.

Brooklyn Nine-Nine (2013)

If Die Hard (1988) is a Christmas movie in your heart (and it should be), then Brooklyn Nine-Nine, Season 3, Episode 10, titled "Yippie Kayak," is your holiday treat. When Jake, Boyle, and Gina stumble into a convenience store hostage situation, Jake's lifelong wish to live out a John McClane fantasy becomes real and hilariously disappointing. Meanwhile, Terry, Amy, Rosa, and Captain Holt busy themselves with other things.

This is one of the most purely entertaining Christmas episodes on television. It doesn't go for emotional depth the way Parks and Rec or The Office does, but it nails comedy and camaraderie. It also manages to feel festive even though it's essentially an action spoof. It's perfect for fans of action-comedy and found-family themes, especially during the holidays.

Friends (1994)

Friends Season 7, Episode 10, titled "The One with the Holiday Armadillo," sees Ross attempt to teach his son about Hanukkah by becoming the Holiday Armadillo. Throw in Phoebe trying to keep Rachel as her roommate, and the group's general inability to coordinate anything, and you have a holiday episode that's both lovable and wonderfully silly.

Friends always excelled at making big festive moments feel like communal events, and this episode is no different. It lands in third place because it truly encapsulates the show's strengths with an emphasis on celebrating all traditions. Compared to Black-ish, the commentary is gentler; compared to Frasier, the humor is broader. And that balance works beautifully, making it ideal for family viewing.

The Office (2005)

The Office features many Christmas episodes. But Season 2, Episode 10, titled "Christmas Party," remains the gold standard. The story captures the uncomfortable magic of the workplace holiday party—cheerful on the surface, complicated underneath. Michael goes over the gift budget, Jim gets a teapot for Pam, and Dwight treats the whole thing like a military operation.

This episode balances cringe and chaotic energy like few sitcoms can. It gives us one of the most iconic early Jim-and-Pam moments, while also perfectly showcasing Michael's misguided enthusiasm. It's nearly perfect, but just slightly less warm and uplifting than the number one entry on this list. Still, if your holiday season involves office life in any form, this one is essential viewing.

Parks and Recreation (2009)

Parks and Recreation Season 2, Episode 12, titled "Christmas Scandal," included a bit of everything that made the mockumentary sitcom so popular. Leslie gets accidentally mixed up in a tabloid scandal, the town of Pawnee overreacts spectacularly, and her friends rally around her in ways that are hilarious and heartwarming. It's festive without relying on clichés and full of the charm that defines the series.

The episode is uplifting, earnest, and very rewatchable. It's the kind of holiday story that makes you feel good simply because these characters care so much about one another. It takes up the number one spot because it truly embodies the best of holiday storytelling, which includes community, compassion, laughter, and hope. It's the sitcom equivalent of the perfect holiday cookie, which everyone will love.

Very few sitcoms have captured the magic of geek culture quite like The Big Bang Theory . The show's mix of nerdy humor and lovable, socially awkward characters made it comfort-viewing for millions. But if you've already watched all 12 seasons (maybe more than once) and are looking for something similar, don't worry. Similar options do exist.

Whether you want another show about brainy misfits and awkward geniuses or just a group of slightly weird, close friends, here is a helpful list of shows fans of Sheldon, Leonard, and Penny will love, along with where you can find them on various streaming platforms.

Freaks and Geeks (1999)

Before Sheldon, Leonard, and Penny made their debut on The Big Bang Theory , there was a short-lived coming-of-age series called Freaks and Geeks . Set in the early '80s, the series follows straight-A student Lindsay Weir (Linda Cardellini), who decides to ditch her perfect grades and reputation to hang out with a group of rebellious, directionless teens known as the freaks. 

The humor is natural, the characters are painfully relatable, and the show never talks down to its audience. What makes it a must-watch is its razor-sharp writing and painfully relatable characters whose awkward conversations and social disasters feel super authentic. Fans of The Big Bang Theory  will find a kindred spirit in these geeks, as its themes of finding your tribe will resonate. The show can be found on  Amazon Prime Video .

The IT Crowd (2006)

The IT Crowd is perfect for anyone who has ever wondered what The Big Bang Theory would be like with a British twist. The cult-favorite sitcom follows two socially inept IT technicians and their hilariously unqualified boss. Across four seasons, the trio navigates the often absurd world of corporate office life, all while dodging ridiculous requests from people who have no idea how computers work.

The jokes are fast, the characters are delightfully weird, and the show fully embraces its love for nerd culture. The comedic timing is on point, but the characters' quirks never feel cartoonish. If you enjoy the social missteps of Leonard or Howard, you'll get a kick out of the gang's ridiculous office adventures. The series is streaming on Amazon Prime Video .

New Girl (2011)

New Girl might not seem like an obvious choice for fans of The Big Bang Theory since it's not about nerd culture the way Freaks and Geeks and The IT Crowd, and there's no science humor. But it does have an oddball friend group that just feels as fun to hang out with. The show follows quirky, offbeat teacher Jessica Day (Zooey Deschanel), who rents a room in an apartment occupied by guys after breaking up with her boyfriend. 

Nick (Jake Johnson), Schmidt (Max Greenfield), Winston (Lamorne Morris), and Jess create a found family who approach everyday situations in the most entertaining way possible. Fans of Sheldon, Leonard, Penny, Raj, and Howard will enjoy the show's warmth, camaraderie, and clever humor. If you're looking for a silly comedy with a great cast, this one's definitely worth checking out. It's currently streaming on Amazon Prime Video and Hulu .

Silicon Valley (2014)

If you loved the mix of brilliance and social awkwardness in The Big Bang Theory, Silicon Valley takes that nerd energy and supercharges it for the tech world. The story follows Richard Hendricks (Thomas Middleditch) who happens to be a brilliant coder plagued by anxiety. After stumbling onto an algorithm by mistake, he puts together a team of programmers to launch a startup. The show does an excellent job of turning the tiny details of tech culture into comedy.

Like Sheldon's obsessive routines, the characters' quirks define the humor. The rapid-fire dialogue is a delight for fans who appreciate clever, niche jokes. If you loved Howard's space adventures or Raj's awkward flirtations, you'll appreciate the painfully endearing struggles of Richard, Dinesh, and Gilfoyle. The show fan be found on Amazon Prime Video and HBO Max.

Young Sheldon (2017)

This list would never be complete without the official prequel to The Big Bang Theory . If you ever wondered what Sheldon Cooper was like as a child, Young Sheldon has all the answers any fan could hope for. The sitcom follows a nine-year-old version of the character, played by Iain Armitage, as he makes his way through high school while struggling to fit into a world that doesn't really understand him.

Viewers also get to see a more emotional side of Sheldon that wasn't always present in the original series. The added family dynamics make the show feel more like the sitcoms of old as opposed to a comedy built around punchlines. If you loved Sheldon's peculiar habits on The Big Bang Theory , this series shows how they were formed, making it essential viewing for dedicated fans. The series is available on Amazon Prime Video and HBO Max .

Detective shows are already so much fun to watch. The way a perfectly written mystery unravels as the viewer tries to put the clues together (at home!) all leading to a satisfying conclusion as a perpetrator is caught? The feeling is unmatched. But detective shows led by women deserve to be a genre of its own. 

What I love most about it is just how wildly different these stories can be: some detectives fight to prove their worth in an era which is male-dominated, some wear extremely fashionable clothes and climb the side of buildings, and some teenage detectives decide to crack a murder case instead of doing their homework. Regardless of these differences, they all share one essential trait: each of them refuses to mind their own business and back down, not when it comes to the greater good (they’re all also really good at snooping, which I think is an important skill in itself, when used right.)

Here are ten shows with female detectives, all who solve their mysteries with intuition, stubbornness, and unabashed confidence, available to stream on Netflix, Hulu, Peacock, and more!

Morgan Gillory - High Potential (2024)

High Potential is for anyone who likes their detective shows with characters who exude oddball charm while solving mysteries intuitively and impulsively all at once. Morgan, our genius cleaning-lady-turned-detective-consultant with zero-filter honesty helps solve crimes in a classic modern metropolitan police world. Though the show is largely watchable because of Morgan’s dynamics with the actual cops, the real hook is how she processes clues and patterns (she can casually walk around a living room and pick up clues right there, which is honestly the kind of observational skills I aspire to master). 

High Potential is a bright and breezy show, where it feels as though the makers wanted to write a procedural, but also wanted everyone to have fun, which is something that’s on the opposite end of the spectrum from the darker vibes of Clarice. If you enjoyed the “gifted civilian-consultant solves crimes better than the cops” energy like in Elementary, then Morgan is the more likable version of Holmes, who can out think a room of detectives while holding a mop.

Pip Fitz-Amobi - A Good Girl’s Guide to Murder (2024)

A Good Girl’s Guide to Murder follows Pip Fitz-Amobi, a high-schooler who decides to solve a closed case for her senior project (I know, very casual, right?) The show’s modern, yet moody tone, combined with Pip’s determination and the small town setting that screams “everyone here has secrets!” makes the show a bingeable watch. In some scenes, the show does get a tad bit dramatic, like it wants every episode to end with a cliffhanger, but that might be the large reason why I couldn’t stop clicking on “next episode.” 

Fans of Pretty Little Liars will enjoy the twists and turns of A Good Girl’s Guide to Murder, only the latter believes in logic (a controversial take, I know). If you enjoy teen drama but with actual investigative competence, like Veronica Mars, then this show is a must watch. Pip might be the most intense teen sleuth I’ve seen since Nancy Drew, but I respect her for using her perfectionism for crime solving instead of only AP classes. 

Phryne Fisher - Miss Fisher’s Murder Mysteries (2012)

The most stylish detective on this list, Miss Fisher’s Murder Mysteries follows Phryne Fisher in 1920s Australia where she solves crime (first as an amateur sleuth, then as a private detective, and finally as a police consultant) sometimes in a circus, sometimes at the theatre, but each time looking glamorous. The setting is absolutely enticing, and Phryne’s charisma, as she flirts (literally!) with danger and floats through rooms makes you wish this three season show went further. 

Along with a rag tag group of accomplices and the stern Detective Inspector (who, despite his complaints, is in awe of her), Phryne solves murder with wit and charm (unbothered about always poking her nose into mysteries before said-Inspector has a chance to even view the crime scene.) Tonally, the show is similar to Miss Scarlet, with both unfolding in period setting and a will-they-wont-they relationship dynamic with grumpy police officers. If you enjoyed Miss Fisher, and want more shows with vintage glamour, cocktails, and fashion, head on over to watch Miss Fisher’s Modern Murder Mysteries, a show about Phryne’s niece continuing her crime solving legacy in 1960s Australia. 

Susan, Jean, Millie, Lucy - The Bletchley Circle (2012)

If you like your detective shows with slow-burn mysteries, historical settings, and brainy women, then The Bletchley Circle is a gem. The female leads are all exceptionally smart, trauma-scarred WWII codebreakers who now solve civilian crimes after once helping win a world war, because the men in their lives haven’t yet realized that they’re brilliant. 

The tone is tense and moody, and unlike other typical procedurals, it brings cerebral work to the forefront. The show can be slightly slower paced, so if you’re looking for something that moves faster, High Potential would be a better fit. If, after watching both seasons of the show, you want more methodical puzzle solving and unexpected friendships, then your next natural pick should be the spinoff, The Bletchley Circle: San Francisco, where two of our original ex-codebreakers head to—you got it!—San Francisco for more crime-solving. 

Eliza Scarlet - Miss Scarlet (2020)

Do you find Victorian-style mysteries, with fog, cobblestone streets, and stubborn detectives (this is the most important part), exciting? Then, you’ve stumbled upon Miss Scarlet, a show that hits all those notes. Eliza Scarlet is London’s first female private detective, and our heroine, who bulldozes into crime scenes much to the exasperation of ‘The Duke’ (a Detective Inspector who wildly underestimates her). Where the atmosphere of Frankie Drake Mysteries is lighter and colorful, Miss Scarlet is colder and more shadowy, though both shows are meant to take place in a period setting. If you like shows that are made up of equal parts crime and romantic tension (who doesn’t like an old-fashioned enemies-to-lovers trope) like Miss Fisher’s Murder Mysteries or Castle, then you’ll enjoy this show. If in some universe, Frankie Drake, Eliza Scarlet, and Phryne Fisher were to make an alliance, they could outsmart every gangster in town, and still find time to go dancing. 

Veronica Mars - Veronica Mars (2004)

Where in A Good Girl’s Guide to Murder, Pip is methodical and earnest (and loves a murder board with red string), our girl detective from Veronica Mars is sarcastic and snarky, someone who could outsmart the entire police department before lunch. The show mixes mystery and drama in a California setting, where things seem sunny, but are actually corrupted underneath. Kristen Bell’s performance is iconic, bringing the right balance of vulnerability, trust issues, and witty quips, all which makes the show so addictive. Though the first few seasons were pretty interesting (season 1 was especially so good), the later revival season still gets mixed reviews from fans (honestly, same). Veronica is truly the star of the show, and makes this show extremely watchable. If you’re a fan of teen detectives and noir vibes, both of which you’ll find in Nancy Drew and Riverdale, then Veronica Mars is your soulmate. 

Clarice Starling - Clarice (2021)

If you want a detective show with bite and brains, and a plot that makes you double-check if you’ve locked all your doors and windows before bed, then Clarice brings that vibe. Picking up after the events of The Silence of the Lambs, Clarice Starling tackles cases while at the same time, trying not to get eaten alive by sexism and bureaucracy (and occasionally, a literal psychopath) in a male-dominated FBI world. 

Unlike the calm and polished tone of The Bletchley Circle, Clarice is the darkest entry on the list. Though A Good Girl’s Guide to Murder isn’t as tonally unsettling as Clarice, it comes closest to the show in the sense that they both follow arcs which are season long, with Clarice’s personal growth evolving over the season, just like Veronica Mars. Clarice is perfect for anyone who loves psychological horror and smart, fearless detectives who face tense and twisty situations head on. 

Frankie Drake - Frankie Drake Mysteries (2017)

Frankie Drake Mysteries is for anyone who watches historical detective shows and thinks, “Loving this, but can we make the heroine cooler and better dressed?” Frankie is Toronto’s first female private investigator, and the show leans into the Roaring Twenties in an energetic and fun way. The jazz clubs, speakeasies, and smoky bars, are all settings that provide an upbeat personality to the show, and sets it apart from moodier titles like Clarice. 

Similar to Miss Scarlet or Miss Fisher’s Murder Mysteries, our lead protagonist is daring and clever, someone who isn’t afraid to jump on a motorcycle and chase down the bad guy if needed, and like The Bletchley Circle, Frankie and her three friends join forces to solve crime (which I find very endearing). Though the cases are entertaining, they could be considered a little too neat; however, sometimes that’s just what we need as a palette cleanser, and personally I’m loving it too much to care. Fans of character-driven detective shows like Rosemary & Thyme, will like this show. 

Ariana Grande has one of those careers where you blink and somehow she’s added five new (fabulous!) skills to her resume. 

While most of us were introduced to her as the red-haired Cat Valentine from Victorious, over the years, she has evolved into a pop princess and bonafide star performer. And now, with her film era heating up (she’s expected to have three new releases in 2026–that we know of thus far anyways!), it seems like the perfect time to revisit the filmography that shaped the Ari we know and love today. 

Ariana has always had range, and these ten films and shows, showcase her chaotic, campy, and sweet energy, and thankfully, most of them are easy to find on streaming services like Netflix, Prime Video, and Hulu, amongst others, so your plans for an Ariana Grande marathon are only a click away! 

Victorious (2010)

If you love teen sitcoms with big energy, and characters with even bigger (and sometimes clueless) personalities, then Victorious is where Ariana found her footing. Cat Valentine is an absolute chaotic, absent-minded bubblegum fever dream, but I don’t say it like it’s a bad thing. Watching Ariana be Cat is pure serotonin, and each time she comes on screen, she proves why Cat is the funniest person in the entire show without even trying (maybe Sikowitz is a close second). Yes, the show being named “Victorious” naturally means that Victoria Justice’s Tori Vega is meant to be the lead, and sometimes it does feel like the show treats Cat like a side quest, but regardless, she steals the scene every time. Compared to Ariana in Sam & Cat, this version of Cat seems more whimsical and sweeter. If you enjoyed other teen comedies like Hannah Montana or Sonny With a Chance, Victorious is filled with just as many talented and lovable weirdos. 

Sam & Cat (2013) 

In 2013, Nickelodeon rightfully gave Cat Valentine (and iCarly’s Sam Puckett) their own spin off show, for which I had said, “it’s about time!” People who love roommate comedies like 2 Broke Girls, will enjoy Sam & Cat. Considering Sam & Cat is about two teenagers compared to Max and Caroline, who were twenty-somethings, this Ariana Grande and Jeanette McCurdy starrer is naturally more subdued, but equally messy. Ariana, however, does bring a slightly more self-aware and evolved Cat, though she’s just as unhinged (maybe a bit more compared to Victorious). However, she bounces off McCurdy’s tough-as-nails, no-nonsense Sam wonderfully, giving comedy gold. To be honest, the show is messy, and most episodes don’t seem very well-written; where Swindle at least aims to have some structure, Sam & Cat runs on vibes, but that’s part of its charm. Though only running for one season, the show’s “odd-couple-opposite-personalities” energy had potential to become Nickelodeon’s greatest sitcom if it were allowed to age with its audience, like how Modern Family did with its storyline and characters.

Scream Queens (2015) 

The best way to describe Scream Queens would be as American Horror Story’s kitschier cousin, and fans of deadpan comedy and campy horror will get a kick out of this show. Ariana’s unforgettable performance as the vapid sorority girl Chanel #2 is brief, but iconic. Though Ariana embraces the satirical energy in both Scream Queens and Don’t Look Up, the former is a darker, bloodier version of the humor, and she absolutely aces it. In fact, her texting-while-being-murdered scene is still one of the most memorable death scenes in modern TV horror according to me, because of how unserious it was, yet how she committed to it with sincerity. This might be an unpopular opinion, but I think that Chanel #2 should have been the last girl standing; the one who escaped the events of horror simply because she seems like the most fun person to hang out with!

Hairspray Live! (2016)

This one’s for the pure musical fans, the ones who love live theatre, and for anyone who wants to see Ariana at her most natural—mixing her powerful vocals with stage acting. Ariana’s Penny Pingleton is the awkward and goofy highlight of the entire thing. Generally, Ariana steals the spotlight with her performances, but interestingly, as Penny, she blends into the ensemble seamlessly, which is something refreshing (and I mean this in the best way!) It’s clear that Ariana is having fun in Hairspray Live! while her performance in Wicked: For Good carried more emotional weight. Grease Live! shares a similar tone to this musical with its joyfest energy. Ariana should legally be required to do at least one live musical a year (because maybe once a month would be too much?) She nails it, and it’s obvious she’s in her element.  

Kidding (2018)

This one’s more of a fun bonus rather than a full fledged Ariana experience, but it had to be included! In Kidding, Ariana makes a short, yet sweet guest appearance as Piccola Grande, a fairylike puppet character with a certain whimsy that makes the scenes that she’s in fit in perfectly with the tone of the entire show, without overpowering it. The show is a dark dramedy and fans of Jim Carrey’s more serious work like Eternal Sunshine of the Spotless Mind will like it; however, it can be emotionally heavy, so if you’re looking for a lighter watch, then Winx Club or Swindle might be a better choice. My only complaint would be that Ariana is barely there, if you blink you’ll miss her.

Winx Club (2011)

Taking a complete detour from her Cat Valentine persona, Ariana plays Princess Diaspro, a snobby fairy with an attitude, in Winx Club. Though purely a voice role, her performance is sharper and meaner. Unlike any of the other entries on this list, Ariana tackles a different kind of challenge in Winx Club, where she’s meant to portray a character removed from any of her previous visual stereotypes. I personally felt that Princess Diaspro is one of Ariana’s most underrated roles where she proves that she can play mean girl royalty just as compellingly as bubbly characters. She was in the show only from seasons 3 to 5; still, during her short stint, her presence gives a flavor to a show that was otherwise slightly lacking without her. Where in Wicked she’s all heart, Winx Club gives her a chance to sink her teeth into a brattier role. If you’re a fan of magical stories with colorful animations and teen angst, like Sailor Moon or LoliRock, Winx Club is an addictive next watch. 

Don’t Look Up (2021)

Ariana giving us a celebrity-meta performance as a pop star whose public appearances eerily parodies celebrity culture in real life? Sign me up. Though her cameo as Riley Bina was short, she was an absolute delight and the one memorable character you remember from the film. If you love watching satire, and celebrities mock themselves, similar to This Is The End, then Don’t Look Up is the perfect choice. I wouldn’t be mad if someone decided to give Riley her own spin off movie. Where in Wicked, Ariana embodies sincerity and magical earnestness, Don’t Look Up lets Ariana be the sassiest she has ever been on film thus far. Tonally, her character is closest to Chanel #2 from Scream Queens, as both roles show her love for satire, but Riley is more a grown-up, industry savvy satire. Even “Just Look Up,” her emotional ballad about an incoming apocalypse from the film, genuinely deserved an actual Grammy nomination, it’s just iconic.   

Swindle (2013) 

Swindle is another family friendly, breezy heist adventure that exudes the same energy that made Victorious so popular. Ariana plays the dramatic and girly member of the heist squad, Amanda. Though each of the other characters are a fun addition to the friend group, Amanda leans into a sort of comedic overreacting that makes her reactions exaggerated, yet delightful, and it honestly feels like she’s the glitter glue that keeps the story fun. I’d like to think that after the credits rolled, Amanda grew up in the Swindle universe, and is now running a con-artist empire. However, for a movie meant to be a heist film, the plot has low stakes, but the lighthearted energy is what makes this movie watchable (and rewatchable!) Swindle could be renamed Ocean's Eleven Jr. and that would make sense! 

Wicked (2024)

When Wicked flew into theatres, it received applause for the way it leaned into spectacle while, at the same time, letting its characters breathe. Ariana played Glinda with confidence, but this time, unlike the other roles on the list, there was a subtle hint of insecurity, something she hasn’t gotten a chance to showcase in a role before. Of course, her voice is flawless (whispering “okay, vocals!” while clutching your chest would be considered normal here), but she surprised people with how good she is at acting, and watching her mature from Cat’s chaos to Glinda’s polish gave me goosebumps. Wicked: For Good gets darker and emotional, but in Wicked, we are introduced to the lighter version of Glinda before the emotional storm in the next part. This might be Ariana’s best acting yet, and we’re only in Part 1. If you liked the grandeur of The Greatest Showman, you’ll love Wicked. 

Wicked: For Good (2025)

Wicked: For Good is the sequel fans were waiting for. For everyone who watched Wicked (be it fans of the stage shows or newcomers who’ve never traveled down the Yellow Brick Road before), Wicked: For Good brought the drama, the heartbreak, and of course, the character growth. Ariana’s Glinda evolves to become more conflicted and self-aware, and plays her character with nuance. Just like Harry Potter and the Deathly Hallows: Part 2 gives a darker, deeper, and more grown up vibe to the Harry Potter franchise, Wicked: For Good does the same. Needless to say, unlike the other entries on the list, this film is not a standalone, you have to watch the previous part for the plot of this movie to make sense. Ariana’s range with all her characters prove that she’s got some serious acting potential, and I have a feeling that Wicked and Wicked: For Good are just the beginning.

With Thanksgiving almost upon us, the holiday season offers an excuse to revisit old favorites and discover fun classics. While there aren’t nearly as many movies celebrating the November holiday as there are for Halloween and Christmas, some creative picks bring the Thanksgiving sense of community and change to the screen. Some of the best ones are great for the whole family, while others will appeal more to parents than kids. 

Regardless, these movies make perfect picks for the season, and bonus points if you end the Thanksgiving evening with Miracle on 34th Street (1947) and transition straight into holiday movies. If you don’t feel like standing around the flat-screen TV watching football, here are the best movies to watch this Thanksgiving, and where you can find them on Netflix, HBO Max, and more. 

The Iron Giant (1999)

An unmissable autumn film, The Iron Giant is the best movie to watch during the Thanksgiving season. Brad Bird’s charming throwback to 1950s sci-fi is a wonderfully constructed parable about a boy and his robot friend. The sweet core dynamic will keep the younger audiences engrossed while the heavier themes at play about violence and weapons hit hard on a social holiday with a complex history.

The Iron Giant is a thematic forebearer to Bird’s work at Pixar, like The Incredibles (2004). It bears a lot of tonal similarities with Wall-E (2008), with a soft New England autumn foliage giving the gorgeous 2D animation a crisp sense of texture. The Iron Giant was a frequent Thanksgiving movie on Cartoon Network for years for a reason: a terrific tearjerker that any audience can love.

The Fantastic Mr. Fox (2009)

A rare stop-motion animation film from Wes Anderson, The Fantastic Mr. Fox possesses all the eccentric charm that the iconic filmmaker has always brought to his live-action movies like The Grand Budapest Hotel (2014). Based on the Roald Dahl book of the same name, The Fantastic Mr. Fox is a woolly warm heist film about a clever fox (played by George Clooney as the ultimate mix of Danny Ocean from Ocean’s Eleven [2001] and the vulnerable Dad from The Descendants [2011]) who gets in over his head by continually robbing the nearby farmers.

One of the best modern examples of stop-motion as an art form, The Fantastic Mr. Fox never mentions Thanksgiving once, but the spirit of community, soft autumn colors, and vibrant bursts of emotion make for a perfect movie to pair with a Turkey dinner. Both adults and kids will love this one. 

Spider-Man (2002)

Before anyone could have conceived of a shared Marvel Cinematic Universe, Sam Raimi’s Spider-Man was an early precursor to that success. Following the origins of Peter Parker’s career as the web-swinging superhero, Spider-Man is also surprisingly rooted in the fall season. An action set piece takes place during the Macy’s Day Parade, and a tense Thanksgiving dinner takes on additional layers because of Willem Dafoe’s delightfully unstable and one-of-a-kind performance as Spider-Man’s nemesis, the Green Goblin.

Anyone who loved Spider-Man: Homecoming (2017) will find plenty to love in this older approach to the material. Just the right amount of cheesy, akin to Tim Burton’s Batman (1989), Spider-Man is a delight and a surprisingly fitting film for the season, especially for anyone looking for a fun (and unserious) time.

Addams Family Values (1993)

The sequel to The Addams Family (1991), Addams Family Values takes a comically dark approach to the imagery of pilgrims and Native Americans inherent to the Thanksgiving season. Amidst a chaotic collection of subplots involving the various members of the family, Wednesday and Pugsley find themselves sent to a summer camp. Christina Ricci is hilarious as the monotone Goth icon, deploying a perfect amount of dry wit to her conflict with the local popular girl.

A direct tonal ancestor to Jenna Ortega’s version of the character in Wednesday (2022), Addams Family Values is a great little bit of subversive humor for the season. If you want a super serious film, it’s never a good choice to go with America’s favorite morbid family, but if you love a silly bit of gothic imagery, you can’t go wrong with the Addams.

Planes, Trains, and Automobiles (1987)

One of the best entries in the careers of both Steve Martin and John Candy, Planes, Trains, and Automobiles is a pitch-perfect comedy for older viewers; younger kids not so much. Directed by John Hughes amid his impressive streak of grounded comedies like The Breakfast Club (1985) and Sixteen Candles (1984), Planes, Trains, and Automobiles focuses on a pair of unlucky travelers who are forced to team up to complete a constantly interrupted cross-country trip in the days before the holiday.

Frequently goofy and foul-mouthed in the vein of Martin’s other comedies like The Three Amigos (1986) and Dirty Rotten Scoundrels (1988), Candy brings an enormous amount of humor and heart to the entire enterprise. Very much of its era but emotionally timeless, any comedy fan who hasn’t seen Planes, Trains, and Automobiles is missing out on a perfect Thanksgiving season flick.

The Last Waltz (1978)

One aspect of the holiday season is always the bittersweet sense of goodbye that a year’s worth of farewells has endured, and The Last Waltz perfectly captures that tone. A documentary directed by a young Martin Scorsese, the film focuses on the final concert held by the music group known as The Band. With over a dozen other iconic musicians joining them at various points on stage, The Last Waltz is considered one of the best concert films ever produced, and it even has a spot in the Library of Congress among other historically important films.

Full of nostalgia and hope for the future, The Last Waltz is a quietly emotional film that never stops being full of joy, even as it recognizes the coming end of the year and all that entails. While the documentary nature of the film means there’s not really a plot to keep things going, any rock fan needs to check this one out.

Thanksgiving (2023)

Gory, horrifying, and just over-the-top enough to be hilarious, Thanksgiving is the perfect bloody counter to the countless family-friendly fare that usually dominates the season. A slasher film from Eli Roth in the vein of Friday the 13th (1980) or Scream (1996), Thanksgiving focuses on a serial killer who themes all of his victims around the holiday iconography.

Creatively twisted in its execution, Thanksgiving’s deliberate throwback vibes to the grindhouse era make it a fun peer to movies like Death Proof (2007) and X (2022). If you’re a horror fan who needs a little gore on the side of their holiday movie, this is the cinematic fusion you need to check out. While parents might want to keep kids away from this one, Thanksgiving is a great cornball time.

Silver Linings Playbook (2012)

A dramedy full of rich characters and terrific performances, Silver Linings Playbook is a charming romance that’s ideal for the season. The film focuses on the growing relationship between a man and a woman in Pennsylvania as they become unlikely partners for a dance competition. Even beyond the complicated family dynamics and story about how love can take a hit, the film places a large amount of dramatic weight on the results of a Philadelphia Eagles game.

A genuine romance in a modern era, Silver Linings Playbook is a great holiday pick for anyone who considers Lost in Translation (2003) or Little Miss Sunshine (2006) a personal favorite. While it’s not necessarily for younger audiences who may not fully understand the emotional story arc of the lead characters, there’s still a lot to love about this Oscar-winning film.

A Charlie Brown Thanksgiving (1973)

A fitting follow-up to the iconic A Charlie Brown Christmas (1965), A Charlie Brown Thanksgiving is a cute and charming entry in the Charles M. Schulz canon. The animated film is quick and perfect for kids, with a focus on the holiday that highlights the natural sense of community and gratitude.

Coupled with some goofy bits about Snoopy’s efforts to help prepare an unorthodox Thanksgiving meal for Charlie Brown and his friends, this movie is perfect for the little ones. While older audiences might not find too much depth in the retro animated classic, anyone who has ever laughed at one of the Minions (2015) movies or loves classic animation like Mickey Mouse will have a blast with this holiday movie.

Over the Garden Wall (2014)

Putting Over the Garden Wall here is a bit of a cheat; it’s not actually a movie but a self-contained miniseries. However, the run-time of the whole story is equal to a feature-length film, and it’s the perfect fantasy story to fall into during the Thanksgiving season. Following two brothers as they embark on a journey through a mysterious marshland, Over the Garden Wall has charm to spare and a beautifully understated tone that easily draws viewers of any age in. 

Perfect for fans of Adventure Time (2010) and Steven Universe (2013), Over the Garden Wall is a great early fantasy story for kids and a terrific adventure for the child inside. Even if it never mentions the word Thanksgiving, the bittersweet and emotional narrative is a delightful entry in the season’s cinematic canon (even if it’s not technically a film). 

Throughout the ‘80s, the slasher genre took tons of weird, wild, and bad turns, driving the genre further and further into the dumpster. By the early ‘90s, the genre was such a joke that filmmakers could basically get away with whatever they wanted because audiences had (sadly) lost all expectations. This also meant that most slasher movies of the era were box-office flops or were released straight-to-video. Perhaps that’s how we got Leprechaun (1993), a horror comedy centering around a vengeful Leprechaun (Warwick Davis) who kills anyone he can to get his gold back.

It’s a seriously wonky movie, and there’s a good reason why. In 2023, director Mark Jones told ComicBook that he originally intended for Leprechaun to be more of a family-friendly comedy, comparing it to a Scooby-Doo adventure. However, the studio had other plans. “I originally wrote it to be comedy-horror, and I said I didn’t want to do a straight slasher and stuff,” the filmmaker remarked, before saying that the studio “added inserts later for a little more violence” to achieve the movie’s R rating. The result is a film that shifts between cartoonish characters, slapstick comedy, and a murderous leprechaun.

Since then, the franchise has received seven sequels that have continued Leprechaun’s absurd legacy of mixing horror and comedy, taking viewers everywhere from outer space to the hood, and beyond. Here’s how to watch the entire Leprechaun franchise in order and where to find each movie on Tubi, Pluto TV, and more. 

Leprechaun (1993) 

The original Leprechaun movie sees a single father and his daughter (played by Jennifer Aniston in her first major role) move into a rural farmhouse that’s secretly been the prison of an evil leprechaun named Lubdan. He gets out, murders are committed, and one-liners are flung around like you wouldn’t believe. 

But honestly, that’s the most refreshing part about Leprechaun. Whereas so many slasher movies of the era were stupid and funny because they were just truly awful, it was great to see a horror movie dive headfirst into its own absurdity and stupidity. In a way, Leprechaun is sorta meta since it knows it’s a joke. If you love other ridiculous horror comedies like Killer Klowns from Outer Space (1988) or Attack of the Killer Tomatoes (1978), then check out Leprechaun. 

Leprechaun 2 (1994)

In the horror world, two things often happen with franchises: They end up going to a major city, or they go to space. Three franchises have done both: Friday the 13th, Hellraiser… and Leprechaun. In Leprechaun 2, our mischievous Irish villain finds himself in Los Angeles, and like all sequels, the kills are bigger and bolder. And since the first movie was originally intended to be more of a comedy, the sequel is our first glimpse at Leprechaun actually being written as a full-blown horror movie. 

The sequel also found a great supporting cast, including future MAD TV (1995) actor Michael McDonald and Twin Peaks (19901) police receptionist Kimmy Robertson. It was also the final Leprechaun movie to get a theatrical release, with everything after being straight-to-video. Full disclosure, though. This is one of the lesser movies in the franchise. It was an attempt at being silly and funny while also appealing to a broad audience to earn box-office returns. The result is a movie that doesn’t do either very well. But if you love horror movies that take villains to big cities, like Jason Takes Manhattan (1989) or Scream 3 (2000), give this one a shot. 

Leprechaun 3 (1995) 

Now safely nestled in the straight-to-video market, there was nothing stopping the Leprechaun franchise from being the crass, tacky horror comedy it was meant to be. And Leprechaun 3 really feels like the series hit its stride. This time, taking place in Las Vegas, Lubdan once again goes in search of his gold, killing everyone in his path. 

This time around, the kills are straight-up wild. From malfunctioning fembots to botox explosions and more, Leprechaun 3 finally became the hilariously bad and vulgar slasher comedy it was always destined to be. According to an interview with the filmmakers in Entertainment Weekly, the film also became a massive hit. The movie was one of the top-selling home videos of the year, selling over 50,000 copies (and that’s not even including rental earnings). Think of Leprechaun 3 as an R-rated Gremlins (1984). Sound fun? Then, check it out. 

Leprechaun 4: In Space (1997)

After franchises take their killer villains to major cities, there’s only one place left to go… outer space! Oh yes, my friends, Lubdan the Leprechaun makes his way to space. The year is 2096, and this movie has everything. Lightsabers, space princesses, mutated spider-scientists, and lots of spaceship sets built out of cardboard and milk crates. I know what you’re thinking: This movie sounds fantastic! 

And, honestly, it really is. Yes, it’s stupid, but who doesn’t want to watch a leprechaun fight space marines with a lightsaber? Leprechaun 4: In Space answers the pressing question: What would happen if Starship Troopers (1997) and Jason X (2001) had a baby? Brace yourself for this ungodly monstrosity that’s so absurd, I promise you won’t be able to look away. 

Leprechaun in the Hood (2000)

Where else does a franchise go after it’s been to space? Well, I guess you go to the hood. In 2000, Leprechaun in the Hood walked a tightrope, fitting itself somewhere in between horror, comedy, and Black cinema. This time around, we’re back in the present day (so the year 2000), and Lubdan finds himself in Compton, California. Also, Ice-T and Coolio are in the cast.

Sadly, though, this movie is kinda meh. In the Hood is super low-budget, but not in the fun way the franchise is known for. Instead, it just looks cheap. Most of the kills happen off-camera, there are hardly any effects, and the acting feels like a group of improv students reading cue cards. Luckily, the film received a sequel that’s way funnier and more entertaining. 

Leprechaun Back 2 tha Hood (2003) 

Some good news and some bad news here. The good news is that Leprechaun Back 2 tha Hood is a thoroughly enjoyable movie that finally recaptures that glorious concoction of stupid and fun. The bad news is that this serves as Davis’ final reprisal of Lubdan the Leprechaun. 

The cast here is also way better, with everyone from Laz Alonso to Keesha Sharp, Tangi Miller, and even Sticky Fingaz fighting off the Irish trickster. But, most importantly, the budget clearly went up for this one, with the film resolution and sound quality vastly improved from In the Hood, making it a much more enjoyable movie for modern viewers. For fans of horror, especially Black horror, like Tales From the Hood (1995) or Bones (2001), this is one to check out. 

Leprechaun Origins (2014)

Ok, moment of honesty here. This is the worst movie in the franchise, and many fans don’t even consider it part of the franchise. Not only did Davis not return, but the “Leprechaun” in Leprechaun: Origins is absolutely not a leprechaun and instead looks like one of the cave monsters from The Descent (2005). Also, it’s hardly even shown on-screen, it doesn’t speak, and many online rumors question if this was never even supposed to be a Leprechaun movie and just had the title thrown on to make some money, similar to how “Amityville” gets put in front of literally anything these days. 

I honestly don’t have much else to say about this movie. It’s dull. It’s not scary, and it holds a 0% on Rotten Tomatoes. If there’s one film in the franchise to skip, this is it. 

Leprechaun Returns (2018)

A Syfy original movie that oddly ended up premiering on VOD before airing on the network, Leprechaun Returns tried to bring the franchise back to its roots. While it certainly isn’t a good movie, it deserves credit for being way better than Origins. The movie centers around Taylor, the daughter of Tory (Aniston) from the original movie. She returns to her mom’s old rural home, which her sorority is turning into a sorority house for their nearby university (Wait, that rural homestead in the middle of nowhere has apparently been near a university this whole time?????)

Yes, Returns is bad, but at least this time it was a Syfy movie that people could watch for free on TV. Plus, we all know what Syfy movies are like, so audiences went into it way more prepared for made-for-TV quality. On the plus side, though, we finally get the return of an actual leprechaun (this time played by Linden Porco), and he even does a pretty good job at capturing Davis’ witty retorts and sly devilishness. While nowhere near as good as Syfy’s take on Chucky, Returns is still a solid entry in Syfy’s film catalog and is perfect for anyone who loves iconic Syfy original movies like Decoys (2004) or Snakehead Terror (2004). 

When Mighty Morphin Power Rangers debuted in 1993, it hit television like a glitter bomb detonated in a karate dojo. Bright suits. Giant robots. Teens with attitude. If you were a kid, it felt like a neon-colored promise that good always triumphs and you could absolutely save the world before homeroom. But the thing about nostalgia is it has a habit of sanding down the jagged edges. And once you revisit the franchise as an adult, those jagged edges start poking through the rainbow veneer.

Part of that is structural. Power Rangers, which you can watch now on streamers like Netflix, Hulu, and HBO Max, is stitched together from Super Sentai footage originally aimed at slightly older Japanese audiences, meaning moral shortcuts sneak in like uninvited Zords. The second part of it is narrative. While the show's universe insists the story is about responsibility and heroism, its rules operate on a level of ambiguity that only works when you're an eight-year-old hopped up on sugary cereal.

And the final part is cultural since we've become better at recognizing when heroes aren't being honest about the cost of heroism. So, although asking if the Power Rangers are murderers might sound dramatic, if you dig through the franchise's canon, the later seasons, and the fan discourse that's been aging like radioactive cheese, the question suddenly feels less hyperbolic and more overdue. And these five dark secrets will change how you see The Morphin' Grid forever.

The Power Rangers Are Basically Child Soldiers

In its beginning, Power Rangers framed Zordon as a sort of benevolent space dad. But his recruitment strategy is one PowerPoint presentation away from an UN ethics inquiry. This is someone who looks at Earth's population of adults, police officers, trained soldiers, scientists, literally anyone with a prefrontal cortex fully developed, and says, "No, I'll take the teens hanging out at the juice bar." And it's not selective because they're prodigies.

They're just available and extremely malleable due to their age. They don't ask the right questions, and Zordon uses that to his advantage. His first act after recruiting them is a speech that sounds vaguely inspirational until you notice that choice is the missing component. When the original five rangers hesitate at the thought of becoming warriors, he doesn't let them leave. Instead, Rita attacks, which traps them in the narrative Zordon needs.

Collateral Damage Is A Crisis No One Mentions

Power Rangers canon insists their battles take place in unused industrial zones. Unfortunately, if you've seen even one Zord fight, you know these so-called abandoned districts have skyscrapers, residential towers, commuter monorails, and suspiciously occupied parking lots. Even if people evacuate every time a monster appears, the infrastructure is badly damaged. And even if those buildings are empty, people are losing their homes or places of work at the very least.

But the show simply tiptoes around what happens after the monster dust settles. A running joke among fans is that Angel Grove must have the world's most overworked insurance sector or a rapidly reduced population that moves house every six months. But if you really think about it, the Power Rangers are heroes who operate in a system that never asks them to account for the consequences of their actions. Their battles save the world, but they routinely level pieces of it.

The Rangers Became Defenders Of A Fascistic Ethno-State

Released in 2001, Power Rangers Time Force presents the year 3000 as an orderly and technologically immaculate kind of future where everything is efficient and polished. The series calls it progress. But if you look closely, you realize it's less utopia, more sci-fi authoritarianism in pastel lighting. The giveaway comes early when we learn that the Time Force has eliminated all crime. It sounds impressive until you ask the obvious question, which is how?

Crime doesn't vanish because we wish it would. It's suppressed, redirected, or reclassified. And in Time Force, that reclassification is frightening. The only criminals left are mutants, a term the show uses with a kind of casual prejudice. The series' main bad guy, Ransik, and others like him aren't depicted as inherently barbaric since they're sentient, emotional, intelligent beings. But society has decided their genetics predestinate them for criminality, which is basically profiling.

Violence Is Baked Into The Franchise DNA

Even if you only watched the original series, you know Power Rangers has a strange relationship with violence, which, for the show, is sanitized in presentation and astonishingly brutal in implication. But once you explore later seasons, comics, and spin-offs, that sanitized layer peels off quickly. Power Rangers RPM (2009) is the perfect example since it's arguably the darkest season ever produced. The story is set in the only town that survived an AI takeover.

Human extinction is not a threat but a statistic. And the plot is so bizarrely off-brand it borders on surreal, like when the Red Ranger uses a baby stroller as a battering ram during combat with a baby inside. Meanwhile, the Boom! Studios comics dive into wars, coups, Ranger-on-Ranger conflict, and multiversal genocide. Rangers die. Planets fall. The Morphin Grid becomes less of a magical power source and more of a religious artifact people kill each other over.

Zordon Might Actually Be The Series' Biggest Villain

It sounds blasphemous until you examine the trajectory of modern Power Rangers storytelling. Bit by bit, Zordon shifted from untouchable mentor to morally complicated leader to outright antagonist in certain interpretations. And nowhere is that clearer than in the Boom! Studios comics. In Mighty Morphin Power Rangers #104, Alpha-One, who has joined Rita Repulsa, doesn't just accuse Zordon of making hard choices. The robot accuses him of perpetuating conflict for its own sake.

And the evidence is everywhere. Zordon's war with Rita has lasted for centuries. He has no retirement plan for Rangers, just replacement plans. He routinely values the grid's stability over individual well-being and treats Rangers as pieces in a game only he understands. It reframes him not as a villain in the "mwahaha" sense but as something more like a zealot so entrenched in his mission that he no longer sees the human cost. So if the Power Rangers are murderers, the blood is actually on Zordon's hands.

While there are dozens upon dozens of Christmas movies tackling different aspects of the season, the best ones frequently feature Santa Claus. As the figurehead of the holiday, it makes sense. We, the people, want to capture that joy, magic, and nostalgia, and what better way to do so than by putting Kris Kringle on screens everywhere?

Still, you can't just put anybody in a suit and expect audiences to love him. It requires a certain level of authenticity and charm to play Santa, and those iterations are worth celebrating as Christmas inches closer. Whether it's a classically joyous depiction of the character or a subverted interpretation of the Man in Red, here are the 10 best Santas in Christmas movies, ranked by how iconic they are. Boot up streamers like Netflix, Hoopla, and more to grade them for yourself.

10. David Howard Thornton - Terrifier 3 (2024)

This one is a bit of a cheat, which is why it ranks last on this list. Technically, Art the Clown isn't Santa, but he wears the red and white suit, creeps into people's houses during nightfall, and enjoys a glass of milk and cookies. And really, that's half of the job description. Sure, he brutally slices and dices innocent people to death, but at least he does the dishes afterward. 

In all seriousness, Terrifier 3 is a glorious splatterfest for horror fans seeking absurd violence and pitch-dark comedy. David Howard Thornton delivers another delightfully demented performance as Art, with the festive holiday backdrop adding a creepy contrast to the otherwise gory flick. If blood-drenched Christmas horror movies like Silent Night, Deadly Night Part 2 (1987) or Christmas Evil (1980) are your thing, Art will hack his way into your heart.

9. Frozen Santa Claus - Rare Exports: A Christmas Tale (2010)

I never get tired of talking about this movie. As a horror fan, I'm always on the lookout for something unique, and Rare Exports: A Christmas Tale delivers. At first, this dark fantasy and horror mash-up seems to feature an abundance of Santa Clauses, considering, in this universe, they're a wild species that's hunted, caged, and traded. However, those feral men are actually just helpers, with the true Santa Claus defrosting in a block of ice in an empty airplane hangar. 

Of all the Santas mentioned on this list, Rare Export's interpretation of the being is perhaps the most magical. Gigantic, horned, and generally terrifying, this Santa Claus is supernatural and archaic. The only reason it ranks so low here is that it remains contained in the ice, but honestly, I shudder thinking about what would've happened had it been unleashed. If you want a holiday horror movie with an anti-consumerism message, look no further than Rare Exports. 

8. Tim Allen - The Santa Clause (1994)

Sure, this movie starts with the real Santa falling to his death, but if you can look past that, you get a pretty wholesome PG movie for your next family night. Plus, Tim Allen, everyone's favorite TV dad from Home Improvement (1991), proves he has the chops to play good ol' Saint Nick as he works to repair his relationship with his on-screen son.

The Santa Clause is undoubtedly a Christmastime favorite. Equally humorous and heartwarming, it's the type of movie that works for both kids and adults. In this world, Allen's Scott not only inherits Santa's responsibilities after putting on the red suit of the late Mr. Claus, but also his power, which adds a nice touch of supernatural whimsy. While it will be a sure hit for fans of holiday comedies, Tim Allen doesn't disappear into the role quite as dramatically as other actors on this list.

7. Chris Sarandon/Danny Elfman - The Nightmare Before Christmas (1993)

While Ed Ivory voices the true Santa Claus in Tim Burton's stop-motion masterpiece, Jack Skellington's turn as the mythical character makes for a more interesting character study. After discovering Christmas Town, Jack becomes enamored with the holiday, kidnaps Santa, and steps into the role. However, the fusion of Halloween and Christmas goes about as horribly as you'd expect, and Jack realizes he's become a selfish villain.

Like any good children's movie, The Nightmare Before Christmas ends on a positive note, but don't mistake the story as juvenile. There's something oddly poetic and deeply sad about Jack's character arc. And it's captured wonderfully by the performances of Chris Sarandon and Danny Elfman, who provide the speaking voice and singing voice of Jack, respectively. If you need a fun yet thought-provoking PG movie for the family, here it is.

6. Kurt Russell - The Christmas Chronicles (2018)

If you know Kurt Russell from movies like The Thing (1982) or Big Trouble in Little China (1986), then you already know the man can chew scenery. His role as Santa in The Christmas Chronicles is no different. Instead of the usual jolly hijinks, Russell's Santa is funny, charismatic, and, dare I say, cool. That might disappoint those of you looking for the traditional depiction of Saint Nick. However, anyone craving something a little different will find that here.

The Christmas Chronicles itself is a solid holiday pick. Its status as a Netflix original makes it an easy choice for anyone with a subscription to the streamer, and it garnered enough attention to warrant a sequel, The Christmas Chronicles: Part Two (2020). Funny, sweet, and just the right amount of cheesy, it's got a similar vibe to The Santa Claus, just with a modern feel.

5. David Harbour - Violent Night (2022)

Carrying an R rating like a badge of honor, Violent Night might not work for family movie night, but it makes a stupidly entertaining watch for action movie fans wanting something besides Die Hard (1988) this holiday season. It's gory, violent, and loaded with dark humor. Think of it a little like John Wick (2014) takes on Christmas.

David Harbour's riff on Santa is a disillusioned Viking warrior who may have a bit of a drinking problem. He is more complicated than the other Santas on this list (excluding you, Billy Bob Thornton), which makes him all the more interesting. If you've ever wondered what Santa would be like if he were badass and mean-spirited, Harbour gives you the perfect answer.

4. Billy Bob Thornton - Bad Santa (2003)

I hesitated to rank Bad Santa so high on this list because the movie hasn't aged the best. However, Billy Bob Thornton plays his dysfunctional mall Santa with so much profane glee that it honestly warrants the number four spot. Thornton did mean-spirited Santa almost two decades before David Harbour in Violent Night, and truthfully, it's a blast to watch. He is the polar opposite of what Santa should be, which is why he remains an anti-Christmas icon.

As for Bad Santa, it's still worth a watch for fans of dark Christmas comedies, just don't expect all its jokes to match today's climate. It was offensive then, and it's offensive now. But the thing is, that's exactly what Bad Santa wants to be. It might not be for everyone, but if you like the black comedy in movies like The Kentucky Fried Movie (1977) or Quick Change (1990), then you're the exception.

3. Ed Asner - Elf (2003)

Ed Asner's Saint Nick takes third place for two reasons. One, he manages to find the balance between Santa's magical, rosie-cheeked persona and a believable manager—because, in some ways, that's exactly what Santa Claus is. Two, Elf is a fan-favorite Christmas movie that we Americans eat up every year.

Unlike Bad Santa or Violent Night that teeter on the edge of anti-Christmas territory, Elf offers audiences a comedy filled with genuine love for the holiday and its tropes. Asner's Santa plays a role in that, but it's Will Ferrell's Buddy that truly sells the story. Humorous, heartwarming, and just downright fun, Elf is a must-watch for anyone who appreciates enduring Christmas classics like Home Alone (1990) and A Christmas Story (1983). 

2. Edmund Gwenn - Miracle on 34th Street (1947)

It doesn't get much more classic than 1947's Miracle on 34th Street, and honestly, not many can do Santa better than Edmund Gwenn. In fact, Gwenn won the Academy Award for Best Actor in a Supporting Role for his interpretation of Kris Kringle. Lookswise, Gwenn is spot on, but it's how he imbues a genuine sense of warmth and joy that truly sells it.

If you appreciate classic cinema, especially of the black-and-white variety, then Miracle on 34th Street is a holiday standout. Cozy, charming, and perfectly cast, there's a reason people keep coming back to this movie more than seven decades later. Plus, if anyone could make you believe Santa Claus is real, it's Edmund Gwenn.

1. Richard Attenborough - Miracle on 34th Street (1994)

Is ranking the Miracle on 34th Street remake above the original movie controversial? Maybe. However, as perfectly spectacular as Edmund Gwenn is at playing Santa, Richard Attenborough does it better. Funny enough, his beloved turn as Kris Kringle occurred just a year after he wobbled on the edge of villainy in Jurassic Park (1993). Thankfully, he traded dinosaur casualties for presents and managed to steal scenes and hearts in a remake many people assumed wasn't needed, considering the original film's legacy.

If Edmund Gwenn left you second-guessing the whole "Is Santa Claus real?" thing as an adult, then Attenborough will, too. He delivers a similar authentic performance to Gwenn, but with an additional layer of charm and warmth that edges Gwenn out of the top spot. There's something joyously infectious about watching Attenborough do his thing in Miracle on 34th Street that will put a smile on your face. Not to mention that he improvised the sign language scene, and the child actor's surprised happiness is genuine. Excuse me, I'm going to get some tissues now. 

Netflix's adaptation of Emily Henry's People We Meet on Vacation (2026) can't come soon enough (no seriously, I'm counting down the days. Is it January yet? It's no longer a want at this point, it's a need.) 

Full of ridiculously exciting adventures and a slow, slow burn, best friends-to-lovers romance, the movie is going to be a real treat for anyone who loves the tropes, and maybe even those who hate it, too. Because casting matters, and there simply aren't enough words to express that Emily Bader and Tom Blyth feel like they were shaken straight out of the book. 

While Poppy and Alex are the story's key players, they aren't the only significant characters. The cast is full of some incredible stars, and we're breaking down where you know them from, as well as where to watch their best roles on platforms like Prime Video, Netflix, and more, before the movie comes out.

Emily Bader - My Lady Jane (2024)

Emily Bader is the next it girl—mark my words. She's the one whose face we're going to see more of, and it was obvious how indescribably gifted she is from the moment she steps onto the screen in My Lady Jane. Bader's ability to fool everyone into thinking she actually has an English accent is a skill in and of itself, but the range in which she brings to life complex and nuanced women is where she shines. I'm ready to watch her name go up in lights after People We Meet on Vacation, but we also need to scream about her work as Jane Grey.

The full range of emotions that Bader delivers ensures that the reimagining of history is not only extraordinarily memorable but deeply profound. She gives us something totally new and unique, making the show an incredibly popular series that still has a large following, even while it was unfairly canceled too soon. Bader proves that her ability to embody a character comes from a place of deep understanding. My Lady Jane is perfect for fantasy rom-com lovers, and maybe even the shapeshifter loving girlies.

Tom Blyth - The Ballad of Songbirds and Snakes (2023)

Tom Blyth already has such an unbelievable filmography that it's a little overwhelming, with shows like Billy the Kid (2022) and the film adaptation of Susan Collins' The Hunger Games: The Ballad of Songbirds and Snakes. President Snow isn't an easy character to play when you're following in the footsteps of a legendary actor like the late Donald Sutherland. Yet, every minute that Blyth is on screen, he escapes into the role with astonishing nuance.

As Alex Nilsen, he's about to be quieter, more dorky, and so unbelievably charming that I don't think any of us are ready to see Blyth in this kind of a role (I'm already emo thinking about it.) A top-tier book boyfriend, and he's about to come to life by an actor whose single expressions hold a thousand words. To truly get a sense of how impeccable his range is, watching The Ballad of Songbirds and Snakes might be a riveting contrast to how he'll be in Emily Henry's world. 

Jameela Jamil - The Good Place (2016-2020)

Jameela Jamil has done quite a bit in the last few years (most notably advocating for body positivity on social media), but for many of us, she'll also always be Tahani Al-Jamil from The Good Place. A near-perfect show full of perfectly complex characters, and for fans of the latest rom-com, Eternity (2025). Jamil masterfully gave us a nuanced, heartfelt character who managed to go from someone we were slightly suspicious of to one we adored deeply by the end. 

So much of the reason Tahani is as loved is in large part because of how Jamil ensured that she'd never be one-dimensional. It was always easy for her to come across that way, yet through careful choices and excellent writing, she ensures that she's layered instead. Swapna is a big name in People We Meet on Vacation, and though she's Poppy's no-nonsense boss, casting Jamil easily gives her a lot more nuance than we've gotten in the books, so there's a good chance we can appreciate and understand her even more. 

Miles Heizer - Boots (2025-present)

From Parenthood (2010) to the recently released Boots, Miles Heizer is another actor whose face you've likely seen around in a few lovely properties. But this year, Boots has gained favorable reviews and is one of the best shows that has aired as a brilliant showcase of a character-driven drama that thoughtfully explores surviving a flawed system and making concrete changes. 

He'll be playing Alex's brother David in People We Meet on Vacation, the character whose wedding is the location of some of the most prominent book scenes. Here, Heizer's character is also a gay man, which allows him to continue to embody LGBTQ+ roles with thoughtful care and nuance, making each of them memorable in monumental ways. If you loved Boots and want something that'll ensure a happy ending, don't miss his portrayal of David.

Molly Shannon - Saturday Night Live (1975-present)

Countless actors and actresses from Saturday Night Live have had such a large career throughout the years that it's nearly impossible to pin down a single role where viewers might know them best from. Funnily, to me, Molly Shannon is all Christmas because of her role as Betty Lou Who in How the Grinch Stole Christmas (2000) and Eve from Serendipity (2001)—two movies I watch religiously around the holidays.

But Shannon's career is so big that you likely know her from Saturday Night Live. And if nothing else, her fantastic body of work there tells us that she's an actress capable of tremendous comedy and range, which is important for the role of Poppy's mother, Wanda. We don't get too much of Poppy's parents in the book, so the fact that we have someone like Shannon for the movie likely signals that whatever we see of her will be undoubtedly hilarious.

Alice Lee - Zoey's Extraordinary Playlist (2020-2021)

I think about Zoey's Extraordinary Playlist at least once a day for its brilliant depiction of grief and its equally stunning inclusion of multi-faceted, nuanced characters with actors that each had ample room to shine. It's a gorgeously unique must-watch series for musical theater fans. There, Alice Lee plays Emily (there are a lot of Emilys in this list), and she delivers one of the most unforgettable moments in an episode titled "Zoey's Extraordinary Mystery." 

A main character's best friend isn't just a secondary character, despite how often rom-coms from the past attempted to touch on dated tropes, but in many ways, she's so much more. In the book, there aren't many people who really get Poppy the way that Rachel does, and knowing how much Lee is capable of delivering, I have a feeling she's going to surprise us the most by making the book character even more memorable. 

Alan Ruck - Succession (2018-2023)

From Ferris Bueller's Day Off (1986) to Succession, like Molly Shannon, it's impossible to pinpoint exactly what role you know Alan Ruck from because the chances are that you've seen him in plenty. But considering how revered Succession was and how it's one of the greatest shows of the last decade, there's a good chance that, for a while, many people will ironically remember him as the forgettable Roy brother. After all, his wedding episode does result in one of the best episodes in the show's run, so there's also that.

Like Shannon, it's going to be so fascinating to see him as one of Poppy's parents, and how we'll touch on their involvement in the short period of time is undoubtedly going to be rich because of Ruck's ability to ensure that every role he plays is different from the one before. Most importantly, I personally can't wait for his interactions with Blyth's Alex. 

Lucien Laviscount - Emily in Paris (2020-present)

Lucien Laviscount is so charming that only an actor like him can make Trey from People We Meet on Vacation endearing. He's the other guy, we aren't supposed to be rooting for him. But with how great Laviscount is at portraying Alfie in Netflix's Emily in Paris, there's a good chance that we'll get to see some more layers to the character based on Laviscount's abilities as an actor.

In some ways, Poppy and Emily are a bit similar, and while there's a lot more drama in Emily in Paris, it's still a fun show to dive into for its romantic relationships and friendships. It can be a delightfully fun series to binge, especially since there's a different setting that takes an American to Europe. Courtesy of author Emily Henry, we know that we'll be spending more time in Barcelona than in Palm Springs, so it can be a nice escape to watch another property airing elsewhere.

After a year of waiting, the conclusion to Wicked (2024) is finally here in the form of Wicked: For Good (2025). Given how the first film ended with several major revelations that set up most of its cast to be in conflict with one another at the start of the sequel, it wasn’t easy for John Chu to craft an ending that felt justified and earned. Thankfully, the ending wraps up most major character arcs, although there’s definitely room for interpretation about what may come in the future for our hero, Elphaba.

While certain elements of the film’s ending are pretty cut and dry, some parts reference century-old lore from L. Frank Baum’s original series of books, which even diehard Oz fans may find perplexing and worth debating over. If you’re at all curious about what exactly these references mean for Elphaba and the film’s ending, or you just finished rewatching the original film on Prime Video and don’t care about spoilers, then read on for our analysis of the ending of Wicked: For Good.

How Does 'Wicked: For Good’' End?

The entirety of Wicked: For Good builds up the conflict between Elphaba, now known as the Wicked Witch of the West, and the Wizard’s regime. The Wizard, Madame Morrible, and even Glinda, to an extent, have all engaged in propaganda to discredit Elphaba and portray her as a threat to Oz. Their efforts prove successful, as they manipulate enough people to take action against her. In particular, Dorothy Gale, a young girl summoned to Oz by Madame Morrible, is tasked with killing Elphaba and enlists the help of the Tin Man, a transformed Boq Woodsman, the Cowardly Lion, who was traumatized by Elphaba in the original film, and the Scarecrow, to do so. 

While it appears that Elphaba dies and the events of Wicked: For Good’s ending mirror those of The Wizard of Oz (1939), the reality is that she survives her encounter with Dorothy. The idea that she’ll melt if she touches water was a myth crafted by the Wizard to make her seem inhumane, so Elphaba uses that lie to fake her own death. Shortly after, the Scarecrow, who is revealed to be a transformed Fiyero, returns to the site of her “death” and discovers her hideaway. With the two lovers reunited, they venture far away from Oz to live a peaceful life, with the final shot showcasing them crossing the Deadly Desert.

What Is The Deadly Desert In 'Wicked: For Good'?

The inclusion of the Deadly Desert in Wicked: For Good is an addition to the film that is both rooted in early stories set in the Lands of Oz and even briefly featured in Return to Oz (1985). The desert is described as a still place that’s inhospitable to life, and that description is pretty apt. 

The Deadly Desert is the land that surrounds Oz and isolates it from the rest of the world. Multiple novels by L. Frank Baum confirm that other countries and worlds exist beyond Oz, but the Deadly Desert is a natural border that prevents all outsiders from entering Oz and all inhabitants from leaving. It’s also been described as being “uncrossable,” and anyone who would even try to set foot in the Deadly Desert would die instantly. Crossing the desert is a fool’s task, but in the books, it has been done before. Dorothy crossed the desert via a tornado, and the Wizard flew over it in a hot air balloon. Magic users have also come up with creative ways to cross it, like creating an infinitely rolling carpet to allow people to walk over it and not be instantly killed by touching the scorching sands. 

In Wicked: For Good, we know that the animals that still retained their intelligence attempted to cross it and returned, proving that it won’t instantly kill anyone who touches it. We also know that worlds exist beyond the Land of Oz, since if there weren’t any, where would Dorothy and the Wizard come from? But the exact size and scale of the desert is hard to pin down, so it’s also very likely that those who wander the desert may never be able to escape it, and those animals only got lucky with their return.

Does Elphaba Get A Happy Ending?

With Fiyero and Elphaba venturing into the Deadly Desert together, it’s fair to question whether Elphaba actually got a happy ending or not. Given the desert’s harsh reputation, it’s very possible that Elphaba could die along the way. The only person that we know who can survive the desert is Fiyero. After all, by becoming the Scarecrow, he can’t feel any pain, and he can’t die. He can wander the desert for years, eventually cross it, and he won’t be any worse for wear. Elphaba, despite all of her magical power, is still mortal. She needs to eat and drink, and since it didn’t look like she or Fiyero were carrying a lot of supplies with them, there’s a very good chance Elphaba may not be able to cross the desert solely because her body may not survive the journey.

Elphaba’s ending is undeniably a poetic one, with her leaving a kingdom that has persecuted her for years to get a fresh start. However, given how perilous the journey is, one would think that living in hiding in the Land of Oz may have been the better option. Still, maybe that’s the point. She’d rather take her chances in the Deadly Desert then stay in the place that ruined her life and reputation.   

Amazon Prime Video’s hit Culpa Mia trilogy recently concluded with the release of Culpa Nuestra (2025). The first film, Culpa Mia, became one of the most popular movies on the streamer from 2023 to 2024, while 4,000 fans attended the sequel’s special premiere event in December 2024. Some may be surprised to learn this smash-hit series first came into being as a self-published Wattpad story by author Mercedes Ron.

However, Wattpad has produced numerous hidden gems, including several that went on to find mainstream success. Viewers interested in more romantic dramas that originated as Wattpad stories can use our guide to find the best ones on platforms like Prime Video, Netflix, and more.

The Kissing Booth Trilogy (2018-2021)

The Kissing Booth trilogy follows the turbulent relationship between Elle (Joey King) and Noah (Jacob Elordi), who also happens to be Elle’s best friend’s older brother. The series consistently topped Netflix’s streaming charts upon release and kick-started Elordi’s career. Its success is particularly impressive considering it started as a Wattpad story, written by author Beth Reekles when she was just 15. She posted the first novel chapter by chapter on Wattpad before securing a three-book deal with Penguin Random House.

The Kissing Booth trilogy is an excellent watch for fans of young adult romance in the vein of My Life With the Walter Boys (2023) and To All the Boys I’ve Loved Before (2018). The Kissing Booth and its sequel, The Kissing Booth 2, offer some fun escapism and juicy relationship woes, while The Kissing Booth 3 offers a more empowering tale of self-discovery and self-acceptance. 

After Series (2019-2023)

The After series consists of five movies tracking the relationship between Tessa (Josephine Langford) and Hardin (Hero Fiennes Tiffin), which becomes toxic over time. After and its sequels consistently found success at the box office, so much so that yet another sequel and a prequel are in development. The franchise began as a Wattpad series by Anna Todd. Drawing inspiration from One Direction and Harry Styles, she published the first three novels chapter by chapter on Wattpad, which became Wattpad’s most-read series with 2 billion reads.

The After movies are another excellent choice for fans of teen romance, especially those who are sticklers for the “good girl” meets “mysterious, brooding bad boy” trope. Although there is some toxicity in the relationship, the constant will-they-won’t-they and focus on an unstable, repetitive relationship give the series an addictive element. Fans of turbulent relationships, like those in Tell Me Lies (2020), will especially enjoy the After movies.

Anonymously Yours (2021)

Anonymously Yours is a rom-com that tells the amusing story of Val (Annie Cabello) and Alex (Ralf Morales), high school students who form an anonymous digital relationship, unaware that they know and dislike each other in person. Before it was a movie, Anonymously Yours began as a Wattpad book, Anónima, by Wendy Mora. The book gained traction and was soon published by Grupo Planeta before Netflix picked it up for a film adaptation.

Anonymously Yours is an excellent pick for viewers seeking a romance with a little more comedy and lightheartedness. With vibrant visuals and two charming leads, Anonymously Yours offers a wholesome, lovable teen romance alongside strong themes of finding oneself and pursuing one’s dreams. The lighthearted teen aspects make it similar to The Kissing Booth, though the comedy elements also parallel The DUFF (2015) and The Half of It (2020).

Through My Window Trilogy (2022-2024)

The Through My Window trilogy follows Raquel (Clara Gallo), who develops an obsession with her next-door neighbor Ares (Julio Peña), whom she frequently watches from her window but has never spoken to. All three movies in the trilogy hit Netflix’s global top 10 list upon release. The series began as a Wattpad story by Ari Godoy before Netflix adapted it into a film series.

The Through My Window and its sequels offer a darker and more provocative romance than The Kissing Booth and After, given the elements of stalking, obsession, and more prevalent sex scenes. However, they share the over-the-top nature of Culpa Mia, especially Through My Window: Looking At You, which offers some wild plot twists. Ultimately, fans of Fifty Shades of Grey (2015) will enjoy the more intense, darker Through My Window series.

Culpa Mia Trilogy (2023-2025)

The Culpa Mia trilogy centers on Noah (Nicole Wallace), a teenager who finds herself falling for her reckless, womanizing stepbrother, Nick (Gabriel Guevara). As mentioned above, the Culpa Mia trilogy was a hit on Prime Video, even leading to an English-language remake: My Fault: London (2025). Author Mercedes Ron began writing Culpa Mia on Wattpad in 2015, earning the Wattys Awards badge and a book deal with Penguin Random House.

The Culpa Mia trilogy is an exciting saga for romance fans, blending both romance and action. Culpa Mia hits the ground running with an over-the-top plot and “forbidden” romance, while Culpa Tuya and Culpa Nuestra elevate the drama, emotion, and dark aspects of the story. Fans of unconventional or step-sibling romances like Cruel Intentions (1999) will especially enjoy the Culpa Mia movies.

Float (2024)

Float tells the story of Waverly Liu (Andrea Bang), a young woman who takes a detour to a small town in Canada and quickly develops a strong connection with lifeguard Blake Hamilton (Robbie Amell). The film garnered attention after critics hailed it as the equivalent of a summer beach read. Float began as a Wattpad story by Kate Marchant, quickly attracting 20 million reads and entering Wattpad’s Paid Stories program before Collective Pictures picked it up.

Float is the perfect watch for viewers who can’t resist a good summer romance. The picturesque small town vibes and dreamy romance quickly hook viewers, while the heartfelt story of self-discovery and wholesome love keeps them engaged. Viewers who enjoy The Summer I Turned Pretty (2022) will especially like Float’s beachy premise and intriguing central romance.

Elizabeth Olsen is the type of magnetic performer whose work is so exceptional that even if the movie or TV show isn't sensational, her presence alone makes it worth watching. She infuses each character she plays with something raw, nuanced, and thoughtfully layered, allowing us to understand them through the short period of time in a way that's only possible because of her performances.

Many people know her as the face of Wanda Maximoff/The Scarlet Witch in the Marvel Cinematic Universe, but Olsen is in a number of incredible projects, including the latest highly anticipated rom-com release, Eternity (2025). From a complex superhero to a complex ordinary woman, here are Elizabeth Olsen's best movies and TV shows, as well as where to stream them on platforms like Disney+, Netflix, and more. 

7. Kodachrome (2017)

Olsen's character isn't the primary focus of Kodachrome, yet proof of her prowess is her ability to ensure that the character is, in fact, profoundly memorable. The movie follows an ailing man and his estranged son, along with his caretaker (Olsen), on one final adventure to develop his remaining Kodachrome film. It's your typical angsty road trip drama with enough heart to make it thoroughly intriguing. 

As a movie about fathers and sons making amends in their fractured relationship, it's also great for those who want sentimental stories about the importance of art and companionship. Olsen isn't in many standalone films, so this is one of the few that fans can jump right into without having to invest in a ton of lore. It's heartfelt, but also understandably pessimistic and gorgeously shot all throughout. 

6. Love & Death (2023)

Love & Death isn't the most exhilarating crime drama inspired by real events, but Elizabeth Olsen's performance is enough reason to watch the mini-series. Complex, dark, and heavily layered, Candy Montgomery is unlike any of the roles Olsen has played, and the embodiment she delivers throughout essentially proves that there's absolutely nothing she isn't capable of taking on to perfection.

It's particularly great if you love mysterious thrillers with affairs and murder, as well as a trial that effectively keeps you on your toes, even if it's somewhat predictable. There's no denying it: the performances are where the appeal lies. Since they're both inspired by the same case, fans of Candy (2022) are likely to appreciate what Love & Death offers.

5. The Assessment (2025)

The Assessment is the type of movie that more people should be talking about, but it flew under the radar, sadly (still, there's a chance it can find its fans and more buzz later down the line.) Following a couple wanting a child, they're assessed by an older woman who essentially behaves like their child. The sci-fi thriller is eerie, bonkers, and utterly unpredictable in the grand scheme of things. 

Both Elizabeth Olsen and Alicia Vikander deliver wildly incredible performances throughout, so much so that even the trailer is a great showcase of it. It can be especially suited for those of you who want off-the-wall thrillers with strange narratives that actually work. It's not some inimitable masterpiece, but it's entertaining enough that the performances alone are something worth looking into at least once.

4. His Three Daughters (2024)

His Three Daughters is the type of underrated, quiet gem that's full of brilliant performances from all three women. Carrie Coon, Elizabeth Olsen, and Natasha Lyonne each play sisters and deliver the kind of work that feels so realistic that experiencing the entire movie is like watching a documentary. It's an accurate portrayal of sisters, with plenty of nuances to showcase the differences in age and upbringing.

It's a must-watch for anyone who loves close-knit family dramas and single setting features. Like each of her roles, Christina is so different from anyone Olsen has played, and she does something utterly compelling with her as she attempts to keep her sisters from constantly fighting. Basically, if Little Women (2019) were to get messier and heavier, it would be His Three Daughters.

3. Avengers: Infinity War (2018)

You sadly can't go into Avengers: Infinity War without watching all the other Marvel movies leading up to these events, but still, it's where Elizabeth Olsen delivers one of her strongest performances as Wanda Maximoff, showing everyone that she isn't someone to mess with and not just because of her powers.

Wanda's love for Vision and her gentleness throughout their time in Scotland are where so much of her strength as an actress lies. If you've watched Avengers: Age of Ultron (2015) then Captain America: Civil War (2016), you know how much Wanda is pushed, but here in these quiet moments is where we get the woman she chooses to be, and Olsen delivers these beats with such tenderness that while they're brief, they're unforgettable (seriously, I cry every time I think about that hotel room moment.)  

2. Eternity (2025)

It's apparently the year of love triangle rom-coms, and if you loved Materialists (2025), then you're bound to love Eternity. Quirky, clever, hilariously charming, and achingly vulnerable, Eternity is the type of rom-com that has something for every type of romance fan. Even those who generally hate the love triangle trope will likely appreciate the movie's unique and profound take on it. 

Olsen, Callum Turner, Miles Teller, and Da'Vine Joy Randolph each deliver such magnetically captivating performances that allow the film to sparkle with layers. It's so much more than meets the eye, and it's the type of rom-com we're going to be talking about for a while. And credit where it's due, it's impossible to imagine the role in the hands of another actress because Olsen does something indescribable here—one of her best performances to date, hands down. 

1. WandaVision (2021)

It'll always frustrate me that the Emmys seldom recognize genre television because Elizabeth Olsen deserved every single award for her work in WandaVision. As she takes the character through various sitcom scenarios and shows off a quirkier side, we get further insight into her gifts as an actress and the character's state of mind, which then allows her depiction of grief to become that much more transcendent.

And that's just it—WandaVision is a brilliantly moving examination of grief and a woman's desperation to hold on. The reason so many people (myself included) were frustrated with the events of Doctor Strange and the Multiverse of Madness (2022) is that it essentially takes away all the nuance from WandaVision. Olsen delivers something utterly unforgettable during the nine episodes, making it one of the best MCU properties to date. And you know what? You can maybe even jump right in just to see her brilliant embodiment.

1975 was a uniquely important year for American cinema, with many of the best films to ever come out of the Hollywood system launching in that calendar year. This was a watershed moment in the evolution of the film industry, coming amid changing preferences for storytelling and an increasing rise in the Movie Brats generation. Spurned on by the early successes of Steven Spielberg, Martin Scorsese, George Lucas, Francis Ford Coppola, and Brian De Palma, Hollywood was increasingly shaped by their sardonic, cynical, and romantic perspectives.

Amid the success of hairdresser comedies like Shampoo (1975), goofball comedies like The Return of the Pink Panther (1975), and romantic dramas like The Other Side of the Mountain (1975), some of the year's biggest films reinvented the cinematic landscape in important ways that still remain important to this day. 

Now, fifty years later, these 10 films remain some of the most influential films to come out of the Hollywood system, cementing 1975 as one of cinema’s most important years. Here’swhere you can find those movies on Tubi, Netflix, and Hulu.

Jaws (1975)

One of the most important blockbuster movies of all time, Steven Spielberg’s Jaws was a game-changer when it hit theaters in 1975. Based on the best-selling book of the same name, Jaws was a monster movie that was just as indebted to Alfred Hitchcock thrillers like Rear Window (1954) as it was to Creature from the Black Lagoon (1954). The film was an early showcase of Spielberg’s eye for charming characters in extreme situations, an element he would refine in later films like Close Encounters of the Third Kind (1977) and Jurassic Park (1993). Changing the theatrical landscape by becoming a cultural phenomenon, Jaws laid the groundwork for Star Wars (1977) to reshape how movies are released in a way that’s still felt to this day.

Dog Day Afternoon (1975)

Unmistakable of its time but surprisingly timeless, Dog Day Afternoon is a painfully human story that finds plenty of romance, comedy, and heartbreak amid a flawed bank robbery. Al Pacino delivers a raw nerve of performance as Sonny Wortzik, a first-time crook whose attempt to rob a bank to pay for his lover’s sex change operation goes awry and quickly becomes a national spectacle. Following up on the massive success of The Godfather (1972) and Pacino’s meditative work therein, Dog Day Afternoon is a different type of American tragedy. Infused with the same kind of desperation and surprising charm that make movies like Uncut Gems (2019) so compelling, Dog Day Afternoon is tragic without ever being maudlin and highlights the conflicting complexities that humanity is capable of. 

One Flew Over the Cuckoo's Nest (1975)

One of the only films to win the “Big Five” at the Academy Awards, One Flew Over the Cuckoo’s Nest is a bittersweet and defiant film about thwarted rebellion and the human spirit. Jack Nicholson leads a perfectly cast story about a man who finds himself helping the inmates at a mental hospital against their tyrannical head nurse. The kind of subversive character drama that would later be embodied by movies like The Deer Hunter (1978) and Rain Man (1988), One Flew Over the Cuckoo’s Nest proved that harsh human stories could do well at the Oscars—and subverted expectations about female antagonists by turning Nurse Ratchet into one of cinema’s best villains. Impossible to imagine being made today, even as its influence is still felt across several other films, One Flew Over the Cuckoo’s Nest is a pitch-perfect movie.

Monty Python and the Holy Grail (1975)

Hilarious on just about every level, Monty Python and the Holy Grail was a watershed moment for theatrical comedies. Building off the success of their run on TV with Monty Python's Flying Circus (1969) and the subsequent movie rendition And Now For Something Completely Different (1971), the British comedy troupe delivered  a spoof of fantasy epics by playing with pretty much every type of comedy. Fourth wall breaks, wacky wordplay, black comedy, sex jokes, and childish beats, all of it has room in Holy Grail so long as it's silly. Coming out ahead of an increasingly silly era of filmmaking that embraced the absurd, thanks to movies like Airplane! (1980) and Monty Python’s later films like Monty Python’s The Life of Brian (1979), Holy Grail remains a highlight of 1975 and one of the best movie comedies ever made.

Nashville (1975)

A spiritual successor to films like Easy Rider (1969) and The Last Picture Show (1971), speaking to a disenfranchised America that nevertheless retains a sense of desperate optimism for tomorrow, Nashville is a quietly powerful ode to a nation it can’t help but be critical of. Focusing on a crossroads of humanity, all converging in the titular city ahead of a major political event for an outsider Presidential candidate. Ambitious and character-driven in much of the same way later films like Magnolia (1999) would trade in, along with a musical touch that will feel familiar to anyone who loves Inside Llewyn Davis (2013), Nashville is bold and humanist, with a novelistic touch that feels familiar to modern films like Inherent Vice (2014) or One Battle After Another (2025).

Three Days of the Condor (1975)

One of the best spy thrillers of the era, Three Days of the Condor is an espionage movie that feels more in line with All the President's Men (1976) than Dr. No (1962). The film stars Robert Redford as Joe Turner, a mild-mannered CIA analyst who is drawn into a tense race for survival when his entire branch is wiped out and he finds out that assassins are looking to kill him to finish the job. Inspiring generations of spy films—including Captain America: The Winter Soldier (2014) and The Amateur (2025)—Three Days of the Condor is a paranoid thriller that spoke to the tense post-Watergate era of American politics. Tense without ever losing its sense of humanity, Three Days of the Condor is a great showcase of what a quiet spy film can be like once all the guns, disguises, and schemes are removed.

The Rocky Horror Picture Show (1975)

A movie truly unlike any other, The Rocky Horror Picture Show is the quintessential cult classic. A transgressive musical that pushes the boundaries of sexuality in an era where anything outside the cultural norm was treated with hostility, The Rocky Horror Picture Show’s catchy music, distinct visuals, and self-awarely bizarre tone baffled critics but struck a nerve with the movie-going public. In the years since, plenty of filmmakers have tried to match that unique energy and infuse it with their own touch. Without movies like The Rocky Horror Picture Show to test the limits of what a wide-release could get away with, shows like Hazbin Hotel (2024) and films like Hedwig and the Angry Itch (2001) that blend strong music, unique perspectives, and raw emotion might have never seen the light of day.

Night Moves (1975)

Night Moves might not be the most famous noir of the 1970s, but it remains one of the important of its era. Following a private investigator who stumbles into a mystery searching for the daughter of an actress in Los Angeles, Night Moves is a grim story that doesn't pull any punches in its depiction of the genre. A fitting peer for Chinatown (1974) and The French Connection (1971), Night Moves is one of the films that helped cement Gene Hackman as the king of the neo-noir and remains one of the best films to ever utilize the actor's talents. Night Moves is the kind of grim piece of Americana that would go on to be seen in modern films like Drive (2011) and The Place Beyond the Pines (2012), something that feels painfully modern and very much of its time, much like the best films of the era.

Barry Lyndon (1975)

One of Stanley Kubrick’s most ambitious films—which is saying something—Barry Lyndon is a slow, beautiful, and perfectly tragic period piece following the rise and fall of an ambitious gambler who seeks to join high society. Gorgeously filmed with naturalistic lighting and pristine costumes, Barry Lyndon tells a very personal story in a way that speaks of the greater times even as it remains firmly focused on the follies and failings of its lead character. A unique parallel to movies like There Will Be Blood (2007), Barry Lyndon is one of Kubrick’s biggest cinematic swings that may be obscure compared to his more well-known movies like The Shining (1980) or 2001: A Space Odyssey (1968), but it remains as gorgeously rendered as any other film in his filmography.

Grey Gardens (1975)

One of the best documentaries ever produced, Grey Gardens is fascinating, tragic, and magnetic in its depiction of a mother and daughter. The film focuses on Edith (Big Edie) and her daughter Edith (Little Edie), members of the upper-class who, by the 1970s were living in a derelict mansion in a strange state of denial and acceptance. Debuting at the New York Film Festival before hitting broader audiences in 1976, the documentary is a pitch-perfect exploration of their lives and a straightforward depiction of their unique perspectives that never feels pitiful, even though it never celebrates them either. Strangely mesmerizing, Grey Gardens has evolved into one of the most prolific documentaries ever made, and is a perfectly tragic film to sum up how 1970s American culture peeled back the layers of self-importance to reveal the vulnerable humanity underneath. Grey Gardens is the kind of documentary that rarely gets made but never gets forgotten.

It’s not how you start, but how you finish. That age-old adage can apply to many things, but never has it been truer than for TV shows. After spending years upon years growing to love a world and its cast of characters, an ending can either make or break a series. Just look at Game of Thrones (2011-2019). Anime is no different. Sometimes, an anime is the perfect coda to a series, and other times it's a completely unmitigated disaster. 

The tough thing about anime endings is that it isn’t a science; it's not quantifiable what makes an ending good or not. There are shows with anime original endings that are great, and others aren’t. Sometimes a show is faithful to the original manga or light novel, but that faithfulness may, in fact, be a weakness as the show cuts corners to reach that ending. With My Hero Academia set to conclude its eight-season run over on Crunchyroll and Hulu, let’s look at five anime with perfect endings and five with infuriating ones.

WORST: Akame ga Kill! (2014)

In the world of Akame ga Kill!, many people die. From the very beginning, the anime quickly establishes that the friendly cast of heroes you’re meant to bond over will most likely meet some gruesome and brutal end. No one is safe, and the ending of Akame ga Kill! only serves to reinforce that idea in the worst way possible.

To be clear, while the ending has its fans, like myself, there’s no denying that the changes it makes from the source material are polarizing. Many characters are unnecessarily killed for shock value, and while it does lead to some great twists that would feel right at home in Attack on Titan (2013-2023), very few of them manage to resonate emotionally. Because of this, the last few episodes of this 24-episode anime feel cheap and hollow, making Akame ga Kill! feel like a pale imitation of Attack on Titan with some cool character designs and fight scenes, but cheap kills that solely exist for shock value.

BEST: Oddtaxi (2021)

On the surface, Oddtaxi is a chill and cool series about a grumpy walrus driving a taxi. It feels smooth in the same way that Call of the Night (2022-2025) is, but dig a little deeper, and you’ll find a complex murder mystery that keeps you glued to your screen.

Few murder mysteries layer on as many complexities as Oddtaxi. And as the series builds more and more to its finale, you genuinely have no idea what’s going to happen. Will our hero get a happy ending? Will the villain be brought to justice? Hell, who even is the villain, and what’s going on with all of the weird references made throughout the show’s 13 episodes? Can we even trust the show’s protagonist? All of it comes together in a masterful finale that will satisfy anyone looking for a great modern-day mystery that isn’t afraid to break away from the anime industry's usual comfort zones.

WORST: Wonder Egg Priority (2021)

Ambition is a double-edged sword. An anime can have truly thought-provoking ideas, rich symbolism, and animation to light the world on fire. But if a studio doesn’t have the talent, budget, or resources to execute that vision, then you get disasters like Wonder Egg Priority.

The ending of the show was delayed by three months, and it was very clear that the production suffered because of that. It’s not as seismic a budgetary decline as One Punch Man (2015-present), but it’s pretty close, and that’s not even getting into how the finale almost seems to actively undermine everything the show had established up until that point. It’s only made even worse by how sensitive the show's themes are, making some of its revelations feel like they’re in poor taste. While the risks that Wonder Egg Priority takes in its earlier episodes are worth a look, after you reach episode 11, it’s better to just stop engaging with it and imagine what the ending is like for yourself. Probably would be better than what the ending actually is.

BEST: Paranoia Agent (2004)

If you want an anime to challenge you like never before, Paranoia Agent is ready to answer the call. While the series initially seems confusing, with episodes seemingly disconnected from each other, what makes the series shine is how its ending connects all of its disparate elements together. 

Each episode tends to focus on a new character and how they tie into the larger plot, but all the cast face similar problems: they’re this close to a nervous breakdown and need help. It all eventually builds into a finale that may seem confusing at first glance, with the show blending fact and fiction much in the same way that Serial Experiments Lain (1998) does, but its finale is a wonderful analysis of nostalgia and the lies we tell ourselves to absolve ourselves of our mistakes. Satoshi Kon is a master at psychological drama, and if you want an ending that blurs reality just like a David Lynch movie, Paranoia Agent is a true treat.

WORST: Neon Genesis Evangelion (1995-1996)

While the reputation of Neon Genesis Evangelion has grown more positive in recent years, old-school fans of the series will remember that the original ending of the series was an esoteric and budgetary nightmare that actively harmed the show’s enduring appeal.

To call the original ending of the series ‘rushed’ would be an understatement. The show’s creator, Hideaki Anno, went out of his way to create an ending that provided no resolution and actively refused to answer any lingering questions. The psychological autopsy of its protagonist was unique for its time, but the hackneyed and corny conclusion became the fodder of ridicule and memes for years. The only other show that had an ending as deflating as Neon Genesis Evangelion would be Lost (2004-2010). Fans hated it to the point where Gainax would eventually release a film, Neon Genesis Evangelion: The End of Evangelion (1997), to address the fan criticisms and provide a new ending, but whether or not it's better or worse is up in the air.

BEST: Puella Magi Madoka Magica (2011)

Dark deconstructions of well-known genres are relatively commonplace today, but Puella Magi Madoka Magica was one of the most popular and critically acclaimed for its time. Even today, if you want a more horrific and tragic take on Sailor Moon (1992-1997), you can’t do much better than Madoka Magica. 

The series slowly peels back layer after layer of trauma for its small group of magical girls and their fights against the witches who attack them. It’s a grueling journey, and by the time the final episode begins, whether or not the girls will get a happy ending is almost impossible to predict. While the ending to the series isn’t exactly a happy one, it’s one that’s very thematically poignant and will probably lead to a few tears being shed. Madoka Magica’s finale sticks with you long after the show’s over, easily earning the show its place as one of the darkest and best anime of the 2010s. 

WORST: Platinum End (2021-2022)

Platinum End is a series that sounds good on paper. From the creative team behind Death Note (2006-2007), Platinum End aimed to provide thought-provoking commentary on suicide, the nature of religion, and what a person would do if they were given unlimited power. And for a time, it does… and then the ending just completely ruins it. 

After 24 episodes of philosophical discussions mixed in with the occasional action beat, Platinum End decides to wrap up its run by quite literally throwing in the towel. It is the living embodiment of the trope “rocks fall, everyone dies.” While the show failed to live up to Death Note’s success, those moments were completely undermined by how meaningless the ending made each of those successes. Nothing mattered, and the resolution just feels mean-spirited, like you’re a fool for getting invested in the show’s theistic take on the battle royale genre. The sad part is that this wasn’t an anime original ending. This is exactly how Tsugumi Ohba and Takeshi Obata wanted the series to end. Well, they got their wish, and it’s now one of the most infamous anime endings of all time.

BEST: Monster (2004-2005)

Naoki Urasawa is one of the best mangaka living today, yet most of his manga rarely get made into anime. However, one of his most compelling manga was Monster, which thankfully was adapted into an anime and has one of the most satisfying endings of any anime.

Monster is a cat-and-mouse thriller between a sociopathic serial killer, Johna Liebert, and the doctor who saved his life when he was a child. For a staggering 74 episodes, we follow our two leads as they chase one another around the world, yet the ending poetically circles back to the same conflict Dr. Tenma faced all those years ago. We see the cast of characters move on with their lives, and each of them gets a fitting conclusion. Much like other long-running thrillers like Breaking Bad (2008-2013), the ending feels definitive, with only a few loose threads that are intentionally left for viewers to think over. With themes of forgiveness, justice, and morality on full display, Monster’s ending is a worthwhile and satisfying ending for such a long journey.

WORST: The Promised Neverland (2019-2021)

The first season of The Promised Neverland was a fantastic psychological thriller that laid out the groundwork for a second season which was brimming with potential. What we got was one of the most truncated, poorly thought-out, and soulless endings in the medium’s history.

There are no words to describe how bad the ending of The Promised Neverland is. While there are many, MANY, crimes that the show’s second season committed, the most glaring one was how it overly simplified the conflict to a laughable degree. Much like how Game of Thrones completely ignored years of character development for its ending, all of the character development and worldbuilding were thrown out the window in favor of a hackneyed slideshow telling the viewer events that they would never see animated. For fans of the first season, it was deeply disappointing. For fans of the manga, it was downright offensive. If you’re going to watch The Promised Neverland in any capacity, it should be as a cautionary tale for how not to write an ending.

BEST: Mob Psycho 100 (2016-2022)

Unlike The Promised Neverland and its botched finale, the ending of Mob Psycho 100 perfectly encapsulates the journey that its protagonist, Shigeo “Mob” Kageyama, had been undergoing for three seasons. 

To see Mob’s development over three seasons is a thing of beauty. While he began as a nervous and reclusive adolescent, he ends with a thriving support network of friends, mentors, and people who like him for who he is. You feel joy that Mob found the support and love that he deserves, and much like the ending the Elric Brothers received in Fullmetal Alchemist: Brotherhood (2010-2011), it’s an ending that makes you smile. Mob was always afraid of what he was capable of, but in the show’s finale, he finally accepts himself. It’s a happy ending for everyone involved. Sometimes, that’s all you need. Just let the cast live happily ever after. 

This article has been updated by Atreyi Jayadutt.

Over two decades ago, Harry Potter and the Sorcerer’s Stone brought J. K. Rowling’s Wizarding World to life on the big screen. While viewers will soon have a new take on Harry Potter with the HBO reboot series, it will be difficult not to miss the iconic original cast.

For viewers feeling nostalgic for the original Harry Potter cast, first head over to watch HBO Max’s Harry Potter 20th Anniversary: Return to Hogwarts, a 2022 television special where all of the cast and crew (yes, including our three main leads!) reunited to celebrate the 20th anniversary of Sorcerer’s Stone. 

Next, our guide will explain where the cast is today, and where you can watch their shows and movies on platforms like Disney+, Netflix, Apple TV+, and more!

Daniel Radcliffe (Harry Potter)

Daniel Radcliffe was just 12 years old when he was cast in the titular role of the boy wizard in Harry Potter and the Sorcerer’s Stone. He embodied Harry Potter entirely and was a large part of why the series succeeded. After starring in all eight Harry Potter movies, Radcliffe’s career has predominantly centered on stage and indie films. His first project post the Potter movies was the horror film, The Woman in Black (2012). He has starred in several Broadway and off-Broadway shows, including Merrily We Roll Along, winning a Tony Award for his performance. Radcliffe also found success playing the leading antagonist (spoiler!) in Now You See Me 2 (2016); in A24’s surrealist comedy, Swiss Army Man (2016), portraying a corpse with flatulence; and starring as an undercover agent in the critically acclaimed Imperium (2016). For his upcoming projects, the film version of Merrily We Roll Along is set to release in December 2025. Radcliffe will also be seen in Tina Fey’s TV series The Fall and Rise of Reggie Dinkins in 2026.

Emma Watson (Hermione Granger)

Emma Watson was another perfect casting choice in Harry Potter and the Sorcerer’s Stone, as she beautifully portrayed the brilliant, perfectionist Hermione Granger. She also brought a few other beloved books to life, as she starred as Sam in the YA novel adaptation The Perks of Being a Wallflower (2012), alongside Logan Lerman. Watson also became a Disney princess in 2017 when she portrayed Belle in the live-action Beauty and the Beast. She’d later star in Greta Gerwig’s critically-acclaimed adaptation of Louisa May Alcott’s classic Little Women as the eldest daughter, Meg. Watson has been on an acting hiatus since 2019, but appeared in her first ever podcast interview on Jay Shetty’s On Purpose podcast in September 2025.

Rupert Grint (Ron Weasley)

Rupert Grint rounded out the iconic lead trio in Harry Potter and the Sorcerer’s Stone as the comedic and impulsive Ron Weasley. Since the Harry Potter films, Grint has appeared sporadically in movies, including starring in M. Night Shyamalan’s Knock at the Cabin (2023) as Redmond. However, in recent years, his career has leaned more toward the small screen. He boasted a lead role in Netflix’s Sick Note (2017), portraying a man feigning cancer. Most recently, Grint starred in the lead role of Julian Pearce in Apple TV+’s Shyamalan-produced Servant (2019). In August 2025, Grint featured in Ed Sheeran’s music video for ‘A Little More.’

Tom Felton (Draco Malfoy)

Tom Felton starred in Harry Potter and the Sorcerer’s Stone as Harry Potter’s arrogant rival, Draco Malfoy. Over the years, Felton has remained close to the franchise, covering his experience as Draco in a memoir, Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard, and appearing in Harry Potter: Hogwarts Tournament of Houses in 2021. He has also starred in several TV and movie projects since Harry Potter, including starring as Dodge Landon in Rise of the Planet of the Apes (2011) and as the villain Julian Albert in The Flash (2014). In 2025, he’ll be seen in Fackham Hall, and Gandhi, an upcoming Indian historical drama. Much to the surprise (and joy!) of fans of the Wizarding World, Felton stepped right back into Draco Malfoy’s shoes and is currently playing the adult Draco in the Broadway production of Harry Potter and the Cursed Child.

Robbie Coltrane (Rubeus Hagrid)

Robbie Coltrane took on the role of the big and kind-hearted Rubeus Hagrid in Harry Potter and the Sorcerer’s Stone. While Hagrid was arguably his most recognizable role, Coltrane had a long and illustrious career in Hollywood. After starring in all eight Harry Potter movies, he landed a leading role in National Treasure (2016), where his portrayal of a controversial comedian earned him a BAFTA TV Award nomination. He also boasted appearances in projects like Brave (2012) and Ocean’s Twelve (2004). Sadly, Coltrane passed away in 2022.

Richard Harris (Albus Dumbledore)

Richard Harris starred as Albus Dumbledore in Harry Potter and the Sorcerer’s Stone and its sequel, Harry Potter and the Chamber of Secrets (2002). Sadly, he passed away in 2002 and was succeeded as Dumbledore by Michael Gambon. Harris was a legend on screen and stage, earning critical acclaim for his stage role in Pirandello's Henry IV (1991) and portrayal of King Arthur in Camelot (1967). He would boast numerous high-profile film credits, appearing in everything from Gladiator (2000) to The Field (1990) and gracing each with his commanding presence and versatile acting skills.

Alan Rickman (Severus Snape)

With his imposing figure and deep voice, Alan Rickman was the perfect actor to portray the brooding and cold Severus Snape. Like Harris, Rickman was a British icon who left behind an incredible stage and film legacy when he passed away in 2016. Some of his most well-known post-Harry Potter roles include reuniting with Grint in the biographical drama CBGB (2013) and directing and starring in A Little Chaos (2015) as King Louis XIV. One of his final roles was as the voice of Absolem in Alice Through the Looking Glass (2016), a posthumous release dedicated to him.

Maggie Smith (Minerva McGonagall)

Maggie Smith rounded out the lead Hogwarts staff as the formidable and stern Professor Minerva McGonagall in Harry Potter and the Sorcerer’s Stone. Smith was already an established actress when she landed the role of McGonagall, and her career continued gaining traction after the film series. Her most famous post-Harry Potter role was as the Dowager Countess of Grantham Violet Crawley in the hit historical drama Downton Abbey (2010). She also earned critical acclaim for her performance as Miss Mary Shepherd in the dramedy The Lady in the Van (2015). Smith passed away on September 27, 2024, but remains remembered in the UK as a national treasure.

Ian Hart (Professor Quirrel)

Ian Hart starred in Harry Potter and the Sorcerer’s Stone as the main antagonist, Professor Quirrel. Unlike most cast members, he did not return for further Harry Potter movies. Following the film, Hart has boasted numerous appearances across the big and small screen. Some of his most notable roles include therapist Kester Gill in the teen drama series My Mad Fat Diary (2013) and Father Beocca in The Last Kingdom (2015). Most recently, he appeared in a recurring role in series 9 of the crime drama Shetland (2013).

Anne Hathaway is one of the most celebrated actresses of the era. She’s earned two Oscar nominations and three Golden Globe nominations, winning one of each thanks to her role in the 2012 adaptation of Les Misérables. On top of that, she’s starred in numerous other lauded films and blockbuster hits.

Hathaway began her Hollywood career in 2000 on the short-lived teen drama Get Real (starring alongside a young Jesse Eisenberg), but she really shot to fame thanks to the 2001 Disney comedy The Princess Diaries. Since then, she’s been an unstoppable force in the entertainment industry, with tons of huge projects on the horizon, including a sequel to The Devil Wears Prada! Before then, here’s the 10 best Anne Hathaway movies you should check out and where to find them on Disney+, HBO Max, and more. 

The Princess Diaries (2001)

Based on the YA novel of the same name and directed by the legendary Garry Marshall, The Princess Diaries follows Mia, a young nerdy girl who discovers she’s actually the princess of a small European nation called Genovia. The movie is filled with great humor, a coming-of-age story, and is all about proving the bullies wrong. (Also, in this movie, the bully is played by Mandy Moore!) 

If you want a movie loaded with heart, humor, and a good dose of that aughties Disney magic (think movies like A Cinderella Story [2004] and Monte Carlo [2011]), then The Princess Diaries is the film for you. Plus, it’s tons of fun to watch Hathaway go from drab to fab.

Brokeback Mountain (2005)

Brokeback Mountain was a landmark film that remains memorable after all these years. It was the first major movie to be released in theaters featuring two gay main characters. In the film, Hathaway plays Lureen, the wife of Jack Twist (Jake Gyllenhaal), who she quietly realizes is secretly in love with his “fishing buddy” Ennis (Heath Ledger).

Not only was the movie a heartbreaking and gripping story of what life was like for rural gay men in the '60s and ‘70s, but it also gave Hathaway a chance to take on a more dramatic role that really separated her from her Disney image. In total, Brokeback Mountain earned eight Oscar nominations, and Ang Lee even won for Best Director. If you love gripping queer dramas like Boy Erased (2019) or Queer (2024), this film should be on your radar. 

The Devil Wears Prada (2006)

Adapted from the novel of the same name by Lauren Weisberger, and allegedly based on Vogue’s Anna Wintour, The Devil Wears Prada sees a young woman (Hathaway) get a job at the elite fashion magazine Runway. Her boss is the domineering, soulless Miranda Priestly (Meryl Streep), who is both fascinating and horrifying. 

The movie strikes this perfect balance between drama and comedy, and it truly builds a story that feels deep and authentic (likely because it’s inspired by Weisberger’s actual career at Vogue). It’s one of those rare Oscar-worthy films that’s also mainstream and upbeat enough for even casual audiences to seriously love. If you enjoy powerful novel adaptations like Crazy Rich Asians (2018), or movies that dive into the fashion world, like House of Gucci (2021), be sure to check out The Devil Wears Prada.

Get Smart (2008)

Based on the 1965 TV series of the same name, Get Smart is a spoof of James Bond and the spy genre as a whole. It combines witty parodies with slapstick Mr. Magoo-type humor to create a seriously funny film. Steve Carell stars as Maxwell Smart, and Hathaway plays his partner, the straight-laced Agent 99. Hathaway does a great job at playing the “straight man” to Carell’s bumbling fool, creating lots of big laughs for the movie. 

If you love great parodies like Airplane! (1980) and The Naked Gun (2025) or were a fan of the original TV series, then Get Smart will be a lot of fun. 

Rachel Getting Married (2008)

Hathaway earned her first Oscar nomination in 2008 for Rachel Getting Married. In the film, Hathaway plays a struggling addict named Kym who leaves rehab to attend her sister’s wedding. But as the movie goes on, it becomes clear that Kym has been nothing but destructive and has created a deep rift between her and her family.

Hathaway is stunning in the film, portraying a self-destructive addict with sincerity and heart, elevating the performance beyond just melodrama. If you want a moving and realistic story about addiction, similar to Ben is Back (2018) or Beautiful Boy (2018), this is a must-watch.  

Alice in Wonderland (2010)

In 2010, Tim Burton released his remake of Alice in Wonderland. Stacked with an all-star cast, including Johnny Depp as the Mad Hatter and Helena Bonham Carter as the Red Queen, the movie grossed over $1 billion at the box office. Hathaway starred as the White Queen, who is actually a character from Through the Looking-Glass and wasn’t featured in Disney’s original 1951 film.

Hathaway is phenomenal at portraying the character, who looks graceful… but has a disturbing dark side that can come out at a whim. The White Queen also serves as a fantastic contrast to Carter’s Red Queen, leading to some spectacular scenes between the two. If you love modern reboots, like Burton’s other blockbuster, Charlie and the Chocolate Factory (2005), or 2013’s Oz, the Great and Powerful, this is the film for you.

The Dark Knight Rises (2012)

The Dark Knight Rises was the third and final film in the Dark Knight trilogy. In the movie, Hathaway takes on the iconic role of Catwoman, who is originally a thief before joining Batman to fight Bane and his criminal organization. Hathaway does a fantastic job of portraying the iconic anti-hero, and offers the Dark Knight franchise a bit of a Robin-sidekick vibe, which it was lacking previously.

If you loved the other Dark Knight movies, or gritty takes on the superhero genre, like Joker (2019), then you absolutely should watch The Dark Knight Rises. 

Les Misérables (2012)

Les Misérables is all about the French Revolution and the lives that were ruined in the quest for freedom. It’s also the film that earned Hathaway her Oscar and Golden Globe, and for good reason. Starring as Fantine, Hathaway has one of the most emotionally-charged roles in the movie, portraying a young mother forced to turn to prostitution to feed her child. She also gets one of the musical’s best songs, “I Dreamed a Dream.”

But be warned, Les Mis is tragic. Like… really, really tragic. It has great music, but it’s the kind of movie that absolutely becomes gut-wrenchingly sad. If you want a powerhouse movie that will make you cry, this is it. Think like Barbara Hershey’s death in Beaches (1988) level of sad… for three hours. 

Interstellar (2014)

In the super trippy, but surprisingly scientifically-backed film Interstellar, Hathaway plays Amelia Brand, an astronaut who takes part in a risky mission through a wormhole. Earth is dying due to climate change and blight, so humanity sets out to find other potentially habitable worlds. Despite being a supporting character to Matthew McConaughey, Hathaway brings her A-game and is joined by a large ensemble cast, including Jessica Chastain, Topher Grace, Michael Caine, and Matt Damon, among others.

The film blends a great story with lots of action, and a surprising amount of emotion (seriously, for a sci-fi movie, this one’s gonna give you all the feels, so be prepared.) It’s kinda like if someone mixed Inception (2010) with Gravity (2013).

The Idea of You (2024)

In The Idea of You, Hathaway plays a 40-year-old mom who ends up falling in love with a 24-year-old pop star (played by the always-hunky Nicholas Galitzine). The movie is fun, flirty, and offers a unique twist to the rom-com genre. We so often see older men with younger women as “normal,” but an older woman being with a younger man is still, for some reason, considered taboo.

The Idea of You plays with those notions and creates a fun and interesting rom-com perfect for anyone who enjoys a fun love story similar to A Family Affair (2024) or Anyone But You (2023). Hathaway also does an especially good job in the movie, making her character feel real and somewhat conflicted, but ultimately ready for adventure. 

Forty years later, the unmistakable charm of The Goonies comes from its cast. While the plot is intriguing and so classically '80s, parts of the screenplay are problematic for today's standards, and bits of the pacing don't hold up in the same way they used to when we were kids. Still, it's a must-watch film for the whole family, and it's an unmistakable classic for its precious depiction of friendship and the good guys winning in the end after a hard-fought action adventure.

Some members of The Goonies cast, like John Matuszak, who played Sloth, and Anne Ramsey, who played Mama Fratelli, tragically passed away a few years after the film's release. Others, like Jeff Cohen, who played Chunk, completely left acting to pursue a career in law. But most cast members of The Goonies went on to embody other distinguished roles, and here are the most famous ones to watch them in.

Sean Astin - Lord of the Rings: The Fellowship of the Ring (2001)

The Goonies may be where many people discovered Sean Astin's inimitable acting abilities, and he's got a wide filmography, including guest appearances on shows inspired by The Goonies like Stranger Things (2016), but he'll always be Samwise Gamgee from The Lord of the Rings trilogy, starting with The Lord of the Rings: The Fellowship of the Ring. On paper, Sam could've been an ordinary sidekick and loyal friend to Frodo, but it's everything that Astin brings to the role that makes him such an unforgettable character.

Astin's unique ability to play softness and vulnerability is no small feat, and it's exactly what makes every role he's in so delightful. His characters become the very definition of "Protect Them At All Costs," and Sam is that character. In other words, the franchise wouldn't be the same without his wholesome presence. It's often clear how much Astin adores this job, and his position as the new president of SAG-AFTRA proves this, too. 

Josh Brolin - Avengers: Infinity War (2018)

Sean Astin's on-screen brother, Josh Brolin, has also gone on to make quite a name for himself. Up until a few years ago, we could've deemed his role as Llewelyn Moss in No Country for Old Men (2001) as his most famous. But after he stepped into the shoes of the Mad Titan in the Marvel Cinematic Universe, it's safe to say that Thanos is his most recognizable role outside of The Goonies. 

There have been quite a few memorable villains in the MCU, but Brolin had big, comic book-sized shoes to fill when Thanos started collecting Infinity Stones in Avengers: Infinity War. Brolin nails every beat of the villainy perfectly, making it effortless to hate his guts. Interestingly, what he does best is touching on Thanos' complexities and weaknesses, too, which make him such a memorable villain. He might be coated in purple, but we all know who's behind the face because of everything Brolin delivers. If you like superheroes, you can't do much better than Infinity War. 

Corey Feldman - The Lost Boys (1987)

For countless people, Corey Feldman will always be Mouth from The Goonies. Sassy, spunky, and memorable. But some might even recognize him from Stand by Me (1986) or The Lost Boys (1987), which are both the type of films that fans of The Goonies could undoubtedly appreciate. Feldman is also a musician today, but it's often his range that ensures each of his characters will stand out and make him a memorable actor. 

Feldman's ability to balance as much as he did from a young age and ensure that his characters could have distinguishable traits outside of physical attributes is no small feat. It's why Feldman's vampire-hunting Edgar is so beloved. The Lost Boys might be more horror than The Goonies, but it manages to capture a similar spirit of adventure, even though it's steeped in darkness. 

Ke Huy Quan - Everything Everywhere All At Once (2022)

Ke Huy Quan has one of the most incredible careers, from a child actor to an Academy Award winner, and it makes me a little weepy every time I think about it because it's so apparent how much he adores it from his interviews. From a young kid with incredibly memorable acting chops to voice acting in movies like Zootopia 2 (2025), Quan's done it all. But it's his role in Everything Everywhere All At Once, which is currently his most famous. 

Quan was an excellent scene partner to Michelle Yeoh, delivering the type of performance many of us will never forget. The movie's Oscars success proved that, perhaps, the industry is ready for something outside of the typical war film or melodrama. Quan's performance is tender, heartfelt, and memorable in every way, allowing viewers to see just how much he's capable of. It's perfect if you want something deeply moving with a unique premise.

Joe Pantoliano - The Sopranos (1999-2007)

Joe Pantoliano has had the type of career that would allow him to be recognized for a number of different roles, like Memento (2000) or The Matrix (1999). But for many, he'll likely be best known for his portrayal of Ralph Cifaretto in The Sopranos. Pantoliano may not have been a part of the revered series until Season 3, but his character quickly became a fan favorite and one who's still praised.

Pantoliano's range as an actor and his ability to ensure that whatever role we're watching him in, we're seeing the character he's currently playing is a tremendous achievement. How he delivers depth and nuance to characters is also a large part of his excellency as an actor. The Sopranos is a must-watch series for anyone who loves Peaky Blinders (2013) or mafia narratives in general. It's surely the TV blueprint at this point, and each cast member contributes to its legacy. 

Martha Plimpton - Raising Hope (2010-2014)

As one of her first roles, The Goonies is undoubtedly a popular one for Martha Plimpton, and while her character didn't have as much screentime as some of the boys, Plimpton is one of the actresses who's gone on to do so much that there's a plethora under her belt. Yet, for many people, her most famous role might be Raising Hope.

Raising Hope is a well-loved and underrated comedy for most people who watched all four seasons, and Plimpton's performance in it is incredible. Her ability to tackle a myriad of emotions is one of the very reasons she's been in such a number of things, and the series challenged her with the type of great writing and riveting premise that required layered performance. Raising Hope can be a delightful new show to watch for fans of The Goldbergs (2013). 

Robert Davi - License to Kill (1989)

Some actors are too good at playing villains, and once they're cast as a Bond villain, it's game over after that. Robert Davi has gone on to create an outstanding filmography full of incredibly memorable roles after The Goonies, but his most famous will likely always be Franz Sanchez alongside Timothy Dalton's James Bond in License to Kill.

Davi's performance throughout the movie was not only excellent, but also full of the type of range and unique input that makes him one of the best Bond villains to date. As one of the villains whose layers are genuinely one of the most captivating details about him, a large part of his popularity is entirely because of what Davi brings to embodying him with nuance. If you only watch a few Bond movies out of the many, License to Kill is worthy of being one of them. 

As a kid, I remember going to the video store and seeing Jack Frost (1997). The cover was one of those old holographic images where, if you leaned one way, the image appeared as a typical Frosty the Snowman. But if you leaned the other way, you saw a Frosty with sharp fangs and evil eyes. When you turned it over, there were images of a deadly Frosty I certainly hadn’t seen before, including one of him in the shower with a naked Shannon Elizabeth. 

Obviously, my dad told me that it would not be the Jack Frost movie we were renting. Instead, we got Jack Frost (1998), the melodramatic family film about an absent father (Michael Keaton) who dies in a tragic car accident, but comes back as Frosty the Snowman to finally learn to be the father he never was… before he melts and dies again. 

But why was there such confusion about which Jack Frost we’d be renting? Read on to discover everything you need to know about one of the greatest movie mix-ups ever, which even continues happening to this very day. Plus, find out which Jack Frost movie is right for you and where both movies are streaming right now. 

The 'Jack Frost' Movie Mix-Up That Plagued The '90s And Beyond

To further examine this little issue of holiday hijinks, let’s dive into the root of the problem. Both movies came out with the same title, just one year apart, and both center around Frosty the Snowman instead of Jack Frost, despite what their titles say. Even more alarming, both have VHS and DVD covers that prominently showcase Frosty, and the Frosty on the cover of Keaton’s family-friendly film actually looks pretty darn sinister, so good luck deciding which one is the evil, murderous Frosty, and which is just the deadbeat dad trying to win back his family. 

Both were also panned by critics and found their true success in the video store instead of in theaters. The horror version wasn’t even released in theaters, while the Keaton film bombed hard, earning only $34 million globally.

So, both movies had the same title, similar covers, similar negative reviews, and arrived in video stores around the same time. Is it any wonder that so many parents and kids accidentally found themselves watching the wrong Jack Frost movie? Heck, I even almost rented the wrong one! Though in my case, I was actually enticed by the scary Jack Frost, but my dad, with his morals and his worries of my well-being, squashed my young dreams of watching a maniacally murderous Frosty. 

And I’m not the only one who had one of these little whoopsie incidents. There are tons of stories online from people who made the same mistake. Tiffany Taylor, over at Horror Press, was one of those young viewers who, unfortunately, learned she watched the wrong Jack Frost. In the article about her experience, she writes, “Then murder happened, and I realized my mistake far too late.” But now she writes for a horror site, so perhaps it was fate? 

Some people have even come forward and admitted they helped fuel the chaos by purposefully switching the VHS tapes between the two movies during their time working at video stores. A 2024 Facebook post from ScreenGeek Horror reads, “Really miss switching these two tapes at the video store,” with an image of the two Jack Frost movies below it. Even more alarming, the post has been liked over 5.5k times, making me wonder what other nefarious tricks video store employees played on customers throughout the decades. 

But maybe you’re asking yourself, what’s the big deal? What’s so adults-only about a horror movie starring a snowman? How bad can it be? Well…

The 'Jack Frost' Horror Movie Is Anything But Family Friendly

Trigger Warning: The following section discusses sexual assault. Please read with caution.

The Jack Frost horror movie is a wild piece of cinema history. The low-budget horror comedy features a serial killer who suffers a disastrous accident that melts his body into the snowy ground, and then regenerates him as a giant snowman. Remember, this is a low-budget movie from the ‘90s, so the Frosty costume is an absolute joke. Like one of those plushy mascots that swing around discount signs in front of strip malls, Frosty looks harmless, somewhat pathetic, and even pretty funny. But, despite the hoaky killer, the blood and guts are definitely present and plentiful. From strangulation to decapitation, axes shoved down throats, and more, the movie is a full-blown bloodbath. But the most infamous moment in the film is Shannon Elizabeth’s death scene. 

Jack Frost was Elizabeth’s first major role before she earned massive stardom in American Pie a few years later in 1999. In Jack Frost, she plays a teenager who decides to take a bath while waiting for her boyfriend to come in and do horny teenager things with her. Little does she know that he’s been killed, and instead, she’s joined by the murderous snowman. Because Frosty is made of snow, she awkwardly freezes into him halfway, and then he bangs her to death against a wall. And I guess I say that using both of “bangs” meanings?

The film implies that Frosty sexually assaults Elizabeth to death, but because she’s being killed by someone in a giant plushy Frosty costume, it thankfully doesn’t really look like that on-screen. Instead, it looks like they’re flailing around together, bumping into walls, until she dies. 

While the filmmakers were unable to capture something that looked like sexual assault on-camera, the intention is still there, which makes the scene awful, especially when viewed through a modern, post-MeToo lens. It’s a shame, too, because if that scene weren’t in the movie, Jack Frost would be a pretty fun, cheesy, lighthearted horror comedy. But now the entire film feels tainted by the fact that its filmmakers, for some reason, wanted to watch a young woman get assaulted to death.

Which 'Jack Frost' Movie Is Right For You?

Since both movies are very different, they also have two distinct audiences. The family-friendly Jack Frost movie is great for anyone with kids who’s looking for a holiday film they probably haven’t seen yet. But be warned, Jack Frost didn’t get very good reviews upon its release, and it bombed pretty hard at the box office, largely because it’s not that good of a movie. 

It’s really heavy-handed with its bittersweet story, creating a melodramatic film that’s essentially a family-friendly version of a tearjerker. It’s got all the absent father vibes of Jingle All the Way (1996), but without any of the humor. It feels more like an attempt at being evocative and emotional. Still, if you love sad family movies like My Girl (1991) or All Dogs Go to Heaven (1989), this might be for you. 

On the other hand, the horror film Jack Frost is perfect for anyone who loves a good campy, cheap horror comedy. Think of movies like Thankskilling (2008) or The Gingerdead Man (2005). Jack Frost is one of those films that’s a lot of fun in that silly, stupid way. There’s a reason why people are still talking about it almost 30 years later. It set out to be a hilariously bad horror comedy, and that’s exactly what it is. 

Honestly, if it weren’t for the horrible legacy the Shannon Elizabeth death scene has created, the movie could almost be looked at as a lighthearted nod to holiday horror movies. There’s also a sequel, Jack Frost 2: Revenge of the Mutant Killer Snowman (2000), which, thankfully, doesn’t feature any sexual assault. So, for any horror fans out there who want to check out this wild entry to the horror genre but don’t want to support a film featuring sexual violence, the sequel could be a good alternative. 

Studios routinely release family-oriented films that stretch the definition of parental guidance to the limit. These movies weren't meant to traumatize children. Filmmakers were simply telling ambitious stories with big emotions, big creatures, big scares, and sometimes surprisingly mature themes. But many of those titles have developed reputations for being far scarier than parents might expect.

That's why this list exists. These movies look family-friendly on the surface, but can genuinely rattle kids who aren't prepared for nightmare-fuel visuals or dark emotional story twists. From murderous toys to scary stop-motion characters, these films, which can be found on Hulu, Netflix, and more, should be revisited with caution if you are planning a movie night with the kids.

Poltergeist (1982)

Poltergeist begins when a suburban family starts experiencing strange phenomena after spirits invade their home. When their five-year-old daughter is pulled into a supernatural realm, her parents enlist the help of paranormal experts to rescue her. What follows is a chaotic descent into otherworldly terror lurking beneath the American dream. This film may be PG, but it is essentially a full-blown horror movie.

The eerie television static, moving furniture, and a kid eating a tree are just some of the sequences that many adults still rank among the most disturbing in '80s cinema. And unlike modern kids' spooky movies that balance scares with comedy, Poltergeist goes straight for the jugular, making its PG rating misleading. While it's great for adults who enjoyed 2010's Insidious, it's definitely not for kids.

Gremlins (1984)

Gremlins begins when a young man receives a Mogwai named Gizmo as an early Christmas gift, along with three strict rules for caring for the cute little creature. When those rules are broken, the Mogwai spawns mischievous and violent gremlins that unleash a unique brand of chaos on the small town on Christmas Eve. The film's tone swings sharply from whimsical to violent.

Gremlins features surprisingly gory creature attacks, unsettling puppet effects, and a pitch-black sense of humor that leans more toward horror comedy than family viewing. Scenes like the gremlin explosion in the microwave are far too intense for many children. But it's ideal for adults and older teens who enjoy retro horror comedies like 1986's Critters.

Ghostbusters (1984)

Ghostbusters follows Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd), Egon Spengler (Harold Ramis), and Winston Zeddemore (Ernie Hudson), a team of quirky scientists who start a ghost-extermination business in New York City. When paranormal activity reaches an all-time high, their investigation leads them to an ancient entity that wants to destroy the world.

Despite its comedic reputation, Ghostbusters contains several sequences that are legitimately frightening for younger viewers. The film also leans heavily on adult humor and innuendo that skews older than its PG rating. Younger kids who love the recent reboots may find the original too heavy. It's hilarious and inventive, but it should only be viewed by adults and teens who enjoyed 1997's Men in Black.

The NeverEnding Story (1984)

The NeverEnding Story follows a shy boy named Bastian (Barret Oliver) who escapes bullies by hiding in a bookstore, where he discovers a magical novel about the world of Fantasia. As he reads, the story's hero fights to stop a destructive force known as The Nothing. Soon, Bastian realizes he plays a much bigger role in Fantasia's fate than he ever imagined.

What makes The NeverEnding Story risky for younger children is the story's emotional darkness. The film tackles grief, fear, self-doubt, and loss in ways that feel unusually deep for a PG fantasy, with certain scenes (especially the horse in the swamp) remaining emotionally devastating for many adults who saw it as kids. Still, it's a great choice for older viewers who enjoyed Labyrinth, which hit screens in 1986.

Beetlejuice (1988)

Beetlejuice begins after a young couple dies unexpectedly and finds themselves haunting their own home as ghosts. When their attempts to scare away the new human residents fail, they summon a rogue bio-exorcist named Beetlejuice (Michael Keaton) to help them. However, his chaotic interference quickly causes things to spiral out of control.

Beetlejuice is a comedy, but it features decaying corpses, grotesque transformations, and a gleefully unhinged title character who uses humor that often leans suggestive or mean-spirited. The afterlife is portrayed through bizarre bureaucracies and nightmarish set pieces that can overwhelm younger viewers. But it remains a great choice for fans of movies like The Addams Family (1991).

Coraline (2009)

Coraline follows the titular Coraline Jones (Dakota Fanning), who discovers a hidden door in her new home that leads to an alternate world mirroring her own. It seems perfect at first, but over time, her Other Mother (Teri Hatcher) slowly reveals sinister intentions. Coraline is eventually forced to save herself and her family before the duplicate world traps her forever.

Coraline is widely considered one of the scariest PG movies ever made. The stop-motion animation amplifies every unsettling detail, from the button-eyed doppelgangers to the lonely hallways. Beneath its fantasy trappings, the story explores themes of neglect and manipulation, which younger viewers may struggle to process. The film is ideal for older viewers who enjoyed Corpse Bride (2005).

Christmas TV episodes are nothing new, and for many, they become part of an annual rewatch tradition. Frequently festive, wholly cheery, and often themed around friendship and family, the best holiday episodes elicit warmth. However, sometimes, Christmas episodes go dark, putting a twisted spin on the most wonderful time of the year.

These episodes embrace dark humor, satire, and subvert all the cliché holiday tropes you come to expect during the season. So, if you're looking for something a little weird and maybe even a little bleak, here are the darkest Christmas TV episodes you won't believe made it to air. Watch them now on streamers like Hulu, Netflix, and more.

'How the Ghosts Stole Christmas' - The X-Files (1993-2018)

The X-Files actually has two Christmas episodes (and one involving a Christmas-themed ranch), but the more fun one is most definitely Season 6, Episode 6, "How the Ghosts Stole Christmas." Here, Mulder (David Duchovny) convinces Scully (Gillian Anderson) to spend Christmas Eve ghost hunting in an abandoned mansion that once belonged to two lovers who enacted a murder-suicide pact on the holiday and now desire other people to succumb to the same fate. Brutal, right?

While the episode is darkly funny and even a little creepy, the subject matter itself is pretty twisted. Not to mention, the episode seeks to spotlight Scully and Mulder's more "toxic" traits and (spoiler!) culminates in them shooting each other… kind of. As Monster of the Week episodes go, it's a highlight, especially for anyone who loves shows that masterfully blend sci-fi and horror, like The Twilight Zone (1959).   

'Pretty, Pretty Dresses' - King of the Hill (1997-Present)

King of the Hill might be back in the pop culture mainstream thanks to its revival seasons. However, one of its darkest Christmas episodes dates back to 1998. Season 3, Episode 9, "Pretty, Pretty Dresses," chronicles Bill's depressive spiral spurred by the holiday. What starts with him crying about Lenora ultimately leads to multiple failed suicide attempts and a psychotic break.

While the subject matter is undoubtedly triggering, beneath the darkness is a powerful story of friendship. Hank's dedication to Bill lets us see his rarely glimpsed compassionate side, and the heartfelt ending makes all the heavy subject matter well worth it. Truthfully, this one is probably best for King of the Hill fans to revisit. But those interested in starting the Mike Judge series could really throw themselves in by starting here—just make sure to go back to Season 1 and 2 after.

'Woodland Critter Christmas' - South Park (1997-Present)

Really, the fact that any South Park episode makes it to the air is remarkable. Matt Stone and Trey Parker's series is known for pushing censorship boundaries, and Season 8, Episode 14, "Woodland Critters," is no exception. It starts simply enough, with Stan discovering an innocent-looking group of talking animals that becomes perverted by an anti-Christ storyline complete with blood orgies and cannibalism.

Bizarre? Most certainly. However, in true South Park style, "Woodland Critter Christmas" actually works as an apt satire of the "typical" cheery Christmas special. It's demented. It's weird, yet it's also oddly satisfying if the standard holiday tropes frequently have you rolling your eyes. Of all the entries on this list, it's probably the most shocking, but that's to be expected with anything South Park.

'A Very Sunny Christmas' - It's Always Sunny in Philadelphia (2005-Present)

Like South Park, It's Always Sunny in Philadelphia thrives in depravity and total chaos. At forty-two minutes long, Season 6, Episode 13, "A Very Sunny Christmas," gives us a double dose of the gang's usual antics. This time, Dennis (Glenn Howerton) and Dee (Kaitlin Olson) force Frank (Danny DeVito) into A Christmas Carol-inspired plot, while Charlie (Charlie Day) and Mac (Rob McElhenney) revisit… disturbing… childhood memories tied to the holiday.

Dark, satirical, and chock-full of quotable lines, Always Sunny's Christmas special is just as demented as you'd expect from the series. "A Very Sunny Christmas" ranks among the best anti-Christmas episodes on TV. It's a fan favorite for a reason, so head over to Hulu and watch it now.

'Unholy Night' - American Horror Story (2011-Present)

Unlike the other entries on this list, Season 2, Episode 8, "Unholy Night" doesn't really work as a standalone offering. While it primarily focuses on the disturbing encounter between Sister Jude (Jessica Lange) and Leigh Emerson (Ian McShane), one of Briarcliff Asylum's patients who committed mass murder while dressed as Santa Claus, it also continues plot points established earlier in the season, like the possession of Sister Mary Eunice (Lily Rabe).

The good news is that American Horror Story Season 2 is the best season of the anthology-formatted series, if you're asking me. Horror fans will appreciate the demented, disturbing vibe that AHS throws down. So, start now and get caught up by Christmas. Just be mindful of any triggers going in because, yeah, this is another unhappy Christmas episode right here.

'White Christmas' - Black Mirror (2011-Present)

If holiday horror offerings like Krampus (2015) or the more violent Christmas Evil (1980) are your thing, then Black Mirror's Season 2 episode, "White Christmas," has similar dark vibes. Applying the show's trademark sci-fi twist, "White Christmas" utilizes an anthology format to tell three distinct but interconnected stories, beginning with a disastrous office Christmas party that ends in tragedy. 

The episode's twist ending is best enjoyed without spoilers, but prepare yourself for plenty of heavy topics, including murder and abortion. With a strong performance from John Hamm, "White Christmas" remains one of Black Mirror's best and bleakest episodes to date. Perfect for anyone looking for a thought-provoking, feel-sad TV this holiday season.

'Fishes' - The Bear (2022-Present)

Those who watch The Bear already know the show can get dark, and Season 2, Episode 6, "Fishes," proves it. In a stark departure from the usual festivities and hijinks of other holiday TV episodes, The Bear's two-hour Christmas special flashes back to a particularly dysfunctional Berzatto family gathering that ends in an explosive fight at the dinner table and Donna (played spectacularly by Jamie Lee Curtis) drunkenly crashing the car into the house.

If you're craving something lighthearted this season, "Fishes" certainly isn't it. In some ways, it's more of an anti-Christmas episode, reminding audiences that, for some, Christmas comes with painful memories and family tension. Fans of the show already know and love this episode, but its prequel-esque, standalone nature also makes it a solid starting point for newcomers. Who knows? You might just find yourself binge-watching the entirety of The Bear afterward. 

Most people who love movies and celebrate Christmas likely have a list of movies they rewatch every year. From classics like It's a Wonderful Life (1946) to Home Alone (1990), the amount of great stories is endless for this time of year. But there are a few lovely movies that either flew under the radar or were never given the chance to go viral and attract more viewers. We've compiled a list of underrated Christmas romance movies to watch, but now's the time to scream about the hidden gems that can be fun for the whole family.

From new releases like The Holdovers (2023) to older gems like Eloise at Christmastime (2003), here are the best underrated Christmas movies to add to your yearly rotation, as well as where to stream them on platforms like Prime Video, Netflix, and more.

The Life and Adventures of Santa Claus (2000)

For the longest time, I was convinced I made up this movie in my head. I had a single scene in my memory, and Google searches weren't bringing it up until one day, I saw it in a Reddit thread and legitimately cried after realizing it was real. A rewatch also proved that it was as good as I remembered, which is extra delightful when it comes to movies from the decade. 

From beginning to end, it's so utterly lovely that it may be one of the few movies about Santa Claus that holds up. The Life and Adventures of Santa Claus isn't just a good movie, but an excellent one—vibrant, warm, and so comforting; it has everything about the holidays all wrapped up with gorgeous animation. How it takes us through the life of Santa from the moment he's born to how he becomes the face of Christmas makes me a little weepy. It's perfect for anyone who has a nostalgia for cell animation and classic Christmas cartoons. 

Eloise at Christmastime (2003)

Most people know Eloise at the Plaza (2003), but few people recognize the greatness in Eloise at Christmastime. And dare I say, it's even better than the original story? It has twice the magic, twice the joy, and sparkles with incredible performances from the whole cast. If you love Home Alone 2: Lost in New York (1992), this gem is a must-watch.

Eloise at Christmastime also does an excellent job of centering a good portion of the story around the titular character's best friend, Bill. With a brilliant and achingly memorable performance from the late Broadway legend Gavin Creel, the story fires on all cylinders, with the type of wholesome Christmas magic that feels timeless. In truth, I don't know how to put the joy of this one into words. It's full of so much heart and an endearing plotline that makes everything feel a little lovely, even if just for a moment. 

Klaus (2019)

With gorgeously stylized 3D computer animation, Klaus became a holiday staple the minute it first premiered. As yet another familiar story about Santa Claus and all that he stands for, it might not be revolutionary, but it delivers something unforgettable from start to finish. A large part of any holiday movie's magic comes from how much heart it delivers and how it does so organically, which Klaus nails. 

The craftsmanship of Klaus is also just otherworldly. It's so stunning that it's a perfect reminder of what the human mind is capable of when it's allowed to deliver something masterful. Perfect for kids and families, this one's a must on all fronts, but especially for those who want something that'll legitimately feel awe-inspiring.

The Holdovers (2023)

Everything about The Holdovers feels like a classic, and since its release in 2023, I've rewatched it at least once around the holidays because it feels like it's been around for ages. Dominic Sessa's performance is so raw, so breathtaking that alongside a great like Paul Giamatti, he remarkably holds his own. If you love the comforting heart of the Dead Poets Society (1989), The Holdovers is a must-watch for you. 

This one's especially perfect for the people who might be feeling a little sad this Christmas. The ones who are feeling Grinchy and frustrated with all things Christmas, because though it's not exactly festive, it's a gorgeous movie about making the best of an unfortunate situation. Also, Da'Vine Joy Randolph. That's it. She's an inimitable reason alone, and the entire thing feels like something that people can always rewatch. 

This Is Christmas (2022)

This Is Christmas has it all: a wholesome story about how interconnected people are, romance, and a lovely holiday movie all wrapped up in a feel-good gem. What starts as a simple want to throw a party for the people who commute on the train together every day turns into something bigger. It becomes an experience they all needed to heal in some way, resulting in the type of found family treasure that only a truly well-written movie can evoke. 

So much of This Is Christmas, like The Holdovers, feels like an instant classic right off the bat. The type of movie you turn on once, and by the time the credits roll, you realize you've just watched something deeply special. It's all heart, and features one of the best descriptions of humanity I've ever heard, which resulted in instant weeping. With an incredible cast of characters, it's perfect for anyone who loves movies about unexpected human connections.   

Some Christmas movies are so good that no matter how many years pass, they never go out of style. They remain in rotation while we build traditions around them and make them a part of our holiday festivities. For example, in my family's home, The Muppet Christmas Carol (1992) is playing while we decorate the tree, and our entire family watches Home Alone (1990) on Thanksgiving day after dinner. These movies continue to dominate charts, year after year, because something in them makes them a significant comfort and at this point, timeless—they feel like home. As cheesy as it sounds, they're a part of us.

According to our JustWatch streaming charts, these ten movies are the most popular in 2025. They're not only must-watch films, but they're also available to stream on platforms like Disney+, Netflix, and more.

10. The Holiday (2006)

The dreamiest cottage? Check. Jude Law as a single dad who wears glasses? Check. A love letter to movies and Hollywood? Check and check. The Holiday has it all with two precious and realistic romantic relationships that don't just feel cozy, but they transpire organically. In every way where it matters, The Holiday is a perfect movie, and it features a perfect cast of actors with Law, Cameron Diaz, Kate Winslet, Jack Black, Eli Wallach, Rufus Sewell, and more. 

It's what the romance girlies yearn for—let's be real. Soft and vulnerable but achingly cozy at the same time. Girls don't want flowers; we want the cottage from The Holiday. The film's popularity this year could also be a result of how beloved the tropes are in romance novels, making people turn to movies that feature them in a way that's well done, all while it features enough holiday coziness to make us feel something. 

9. Love Actually (2003)

Love Actually isn't a movie I personally have on rotation every year, but it's obvious why it's so beloved. The cast of tremendously talented British actors, for one, but ensemble stories like Love Actually can be especially comforting around the holidays when people feel a little lonely. Plus, it's one of the few films that actually uses every cast member so well, even if some narrative choices are problematic and don't hold up.

Perfect for anyone who loves cozy stories centered around complex human beings, Love Actually isn't just romantic, but it's ridiculously funny at times in a way that can stick the landing for a wide range of audiences. There's also something extra cozy about big cities like London as the primary setting in a movie, and it makes everything a little better. 

8. A Christmas Story (1983)

A Christmas Story is one of those movies that often makes me wonder how it would've been perceived if it were titled differently. Personally, I'm not quite sure I would've been drawn to it if I knew what it was about because the premise feels surface-level. However, as its popularity probably reveals, it's the execution that works and provides something thoroughly gripping for viewers.

It's a wholesome and well-made holiday movie that really touches on a specific sort of magic that most kids may relate to more closely than adults. Significantly different from a movie like Home Alone, the nostalgia in A Christmas Story touches on a different kind of childhood that boils down to how it's told through a series of vignettes, which is also in a lot of ways how we look back, too. 

7. Home Alone (1990)

Very few things scream Christmas quite as loudly as Catherine O'Hara screams "Kevin" in Home Alone. I've never met a single person who doesn't love Home Alone in my life, and if I did, I'd probably make them rewatch it, because it's literal perfection from start to finish. Featuring one of the best fictional homes and experiences of all time, everything about Kevin McCallister's journey while he's home alone is flawless through and through.

With the movie and its sequel, Home Alone 2: Lost in New York (1992), now airing on Disney+, it's no surprise that the movie trends every year. Surely new people discover it, too, and those of us who scream about its greatness every year do so because the magic is unmatched. It's ridiculous, outright hilarious, clever, and so wholesome by the end that all those gooey reunion feelings are welcomed by even the most jaded people.

6. Elf (2003)

Between How the Grinch Stole Christmas and Elf, I can never tell which movie is more easily quotable. Buddy the Elf and the Grinch could literally be like the Angel and Devil sitting on someone's shoulders, screaming their feelings about all things Christmas. It's riveting how critical reception and box office performance weren't as strong when the film was initially released, but Will Ferrell's performance gets better and better with every viewing, as does the entire movie.

Elf is a riot—a true Christmas comedy with ridiculously clever lines in every frame that can also be quoted outside of Christmas, too. ("You did it! World's best coffee!" Me, every time I find a gingerbread latte that's actually good.) Elf effectively tackles the holidays in a ridiculously unique way that doesn't just focus on Santa, but really everyone around him, which is maybe why it's significantly more popular than the earlier Santa Claus films, like The Santa Clause (fans of the film, please don’t come for me!)

5. National Lampoon's Christmas Vacation (1989)

In many ways, the charm of National Lampoon's Christmas Vacation boils down to nostalgia and the fact that it's another solid John Hughes movie. It's not exactly the best thing ever, but it's somewhere in between in a way that mostly works as a classic if you grew up watching it. It's not every new viewing that'll guarantee it being a hit today, but it's still a load of fun for people who love the ridiculousness and adventures of Home Alone.

What's also shocking is that The Family Stone (2005) isn't trending this year given how many people associated the late and great Diane Keaton's passing with it, but the darker themes can also be triggering for some. By the time December comes around, most people are tired and frustrated, so movies like National Lampoon's Christmas Vacation can provide the perfect comedic escape for viewers itching to vicariously get away. 

4. The Grinch (2018)

The most recently released animated version of How the Grinch Stole Christmas, The Grinch, is yet another excellent adaptation that can be especially perfect for kids and younger audiences who might not be into the live-action. The story might not be unique or add anything new to the book, but it's a solid animated feature deserving of great recognition in every area.

It can even be a fun experience to watch both the live action and animated side by side to do comparisons and pick apart any Easter eggs. It's gorgeously animated in a way that still holds the same appeal and style from the book to make it feel like a classic, but it also implements modern changes that are just as stunning. Benedict Cumberbatch's voice acting is particularly brilliant, too. 

3. Die Hard (1988)

Every year, arguments affectionately rise over whether Die Hard is a Christmas movie or not, and every year, people continue to watch Bruce Willis' John McClane take on terrorists at the top of the Nakatomi Plaza, then reunite with his family. Sure, there's no excessive Christmas festivities, and it's not an outright holiday feature, but it's a beloved story, regardless, with a core message centered around family. 

Willis's iconic performance in the film makes it an action archetype in more ways than one, but it also holds up incredibly well after all these years. Perfect for anyone who's feeling a little grinchy and wants minimal holiday spectacles, Die Hard's popularity is earned and worthy in every way. Plus, if you loved Brooklyn Nine-Nine (2013), I think we all owe it to Jake Peralta to watch his favorite movie, too.

2. It's a Wonderful Life (1946)

It's a Wonderful Life isn't just a holiday staple, but it's a narrative blueprint for various movies and TV shows to implement the thematic importance of one person understanding their value after facing challenging situations. It's a story that's so universally revered and deeply appreciated that its formula goes beyond the confines of the holiday, and is in many ways as adaptable as Charles Dickens' A Christmas Carol. 

I rewatch It's a Wonderful Life at least twice every holiday season, but if I can't manage it the second time, it's the movie I put on every year on Christmas Eve at the end of the night. Few things top Jimmy Stewart's embodiment as the human treasure George Bailey, and few stories evoke the type of hopeful comfort It's a Wonderful Life does. Perfect for fans of genuinely comforting stories about how we don't quite realize our impact on other people. If you've somehow never watched this gem, please do so. 

1. How the Grinch Stole Christmas (2000)

How the Grinch Stole Christmas is the year's number one movie in America in 2025, and for good reason. It's hilarious, sharp, and the production design of Whoville, as well as every character's hair and makeup, becomes more and more impressive with every passing year. Practical effects and early 2000s visual effects simply hit different—they're better, full stop, in every way.

The Grinch is also quite literally one of the most memorable characters of all time, and no matter what mood you're in, he's legitimately not only relatable but thoroughly delightful even amid his crudeness. Perfect for anyone who loves bonkers humor and is a fan of the children's book, but it's also a must-watch for its timely message of inclusivity in every area.

Dogs really are man’s best friend. They provide warmth, companionship, hours of entertainment, and are just some of the cutest things on the planet. This may be coming from someone who adores dogs, but in the battle between dogs and cats, I will always choose dogs. In fact, people love dogs so much that they will go out of their way to avoid movies where dogs die. That’s the entire point of sites like doesthedogdie.com, which provides viewers with trigger warnings about numerous upsetting topics, most notably, if a dog dies in a movie.

With Good Boy (2025) having just dropped on streaming, and with some viewers curious about the fate of its leading dog, Indy, we’re going to look at eight famous movies that heavily feature dogs but don’t kill them. These films may put their characters through the wringer, but the dogs all make it through without any notable harm. So, if you want to watch some dog movies on Disney+ and HBO Max, rest assured that the dog doesn’t die here. 

Good Boy (2025)

When Good Boy revealed itself as a horror movie from a dog’s perspective, one of the first questions on people’s minds was whether its lead, Indy, was going to be killed. Well, rest easy. Not only does Indy live, but he does everything in his power to try and save the day.

Good Boy is an experimental 73-minute horror film that plays with its perspective much in the same way that Presence (2025) does. Instead of the film centering on a human character, it is told entirely from Indy’s perspective, and it never undermines the premise by having Indy speak or having the audience hear his thoughts. It’s all clever editing and thoughtful cinematography. While there is another dog that appears in the movie who does die, it’s done off-screen and happens primarily via flashback, so while Good Boy may not be perfect if you don’t want to see any harm come to a dog, it is great for anyone looking for an unconventional and unique horror film.

The Meg (2018)

If a dog appears in a monster movie, then nine times out of ten, the monster will kill it. Nothing shows how callous a monster is than when it murders an innocent dog. The Meg, however, bucks that trend. 

The movie itself is a ridiculous Jason Statham action vehicle, so if you’ve ever seen him kick butt in The Beekeeper (2024) or Wrath of Man (2021), then the same is true here, just with giant sharks. There’s no getting around the fact that the movie is dumb, hilariously so, and it drives home just how stupid it is by having one of the shark’s first victims be a cute little dog named Pippin. Or at least that’s what The Meg makes you think. Even though all evidence points to the tiny little dog being swallowed by a gargantuan shark, somehow, against all odds, Pippin is okay! Does it make sense? No, but it’s a triumphant note to end on that’s perfect for a cheesy action movie like The Meg.

Cruella (2021)

You would think that a movie starring one of the cinema’s most prolific dog killers would feature at least one or two dead dogs, but Cruella surprisingly doesn’t. Cruella de Vil may not like Dalmations all that much, but Emma Stone’s version of the character wouldn’t kill them.

That’s because Cruella is less interested in showing Cruella de Vil as a psychopathic dog killer and more of a morally complex human. Cruella takes a lot of the same cues from Maleficent (2014) in attempting to empathize with its central character, just with the style and flair of emo rock. That may seem like an odd way to present what is normally a posh and stuck-up villainess, but giving her an angsty and anarchic air about her that feels more at home in a Hot Topic helps to set the movie apart from its contemporaries. It’s odd to see a Disney film with a bit of an edge to it, but if you’re looking for one that isn’t as squeaky clean as the company’s image, then consider giving Cruella a shot.

Guardians of the Galaxy Vol. 3 (2023)

A lot of bad things happen to a lot of animals in Guardians of the Galaxy Vol. 3. The pain and suffering that the creatures under the High Evolutionary’s control go through is heartbreaking, but at the very least, Cosmo the Dog isn’t one of his victims.

Cosmo only features heavily in the scenes that take place in Knowhere, and when we are there, she’s adorable! She’s heartbroken over not being a good girl, and the comedy that comes from that is so pure that it can put a smile on anyone’s face. It’s especially necessary given the very dark places the film goes to make the High Evolutionary one of the most vile antagonists in fiction, right alongside the cartoonishly despicable villains of JoJo’s Bizarre Adventure (2012). It only makes it all the more satisfying when he receives his comeuppance, which is so well deserved that it’ll leave you cheering. Even though Cosmo doesn’t personally assist in taking him down, seeing her save the day truly does make her a good girl.

John Wick: Chapter 3 - Parabellum (2019)

It’s no secret that John Wick’s path of vengeance kicks off with the death of his dog. Anyone who knows anything about the series knows that. However, what you may not know is that in John Wick: Chapter 3 - Parabellum, the dogs get their revenge.

While the action in the film is top-notch, right alongside other intense action movies like The Raid (2012), the film’s best scene is where dogs brutally attack John’s assailants. At first, seeing Halle Berry’s dog getting shot will instantly bring back memories of the death of John’s dog, until it gets back up, and all hell breaks loose. It’s one of the very few films where you’re excited to see a rabid attack dog do its job, as it bounds around and charges at its target. It’s the peak of an already great two-hour and ten-minute action movie, and it’s so vindictive to see a dog go on a rampage. Not many dogs star in action movies, but John Wick: Chapter 3 - Parabellum is for those who want some canine carnage.

The Silence of the Lambs (1991)

The Silence of the Lambs is a dark movie, mostly thanks to the disturbing nature of its main antagonist, Buffalo Bill. But when you stop to think about it, can he be all that bad? I mean, he has a cute little dog named Precious after all!

While the presence of Precious may seem odd in a movie as bleak as The Silence of the Lambs, she helps inform the themes present within the character. Precious adds some interesting subtext about Bill’s gender orientation. She is a Bichon Frise, which is usually a dog associated with femininity, which befits the character and his disturbed desires to create a woman suit made of skin. It’s some fascinating subtext, even if The Silence of the Lambs drops the ball somewhat with its depiction of sexual orientation and gender identity, but much like Psycho (1960), that doesn’t stop the film from being one of the best psychological horror movies of all time. And the best part? Precious survives the climax and escapes with Clarice. 

Superman (2025)

Before Superman was released, people were probably indifferent toward Krypto the Superdog. But by the time the credits rolled after two hours and nine minutes, it’ll be hard to fathom why anyone would hate him. Is he wild and uncontrollable? Yes, but that adds to his charm. From the moment the film begins, and we see him playing with a barely breathing Superman, we know that Krypto is just a good boy who wants to have fun.

Krypto captures the same energy as Buddy from Air Bud (1990). Krypto shouldn’t be capable of the things he’s accomplishing, but he is, and it’s impossible not to feel uplifted by it. Superman prioritizes optimism above all else, and Krypto is emblematic of that. People who want to smile should definitely check out Superman and can rest easy knowing that Krypto survives Lex Luthor’s onslaught. Here’s hoping he survives Supergirl (2026).

Once Upon A Time… In Hollywood (2019) 

A movie about the ever-shifting state of 1960s Los Angeles shouldn’t make you question whether or not a dog would live or die, but when the Manson family is involved, you never can be too safe. Once Upon A Time… in Hollywood goes through similar motions as other Hollywood epics like Babylon (2022) and Barton Fink (1991), but what helps set it apart is the too-cool-for-school Cliff Booth and his pit bull Brandy. The two of them seem to be above everything that’s happening in the film, even when the Manson family comes knocking. At the very least, Brandy is there to viciously take them down.

It’s a great note for the movie to end on, with everything that the film meticulously crafted over its two hours and 40-minute runtime finally coming to fruition. It’s a slow burn, but like most other Quentin Tarantino movies, it all comes together wonderfully, and Brandy gives the Manson family what they deserve and lives to see another day.

We all have our yearly rotation of Christmas movies that we turn on to watch while doing something festive like decorating the tree or cracking open the first box of Little Debbie's Christmas Tree cakes. Or, maybe we're trying to escape all our romantic woes, so we turn to The Holiday (2006) or While You Were Sleeping (1995). And every year, whether it's an anniversary or some sort of social media trend, various movies blow up and become more popular than before, with new audiences discovering their magic for the first time. This year, it's the 25th anniversary of How the Grinch Stole Christmas (2000), and it's already America's favorite Christmas movie.

With data pulled from the JustWatch streaming charts, here's why this is one of the few decisions in America that actually makes sense this year, as well as why How the Grinch Stole Christmas deserves to be the top contender in 2025.

'How The Grinch Stole Christmas' Is America's Favorite Christmas Movie

According to our JustWatch stats, runners-up this year to the most popular Christmas movie are It's a Wonderful Life (1946), Die Hard (1988), and The Grinch (2018), as well as a few others. With 2025 being the 25th anniversary, it really isn't all that shocking that How the Grinch Stole Christmas is America's favorite. Earlier this year, stars Jim Carrey and Taylor Momsen also reunited at the Rock & Roll Hall of Fame Induction Ceremony, which made a lot of older fans giddy with excitement.

As one of the best and easily revered live-action adaptations of a children's story, the film has a number of great reasons under its belt to be deemed a favorite. It's sharp, well-cast, gorgeously developed, and the universal themes of acceptance continue to be a relevant talking point that makes us all turn to hopeful Christmas movies mixed with humor we can escape with.

Why 'How The Grinch Stole Christmas' Remains So Popular In 2025

It's often hard to explicitly say why something is so popular, but when we have anniversaries that go beyond a decade, and we still revisit these movies, then we can safely boil it down to the fact that they stand the test of time. Some of us rewatch Christmas movies even when they're bad, but movies like How the Grinch Stole Christmas are an example of excellent adapting, memorable casting, and solid production design that we can still geek out over. 

Many of us also have a lot of nostalgia these days, and this is something we can tie in with how excessive CGI and AI are taking over filmmaking and diminishing some of the timeless magic. Movies are not only darker now (physically), but they also don't feel as cozy. If a live-action version of How the Grinch Stole Christmas were made today, it might be terrifying with all the VFX, because thoughtful hair and makeup with the people of Whoville is also what makes the 2000 film so charming.

So, in a lot of ways, How the Grinch Stole Christmas holds up as something we can admire both technically and emotionally. The message also feels especially relevant in today's climate, that othering people only ever leads to chaos and calamity. People should never be excluded from places, and all places should be welcoming. These themes ultimately tie into the spirit of Christmas, and whether we realize it or not, I think many of us are simply desperate to see kindness at the center of everything because everything around us is so bleak.

Should You Watch 'How The Grinch Stole Christmas'?

Absolutely, yes, 100%. The more I personally rewatch How the Grinch Stole Christmas, the more it holds up. It somehow gets funnier, which continues to be such a mood because I don't think any of us realize how often we quote this version of the story. (Help me! I'm feeling!) Show of hands, how many of you get frustrated when your outfit isn't working and you'd simply rather just not go? (I do.) 

But also, we really don't give enough credit to Christine Baranski's Martha May in this movie. If you were rooting for The Creature and Elizabeth in Frankenstein (2025), rewatch How the Grinch Stole Christmas because the thematic similarities are as stunning as they are ridiculous.

How the Grinch Stole Christmas isn't the only worthy Dr. Seuss adaptation, but the 2018 version of The Grinch also holds up incredibly well, and the animated version of How the Grinch Stole Christmas! (1966) may be even more suited for kids. While the live-action movie is rated PG and not scary or anything of the sort, some of the innuendos may not be appropriate for impressionable minds. It may also fall under the radar for many of them because kids aren't as observant as adults, but still, it's certainly a more mature adaptation. Worthy, nevertheless. 

In 2013, Sharknado became a wild success for the Syfy Channel, telling the tale of one of Earth’s rarest natural disasters: an oceanic waterspout that picks up hundreds of hungry sharks, flinging them all across Los Angeles. The premise is stupid, the CGI is awful, the acting is pathetic, and that’s exactly why everyone loved it. It was so wildly dumb, so downright bonkers, so incredibly ridiculous, that you simply can’t look away.

Fortunately (or perhaps, unfortunately), Sharknado is just one of many atrociously bad shark movies out there. In fact, “bad shark movie” is basically its own genre at this point. While Steven Spielberg may have created one of the greatest films of all time with Jaws (1975), the movies on this list certainly won’t be winning any awards. But they are all exceedingly silly and incredibly fun to watch. Plus, many are streaming completely for free on Tubi and The Roku Channel. Check out these 10 shark movies that are even wilder than Sharknado.

Ghost Shark (2013)

In 2013, Syfy didn’t just give the world Sharknado. It also premiered Ghost Shark. In the movie, fishermen kill a great white, and then its ghost comes back to get revenge on mankind. But since it’s a ghost, it doesn’t need to live in the ocean like normal sharks, and instead can lurk inside any amount of water (but why does a ghost need water at all?) From a pool to a slip-and-slide, and even household plumbing, this ghostly great white could be anywhere. 

Ghost Shark is wonderfully silly, and better yet, it knows it’s a joke. You can tell the cast is having a great time throughout the entire movie, and the wild, almost slapstick level of gore is downright hilarious. If you’ve ever wanted to see a full-sized great white (ghost) emerge from a toilet, this is the film for you. It’s great for anyone who loves supernatural creature features like 1983’s Spasms.

Cocaine Shark (2023)

Thanks to the ravaging success of 2023’s Cocaine Bear, the world got a plethora of drug-fueled animal horror movies, like Meth Gator (2024) and Crackcoon (2024). The wildest of them all, though, is Cocaine Shark (2023), which isn’t really about a shark high on cocaine and is actually about a mutated hammerhead shark-crab monster. Even wilder, the entire movie uses old-school claymation for the monster. 

Yes, Cocaine Shark is lazy, stupid, and only got popular because its beautifully bad claymation monster was total meme-bait on social media. But alas, we are human, and we all love some good meme-bait. So put aside your ego and your demands for “quality filmmaking” and just give in to your primal urges to watch a hammerhead-crab monster destroy everything in sight. 

Jaws: The Revenge (1987)

Oh, you thought the Jaws franchise would be spared from this list? Well, just wait until you find out about its final film, Jaws: The Revenge (1987). In the movie, Lorraine Gary reprises her role as Mrs. Brody, who is now petrified of the ocean. But for some reason, she decides to visit the island nation of the Bahamas… because that makes sense? 

But just wait ‘til you see the shark. Like a clunky school bus made of stucco, our “Jaws” in this film just kinda sits in the ocean, sometimes raising its entire body up out of the water like an elevator to munch on a victim. Oh, and don’t even get me started on the sock puppet shark in the finale that roars. Yes, seriously. Watch it and be dumbfounded by how far the Jaws franchise has fallen. The absurdity of Jaws: The Revenge truly needs to be seen to be believed. Still, if you loved the wildly fun stupidity of 1983’s Jaws 3D (which, trust me, only barely escaped being featured on this list itself), then you need to see the complete dumpster fire that is Jaws: The Revenge. 

Mega Shark vs. Giant Octopus (2009)

Do you love epic mashups between two titans, like in Freddy vs. Jason (2003)? Then check out Mega Shark vs. Giant Octopus. As the title implies, we get a giant shark (clearly modeled after a megalodon) that fights a giant octopus, and along the way, they destroy everything from a Boeing 747 to an oil rig and even the Golden Gate Bridge. 

Anyone who has ever used the internet has surely seen the iconically bad 747 scene, where the Mega Shark leaps 30,000 feet in the air to attack it. And honestly, that’s a great way to sum up the movie. The film was brainrot before brainrot was a thing, even predating Sharknado itself. However, if you like your bad movies really bad, this is one to check out.  

Meg 2: The Trench (2023)

2018’s The Meg was already a pretty wild movie. Loosely (and I mean loosely) inspired by the prehistoric megaladon shark, the movie features a giant, man-eating shark the size of an office building. The CGI is horrible, and the “acting” is abysmal, especially for a major theatrically released movie. But it is a film about a giant shark, so of course it did gangbusters at the box office, paving the way for a sequel. 

In 2023, the sequel went even further off the deep end, revealing a whole arsenal of other creatures living in our oceans, like more megs, a giant octopus, and dinosaur-like creatures called snappers. Meg 2 is… well, it’s something. It almost feels like a trailer trash attempt at the MonsterVerse. If you go in expecting nothing more than a wild, untamed ride, it can still be a lot of fun.

Shark Attack 3: Megalodon (2002)

Long before The Meg ever hit theaters, there was another shark movie featuring a megalodon, Shark Attack 3. The movie mixes old-school film techniques with that newfangled CGI nonsense, creating a wildly incoherent movie. Sometimes Shark Attack 3 uses footage of real sharks (brazenly switching between great whites and tiger sharks, as if audiences won’t notice that the two species look completely different), sometimes it uses an animatronic shark (which actually looks pretty darn good), and then other times, it features CGI so awful it can only be described as “superimposed images created by a first grader using PowerPoint for the first time in 1997.”

Thanks to its numerous flaws that are downright hilarious, Shark Attack 3 has become an incredibly notorious movie that’s spawned countless memes and GIFs (not to mention its infamous raunchy NSFW line that’s so bad and so out of place it rivals The Room (2003) in its WTF factor.) Trust me, Shark Attack 3 is a laughably fun spectacle.

6-Headed Shark Attack (2018)

In 2012, the world was introduced to 2-Headed Shark Attack. That was followed by 3-Headed Shark Attack in 2015, and 5-Headed Shark Attack in 2017. Then, in 2018, we got the epic finale with 6-Headed Shark Attack. The movie centers around a beachfront couples retreat that’s terrorized by a six-headed shark. Oh, and thanks to its many heads, the shark is able to use four of its heads to walk on land like a spider while still having two heads to eat you with. 

Like many other movies on this list, 6-Headed Shark Attack is tacky, absurd, low-budget, and tons of fun to watch with a big group of friends. It’s a fun movie for anyone who loves mutated animal horror films like Eight Legged Freaks (2002) or Frankenfish (2004). Remember, you clicked on this list to find shark movies even wilder than Sharknado, and hunny, I am delivering on that promise. 

Sand Sharks (2012)

Years before 6-Headed Shark Attack gave us a walking great white, Sand Sharks presented the world with its first glimpse of land-loving sharks. In the film, a new breed of shark is able to swim beneath the sand of beaches. But one small resort town simply can’t close its beaches during the busy summer season, even though the beaches themselves are quite literally infested with giant sharks. 

The premise is a giant nod to Jaws, but this low-budget, schlocky film couldn’t feel further from Spielberg’s classic. Instead, expect an astonishingly silly shark movie that feels more like someone took Tremors (1990) and mashed it up with Piranha 3DD (2012). 

Peter Benchley’s Creature (1998)

Peter Benchley is best known for writing Jaws, which Spielberg adapted into the greatest shark movie ever. Decades later, Benchley wrote another shark novel called Great White in 1994. Four years after that, it was adapted into a miniseries called Creature, starring Kim Cattrall, Craig T. Nelson, and Giancarlo Esposito. 

In the miniseries, the military has been working on a human-great white hybrid, and of course, it goes on a rampage. The miniseries is both really cool, but also seriously wild because it used tons of practical effects, even creating a full-sized body suit of the shark-person that’s equal parts ridiculous, grotesque, and awesome. If you love other Benchley adaptations like The Deep (1977), you’ll want to check out Creature. 

Santa Jaws (2018)

In Santa Jaws, a young boy in a dysfunctional family entertains himself during the holidays by drawing a killer great white shark that wears a Santa hat. Little does he know that Christmas magic is about to bring the shark to life, bringing holly jolly horror to his little marshland community. 

Yes, the shark wears a Santa hat, and it eventually grows a candy cane horn like a narwhal, which increases its yuletide carnage count. If you’ve made it this far in the list, it goes without saying that the movie is undoubtedly stupid but also funny and fun in a campy way, especially for anyone seeking out strange shark movies. It’s also great for anyone who loves a wild take on Christmas movies, like Krampus (2015) or Rare Exports (2010). 

For a very long time, the poster boys for crime-solving have been Sherlock Holmes and Hercule Poirot. But if Netflix’s A Man on the Inside (with a newly launched Season 2) has proved anything, it’s that watching a show with overly curious normal people turning into amateur sleuths to solve mysteries is oddly addictive. There’s something extra fun about watching podcasters, antique dealers, retirees, people of faith, and even teenagers, stumble headfirst into a mystery and somehow outperform actual law enforcement (and at times, putting them to shame). The best thing about amateur detective shows is that the cozy vibes that they bring hit the spot. The crimes are important, but they aren’t gory. There’s chaos, but you won’t wake up at 3 a.m. sweating about it. 

So if you’re looking for shows where the stakes exist, but don’t overpower the plot, then stick around, grab some caffeine and a notebook! Here are 10 shows featuring lovable amateur sleuths, available to watch on Netflix, Hulu, and Prime Video, amongst others.

Only Murders In The Building (2021)

If you’re someone who enjoys watching mysteries with a side of comedy, containing characters who seem to be cut from the same strange cloth, all in the same building, then Only Murders in the Building is a must watch. What makes this show so easy to binge, is the chemistry between the leads (played by Steve Martin, Martin Short, and Selena Gomez), an unlikely trio who shouldn’t work on paper, but absolutely do as neighbors turned podcasters, sleuths, and friends. 

What sets Only Murders apart from other shows on this list is its self-aware and modern energy. It’s witty and mischievous, but in a way you can’t stop watching the screen. Personally, I love how the show’s characters are equal parts nosy and unhinged, yet helpful; and how the three leads have no business investigating anything, but they do so anyways. If you love watching shows that are slick and don’t take themselves too seriously like Search Party, then Only Murders in the Building feels like hanging out with your funniest neighbors. 

Murder, She Wrote (1984)

If there’s one amateur detective that everyone knows, it’s Angela Lansbury’s Jessica Fletcher from Murder, She Wrote. The show is the TV equivalent of comfort food. Murder, She Wrote is for anyone who likes their mysteries without the jump-scares. The show is predictable, but compared to the more chaotic Agatha Raisin, Murder, She Wrote feels almost timeless. 

Angela Lansbury plays the observant detective with kindness and an uncanny ability to stumble into a crime no matter where she goes. Though it does feel like some of the mysteries are wrapped up a bit too neatly, that reliability is why it’s considered the original prototype of the genre. If you appreciate old-school procedurals, then Murder, She Wrote is worth the watch, but if you want something more fast paced at the complete opposite side of the spectrum, then Nancy Drew would be a better fit.  

Father Brown (2013)

Don’t like dark storylines or conspiracies in your detective shows? No problem! In that case, Father Brown is your man. Father Brown follows the titular character as he solves gentle mysteries in the fictional village of Kembleford with calm moral wisdom. Though the tone of the show is comforting, similar to The Madame Blanc Mysteries, watching too many episodes back to back can make you feel as though they’re all blurring into one (that village really needs to be evaluated) as the show has 12 seasons (thus far!) 

If you’re someone who enjoys a slower pace, then Father Brown is the perfect fit. However, if the episodes start feeling too predictable or formulaic, take a trip and watch Sister Boniface Mysteries instead for a change of scenery (not literally, as this show also takes place in the same universe.) Father Brown has the unique ability to not only solve crime, but also your personal problems with advice you didn’t know you needed, and frankly, that’s quite impressive. 

Agatha Raisin (2014)

Agatha Raisin would leave Father Brown, Madame Blanc, and Mrs. Sidhu in shock with her messy (gloriously so), chaotic personality. Anyone who loves drama set in a village in the Costwolds, would enjoy Agatha Raisin, especially since it seems as though her personal life is even more scattered than the actual murders she solves. A retired PR executive, Agatha embraces the small village life, only to be embroiled in mystery after mystery (seriously, what is it with idyllic villages?) which she tackles with sass and an (un) healthy dose of wine. 

If you’re looking for a gentler pace or a warmer heroine, you’d like Mrs. Sidhu Investigates much better. Agatha Raisin is campy, to a point where the bright colors and style sometimes overpowers the actual story. That being said, Agatha is loud and hilarious, and that’s her charm. The show is extremely bingeable; I assume it has something to do with Agatha’s disastrous energy that you can’t look away from. Tonally, it’s closest to Only Murders in the Building, if the three leads wore big hats and fabulous shoes. 

The Marlow Murder Club (2024)

What happens when a retired archaeologist, a vicar’s wife, and a professional dog walker stumble upon a crime? The unlikely trio join forces to form a team of amateur detectives! The Marlow Murder Club is for fans of ensemble mysteries where wildly different people come together to become friends and sleuths, just like in Nancy Drew. What makes this show watchable are its characters; similar to The Thursday Murder Club (other than them both being called a “murder club”) but with more friendship-driven storytelling. 

Compared to sharp comedies like Only Murders, the pacing can feel slightly slow and grounded. It’s as if The Golden Girls decided to investigate crimes instead of boyfriends. The best thing about The Marlow Murder Club is its intimate tone, where the characters are the heart of the show, more than the crime and clues (though those are important too!) Because three amateur detectives are infinitely better than one!

Harry Wild (2022)

Harry Wild, a whip-smart retired literature professor and Fergus, a teenager who mugged her, form an alliance to solve mysteries, much to the chagrin of her police detective son. If you love watching shows where the lead has absolutely no interest in following the rules, and can’t help but interfere like Miss Fisher in Miss Fisher’s Murder Mysteries, then you’ll love Harry Wild. Jane Seymour plays Harriet “Harry” Wild with an air of “oh please, you know I’m right” mixed with surprising maternal tenderness, all which makes the show extremely watchable. 

While Harry Wild is much more snappier and urban than Mrs. Sidhu Investigates or Father Brown, it’s tonally closest to Agatha Raisin with the ‘lovable menace’ energy. The show has a reasonably fast pace, kept moving along because of Harry and Fergus’s partnership and friendship. The show also brings family to the forefront (both Fergus and Harry’s relationships with their family are highlighted) which makes Harry Wild a show as much about reinvention as it is about mystery. 

The Madame Blanc Mysteries (2021)

If you’ve had a long, tiring day, and just want to unwind with a show in the background, then The Madame Blanc Mysteries is the perfect show to do so. The sunny French village setting, antiques, and gentle plots, all offer a low-stress experience. Jean White is the soul of the show (not only because the show is named after her), who solves mysteries with intuition and knowledge about rare objects most of us didn’t know existed. 

Jean White gives off the same energy as Mrs. Sidhu, someone you’d immediately go up to in a crowded place if you were lost. The best part of the show has to be how easy it is to watch with its fun side characters, all who have their own quirks and two cents to offer. If you like breezy mysteries in fun locations like Death In Paradise, you’ll find plenty to love here. 

A Man On The Inside (2024)

When Charles Nieuwendyk, a retired and widowed man goes undercover to a retirement community to solve a mystery, he forms unexpected connections with the residents, and finds a new fervour for life. A Man on the Inside is for those who enjoy tight mysteries with just enough emotional stakes to keep things interesting. Ted Danson serves the perfect mix of earnestness and “I can’t believe I said yes to this.” The story is sweet with a very clear emotional arc, but the mystery that Charles is investigating does border on being a bit too clean. 

However, A Man on the Inside never tries to be a show it isn’t; it knows it’s a comedy, and that shines through both the plot and the characters. It’s closest to Only Murders in the Building with its impeccable hybrid mix of comedy and mystery, though Only Murders has a faster pace and a bigger twist. Tonally, it mirrors the lighthearted, breezy tone of The Madame Blanc Mysteries. You can’t help but root for Charles, though he’s the most out-of-his-depth sleuth on this list! 

Mrs. Sidhu Investigates (2023)

If you’ve ever felt as though you could balance crime-solving with a professional career and a family, then Mrs. Sidhu proves it’s possible. Mrs. Sidhu Investigates is a mystery show with heart; the protagonist doesn’t try to be a sleuth (and get on the Inspector’s nerves with her nosiness), she’s just a character who’s too caring (and curious) to be able to look away from a problem when it presents itself. 

The show oscillates between tones, where it’s cozy one second and serious the next, this can be slightly jarring to viewers, though I find that’s exactly what gives the show its personality. Tonally, it’s closest to Murder, She Wrote and The Marlow Murder Club, with its more ‘empathetic’ sleuthing, with Mrs. Sidhu’s people skills mirroring that of Jean White. If you liked the charm of The No.1 Ladies Detective Agency, then Mrs. Sidhu Investigates should be your natural next watch. 

Nancy Drew (2019)

I couldn’t write a list about amateur detectives without including Nancy Drew! Though there have been quite a few adaptations of the girl detective, CW‘s Nancy Drew brings Nancy and her crew into a young adult mystery with a supernatural twist that ups the ante with every passing season. Compared to the rest of the entries on the list, Nancy Drew is the moodiest with the highest stakes. Nancy, Bess, George, Ned, and Ace (a new character who wasn’t in the original books), are five teens who form an unlikely group when a murder pushes them together. 

The show can be melodramatic, sure, and the ghost and haunted stuff isn’t for everyone, but I enjoyed the fact that the makers decided on this direction rather than a small scale mystery. Nancy Drew is as though Riverdale’s chaos was mixed with Veronica Mars’s tone. Although she’s the youngest (and most iconic) sleuth on this list, Nancy brings a dark mystery with moments of light humor and a sweet friendship, all in a cohesive package. 

If you grew up watching The Wizard of Oz (1939), then there’s a very good chance that you’ll think of the Land of Oz as a wonderful place, with magic flourishes, quirky characters, and only a handful of wicked witches. It’s an unassuming and safe world that plenty of kids and adults have nostalgic memories of. And then Wicked (2024) came along.

While there had been dozens of Oz books written after L. Frank Baum’s original novel, Wicked is a much darker examination of the Land of Oz, with nearly everything beloved and wholesome from that classic movie twisted and warped into something much more sinister. Now that Wicked: For Good (2025) has fully revealed the extent of just how dark Oz is, let’s unpack all the horror.

Oz Is A Totalitarian Regime

Probably the most obvious example of Wicked’s darker tone is how the Wizard himself is presented. At first, he appears as a fatherly goofball, mostly thanks to Jeff Goldblum’s performance, but the reality is that his vision of Oz is downright dystopian.

Wicked showed that the Wizard was fully aware of the problems facing Oz, and that he actively aggravated them to enslave a portion of the population to do his bidding. When Elphaba finds out about this, not only does the Wizard try to kill her, but he, alongside Madame Morrible, uses all aspects of his empire to create a propaganda machine to discredit her. Everything bad happening in Oz is Elphaba’s fault, and she’s now known only as the Wicked Witch of the West, even though she’s the one trying to fix all of the problems facing Oz, problems that the Wizard instigated in the first place. 

While you could make the argument that most of Wicked: For Good’s heinous actions come from Madame Morrible and not the Wizard, he’s still complacent in her crimes. He allowed Morrible to force Glinda to become his spokesperson, spreading the hateful propaganda of her former best friend. He was okay when Morrible summoned a tornado to kill Elphaba’s sister, Nessarose. And, let’s not forget, he was okay sending Dorothy to kill Elphaba. All of it was to enable him and Morrible to hold onto power at any cost.

Dorothy’s Friends Are All Tragic Figures

While the Wizard’s duplicitous behavior was present in the original film, the origins of Dorothy’s three friends, the Scarecrow, Tin Man, and Cowardly Lion, were more ambiguous. Wicked: For Good finally reveals that virtually everyone who tried to kill Elphaba in the climax of The Wizard of Oz were people whom she had attempted to help. 

Take the Tin Man, for example. In Wicked: For Good, it’s revealed that the Tin Man was actually Boq, the somewhat dopey Munchkin who crushed on Glinda while at Shiz University. Since then, he’s been enslaved by Nessarose and forced to love her. When he attempts to leave, she casts a spell that shrinks his heart, which forces Elphaba to make a tin body to keep his spirit alive, but he resents her not only for losing his body but also for the oppression of the Munchkins under Nessarose. 

Then there’s the Cowardly Lion, whom Elphaba and Fiyero originally saved in Wicked. However, he was traumatized by the incident and says he would have preferred a life of enslavement instead of the horrors and chaos of the outside world. 

As for the Scarecrow, he’s revealed as Fiyero, Elphaba’s one-time lover. While engaged to Glinda, he served as the captain of the Wizard’s police force, and he never stopped caring for Elphaba. When that was revealed, he was captured by the Wizard’s forces and crucified in a cornfield. Elphaba then casts a spell to turn him into a scarecrow, one that doesn’t feel pain and is effectively immortal, but that doesn’t change the fact that Fiyero was this close to being killed for trying to protect his true love.

The Yellow Brick Road Is The Darkest Of Them All

However, if you thought the Scarecrow’s origins were dark, just wait until you hear the truth behind the famous Yellow Brick Road. In The Wizard of Oz and even Wicked, the Yellow Brick Road is presented as a symbol for Oz. It’s one giant road that connects all of the Lands of Oz to the Emerald City and arguably displays the connectedness between all the races of Oz—except if you’re an animal.

Wicked stressed how the animals were under assault by the Wizard and his desire to subjugate them, and now we see the result of it in Wicked: For Good. The Yellow Brick Road, for all of its wonder and whimsy, is the product of rampant slave labor. 

The road itself was constructed by the animals, who had all lost their intelligence and individuality, and were under direct watch from the Wizard’s guards during its development. If they disobeyed, they were whipped and beaten. Given the sheer enormity of the project, one can assume that a lot of dead animals were involved in paving this road to the Emerald City. Granted, most of this isn’t directly shown and is more implied, but that doesn’t change the fact that one of the most defining symbols in all of cinema is the byproduct of deplorable behavior. So the next time you’re watching The Wizard of Oz, don’t forget: Oz is a terrible place and everything magical about that movie is actually awful!