Anime used to be niche. Two decades ago, most average audiences likely only knew of anime through series like Dragon Ball Z (1989) or Studio Ghibli’s library of films. However, in recent years, anime’s popularity has exploded. More and more people are watching anime, and it's become a huge hit not only on streaming but also in theaters. Anime feature films are now more visible than ever, and they recently just made a huge milestone with Demon Slayer: Infinity Castle (2025).

Since its Japan release in July, Demon Slayer: Infinity Castle has generated over $648 million at the box office. For reference, its lifetime haul has currently surpassed both Superman (2025) and Fantastic Four: First Steps (2025), both of which were highly anticipated tentpole summer blockbusters. Anime has the potential to be a box office powerhouse. So, let’s look at the 10 highest-grossing anime films of all time and see how (and why) they became as successful as they are. Most of the titles can be streamed on HBO Max and Crunchyroll, so if you want to see what the highest-grossing anime films of all time are, here’s what you need to know!

10. Ponyo (2008)

While most of Studio Ghibli’s library targets older children and even adults, Ponyo does not. Ponyo seems squarely aimed at a young demographic, but considering how the film earned $204 million, that target audience seems to have paid off.

If Spirited Away (2001) comes across as a modern fairy tale, Ponyo is like a modern bedtime story. There’s hardly any major conflict in the film, and the fantastical nature of its world feels at home with other oceanic kids movies like Luca (2021). There’s still plenty of energy to go around, almost entirely thanks to the ham-obsessed Ponyo and her simplistic yet eager personality. She knows what she wants and always has a smile on her face, making her a great lead for kids to watch. There’s beauty in the simplicity of Ponyo. Parents looking for a warm and accessible film for children should definitely consider Ponyo, regardless of whether they’re trying to get their kids into anime or not!

9. Howl’s Moving Castle (2004)

Compared to most other Studio Ghibli films, Howl’s Moving Castle occupies a weird space in the company’s canon. It earned over $236 million at the box office and a cult-following among Ghibli fanatics, but it’s also arguably Miyazaki’s most polarizing film.

Like Princess Mononoke (1997) and Grave of the Fireflies (1988), Howl’s Moving Castle is almost entirely defined by its views on war. It’s an anti-war movie, but one that’s more subtle about it than other Ghibli films. That results in some of the metaphor and symbolism becoming a bit muddied, especially as its compelling cast of characters compete with each other for attention. Regardless of whether or not the film successfully conveys its themes, there’s no denying the sheer artistry of Howl’s eponymous castle and the sheer majesty it presents. It’s one of the most iconic locations Ghibli has ever produced and is still impressive to this day. If you’re more interested in large casts of characters than the worlds they inhabit, then venture over to Howl’s Moving Castle.

8. One Piece Film: Red (2022)

There’s nothing quite like One Piece (1999). Its story is the definition of epic, and it currently stands as a generation-defining piece of storytelling the likes of which the anime industry has never seen. It shouldn’t be at all surprising then that One Piece Film: Red is one of the highest-grossing anime films of all time with $246 million to its name, but it may be surprising that its total haul isn’t higher than it is.

A part of that has to do with the sheer scope of the film. If you’re a One Piece fan, there are cameos and references to characters that haven’t been seen in years that are sure to please you. In contrast, newcomers may struggle getting their heads around just how large a cast the film has, and the fact that it’s a musical is an entirely separate hurdle in its own right. That being said, its status as a non-canon film means that the animators at Toei can have fun letting the Straw Hat crew run wild with ridiculous enemies designed purely to entertain fans. There’s no denying it’s fluff, but for those who enjoyed Spy x Family Code: White (2023) or My Hero Academia: Heroes Rising (2019), One Piece Film: Red will scratch a lot of those same itches, and hopefully, get you hooked on the series!

7. The First Slam Dunk (2022)

If you’re a younger anime fan, the name Slam Dunk (1993) may not mean anything to you. It’s a manga that ran from 1990 to 1996, and while it never became a global phenomenon, in Japan, it’s one of the most successful and beloved manga of all time. Its popularity is so ingrained that, when The First Slam Dunk was released, it generated $279 million despite there being no new installment in the series since 2009.

It’s not hard to see why The First Slam Dunk received the acclaim it did. If you love basketball, then the action on the court is just as thrilling as an NBA game. The love and respect of the sport really drives home how passionate the characters are. Haikyu!! (2014) and Blue Lock (2022) expertly convey how intense their sports are, but The First Slam Dunk does that and then some. You’ll want to cheer as you see each of Shohoku High’s star players give it their all on the court, and veterans will appreciate how the film plays with their expectations. I may not be a sports guy, but The First Slam Dunk helps me understand why people love it as much as they do.

6. The Boy and the Heron (2023)

Hayao Miyazaki is the godfather of anime. He and Studio Ghibli have become foundational figures in the industry, so when Miyazaki makes a new movie, people pay attention. Even if The Boy and the Heron took seven years to complete, Ghibli grossed $294 million at the box office.

If you’re at all interested in who Hayao Miyazaki is as a person, The Boy and the Heron feels like a personal examination of what goes on in his head. Many elements of Mahito’s journey mirror Miyazaki’s own life, and at points, the film comes across like a greatest hits reel of the concepts that he holds near and dear to his heart. Topics like legacy, the impact of war, and environmentalism should be familiar to those who have seen other semi-autobiographical movies from Miyazaki, like The Wind Rises (2013), but they’re presented with such care and creativity here that it incentivizes repeat viewings. If this is Miyazaki’s swan song and he finally decides to retire, The Boy and the Heron is one hell of a high note to end on.

5. Suzume (2022)

Despite making films for years, Your Name (2016) is the film that put Makoto Shinkai on the map. Since then, his films have garnered both critical and commercial acclaim, with Suzume earning a respectable $314 million at the box office and telling a deeply personal story for Shinkai.

Much like Your Name and Weathering With You (2019), Suzume is a romance story at its heart, but through the lens of a disaster film. It drew direct inspiration from the 2011 Tohoku earthquake, so while concepts like a gigantic interdimensional space worm may seem goofy, it’s rooted in real-world tragedy. This helps make the adventure and the threats more believable, allowing Shinkai to produce a film that delves into much deeper and meaningful emotional territory. If you were left cold by Your Name and are looking for an anime that feels like an adventure, Suzume achieves its goals and then some. You may not cry during it as much as Your Name, but you’ll feel more satisfied by the time it ends.

4. Spirited Away (2001)

As far as anime films go, few are as beloved as Spirited Away. For decades, Spirited Away was the highest-grossing anime film of all time after earning $396 million, and in an era before anime’s mainstream acceptance, its runaway success was no easy feat.

In a lot of ways, Spirited Away feels like a modern Alice in Wonderland (1951). The world that Chihiro finds herself in is strange, yet inviting. It’s a very particular mood that’s hard to replicate, but watching the strange ghosts and creatures that inhabit Yubaba’s bathhouse are welcoming. It’s a sight to behold, but the film isn’t just spectacle and organized chaos. It also features beautiful moments of quiet contemplation, making Spirited Away come across as a more family-friendly Pan’s Labyrinth (2006). It’s a beautiful and thought-provoking film that has stood the test of time and deserves to be seen by anyone who’s an anime fan or anyone looking for a film about strange worlds far removed from our own.

3. Your Name (2016)

Unless you’re Studio Ghibli, it’s rare for an original anime film to do well at the box office. Without a certain degree of name recognition, it’s very difficult for original titles to break through to achieve mainstream success, but Your Name defied the odds and earned over $400 million at the box office. 

Your Name captures young love in a way that feels believable and deeply moving. The supernatural element between its two leads is incredibly creative, and puts Your Name alongside movies like The Girl Who Leapt Through Time (2006) as romances that play with their concepts in creative, yet gutwrenching ways. Your Name is quite literally the embodiment of “don’t cry because it’s over, smile because it happened.” You’ll want to cry, and romance fans will have a lot to cry about, but it’s such a pleasant experience that you’ll never forget the beauty of Taki and Mitsuha’s love.

2. Demon Slayer: Mugen Train (2020)

One of the reasons why the success of Demon Slayer: Infinity Castle isn’t all that surprising is because its predecessor, Demon Slayer: Mugen Train, was also a monumental hit. In fact, its success is extra shocking given that it was released during the peak of the COVID-19 pandemic and still earned over $500 million at the box office. 

Demon Slayer: Mugen Train generated well over half a billion dollars over its theatrical life. One of the main reasons behind that success was that it was a very accessible movie. The story, unlike Infinity Castle, is self-contained, meaning that it’s a perfect jumping-on point for any who wants to get into Demon Slayer (2019). While the core trio of Tanjiro, Zenitsu, and Inosuke are still present, most of the film revolves around Rengoku. He’s a likable lead character, who exudes positivity in the same way that All Might does so effortlessly in My Hero Academia (2016). The action and style of the series transitioned wonderfully to film, making Demon Slayer: Mugen Train a perfect microcosm of what makes the series so thrilling.

1. Demon Slayer: Infinity Castle (2025)

Understanding the success of Demon Slayer: Infinity Castle isn’t too complicated. If you’re a fan of Demon Slayer, Infinity Castle is must-see entertainment because it serves as the climax of the series.

Demon Slayer: Infinity Castle had four seasons of a highly successful anime, and instead of presenting the climax of the show as yet another season, Ufotable opted to give the series finale the pomp and spectacle it deserved. The film looks absolutely stunning, showing some sakuga that stands above already excellently animated series like Jujutsu Kaisen (2020) and One Piece. It’s also an extremely faithful adaptation of the manga, so fans of the original series won’t have to worry about missing out on key plot details. That’s a double-edged sword, though, since it absolutely wrecks the pacing of the film, most notably with a 45-minute flashback that interrupts the climax. Still, the action is spectacular, and longtime fans will be chomping at the bit for the next two installments. 

When it comes to cozy, kid-friendly Halloween movies, few things top Disney. Many of us remember where we were when the countdowns would begin, and we'd have a new spooky movie to look forward to that we'd make our entire personality. Some of these movies are now over two decades old, and still, viewers tune in every October to rewatch them. The network even gave us amazing spooky episodes of shows like Lizzie McGuire (2001) and Even Stevens (2000) that we'd sit in front of the TV and wait for another airing if we somehow missed recording them on our VHS players. Those were the days before the company launched its own streaming service to give us all access, year-round. 

From Halloweentown (1998) to the underrated Phantom of the Megaplex (2000), here are the best Disney Halloween movies and how to watch them on Disney+ this year.

Halloweentown (1998)

It's actually amazing that, to this day, Disneyland hasn't taken the opportunity to open up a land inside its parks to honor the movie that's become a Halloween staple. While the big pumpkin that's always displayed at the center of Main Street certainly feels like the perfect homage, surely more would be welcomed by park goers. We have the Sanderson sisters; why not add the Cromwell witches, too?  

Halloweentown isn't just the best and coziest Disney holiday movie, but it's also a perfect not-to-scary horror movie to watch with the whole family. The inclusive town that's full of all kinds of creatures is a dazzling and colorful gem that makes for a delightful escape. The late Debbie Reynolds was a renowned star for countless films, and her portrayal of Aggie Cromwell is still one of the most wholesome beats of acting. The relationship between the Cromwell family is surprisingly well-established and delivers something genuinely comforting. For fans of wholesome Halloween movies, Halloweentown is the ultimate.

Hocus Pocus (1993)

While the initial theatrical run of Hocus Pocus is considered a flop for Disney, the film's mass popularity as a TV film is what has made it such a staple for the holiday. For most young viewers at the time, Hocus Pocus was the first Halloween movie we watched and fell in love with. Bette Midler, Kathy Najimy, and Sarah Jessica Parker, along with all other cast members, deliver the type of unforgettable performance that brings the screenplay to life with brilliant humor and worthy layers. 

The inclusion of the Salem Witch Trials, dreamy autumnal foliage, and the decision to center the film entirely around the night of Halloween with top-tier costumes is also why it's on yearly rotation in countless households. Add in a ridiculously catchy soundtrack and wild jokes with spooky season must-haves like black cats and zombies back from the dead, and it becomes a fan favorite for every type of viewer. 

Halloweentown II: Kalabar's Revenge (2001)

Sequels are rarely as good as the originals, but Halloweentown II: Kalabar's Revenge is an incredible feat from start to finish. It touches on the original story's lore by expanding it in a riveting manner and also giving early viewers their first glimpse at what could've been an enemies-to-lovers romance. (Surely, there's fan fic out there somewhere, but even if there isn't, the real-life stars Kimberly J. Brown and Daniel Kountz are married.) All that aside, the sequel expertly delivers another lovely showcase of the Cromwell family's legacy while also adding a bit more character depth to Phillip Van Dyke's Luke.

The story about vengeance and the theme of targeting humans for their mockery of monsters is quite profound when examined further, and the continued theme of a family working together is a worthy anchor. The sequel feels like essential viewing right alongside the original, and while the third, Halloweentown High (2004), is decent, too, Kalabar's Revenge completes the original story in a manner that feels earned.

Under Wraps (1997) 

There's currently a remake, but nothing tops the original Under Wraps. And while the film isn't available to stream anywhere with the reboot replacing the original, now's the perfect time to dig up those old VHS tapes and DVDs. The premise follows three pre-teens who uncover a real mummy that comes to life and help him back into his sarcophagus before midnight. The story, like many others on this list, takes place on the night of Halloween and also features hilarious (but wholesome) needle drops of "All By Myself."

As the kids attempt to spend the entire night getting Harold back in his sarcophagus, the movie provides plenty of entertainment and a surprising amount of classic horror lore as one of the main characters is obsessed with the genre. Perfectly palatable for scaredy-cats, there's something super cozy about the original that features the quintessential '90s Halloween magic that makes these movies stand out and still hold up. 

Phantom of the Megaplex (2000)

Phantom of the Megaplex isn't just a fun segue into the world of theater and the classic Phantom of the Opera lore, but it's also a surprisingly interesting workplace narrative centered around teens and movie theaters. The movie doesn't actually take place on Halloween, and we've also got to question how a 17-year-old manages to become assistant manager at a massive multiplex, but that's neither here nor there because it's delightfully spooky in a way that'd make being stuck in a theater very unpleasant for a scaredy-cat. 

More than anything, the late Mickey Rooney delivers one of the most heartwarming performances, with a gorgeous quote about movies that perfectly encapsulates why this specific medium of storytelling is so special: "True wonder is hard to come by, but there's always magic at the movies." As the film honors different types of movies with the looming threat of a phantom trying to terrorize them all, it becomes something genuinely compelling to introduce kids to. 

Mom's Got a Date With a Vampire (2000)

While Mom's Got a Date With a Vampire also doesn't take place strictly on Halloween, it's still an incredibly spooky movie to watch during the holiday season. It delivers the right amount of scary moments and brings vampires to the center of the mix. Though, unlike Twilight (2008), no one's falling for them here. Instead, everyone's trying to prove that the great Caroline Rhea is on a date with the titular vampire, Charles Shaughnessy's Dimitri. 

It includes a fall festival, a decent and hilarious bit of stereotypical vampire lore, and a character that's naturally obsessed with all things horror. In addition, there's a solid amount of dark moments that provide the right amount of shock without ever once getting to a point where it can be too much. More than anything, it's a whole lot of fun and feels like something that's been around for a lot longer than it has been.

The Scream Team (2002)

The Scream Team may be Disney's most underrated film, and perfect for viewers who grew up loving Ghostbusters (1984). It's ridiculously funny and features the right amount of creepy lore to make it a distinctly delightful Halloween movie. It follows two siblings and their father returning to their small town in New England after their grandfather dies, only to learn that his soul hasn't moved on, and the town's legend is based on a true story.

The story essentially begins when they stumble into the layer of a ghostly afterlife crossover location, making the whole journey that much more farcical (complimentary), before the characters also realize that the town's supposed villain is actually a grieving man searching for vengeance because he was wrongfully convicted. It's a surprisingly interesting movie that highlights the importance of creativity while also diving deep into grief and managing to provide plenty of funny moments throughout. 

Hocus Pocus 2 (2022)

Sequels developed years after the original are seldom as remarkable, but Hocus Pocus 2 manages to add an intriguing backstory that layers the original characters. Despite how long it's been, the cast members don't miss a single beat as they step back into their respective roles and effortlessly thrust the characters into our present-day world with a riveting amount of humor and surprising heart. The story works because the screenplay doesn't retcon anything from the original, but instead, it adds to the lore with new characters and clever nods.

The sequel delivers a tear-jerker ending and a worthy revelation about Winifred that brings to light character motives in a manner that makes the original somehow more gripping. It serves as an exceptional new journey that honors the Sanderson sisters and reminds viewers why they've stayed with us for 32 years now. Perfect for viewers who thought the original was too scary, this one will ensure that every layer in it feels more earned.

Don't Look Under the Bed (1999)

Don't Look Under the Bed is arguably one of the scariest Disney Channel original movies, but it's thankfully still scaredy-cat appropriate—unless you absolutely can't handle distorted faces—then I'd stick this one out. But, in a nutshell, it's somewhat like Pixar's Monster's Inc. (2001) for teenagers. Still, as a story about the Boogeyman, it's a pretty tame showcase of the popular lore. 

At its core, Don’t Look Under the Bed is about remembering our childhoods and how the wonder dies in adulthood, manifesting itself into more scary versions of what we once knew. It might not exactly be a Halloween movie, but the frights it delivers are certainly up to par with the movies on this list. Some kids might find it scary at first, but by the end, when everything's cleared up, it will be a lot more palatable. 

The G.I. Joe franchise is a remarkable story. Beginning as a toy line in the 1960s, it got a second lease on life with the wildly popular toy line A Real American Hero in 1982, shifting focus to military action as a colorful cast of characters battled the sinister forces of Cobra. Since that relaunch, G.I. Joe has been an institution, with decades of toys, one of the most beloved comic book runs ever released, and, of course, the legendary G.I. Joe: A Real American Hero (1983) cartoon.

Unfortunately, efforts to branch out into films weren’t met with as much success. However, if you’re looking to catch up, look no further than our list of every G.I. Joe movie in order and where you can watch them on Tubi, Apple TV+, and more. 

G.I. Joe: The Movie (1987)

G.I. Joe: The Movie was meant to be the opening salvo in a trilogy of films based on Hasbro projects, with The Transformers: The Movie (1986) and My Little Pony: The Movie (not the 2017 one) to follow. But delays meant that Transformers released first, and it was a disaster. As a result, G.I. Joe: The Movie became both a direct-to-video release and a televised miniseries.

The film notoriously changes its original plot, undoing the death of lead character Duke. This was done because Transformers suffered from backlash following the death of Optimus Prime, which was, ironically, written into Transformers because producers liked the earlier G.I. Joe script’s idea to kill Duke! Regardless, G.I. Joe: The Movie remains a fan favorite for its larger-than-average action. It’s a must-watch if you’re a fan of the original animated series or any of its decades of ensuing toy lines.  

G.I. Joe: The Rise of Cobra (2009)

Following the success of 2007’s Transformers, it was only a matter of time before G.I. Joe made the leap to the big screen. 2009’s G.I. Joe: The Rise of Cobra makes a big swing at the property, bringing in Channing Tatum and Marlon Wayans as Duke and Ripcord, two iconic Joe characters that join a team comprised of Snake Eyes, Scarlett, Heavy Duty, Breaker, and Hawk.

Despite a star-studded cast that includes Christopher Eccleston as Destro and Joseph Gordon-Levitt as a proto-Cobra Commander, the baffling plot and cringe-inducing tongue-in-cheek nods to the cartoon made this a miserable experience for longtime G.I. Joe fans. If you’re just in the mood for the apex of mind-numbing late ‘00s action, Rise of Cobra fits the bill, but otherwise, you’re better off avoiding this one.  

G.I. Joe: Retaliation (2013)

It’s 2013, and you’re trying to get eyes on your sequel, so the obvious move is to include The Rock. Fresh off of Fast Five (2011) and Journey 2 (2012), Dwayne Johnson assumes the role as film lead, depicting fan-favorite Joe, Roadblock. Infamously, G.I. Joe: Retaliation was meant to be an almost total reboot, killing off the entirety of the previous film’s cast, but fan outcry led to Channing Tatum’s Duke surviving, marking the second time the character was saved by outraged fans.

Beyond that (and a returning Snake Eyes), Retaliation also brings in Bruce Willis as Joe Colton, meant to be the titular “G.I. Joe.” Still, the combined star power of Willis and The Rock wasn’t enough to win fans over. Retaliation is still undeniably an improvement on its predecessor with raucous action and more ridiculous plot, so this one may be more your speed if you want a live-action version of the cartoon.

Snake Eyes: G.I. Joe Origins (2021)

For its third attempt, the G.I. Joe franchise rebooted itself with Snake Eyes: G.I. Joe Origins, an origin film on the perpetually popular Snake Eyes. Original actor Ray Park doesn’t return for this film, replaced by Crazy Rich Asians (2018) star Henry Golding instead. The film follows the early days of Snake Eyes joining Clan Arashikage and sets up his rivalry with Storm Shadow, but it does so by making drastic changes to the established Snake Eyes character from the original toy line and comics.

The film was a major disappointment for fans, and one of 2021’s most infamous box office bombs. The mediocre action falls short of being an exciting movie, and the story doesn’t resemble any of the classic G.I. Joe characters or tongue-in-cheek narrative fans have come to love. The state of the G.I. Joe franchise is in limbo as of this writing, with a sequel planned but no movement having been made following Snake Eyes’ failure. 

 If you’re a fan of stand-up comedy, you’ll know there’s no shortage of specials to watch. From classics like Richard Pryor: Live in Concert (1979) to newer hits like Hannah Gadsby: Nanette (2018), stand-up gives comedians the space to be funny, insightful, and authentically themselves, resulting in a medium as varied as those on stage. Comedy can be a tool to escape from reality for a bit or a way to better understand it, and the best stand-up comedians are the ones who meet the moment with a clear voice and unique perspective.

Whether you’re looking for boundary-pushing jokes or clean-cut humor, here are the best new stand-up specials to watch now, with a good chunk of them readily available on Hulu. 

Jim Gaffigan: The Skinny (2024)

If you’re familiar with Jim Gaffigan, you’ll love his latest special, The Skinny (2024), which draws on the comedian’s recent weight loss with the help of appetite suppressants. It may, at first, seem like a far cry from the jokes about food, laziness, and Hot Pockets that Gaffigan is known for, but even if there’s less of him to love at the moment, the medication hasn’t interfered with his sense of humor.

Gaffigan is known for his cleaner comedy, avoiding hot button issues, and rarely using bad language. Even parts of The Skinny that seem like they may get raunchy, like a bit about the invention of Viagra, stay firmly in the PG-13 zone, making it an ideal choice for a mixed crowd. From stories about raising teenagers to a loving roast of Pat Sajak, The Skinny is a great special showcasing a uniquely talented comedian who manages to be both wholesome and twisted.

Zarna Garg: Practical People Win (2025)

In her second stand-up special, Practical People Win, Zarna Garg shares her unique perspective as an immigrant and Indian American mother of three with hilarious observations and surprising punchlines. No one is safe from Garg’s cutting words, not even her own kids, but much of the special centers on her relationship with her mother-in-law, who manages to be a constant presence from the other side of the world. 

Garg’s penchant for shock comedy may rub some viewers the wrong way, and she’ll be the first to tell you that she’s not overly concerned with being politically correct. However, the result is a special that feels incredibly honest, like your cool aunt sharing a little too much about her life in the most fun way possible.

Atsuko Okatsuka: Father (2025)

If you’re looking for a stand-up comedian with a distinct style and enough energy to put the Energizer Bunny to shame, you want Atsuko Okatsuka. In Father (2025), Okatsuka covers a range of topics like her interdependent, yet adorable relationship with her husband and the struggles of making friends as you get older. She also has stories about her wild family history, which involves being kidnapped, brought to America, and living undocumented as a child.

While there’s certainly some darkness in her stories, Okatsuka’s physicality and facial expressions ooze positive energy and light. If you like cute, wholesome stand-up, be sure to check out Father on Hulu.

Marc Maron: Panicked (2025)

As its title suggests, Marc Maron’s latest special Panicked (2025) and his second for HBO, is far from a lighthearted hour of comedy. If you know Maron’s work—he’s best known for hosting the podcast WTF with Marc Maron, which ended in October 2025 after over 16 years of interviewing guests ranging from Robin Williams to Barack Obama—you’ll expect him to get political, and he does right off the bat.

While the special discusses other topics, like having to evacuate from the devastating LA wildfires, mental health, and Maron’s emotional relationship with his phone, Panicked is full of keen observation and thoughtful analysis that meets the nuance of the moment. Maron has sharp words for those on both sides of the political spectrum, not sparing those he agrees with from critique. Those looking for escapism from the headlines or who disagree with Maron’s politics should avoid it, but if you find shows like The Late Show with Stephen Colbert (2015) and Last Week Tonight with John Oliver (2014) entertaining rather than stressful, you’ll likely find Panicked’s well-articulated examination of current events to be, at the very least, cathartic.

Roy Wood Jr.:  Lonely Flowers (2025)

Roy Wood Jr.’s latest special isn’t just an hour of stand-up; it’s a smart examination of our modern social disconnect, loneliness, and how it's made us worse off as a society. That’s not to say Lonely Flowers isn’t funny—after all, The Daily Show (1996) alum spent years finding ways to make viewers laugh through some of the darkest current events. But it’s also profound in a way that sets it apart from a lot of other stand-up comedy specials.

Wood makes transitioning from humorous observation to powerful social commentary and back seem effortless. He also doesn’t shy away from the bleak or sentimental, which only makes it better when he finally hits the punchline. Look elsewhere if you’re looking for a lighthearted bit of escapism, but Lonely Flowers is a must-watch for anyone who appreciates comedy that mixes humor with profound observations and a heavy dose of empathy.

Matteo Lane: The Al Dente Special (2025)

The description of Matteo Lane’s The Al Dente Special describes his comedy as “like catching up with your old friend at brunch,” and I can’t think of a better way to sum up his latest stand-up special. Listening to Lane tell jokes about his experiences doing comedy across Europe and his time in Italy really feels like hearing your well-traveled gay friend telling you stories about the beautiful places he’s been and the bizarre people he’s encountered.

Whether he’s talking about meeting Oprah or bizarre TikToks of white women making pasta, Lane brings a sharp, sometimes ice cold, wit with lines that could easily be catchphrases from RuPaul’s Drag Race (2009). 

Gianmarco Soresi: Thief of Joy (2025)

The newest entry on this list, Gianmarco Sorsei’s first comedy special reels you in right away with joke after joke about the comedian’s dysfunctional upbringing and complicated relationships with his parents and revolving door of step-parents. And while he covers a wide range of topics, from majoring in musical theater to accidentally calling a psychic instead of the suicide hotline, Thief of Joy manages to keep up the rapid-fire pace of jokes throughout the entire hour. 

If you like John Mulaney’s stand-up—I was especially reminded of Mulaney’s early work like New in Town (2012)—and don’t mind when comedians get political, you’ll enjoy Gianmarco Soresi’s mix of personal stories and witty observations, too.

Jordan Jensen: Take Me With You (2025)

Take Me With You is Jordan Jensen’s first special, and it’s a promising debut for the former “mall goth.” Jensen’s humor is informed by her life as a woman who, as she puts it, has failed at femininity and is constantly mistaken for a lesbian despite definitely being interested in men. Her stories, while super raunchy, are also incredibly honest and often relatable, especially for women who don’t fit the typical mold. 

Take Me With You definitely isn’t for everyone, so steer clear if you don’t want to hear crude jokes about sex. But if you’re like me and love unapologetic stand-up and shows like It’s Always Sunny in Philadelphia (2005), you’ll enjoy watching Jensen let her freak flag fly.

Your Friend, Nate Bargatze (2024)

Between hosting the Emmys and releasing his first book, Big Dumb Eyes: Stories from a Simpler Mind, Nate Bargatze is having a big year. His latest special, Your Friend, Nate Bargatze, released on Netflix on Christmas Eve 2024 and delivers the kinds of clean and hilarious jokes fans of his previous specials and Saturday Night Live (1975) appearances expect.

Your Friend, Nate Bargatze is filled to the brim with jokes that sound like they come from, for lack of a better word, a friend. Bargatze brings a simple but unique perspective to topics like aging and processed foods, making jokes seem effortless with his folksy Southern charm. If you’re looking for a comedy special that you can share with the whole family, look no further than Your Friend, Nate Bargatze.

Melissa Villaseñor: Welp...What Now? (2025)

Three years after leaving SNL, former cast member Melissa Villaseñor has released her first stand-up special, Welp…What Now?, in which she discusses her time on the legendary sketch comedy show and what her life has been like since leaving her dream job. If you’re familiar with Villaseñor’s work, you’ll know to expect lots of the spot-on impressions that made her a stand-out cast member for six seasons, now mixed with more of her delightful wit and quirkiness. 

As a fan of Villaseñor who has missed her presence on SNL, I loved watching her fully in her element telling jokes about growing up second generation Mexican-American and trying to seduce men with an Ash Ketchum impression. If you’re looking for a stand-up special that’s light and quirky without being too squeaky clean, Melissa Villaseñor’s Welp...What Now? is for you. 

Daniel Day-Lewis returned to acting after an eight-year hiatus in Anemone (2025). Inevitably, his return brings with it a renewed interest in the acting technique known as method acting, given that Day-Lewis is one of its most well-known practitioners. Method acting is when an actor tries to fully immerse themselves in a role. For example, to embody an athlete, an actor may adopt a grueling exercise routine similar to that of a professional athlete.

Method acting can be controversial because some actors’ determination to remain in character can go too far, leading to poor behavior on set or negatively impacting their colleagues. Recently, Day-Lewis bemoaned that some actors have utilized method acting to excuse extreme behavior. Whether for positive or negative reasons, numerous method acting performances have made headlines over the years, and here’s where you can watch the 10 most extreme cases on platforms like Tubi, Apple TV+, and more. 

Daniel Day-Lewis - My Left Foot (1989)

Day-Lewis is known for his extreme method acting, but few instances garnered as much media attention as his preparation for My Left Foot. To accurately portray painter Christy Brown, who has cerebral palsy, Day-Lewis spent all of production in a wheelchair, forcing his co-stars to wheel him about and spoon-feed him. He even demanded to be called Christy off-screen. Director Jim Sheridan’s daughter, Kristen Sheridan, told media outlets at the time that Day-Lewis’s method “was madness.”

Day-Lewis’s extreme methods worked, as he fully embodied Brown, capturing his passion and essence with accuracy and delicacy. My Left Foot sensitively portrays the painter’s brilliance and struggles, telling a profoundly moving story about acceptance. It’s an excellent movie if you’re looking for influential films with disability representation, such as Out of My Mind (2024) and The Elephant Man (1980).

Tom Hanks - Cast Away (2000)

Tom Hanks made headlines for his near-fatal method acting techniques for Cast Away. To embody the role of Chuck Noland, a man stranded on a remote island, Hanks decided to give up bathing, shaving, and cutting his hair for a period of time. He also had to gain 50 lbs to portray the pre-stranded Chuck, then lose 55 lbs to reflect Chuck’s weight loss on the island. His refusal to bathe led to a staph infection that began eating away at his leg and could have poisoned his blood if not caught in time.

Cast Away is a fascinating survival drama that dives deep into human resilience and the impact of isolation. Meanwhile, Hanks delivers the performance of a lifetime, beautifully and poignantly capturing Chuck and the state of his mind, evoking sympathy and intense emotion. It’s an excellent choice if you’re looking for a gripping, intense survival drama akin to The Martian (2015) or Society of the Snow (2023).

Choi Min-sik - Oldboy (2003)

Choi Min-sik made headlines for his method acting and physical commitment to portraying Oh Dae-su in Oldboy. Determined to make the torturous experiences of Dae-su look realistic, Choi insisted on doing his own stunts and avoiding special effects when possible. Since Oldboy is filmed nonlinearly, Choi continuously lost and gained weight during production to reflect Dae-su’s condition. He also branded himself for every year Dae-su was in prison and consumed live octopuses for one scene, despite being a Buddhist vegetarian.

Choi’s method acting pays off in Oldboy as he mesmerizes viewers by capturing the depravity and feral nature of a man held captive for 15 years. The action sequences are just as intense as Choi’s performance, with scenes like the single-shot corridor fight becoming some of the most memorable action sequences in cinema. Viewers who love action-packed, revenge thrillers like John Wick (2014) and I Saw the Devil (2010) will enjoy Oldboy.

Jamie Foxx - Ray (2004)

Jamie Foxx’s method of acting in Ray garnered attention from the media, which reported on how he essentially became blind for the movie. To portray legendary musician Ray Charles, who is blind, Foxx had his eyes glued shut with silicone underneath prosthetic eyelids to play the role convincingly. The inability to open his eyes initially caused him to hyperventilate, but he later became accustomed to the setup, managing to go hours without seeing while filming. In addition to gluing his eyelids, he also lost 30 lbs for the role.

Ray is an excellent watch for fans of musical biopics. Foxx’s transformation alone is reason enough to watch, but Ray is also a heartfelt tribute to Charles, successfully giving fans a deeper and more intimate understanding of him. It parallels What’s Love Got to Do with It? (1993) and Rocketman (2019) in quality and depth.

Christian Bale - The Machinist (2004)

Christian Bale made headlines for the shocking transformation he underwent to portray insomniac Trevor Reznik in The Machinist. Media outlets have often called his preparation for the role one of the most extreme examples of method acting. To portray the frail, troubled Reznik, Bale shed 62 lbs, dropping down to just 120 lbs in body weight by sticking to a diet predominantly of cigarettes and whiskey. 

Bale’s dedication to the role elevates The Machinist to an unsettling and thought-provoking psychological thriller. It takes viewers to the darkest, deepest corners of regret, guilt, paranoia, and delusion. Meanwhile, fans of Bale will marvel at his sheer commitment to the role. If you enjoy dark films that blur the lines between reality and delusions, like Jacob’s Ladder (1990) and Joker (2019), you’ll love The Machinist.

Hilary Swank - Million Dollar Baby (2004)

In 2005, Hilary Swank made headlines for the grueling preparation she underwent to portray boxer Maggie Fitzgerald in Million Dollar Baby. Her regimen included spending six days a week at the gym for three months and consuming 210 grams of protein a day, which resulted in her gaining 19 pounds of muscle. However, her commitment almost became fatal when she popped a blister on her foot and experienced a staph infection, which she only narrowly treated quickly enough to avoid serious complications.

Million Dollar Baby is a unique sports drama that avoids the cliches of the genre. While most sports dramas lean into melodrama and sentimentality for inspiration, Million Dollar Baby is a dark, gritty depiction that explores the tragedy of shattered dreams and how one defines one’s worth. Fans of darker sports dramas like Cinderella Man (2005) and The Fire Inside (2024) will be especially intrigued by Million Dollar Baby.

Meryl Streep - The Devil Wears Prada (2006)

Meryl Streep’s performance as the frigid, cruel fashion magazine editor-in-chief, Miranda Priestly, in The Devil Wears Prada earned her critical acclaim, but also made headlines as the role that turned her away from method acting. To capture Priestley’s essence, Streep decided to maintain her aloofness from her colleagues offscreen. Her performance earned her an Oscar nomination, but she later revealed to the media that the experience was so miserable and lonely that she opted never to try method acting again.

The Devil Wears Prada is a clever and mesmerizing comedy. Streep’s Priestley offers one of comedy's best villains, while the film serves as a sharp commentary on the fashion industry and the toxicity of fashion culture. Sharp, witty, and bursting with iconic performances, The Devil Wears Prada is a must-see for fans of fashion industry movies like The Intern (2015) and Cruella (2021). 

Natalie Portman - Black Swan (2010)

While Natalie Portman has denied ever fully committing to method acting, the media has often described her grueling preparation for Black Swan as containing method acting techniques. She began preparing for the role of Nina in Black Swan a year in advance, undergoing at least five hours of training per day, including three hours of ballet, swimming a mile, and toning for two hours. Once she started choreography for the movie, her training extended to eight hours a day. Her training allowed her to convincingly perform an alleged 80% of the dances in Black Swan.

Black Swan is a dark, intense psychological thriller that delves into the cost of perfection. Portman dazzles as Nina, a role that won her the Oscar for Best Actress. The intensity and psychological thrills are comparable to the likes of Suspiria (1977) and Whiplash (2014).

Jared Leto - Suicide Squad (2016)

Jared Leto made headlines after his co-stars revealed some of the drastic measures he took to portray The Joker in the DCEU’s Suicide Squad. Leto tried to embody the DC villain’s unhinged persona by sending his co-workers creepy “gifts,” like delivering a dead pig to Viola Davis and sending a live rat to Margot Robbie. Given the disturbing nature of the gifts, Leto drew criticism for his method acting. His performance as The Joker also earned him a Golden Raspberry nomination for Worst Supporting Actor.

While Leto’s performance is divisive, Suicide Squad still has some merits. Robbie and Davis dazzle as Harley Quinn and Amanda Waller, offering some of the best iterations of the characters to date. It was also one of the earlier big franchise films to cater to fans of darker, unconventional superhero movies. It will appeal to those who enjoy anti-hero movies like Birds of Prey (2020) and Thunderbolts* (2025).

Austin Butler - Elvis (2022)

Austin Butler so fully embodied Elvis Presley for the musical biopic Elvis that he needed a dialogue coach to stop speaking in the musician’s iconic drawl. Since his accent lingered for nearly a year after Elvis’ release, headlines as recent as 2023 delved into the phenomenon of his method acting. It was particularly attention-grabbing because it was a rare instance where audiences could actually see the lasting psychological and physical impact of his immersion into the role. 

Butler’s method acting was fruitful, considering his electric performance drives the success of Elvis. He and the film tackle the iconic singer with a palpable energy that does justice to his larger-than-life persona and serves as an excellent tribute to Presley, even if it does take some creative liberties. It’s on par with biopics like A Complete Unknown (2024) and Walk the Line (2005). 

For many horror fans, the slasher genre has become almost synonymous with buckets of blood, over-the-top dismemberment, and shock value. But it doesn't have to be that way. Some slashers remind us that fear is built in the mind. They use suspense, creepy shadows, character vulnerability, and mystery rather than visceral carnage.

These are the movies that make you wince before anything happens. If you love psychological dread or just want something that won't send you diving behind a pillow every 10 minutes, these six films fit that bill. Each of these entries, which can be found on platforms like Netflix, Hulu, and HBO Max, proves that tactful restraint is just as effective as gore.

Psycho (1960)

After stealing a fortune from her employer, Marion Crane (Janet Leigh) checks into the isolated Bates Motel, run by the soft-spoken but deeply disturbed Norman Bates (Anthony Perkins). What she finds there changes the definition of horror forever. Psycho predates the slasher boom by decades, yet it set the foundation for everything that followed.

It's a masterclass in suspense that is more about psychology than stabbing. The infamous shower scene is often remembered as one of the most shocking moments in cinema history, but if you watch closely, you barely see a drop of blood. It's the editing, the music, and your own imagination that make it horrifying. Psycho is perfect for anyone who loves classic thrillers or psychological horror.

The Texas Chain Saw Massacre (1974)

The Texas Chain Saw Massacre earned a reputation as one of the most gruesome films ever made, but there's barely any blood in it. The story follows a group of friends whose car breaks down while on a Texas road trip. While searching for help, they stumble upon a rural house hiding a family of cannibals led by the monstrous Leatherface (Gunnar Hansen).

Tobe Hooper's direction makes you think you've seen unbearable violence, when in reality, it's the sound design and camera work that create that raw panic. The film's relentless atmosphere is what makes it feel far more brutal than it actually is. The Texas Chain Saw Massacre is ideal for horror fans who want intensity that will test your nerves, but not explicit gore.

Halloween (1978)

Halloween begins when escaped killer Michael Myers (Nick Castle) returns to his hometown and stalks babysitter Laurie Strode (Jamie Lee Curtis). What follows is a chilling game of cat and mouse that turns a peaceful suburb into a nightmare. The movie proves you don't need gallons of fake blood to terrify an audience. What makes it so effective is its simplicity.

A quiet suburban neighborhood, a faceless killer, and that haunting piano theme. This movie is perfect for fans of vintage horror and viewers who like their scares methodical, not messy. Even though it helped define the modern slasher, Halloween is relatively bloodless, as most of its violence is implied or happens offscreen. As for its later installments, that's not the cast. 

Scream (1996)

Scream kicks off when a masked killer called Ghostface begins terrorizing a small town. The story revolves around Sidney Prescott (Neve Campbell) and her friends, who must survive by outsmarting the horror movie rules. But as the bodies pile up, no one can tell what's real or scripted. Scream is often credited with saving the slasher genre by poking fun at it while still scaring audiences senseless.

The opening scene with Drew Barrymore is iconic, not because it's bloody, but because of how it builds tension through dialogue. It shows just enough to make your pulse race, but never lingers on the aftermath. This film is for anyone who loves clever, self-aware horror and is perfect for those who've seen enough slashers to appreciate how Scream pays homage to the classics. The vast majority of references involve Psycho and Halloween, previously mentioned on this list. 

I Know What You Did Last Summer (1997)

I Know What You Did Last Summer follows four friends: Julie (Jennifer Love Hewitt), Helen (Sarah Michelle Gellar), Ray (Freddie Prinze Jr.), and Barry (Ryan Phillippe), who cover up their involvement in a fatal car accident. A year later, Julie receives an ominous message from someone who knows their secret and, along with her friends, is tormented by a killer with a hook.

I Know What You Did Last Summer brought a glossy, teen-thriller energy to the slasher genre. While the movie features quite a few kills, the story leans into suspense and guilt rather than gratuitous violence. It's more about being hunted by your own secrets than by a hook-wielding fisherman. This one's perfect for viewers who like their horror polished and fast-paced.

The Final Girls (2015)

Part slasher, part heartfelt comedy, The Final Girls takes a meta approach similar to Scream but leans even further into emotion. The story follows Max (Taissa Farmiga), who is unwittingly pulled into a classic '80s slasher, starring her later mother. What follows is funny, touching, and suspenseful, but it never turns nasty.

The violence is expertly stylized and feels more like a playful nod to the genre rather than a parade of senseless gore. The Final Girls is ideal for viewers who want to enjoy the aesthetics of horror without buckets of blood. It's equal parts parody and celebration of final girls who survive not because they're invincible, but because they're smart, resourceful, and human. 

Murder mysteries are a renowned genre for countless reasons, but perhaps more importantly, because of how they're distinctly blanketed with comedy, allowing something dark and harrowing like death to feel a little less sad. Whether they're the numerous Agatha Christie adaptations that hold a vast legacy of their own, or iconic films like Clue (1985) that honor the beloved board game of the same game, the genre is chock-full of possibilities. 

With the rise of true crime podcasts becoming a phenomenon today, more people are gravitating to the genre in ways that are resulting in a bigger rise in creativity and subsequent viewership. There's quite literally so much out there today that even the viewers who've been watching for ages can no longer keep up. With that in mind, a series as charming as Only Murders in the Building (2021) is also bringing in a whole new group of viewers, wanting a specific coziness and beats of levity to keep them entertained. Here are 6 must-watch murder mysteries for viewers who want something on the funnier end. You can watch them on platforms such as Disney+ and Netflix now.

Only Murders in the Building (2021-present)

Only Murders in the Building is an absolute unicorn when it comes to murder mysteries. How the show expertly blends a clever case that changes every season, intergenerational friendships, pop culture references, a variety of beloved guest stars, and a classic essence all around is no small feat. With leads like Martin Short, Steve Martin, and Selena Gomez, there's something for everyone in a way that's genuinely so admirable, it makes the series even more delightful. It's clever, cozy, and laugh-out-loud funny, but more importantly, it's a series that's brimming with unbeatable heart. 

The friendship between the podcast hosting trio grows stronger by the season, and every joke hits even harder than the one before. There's a misconception among various viewers in any genre that modern-day references date a series, but when it's done right, that's where a large part of the charm lies. Years from now, when people rewatch the show or discover it for the first time, they'll be transported to a time that's carefully honored in the screenplay and performances. They'll feel the nostalgia, there's no doubt about it. 

Murder, She Wrote (1984-1996)

In more ways than one, Murder, She Wrote started it all when it comes to cozy murder mysteries. In some instances, the references might not work for every kind of viewer, but the series is so smart and so funny that it always sticks the landing. One of the most charming elements of a show like Only Murders in the Building is that we're getting a perspective that's rare on TV. I continue to bring up this notion of ageism because it's an unfortunate form of discrimination in Hollywood that's often deeply frustrating. Yet, watching shows like Murder, She Wrote or Only Murders continues to signal that every age perspective provides something wonderful and unique—something worthwhile and memorable.

Murder, She Wrote is a classic for a reason. It's funny in a way that's not only consistently endearing, but the late and legendary Angela Lansbury always delivered the type of incredible performance that made each episode an accomplishment on its own. From the writing to the well-established cases, Murder, She Wrote is a genre staple that should be considered essential viewing for any amateur sleuth. 

A Man on the Inside (2024-present)

Mike Schur is among the most gifted comedy writers of our time, and his ability to mix humor and immense, deeply relatable heart is an art in and of itself. It's a gift that makes each of his properties indescribably special and, most importantly, easy to rewatch no matter the subject matter. A Man on the Inside might not exactly be a murder mystery in the traditional vein, but there are crimes to be solved and unconventional detective work, which makes it a clever spectacle led by an even more clever leading character.

As a leading star, Ted Danson has a uniquely moving way of delivering beats of vulnerability into dry humor that makes whatever scene he's in thoroughly evocative. In order for murder mysteries to be memorable, sharp, and funny, the cast of characters must all be equally compelling. Everyone has a part to play, and without thoughtful characterizations, that charm is missing. In A Man on the Inside, every character provides this necessity and then some, making the show both surprisingly funny and achingly wholesome. It's especially perfect for those who love the friendships in Only Murders. 

Pushing Daisies (2007-2008)

Pushing Daisies is an unconventional murder mystery and the kind of hidden gem that was cancelled far too soon. Lee Pace's Ned the Piemaker has a special gift where he can bring back the dead for only a minute, and he uses this skill to help Chi McBride's Emerson Cod solve crimes by essentially asking the deceased who killed them. (Only it's never that easy.) But that's not all, he also brings back his childhood girlfriend from the dead, and since he can't touch her again because she'll die, the two find clever ways to be together without physical touch, all while solving crimes. What's not to love? 

There's a lovely dry humor sprinkled throughout Pushing Daisies that makes it a lighthearted and laugh-out-loud treasure. Its aesthetic brightness and vivid colors, along with its equally quirky characters, make it the kind of show that's perfect for cozy murder mystery fans, romance fans, and those who love their shows to be both spooky and whimsical. With the paranormal twist, it results in a combination that we don't often get, and the series blends it all so brilliantly in Pushing Daisies that it's a shame there aren't more than two seasons. 

iZombie (2015-2019)

Similar to Pushing Daisies, iZombie combines the paranormal with the murder mystery genre to deliver something that's a unique jewel on all fronts. Starring Rose McIver, Rahul Kohli, Malcolm Goodwin, David Anders, and more, iZombie follows a newly-infected zombie named Liv (McIver) who only eats brains from the local morgue, and by taking on the deceased's memories, she helps solve their murders. 

Developed by Rob Thomas and Diane Ruggiero, iZombie is a charming, clever modern mystery that does a significantly admirable job of genre-blending. Magical realism of this sort, like with any good murder mystery, works best if the characters are well-rounded, and that's exactly why the show sings alongside the cases that come through the door. Perfect for viewers who generally aren't a fan of traditional depictions of zombies, this version is not only surprisingly wholesome but also so funny that it's a genuine shame we don't have more series like it. 

The Residence (2025)

While it was unfortunately cancelled after one season, Netflix's Emmy-nominated series, The Residence is among the greats that are gone too soon. Sharp, hilariously unique, and bursting with an excellent cast, it's the exact type of series that can appeal to fans who love a distinct marriage between whodunnits and humor. With an 84% score on Rotten Tomatoes and favorable reviews, the show set inside the White House was off to a great start that's still worth watching despite its untimely end. 

Uzo Aduba is a brilliant lead, hitting every mark with the kind of whip-sharp delivery that makes the character memorable and well-rounded. From the setting to the premise, every beat manages to convey something riveting, and even when it's slow at times, it's clear that the series simply needed some time to find its legs. Still, it's mostly an underrated and all-around good time, perfectly suited to deliver a worthy murder mystery for anyone who wants something funny and smart.

Like anything, horror movies exist on a spectrum. On one side, there are horror movies like Jaws (1975) and Get Out (2017), thoughtful films with deeper stories, genuine scares, and some of the finest acting in the biz. On the other end are the cult classics, the forgotten flops, and the horror comedies that mainstream audiences aren't quite ready to admit carry a similar brilliance to the aforementioned acclaimed hits. Funny enough, those looking to impress at their next Halloween watch party will find their best bet among the latter category.

While most cinephiles will turn up their noses at cheesy B-movies, don't let that deter you. If you want stupid fun, that's where you'll find it! However, those aren't the only titles on this list. From shlocky gems that made rounds at video stores to well-loved favorites, here are the best campy horror movies for your next Halloween party. Head over to Shudder, Hulu, and even free platforms like Hoopla to get watching now.

Alligator (1980)

When it comes to horror, the list of cheesy '80s creature features is miles long. However, nothing has ever captured my heart quite the way Alligator has. Pulling from the famous urban legend, the film posits what would happen if a baby alligator flushed down the toilet took up residence in Chicago's sewer system and dined on lab animals.

The result is something between the worst episode of The X-Files (1993) and the best B-movie. While there are some suspenseful scares, the majority of Alligator is just dumb fun. If your horror tastes fluctuate from clever classics like Scream (1996) to glorious B-movie absurdity like Basket Case (1982), you get the best of both worlds here.

Motel Hell (1980)

Three words: dueling chainsaw fight! If that's not enough to pique your interest, then consider skipping Motel Hell because that’s the type of silly you’ll find here. This isn't a serious horror film; it's essentially a parody of "redneck horror" that fully embraces its B-movie sensibilities. Gore? Check. Cheesy dialogue? Check. A ridiculously bizarre plot about "planting" humans in the ground and harvesting them for meat? Yup, put a check mark next to that, too.

It's the ultimate movie for horror fans who ever thought, "Man, I wish The Texas Chain Saw Massacre 2 was funnier and weirdier." Even famed critic Robert Ebert liked Motel Hell. Perhaps he said it best, "Motel Hell is a welcome change-of-pace; it's to The Texas Chainsaw Massacre as Airplane! is to Airport." Do with that what you will.

The Return of the Living Dead (1985)

If you can't already tell by the title, The Return of the Living Dead is a zombie movie that influenced the subgenre in more ways than one. You know the undead's obsession with munching on brains? Well, thank The Return of the Living Dead for that.

This zombie epidemic kicks off with toxic rainfall reanimating corpses at the local cemetery. What follows is plenty of humor, horror, and gross-out gore. Oh, and a killer punk soundtrack, featuring artists like The Cramps and The Damnes. The zombie genre is still trying to reinvent itself after The Walking Dead (2010) brought it back into the mainstream. But, funny enough, its most unique entry lies in 1985. Not only are the zombies iconic, but The Return of the Living Dead will delight anyone who considers themselves a fan of cheesy '80s horror.

Maximum Overdrive (1986)

Ask me to write a list like this, and I will always include Maximum Overdrive. Perhaps one of the stupidest movies ever made (and I mean that as a compliment), Maximum Overdrive stems from a Stephen King short story and marks the famous horror author's only directorial attempt. Once you watch it, you'll see why.

Filled with goofy, yet quotable, dialogue, silly plot points, and some good old-fashioned gore of the '80s variety, Maximum Overdrive is one of the best unintentional horror comedies around. With names like Emilio Estevez, Pat Hingle, and Yeardley Smith, it's got enough familiar faces for your friends to recognize, but enough over-the-top horror action to keep B-movie lovers smiling as various machines plow through victims. 

Night of the Demons (1988)

Night of the Demons is the campy alternative to possession movies like The Exorcist (1973) and The Conjuring (2013). If anything, it's more like The Evil Dead (1981), thanks to its mash-up of gore and humor. Plus, its Halloween setting, at an abandoned funeral parlor no less, makes it perfect for horror enthusiasts to boot up at their next Halloween watch party.

The possession plotline is fast-paced, dark, and crudely funny. It's mindless '80s horror with enough gory practical effects to remind you why the decade still reigns superior in that department. Really, it's the perfect movie to throw on in the background with like-minded friends, who understand cheese doesn't always mean bad. In fact, sometimes, it can mean perfection. (Also, Roger deserves special mention for stealing hearts and subverting horror tropes about Black characters.)

Troll 2 (1990)

There is "so bad, it's good," and then there is Troll 2, which I would argue is "so bad, it's freaking iconic!" In some ways, it has the set up of a Goosebumps book: A young boy's vacation to a creepy, half-empty town gets upended by monstrous creatures. And if you think these "creatures" in question are trolls. Well, think again.

Without a troll in sight, Troll 2 rightly earns cult status for its nonsensical script, bizarre humor, and, of course, some less-than-noteworthy acting. If that all sounds like a good time to you, then you're in the right place. Despite being billed as a sequel to Troll (1986), Troll 2 stands on its own, meaning anyone can jump right in and start screaming at their television in gleeful frustration.

Scream (1996)

Chances are that if you haven't seen Scream already, you've at least heard of it. This fun slasher by A Nightmare on Elm Street (1984) creator Wes Craven might be even more iconic than Freddy Krueger himself. A little bit whodunnit, and a little bit comedy, Scream tells a twisty mystery story loaded with jokes about the horror genre as a whole.

Really, it's the ultimate movie for a Halloween watch party. The R-rating ensures it stays bloody. However, the humor and high school setting add a certain amount of lightheartedness that makes it relatively welcoming to newer genre fans. Not to mention, Scream holds up on the rewatch, so even those who've seen it before probably won't say no to seeing it again. After all, you need somebody in the group to yell, "Hello, Sidney" when the time comes.

Shaun of the Dead (2004)

If you want something less cheesy than The Return of the Living Dead but still just as iconic, look no further than Shaun of the Dead. Comedy duo Simon Pegg and Nick Frost play two Londoners who find themselves caught in a zombie apocalypse. Pulling inspiration from classics like Night of the Living Dead (1968), the movie features no shortage of jokes, gags, and references to the George Romero classic and the larger horror genre.

Those familiar with director Edgar Wright's other work, including Spaced (1999) and Scott Pilgrim vs. the World (2010), will find a similar brand of genre-blending wit and pop culture homages. Even with all the humor, Shaun of the Dead still manages to hit the right emotional beats, making it perfect for a watch party or anyone in need of a good horror comedy. Trust me. This one has endless rewatch potential.

Slaxx (2020)

Want to play Slaxx at your next Halloween watch party? Well, all you have to do is flip on the trailer for Elza Kephart's horror comedy for a few seconds. I promise your friends will be so intrigued by a pair of sentient, murderous jeans that they'll demand you put Slaxx on immediately. Because, yeah, the trailer leaves questions, and they'll need answers.

Like Scream and Shaun of the Dead, Slaxx balances its horror with quick wit, social commentary, and a dash of meta humor. Believe it or not, there is a deeper message beneath the madness. If horror comedies are your thing, Slaxx will not disappoint. It's got some seriously funny jokes, with a pair of killer jeans that could hold their own against the likes of Michael Myers. 

Deadstream (2022) 

If you like found footage horror movies like The Blair Witch Project (1999) and Hell House LLC (2015), Deadstream was made for you. However, even if shaky cameras aren't usually your thing, Vanessa and Joseph Winter's directorial debut might surprise you. Loaded with B-movie fun, Deadstream knows exactly the type of movie it wants to be: a genuine horror comedy. 

The story unfolds via livestream, with a disgraced content creator (played by Joseph Winter) spending the night in a haunted manor, going as far as to toss his car keys into a sewer grate and his only vehicle's spark plugs into the woods. What follows is an apt satire of social media (keep an eye on the livestream chat for some solid laughs) coupled with plenty of cheesy practical effects and scares. If anything, Deadstream's low budget adds to its authenticity. This one isn't to be missed. 

Since its debut in 2018, Chainsaw Man (2022) has been unlike any other Shonen Jump series. While most Jump titles have some air of positivity and optimism in their stories, Chainsaw Man is nothing like that. It’s nihilistic, gloomy, and all too eager to subject its cast to horrific amounts of suffering and anguish. It’s unnerving to say the least, but it’s helped make Chainsaw Man one of the most popular manga of the past several years, with a hit anime releasing in 2022 and a theatrical continuation of the series coming with Chainsaw Man - The Movie: Reze Arc (2025).

Because of that, there’s a lot of excitement surrounding the return of Denji and the members of Tokyo Special Division 4. Fans have been eagerly awaiting the next arc of the series, and seeing it get the cinematic treatment from animation studio MAPPA bodes well. But what comes after? What happens when you’ve seen Chainsaw Man - The Movie: Reze Arc, but you still want more of that bleak and rage-fueled action? Well, you may want to consider watching any of these 10 shows on Crunchyroll, Netflix, and more. They may fill that Pochita-shaped hole in your heart.

Berserk (1997-2017)

If there’s one thing that defines Chainsaw Man, it’s how dark it can be. It’s still regarded as one of the members of Shonen Jump’s “Dark Trio,” alongside Jujutsu Kaisen (2020) and Hell’s Paradise: Jigokuraku (2023). Still, none of these three can compare to the darkness of Berserk. 

There’s a certain beauty in the horrors of Berserk. Much like Chainsaw Man, many of Berserk’s true horrors come from how humans interact with dark, unspeakable forces to gain untold power. Violence and suffering are common in Midland. Apostles frequently assault peasants, and the nobles are only interested in furthering their own gains. Even our heroes are often filled with selfish desires, none more apparent than Griffith. It’s a dark fantasy not unlike Castlevania (2017), but while that series, and to an extent Chainsaw Man, show frequent glimmers of hope for humanity, Berserk wallows in the worst that humans are capable of. Nihilists and cynics, be delighted, Berserk is here to reaffirm your negative beliefs about mankind.

Devilman Crybaby (2018)

The name Go Nagai may not exactly be well-known nowadays, but the man is one of the most prolific mangakas of all time. From titles like Cutie Honey (2018) and Mazinger Z (1972), he was a pioneer in establishing multiple genres. However, Devilman Crybaby would be his magnum opus. 

A reboot of Nagai’s ‘70s manga, Devilman Crybaby wants you to know that the world sucks. It’s a world filled with copious amounts of moral greyness, with humans and demons both equally capable of destruction. It’s a miracle that our protagonist Akira retains his empathetic nature in spite of all of his hardships, but even he succumbs to the ever-encroaching darkness of this 10-episode OVA. To its credit, it is beautifully depicted, thanks to Masaaki Yuasa’s Science Saru, and feels like an elevation of crass and violent titles like Demon City Shinjuku (1988). Devilman Crybaby isn’t afraid to make viewers regret the decision they made watching the show, but the artistry present will make it a worthwhile decision nonetheless. 

Gleipnir (2020)

In a lot of ways, Chainsaw Man is a modern reinvention of the schlocky titles that littered video rental stores in the late ‘80s and early ‘90s. At its core, though, it’s still a juvenile action series that revels in violence, and if that’s your speed, then give Gleipnir a shot. 

If you like so-bad-it’s-good offerings like Cyber City Oedo 808 (1990), then you’ll be right at home with Gleipnir. It’s edgelord trash in all the best ways. There’s excessive violence, rampant fanservice, and Gleipnir takes delight in reveling in all its base desires. If Denji were allowed to be as immature as he wants to be, then he would be a perfect fit for the series. There’s not a whole lot of substance to it, but it doesn’t have to have much to say. Glepinir delights in just being a darkly enjoyable action series, and sometimes, that’s enough.

Gachiakuta (2025-Present)

As the most recent title on this list, Gachiakuta has a certain energy that makes it exciting. Its punk aesthetic and vibes may not seem to have a lot in common with Chainsaw Man, but its oppressive worldview most certainly does. Gachiakuta is a world of haves and have-nots. It plays with class divide in a way that fans of Alita: Battle Angel (2019) should immediately identify with.

The protagonist Rudo is filled with so much rage at what the people of the Sphere did to him before he was cast down to the Pit that it’s hard not to sympathize with him and his plight. Like in Chainsaw Man, he quickly fits in with a group of hunters, all with their own unique powers, and the places they visit and the people they interact with often show the dark side of human nature. Gachiakuta is not nearly as sophomoric as Chainsaw Man, but it's a more accessible series for those interested in seeing an anime that isn’t afraid to critique society, but doesn’t want the true horrors of the world on full display.

Elfen Lied (2004)

There’s no denying that Chainsaw Man takes some inspiration from the horror genre. The Devils and Fiends of the series all have monstrous designs, and even our heroes have their own disturbing abilities. If you’re craving more of those horror vibes, consider giving Elfen Lied a try. With a special breed of creatures called Diclonii, Elfen Lied is all too eager to throw our heroes into ultra-violent brawls with gallons of blood. Is it excessive? At points, yes, and undeniably mean-spirited in the same way that A Clockwork Orange (1971) is. But there’s no denying that watching Elfen Lied is fun in the same way that watching a horror movie like Evil Dead II (1987) is.

There are plenty of great moments of gore and such cartoonishly vile characters that you can’t help but root for the monstrous Diclonii to eviscerate them. Horror fans, and fans of slashers in particular, will definitely find a lot to appreciate over Elfen Lied’s 13-episode run. Fans of Chainsaw Man will also find something to like about Elfen Lied’s dark depictions of the human species.

Cyberpunk: Edgerunners (2022-Present)

If there’s one thing that defines the members of Tokyo Special Division 4, it’s the suffering they all endure. Each member goes through their own personal hell, and if you love watching characters hit rock bottom, then you should also give Cyberpunk: Edgerunners some love. While you may only be initially invested in the series because of its video game inspiration, it quickly becomes apparent that the soul of Cyberpunk: Edgerunners lies in its cast.

The edgerunners all have wonderful chemistry together, which makes it all the more tragic when the reality of Night City crushes them under its heel. Like Chainsaw Man, and to a lesser extent, titles like Akame ga Kill! (2014) and Attack on Titan (2013), this is a series where you can never grow too attached to the cast. If you do, the heartbreak you’ll feel as they slowly lose everything dear to them will be too crushing to bear. It’s a series that will leave you hollow by the time its 10-episode run airs, but for those who are willing to open themselves up to devastation, Cyberpunk: Edgerunners is calling.

Alice in Borderland (2020-2025)

It’s easy to argue that Chainsaw Man is a dystopian series. While the world may seem relatively normal, the presence of Devils and Fiends leads to horrible suffering, and humanity is constantly teetering toward the edge. If you’re looking for another dystopian series, then perhaps you should give Alice in Borderland a shot. 

While the series is live-action, it’s based on a manga that has a lot of anime trappings within it. On the surface, it shares a lot of similarities to Squid Game (2022), but it has more in common with Battle Royale (2000), complete with over-the-top kills, colorful characters, and games that are chock full of spectacle. Yes, Chainsaw Man is a fairly minimalist show by comparison, but it dabbles in some larger-than-life eccentricities in the same way that Alice in Borderland does. Chainsaw Man can be gloomy, which is why Alice in Borderland is the perfect palate cleanser. Sure, there’s misery aplenty, but it’s just so much fun to watch!

Scott Pilgrim Takes Off (2023)

Chainsaw Man isn’t a series entirely predicated on its disdain for people. It’s also a show about how a young man just wants to be with a woman. He wants kisses, hand-holdings, and fantasizes about just how good sex is. In that case, Scott Pilgrim Takes Off may be perfect if you want another series about young adults learning about healthy relationships.In a way, Scott Pilgrim seems like a more well-adjusted Denji. Both are emotionally stunted young men, but Scott never really escaped high school and perfectly embodies the slacker energy of characters like Barry from High Fidelity (2000) and Randal from Clerks (1994). Denji is a slacker, too, but unlike Scott, he doesn’t know how to interact with women in a way that doesn’t revolve around sex.

Scott Pilgrim Takes Off may not focus solely on Scott, but it does showcase how the need for intimacy drives both Scott and Ramona. Denji can learn a thing or two from them, but then again, he’s so immature that he probably wouldn’t understand the emotional undertones of their relationship. 

Platinum End (2021-2022)

Platinum End is a contentious title to say the least. It’s a series that has a lot to say about a myriad of topics, and it arguably manages to fumble nearly every one of those themes. And yet, there’s something so compelling about it since, like Chainsaw Man, it isn’t afraid to examine the fundamental nature of society. While Chainsaw Man goes to great lengths to explain how the power of Devils directly corresponds to human fear, Platinum End claims that the power of God is determined by the belief that the people have in them. In that way, Platinum End is the Ying to Chainsaw Man’s Yang. Chainsaw Man doesn’t have nearly as much interesting dialogue, but then again, Chainsaw Man also doesn’t contain one of the most hilariously bad endings of all time.

Platinum End is a great watch, not only if you want to see a series attempt to have elevated discussion of morality and cosmology like Death Note (2006), but also if you want to watch a series effortlessly shoot itself in the foot at the last possible second and undermine nearly everything it built up over 24 episodes.

Neon Genesis Evangelion (1995-1996)

At the end of the day, there’s no denying Chainsaw Man changed the shonen landscape. Following its release, more and more series began to have darker examinations of their genre, and the grandaddy of all dark genre explorations is undeniably Neon Genesis Evangelion. Evangelion didn’t reinvent the mecha genre, but it added some much-needed darkness to the proceedings. While it starts off well enough, by the time we reach the end of the 24-episode series and get closer to the infamous The End of Evangelion (1997), it becomes more and more obvious that Shinji Ikari and Denji are two sides of the same coin. They both loathe themselves, and the war path these two go on when untethered is apocalyptic.

It may be glorious to watch, but it’s also deeply horrific. The esoteric storytelling of Evangelion is reminiscent of great psychological series like Serial Experiment Lain (1998), but laced with the nihilism and resignation of Devilman Crybaby. Both Chainsaw Man and Neon Genesis Evangelion are classics, and they are must-watch titles if you consider yourself an anime fan in any regard.

If you've always been curious about horror movies but end up covering your eyes at the first sign of trouble, it doesn't mean you have to write off the entire genre. There's a whole world of spooky cinema out there that doesn't rely on nightmare-inducing gore. Some horror films balance their frights with humor or a good old-fashioned mystery, making them perfect entry points for nervous newcomers.

These beginner-friendly horror movies let you dip your toes into the genre without diving straight into the deep end. You'll find haunted houses, mischievous monsters, and time-looping college students, but nothing too terrifying to handle with the lights off. Here are the best horror movies for the faint of heart, which can be found on platforms like Netflix, Hulu, and HBO Max.

Poltergeist (1982)

Poltergeist remains one of the most accessible haunted house movies ever made. The film centers on the Freeling family, whose youngest daughter, Carol Anne (Heather O'Rourke), begins communicating with unseen entities through the television. What follows is a supernatural storm that starts playfully but quickly spirals into a full-on haunting.

Unlike more graphic horror films, this movie builds its tension through awe and atmosphere rather than blood and gore. Poltergeist is a movie that makes you gasp instead of scream. The practical effects, from swirling ghost lights to the iconic portal scene, feel spectacular, not grotesque. It is the perfect choice for viewers who love shows like Stranger Things (2016).

Gremlins (1984)

Before horror-comedies were everywhere, Gremlins perfected the balance of fun and monster mayhem. It follows Billy Peltzer (Zach Galligan), who receives a fuzzy, wide-eyed creature named Gizmo (voiced by Howie Mandel) as a Christmas present. But when a few simple rules are broken (like don't feed them after midnight!), chaos ensues as Gizmo's companions turn into mischievous, destructive gremlins.

Gremlins is perfect for viewers who like their scares mixed with a tone flips between charming holiday movie and gleeful creature feature. It's also packed with clever, practical effects and delightful puppetry that still hold up decades later. If you're a scaredy cat who enjoyed E.T, the Extra-Terrestrial (1982), this is a safe (but wildly fun) introduction to horror.

Ghostbusters (1984)

Ghostbusters is the perfect bridge between comedy and beginner-friendly horror. It follows three eccentric parapsychologists, Peter Venkman (Bill Murray), Raymond Stantz (Dan Aykroyd), and Egon Spengler (Harold Ramis), who start a ghost-catching business in New York City. When a supernatural threat emerges, the trio must do all they can to save Manhattan from things that go bump in the night.

The movie is ideal for viewers who want the excitement of a ghost story without enduring truly scary visuals. The ghosts are imaginative, often silly, and never grotesque, keeping the tone playful rather than terrifying. Fans of Beetlejuice (1988) will recognize the same fun, light-hearted tone, making it a gentle first step into the horror genre.

Child's Play (1988)

Child's Play is the personification of late '80s horror that manages to be silly and genuinely suspenseful. The story follows young Andy Barclay (Alex Vincent), who receives a Good Guy doll named Chucky (voiced by Brad Dourif) as a birthday gift. But the doll is possessed by the soul of a serial killer, which leads to a string of frightening events.

What makes Child's Play ideal for horror newbies is its absurdity. Chucky is terrifying in concept, but his sarcastic personality and over-the-top one-liners make him more of a mischievous than nightmare. The film's blend of menace and wit also set the tone for decades of horror-comedy hybrids. If you enjoyed Gremlins but want something a little darker, this movie is the perfect follow-up. Just be mindful of the language and bloodier kills. 

Beetlejuice (1988)

Beetlejuice is the ultimate horror for people who don't like horror. When married couple Barbara (Geena Davis) and Adam Maitland (Alec Baldwin) die in a car accident, they find themselves haunting their own home, only to have their peace disturbed by a new family. Desperate to reclaim their house, they summon bio-exorcist Beetlejuice (Michael Keaton), who causes more chaos than he solves.

Beetlejuice is ideal for viewers who prefer spooky aesthetics over actual scares. It's a gothic comedy bursting with creative set design, stop-motion effects, and dark whimsy. Keaton steals every scene, while Winona Ryder, as moody teen Lydia Deetz, gives the story an added edge. If you enjoyed The Addams Family (1991), this movie will feel like a warm welcome to the world of the weird.

The Sixth Sense (1999)

The Sixth Sense might technically be a ghost story, but it's far more melancholic than monstrous. The film follows child psychologist Malcolm Crowe (Bruce Willis), who tries to help a young boy, Cole Sear (Haley Joel Osment), struggling with an extraordinary ability (he can see dead people). This movie is a perfect fit for anyone who prefers psychological edge over cheap scares and shock value.

Osment's vulnerable performance makes Cole unforgettable, while Willis plays against his usual action-hero type with understated grace. What makes The Sixth Sense so beginner-friendly is its focus on mystery. Even if you already know the famous twist, watching how it's built through subtle clues remains fascinating. If you love horror-adjacent dramas like The Others (2001), this film is a must.

Happy Death Day (2017)

Happy Death Day is one of the best ways to ease into modern horror because it's more Groundhog Day (1993) than Halloween (1978). The story follows Tree Gelbman (Jessica Rothe), a college student who wakes up on her birthday, only to be murdered by a masked killer and forced to relive the day over and over again. It's a smart mix of dark comedy and time-loop mystery that never goes crazy with the gore.

Tree starts off as the stereotypical mean girl but transforms into someone you genuinely root for, giving the story a surprisingly heartfelt arc. Rothe's performance sells both the comedy and the fear, making the repetition feel fresh rather than frustrating. Happy Death Day is an ideal horror movie for fans of Mean Girls (2004), offering the fun of the genre with training wheels attached.

Amazon Prime Video’s adaptation of Mercedes Ron’s WattPad series, Culpables, proved to be a smash hit for the platform. The first two movies in the series, Culpa Mia and Culpa Tuya, became Prime Video’s most-watched international titles in 2023 and 2024, respectively. Now, the franchise is expanding with a third and final film installment and English-language remake.

If you’re interested in the highly hyped romance series, this guide will demonstrate where you can watch all the Culpa Mia movies in release date order.

Culpa Mia (2023)

Culpa Mia, known as My Fault in the United States, is the first installment in the Culpables series. It centers on stepsiblings Noah Morán (Nicole Wallas) and Nick Leister (Gabriel Guevara), who slowly develop a relationship despite their parents’ disapproval. Culpa Mia plays out a bit like a soap opera, spotlighting a juicy, scandalous central romance and plenty of additional drama through sordid family histories and complex family dynamics.

At times, Culpa Mia’s drama and plot can veer into outlandish territory. However, the forbidden romance and drama keep it intense and engaging for audiences, while the over-the-top plot developments add excitement to the movie. If you’re a sucker for forbidden, toxic romances that thrive on drama and controversy, such as those in Cruel Intentions (1999) and After (2019), you’ll devour Culpa Mia.

Culpa Tuya (2024)

Cupla Tuya, or Your Fault, is the sequel to Culpa Mia. It follows Nick as he tries to leave his reckless racing lifestyle behind and move forward in his relationship with Noah, but the past continues to tug at them. The film offers the same appeal as the original, especially in giving viewers more of Nick and Noah’s relationship and drama. However, it emphasizes the setting and aesthetic with some gorgeous visuals.

Culpa Tuya also elevates the drama, putting Nick and Noah in situations that seem rife with temptations and trials. As a result, it's slightly darker and more heartrending than the first film. Culpa Tuya is highly reminiscent of other romance sequels, like After We Collided (2020) and Fifty Shades Darker (2017), where the central relationship continues but starts to deflate after its whirlwind beginning, paving the way for even more drama and heartbreak.

My Fault: London (2025)

My Fault: London is the English-language remake of Culpa Mia, retelling the story of Noah (Asha Banks) and Nick’s (Matthew Broome) fateful meeting and the beginning of their romance. While it’s a remake, it boasts some notable differences from the original besides language and actors. Culpa Mia is more faithful to the source material, while My Fault: London takes some creative liberties, most noticeably removing some of the toxicity from Noah and Nick’s relationship.

Given that it’s a remake, it’s not a must-see for those interested in the series. However, fans of the books and original films will appreciate that My Fault: London tries to take the story in a different direction. Those who prefer a romance story that isn’t as risky and provocative as Culpa Mia may also appreciate the more toned-down nature of the remake.

Culpa Nuestra (2025)

Culpa Nuestra, or Our Fault, is the third and final installment in the Culpables original trilogy. In the film, Noah and Nick reunite four years after going down separate paths and contemplate for the final time whether a relationship between them could work. It seems to be taking a similar route to romances like The Summer I Turned Pretty (2022) and Normal People (2020) that include up to four-year time jumps, allowing viewers to follow the characters further into adulthood.

Viewers excited for the final chapter in the saga and to see Noah and Nick later in life will want to see Culpa Nuestra, which drops on Prime Video on October 16, 2025.

Whether we're looking for an escape from our day-to-day lives or we need a sprinkle of joy with a touch of romance, romantic comedies are always the best way to get the fix. Though the genre isn't for everybody, it's often where the most thorough and engrossing explorations of human emotions take place. Year after year, a number of them are made, and while some fly under the radar, others become renowned classics that countless people end up appreciating. The guaranteed happy endings and familiar tropes deliver something cozy and warm every time, while viewers continue to discover new actors they'll become forever fans of. 

Maintenance Required (2025) is the newest addition to a sea of incredible romantic comedies. We've also curated a list of five new, absolute must-watches, listed in order of release date, and where to find them on platforms like Prime Video and Netflix.

Picture This (2025)

Starring Simone Ashley, Picture This (2025) shines entirely because of what the Bridgerton (2020) actress brings to the role with her careful characterization and relatable journey. Directed by Prarthana Mohan and written by Nikita Lalwani, Picture This is a second chance story that also centers around our main character going on numerous dates to find the one because her family insists on it. (The most unrealistic part of this film is that it's somehow trying to convince us men aren't banging on Pia's door wanting to date her when Simone Ashley is a literal goddess who'd make a trash bag look like couture. But I digress.)  

More than anything, the film is a stunning display of South Asian customs that beautifully signals to Hollywood that these are the type of diverse stories viewers want more of. The explorations of weddings, different beliefs, and a career-driven woman getting the guy in the end? Yes, please. Perfect for viewers who love wedding-centered films, but Picture This is also an absolute must-watch to bear witness to Ashley's comedic chops.

Materialists (2025)

While Celine Song's acclaimed Past Lives (2023) is a bit more melancholic, her latest gem, Materialists (2025), hits every romantic comedy beat and makes it feel like a classic. It artfully tackles frustrating tropes, like the love triangle, but still manages to make it feel nuanced and refreshing, ensuring that even those who aren't a fan can easily find themselves invested in the story. Starring Dakota Johnson, Chris Evans, and Pedro Pascal, it's especially perfect for viewers who loved the author's debut. Song does an excellent job of delivering a timely and well-executed screenplay, while the actors bring the characters to life in deeply layered performances that ensure they'll be memorable long after the credits roll. 

Materialists is a true rom-com through and through, with bonus points for its New York setting and detailed exploration of various romantic relationships throughout the narrative, as Lucy's job is quite literally that of a matchmaker. Her job touches on relatable flashes of the real world that are both familiar yet surprisingly refreshing. The movie effectively tackles much in its almost two-hour time frame, all while allowing the three main characters to remain in the driver's seat of the plot.

Adventures in Love & Birding (2025)

Based on the romance novel titled Birding With Benefits by Sarah T. Dubb, Hallmark's Adventures in Love & Birding (2025) is the kind of gorgeous healing-after-divorce romantic comedy we don't see often. It follows Rachel Boston's Celeste and Andrew Walker's John in a fake dating and bird watching competition that eventually leads to a sweet and memorable romantic relationship. While the book is steamier than what the network typically delivers on-screen, the film still hits every significant beat while also giving viewers tons of precious moments to cling to. Brushing hands, holding gazes, and plenty of endearing classic romantic comedy staples make the film feel well-rounded and delightfully delectable to watch.

It bears noting that Hallmark is pretty good at bringing romantic relationships with characters in their 40s to our screens, so that alone is one of the network's undeniable strengths and a rarity elsewhere that deserves to be celebrated. In addition, there are so many Hallmark films produced throughout the year that it can be hard for viewers to keep up. Still, if there's one non-Christmas Hallmark romance that's a must-watch, it's Adventures in Love & Birding. 

Maintenance Required (2025)

If you've seen The Shop Around the Corner (1940), then you've seen You've Got Mail (1998), and if you've seen You've Got Mail, then you've also seen Maintenance Required. But most romance fans aren't out here continuously rewatching these movies (or reading similar books) for groundbreaking originality, but rather because they're the perfect form of wholesome escapism. And really, because even while story beats are technically the same, the character journeys somehow still feel relatable and cozy. They hit the mark every time. 

Starring Madelaine Petsch and Jacob Scipio, Maintenance Required tells a familiar story with a different setting and ultimately shines because of the leading performance. Here, Charlie isn't a small bookshop owner, but rather a mechanic, which adds an enticing showcase in a career that women aren't always seen in on-screen. Alongside the two of them, Madison Bailey, Katy O Brian, Matteo Lane, and Jim Gaffigan also provide great moments of levity that make the film a true romantic comedy. The chemistry between Petsch and Scipio makes the relationship between Charlie and Beau delightful and hot, delivering tension that's sizzling on all fronts. Bonus points for an exceptional soundtrack that manages to make each scene memorable and twice as charming.   

Eternity (2025)

Coming later this year on November 26, the well-received romantic comedy that garnered favorable Rotten Tomatoes reviews from critics at TIFF is bound to be an undeniable hit. With cast members like Elizabeth Olsen, Callum Turner, and Miles Teller, there's no denying that, if nothing else, the on-screen chemistry between the actors will make Eternity (2025) an entertaining exploration of life after death and the different types of love people have in their lifetimes. 

The trailers look entertaining, and in an interesting pattern, the film also seems to be doing its fair share of taking on the love triangle with a unique lens. If this is the routine in 2025, then we welcome it with open arms because it certainly can be done when the character work takes priority. And judging by the trailers, Eternity seems to focus intently on its characters. 

People We Meet on Vacation (2026)

Based on the bestselling novel by Emily Henry, People We Meet on Vacation (2026) is bound to become a romantic comedy staple. Henry's writing is beloved throughout the romance community, and with each of her books getting an adaptation of some kind, the world is in for a treat. While book fans know what to expect, even those unfamiliar with the story can be sure that it'll be exceptional, solely because of Emily Bader and Tom Blyth cast as the leads, Poppy and Alex. The story will follow two best friends throughout the span of a few years as they take one vacation after another while continuing to vehemently deny that they're in love with one another.

As actors, Bader and Blyth both have such incredible range that simply casting the two of them is a tremendous win for Netflix. Beyond this point, every teaser showcases character traits that are so accurate to their book counterparts that it's already got fan expectations through the roof. Henry has also noted that she's taken great inspiration from When Harry Met Sally (1989), so fans of the beloved late-'80s rom-com are in for an undeniable modern-day treat.

The common misconception that horror is solely for adults thankfully isn't true when there are plenty of spooky movies geared toward kids (and scaredy-cats) to enjoy. It's especially fun to prioritize watching scary movies in October, and there are a surprising number of films from the '90s and early 2000s that not only stand the test of time but feature the type of practical effects that provide just the right amount of scary without ever being outright terrifying. 

Films like Hocus Pocus (1993) and The Addams Family (1991) feel like they've been staples in countless households for years, delivering an ideal dose of spooky, cozy, and charming, all while featuring excellent narratives and memorable characters. From autumnal foliage to pipe organs making their grand entrance into whimsical instrumentals, and every gorgeously crafted costume that provides an abundance of character depth, there's so much to appreciate this time of year. Here are the 10 best family-friendly Halloween movies and where to find them on platforms like Disney+ and HBO Max. 

The Addams Family (1991)

Whether a viewer starts with Charles Addams and David Levy's TV show of the same title or the films, the mysteriously spooky family is always the perfect place to begin. Dark, hilariously grotesque, and not at all scary, even faint-hearted kids are bound to have a good time with The Addams Family. As someone who's always been a scaredy-cat and afraid of the dark as a kid, I've held a deep love for the titular family and their unyielding loyalty to one another. A large part of the reason The Addams Family is so delightfully entertaining and perfectly spooky is that the film itself doesn't take itself too seriously. They mostly keep to themselves, protect their own, and find joy in the havoc around them. There's a sense of coziness that leaps off the screen because of how deep their love for one another runs, making every gaudy and macabre thing that happens legitimately fun, wild, and comforting.

In addition, The Addams Family stands the test of time as a film that gets better and better with every viewing. Every cast member is so pristinely in-tune with their characters and mannerisms that it makes them feel grounded and profoundly memorable. They feel like real people who've been with us for a long, long time in a way that many properties can evoke. They make the "weird" and "nerdy" welcoming while surprisingly holding a space for every kid who's ever felt a little lonely. 

Hocus Pocus (1993)

Of all the witchy movies, there's nothing quite as masterful as Hocus Pocus. While a film like The Witches (1990), inspired by Roald Dahl's novel of the same name, is also made for kids, Hocus Pocus is significantly less frightening and a safer bet as an introduction to the world of cozy horror. It subtly explores the Salem Witch Trials at the beginning of the film, and then it deep dives into the story of the Sanderson sisters, the darkness looming over them, and the return to our world years later. It features every delightful Halloween trope (black cats, candles, abandoned houses, et al.), and it's also set in Salem, adding an extra layer of lore with the location alone. While some jokes may seem inappropriate for kids, they're structured in such a way that they'd likely fly over their heads until they're a bit older to grasp them fully. Little old me was far too occupied with the costumes and the ridiculously catchy songs about casting spells to question what a virgin was. 

More than anything, Hocus Pocus is quite literally the perfect Halloween movie as it spans across the entire day and night of the holiday. It dazzles with practical effects that make it feel extra cozy, with the right amount of spooky haunts featured to hit the genre blueprints. Bette Midler, Kathy Najimy, and Sarah Jessica Parker deliver such iconic performances that the movie's cult-classic legacy is entirely based on how hard '90s kids clung to the three of them as witches. 

Halloweentown (1998)

If Hocus Pocus is the quintessential witchy movie for kids, then Halloweentown is the ideal cozy monster movie. Ghouls, ghosts, goblins, skeletons, vampires, and, of course, witches, Halloweentown has something for every type of kid wanting a horror movie experience. The titular town is a delightfully dreamy escape that should quite literally be as real as Disneyland is, and the cast of characters provides a special form of comfort that has ensured the film stands the test of time. The late Debbie Reynolds delivers one of the most wholesome performances of her career, making Aggie Cromwell feel like a grandmother to us all. She's exactly what you picture when you think of a sweet, whimsical, witchy grandmother, and it makes the entire story feel like a lovely balm as Kimberly J. Brown's Marnie reconnects and discovers her roots by escaping from our world to the titular town. 

Halloweentown might include some brief moments that can be creepy, but it's mostly so lighthearted and aesthetically bright that it can be a perfect segue for kids who want a bit of horror without anything too dark or spooky. With two more films following afterward, the Halloweentown world is an ideal and undeniably wholesome place to escape to for the holiday.

The Nightmare Before Christmas (1993)

If nothing else, The Nightmare Before Christmas is a must-watch for its perfectly kid-friendly and wildly catchy opening song, "This Is Halloween." If "The Monster Mash" is the '60s genre-defining jam, then "This Is Halloween" is the millennial bop. Danny Elfman is known for his spooky themes in iconic horror films, so it isn't shocking that he lends his talents to The Nightmare Before Christmas. Still, the animated film is an undeniable treat from beginning to end and the perfect transition from Halloween to Christmas. (Sorry, Thanksgiving.) 

Featuring tremendous voice acting from stars like Elfman, Chris Sarandon, and Catherine O'Hara, the film is a gorgeously animated treasure from Henry Selick that's become so renowned, the Disneyland Haunted Mansion ride in California transforms itself into the world of this specific Halloweentown, decked out with pieces of Christmas to showcase the transformation the Pumpkin King embarks on during his adventure into a different kind of town. Full of all kinds of creatures, both good and bad, The Nightmare Before Christmas is the perfect family-friendly horror film for all ages.

Beetlejuice (1988)

Beetlejuice, like The Addams Family, feels like the kind of staple that every kid can find something appealing in, even if the genre isn't their cup of tea. Lydia Deetz feels like she should be an Addams, but more than anything, it's the performances that Michael Keaton, Winona Ryder, and Catherine O'Hara bring to the table that make it such an iconic feat. As a story, Beetlejuice isn't exactly cozy or comforting, but the film is still thoroughly entertaining and ridiculous.

As one couple haunts another and a ghost is summoned from the dead when his name is called three times, themes in Beetlejuice might be a bit too mature for some kids, but it's still fully palatable and not all scary. More than anything, it features some of the best makeup work from the '80s, an incredible score from Danny Elfman, and its sequel, set years later in the future, is a worthy watch as well. Perfect for the viewers who want something more outlandish and funny. Just be mindful of the mature language. This movie has a couple F-bombs.

Casper (1995)

Despite the renowned "can I keep you?" line, which quite literally haunts so many of us millennials in a way that's impossible to describe, Casper is a must-watch family-friendly Halloween movie. As an introduction to the friendly ghost whose name so many people likely know even before watching, Christina Ricci, Malachi Pearson, Bill Pullman, and the entire cast deliver exceptionally memorable performances that still hold up to date. So much of the reason the film is as lovely as it is is entirely because of the performances and the surprising beats of heart sprinkled into every corner. 

Casper isn't just an incredibly charming film with a solid screenplay, but there's something profoundly nostalgic about it that almost screams spooky season. It touches on the melancholy that's present within the season at times, but at the same time, it explores the idea of interspecies friendships in a way that's genuinely gorgeous. 

Ghostbusters (1984)

Although Ghostbusters is the kind of family-friendly spooky comedy viewers can watch throughout the year, why not add it into the mix when, decades later, people still come trick-or-treating in film-appropriate costumes? Whether a viewer has watched Ghostbusters or not, the film franchise's legacy continues to hold up years later as something exceptionally unique and all-around hilarious. 

The film mostly stands the test of time because of its incredible cast, starring Bill Murray, Harold Ramis, Rick Moranis, Dan Aykroyd, Sigourney Weaver, Ernie Hudson, and more. It's not only appropriate for most ages, but it's the type of film that's genuinely so well-written, it's easy to turn back to it continuously. The legacy of Ghostbusters is entirely due to the charming practical effects that, like most films featured on this list, add an extra layer of nostalgia and make them feel more real. 

Casper Meets Wendy (1998)

While Casper is probably the model film to show as an introduction to the friendly ghost, it's so deeply heartbreaking at times that Casper Meets Wendy might be a better alternative for more sensitive viewers. Starring Hilary Duff as the titular Wendy, Casper Meets Wendy is a sweet and well-written, underrated treasure that explores the tumultuous relationship between ghosts and witches in this specific universe. In addition, it provides a wholesome glimpse into interspecies friendships that emphasizes a significant message about why people shouldn't judge based on stereotypes. 

Similar to Halloweentown in this way, it explores a world of coexistence in a manner that's most appropriate for kids to grasp. The production value of Casper Meets Wendy is also surprisingly great, with the type of practical effects that make it thoroughly entertaining from start to finish. Wendy's witchy aunts and Casper's ghostly uncles provide hilarious perspectives in a coastal town that essentially makes the film feel like the less-scary little sister of Practical Magic (1998).

Tower of Terror (1999)

As a perfect gateway into potentially bringing younger audiences aboard The Twilight Zone (1959), the Tower of Terror is yet another underrated gem that sparkles with a wholesome story about forgiveness and countless spooky tropes like ghosts, haunted hotels, and a decades-long mystery to uncover. It delivers a perfect amount of nostalgia for adults, but it's a thrillingly spooky film for all ages, and especially perfect for Halloween as it's also a key character's birthday. 

A large part of the reason the movie made this list is because of how incredible the practical effects are. While CGI can be excellent at times, it isn't overtly featured here to throw in splashes of unrealistic elements that can take the viewer out of the experience. Instead, the directorial style makes it feel like realistic accounts of events that have happened, allowing the film to be oddly cozy and comforting. The stories and themes within, the setting, and the performers all play a significant role in making Tower of Terror an absolute must-watch. Although it's currently unavailable for streaming, here's hoping that more hype around it around the season can remind people of its greatness. 

Double, Double, Toil and Trouble (1993)

Mary Kate and Ashley Olsen's movies are a millennial hallmark in more ways than one as some of the most wildly bonkers yet incredibly engaging films of our generation. And while movies like Passport to Paris (1999) or Our Lips Are Sealed (2000) are understandably more popular, a hidden gem is their Halloween spectacle, Double, Double, Toil and Trouble. Genuinely spooky in a way that might be surprising to some viewers, the film sees the twins embarking on an adventure to save their family from financial ruin by freeing their good great-aunt, who's stuck in a mirror.

It's a story about good twins and evil twins with spooky elements all throughout, like witchcraft and harrowing themes about jealousy and hatred. While some kids might not grasp the themes as closely as others, it's still a relatively entertaining and age-appropriate story to watch during the holidays. As most films in the genre, good conquers evil in the end, and somehow, seven-year-olds save the day. Perfect for the viewers who grew up with these films and want to show their own kids, they surprisingly hold up in an entertaining manner.

After making a name for himself with Nip/Tuck (2003) and Glee (2009), Ryan Murphy jumped into the world of horror with American Horror Story (2011). With nothing quite like it on TV, the series became a quick fan favorite among existing horror fans and those craving something a little darker and spookier to put on at night. With each season tackling a different story, and familiar actors playing new characters each time, AHS manages to stay fresh, even after over a decade on the air. More importantly, it pushed Murphy deeper into the genre, a place he seems quite comfortable in.

If Monster: The Ed Gein Story (2025) left you wanting more Ryan Murphy scares, let's revisit the writer/director's genre filmography. Here is every Ryan Murphy horror series, ranked by scariness, and where to find them on Netflix, Hulu, and more.

7. Scream Queens (2015-2016)

Not long after Emma Roberts made her AHS debut in Season 3, Ryan Murphy, alongside frequent collaborators Brad Falchuk and Ian Brennan, placed her in a starring role in Scream Queens. Here, she plays Chanel Oberlin, a self-centered mean girl who'd feel right at home next to Regina George in Mean Girls (2004). However, when a killer targets her sorority, all hell breaks loose across campus.

Equal parts whodunnit and dark comedy, Scream Queens, in some ways, feels like a less scary version of AHS. It offers a decent enough mystery and pokes fun at slasher tropes, but never gets quite as dark as Murphy's other horror projects, which is why it ranks last on this list. Still, if you're looking for a fun horror comedy that wanders into parody territory, Scream Queen's two seasons should scratch that itch.

6. The Watcher (2022) 

From the Monster series to his involvement in American Crime Story (2016), Murphy is no stranger to true crime dramatizations. The Watcher, created by Murphy and Brennan, falls into a similar category. Loosely based on a three-year stalking incident dubbed “The Watcher of Westfield, New Jersey,” the Netflix series follows a married couple's bizarre encounters with an unknown stalker.

Like Scream Queen, the series' mystery will keep (most) viewers intrigued. Instead of campy scares, The Watcher favors suspense, making it a good match for thriller fans who don't mind a little horror tossed in the mix. Really, half the fun here is getting to know the quirky cast of neighbors, which includes some big names like Jennifer Coolidge, Margo Martindale, Richard Kind, and Mia Farrow.

5. Ratched (2020)

In some ways, it feels sacrilegious to place Ratched so low on this list. Filled with brutal depictions of historical psychiatric treatments, like lobotomies and psychological torture, Ratched is most definitely horrific. However, its scares primarily come from its unsettling setting and the grim realities of old asylums, rather than traditional horror tropes. And, technically, it's labeled a thriller.

Although created by Evan Romansky, Murphy developed Ratched, and his trademark style is all over it. From featuring Sarah Paulson in the titular role to the subtle undertone of camp, those who enjoy Murphy's other horror series will like this. Acting as a prequel to One Flew Over the Cuckoo's Nest, anyone who liked the 1975 movie should find something unique here. Even if you didn't, Ratched has enough intrigue to keep fans of psychological thrillers pressing the "next episode" button.

4. Monster (2022-Present) 

Like Ratched, Ryan Murphy's Monster series is more disturbing than scary. Each season chronicles a different notorious killer and seeks to explain how the "monster" came to be. Season 1 features Jeffrey Dahmer's life and crimes, while Season 2 chronicles the controversial case and murders of the Menendez Brothers. Most recently, Season 3 provides a glimpse into the quietly horrific world of Ed Gein, who inspired a host of horror movies.

If true crime is your thing, you should find the Monster series just as engaging, but be warned. The series isn't without heavy embellishment, controversial additions, and—I'm just going to say it—exploitation. If that type of thing grinds your gears, consider sticking with true crime docu-series. However, if you don't mind a little fiction, Monster offers engaging stories and stand-out performances. For a lot of people, it's a curiosity watch. But, for the right person, it's also a guilty pleasure.

3. American Horror Stories (2021-Present)

American Horror Stories is a spin-off of American Horror Story. Bad name? Absolutely. Bad show? Well, that depends on who you ask. Although it doesn't have the same tight storytelling as AHS's early seasons, American Horror Stories has a similar appeal when it comes to shock, gore, and dark humor.

Like the flagship series, American Horror Stories is an anthology show, only its story changes from episode to episode, not season to season. This means horror fans have more to sample. If one episode puts you off, just skip to the next without losing the plot. If you like anthology series like Black Mirror (2011) or The Twilight Zone (1959), American Horror Stories offers something similar, if less consistent. That said, its connection to AHS, including crossover storylines and characters, means it's best suited for fans of the original series.

2. Grotesquerie (2024-Present)

One look at Grotesquerie, and you can tell it belongs to Ryan Murphy's TV universe, this time with the help of Jon Robin Baitz and Joe Baken. Surreal, gory, and slightly campy beneath all the darkness, the series sees a detective and a nun work together to solve a set of crimes plaguing their small town. Loaded with religious symbolism and themes, Grotesquerie never lets you forget it has a bigger message among the drama. 

Think of it as a wonderfully bizarre mash-up of Seven (1995) and True Detective (2014), sprinkled with a little bit of John Waters for good measure. With a creepy atmosphere and plenty of gore, Grotesquerie is scary enough to warrant the second spot on this list while still appealing to anyone searching for a unique supernatural mystery to binge. No pre-existing Ryan Murphy knowledge necessary. 

1. American Horror Story (2011-Present)

When it comes to Ryan Murphy's horror filmography, American Horror Story still reigns as the best. Part of that comes from the show's early seasons, which feature some of the smartest, funnest, and genuinely unsettling stories in modern television. The majority of scares come from graphic content tailor-made to elicit eyebrow raises. AHS likes to push boundaries, and its shock-and-awe formula succeeds a good chunk of time.

The anthology format also offers a refreshing way to consume horror. Instead of season after season of the same meandering story, AHS switches it up, letting fans delve into different themes and topics that interest them. From the haunted rooms of a suburban house to the isolated backwoods of North Carolina, there's a story for everyone to enjoy. However, if you're asking me, Season 2, dubbed Asylum, is undoubtedly the scariest of the lot. You’ve been warned.

Most of us who love reading likely remember the first Dr. Seuss story we ever read. We can also probably pinpoint the moment where we realized that there was also a TV show or a short to pair with the stories, and it made for a memorable childhood experience. The world of the renowned author and illustrator is vast and bright, making the adaptations that much more delightful, especially when they're well done. While some shorts are only 20 minutes long, other, more splendid films like How the Grinch Stole Christmas (2000) starring Jim Carrey become annual must-watches during the holiday season.

From animated classics to live-action adaptations, here are the seven best Dr. Seuss movies and TV shows, as well as where to find them on platforms like Prime Video and Netflix. 

How the Grinch Stole Christmas (2000)

Ron Howard's adaptation of How the Grinch Stole Christmas isn't just a star-studded spectacle with some of the most noteworthy names in comedy, but it's an all-around good time on all fronts. Jim Carrey's performance as the titular Christmas-hating grump is one of his strongest showcases as an actor to date, providing not only hilariously quotable lines that make for excellent memes, but he also brings a surprising amount of heart to underscore the character's changed stance. Christine Baranski also delivers one of the most uproarious, wildly chaotic performances as Martha May, allowing her to become an icon in more ways than one. 

How the Grinch Stole Christmas isn't just an incredible adaptation, but it's a flawless joy that can stand on its own, and surprisingly, the test of time. As crass as some moments are, it's never outright offensive or too crude, which makes it appropriate for both kids and the adults who might read the jokes a bit differently. In a time where AI is unfortunately taking over, the production value of How the Grinch Stole Christmas proves that solid CGI, hair, and makeup could all create a distinctly colorful place like Whoville for film. Perfect for fans of nostalgic Christmas movies, if there's one Dr. Seuss adaptation that's an absolute must-watch, it's How the Grinch Stole Christmas. 

Horton Hears a Who! (2008)

A large part of the reason modern-day Dr. Seuss animated adaptations shine is because of the voice actors lending their talents to the characters. With this in mind, Jimmy Hayward and Steve Martino's Horton Hears a Who! is a dazzling little gem with stars like Carol Burnett, Jim Carrey, Steve Carell, Amy Poehler, Will Arnett, Seth Rogen, and more. The quality voice acting ensures that the animated films not only leave a mark, but that the characters stand out in genuinely distinguishable ways. 

As a story, Horton Hears a Who! provides a nuanced exploration of how kindness and compassion make the world a safer place to reside in. It's a cautionary environmental tale, with an exploration of a person's importance, no matter where they come from. The fully CGI animation is riveting in countless forms, giving the film a realism that makes it both refreshing and nostalgic at the same time. The reflective beats are particularly reminiscent of The Many Adventures of Winnie the Pooh (1977), making it an excellent starting place for kids.

The Lorax (2012)

The Lorax is especially perfect viewing right after Horton Hears a Who!, as the former provides commentary on the importance of people, while the latter doubles down on the significance of protecting our environment. As yet another subtle cautionary tale on the ramifications of greed and capitalism, The Lorax results in a heartwarming adaptation that's chock-full of heart, plus incredible performances from another exceptional cast of voice actors. 

Brought to life by stars like Danny DeVito, Betty White, Ed Helms, Taylor Swift, and more, The Lorax is also an excellent musical with surprisingly catchy tunes that are bound to get stuck in every viewer's head by the time the credits roll. It's hilarious where it needs to be, informative in an easily palatable manner, and thoroughly engaging as a gorgeously animated film with layered voice performances.

Green Eggs and Ham (2019-2022)

Netflix's most recent adaptation, Green Eggs and Ham (2019), takes the classic Dr. Seuss tale and expands upon it for two seasons. It might not be as perfect as the book, but it's still a precious series with great voice acting from Diane Keaton, Michael Douglas, Ilana Glazer, Jeffrey Wright, Adam DeVine, Keegan-Michael Key, and more. The animation work isn't as cozy or charming as Horton Hears a Who! or The Lorax, but it's still lovely in the fact that it can provide plenty of entertainment for various types of viewers while still exploring a profound lesson of growth. 

More than anything, an expansion of a story like Green Eggs and Ham ensures that the animated series shines as an intergenerational story and an exploration of new experiences without the absence of fear. The performances ensure that the characters feel lived in and layered, while the story itself delivers plenty of nuance. 

The Grinch (2018)

In more ways than one, How the Grinch Stole Christmas is so perfect in and of itself that we didn't really need an animated adaptation. Still, the most recent work does indeed provide a worthwhile version of the story while allowing it to be a film to ease younger audiences into. The extent of the animation is incredible, but there's also a bit more of Max, the dog, to appreciate in this one. It also helps that there's stunning voice acting from noteworthy actors like Benedict Cumberbatch, Angela Lansbury, Rashida Jones, and more, making it an absolute delight to watch.

The Grinch is one of the most versatile stories, so it ultimately wouldn't be surprising if there are more adaptations for it in the future. It's a classic for a reason as a Scroogy tale that hits especially hard around the holidays. So, even if you're generally not a fan of the story, this one's still great to watch at least once.

The Cat in the Hat (2003)

The Cat in the Hat is one of the most popular Dr. Seuss stories, but there are surprisingly very few full-length adaptations of it. Still, the first live-action movie starring Mike Myers, Spencer Breslin, and Dakota Fanning is so good, it deserved more hype when it first premiered in the early 2000s. The film's practical effects approach makes it feel cozier, and the overarching themes present within make it an adorable must-watch for kids, even if it's just one time.

It's certainly not as brilliant as the other Dr. Seuss stories, but it's still a relatively sweet film to keep people entertained throughout. Mike Myers is also the perfect casting choice, not only to show off his chops as an actor but to make the titular character engaging for younger audiences. A new adaptation, also titled, The Cat in the Hat, is set to arrive in 2026, so it'll be riveting to see what kind of approach this one takes.

In the horror genre, sequels usually fall into the trap of rehashing the same tired old scares until viewers go numb with boredom. But sometimes a follow-up comes along that sharpens the terror, deepens the story, and even eclipses the original.

These sequels, which can be found on Netflix, Hulu, HBO Max, and more, prove that sometimes the second (or third) stab is the deadliest. From survivalist nightmares to a haunted doll's origins, here are seven horror follow-ups that deserve the spotlight.

Friday the 13th Part 2 (1981)

The first Friday the 13th (1980) introduced audiences to Camp Crystal Lake and a grieving mother turned killer, but the real horror icon wasn't revealed until the sequel. Friday the 13th Part 2 gives us Jason Voorhees (Warrington Gillette and Steve Daskewisz as masked and unmasked versions of the character, respectively), who would go on to define slasher cinema.

The sequel turns up the suspense with more creative kills, a faster pace, and the eerie presence of Jason lurking in the woods. It transforms the simple whodunit premise from the first film into a full-fledged slasher franchise. Friday the 13th Part 2 is perfect for fans who loved the origin of Jason's legend from the first film, but crave a nastier, scarier slasher ride.

10 Cloverfield Lane (2016)

While Cloverfield (2008) was a found-footage kaiju experiment, 10 Cloverfield Lane took the franchise in a bold new direction with claustrophobic psychological horror. Mary Elizabeth Winstead plays Michelle, a woman trapped in a bunker with the unsettling Howard (John Goodman), who insists the outside world is uninhabitable.

The film uses paranoia to give viewers the creeps, shifting between suspense thriller and survival horror before delivering a shocking sci-fi twist. By grounding the terror in human manipulation, the film feels tighter and more impactful than its predecessor, making it ideal for anyone who prefers dread-soaked tension over shaky-cam spectacle.

The Purge: Anarchy (2014)

The Purge (2013) toyed with a provocative idea of what would happen if all crime were legal for just one night a year. But it confined the chaos to a single family's home. The Purge: Anarchy blows the doors open, showing us the terrifying streets of Los Angeles during Purge Night.

Led by Frank Grillo's brooding antihero, Leo Barnes, the film turns into a survival thriller, with groups of strangers banding together against masked killers, militias, and corrupt elites. With its social commentary sharpened and the world-building expanded, Anarchy delivers the true potential of the franchise. The movie is best suited for viewers who like their horror infused with action and a little political bite.

Ouija: Origin of Evil (2016)

The original Ouija (2014) revolved around the titular board game and the spirits that are unintentionally summoned because of it. Then director Mike Flanagan (The Haunting of Hill House) transformed the prequel into a chilling 1960s period piece dripping with atmosphere. The sequel follows a widowed mother and her daughters, who stage fake séances, but the story takes a sinister turn when the youngest child becomes possessed by a dark spirit.

With careful pacing and elegant scares, Ouija: Origin of Evil is one of the rare horror prequels that surpasses its inspiration by miles. It is an excellent choice for fans who prefer their supernatural horror with a dose of real heart.

Annabelle: Creation (2017)

The Conjuring (2013) spin-off Annabelle (2014) felt a little bland with predictable scares. Annabelle: Creation, however, breathed terrifying new life into the possessed-doll mythology. Set in a remote farmhouse, a group of orphaned girls move in with a grieving couple, only to discover the sinister secret behind their late daughter's doll.

Compared to the original, director David F. Sandberg crafts a brilliant haunted house tale that uses dread and inventive set pieces for its scares. The result is a story with likeable characters that feels intimate and somewhat operatic. It is a must-watch for anyone who loves slightly gothic, demon-centric horror.

Saw II (2005)

The first Saw (2004) became a massive hit for its shocking twist, but Saw II elevated the concept into a full-scale horror game. Instead of two men trapped in a bathroom, we get a house filled with victims forced to play Jigsaw's deadly games. But viewers should be aware that this is definitely not a movie for the faint hearted.

With higher stakes, crueler traps, and a stronger ensemble cast, Saw II expands the mythology while doubling down on the moral dilemmas that define the series. It's grittier, smarter, and more intense than the original, which makes it a must for anyone who enjoys puzzle-box horror with brutality that never flinches.

Aliens (1986)

Ridley Scott's Alien (1979) redefined sci-fi horror when the crew of a commercial space tug, Nostromo, find themselves at the mercy of an unknown creature. James Cameron's Aliens takes that foundation and amplifies it into a relentless action-horror spectacle. Aliens sees Sigourney Weaver's Ellen Ripley return to lead a squad of marines into battle against an entire hive of Xenomorphs.

Mixing pulse-pounding combat with themes of motherhood, trauma, and survival, Aliens isn't just bigger than the flagship movie. It's richer and more emotionally resonant, balancing spectacle and substance to perfection. The movie is ideal for viewers who want horror, adrenaline, and an iconic heroine at the peak of her power.

At times, romance and horror feel like they have little overlap. Romance requires blossoming love and happy endings, while horror favors ambiguous wrap-ups often steeped in tragedy. However, a deeper look into the genre reveals that horror harbors no shortage of romantic stories. They just look a little different than the standard rom-com or romantic drama.

With The Conjuring: Last Rites (2025) viral videos proving just as many audiences were there for the romance as they were for the scares, it's the perfect excuse to spotlight 10 horror movies that romance fans will like, too. While a couple of these movies don't include happy endings, open-minded romance fans can still appreciate the darkness-dripped love stories with plenty of angst. Listed in order of release date, head over to platforms like Hulu and HBO Max if you're a romance fan ready for a genre crossover.

The Fly (1986)

Before you boot up The Fly, know these two things. One, The Fly is a romantic tragedy, so no happy ending. Two, it's chock full of gory, disturbing body horror. If those two things aren't for you, consider something more lighthearted from this list, like The Addams Family or The Gorge. However, if you decide to give it a try, expect a compelling, yet heart-wrenching love story between Geena Davis' Veronica and Jeff Goldblum's Seth.

The Fly establishes a deep and pretty spicy relationship between its leads before an experiment gone wrong sees Seth slowly transform into a human-fly hybrid. Despite this, Veronica remains devoted to Seth, even as he mutates into something that could only come from the mind of body horror master David Cronenberg. Those who like horror flavored sci-fi will revel in the plot and stomach-churning practical effects. The Fly might not have a happy ending, but it delivers one heck of a metaphor about aging and the lengths love will go to. 

Hellraiser (1987)

If the thought of needles through skin and flayed flesh makes you cringe, consider running the other direction. However, if you don't mind delving into a dark supernatural commentary on sadomasochism, Hellraiser harbors a surprisingly compelling love story… if you want to call it that. A whole host of tropes lurk beneath Julia (Clare Higgins) and Frank's (Sean Chapman) depraved coupling: love triangle, star-crossed lovers, and, of course, cheating—just note the adjective "disturbing" precedes all those tropes.

Hellraiser isn't for romance fans looking for happy endings and ship-worthy couples to swoon over. It's for dark romance fans who are used to morally corrupt characters and intense themes. There is no happy ending here. In fact, when it comes to Frank and Julia, there's no one even to root for. Still, anyone craving a story about the darker, twisted side of love can do no better than Hellraiser.

The Addams Family (1991)

While horror contains a plethora of vile couples and shattered happy endings, Morticia and Gomez Addams are the exception. Played in this iteration by Anjelica Huston and Raul Julia, The Addams Family continues the franchise's tradition of depicting one of the healthiest couples in pop culture (horror and otherwise). From their mutual respect and willingness to communicate to their passion and utter devotion to each other, it's hard not to watch this movie and think "couple goals."

Yes, The Addams Family has a gothic tone, but it's never grim or disturbing. The macabre is played for laughs, and the darkness for comedy. When it comes to scariness, it ranks somewhere between Casper (1995) and Hocus Pocus (1993). If you prefer a movie light on scares but heavy on romance, The Addams Family fits the bill to a tee.

Scream (1996)

When it comes to fan-favorite couples in the genre, Gale and Dewey earn a spot at the very top. Together, they traverse five Scream movies, their relationship ebbing and flowing throughout. While Scream 2 (1997) might be their most romantic movie of the lot, it's hard to appreciate them without starting at the beginning.

Scream (1996) introduces Courtney Cox's Gale Weathers as a prickly go-getter reporter who slowly softens to David Arquette's sweet yet bumbling small-town cop. Perhaps fueled by Cox and Arquette's real-life relationship at the time, Dewey and Gale's chemistry propels a fun will-they-won't-they dynamic as a slasher plot plays out around them. If the opposites attract trope tickles your fancy, Scream won't disappoint in that department, just expect a healthy amount of slashing and blood to accompany it.

Spring (2014)

If monster romances are your thing, Spring will check a lot of those boxes, even if the big monster reveal doesn't come until much later in the movie. After grief sends a lost American (Lou Taylor Pucci) to the rural countryside of southern Italy, he meets a mysterious local (Nadia Hilker) with a strange skin condition. What follows is a romance with a "he falls first" trope and an element of forbidden love.

Spring isn't scary per se. Instead, it offers a unique monster story steeped in mystery, body horror, and complex questions about mortality. It skirts the line between horror and romance nicely, ensuring fans of either genre will be engrossed. If you dig Lovecraftian stories, move Spring to the very top of your watch list.

Happy Death Day (2017)

After a bit of setup, Happy Death Day kickstarts its horror when the "Babyface Killer" murders Tree Gelbman (Jessica Rothe) on her birthday, sending her into a time loop where she lives and dies repeatedly. If you're familiar with Groundhog Day (1993) or Russian Doll (2019), you'll understand the time loop premise immediately. The only difference is that Happy Death Day embraces all the comedy, violence, and gore its PG-13 rating allows.

At first glance, it's easy to chalk it up as a campy horror comedy. However, the growing relationship between Tree and Carter (Israel Broussard), whom she initially assumed was a one-night stand, pushes it well into romance territory, happy ending included. Carter becomes an essential part of Tree's character development. If you like 50 First Dates (2004), you get something similar here. Every day, Tree has to explain the time loop situation to Carter, and every day, he chooses to help.

The Conjuring: The Devil Made Me Do It (2021)

Based on the paranormal investigations of demonologists Ed and Lorraine Warren, The Conjuring Universe remains one of the most successful horror franchises out there. The Conjuring: Last Rites might have street cred as the biggest horror movie opening in history; however, The Conjuring: The Devil Made Me Do It is, arguably, the series's most romantic movie. Against the backdrop of a story about murder and demonic possession, Lorraine and Ed learn their love can triumph over evil.

While the real-life Warrens are steeped in controversy, their big screen counterparts are certifiably swoonworthy thanks in large part to a healthy dose of fiction and Vera Farmiga and Patrick Wilson's chemistry. The Conjuring movies are on the scarier side, but romance fans who don't mind jump scares, suspense, and supernatural terror will find a lot to like about Ed and Lorraine.

It's a Wonderful Knife (2023)

If it's not already obvious by its title, It's a Wonderful Knife offers a fun slasher spin on the 1946 film It's a Wonderful Life. Like its inspiration, It's a Wonderful Knife transports Winnie (Jane Widdop) to an alternate reality where she was never born after she wishes that exact thing under the aurora borealis. What follows includes plenty of kills, a little comedy, existential questioning, and a delightful queer romance.

It's a Wonderful Knife is certainly not a masterpiece, but it's a solid popcorn flick for those times when you just want something fun. If you're a romance fan who likes Hallmark's cheesier Christmas movies, this is kind of like the horror equivalent of that. Despite its R-rating, things never get too gory. It's a Wonderful Knife favors comedy over horror, which will appeal to anyone who likes other teen-oriented horror comedies like Freaky (2020) or Totally Killer (2023).

Godzilla: Minus One (2023)

Godzilla steps into post-war Japan in Godzilla: Minus One. As expected, the grandeur of the giant kaiju doesn't disappoint, but the movie's real draw is its human elements. More specifically, the relationship between Koichi (Ryunosuke Kamiki) and Noriko (Minami Hamabe). As a disgraced and struggling kamikaze pilot, Koichi finds an unexpected kinship with Noriko after the Tokyo bombings leave her with nothing but a stranger's orphaned baby. Together, they form a found family, prompted by survival but deepened with trust.

While it's never explicitly romantic, Koichi and Noriko's love for each other is clear. Their quiet moments and unspoken feelings are enough to create hungry shippers desperate for something more between the two characters. If you like an infuriatingly slow-burn will-they-won't-they setup, Godzilla: Minus One will bring you to your knees.

The Gorge (2025)

When it comes to romance in horror, relationships frequently play out in the background, letting all the scares, chills, and thrills take center stage. The Gorge remains a rare exception. Here, the narrative primarily focuses on the budding relationship between Drasa (Anya Taylor-Joy) and Levi (Miles Teller), two elite snipers stationed on opposite sides of a gigantic gorge. Their meet-cute occurs with a literal chasm between them, causing them to get creative when it comes to communication.

The mystery of the gorge and the strange creatures residing inside keep the plot engaging and the stakes high. However, this is really a story about two people who use their affection and trust for each other to overcome a supernatural hellscape. Complete with a happy ending, The Gorge checks all the boxes for a true romance story. 

One of the most popular horror subgenres is undeniably the slasher. Most slashers follow a similar premise where a serial killer murders a whole host of people, but when it’s done right, it’s easy to have a good time. A good slasher can have memorable villains that become iconic, or kills that are so ridiculous that you can’t help but laugh or wince at how gruesome they are. And if there’s ever a time to watch a slasher movie, it’s during Halloween.

Slashers are meant to be fun, and there’s something exciting about gathering a group of friends together and watching classics like Halloween (1978), A Nightmare on Elm Street (1984), or Friday the 13th (1980). But what if you’ve seen those movies so much that they’re no longer exciting? What if you’re in the mood for something a bit unconventional, or you want to discover a hidden gem lost to time? With the spooky season officially upon us, and with hordes of people scouring for horror movies on Shudder, Tubi TV, and more, here are 10 slashers you probably never heard of but should most definitely give your time and attention to. 

The Driller Killer (1979)

In the UK, there used to be a list called the Video Nasties list. This list consisted of several horror films that were deemed to be in such poor taste that they were banned in the UK. The Driller Killer was one of those infamous video nasties, but its legacy isn’t about being a great slasher but being a bleak exposé on society in the 1970s. Oh sure, it still hits all the same beats you’d expect from a slasher. There are plenty of kills, most of them brutally done via power drill to the head, but the gore is surprisingly light. What makes The Driller Killer worth watching is its bleakness.

Throughout the film’s 90-minute runtime, we see how society systematically breaks down its lead until he’s driven mad and takes it out on the homeless population of New York City. Fans of Joker (2019) will be able to appreciate how shockingly similar Reno Miller is to Arthur Fleck. You empathize, yet detest him. Normally, you’re excited to see when a slasher piles up bodies, but in The Driller Killer, it makes you feel sick. This is a slasher with substance behind it, and those looking for an elevated and more meaningful take on the genre should keep The Driller Killer on their radar. 

Black Christmas (1974)

Out of all the movies on this list, Black Christmas may be the one film you already know. Granted, you may know about this movie for its two vastly inferior remakes, but the original is a classic slasher that predates the genre tropes that would become popularized in the '80s. What makes Black Christmas such a cool slasher is how little we actually know about the killer. While we see them kill, we never discover their identity and don’t even know what their motivations are, making this an excellent slasher for those looking for a dose of mystery.

The film also opts to take its time establishing the mood of the sorority house, much like how Psycho (1960) spends most of its first half fleshing out the eeriness of the Bates Motel. The girls of the sorority house aren’t just victims waiting to be killed. They feel like fleshed-out characters, each with their own unique set of problems. All of it builds to an ending that is menacingly open-ended, and a final shot that will leave you deeply unnerved and eager to find more high-quality slashers like this.

The Babysitter (2017)

Not every slasher needs to be gruesome and bleak. Plenty of slashers love to make light of how dark the genre can be, and if you liked slashers like Happy Death Day (2017) or Totally Killer (2023), then The Babysitter is perfect for you. 

The Babysitter rarely, if ever, takes itself seriously. It’s still a slasher that has buckets of blood and tons of gore, but there’s a nerdy charm to it that’s impossible not to love. The references to nerd culture feel like they’re ripped straight out of Scott Pilgrim vs. the World (2010), which helps build a dynamic between our hero and his demon-worshipping babysitter. It’s also a weirdly wholesome coming-of-age story about being able to stand up for yourself and having the courage to do what’s right, even if it may be scary. It’s odd to have a slasher with such a positive message, but leave it to The Babysitter to be an unconventional, yet lighthearted slasher that’s perfect for adolescents and teenagers.

The House On Sorority Row (1982)

Slashers occupy a unique space in the horror world because, more so than any other horror subgenre, their main goal is to entertain. Audiences love the kills and the gore of a slasher, but The House On Sorority Row offers something entirely different: suspense. 

While you might think you know exactly where The House on Sorority Row is going once its premise is established, the confusion it creates is nerve-wracking. Like an unsettling Clue (1985), you’ll be fully engaged with trying to figure out who keeps messing with our seven leads and why they’re doing it. The reveal isn’t exactly anything to write home about, but the tension helps make the movie one of the more engaging and serious slashers from the ‘80s. If Black Christmas was a mystery more interested in setting up the pieces for a compelling finale, then The House on Sorority Row finds more meaning in the journey and savors that ride, making it ever so slightly the better slasher experience. 

My Bloody Valentine 3D (2009)

For most of the late 2000s and early 2010s, a glut of low-quality slasher remakes littered the market. These snoozefests traded in the scares of their predecessors for marketability, since many of them were released with PG-13 ratings. The exception is My Bloody Valentine 3D, which not only released with an R-rating but was also a pretty competent remake of the original film.

My Bloody Valentine 3D is a great slasher if you’re looking for something shameless and gratuitous. The gore and the kills are borderline ridiculous, but the film plays it so straight that you can’t help but appreciate how it revels in violence. There’s flagrant nudity, a creative and unrestrained embrace of 3D that predates Avatar (2009), and an old-school approach to horror that puts it alongside the remakes of The Hills Have Eyes (2006) and The Texas Chainsaw Massacre (2003) as remakes that respect and idolize their originals. Is it better than the original film? No, but My Bloody Valentine 3D revels in its debauchery. While it may not be for everyone, it’s perfect for those who want a slasher that is chomping at the bit to cut loose. 

Hello Mary Lou: Prom Night 2 (1987)

It’s impossible to understate the impact that A Nightmare on Elm Street had on the slasher genre. Whether it was Freddy Krueger’s charm, the dreamlike imagery, or the blend of comedy and horror, Freddy’s exploits inspired so many knock-offs and rip-offs that most of them are poor quality. Then you have Hello Mary Lou: Prom Night 2, which perfectly captures the charm of Freddy’s reign of terror. It is almost entirely to do with its lead villain, Mary Lou Maloney (Lisa Schrage). She’s what you would get if you wished that Carrie (1976) ended with Sissy Spacek becoming a cackling maniac as she enacts her revenge.

There’s also a fair bit of creativity with Hello, Mary Lou: Prom Night 2, or, at the very least, more creativity than your average slasher. Moments like the chalkboard sequence have impressive special effects that still hold up to this day, and you can tell that a lot of effort was put into making this sequel stand out from the sea of slashers in the ‘80s. Does it escape A Nightmare on Elm Street’s shadow? No, but it doesn’t have to, because fans of Nightmare will love it all the same and cheer for Mary Lou as she seeks vengeance on the people who did her wrong.

In A Violent Nature (2024)

When it comes to slashers, there’s a certain level of bombast one expects. You anticipate gore, shock, and thrills as you watch the killer make their way through their victims like the Kool-Aid Man breaks through walls. If you were to strip away the style and spectacle of a slasher, you would probably get something like In A Violent Nature. 

There’s a foreboding sense of dread that permeates every shot of In a Violent Nature. Described as an ambient slasher, the stillness of the woods feels like something out of a Terrence Malick movie. There’s no spectacle here outside of the occasional kills that Johnny commits against the people who dared to disturb his rest. But when he kills, they’re spectacular. If you thought that Jason Vorhees from Friday the 13th or Leatherface from The Texas Chainsaw Massacre (1974) were imposing, you haven’t seen Johnny yet. The savagery of his kills is truly a sight to behold. There’s a certain beauty to watching what feels like a meditative mood piece with splashes of carnage. Slashers can be artistic, and In a Violent Nature is proof of that.

Freaky (2020)

Much like The Babysitter, Freaky doesn’t try to take itself too seriously. Unlike The Babysitter, Freaky is more confident at being both a black comedy and a gory slasher. It takes the concept of Freaky Friday (2003) and turns it completely on its head. Put a depraved serial killer in the body of a high schooler and put her mind in his, and the jokes just write themselves.

It helps that both Vince Vaughn and Kathryn Newton commit to the bit wonderfully, much in the same way that John Travolta and Nic Cage got lost in playing each other in Face/Off (1997). This is the kind of slasher that’s great with a group of friends who may not exactly be into horror. It’s not excessively violent, but it still honors the tropes of the genre and delivers an experience that both horror fans and newcomers alike can cheer at.

Sleepaway Camp (1983)

Some slashers are infamous for their endings, and there’s no better example of that than Sleepaway Camp. It’s a film that lives and dies by its final shot, and it’s one that sticks with you long after you’ve finished watching it.

It’s not too common to see a slasher starring children, but these kids have attitude. Some of them have an attitude like they were ripped from The Monster Squad (1987), while others are pure evil like the bullies in Carrie. You really feel for Angela as she gets bullied for no apparent reason, which makes the moments of genuine happiness for her all the better. There’s also an understated nature to the kills compared to other slashers. Some of them are particularly nasty and actually manage to be pretty shocking, and this is coming from someone who’s seen a lot of murdered slasher victims. But it’s all in service to that ending, which is something that needs to be seen to be believed. Those who want to be dumbfounded at a slasher need to make time to visit Sleepaway Camp.

The Stepfather (1987)

If there was one slasher movie that deserved to have a bigger impact on the genre than it did, it needs to be The Stepfather. Sure, it had a few sequels and a mediocre remake in 2009, but the original is such a captivating slasher that it’s shocking how this film isn’t as adored as other ‘80s slashers. 

If you’re going to see The Stepfather, it’s for Terry O’Quinn’s performance as the killer. He fully commits to being a crazed murderer on the search for a perfect family, yet he never comes across as an unrelatable monster. He’s warm. He’s affable. He’s actually a pretty good parent who cares about his wife and kid. If you found Pearl to be a sympathetic killer in X (2022) and Pearl (2022), then there’s a chance that you may even root for Terry O’Quinn to get a happy ending. It all eventually falls apart, leading to one of the best on-screen mental breakdowns of all time, resulting in a slasher that more people need to see ASAP. It effectively uses its 90 minutes to make one of the most underappreciated critiques of suburbia in horror, and it is a must-watch slasher this Halloween season.

For almost 30 years now, Pokemon has been an international phenomenon, expanding far beyond the original Game Boy games to become one of the most recognizable franchises in the world. Much of that success can be attributed to the long-running anime, which has introduced generation after generation of young fans to the Pokemon world since it debuted in 1997.

While Ash and Pikachu’s journey is what many people think of when they hear “Pokemon,” it’s far from the only animated show based on the franchise. The vast world of Pokemon has inspired several other shows, including miniseries, shorts, and even a stop motion series. This list will go over every Pokemon show, ranked from worst to best, and where to find them on Netflix, YouTube, and more.

7. Pokemon Generations (2016) & Pokemon Evolutions (2021)

Pokemon Generations and Pokemon Evolutions are both miniseries made up of shorts that depict scenes from or based on the video games, so I’m lumping them together for the purposes of this list. Generations consists of 18 episodes, with three dedicated to each region that existed in 2016; Evolutions has eight episodes, one for each region from Galar to Kanto. 

Since Generations and Evolutions were made to commemorate the franchise’s 20th and 25th anniversaries, respectively, these series rely heavily on nostalgia. Because of that, they may not make much sense to those who haven’t played the games, which is why they rank last on this list. However, those who have will enjoy seeing iconic characters and locations played out in gorgeous high quality animation. 

6. Pokemon Twilight Wings (2020)

Like Generations and Evolutions, Pokemon Twilight Wings is a miniseries consisting of short episodes featuring characters and locations from the video games, specifically Pokemon Sword and Shield. Though most episodes are standalone, connected only by a Corviknight taxi driver who happens to cross paths with the most important people in Galar, there is a sweet plotline surrounding a young boy in a hospital who dreams of seeing Champion Leon in person that starts and ends the series—minus the bonus episode featuring new content from The Isle of Armor and The Crown Tundra expansions.

Though similar, Twilight Wings’ original stories give it an edge over the previously-mentioned miniseries. Rather than recreating events from the games, each episode dives into a character, mostly showing them going about their daily lives. If you enjoyed Sword and Shield or simply like slice-of-life stories, you’ll probably find Pokemon Twilight Wings cute, even if its short runtime makes it more of an appetizer than a full meal.

5. Poketoon (2020-2025)

Poketoon is another series of animated shorts, this time featuring original characters and stories rather than relying on those from the games. Each episode is standalone, ranging between four to 14 minutes, and focusing on a certain ‘mon or relationship between human and Pokemon. The miniseries is a quick and fun watch, with 17 episodes currently available on YouTube, though nine of the episodes have yet to be dubbed into English. 

Still, I can’t help but feel that it peaks with the first episode, which focuses solely on Scraggy and Mimikyu in a hilarious adventure that could be ripped from a Looney Tunes or Mickey Mouse short. The other episodes are cute, but I wish the entire series continued in that style, paying homage to both classic cartoons and the Pokemon shorts I grew up with like “Pikachu’s Vacation” and “Pikachu & Pichu.” Poketoon is a great concept that I’d love to see continue, but if you prefer the modern take on Looney Tunes-like animation, I recommend The Cuphead Show! (2022) over this.

4. Pokemon Horizons (2023-Present)

While Pokemon Horizons is technically still the 1997 Pokemon anime, for the purposes of this list, I’m considering Roy and Liko’s adventures a separate series. The duo has huge shoes to fill as the successors to Ash Ketchum, a character that even most non-Pokemon fans know, and they’re doing a pretty good job so far. 

Horizons has been a refreshing new era for the Pokemon anime, shaking off some of the staples that made Ash’s time feel more childish, like Team Rocket and the narrator. If you enjoyed the classic Pokemon anime but wish it were slightly more mature, give Pokemon Horizons a chance. Just don’t expect it to hit you in the nostalgia the way other Pokemon media are designed to.

3. Pokemon (1997-2023)

For 26 years, generations of fans grew up watching Ash Ketchum on his journey to become the very best (like no one ever was). Starting out in the Kanto region from the original Generation I games, the anime brought the Pokemon world to life in a way that far exceeded the Game Boy’s graphic and audio limitations and allowed those without the console or game to join in on the fun. That’s not to say that Pokemon is an essential watch from start to finish. It is, after all, a show targeted primarily at children, and one that went on for over two decades, spanning over 1,300 episodes. 

Seasons vary greatly in quality on all fronts, from animation style to writing to characters. Early seasons, in particular, have some questionable localization choices, often to remove references the dubbers considered “too Japanese” for American audiences. Still, within the childish humor and filler episodes are true gems that use the Pokemon world to tell the kinds of powerful stories that will stick with you. I still remember crying to “Pikachu's Goodbye” and cheering on Ash’s Chimchar for the entirety of the Diamond and Pearl years (my personal favorite era of the show). It’s a gargantuan series, and a mixed bag at that, but regardless, the original Pokemon anime is a classic that’s worth sharing with new generations of trainers. Plus, the fact that the show is split into such clear seasons makes it easy to jump in; just pick your favorite region and get started!

2. Pokemon Origins (2013)

For many Pokemon fans, particularly those who grew up with the original Kanto games, Pokemon Origins is what they wished the entire anime could have been. The four episode miniseries is a mostly faithful retelling of the Gen I game’s story that follows rivals Red and Blue as they set out to complete the Pokedex. Though the miniseries’ inclusion of Mega Evolution is clearly there to promote the then-brand new Pokemon X and Y, it does so in a way that fits perfectly with Red’s journey and without distracting from the familiar tale.

If you’re going to pick just one Pokemon show to watch, Pokemon Origins is the best option overall, especially for anyone with Gen I nostalgia. It has higher quality animation and more focused storytelling than the main series, and its 22-minute long episodes prove more fulfilling than the YouTube shorts. With Pokemon Legends Z-A finally bringing Mega Evolution back to the games, now is the perfect time to revisit one of the first shows to bring the powerful mechanic to life.

1. Pokemon Concierge (2023-Present)

Perhaps the most creative Pokemon series yet is Netflix original Pokemon Concierge. This stop-motion show tells the story of Haru, a young woman who turns her life around by becoming a concierge for the Pokemon Resort, caring for the various ‘mon who visit the island while building up her confidence. With its charming claymation style, which fits perfectly with the whimsical world of Pokemon, Concierge is an incredibly cozy take on the franchise. By trading action-packed battles for a relaxing island vacation, the series presents a different side of the Pokemon world from the main anime, other shows, and movies like Detective Pikachu (2019). 

While it may initially seem like an excuse to show a bunch of Pokemon being cute, Concierge is really about self-acceptance and the importance of relaxation. Really, the main issue with Pokemon Concierge is how short it is at just eight episodes across two seasons. When considering how challenging stop-motion animation is, it’s clear every frame is a labor of love. Whether you’re a casual fan or a Pokemon Master, Pokemon Concierge’s adorable visuals and heartwarming stories are worth the trip to the Pokemon Resort.

Whether they end in a happily ever after or not, love stories are almost always present in spy dramas. The most noteworthy of all spies, James Bond, almost always gets the girl in the films, and the writing often uses her to service the titular character's plot in ways that are both big and small. For instance, Casino Royale (2006) is inarguably not only one of the best Bond and spy films, but it also features one of the most memorable romantic relationships, making Vesper Lynd (Eva Green) the catalyst for the type of spy Bond becomes. Still, the heartbreaking ending doesn't make the film a romance, and in recent years, so few place romance at the center. That is, until Steven Soderbergh's Black Bag (2025).

Black Bag is, without a shadow of a doubt, a romance, and for the viewers who want a guaranteed happy ending in the relationships they fall in love with, we've curated a specific list of unconventional spy dramas that effectively center on romance, as well as where to find them on streamers like Prime Video, Disney+, and more. 

Black Bag (2025)

Deception and the absence of trust are fundamental themes within the spy drama, often leading characters to act on their own through decisions that negatively impact those they supposedly care about. Black Bag challenges this cliche by fully flipping it around to prove why Michael Fassbender's George Woodhouse and Cate Blanchett's Kathryn St. Jean are better spies because of their marriage and unwavering loyalty to each other. In every way, Black Bag is an original spy drama that's especially perfect for viewers who watched films like Clue (1985) and wondered, "Now what if they were coupled up?"

The film itself is a thrilling good time with a deliciously fun premise, but it's the romance that makes it so utterly fascinating. The romance sets a different standard and explores what happens when two people know one another so well that there's absolutely nothing they wouldn't do to protect each other. And while there are beats throughout the film where the writing makes us question the authenticity of the trust and adoration, the film subverts expectations in an admirable way to showcase that trust can and does exist in this field. 

The Americans (2013-2018)

In every way where it matters, The Americans is a romance. Full of betrayals, a plethora of heartache, and one challenge after another, but still at its core, it's a story about an arranged marriage that becomes something more. It's a thorough and breathtaking exploration of what happens when two people are not only forced together, but they're forced out of their country to play pretend, and how the ever-growing challenges in their careers as spies only make them a stronger pair.

The Americans is significantly darker and more brutal on all fronts than Black Bag, but the marriage between Matthew Rhys and Keri Russell's Phillip and Elizabeth Jennings is as enticing as the one between Kathryn and George, if not more. It's especially well-suited for viewers who want an authentic showcase of the marriage-of-convenience trope, and the type of series that shines for its decision not to kill off main characters in the end. The Americans is heartbreaking and profoundly heavy at times, but the romance makes every beat of it worth watching as it deep dives into what love, trust, and complex characters look like in a field that's dark by default.

Charade (1963)

Starring Audrey Hepburn and Cary Grant, Charade is a bit more like Black Bag in the sense that there are lighter beats to combat the heavy subject matter. While the respective stars aren't in a marriage story, Charade is still an intriguing spy drama with a civilian that's chock-full of fun disguises, adventures in Paris, deception, joy, and a delightfully anticipated happy ending.

Charade is a must-watch because of the performances Hepburn and Grant bring to the forefront, but more importantly, because it's an all-around good time. Spies, in general, come with a sea of darkness, but the film cloaks a lot of it with distinct humor, sharp writing, and great chemistry that bounces off the screen. It's a lighter approach, but it's still equally excellent in its storytelling as all the properties in this list are.

Agent Carter (2015-2016)

The Marvel Cinematic Universe is too long and too extensively complex for people who generally aren't fans of the superhero genre, but Agent Carter is the type of spy drama that viewers can hop right into, having only seen Captain America: The First Avenger (2011). And while a good chunk of the lore changes by the time Avengers: Endgame (2019) releases, romance fans can still watch it, let it end, and believe in the fact that the canon happy ending is one that will last. If you don't watch the rest, then who's to say it doesn't? 

Agent Carter brilliantly follows Hayley Atwell's Peggy Carter after Steve Rogers' "death" and thrusts her into a world where the men around her don't take her seriously. Set in the '40s, post-World War II, the period piece explores a woman's place in a predominantly male-dominated field, all while subtly and carefully proposing a second chance at love with Enver Gjokaj's Daniel Sousa. Though the series was tragically canceled after the second season, the two share a kiss at the end, signaling that she's found an equal in a person who respects and values her. Fans of slow burn romances are especially bound to appreciate Agent Carter. 

Alias (2001-2006)

Perfect for fans of procedurals and early 2000s nostalgia, Alias is a top-tier, brilliantly clever, and thoroughly engrossing spy drama that shines with one of the best slow burns to date. Yes, still. For five seasons, Alias keeps viewers on their toes, making us wonder whether Jennifer Garner's Sydney Bristow and Michael Vartan's Michael Vaughn will finally get their happy ending after years of heartbreak, drama, and questionable decisions. With shows and movies in the early 2000s, character deaths were inevitable. Viewers would invest in seasons only to lose their favorite by the end, resulting in a distrust that made watching certain dramas harder. It's still prevalent today with procedurals, but Alias at least manages to give viewers a bit of joy after all the pain.

It's an incredibly fun series despite the heavy subject matter, and there are beats throughout that are still fantastic pop culture moments for romance fans like Sydney and Vaughn's first kiss. For viewers who loved the level of trust in Black Bag, Alias is the next best thing.

Get Smart (2008)

There are very few movies and TV shows starring Steve Carell that aren't fantastic, and pairing him with a show-stopping actress like Anne Hathaway was a guaranteed way of making Get Smart a hit. Based on the ‘60s sitcom of the same title, Get Smart is, inarguably, a romance. A bonkers one, but a romance nevertheless. While the romantic relationship between Maxwell Smart and Agent 99 is a bit more prevalent in the series, the movie delivers the type of light-hearted comedy that brings undeniable levity to the spy drama.

For viewers wanting a full escape without the heavy subject matter, then Get Smart is the best way to go. Carell and Hathaway's chemistry is delightfully perfect, funny, and genuinely captivating from start to finish, making the whole film an absolute blast.

Alien: Earth recently took Disney+ by storm, offering the Alien franchise’s first live-action TV series and creating the perfect opportunity to debut new, stranger, and even more terrifying Xenomorphs. The series focuses on a space vessel that crash-lands on Earth, bearing alien specimens, some of which are so strange that even the iconic Xenomorph appears somewhat tame in comparison.

If you loved Alien: Earth and are looking for more unusual alien species, this guide will show you where to find the freakiest aliens in shows and movies on platforms like Disney+, Paramount+, and Hulu, ranked by fear factor.

10. Species 19 - Alien: Earth (2025-Present)

Species 19 is one of the new aliens introduced in Alien: Earth. The creatures have an insectoid appearance that looks like a cross between a centipede and a leech. Despite their relatively small stature, the aliens can do quite a bit of damage. Once attached to a host, they suck its blood, causing their bodies to become grotesquely engorged and sucking the host dry in a matter of minutes. While they’re certainly creepy, they fall into the category of gross rather than scary and will mostly only terrify those with a fear of bugs.

Alien: Earth is a triumph for the Alien franchise, paying tribute through its sci-fi horror and nostalgic cinematography to the earlier movies while taking the franchise in an exciting new direction with new aliens and a new setting. It thoughtfully explores complex topics like technological advancement and corporate power while also featuring a goriness and horror reminiscent of Jurassic Park (1993). The series is perfect for sci-fi horror fans and viewers who especially loved the original Alien (1979) movie.

9. Weeping Angels - Doctor Who (2005-Present)

The Weeping Angels made their Doctor Who debut in 2007. They are an alien species that resemble angel statues, with their hands covering their faces, as if they are crying. However, the moment you look away from them, they move. You never actually see them move; you just turn around to find the statue closer, baring its fangs and reaching for you. Being touched by one will send someone randomly back in time, where they’ll be unable to return to their timeline. Weeping Angels look and behave quite frighteningly, although what they do to victims isn’t nearly as terrifying or gory as what other aliens on this list are capable of.

Doctor Who is bursting with strange and unique alien species, some of whom are good and some of whom are bad. The series leans more squarely toward science fiction than horror, but the time travel premise makes it flexible enough to dabble in horror, history, and fantasy whenever it pleases. Doctor Who makes sci-fi fun and is reminiscent of The Librarians (2014) with its infectious energy, optimism, and sense of adventure.

8. Pennywise the Clown - It (2017)

Pennywise the Clown is the shapeshifting extraterrestrial at the center of the It franchise. The creature’s most terrifying iteration appears in It (2017), where Bill Skarsgård offers a sinister, unnerving performance as the bloodthirsty monster. While Pennywise can shapeshift into anything to induce fear in children, it most often takes the form of a creepy clown. Pennywise is unnerving, especially in its grotesque habit of feasting on children. Although absolutely terrifying to those with the relatively common fear of clowns, Pennywise’s most common appearance isn’t as freaky or unusual as some creatures on this list.

It is an excellent adaptation of one of Stephen King’s most famous works. The film blends horror with a compelling coming-of-age story featuring a strong message about overcoming one’s fears. The coming-of-age elements dull the horror somewhat, but they make It more profound and moving than the typical horror movie. Fans of coming-of-age horror, like Raw (2016) and Carrie (1976), will also love It.

7. The Thing - The Thing (1982)

In The Thing, the titular extraterrestrial can assume the form of any animal or human, using its abilities to wreak havoc on a team of researchers in Antarctica. The Thing is similar in power to Pennywise. Still, it arguably uses its abilities to an even more terrifying extent, impersonating humans and animals to drive humans to madness through paranoia and distrust. To add to the terror, viewers never actually see The Thing in its natural form. The lack of a natural form takes away from some horror derived from appearance, but also makes it a bit more unsettling since you don’t even know what you’re up against.

The Thing is one of the best sci-fi horror films available. Between its isolated, extreme environment, body horror, the mystery surrounding the assailant, and the drastic measures of those driven by paranoia, the film is both thought-provoking and terrifying. If you love the suspense of Alien and the body horror of The Substance (2024), you’ll love The Thing.

6. Daddy Long-Legs - No One Will Save You (2023)

Daddy Long-Legs appears toward the end of No One Will Save You and functions as the leader/priest of the gray aliens. While most of the gray aliens look like the typical alien archetype, Daddy Long-Legs is a bit of a jump scare due to its enormous size. Easily the size of a house with massive, spider-like limbs and an affinity for odd hand gestures, Daddy Long-Legs’ appearance is nightmarish. It has a far more alien-like and fear-inducing appearance than the Weeping Angels or Pennywise, but its clumsiness and failure to inflict real harm keep it from ranking higher on this list.

No One Will Save You is one of the most innovative horror movies of the 21st century, mainly due to its minimal dialogue. Bolstered by a very physical and body language-heavy performance from Kaitlyn Dever, the film evokes tension and suspense while subverting alien invasion tropes. It's the perfect film for sci-fi horror fans seeking a movie that offers something fresh and distinctive.

5. T. Ocellus - Alien: Earth (2025-Present)

T. Ocellus, or Species 64, is another new alien in Alien: Earth. Its design is simple but gross and unsettling, as it resembles a human eye with tentacles. Species 64’s abilities are even more terrifying than its appearance, as it kills and controls its prey by gouging out an eye and inserting itself in its place. It can even give its host unusual abilities, such as allowing a lamb to stand on its hind legs for an extended period.

The creature is also extremely intelligent, successfully freeing itself from its containment. While Species 64’s small size makes it slightly less terrifying than some of the enormous creatures on this list, its abilities and intelligence are exceedingly freaky and scary. Alien fans, you already know this series is for you. 

4. Yautja - Predator (1987)

The Yautja made their debut in Predator, which went on to spawn an extensive film franchise. These extraterrestrials appear quite terrifying, standing tall in stature with a mixture of humanoid and arthropodic features, including mandibles, dreadlocks, and claws. However, their appearance isn’t the most terrifying thing about them. They are skillful hunters who enjoy hunting humans. The Predators boast significant physical and technological advantages over humans, with far more advanced technology. As terrifying and formidable as they are, their honor system makes them slightly less scary than the creatures on this list who kill indiscriminately.

Predator is the perfect sci-fi horror movie for viewers who loved The Thing and Alien but are seeking something with a little more action. It moves at a breakneck pace and keeps viewers’ adrenaline pumping through its hunting premise and battle of wits. If you’re looking for a visually stunning mixture of horror, sci-fi, and action, Predator has you covered.

3. Death Angels - A Quiet Place (2018)

Death Angel is the unofficial name given to the extraterrestrial species in A Quiet Place. These creatures are terrifying, boasting a Demogorgon-like appearance due to their armored head plates that retract to reveal a mouth full of fangs. Although eyeless, the creatures contain extremely sensitive hearing and inhuman speed. At the slightest noise, they arrive with lightning speed to snatch their prey, killing them with their powerful claws and teeth. Death Angels' armored skin also makes them nearly indestructible. Terrifying to look at and highly lethal, they’re some of the most fear-inducing aliens in cinema.

A Quiet Place, like No One Will Save You, is an innovative horror movie that features little dialogue or noise. Knowing that every little noise draws Death Angels will have audiences constantly holding their breath with suspense, but still never quite predicting or escaping the numerous jump scares. Reminiscent of Bird Box (2018) and Never Let Go (2024), A Quiet Place is terrifying, shocking, and unique, but also a surprisingly emotional tale about family and surviving against all odds.

2. Xenomorph - Alien (1979)

The Xenomorph debuts in Ridley Scott’s Alien and takes on several terrifying, deadly life forms. Starting as eggs, the creatures develop into Facehuggers. These tentacled creatures with long tails latch onto a host's face with an unbreakable hold and implant the host with a Xenomorph embryo. The embryo develops into the Chestbuster, which then explodes from within its host, eventually transforming into the adult Xenomorph. Adult Xenomorphs are large, bipedal creatures with superhuman speed and strength, deadly barbed tails, claws, and a terrifying secondary jaw that protrudes from their mouth. It’s a creature rivaled in weirdness, grotesqueness, and horror by very few.

Alien is an excellent sci-fi horror movie that utilizes suspense and tension masterfully, while dazzling viewers with a creature so innovative and bizarre that it’s sure to terrify even the most resilient horror fans. It’s not just a great sci-fi horror movie, but a brilliant work of cinema overall, sure to intrigue film enthusiasts. If you loved Aliens (1986), Alien: Earth, and Alien: Romulus (2024), which come closest to recreating the horror and suspense of the original, you’ll love Alien.

1. Offspring - Alien: Romulus’ (2024)

The only thing that can top a Xenomorph is an even more disturbing variation of one. In Alien: Romulus, a pregnant teenager, Kay (Isabela Merced), is terrorized by a Xenomorph. In a bid to save her life, she injects herself with Compound Z-01, an alien pathogen found in Xenomorph DNA. The result is that she gives birth to the Offspring, a human/xenomorph hybrid, which is just as terrifying as it sounds. Extremely pale, inhumanly tall, with a misshapen torso and black eyes, the Offspring also has claws, a retractable toothed tongue, and a Xenomorph-like tail. It’s just as deadly as a Xenomorph, but larger, creepier, and more humanoid, which gives it a slight edge in the fear factor.

Alien: Romulus is an excellent take on the Alien franchise. It boasts the sci-fi horror, jump scares, and masterful suspense of Alien, as well as the innovation and creativity, as it continually strives to surpass the weirdness and terror of the franchise. Reviving the vibe of the original Alien, but with the freshness and ambition of Alien: Earth, it’s one of the best installments in the franchise.

Steven Knight’s House of Guinness (2025) is gaining traction on Netflix. The new series is a historical drama that explores the Guinness family, renowned for their achievements in the brewing industry. When the family patriarch dies, the fate of his legacy is left in the hands of his four adult children.

House of Guinness is everything one could want from a family saga, brimming with complicated histories, secrets, and envy. If the series leaves you eager for more family drama, you can use our guide to find the 10 best dark family sagas on platforms like HBO Max, Paramount+, Netflix, and more.

The Sopranos (1999-2007)

The Sopranos is a crime drama that follows Tony Soprano (James Gandolfini), a mafia boss who struggles to balance his crime life with his family life. Its family saga is twofold, as it delves into both Tony’s biological family and the DiMeo crime family. The show’s intensity stems from family conflict, as Tony faces constant fear of betrayal, shifting loyalties, and power struggles within the DiMeo family. 

Turmoil also reigns within his personal family, as his wife and children struggle to come to terms with their father’s lifestyle. The Sopranos family strongly parallels the Guinness family, given their rich history of scandal. Meanwhile, The Sopranos delves even deeper into dark territory through its nuanced and dazzling character study of Tony and his descent into evil. If you loved House of Guinness but are seeking something that leans more into the gangster genre, The Sopranos is perfect for you.

Game of Thrones (2011-2019)

Game of Thrones takes the family saga to epic proportions with its sprawling tale of two powerful families vying for control of the Seven Kingdoms of Westeros. It tells a similar story to House of Guinness, about a family left grasping for a coveted legacy, but on a much larger scale. The vacancy of the Iron Throne sparks an extensive, gruesome war of succession involving numerous noble families and endless betrayals, rebellions, schemes, and dark secrets.

Game of Thrones bolsters its family saga with extensive worldbuilding, stunning visuals, and complex storytelling. Its grandeur and attention to detail make it one of the best fantasy series ever made, comparable in scale to series like Shōgun (2024) and The Lord of the Rings: The Rings of Power (2022). Game of Thrones is an excellent alternative to House of Guinness for viewers seeking dark family drama, but with an exciting fantasy backdrop.

Peaky Blinders (2013-2022)

Peaky Blinders and House of Guinness have quite a bit in common, including creator Steven Knight. Like House of Guinness, Peaky Blinders is also a historical drama. It centers on the Peaky Blinders gang during the aftermath of World War I under the leadership of Tommy Shelby (Cillian Murphy) and his family. The series blends history with family drama as the wealthy Shelby family rules the streets through fear and influence, clashing with one another over methods, strategy, and what they’re entitled to.

The Shelby family strongly parallels the Guinness family, as both are wealthy and powerful and operate amid turbulent historical times. While based in truth, the shows take some creative liberties to produce thrilling, dramatic, scandalous, gritty, and dark tales of family, politics, and power. Peaky Blinders isn’t as grand or fantastical as Game of Thrones, but it boasts the gangster elements of The Sopranos and is excellent for viewers who appreciated the historical aspects of House of Guinness.

Empire (2015-2020)

Empire tells the story of Lucious Lyon (Terrence Howard), the CEO of a successful entertainment company, who struggles to find a successor after being diagnosed with a terminal illness. The series features all the family drama and conflict of House of Guinness, but set against the backdrop of the dazzling hip hop industry, complete with exquisite costumes and catchy songs. It’s deliciously soapy, offering performances that are over-the-top but believable and delving convincingly into the music industry.

The fascinating power dynamics between Lyon, his ex-wife, and their three adult sons are highly reminiscent of those between the Guinness brothers in House of Guinness. Empire is an excellent choice for viewers who enjoy the family saga elements of Peaky Blinders and House of Guinness, but are seeking something a little more soapy. With its House of Guinness meets Scandal (2012) vibes, Empire is a dark family saga and excellent guilty pleasure watch.

Taboo (2017)

Taboo is another Steven Knight historical drama on par with House of Guinness and Peaky Blinders. In the show, James Delaney (Tom Hardy) inherits a coveted piece of land from his late father, but his desire to rebuild his father’s shipping empire is complicated by greed, corruption, and dark family mysteries. Taboo is as dark and gritty as it gets, delving deep into the dark underbelly of the East India Company, as well as the complicated history of Delaney’s family, including his father’s mysterious death and his mother’s alleged mental illness.

As in House of Guiness, everyone in the Delaney family and their connections holds dark secrets that deepen the saga and mystery. Taboo also boasts historical elements reminiscent of the House of Guinness, but it ventures into even darker territory, paralleling Game of Thrones in the extent of its betrayals, conspiracies, and twisted relationships. The series is perfect if you're yearning for a show with the historical elements of Peaky Blinders and House of Guinness, but also the darkness and gloom of the likes of Ripper Street (2012).

Succession (2018-2023)

Succession centers on billionaire Waystar RoyCo founder Logan Roy (Brian Cox), whose declining health sparks a battle among his four adult children to inherit his empire. The premise is highly reminiscent of House of Guinness and Empire because of its focus on adult children with clashing personalities, secrets, and desires, who are a little too eager to play their father’s games. Like House of Guinness, it also draws inspiration from a real-life family: the Murdochs.

Succession is one of the best modern family sagas one can watch. The series isn’t just about family drama; it frames its succession conflict in satire and dark humor to critique corporate America and the complexities of family inheritances. Dark, funny, witty, and sharp, Succession is much like a modern-day House of Guinness, but it also offers a satirical commentary on America and the pursuit of power with a cynicism that rivals Veep (2012).

Yellowstone (2018-2024)

Yellowstone follows the Dutton Family, the owners of the largest ranch in Montana, as they navigate family drama and conflict along the ranch’s borders. It's a sprawling family saga, as patriarch John Dutton (Kevin Costner) is a sixth-generation homesteader with four children and a ranch rich in history. The setting is perfect for family drama, as the rough environment lays the groundwork for murder, mystery, betrayal, and alliances.

Yellowstone has the family drama and high stakes of House of Guinness with the grittiness of a western that adds some darkness to the saga. Between its dazzling settings, modern western premise, and family drama, it has something for everyone and is a bit of a comfort watch akin to Empire. If you love House of Guinness but want to trade the historical elements with western ones, Yellowstone is an excellent choice.

The Righteous Gemstones (2019-2025)

The Righteous Gemstones focuses on the dysfunctional Gemstone family, as they struggle to maintain their vast religious empire amid dark family secrets and scandals. It parallels House of Guinness with its dark family saga, but it goes to even more outlandish heights due to the extent of the adult children’s dysfunction and secrets. In the line of Succession, the show thrives on dark humor and satire, examining family dysfunction and the corruption, greed, and hypocrisy of commercialized religion with a critical lens.

The family saga of the Gemstones also explores ideas of grief and generational trauma, though it encases these themes in slapstick humor. The Righteous Gemstones offer a bit more complexity than shows like Empire and Yellowstone, but it never sacrifices the humor, absurdity, and drama. Viewers who love the family dynamics of House of Guinness but are seeking something even more bold, twisted, and humorous will be interested in The Righteous Gemstones.

The Fall of the House of Usher (2023)

The Fall of the House of Usher is a gothic horror miniseries based on Edgar Allan Poe’s works. It follows Rodrick Usher (Bruce Greenwood), CEO of Fortunato Pharmaceuticals, who must confront his and his twin sister’s past when his children begin dying one by one in freak accidents. The series boasts the dark family secrets and drama of House of Guinness, but it approaches its topic with a horror twist. It’s dark, disturbing, and an excellent, modern tribute to Poe that also critiques business corruption and wealth.

The Fall of the House of Usher is a family saga that effectively conveys the horror of some family secrets and dysfunction. Like Taboo, The Righteous Gemstones, and Succession, it explores how children often pay for the wrongs of the previous generation, except that it doesn’t hold back in depicting that price. Fans of House of Guinness and the gothic horror of Mike Flanagan will love The Fall of the House of Usher’s blend of a family saga and horror.

MobLand (2025-Present)

MobLand is a crime drama that centers on Harry Da Souza (Hardy), a fixer for the Harrigan crime family tasked with navigating and minimizing the impact of their feud with the Stevenson crime family. Like The Sopranos, MobLand is a blend of crime drama and family saga, delving into the complex family dynamics and violent conflicts between two powerful crime families. It differentiates itself by examining these family dynamics from the perspective of outsider Da Souza, whose street smarts and brutal ways will dazzle viewers.

Like House of Guinness, MobLand explores convoluted family history, betrayal, loyalty, and alliances. However, it stands out as a slow-burning crime drama largely carried by Hardy’s top-notch performance. It’s the perfect show for viewers looking for a family saga that’s a cross between Taboo and The Sopranos.

Ryan Murphy's Monster series continues with Monster: The Ed Gein Story. The latest entry chronicles the life and crimes of the titular Ed Gein, one of America's most infamous names. Funny enough, Gein only killed two women, Mary Hogan and Bernice Worden, which is well below the murders of other serial killers. (Ted Bundy confessed to killing 30 people.) However, the sheer depravity and disturbing nature of what police uncovered in his home inspired no shortage of horror movie villains. 

If you're familiar with The Texas Chain Saw Massacre (1974), picture something similar. Inside Gein's unassuming Wisconsin farmhouse were decapitated bodies and a host of furniture and clothing made from human skin. From skin-crafted lampshades to a human heart by the stove, the contents of Gein's house should only exist in fiction. Gein cited his mother—known to be overbearing and abusive—as his motivation for the crimes, essentially wanting to get closer to her after she passed. While movies like Psycho (1960) zero in on the Oedipal aspect of Gein's relationship with his mother, other films, like the aforementioned Texas Chain Saw Massacre, chose to pull inspiration from Gein's morbid fascination with grave robbing and crafting items made from human skin and body parts.

Looking to learn about the horror villains based on Ed Gein? Here are 6 of the most famous, including where to watch their corresponding movies and TV shows on Netflix, HBO Max, and more. 

Norman Bates - Psycho (1960)

Norman Bates, the quiet, unusual owner of the Bates Motel, marks the earliest fictional killer inspired by Ed Gein. Before Alfred Hitchcock turned Psycho into one of the most iconic movies in cinema history, the story took shape in Weyauwega, Wisconsin, just a few towns over from the site of Gein's crimes. Author Robert Bloch took Gein's bizarre relationship with his mother and ran with it, delivering a twisty, tense story about a man driven to madness by his overbearing mother.

Without spoiling too much, just know Psycho ends with one heck of a twist. The 1960s production combined with Hitchcock's tasteful handling of violence makes the film suitable for thriller and horror fans alike. Really, the horror here is psychological. Thanks to Bloch's idea and Hitchcock's artistry, Norman Bates, somehow, remains one of the genre's most empathic villains. If you want an even deeper look into the twisted mother-son relationship, check out Bates Motel. 

Ezra Cobb - Deranged (1974)

Leatherface (mentioned next on this list) might be one of the most famous Ed Gein-inspired slashers, but a lesser-known villain actually beat him to the big screen in 1974. Ezra Cobb, played with grounded glee by Roberts Blossom, stalks a small Midwestern town, killing women and robbing graves after the death of his mother. If that sounds familiar, it's because Deranged closely mirrors Gein's real-life story, just with a lot more dramatization and dark humor.

Disturbing, gory, and chock full of stomach-churning practical effects, Deranged isn't for the faint of heart. Mostly overlooked upon release, the movie remains a cult classic among horror fans who dig gritty, rural horror fare like The Hills Have Eyes (1977) and The Texas Chainsaw Massacre franchise. This one might be best suited for the midnight movie crowd, but anyone wanting a peek into Gein's horrific world will get a taste of that here. 

Leatherface - The Texas Chain Saw Massacre (1974)

While Psycho used Gein's Oedipal relationship with his mother as its main source of inspiration, The Texas Chain Saw Massacre looked to Gein's disturbing penchant for using human skin to create masks and various house decor for its biggest scares. Leatherface, of course, is best known for his various masks, which he fashions from the skin of his victims. Nubbins Sawyer, Leatherface's brother, also spends his free time grave robbing, harkening to Gein's M.O. of exhuming corpses.

While director Tobe Hooper credited Gein as a significant inspiration for Leatherface and his murderous family, serial killer Elmer Wayne Henley also played a role in the creation of one of horror's most iconic villains. As expected, when dealing with topics like cannibalism, skin harvesting, grave robbing, and murder, The Texas Chain Saw Massacre is dark, brutal, and gritty. Squeamish audiences might balk at the idea of watching a backwoods Texas family hunt down twenty-somethings, but genre lovers will get one of the best atmospheric slasher stories out there.

Buffalo Bill - The Silence of the Lambs (1991)

The list of Gein's crimes is long and disturbing, but perhaps the most disturbing of all is the half-completed "woman suit" he created from the skin of his female victims to feel closer to his late mother. Anyone who has seen The Silence of the Lambs knows that crafting a "woman suit" is also the main agenda of Buffalo Bill, the serial killer Clarice Starling (Jodie Foster) uses Hannibal Lecter (Anthony Hopkins) to help profile. In the case of Buffalo Bill, however, the motivation isn't his mother, but the desire to be "reborn" as a woman.

Author of the Hannibal book series, Thomas Harris used a multitude of then-active serial killers when developing Buffalo Bill, including Ted Bundy, Gary M. Heidnik, Jerry Brudos, and Gary Ridgway, better known as the Green River Killer. However, Gein's influence is, perhaps, the most felt since it provides Bill's motivation. If you like dark psychology thrillers about killers, you really can't do much better than The Silence of the Lambs. Pulse-pounding, twisty, and harboring some of the most iconic performances in cinema history, this is an absolute must-watch. 

Garland Greene - Con Air (1997)

One look at Steve Buscemi's Garland Greene chained up with a muzzle, and it's hard not to see Hannibal Lecter. However, according to Buscemi and director Simon West, Garland is actually inspired by multiple serial killers, including Ed Gein. While other notorious names, including Ted Bundy, Jeffrey Dahmer, Charles Manson, John Wayne Gacy, and Edmund Kemper, shaped different aspects of Con Air's coolly depraved serial killer, Garland's story about wearing one of his victims' heads as a hat pulls heavy inspiration from Gein.

Unlike the other entries on this list, Con Air isn't horror, but pure popcorn thriller action. It's got a vein of self-aware humor that makes it wild fun. Garland Green plays a small part in the film, so anyone hoping for an in-depth look into his pathology won't get that here. This is very much a Nicolas Cage movie. So, yeah, expect all the chaos, zaniness, and high-octane action that comes with the actor's reputation. 

Dr. Oliver Thredson/Bloody Face - American Horror Story (2011-Present) 

Monster: The Ed Gein Story isn't the first time Ryan Murphy has wandered into Ed Gein territory. In American Horror Story Season 2, subtitled Asylum, Murphy introduces Dr. Oliver Thredson (Zachary Quinto), who (spoilers!) later reveals himself as Bloody Face. The juxtaposition of Thredson's day job as a seemingly well-meaning psychiatrist and secret serial killer feels more akin to Hannibal Lecter. However, Thredson's crimes are ripped directly from Gein. Thredson murders women who don't quite live up to the hope of replacing his dead mother and uses their skin to craft furniture, decor, and, of course, his chilling mask.

Much like Leatherface and Buffalo Bill, Gein's desire to create a skin suit becomes a trademark feature of Thredson's Bloody Face identity. Still, Thredson is just one part of Asylum's larger story. Tackling heavy topics like mental health, religion, and abuse in its many forms, Asylum isn't short on trigger warnings. For audiences in the right headspace, however, it's one of American Horror Story's best seasons. If stories about old asylums equally fascinate and disgust you, Asylum shines a light on the many controversies and injustices faced by patients. 

Cozy and fun spooky stories aren't just best suited for scaredy-cats who have a fear of missing out when it comes to horror. Some are so particularly clever that they can even appeal to fans of true horror. Netflix's Haunted Hotel is one of these series—funny, grim at times, and surprisingly wholesome as a spooky haunted adventure, it delivers a solid, lighthearted escape. The concept of a cozy haunted hotel is a gripping juxtaposition because being haunted isn't generally a desired pastime, but still, where fiction is concerned, it often provides a fun escape that can be thoroughly engrossing when the characters are unique enough to deliver something fresh.

Haunted Hotel isn't a unique concept by any stretch of the imagination, but the characters are captivating enough to provide something enticing in every episode. It's easy to press play on the next episode because the series delivers a relatively good time without trying too hard in the process. It allows its characters to be messy while also allowing the paranormal beats to simply exist in a manner that's both hilarious and oddly cozy. And luckily, there are quite a few shows with glamorous estates and not-so-scary monsters lurking in the corridors. Here are some more fun TV shows and movies to watch after binging Haunted Hotel. Head over to Apple TV+, Paramount+, and more to watch them now. 

Ghosts (2021-present) 

As a spin-off from the original BBC series of the same title, Ghosts on CBS isn't just a cozy comedy full of various ghosts from diverse decades and upbringings, but it's also a wholesome series about legacies and second chances. The premise of both series (and likely any other adaptations that'll follow) deals with a married couple inheriting a haunted estate. Rose McIver's Sam trips and falls at Woodstone Manor, and because she dies before she's resuscitated, she can then see all the ghosts residing within. As she and her husband Jay attempt to make the place into a B&B, the series allows viewers to intimately get to know all the ghosts and watch them experience bits of life again through Sam's ability to see them. 

Ultimately, there are a few things like Ghosts on TV right now. For the viewers who are looking for stories about redemption, second chances, legacies, and found families, look no further. Between the thoughtful writing and incredible performances from the whole cast, the series evokes all sorts of heartwarming emotions, all while keeping up the clever humor through and through. 

The Addams Family (1991)

In more ways than one, The Addams Family is the gateway into the world of the macabre. Dark and grim but not at all scary, because it's appropriate for all ages, you either go into it developing a love for spooky horror, or it makes you want to later dive into even darker stories. With all the various versions, there's something in it for every type of viewer. The titular family's house is gaudy, cold, and full of cobwebs, yet every part of it is a place we want to stay in. With the easy trust we have in Thing (the lone hand), Lurch the Frankenstein-esque butler, and the main family members hating everyone but themselves, it's easy to care for them in a way that's a direct result of how exceptional the writing and performances are.

While The Addams Family isn't as colorful as Haunted Hotel (animated films included into the mix), it still provides the same familiar coziness that comes from knowing that in this house, nothing bad can happen to the residents, no matter who tries what. They're safe in a way that makes the grotesque and bleak things in life delightful. If you want cozy horror, you get it here.  

Muppets Haunted Mansion (2021)

If there's one belief I fully stand by in the world of film and television, it's that anything the Muppets touch will instantly be made better than its original property. The Muppet Christmas Carol (1992) is, quite literally, the best adaptation of Charles Dickens' story, and Muppets Haunted Mansion is an absolute delight from start to finish. It's the kind of ridiculously fun and genuinely hilarious narrative you want to leap right into and experience right alongside the characters because every silly beat provides the best type of escapism.  

In true Muppets fashion, the titular stars play themselves alongside human actors in various renowned roles. In Muppets Haunted Mansion, they're all themselves, except Gonzo and Pepe entered the Haunted Mansion on the night of a Halloween party, and everything is chaotically glorious as the film takes viewers throughout the ride's infamous corridors. As it attempts to marry Pepe to Taraji P. Henson's Constance Hatchaway, otherwise known as the ride's alluring bride, and challenges Gonzo's beliefs on his favorite magician, it provides enough entertainment to make the whole debacle an actual treasure. With a number of fun Easter eggs, hilarious antics, and clever writing, Muppets Haunted Mansion is essential viewing for every kind of viewer, but especially for those who love the Disneyland ride. 

The Haunted Mansion (2003)

There's a recent remake that's a bit spookier, but the original film, inspired by the Disneyland ride of the same name, is everything viewers could want and more for a lighthearted narrative that's both ridiculous, a little scary, and surprisingly cozy. Starring Eddie Murphy, the late Terence Stamp, Nathaniel Parker, Marsha Thomason, Wallace Shawn, and more, The Haunted Mansion is a story about a family reconnecting more than anything, but it's also a story about second chances and the truth about betrayals coming to light. The plot twist of an evil butler isn't original or unique, but it still provides enough of a shock to make the story relatively gripping and satisfying in the end.

More than anything, it's a delightful film to accompany the gloriously ridiculous ride, providing backstories and fascinating arcs to all the different characters, including the pun-filled gravestones. The fortune teller, Madame Leota, the singing busts, and every little detail within the estate itself are present throughout the film, providing a clever nod to the ride. While the newer version is a bit scarier, this one's more appropriate for viewers who are a bit more faint-hearted. 

Hotel Transylvania (2012)

Hotel Transylvania and each of the following films are the epitome of fun, cozy, and spooky. Few people would actually thrive in a world full of vampires, werewolves, and witches, but if they look like they do in these wildly hilarious spooky movies, then why not? Especially when there's exceptional voice acting coming from revered comedians like Adam Sandler, Andy Scott, Selena Gomez, and more. While the human world doesn't blend with the paranormal until the end of the film, like Haunted Hotel, Hotel Transylvania explores all sorts of different monsters in one space, and it does so in a compelling manner that places familial bonds at the center. 

The domestic story about Dracula and his daughter looks similar to the family story we get with Katherine, her brother, and the kids, delivering a specific warmth that makes it feel like the feel-good comedy it is. By placing relatable themes like families and all the complicated, messy dynamics at the forefront of the narratives, the haunted location becomes one that's not-at-all unpleasant to live in. There's a reason the film performs so well with younger audiences, and it's entirely because of how joyous the themes are at the end. 

Scooby Doo and the Ghoul School (1988)

In most Scooby-Doo stories, the Mystery Gang is trying to catch anyone and anything that goes bump in the night. But in Scooby-Doo and the Ghoul School, which mostly only involves Scooby, Shaggy, and Scrappy-Doo, the trio slowly but surely embrace the paranormal. The standalone film takes place primarily in Miss Grimwood's Finishing School for Girls, where all the students are daughters of infamous monsters like Dracula. We've got Frankenstein monsters, mummies, phantoms, and werewolves, and on the other side of the wall, an all-boys school that's determined to terrorize the girls, as well as an evil witch who's trying to catch them all. What's not to love?

Like all Scooby-Doo adventures, this one's cozy, delightful, and surprisingly wholesome as the normally terrified duo finally embrace the strange and weird despite their fears because, at the end of the day, the girls are just regular kids. The scary elements are all delightfully lighthearted in this film, and there's so much to appreciate about the approach the film takes to emphasize the importance of a community that welcomes all kinds of people. While some Scooby-Doo films can be a bit on the scarier end, this one's all fun and fully cozy. 

Beetlejuice (1988)

Beetlejuice might not exactly be wholesome or cozy, but it's a cult classic for a reason, and some viewers even ship Michael Keaton's titular ghost and Winona Ryder's Lydia Deetz. So, really, anything can be cozy to the right person. But the film is perfect and essential for spooky season viewing as a deliriously delightful time all around. Between the haunting that comes from the deceased Maitlands to the havoc that Betelgeuse wreaks when his name is called three times, even fans who haven't seen the movie are perhaps still aware of the ridiculously fun lore.

The possessions in the film aren't gruesome, but instead they result in a ridiculous sing-along of "Day-O (The Banana Boat Song)," and feature a perfectly iconic performance from Catherine O'Hara. Interestingly enough, a bit similar to Haunted Hotel, the location itself holds countless secrets, all while the practical effects add a comforting layer of nostalgia that animated properties tend to as well. Beetlejuice and even its recent sequel Beetlejuice Beetlejuice (2024), leave a mark because of the cast and Tim Burton aren't afraid of allowing the spooky to be delightfully fun. They're outlandish and bold and genuinely enjoyable for the whole family, even for those who might typically shy away from gritty matters.

In the video game space, Silent Hill (1999) is one of the forefathers of survival horror. The creepy and deserted town of Silent Hill has become the host of some of the scariest gaming experiences out there. There’s a palpable sense of isolation, fear, and unease with each new area, and compared to other psychological horror franchises, nothing can quite compare. It’s dark, depressing, oftentimes traumatic, and perfect for the Halloween season.

Hollywood is no stranger to psychological horror as well. However, it’s not often that you’ll get a horror movie reminiscent of the surrealistic horror that the Silent Hill series is known for. Still, there are a handful of shows and movies that come pretty close. There’s also the adaptation of the original game, Silent Hill (2006), but what if you want something else? With the recent release of Silent Hill f (2025) and Return to Silent Hill (2026) dropping next year, it’s a pretty great time to find out what makes this series so compelling and fascinating. If you’re already a fan of the series and want something just like it, here are 10 movies like Silent Hill on Prime Video, Paramount+, Crunchyroll, and more.

Blue Velvet (1986)

When the Silent Hill series first began, Masahiro Ito, who was the art director for the first four games, cited the works of David Lynch as a huge inspiration for his vision of the town. Known for his surrealist imagery and deep symbolism, Lynch’s best example of both is in Blue Velvet.

Blue Velvet, like most Silent Hill projects, is a layered experience. While the film starts off simple enough, it continually reveals itself to be much darker than it was at first glance. At points, it’s hard to get a sense of what’s happening, but that sense of confusion just encourages you to pay more attention. This is the thinking man’s psychological thriller and is highly recommended for anyone who wants to get out of their comfort zone. Much like The Holy Mountain (1973) or mother! (2017), Blue Velvet is open to interpretation, making it a perfect inspiration for the ambiguous nature of Silent Hill. If you prefer your horror movies cerebral, then Blue Velvet is for you.

Jacob’s Ladder (1990)

Another film that directly inspired Silent Hill and the horrors of the town is Jacob’s Ladder. While Blue Velvet created a rich plot filled with plenty of symbolism and meaning, Jacob’s Ladder is meant to leave you hollow and depressed. It is a film about trauma. From the opening scene, we watch how the Vietnam War fills Jacob with a sense of terror that he just can’t shake, even as he returns home.

If you love character studies, then Jacob is an excellent protagonist for you to sink your teeth into, and the exploration of the Vietnam War setting will excite fans of Full Metal Jacket (1987). But the real reason to watch it is for its monsters. Even to this day, they’re pretty nightmarish, and like Silent Hill, each monster has symbolic meaning to Jacob’s journey. The name of the game, though, is pain. Jacob’s journey is one of pain and horror, and by the end of its nearly two-hour runtime, you’ll be feeling the pain and horror of Jacob’s descent into madness, too. 

Cure (1997)

One of the most defining things about Silent Hill is its uneasiness. The fog that covers the town is omnipresent, and you know that something is waiting beyond, ready to attack. It’s atmospheric, and Cure does a great job of capturing that same vibe.

Some may cry foul at the slow pacing of Cure and how not much happens, but the eeriness of the setting helps to slowly introduce its horrifying plot. In that way, it’s very similar to movies like Under the Skin (2013) and Rosemary’s Baby (1968), as both horror movies prioritize putting audiences into an uncomfortable state of mind before descending into a disturbing climax. What makes the climax of Cure so memorable is that we, alongside Detective Takabe, are trying to figure out the mystery of the serial killings. The killings should be impossible, yet the process of discovering the how and the why of it makes Cure captivating. The uneasy tension that’s bubbling under the surface of Cure is perfect for those pining for Silent Hill’s deserted streets. 

Hellbound: Hellraiser 2 (1988)

One of the key concepts of Silent Hill is the Otherworld. It’s a terrifying otherworldly realm that screams danger. Every transition into the Otherworld instantly puts you on edge, much in the same way that the Cenobites of Hellbound: Hellraiser 2 do.

Hellraiser 2 is actually structured somewhat like a Silent Hill game. While the introduction is there to establish its cast, eventually, the film spends the majority of its 93-minute runtime subjecting them to the nightmares of Hell. It’s a surrealist nightmare where, half the time, the plot isn’t easy to follow, but the imagery is delightfully awful. If you’re the kind of person who loves the gnarly imagery of Event Horizon (1997) or Phantasm (1979), then the imposing nature of Hell in Hellraiser 2 is such a sight to behold. Not only that, but the monsters that inhabit Hell all have their own unique designs that will stick with you, most notably the sadistic and booming Pinhead. If you’re a Silent Hill fan and long for the rust-coated hallways of the Otherworld, watch Hellbound: Hellraiser 2 and take a trip to Hell. 

Perfect Blue (1998)

Satoshi Kon was a director who understood the power of psychology. Nearly all of his projects explore, in some capacity, the power of dreams, memories, fantasy, and the delusions that people can fall into. It’s material that should be familiar to Silent Hill fans, and Perfect Blue is undeniably his magnum opus.

If you love the surreality of Mulholland Drive (2001) and Black Swan (2010), then you’ll appreciate what Perfect Blue has to offer. There’s a certain beauty in how it subverts and plays with your expectations with its surrealist imagery and conflicting narration. Viewers are constantly left wondering what’s real, what isn’t, and if our lead Mima is truly in her right mind or not. Its ending may be a little bit too polished and doesn’t leave much room for interpretation, but the journey to get to that point is harrowing and uncomfortable. It’s a textbook example of how to do a psychological thriller, and if you loved how Silent Hill constantly had you questioning what was going on, Perfect Blue will also keep you guessing and then some.

Ring (1998)

As the most recent entry in the series, Silent Hill f took some big risks with its depiction of its fog-covered town. For example, the game isn’t even set in Silent Hill, but rather the small Japanese town of Ebisugaoka. Because of this, there’s a distinctly more Japanese flair to the scares, and if you’re looking to replicate the feeling of Japanese supernatural horror, it’s hard to beat Ring.

While most Americans may be more familiar with the story thanks to its American version, The Ring (2002), the original Japanese version is a far different beast. There’s more of a focus on the supernatural elements of the story and a decidedly more folksy vibe to it. The story feels like a dark secret being unearthed as we not only try to figure out who or what Sadako is, but also how to break her curse. Movies about curses, like Uzumaki (2000) and Ju-On: The Grudge (2002), all have their charms, but something is fascinating about Ring and the mysteries surrounding its curse. The curse, and the video associated with it, are genuinely frightening, so if you’re looking for a Japanese horror movie that puts you on edge, you can’t do much better than Ring.

The Lighthouse (2019)

Isolation is a key theme in most Silent Hill games. The casts are usually kept intentionally small, and when other characters outside of the protagonist appear, they’re usually odd and stilted. The supporting cast greatly contributes to each entry’s sense of dread, and there’s no better example of a film with a dread-filled cast than The Lighthouse. 

For one hour and 50 minutes, the audience is stuck in a tight and claustrophobic lighthouse with only two people to keep us company: Robert Pattinson and Willem Dafoe. With Pattinson as the POV character, Dafoe singlehandedly makes The Lighthouse into an uncomfortable mood piece. It’s next to impossible to predict how his character is going to behave and what sense of logic he’s working on. Sometimes he’s happy, sometimes he’s emotionally vulnerable, and other times he’s howling with fury. He’s unhinged in the same way that Jack Torrence was in The Shining (1980) or Eddie Dumbrowski in Silent Hill 2 (2001). It’s a stunning performance, and if you want to see an actor lose themselves in a role, or you’re just a fan of outrageous villains, The Lighthouse beckons you. 

Higurashi: When They Cry (2006-2021)

Higurashi: When They Cry is an interesting series in a lot of different ways. Created by Ryukishi07, the same writer of Silent Hill f, the series ran for over 15 years. It’s a fairly complex series that is overflowing with lore and poignant story beats, but it can also be tonally confusing, which helps drive home the horror when it does crop up. 

For fans of Silent Hill f, the small town setting of Hinamizawa should clue you in to what to expect. Everything seems fine on the surface, with a fair bit of slice-of-life hijinks and exploits. But when the dark underbelly of the town crops up and the gruesome killings within it, they hit with ferocious impact. It’s akin to how Audition (2000) spends most of its runtime creating a cute romance between its leads, only for the film to deliver violent and visceral imagery that will leave you in stunned silence. There’s a lot to dig into with Higurashi, and if you’re looking for a series with extensive worldbuilding that isn’t afraid to leave you unnerved and traumatized, then check it out and any of its myriad spin-offs. 

Dark Gathering (2023)

It’s not often that an anime revels in its horrific imagery. Sure, Perfect Blue and Higurashi: When They Cry are horror series, but they don’t seem to fully embrace the tropes and iconography of horror as much as Dark Gathering does. 

In many ways, Dark Gathering feels like a darker and more serious version of Scooby-Doo, Where Are You! (1969). Each new episode tends to focus on a new monster that is harassing our main cast and usually ends with the monster being beaten back. The key difference here is, that for once, the creatures are scary. These monsters, or yokai as they’re called, all come from Japanese folklore, and the ways they torment the living are unsettling. Some will cause physical harm, psychological harm, or sometimes both. Even when things seem at ease, there’s always an underlying sensation that something worse is waiting in the wings. The series only has 24 episodes, so it is a fairly quick watch. Really, it’s perfect if you’re looking for a weekly horror series that can actually get under your skin.

Shutter Island (2010)

If you were to ask a Silent Hill fan what the best entry in the series is, chances are, it’ll be Silent Hill 2. The story of James Sunderland and his quest for answers about his dead wife was so well handled that it serves as the foundation for Return to Silent Hill. It’s also impossible not to draw comparisons between that iconic story and Martin Scorsese’s Shutter Island. 

Shutter Island is an excellent film that keeps you guessing all the way through. We know that something’s going on at Ashecliffe Hospital, but we can never really put our fingers on what exactly that is. Without giving too much away, Shutter Island is wonderful at creating an unreliable main character. Teddy isn’t too far off from James, and for that matter, has a lot in common with other unreliable protagonists like Nick Dunne from Gone Girl (2014) and Leonard Shelby from Memento (2000). Because of that, it’s exciting watching Teddy come to terms with his own actions as the film hooks us into finding out the truth, not only about what’s going on in Ashecliffe, but what’s going on with Teddy. If you love films that play with your expectations and have multifaceted protagonists, then Shutter Island will remind you of Silent Hill in more ways than one.

While winter brings the holiday spirit to some viewers, it brings the yearning for a great horror movie to others. Over the years, filmmakers and writers have established winter as one of the most effective backdrops for horror. The cold and isolation of a winter storm is the perfect setting to evoke fear, while a wintry horror tale also brings an odd sense of comfort to viewers. Just look to the 2025 release Dead of Winter for that. 

Viewers can use our guide to discover the 10 best winter horror movies available on platforms like HBO Max, Peacock, and more.

The Shining (1980)

Based on the Stephen King book of the same name, The Shining is a psychological horror that follows Jack Torrance’s (Jack Nicholson) descent into madness while caring for a desolate, winter resort with his wife, Wendy (Shelly Duvall), and son, Danny (Danny Lloyd). Although The Shining deviates a bit from King’s novel, it still stands as one of the greatest horror movies ever made. In addition to iconic cinematography, the movie’s setting masterfully evokes a sense of dread and isolation.

The Shining creates a sense of uncanniness and eeriness that keeps viewers glued to the screen. Nicholson’s ability to portray madness and Duvall’s depiction of genuine stress and paranoia also elevate the viewing experience. If you love Stephen King movies and twisted psychological thrillers like Pet Sematary (1989) and Hereditary (2018), The Shining is a must-see.

The Thing (1982)

The Thing is a sci-fi horror movie set in Antarctica, where a mysterious, shapeshifting creature terrorizes a group of American researchers. It masterfully creates an atmosphere of horror, fear, and distrust, as the extraterrestrial life form can assume the appearance of any of the researchers. The desolate and extreme environment of Antarctica contributes to the sense of hopelessness and fear of the unknown.

In addition to its adeptness at conveying fear and paranoia, The Thing boasts a level of sophistication rare for the time, with outstanding visuals, performances, and a fast plot that doesn’t waste a second of its runtime. Its bleak and thoughtful exploration of paranoia and human nature is the cherry on top. The Thing is so unique that there aren’t many movies that parallel it. However, it's an excellent choice for viewers seeking a masterclass in suspense, comparable to 12 Angry Men (1957) and Alien (1979).

Misery (1990)

Misery is a King adaptation that centers on the author Paul Sheldon (James Caan), who ends up at the mercy of obsessive fan Annie Wilkes (Kathy Bates) after getting caught in a blizzard. The film is excellent for King fans, as the author himself has included Misery among his favorite adaptations of his work. It wonderfully adapts the source material, conveying all the horror and chaos of the novel.

Bates also offers one of the most convincing King villains in cinema, as she masterfully portrays the chilling and psychotic Wilkes. Misery is particularly terrifying and suspenseful because, between Paul’s injuries and the raging blizzard, it so perfectly captures the feeling of pure isolation and helplessness. Fans of claustrophobic and uncomfortable horror films, such as The Shining and Gerald’s Game (2017), will enjoy Misery.

Dreamcatcher (2003)

The King adaptation Dreamcatcher follows a group of friends who acquired telepathic powers as teenagers on their annual winter hunting trip, only to find themselves caught up in an alien invasion. Dreamcatcher is one of King’s more absurd adaptations, packed with body horror, superhuman powers, alien invasions, and alien possession. However, viewers who give it a chance will find it’s a compelling movie with an ambitious premise and strong performances.

Dreamcatcher capitalizes on its winter premise, utilizing the isolated environment to evoke fear and uncertainty as the friends come across lost campers and witness strange animal behavior. The film is a bit overstuffed, but strange and frightening enough to intrigue. If you enjoy King’s more off-the-wall adaptations, like The Tommyknockers (1993), you’ll be interested in Dreamcatcher.

30 Days of Night (2007)

30 Days of Night takes place in Barrow, Alaska, where some residents brave a month-long polar night and find themselves preyed upon by vampires. The film is a unique twist on the vampire genre, depicting the monsters as brutal, ruthless killing machines who kill without discernment. 30 Days of Night’s vampires are genuinely terrifying. Meanwhile, the winter and far-north setting creates an environment where one of the vampire’s few weaknesses, sunlight, is rendered obsolete.

30 Days of Night makes for a riveting supernatural thriller. It delivers on the terror with nonstop suspense and unrestrained violence and carnage. If you’re looking for a vampire film that subverts vampire tropes, such as Abigail (2024) and A Girl Walks Home Alone at Night (2014), 30 Days of Night is an excellent choice.

Frozen (2010)

Not to be confused with the 2013 Disney animated movie, Frozen (2010) is a psychological horror film in which several snowboarders struggle for survival after being stranded on a chairlift at a ski resort. Frozen is one of those films that doesn’t need supernatural elements and jump scares to be frightening. In this movie, winter isn’t just a setting, but the actual source of terror as the protagonists try to escape its unrelenting chill.

Frozen creates an unnerving atmosphere and is pulsing with suspense. It’s also unique in its ability to utilize a setting as restrictive as a ski lift chair and spin it into a formidable horror setting. The movie is highly reminiscent of other psychological thrillers with unique settings, such as Fall (2022) and Open Water (2003), and is excellent for viewers seeking a horror movie without supernatural elements.

Rare Exports: A Christmas Tale (2010)

Rare Exports: A Christmas Tale is a holiday horror comedy in which a research team drills into what they believe to be Santa Claus’s tomb, but inadvertently unleashes an ancient evil. Viewers get not only a wintry setting, but also a holiday horror. The film demonstrates just how fun holiday horror can be with its black humor and ambitious, dark spin on Santa Claus.

Rare Exports: A Christmas Tale offers light horror elements, including dead reindeer and disappearing children. However, it doesn’t take itself too seriously and leans more into comedy and absurdity. The result is a weird, darkly comedic tale of an evil Santa Claus, staunchly different from the typical legends. If you love holiday dark humor like Bad Santa (2003) and Violent Night (2022), Rare Exports: A Christmas Tale will be a treat.

The Blackcoat’s Daughter (2015)

Osgood Perkins’ The Blackcoat’s Daughter takes place in the dead of winter, where two young girls stay behind at a Catholic boarding school during vacation and face a sinister evil force. The film functions as a dark, unsettling horror mystery told in parts from three different perspectives. It achieves that eerie feeling in viewers that everything is not as it seems through its slow-burning premise and haunting score.

The Blackcoat’s Daughter makes excellent use of tension, jump scares, and mystery to keep viewers intrigued, while Emma Roberts, Kiernan Shipka, and Lucy Boynton offer fantastic performances. It's comparable in quality and chills to other standout A24 horror movies, such as Hereditary and Midsommar (2019), and is a must-see for fans of Perkins.

The Lodge (2019)

The Lodge centers on Grace (Riley Keough), who becomes stranded at a remote winter lodge with her two soon-to-be stepchildren over Christmas vacation and experiences supernatural phenomena. Its wintry setting and unsettling atmosphere equip it with a chill that’s hard to avoid. The Lodge is one of those movies that avoids cheap thrills and creates horror through a wholly shocking, bleak plot that generates misery and discomfort.

The Lodge’s brutal, bleak premise means that it won’t appeal to all viewers. However, if you love horror movies that are difficult to watch and stick with you long after they’re over, such as Bring Her Back (2025), then The Lodge will be appealing.

Dead of Winter (2025)

In Dead of Winter, a widow, Barb (Emma Thompson), ends up at a remote Minnesota lodge in the dead of winter to spread her husband’s ashes, only to be interrupted by a murderous couple and the young woman they’re holding hostage. The movie makes full use of its setting and is replete with breathtaking shots of snow-covered expanses that capture the sheer isolation of the environment. Thompson also offers one of the best performances of her career as an unlikely heroine and the perfect force to take on Judy Greer’s unhinged villain.

At a runtime of just 98 minutes, Dead of Winter never lets up the pace or suspense. From the first hint of horror all the way to the unpredictable end, viewers will be on the edge of their seats. Like Frozen and Misery, Dead of Winter relies heavily on suspense and psychological horror to keep viewers engaged while also ramping up the action for those seeking even more thrills.

There's something about the fall and winter seasons that makes curling up in front of a screen feel like an indescribably cozy experience. Summer blockbuster movies certainly hit in their own right, but they don't feel like a warm blanket. There's a different sort of escape that comes from the changing seasons and the holidays, and this is especially the case for the type of viewers who romanticize fiction. It's particularly the case for romance fans and the specific type of magic that comes from watching a romantic comedy set in New York, or a deliciously witchy romance that scratches an even more specific itch. 

Viewers who are on social media can see the trending memes: a voiceover of the late Edward Herrmann reciting the words, "I am an autumn" from Gilmore Girls, the Practical Magic theme used as the soundtrack for countless reels. Fall films not only hit differently, but the romance in them feels extra believable—warm and lovely. From gothic classics like The Addams Family to romantic comedy staples like When Harry Met Sally, here are the best fall movies and TV shows for romance fans. Look to Hulu, Apple TV+, and more to find your next comfort watch.

When Harry Met Sally (1989)

Whether you've seen Nora Ephron's renowned classic, When Harry Met Sally, or not, chances are you've seen the screenshot of Billy Crystal and Meg Ryan standing in a field of foliage and fallen leaves as the titular characters. Despite the fact that the film spans across a few years and takes viewers through a number of seasons, fall is at the heart of the story. It's the season when they first meet, and it's a time the film frequently goes back to in order to showcase why they were always meant for each other. 

Nora Ephron films hold a different kind of magic, and with scenic shots of New York City, as well as the incredible chemistry between Crystal and Ryan that still holds up, When Harry Met Sally is still beloved for countless reasons. It carefully and diligently explores a type of lasting romance that underscores how differences can, at times, be the very thing tethering two people together. It points out how the passage of time only strengthens a relationship in monumental ways, diving deep into various types of love stories to add extra layers of romance in a film that's already dreamy and nostalgic. With sharp writing and astounding banter, When Harry Met Sally is a must-watch for viewers who want realistic depictions of romance.

The Addams Family (1991)

There are a handful of adaptations of the Addams Family, but there's something especially romantic and cozy about Barry Sonnenfeld's version that stars Anjelica Huston and Raul Julia. And sure, it's Christmas when the film begins, but nothing says spooky or fall like the titular gothic family that thrives on darkness and the macabre. More than anything, when it comes to romance, few things compare to the steadfast, deliciously unrestrained adoration that Morticia and Gomez Addams have for each other. 

For those of us who grew up watching the film and its sequel, Addams Family Values (1993), it was easier to feel more drawn to the kids our age, Wednesday and Pugsley. But as an adult, rewatching the film every year only affirms that it's indeed a romance, brimming with a love that's so deep, it sets an impossible standard that feels particularly tied to the family's unique quirkiness that no other creation can top. It isn't every fall romance aficionado who can also handle a bit of horror, but for those who want an additively profound display of love and a more spooky version of the seasonal decay that fall ultimately is, The Addams Family can't be beat.  

Gilmore Girls (2000-2007)

With seven seasons and 153 episodes, Gilmore Girls is a lot to commit to. Still, for the viewers wanting a true escape into a capricious small town that's basically synonymous with autumn, then the series is an undeniable must-watch. While the show understandably spans across the four seasons, there are a handful of episodes that viewers consistently rewatch year after year because the fall festivals and early 2000s charm evoke a sense of warmth that feels palpable off-screen. 

The show feels like fall, not only because the season is present throughout, but because it holds onto a cozy vibe that features both small-town antics and academia ventures. More than that, Gilmore Girls shines as a series about mothers and daughters, and it's simultaneously addictive when it comes to romantic relationships. Although Alexis Bledel's Rory goes through a number of frustrating arcs before she finally finds "the one," her on-screen mother, Lauren Graham's Lorelai, experiences the best kind of grumpy sunshine in a romance with the grumpy coffee shop owner, Scott Patterson's Luke. 

Practical Magic (1998)

Practical Magic is a quintessential autumn must-watch, not only for the romance, but also for the story about sisterhood and generational trauma that's explored throughout. Following a curse brought on by their ancestor Maria Owens, love becomes an unattainable thing for the long line of Owens witches, driving the entire narrative to its eventual happy ending when Sandra Bullock's Sally finds love again after loss. But that's not all, set in a gorgeous New England small town and full of spellbinding moments, the movie deep dives into the idea of what acceptance truly is, all while allowing the characters to be fun and layered. 

Featuring a whimsically autumnal score from Alan Silvestri, incredible performances from the whole cast, and a narrative that keeps you on your toes from start to finish, Practical Magic is, in short, magic. It's not too scary for anyone who might not prefer supernatural elements, and the realism it's grounded in allows the characters to shine through a film that carefully blends dark elements with a wholesome conclusion. 

You’ve Got Mail (1998)

At this point, Nora Ephron movies are synonymous with cozy, and like When Harry Met Sally, You've Got Mail glistens with all the fall vibes. Starring Meg Ryan and Tom Hanks, the remake of The Shop Around the Corner (1940) explores an enemies-to-lovers storyline wrapped up in a tale of pen pals, instantly becoming a classic as the kind of remake that adds its own magic without trying to replace the original. While The Shop Around the Corner is more of a Christmas film, everything about You've Got Mail, starting with the New York setting and the comfortable wardrobe, screams fall. 

More than anything, the nostalgia in You've Got Mail makes it even cozier to rewatch today, as AOL Instant Messenger is a lost art. While small bookshops are thankfully doing a little better these days, especially the ones focused precisely on romance novels, the story itself feels like a timeless reminder of how important it is to preserve human connections and small shops. It's a reminder of what makes the changing seasons so dreamy as the characters find themselves in situations that romanticize everyday, ordinary occurrences. 

A Discovery of Witches (2018-2022)

Adapted from the bestselling All Souls trilogy by Deborah Harkness, A Discovery of Witches is an undeniable must-watch for viewers who love dark academia, vampires, and witches all blending into an enchanting romance. Starring Matthew Goode and Teresa Palmer, the first season is especially perfect for fall-viewing as it takes viewers through Oxford with scenic shots that are as dreamy as they are eerie. Grand libraries, quaint coffee shops, and the beginning of a spell-binding love story, there's something especially picturesque about the first season, and it's a bonus that there's foliage vining around old buildings.

While the Twilight Saga is also essential viewing for the fall, A Discovery of Witches is specifically perfect for viewers who don't appreciate or care for the love triangle trope. Throughout the series, Matthew and Diana remain a solid pair, going through every little obstacle together, all while they strengthen their love in the process. It isn't too dark or too scary, but rather palatable for almost every type of viewer who wants a bit of fantasy and realism sprinkled together in a natural blend that focuses on the characters. 

Little Women (2019)

Like a few of the films on this list, Greta Gerwig's Little Women spans across the seasons, but there's something particularly dreamy about the scenes that take place in the fall. There's a coziness etched into the adaptation that makes it a definitive must-watch despite the heartbreaking loss of Beth March, and it's entirely because of Gerwig's stunning directorial vision. In addition, whether it's the story of sisterhood, the various romantic relationships, or Jo March's relatable writing woes, so much of Little Women feels like a wholesome viewing experience because the story adapts the book in such a way that the message remains universal, no matter when we watch it.

Since its premiere in 2019 to today, this version of Little Women still manages to be the one viewers end up turning back to through memes and references. With exceptional performances from the whole cast, a gorgeous score from Alexandre Desplat, dreamy scenic shots, and a compelling screenplay, the film is essential viewing all around, but it pairs especially well with a hot drink of choice and a blanket by the fire.

The Princess Bride (1987)

Pirates and princesses and vengeance and love, what's not to love? It isn't every '80s film that still holds up today, but the magic and heart in The Princess Bride never fails to evoke something comforting. The fall scenery in the film is one thing, but the story itself shines with the kind of storybook fantasy that's especially perfect to watch when the leaves start to fall and you want a bit of magic that isn't spooky. Despite some mature themes, The Princess Bride is oddly appropriate for all ages, delivering the kind of love story that only grows more precious the older we get.

Hilarious, practical, and pristinely directed by Rob Reiner, The Princess Bride is a must-watch for viewers who want something indescribably special—quirky and a little ridiculous even. While it's not the entirety of the film that features autumn as a season, it still has all the markings of what makes the time of year so magical. It glows in a way that touches on cozy themes like love conquering all and unconventional friendships that result in the found family trope, which easily evokes warmth to sentimental viewers.

Anime’s Summer 2025 season was one for the books. With a host of new shows like Takopi’s Origin Sin (2025) and returning fan favorites like Kaiju No. 8 (2024), it was an embarrassment of riches. By comparison’s sake, you would probably think that the Fall 2025 season of anime may be a barren wasteland. After all, if summer was so stacked, then surely there can’t be much left, right? Of course, that isn’t true. While the upcoming Fall season may not have as many titles releasing, there are still plenty of interesting new shows, returning sequels, and even a handful of projects that are sure to be cult classics in the making.

Since there are well over 50 titles coming out this season, with most of them spread between Crunchyroll, Prime Video, and even Disney+, I will limit this list to the 10 most interesting and most exciting shows. Also, unlike last season, we’ll be looking at both new and returning shows, mostly because it would be a shame not to discuss the final season of My Hero Academia (2016) in some form. With that out of the way, here’s JustWatch’s most anticipated anime of the Fall 2025 season, ranked in order of how excited we are to watch them.

10. This Monster Wants To Eat Me (2025-Present)

For those of you who got a taste of some horror-themed LGBTQ+ romance last season with The Summer Hikaru Died (2025), you may be sad that you have to wait some time for its second season. If you’re going through withdrawal and need your monster love itch scratched, then consider This Monster Wants To Eat Me. While The Summer Hikaru Died focuses a lot on the budding romance between two young boys, This Monster Wants To Eat Me flips the script and instead spotlights two teenage girls. Or rather, one teenage girl and a mermaid who wants to eat her.

The Summer Hikaru Died tends to delve into grief and people’s inability to let go following a person’s death. In contrast, This Monster Wants To Eat Me seems primed to capitalize on much darker topics, similar to those discussed in Takopi’s Original Sin (2025). Suicide, survivor’s guilt, and free will are all topics set to be explored in the series, and at the very least, they seem to be presented in ways that aren’t quite as soul-crushing as Takopi. Granted, This Monster Wants To Eat Me could also flub these topics in not-so-sensitive ways. So out of caution, I’m placing it at the bottom of this list as more of a precaution instead of an indicator of its potential quality.

The Monsters Wants To Eat Me release October 2, 2025.  

9. A Wild Last Boss Appeared! (2025-Present)

Whether you like it or not, the isekai genre is still going strong this fall. Like always, there’s hardly a drought of titles to watch, but out of all of the isekai offerings this season, A Wild Last Boss Appeared! has the most going for it. Like a fusion of Overlord (2015) and My Next Life As A Villainess: All Roads Lead To Doom(2023), A Wild Last Boss Appeared! comes across like a light-hearted power fantasy. There’s a video game world where our protagonist is reincarnated as his incredibly overpowered playable character, with goofy humor and a colorful cast of characters that all seem to have their own unique comedic gimmick.

A Wild Last Boss Appeared! Has the potential to be an isekai that examines some of the thematic cores of the genre, mostly with how its protagonist frequently deals with the consequences of their actions. It makes the series worth watching for people who have grown sick of the genre and are looking for a new take on it. Even if that doesn’t end up being the case, at least it looks to be a fun adventure with some cool powers and pretty character designs!

A Wild Last Boss Appeared! Releases October 4, 2025. 

8. Gnosia (2025-Present)

Gnosia is a tough egg to crack. It’s an adaptation of a visual novel from 2018 that gained a strong cult following. The game is randomized each playthrough and plays like a cross between Among Us and The Thing (1982). So, seeing an anime adaptation of such an out-there game is ambitious to say the least. What will determine whether Gnosia lives or dies is how its story is told. It’s a wonderful murder mystery, and any fan of the genre should, at least, give the first episode a shot.

There’s a sense of unease with each character interaction, not knowing which of the eccentrically designed characters is a flesh-eating alien or not. Of course, seeing an adaptation of a hefty visual novel may be a double-edged sword, much like how Danganronpa: The Animation (2013) truncated an absurd amount of information from its source material to fit into a 13-episode anime. If Gnosia can successfully find a way to blend its branching storylines into a weekly anime, and that’s a big IF, then this cult-classic video game may become a cult-classic anime as well.

Gnosia releases October 11, 2025.

7. Disney’s Twisted Wonderland (2025-Present)

Disney has been somewhat late hopping onto the anime train. While streaming services like Netflix and HBO Max have been producing hit shows, Disney has been hesitant to dip its toes into the medium until now. Disney’s Twisted Wonderland is for lovers of Disney and anime. The series, based on a smartphone game, follows several Disney villains, who, here, are teenage anime heartthrobs, as they attend a magical university.

The game and manga have multiple arcs already under their belt. Animated by the same studios responsible for The Record of Ragnarok (2021) series, fans of those over-the-top and exaggerated character designs will find a lot to appreciate in the world of Night Raven College. The somewhat high placement on this list has mostly to do with the confidence Disney has displayed in the series. After all, it’s already confirmed for three seasons and is set to air on Disney+ as opposed to being punted over to Hulu. If you’ve been pining for Disney to show its villains the love they deserve, then you need to make Twisted Wonderland a must-watch.

Disney’s Twisted Wonderland releases October 29, 2025. 

6. One Punch Man Season 3 (2015-Present)

Back in 2015, One Punch Man exploded in popularity thanks to its gorgeously animated action and its absolutely hilarious protagonist. Now, after much delay and a somewhat underwhelming second season, One Punch Man is back and set to adapt one of the series’ best arcs. 

If you’ve never heard of One Punch Man in the decade since its release, then all you need to know is that it’s the kind of comedy that’s all about ridiculing series like Dragon Ball Z (1996) and Solo Leveling (2024). If you’re into that, then you’ll click with One Punch Man. Titanic threats to mankind appear, and while plenty of heroes struggle in vain to save the day, all it takes for Saitama to win is literally one punch. Even though it’s only one joke, it never gets old. Season 2 slowed things down by focusing on the supporting cast a bit too much, but with all the set-up out of the way, Season 3 should hopefully right the ship and deliver stellar action on par with the first season.

One Punch Man Season 3 releases October 5, 2025. 

5. Sanda (2025-Present)

Paru Itagaki made a name for herself with Beastars (2019). That series offered a complex look at human nature through the lens of an animal metropolis that would put Zootopia (2016) to shame. With the manga having finished years ago, and the anime’s final season set to air in 2026, fans looking for more of Itagaki’s work will get that and then some with Sanda.

While it would be easy to recommend Sanda solely because Science Saru is producing it almost immediately after concluding Dan Da Dan’s (2024) excellent second season, there’s so much more going on with Sanda worth talking about. For example, not only is it a Christmas anime, but it also features a buff, naked Santa Claus beating up his enemies. That alone should make it a must-watch, especially if you’re a fan of action-filled Christmas stories like Violent Night (2022) and Die Hard (1988). The anime also sports Itagaki’s expressive art style more faithfully than Beastars, and with the help of animation that’s reminiscent of some of the best sequences in One Piece (1999), Sanda is set to storm the scene and become a modern Christmas classic.

Sanda releases October 3, 2025. 

4. Digimon Beatbreak (2025-Present)

The Digimon franchise gets an unfair wrap as being a Pokémon knock-off. While it came out after Nintendo’s worldwide phenomenon, Digimon isn’t afraid to push the boundaries of kids’ anime and delve into more mature territory. Now, Digimon Beatbreak is keen to return to those areas, although with a new cyberpunk flair. 

While not much is really known about Digimon Beatbreak and where it can/will go, from the early teasers, it appears to be targeting a more mature audience. It still has bright and cartoonish Digimon teaming up with humans, but the humans are older kids and even teenagers. The series is still set to have plenty of giant monster battles that kids will love, but it's probably going to take cues from Digimon Tamers (2001) or Digimon Ghost Game (2021), as opposed to the lighter exploits of Digimon Adventure (1999). There’s excitement about this series, both in and out of Japan, which hasn’t happened since the Adventure Tri films. If you’re a longtime Digimon fan, or want a more mature take on Pokémon that actually wants to tell a cohesive story, Digimon Beatbreak should hopefully live up to your expectations.

Digimon Beatbreak releases October 5, 2025. 

3. Spy x Family Season 3 (2022-Present)

With two seasons and a feature film under its belt, it’s safe to say that Spy x Family’s third season will continue the comedic escapades of the Forger family with zero issues. Our cast is established, the stakes are present, and all that’s left is to let the series do what it does best. If you were somewhat tired of the overexposure of Anya in Season 2, then Season 3 should hopefully rectify that. There’s much more of a focus on going into the origins of Twilight and seeing what made him into the spy he is, which should satisfy those looking for a more traditional spy thriller.

That being said, Spy x Family’s bread and butter is its comedy, and that’s going to be on display in full force. If you liked the blend of action and comedy of Buddy Daddies (2023) or loved the humor of Bocchi the Rock (2022), then you’ll be in good hands with Spy x Family. It’s one of the best definitions of an anime sitcom, and compared to most other shows this season, it’s one of the safest bets, thanks to both Wit and Madhouse returning to produce the series.

Spy x Family Season 3 releases October 4, 2025. 

2. Tatsuki Fujimoto 17-26 (2025-Present)

Tatsuki Fujimoto exploded onto the scene in 2018 with Chainsaw Man. Since then, it’s become one of the most prolific manga of our time, and the anime is gearing up to see a new resurgence thanks to the upcoming movie, Chainsaw Man: Reze Arc (2025). But what was his career like before that? Well, here’s Tatsuki Fujimoto 17-26 to answer that question.

Comprising eight standalone episodes, Tatuski Fujimoto 17-26 will be an exhibition of sorts for the creator’s one-shots. Each episode is animated and produced by a different company, creating an anthology series that’s not dissimilar from Star Wars Visions (2021) or Memories (1995). This is an experimental anime, the likes of which aren’t really seen nowadays. If you found yourself loving the low-key emotional devastation of Fujimoto’s last adaptation, Look Back (2024), most of the one-shots will appeal to you. It’s not quite as bombastic or thrilling as Chainsaw Man, but if you’re an anime fan who is craving something unconventional, risky, and artistic, then you need to catch Tatsuki Fujimoto 17-26 when it comes out in November.

Tatsuki Fujimoto releases November 7, 2025. 

1. My Hero Academia Final Season (2016-Present)

While there are plenty of anime that can get people excited this season, only one show was ever going to take the top spot, and that’s My Hero Academia. After nine years, the story of Deku, All Might, and the rest of Class 1-A is finally coming to an end. My Here Academia’s premise is simple, yet extremely effective. Take the iconography of American superheroes and superhero movies like Superman (2025), X-Men (2000), and Spider-Man (2002), and make an anime about it. Give a cast of characters superhero powers and then have them get involved in a war over the fate of the superhero world.

My Hero Academia’s optimism is infectious, and seeing Deku go from being a Quirkless teenager to one of the most inspiring heroes of his generation is a great reminder that anything is possible with enough determination and perseverance. While the ending of the manga is divisive, the lead-up to that finale is extremely satisfying, and Bones has gone all out to make sure that the final season gets the justice that it deserves. If you’ve ever been a fan of My Hero Academia, or if you’re a newcomer who’s looking for a superhero-themed anime, this final season should hopefully end this adaptation on a high note.

My Hero Academia’s final season releases October 4, 2025.

Between Netflix’s penchant for miniseries and prioritization of high-quality content, it sometimes seems like there aren’t enough multi-season shows to watch. However, some of the streamers' absolute best original series have come in multi-season formats, with several even boasting fully completed runs on the platform. 

If the release of Alice in Borderland Season 3 and the upcoming final season release of Stranger Things have you searching for more multi-season shows, you can use our guide to find the 10 best Netflix shows with more than one season.

Black Mirror (2011-Present)

Black Mirror is a sci-fi anthology series that moved from Channel 4 to Netflix in 2016 and has been going strong ever since. The show is akin to a modern Twilight Zone (1959) with its eerie, standalone tales that blend the genres of horror, sci-fi, psychological thriller, and black comedy. While every episode offers a new story, many have similar themes, such as exploring the dangers of technological advancement and the impact of social media on society.

Black Mirror’s satirical take on topics, such as social media, AI, and technology, often parallels real-life events so closely that some viewers believe the show has even predicted the future on several occasions. If you love The Twilight Zone and Alfred Hitchcock Presents (1955), but are looking for a version more relevant to modern society, Black Mirror is the way to go, with seven seasons ready for viewing.

Stranger Things (2016-2025)

Stranger Things is one of Netflix’s most popular original series. The show centers on the town of Hawkins, Indiana, where a group of young friends investigate the town’s supernatural phenomena following their friend’s disappearance. It is also one of the streamer’s longest-running series, though its fifth and final season will debut in late 2025.

Stranger Things’ popularity isn’t hard to understand. Drawing inspiration from ‘80s horror/sci-fi like E.T. the Extra-Terrestrial (1982) and Stand By Me (1986), the series thrills viewers with its retro vibes and nostalgia. In addition to paying homage to the ‘80s, the show distinguishes itself with an engaging story that strikes a perfect balance between charm, humor, sci-fi thrills, and horror. It’s the perfect series for those seeking to recreate the excitement and magic of the biggest ‘80s sci-fi/horror hits, from E.T. the Extra-Terrestrial to Aliens (1986).

The Umbrella Academy (2019-2024)

The Umbrella Academy brought the superhero genre to Netflix with a fun, ambitious four-season run. In the show, the superpowered adult Hargreeves siblings navigate their childhood and the source of their powers after the death of their adoptive father. The Umbrella Academy has a zany sense of humor, eccentric characters, and unpredictable twists. However, it also manages to remain sweet at its core, with its heartwarming tale of estranged siblings reconnecting and working through their childhood trauma.

Given that it is based on a comic book series, The Umbrella Academy shares a similar vibe with other comic book-inspired superhero shows, such as Marvel’s Runaways (2017) and Agents of S.H.I.E.L.D. (2013), but leans even more heavily into sci-fi, comedy, and drama. Not only does it offer viewers four full, binge-worthy seasons, but The Umbrella Academy also ended naturally, assuring fans they’ll get the whole story arc.

Never Have I Ever (2020-2023)

If you are a comedy/teen romance enthusiast, you can’t go wrong with Netflix’s Never Have I Ever. The series follows Devi (Maitreyi Ramakrishnan), who faces the challenges of high school and young love while coming to terms with her father’s sudden passing. Never Have I Ever is one of Netflix’s best coming-of-age comedies, filled with heart, humor, and relatability. Based on creator Mindy Kaling’s childhood, it poignantly captures the experiences of an Indian American high school student.

The show is diverse and captures a wide range of experiences, as its characters explore sexuality, grief, and the pressures of high school. Never Have I Ever also features a love triangle to rival that of The Summer I Turned Pretty (2022), with diversity and representation on par with Heartbreak High (2022), offering four seasons of sweet and poignant coming-of-age fun.

Alice in Borderland (2020-Present)

Alice in Borderland is a sci-fi thriller in which three friends are mysteriously transported to a desolate, alternate Tokyo where they must play deadly games to prevent their executions. The series is an excellent choice if you’re a fan of survival thrillers. It’s highly reminiscent of Battle Royale (2000) and Squid Game (2021) due to its killer game premise, but it heightens the sci-fi elements. Rather than a human-made game/arena, Alice in Borderland delves into parallel worlds and supernatural forces to bring its game to life.

As a result, Alice in Borderland offers a broader sense of mystery and an even more engaging premise. Although it delves into dystopian and survival thrills, the cinematography, pacing, and character arcs are highly reminiscent of anime, giving viewers the feeling they’re watching a live-action anime series. For viewers seeking something in the vein of Squid Game, but with an anime and mystery twist, Alice in Borderland is an excellent choice.

Ginny & Georgia (2021-Present)

Ginny & Georgia is a dramedy that follows Georgia (Brianne Howey) and her teenage daughter, Ginny (Antonia Gentry), as they struggle to build a new life for themselves while Georgia’s complicated past resurfaces. The series is one of the most unique shows on Netflix. While it has the structure and feel of a typical teen drama/coming-of-age series, it sets itself apart with a darker tone and tackling of subjects like class conflict, child abuse, and generational trauma. 

Sometimes the show will make you laugh out loud with its dark humor and eccentric characters, and in the next moment, it will tug at your heartstrings with its heartfelt mother-daughter moments and the way the characters evoke empathy from viewers. Ginny & Georgia’s themes are reminiscent of We Were Liars (2025) and Little Fires Everywhere (2020), and the show is perfect for viewers who want a coming-of-age series with considerable depth.

Arcane (2021-2024)

Arcane is an action-adventure Netflix series inspired by League of Legends. In the show, sisters Vi (Hailee Steinfeld) and Jinx (Ella Purnell) navigate the growing conflict between the utopian city of Piltover and the city in its shadows, Zaun. Arcane is gorgeously animated, featuring sophisticated worldbuilding and complex characters that evoke genuine emotion. Fans of League of Legends will find it to be a faithful and exciting expansion of the franchise's lore, while newcomers can also enjoy the animation, worldbuilding, and storytelling.

Arcane is a must-see for fans of video game adaptations and innovative animation, as critics have hailed it as one of the best video game adaptations of all time. Its masterful blend of various animation styles will dazzle animation enthusiasts. Fans of Spider-Man: Across the Spider-Verse (2023), Fallout (2024), and any standouts in the animation/video game adaptation field will love Arcane’s two-season run.

Squid Game (2021-2025)

Squid Game Season 1 is still Netflix’s most-watched show of all time, and Seasons 2 and 3 aren’t very far behind. The South Korean dystopian thriller centers on Seong Gi-hun (Lee Jung-jae), a gambling addict who signs up for a game show with an enormous cash prize, only to realize the price for losing is death. Squid Game is dark, thrilling, and just as thought-provoking as dystopian movies like Battle Royale and The Long Walk (2025). 

Each season offers a wide array of diverse characters with impeccable drama and story arcs that make them appealing and evoke sympathy. Meanwhile, the suspense and intensity of every game, rife with unpredictable twists and turns, keep viewers on the edge of their seats and eager for more. If you’re looking for a thoughtful, dark, and wholly engaging dystopian series on Netflix, Squid Game is your best option.

Heartstopper (2022-2024)

Heartstopper is an exceptional coming-of-age/teen drama with excellent LGBTQ+ representation. In the series, Charlie Spring (Joe Locke) and Nick Nelson (Kit Connor) develop an unexpected bond after sitting together in form class. It’s a heartwarming and wholesome story about young love and self-discovery. The series also incorporates bits of animation to make it feel even more like the graphic novel by Alice Oseman that inspired it.

Ultimately, Heartstopper is a diverse, representative, and thoroughly charming show. While it also touches on heavier subjects, such as discrimination, mental health, and family dysfunction, its brighter topics, like the celebration of love and friendship, always shine through. If you want more sweet, coming-of-age shows like Love, Victor (2020) or XO, Kitty (2023), Heartstopper has three seasons available for streaming and a movie finale on the way.

Wednesday (2022-Present)

Recently, Wednesday joined the multi-season standing with a highly anticipated Season 2. The Tim Burton-produced series stars Wednesday Addams (Jenna Ortega), who follows in her family’s footsteps to attend Evermore Academy, but soon finds the school rife with murder and mystery. Wednesday blends teen drama and fantasy with mystery as its titular heroine takes on the role of a young detective at her school. The series is also filled with references and callbacks to the Addams Family, adding a layer of nostalgia for fans of the franchise.

It's perfect for viewers who love the macabre but mostly family-friendly nature of the Addams, offering families an excellent option for spooky season. The mystery, teen drama, and underlying heartwarming themes of acceptance and friendship make it a delightful series for viewers of all ages. If you’re a fan of Burton, the Addams, and all things morbid and creepy, Wednesday is your next binge-watch.

We all knowThe Conjuring (2013) is a modern classic in the supernatural horror genre. James Wan crafted a tense, expertly paced haunted house tale with Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) at the heart of the terror, balancing jump scares with genuinely chilling atmosphere. It's a masterclass in storytelling and suspenseful cinematography.

The movie set a high bar for what horror can accomplish in the mainstream, with the franchise’s latest entry, The Conjuring: Last Rites becoming the biggest worldwide box-office opening in horror history. Still, some films push fear even further, taking you beyond haunted houses into darker, more psychologically unsettling territory. The following supernatural horrors, which can be found on Netflix, Hulu, and HBO Max, do exactly that. They're scarier, more intense, and linger in your mind for a really long time.

The Exorcist (1973)

The Exorcist begins when Regan MacNeil (Linda Blair) starts to exhibit some strange behavior after an evil presence invades her life. This prompts her mother, Chris (Ellen Burstyn), to seek the help of priests Father Merrin (Max von Sydow) and Father Karras (Jason Miller). As the supernatural possession intensifies, the battle between good and evil reaches a horrifying crescendo.

The Exorcist thrives on psychological torment, using it in a way that is extremely gut-wrenching. Unlike The Conjuring, the horror in this film is very personal. It is as much about watching a loved one suffer as it is about supernatural events. Its lasting popularity proves that its terror has been etched into the collective psyche of horror fans everywhere.

The Ring (2002)

Based on Hideo Nakata's 1998 film of the same name, The Ring follows journalist Rachel Keller (Naomi Watts) as she investigates a strange videotape that curses anyone who watches it to die seven days later. As she digs into its origins, the line between reality and the supernatural begins to blur, putting her and her loved ones in terrible danger. The movie expertly blends investigative suspense with supernatural dread.

The Ring, which began as a novel by Japanese author Koji Suzuki, is basically psychological terror wrapped in haunting visuals, when compared to The Conjuring. The iconic scene of Samara crawling out of the well is an image that refuses to leave your mind. The creeping inevitability of death and obsession over the unknown creates an atmosphere that's both haunting and hypnotic. The curse ensures that terror is unavoidable. If you want something beyond exorcisms or haunted houses, The Ring should be on your watch list.

Paranormal Activity (2007)

Paranormal Activity tells the story of Katie (Katie Featherston) and Micah (Micah Sloat), who happily move into a new home. But their joy is short-lived as they soon begin experiencing increasingly disturbing occurrences that are captured on their home camera. What starts as subtle anomalies quickly escalates into full-blown supernatural chaos that feels uncomfortably real.

Compared to The Conjuring, the movie's found-footage approach makes every shadow and creak feel disturbingly real. Slow-burn dread builds an anxiety that can't be turned off because you feel like you're watching real life unravel before your eyes. Minimalist yet merciless, Paranormal Activity manipulates your imagination so effectively that you're left double-checking your own house. It is the perfect choice for horror fans who enjoy a dose of realism with their scares.

Insidious (2010)

Insidious follows Josh (Patrick Wilson) and Renai Lambert (Rose Byrne), whose son Dalton (Ty Simpkins) falls into a mysterious coma. Desperate to save him, they eventually learn that his soul is trapped in a dangerous dark realm. The story takes the familiar haunted house trope and flips it inside out, introducing astral projection and demonic entities that feel inescapable.

The tension is relentless, and the scares are timed with surgical precision that creeps under your skin from start to finish. The combination of eerie sound design, visual scares, and family drama makes Insidious a horror experience that digs deep into fear. It is a must-watch for viewers who loved The Conjuring for its spookiness, but want a film that leaves you with a constant feeling that nowhere is safe.

Sinister (2012)

Sinister begins when true-crime author Ellison Oswalt (Ethan Hawke) moves his family into a creepy Pennsylvania home to investigate a decades-old murder. Things take an even darker turn when he finds a box of home videos documenting grotesque killings. As Ellison peels back layers of evidence tied to the murders, a supernatural presence closes in.

What begins as research quickly becomes a battle for survival, and the line between obsession and terror blurs. Hawke gives a quietly tormented performance, and the home-video horror conceit is genuinely unsettling. The idea that evil things are caught on camera, secretly, taps into a primal fear of being watched, which is something The Conjuring touches on, but Sinister makes central. Sinister is ideal for viewers who enjoy a deeper mystery with their horror.

Lights Out (2016)

Lights Out follows Rebecca (Teresa Palmer), who takes her younger brother Martin(Gabriel Bateman) into her care to shield him from their mother's erratic behavior. Instead, she's drawn back into a nightmare from her own childhood—a shadowy figure who only appears in the dark. As lights flicker and shadows lengthen, Rebecca and her family are forced into a fight for survival.

Lights Out takes one of humanity's oldest fears (the dark) and spins it into a relentless horror ride. Because the film's rules are simple and consistent (light equals safety, darkness equals death), every flick of a switch becomes a pulse-pounding moment. Where The Conjuring builds dread gradually, this movie hits you with quick, high-impact shocks you don't see coming, making it perfect for viewers who enjoy fast-paced horror fare.

Twenty years after the debut of the American version of The Office, series creator Greg Daniels returns to the world that spearheaded the workplace comedy mockumentary with The Paper. Co-created with Michael Koman, The Paper trades a paper company in Scranton for a local newspaper in Toledo as new editor-in-chief Ned Sampson (Domhnall Gleeson) tries to restore the Toledo Truth Teller to its former glory.

On top of the comedy you expect from a show with so much Office DNA, The Paper makes a clear statement regarding the importance of local news and civic participation. It doesn’t shy away from the serious issues impacting journalism, but it balances the painfully real with an overall optimistic worldview. The Paper is a show about good people doing important work, often with hilarious results, so if you’re looking for more comedies that reject cynicism, these shows will help restore your faith in humanity. Look to Peacock, Apple TV+, and more to kick off your next binge watch. 

The Paper (2025-Present)

The new Peacock series quickly distinguishes itself from The Office, focusing on an idealistic new boss with big ideas and a staff that really needs his guidance. Ned doesn’t just help the Toledo Truth Teller (TTT) staff develop their journalism skills; he also gives viewers important lessons on media literacy and journalistic ethics.

The Paper does for the humble local newspaper what Anchorman (particularly, its sequel, Anchorman 2: The Legend Continues) did for broadcast journalism, pointing out the sensationalization of trivial stories and the crucial importance of good reporting in exposing corruption and holding the powerful accountable. The first season’s arc shows the TTT transform from a glorified gossip rag to a source for important local stories, and I for one can’t wait to see where The Paper goes next. Without spoiling anything, I’ll say fans of The Office need to at least start the Pilot, and if you love heartfelt comedies about decent people doing good work with the odds stacked against them, you might just find yourself binging the entire first season.

The Office (2005-2013)

If you’re interested in The Paper, odds are you’ve already seen The Office, probably more than once, too. There’s not much that hasn’t already been said about the American Office. The series revolutionized TV comedy in a variety of ways, from its single camera format to focusing on subtle jokes, visual gags, and reactions over the bombastic laughlines of most multi-camera sitcoms. 

The Paper has some obvious connections to The Office, including a surprise appearance from a familiar face that kicks off the series and the return of Oscar (Oscar Nunez) as a series regular. (Keep an eye on his desk for a subtle but touching callback to “Goodbye, Michael.”) And while The Paper is clearly charting its own course, it has the potential to match its predecessor in heart. The Office, ultimately, is a show about finding beauty in unexpected places and rooting for the underdog. If that, plus plenty of pranks, reaction shots, and “that’s what she said” jokes, appeal to you, then there’s a place for you at Dunder Mifflin Scranton.

Ted Lasso (2020-Present)

Few shows have as much heart as Ted Lasso, which follows an American football coach (Jason Sudeikis) who is hired to coach a British soccer team. While Ted is initially hired to bring the team down with his inexperience and complete lack of soccer knowledge, his Midwestern-style folksy optimism and compassion leads A.F.C. Richmond to victory.

In an age where so much comedy is cynical, Ted Lasso plants itself firmly on the side of kindness, though it may veer too far into sentimentality for some viewers. If you appreciated The Paper’s optimistic and uplifting tone, Ted Lasso is another comedy you can believe in.

Parks and Recreation (2009-2015)

Also created by Greg Daniels, this time with The Office and Saturday Night Live writer Michael Schur, Parks and Recreation is a workplace mockumentary focused on local government employees. It centers on Leslie Knope (Amy Poehler), a passionate mid-level bureaucrat dedicated to making her hometown of Pawnee, Indiana a better place, no matter how many obstacles she faces.

Just like The Paper’s Ned Sampson, Leslie can be idealistic to a fault, but she always backs her words up with action, showing the naysayers what good leadership and hard work can accomplish. With its focus on community, charming Midwestern setting, and a protagonist who makes you believe anything is possible, Parks and Recreation is the perfect show for fans of The Paper.

The Good Place (2016-2020)

No one mixes feel-good comedy with philosophical depth like Michael Schur, and no show exemplifies this more than The Good Place. Over the course of four seasons, what starts out as a show about a woman (Kristen Bell) arriving in the afterlife in a case of mistaken identity becomes a profound study in what it means to be a good person and what we owe one another as human beings.

Just as Ned teaches the TTT staff Journalism 101, Chidi (William Jackson Harper) teaches Bell’s Eleanor introductory ethics, referring to moral philosophers ranging from Plato to Derek Parfit and making their complex ideas digestible for wider audiences. It’s hard to say much else about The Good Place without spoiling the first season’s big twist, which you absolutely do not want spoiled if you don’t know it already, so I will just say that it’s a must-watch for anyone who likes comedy that gives them plenty to think about after the credits roll.

Abbott Elementary (2021-Present)

Few network TV shows in recent years have made much of a mark, but Abbott Elementary is a major exception. The mockumentary focuses on teachers at a predominantly Black public school in Philadelphia who are trying their best to help their students despite working in a massively underfunded and mismanaged district. The show doesn’t shy away from the serious issues with the American education system and their impact on teachers and students, but it still absolutely delivers on the comedy front with stellar writing and performances.

Series creator and star Quinta Brunson plays a Ned Sampson or Leslie Knope-like upbeat protagonist, but if you love brash and glamorous characters like The Paper’s Esmeralda Grand (Sabrina Impacciatore), then you need to meet Abbott principal Ava Coleman (Janelle James). Particularly in early seasons, Ava shares Esmeralda’s penchant for speaking her mind, no matter how tone-deaf and standing in the way of her more idealistic colleagues. However, she also grows into her position as the series goes on, proving wrong anyone who still thinks sitcom characters need to remain static to stay funny. While some viewers may find it a bit preachy at times, Abbott Elementary is a must-watch for anyone who enjoys the mockumentary format and wants a show that manages to feel both familiar and fresh.

A Man on the Inside (2024-Present)

Reuniting The Good Place creator Michael Schur with star Ted Danson, Netflix’s A Man on the Inside follows retiree and widower Charles Nieuwendyk (Danson) as he goes undercover in a retirement home to help a private investigator investigate a theft. It’s a fun premise for a mystery, one that leads to plenty of hilarious hijinks, but like other Schur shows, it tackles some serious and underdiscussed topics. 

At the start of the show, Charles is stuck in a lonely routine after losing his wife to Alzheimer's, disconnecting from the world and his daughter Emily (Mary Elizabeth Ellis), a story that is all too common among older adults. However, working the case and living at Pacific View Retirement Community gives Charles a new lease on life, reminding viewers of the importance of human connection. A Man on the Inside may hit too close to home for those who have cared for or watched older relatives decline with age, but the sitcom is an entertaining and powerful option for those who care about the kinds of underrepresented stories that outlets like the Toledo Truth Teller seek to shed light on.

The Dora the Explorer franchise is still expanding over 25 years after the original series premiered. Dora captured the hearts of viewers in 2000 with her educational children’s show, where she went on exciting adventures and taught viewers Spanish.

Recently, the franchise enjoyed its second live-action movie with Dora and the Search for Sol Dorado and is still going strong with Dora, the computer-animated reboot of the original series. Viewers interested in catching up on the franchise can use our guide to find every Dora the Explorer TV show and movie in release date order on platforms like Paramount+ and more.

Dora the Explorer (2000-2019)

There are few better educational shows for preschoolers than Dora the Explorer. It’s one of only a few shows that seek to teach children a different language. While it may not make one fluent in Spanish, it definitely lays a strong foundation for children to develop an interest in language learning and exploring and understanding other cultures, while also including lessons in counting, problem-solving, and teamwork.

Dora is also an excellent role model with her adventurous, curious, and spunky personality. The show is reminiscent of Pocoyo, given its highly interactive nature and targeting of very young viewers, while also boasting a similar emphasis on culture and language as Ni Hao, Kai-Lan. Viewers can’t go wrong with Dora the Explorer when selecting an educational show for their preschoolers.

Go, Diego, Go! (2005-2013)

Go, Diego, Go! is a must-see educational show for viewers with youngsters who love animals. Similar to its predecessor, Go, Diego, Go! Includes some Spanish lessons from Dora’s cousin, Diego. However, its prime focus is educating children about animals. Each episode focuses on a different species, teaching children how to identify them and about their habitats and behaviors. 

It’s beneficial for parents hoping to instill love for and a gentle attitude toward animals in their children. If you have children who have shown any interest in animals and enjoy other animal-centered shows like Octonauts and Wild Kratts, you need to give Go, Diego, Go a try.

Dora and Friends: Into the City! (2014-2017)

Dora and Friends: Into the City! ages up Dora the Explorer a bit for elementary-aged children. Older children will likely relate more to the series because it focuses on Dora's experience attending school in the city. The show also modernizes itself for contemporary fans as Dora utilizes more modern tools for her adventure, like a smartphone map app.

Since it's for older audiences, the show gets a little more complex in its Spanish lessons than Dora the Explorer, teaching complete phrases and sentences rather than single words. Dora and Friends: Into the City! is the perfect transition from Dora the Explorer to elementary-aged shows, boasting the same lovable characters and spirit but with a bit of complexity. It has the maturity and diversity of shows like Elena of Avalor, but with a little more nostalgia.

Dora and the Lost City of Gold (2019)

Dora and the Lost City of Gold is a live-action movie inspired by Dora the Explorer. Unlike most Dora the Explorer shows, the film appeals to a broader audience. It’s family-friendly enough for children and current fans of Dora, while also appealing to its former fans, who are now teens and adults, by debuting a high school-aged Dora (Isabela Merced).

Dora and the Lost City of Gold is a worthy Dora the Explorer adaptation, filled with nostalgia and adventure, but it also stands on its own. Viewers will want to see Dora and the Lost City of Gold if they’re Dora the Explorer fans or just looking for a family-friendly adventure reminiscent of The Goonies or Jumanji.

Dora (2024-Present)

Dora is a reboot of the original Dora the Explorer series. The series noticeably modernizes itself with stunning 3D computer animation, shorter runtimes, and even more cultural awareness. While Dora’s updated look is exciting, it is still familiar and nostalgic enough to be comforting to Dora the Explorer fans.

The series goes back to the original show’s roots by targeting preschool-aged children with its Spanish and problem-solving episodes. Older audiences may also appreciate the faster pace, shorter episodes, and heightened comedy and excitement. It’s the perfect show for parents searching for an educational and diverse, kid-friendly series with enough episodes to help keep screen time down.

Dora and the Search for Sol Dorado (2025)

Dora and the Search for Sol Dorado is a reboot rather than a sequel to Dora and the Lost City of Gold. While it’s a reboot, it retains the first live-action film’s family-friendly blend of action and adventure. It has a swashbuckling tone, educational value in its exploration of Inca culture, and, of course, heavy nostalgia for Dora the Explorer fans.

If you’re looking for a film that evokes the same sense of adventure as Indiana Jones and the Temple of Doom or The Pirates of the Caribbean: The Curse of the Black Pearl, but that you know is perfectly safe for kids of all ages, you can’t go wrong with Dora and the Search for Sol Dorado.

It's hard to pinpoint what it is about whodunnits or certain murder mysteries that makes them comforting, but when well written, well cast, and set in a specifically charming location, every part of it feels cozy. The feeling is a mystery in and of itself, but it almost feels like every kid who grew up loving shows like Scooby Doo: Where Are You! is now obsessed with whip-smart whodunnits that make us laugh while keeping us glued to our screens in order to unveil the culprit. Or maybe it's because Clue was always one of our favorite board games. Who knows? As a genre, mysteries are so broad that it's nearly impossible to narrow them down to lists. Whether it's dark and heavy true crime-centered procedurals or lighthearted ones, they're each revered for a reason. 

Netflix's The Thursday Murder Club is the latest gem added to the list of cozy murder mysteries that explores an unconventional group of people meeting once a week to unpack a crime that's keeping them up. Based on the bestselling novels by Richard Osman, the retirees, starring Helen Mirren, Pierce Brosnan, Ben Kingsley, Celia Imrie, and more, make up the kind of eccentric group that is easy to adore and genuinely precious. The film is a delight from start to finish, with a quaint English setting in Kent making every beat feel especially charming. Rich with nuance, quintessentially British, and well-written, the film is perfect for viewers wanting an easy escape.

Now, whether it's centering the film around a demographic we don't often see on our screens or doing something uniquely clever with the plot, here are some of the coziest murder mysteries to watch after The Thursday Murder Club. 

Murder, She Wrote (1984-1996)

Even if you've never seen Murder, She Wrote, you've heard the title, and you can likely note that it stars Angela Lansbury. The series is synonymous with cozy mysteries because right from the start, even with every poster, there's something indescribably cozy about Lansbury's face and her presence. The idea of an older woman solving crimes is precious. However, it's only viewers who've watched the series who know exactly how charming it is, with heart sprinkled into every frame, beginning right from the pilot episode.

The idyllic town of Cabot Cove, the sharp dialogue, the riveting characterizations, everything about Murder, She Wrote equates to cozy because the series allows itself to be silly and serious simultaneously. It's not trying to be anything but a character-driven narrative with thoughtfully executed plot points that leave viewers invested. But, more importantly, we're all just here for Jessica Fletcher.

Clue (1985)

Based on the beloved board game, the '80s film adaptation of Clue is near-perfect. Hilarious, incredibly quotable still to this day, and undoubtedly cozy despite the obvious murder, it's the kind of film that not only holds up but somehow feels fresh with every rewatch. Starring legends like Tim Curry, Madeline Kahn, Colleen Camp, Lesley Ann Warren, Eileen Brennan, Christopher Lloyd, Michael McKean, and Martin Mull, the cast alone makes an unquestionable treasure. There's also something especially comforting about the fact that it rains in the film, and for viewers who find the specific weather to be comforting, Clue delivers on that front.

However, unlike in The Thursday Murder Club, the characters in Clue aren't friends, nor do they like each other, yet the film still evokes something joyous at every turn. The animosity isn't anxiety-inducing, but rather so ridiculous that the journey alone at this dinner party is worth the investment. In large part, it's because every performer is still, to this day, the type of star who lights up every scene they're in. The acting is so tremendous and so genuinely funny that it contributes to the film's charm in a way that cannot be replicated. The setting also evokes a type of strange warmth that again could be tied to the game's legacy and the escapism. 

Only Murders in the Building (2021-Present)

In more ways than one, Only Murders in the Building is the TV version of The Thursday Murder Club. Except there's a podcast and one of the best intergenerational friendships that's ever graced our screens. The series was always bound to be a winner with comedy legends like Martin Short and Steve Martin at the helm, but add in a capable actress like Selena Gomez, and for five seasons, it continues to deliver one intriguing mystery after another, with these podcast hosts trying to make it through another season.

Only Murders in the Building is a deeply special show that beautifully explores friendships and takes place in a specific setting that feels like a character in and of itself. The Arconia, in every way, is the fourth most important character of the series, allowing the narrative to shine in a way that feels especially cozy. Hotels are comfortable, yes, but they aren't exactly cozy, yet for every person who loves movies like Eloise at the Plaza, there's something about the Arconia that evokes the same sense of lovely and blanketing security that makes it feel like a home. Whether it's scenic shots of New York in the background or the whimsical opening theme and every genuinely hilarious joke that's perfect for all demographics, Only Murders in the Building is the epitome of a cozy mystery.

Knives Out (2019)

Rian Johnson's Knives Out kickstarted Benoit Blanc's adventures in a compelling manner. As fans eagerly wait for the third installment, Wake Up Dead Man, the original film is not only perfect for people who love cozy whodunnits but also for those who appreciate autumn as a season. Full of tremendous stars in a dispute over their late father's will and a breakout performance from Ana de Armas, as well as a knockout from Daniel Craig, even while Knives Out is twisted, it's still deliciously satisfying and cozy. 

The opening scene, along with various quintessentially autumn shots, and the grand Thrombey Estate, adds a layer of coziness that really can only work in this genre and for viewers who already appreciate it. More than anything, the Knives Out films stand out because of Blanc's gentle goodness, which showcases how detectives should be in moments of human fragility. It's clever, funny, and eerily shot, making it the kind of movie that's sure to bring old and new fans into the cozy crime genre.

A Man on the Inside (2024-Present)

One of the reasons why The Thursday Murder Club is as cozy as it is is that it centers around an age demographic we don't always see on our TV screens. With ageism a prominent issue in the media, it's always delightful and profoundly refreshing to watch shows that could maybe remind us of our own parents and grandparents. As a Mike Schur property, A Man on the Inside not only features Schur's signature wholesome storytelling and thoughtful characterizations, but it also involves a gripping mystery.

Schur is especially great at crafting lasting friendships and delivering strong character moments that touch on the complexities of humanity. There's a gentleness to the way he approaches every situation, and placing Ted Danson at the heart of a series that centers around a nursing home is a genius move to show viewers an especially rare setting on TV. A Man on the Inside is not only brimming with tremendous heart for this very reason, but the case itself is compelling, making the entire series as cozy as it is deeply heartfelt.

See How They Run (2022)

There's a reason laughter is the best medicine, and it's also a deeply healthy act to poke fun at ourselves, which is why the meta approach in See How They Run makes it such a cozy whodunnit. Starring Saoirse Ronan and Sam Rockwell, the film takes Agatha Christie's renowned The Mousetrap, but centers the entire plot of the film around a murder that also acknowledges every known trope in the genre expertly. With incredible performances from the whole cast, the London-based film is a sharp and delightful joyride for anyone who loves whodunnits, or even those who might be new to the genre.

Like many films of this genre, much of the coziness in See How They Run comes from the expected moments of human compassion that rise to the surface of two detectives trying to crack the case. There's also the fact that the film is a period piece, allowing it to feel like an escape for viewers who prefer a classic feel, as opposed to the present time. 

Miss Fisher's Murder Mysteries (2012-2015)

As another period piece, every detail in Miss Fisher's Murder Mysteries is not only cozy and comforting, but it's also so stylishly stunning that there are few things like it on air. Because of her easy confidence, realistic approach to various matters, and sharpness, Essie Davis' Phryne Fisher is the type of character who simply evokes comfort wherever she goes. She's a no-nonsense progressive woman, dealing with an uptight, grumpy detective and trying to make a name for herself, making the series as significant as it is comforting. 

It's an especially great series to watch for viewers who want a little romance sprinkled into their murder mystery genre because everything that the show delivers with Phryne and Jack (Nathan Page) is deliciously fun and easy to root for. Like Murder, She Wrote, a large part of the show's appeal comes from the characters, making the cases intriguing because of how they approach them and everything they do to crack them. Gorgeously shot and well-written, the series and the subsequent movie, Miss Fisher and the Crypt of Tears, are as cozy as they are clever.

Enola Holmes (2020)

Everyone knows the name Sherlock Holmes, but few know Enola. For a brand new generation wanting a gateway into the world of mysteries and the legendary detectives, the world of Enola Holmes is a sweet and delightful means to start. Millie Bobby Brown delivers a fantastic performance, and with Henry Cavill, plus Sam Claflin, everything works seamlessly to create an exciting new world for an entirely new generation of detective aficionados.

With a quirky and joyous score from Daniel Pemberton, stylistic directing from Harry Bradbeer, and a sharp screenplay from Jack Thorne, Nancy Springer, and Arthur Conan Doyle, the film is a cozy and comforting joy ride. It's an all-around amusing escape, with the second film, Enola Holmes 2, diving into more progressive matters to showcase the importance of equality for women in the fields they want to work in. 

Mckenna Grace is one of Hollywood’s fastest rising young stars. Within the next year alone, she will enter the Scream, Hunger Games, Five Nights at Freddy’s, and Paw Patrol franchises while also leading the highly anticipated Colleen Hoover adaptation, Regretting You.

It’s not surprising that Grace is in high demand in Hollywood, considering her impressive filmography. From portraying young Margot Robbie and young Brie Larson to carrying on the Ghostbusters legacy, here are the best McKenna Grace movies and TV shows, listed in order of release date, on platforms like Hulu, Netflix, and more.

Fuller House (2016-2020)

Fuller House serves as the continuation of the hit sitcom, Full House. Grace appears in the series in the recurring role of Rose Harbenberger, the love interest of Max Fuller (Elias Harger). 

Grace’s role and her chemistry with Max are bound to bring a smile to your face as they capture the innocence and earnestness of young love. Their story is in line with the overall vibe of Fuller House as it emphasizes a wholesome, humorous depiction of a lovable family. Fuller House is bound to raise nostalgia for wholesome late ‘80s sitcoms like Full House and The Wonder Years. So, if you like those, you’ll most definitely like this.

Gifted (2017)

Gifted marked Grace’s breakthrough role and proved her abilities as a leading actress. She stars in the film as a child prodigy whose immense talent threatens to separate her from her uncle and guardian Frank (Chris Evans).

Grace, rightfully, earned a Critics' Choice nomination for Best Actress. Her character perfectly captures the unique challenges of gifted children while still driving home the point that they are just like any child when it comes to the need for connection and love. Gifted is for anyone who likes emotional and inspiring films reminiscent of A Brilliant Young Mind.

The Handmaid’s Tale (2017-2025)

Grace boasts a recurring role in The Handmaid’s Tale Seasons 4 and 5 as Esther Keyes. Keyes is one of Grace’s heaviest roles, as she’s a victim of child marriage. By her teens, she’s vengeful and fueled by rage, making her a formidable Mayday asset.

In many ways, her character’s story pinpoints why The Handmaid’s Tale is so compelling. It doesn’t shy away from the dark realities of the treatment of women and children, showcasing a fictional dystopian world that sometimes eerily parallels reality. The Handmaid’s Tale is difficult to watch but rewarding for those up for the challenge and willing to learn from it.

Young Sheldon (2017-2024)

Grace has a knack for portraying gifted children, which is why she was perfect for the role of Paige Swanson in Young Sheldon, a child prodigy who rivals Sheldon Cooper (Iain Armitage). She’s the ideal foil for Sheldon, paralleling his intelligence but also boasting high social skills and a rebellious nature.

Young Sheldon is an excellent prequel to The Big Bang Theory, tackling the childhood of its most iconic character with a little more drama, warmth, and family-friendly humor. Fans of The Big Bang Theory and contemporary family sitcoms like Modern Family will love Young Sheldon. 

I, Tonya (2017)

I, Tonya tells the story of ice skater Tonya Harding, a role shared between Margot Robbie, who plays the adult Harding, and Grace, who portrays young Harding. Grace performs the role of young Harding incredibly well, capturing her spunk and talent, but also the sadness of her childhood.

The film is excellent for fans of biopics, especially those of divisive figures, such as Oppenheimer or The Wolf of Wall Street. It’s not a tale of a larger-than-life figure, but of a talented and misunderstood woman, as I, Tonya, seeks to offer audiences a different perspective of her than the media.

The Haunting of Hill House (2018)

In The Haunting of Hill House, Grace shares the role of the psychic Theodora Crain with scream queen Kate Siegel. The pair make up one of the five Crain siblings, who, as adults, struggle to confront their past growing up in a haunted house. Grace shines as Theodora, depicting a wisdom beyond her years as she reflects the child burdened with an unusual gift. 

The Haunting of Hill House is a must-see for fans of the haunted house subgenre. It beautifully blends drama, family tragedy, and horror to create a complex and compelling narrative. The suspense and premise are perfect for viewers who enjoy horror as a medium to tackle stories of grief and trauma. 

Captain Marvel (2019)

Grace has a small role in Captain Marvel as young Carol Danvers, while Brie Larson portrays the adult Captain Marvel. Although her role is small, it’s impactful, as the movie uses a montage of moments from young Danvers’ life to highlight her grit and determination to get back up every time she’s knocked down.

Captain Marvel has elements of a standard MCU movie with its origin story formula and action-packed premise, but it also feels refreshing in that it’s the very first female-led film in the franchise. The film also goes deep into ‘90s nostalgia and thrives off the comedic banter between Danvers and Nick Fury (Samuel L. Jackson), making it a top-notch movie for superhero fans.

Malignant (2021)

Grace boasts a small role in the horror film Malignant as the young version of Madison Mitchell, who is portrayed as an adult by Annabelle Wallis. While her role is small, it also constitutes the biggest twist of the movie and allows Grace to show off her scream queen potential.

Viewers who loved James Wan’s Insidious movies will love his directing in Malignant. Like most of his horror movies, it boasts a distinctive Wan twist and sometimes bonkers premise that still manages to evoke fear and dread. It’s an excellent pick for fans of somewhat campy but entertaining horror movies.

Ghostbusters: Afterlife (2021)

Ghostbusters: Afterlife marks the long-awaited sequel to Ghostbusters and Ghostbusters II and succeeds in being a worthy continuation of the story. Grace boasts the lead role of Phoebe, the granddaughter of Egon Spengler (Harold Ramis), who is most passionate about continuing his ghostbusting legacy. Phoebe is spunky, fierce, intelligent, and definitely has a good dose of Spengler in her.

Ghostbusters: Afterlife is both a fun continuation of the franchise that introduces the next Ghostbusters generation, as well as a heartfelt tribute to Ramis that will satisfy Ghostbuster fans and leave them excited for the franchise’s future.

A Friend of the Family (2022)

A Friend of the Family marks another one of Grace’s heavier roles as the series tells the true story of Jan Broberg, who was kidnapped multiple times by a family “friend.” Grace stars as the teenage Broberg and offers a mesmerizing performance as a vulnerable child navigating the trauma of abuse and psychological manipulation.

Similar to The Handmaid’s Tale, A Friend of the Family is a complex but necessary watch, raising awareness for the manipulation and tactics of predators and serving as an effective medium for Broberg to continue telling her story. If you like true crime dramatizations, A Friend of the Family will delight and shock you.

The DuckTales franchise has been a beacon of cartoon adventure for the longest time, thanks to its iconic "Woo‑oo!" theme that wormed its way into our memory and Scrooge McDuck's instantly recognizable silhouette. The original 1987 series was filled with globetrotting treasure hunts, lovable rogues, and the kind of irresistible charm that everyone still loves today.

The 2017 reboot instantly re-energized the cartoon and quickly became a streaming favorite on Disney+, widely praised as one of the best revivals of a classic. With it still a streaming favorite, let's dive into the entire DuckTales universe, listed in release date order, and discover why each entry still wows us.

DuckTales (1987-1990)

The original DuckTales follows globetrotting billionaire Scrooge McDuck on wild quests with his nephews, Huey, Dewey, Louie, and dependable pilot Launchpad McQuack. From haunted pyramids to sunken ships, every episode blends adventure with humor, heart, and silliness. It found the perfect balance of excitement and family fun, elevating Disney television animation in the late ‘80s and inspiring quite a few spin-off series. 

Critics celebrated its animation style and witty pacing, while fans came for the theme song and stayed for the characters. If you love imaginative storytelling, like Adventures of the Gummi Bears or Chip 'n Dale Rescue Rangers, it's the perfect show for viewers of all ages.

DuckTales the Movie: Treasure of the Lost Lamp (1990)

DuckTales the Movie: Treasure of the Lost Lamp follows Scrooge and his nephews as they go in search of treasure that belonged to the great thief Collie Baba. When Webby Vanderquack finds a lamp, Scrooge says she can keep it, which leads to all sorts of trouble. You can absolutely watch this movie without seeing the series, but knowing the characters will add to the overall viewing experience. There’s no plot setup from the show that you need. It’s a self-contained romp, but it works as a satisfying victory lap for the original run.

Although it didn't make much of a dent at the box office, the movie received a warm reception from longtime fans, who saw it as a fitting feature-length tribute to the series' adventurous ethos and signature humor. Even now, anyone who adores the original DuckTales series will appreciate it as a high-energy expansion of the beloved universe.

TaleSpin (1990-1991)

TaleSpin reimagines The Jungle Book's Baloo as a carefree cargo pilot flying through a retro-futuristic world called Cape Suzette. Alongside his quick-witted navigator Kit Cloudkicker and hard-nosed boss Rebecca Cunningham, Baloo navigates sky pirates, rival airlines, and corporate chaos. 

While it shares no direct plot ties to DuckTales, TaleSpin borrows from the same animation style and even features a few visual nods to Duckburg. The pacing is slower and more laid back, which works if you want an easygoing weekend binge. Some episodes have surprisingly mature undertones about business, loyalty, and growing up tucked neatly between slapstick silliness.

Darkwing Duck (1991-1992)

Darkwing Duck dials up the humor and leans into comic book satire, introducing audiences to Drake Mallard, a mild-mannered duck with a daughter named Gosalyn by day and a crime-fighting vigilante by night. With his gadget-filled arsenal and trusty sidekick Launchpad McQuack (the same Launchpad from DuckTales), Darkwing defends St. Canard from a rotating cast of outlandish villains. 

While technically set in a separate universe, its frequent character crossovers and shared tone make Darkwing Duck feel like a spiritual cousin to DuckTales. The show’s rapid-fire jokes and absurd villains are a joy for fans who like a little chaos with their capes. It’s also the most quotable of the bunch, with a self-aware tone that still feels ahead of its time.

Quack Pack (1996-1997)

Quack Pack takes the DuckTales trio and ages them up into teenage versions of Huey, Dewey, and Louie, with modern slang and way more attitude. The show follows the brothers and their uncle Donald Duck, who works as a cameraman for Daisy's news show, as they get caught up in supernatural mishaps and school drama. It’s loud, a little brash, and unapologetically a product of its era, which is part of its charm. 

While it fails to match the level of storytelling in DuckTales, it leans into cartoon absurdity so hard that it becomes weirdly endearing. While it didn't reach the critical or commercial heights of its predecessors, Quack Pack is a bright and wacky product of its time that will especially appeal to longtime fans of the franchise. 

DuckTales (2017-2021)

Disney's 2017 DuckTales reboot re‑centers the story around Scrooge welcoming Donald Duck and his nephews into his opulent McDuck Manor, triggering a larger mystery about their mother Della, hidden magical relics, and far-flung conspiracies. With modern animation inspired by Carl Barks' comic art, the show deepens the characters' backstories and their overarching arcs. Huey, Dewey, and Louie each get their own unique personalities (intelligent, impulsive, and scheming, respectively), while Webby goes from sidekick to clever adventurer. 

The series was praised by critics who loved the storytelling and humor. Fans hailed it as "one of the best reboots ever," with some preferring it to the original thanks to more serialized story arcs and a bigger focus on character development. The snappier dialogue, with plenty of winks for older viewers, was also a big draw. It’s great for adults who loved the original and for kids who like their cartoons with Marvel-level plot twists.

Between The Boys universe expanding and the Marvel Cinematic Universe debuting its first round of TV-MA series, including Echo and Marvel Zombies, dark and mature superhero series are growing in popularity. Often, these shows offer a more realistic and thought-provoking look into what superhero powers would truly look like in the real world, including the misuse, difficulty of control, and corruption that would inevitably arise. 

Viewers looking for more dark, mature superhero shows can use our guide to find out where they can watch the 10 best adult superhero shows on platforms like Prime Video, Max, Disney+, and more.

Daredevil (2015-2018)

Daredevil (2015) was one of the earlier Marvel shows to blend superhero action with a dark, gritty tone and mature storytelling. In the series, Matt Murdock (Charlie Cox) struggles to balance his dual identities as a lawyer and the vigilante Daredevil while the corrupt Wilson Fisk (Vincent D’Onofrio) gains power in Hell’s Kitchen. 

Daredevil is quite brutal with its unrestrained vigilante justice and moral ambiguity. The action sequences are bloody and dazzling, while the story is thought-provoking with its religious symbolism and questioning of the nature of justice. Viewers who love the MCU but want something a little darker and more complex will love Daredevil, as will those who enjoy tales of street-level heroes and vigilantes, like Watchmen and V for Vendetta.

Daredevil: Born Again (2025-Present)

Daredevil: Born Again is the long-awaited revival of the aforementioned Daredevil (2015) and sees the return of Murdock as he struggles with the decision to revive his Daredevil persona when Fisk wins the mayoral election for New York City. The revival series boasts the same dark, gritty tone of its predecessor and may even elevate the darkness a bit.

Its heightened violence is understandable as Murdock is even more conflicted in this series and unleashes his dark side. Daredevil: Born Again also delves into cop corruption and power hierarchies, while turning New York into a ruthless, lawless Gotham-esque city in a way that is reminiscent of The Batman and The Penguin. If you love Daredevil and tales of corruption and vigilantism, you’ll love the darker and even more complex Daredevil revival.

Echo (2024)

Echo was the first MCU Disney+ original series to earn a TV-MA rating. The series centers on Maya Lopez (Alaqua Cox) as she returns to her hometown and tries to come to terms with her Indigenous history and past connection with Fisk. Echo features grit, violence, and a complex personal story of growth and healing. It’s also a beautiful homage to the Choctaw Nation, as well as a unique setup for Daredevil: Born Again. 

Echo’s tone is a little less dark than Daredevil and Daredevil: Born Again. While Maya must face her dark past, there are hints of light in her family and history, as well as moments of strong comedic relief. Ultimately, fans of Daredevil: Born Again and Hawkeye will find Echo a delightful spin-off, while those seeking something dark but not quite hopeless will love its tone.

Gen V (2023-Present)

Gen V is a spin-off of The Boys, which centers on Marie Moreau (Jaz Sinclair), a supe with blood manipulation abilities whose acceptance into the superhero university, Godolkin U, goes awry when she realizes the school is hiding dark secrets. It is the perfect spin-off to The Boys, featuring the franchise’s characteristic over-the-top violence and sex and plenty of nods and tie-ins to the broader universe. 

However, Gen V also differentiates itself with its younger cast, college setting, and closer look into the dark side of powers, especially those bestowed unexpectedly on children. Gen V is an excellent choice for viewers who love the dark, thoughtful nature of Daredevil and Echo but are looking for something that gets the adrenaline pumping even more through shock factor and an over-the-top nature.

Invincible (2021-Present)

Invincible is the closest thing to The Boys that exists outside the franchise. In the series, Mark Grayson (Steven Yeun) discovers he has inherited powers from his Viltrumite father (J. K. Simmons), but his foray into the superhero world comes with some devastating truths. Like The Boys, Invincible explores superhero powers with realism, reflecting the cost of power and its corrupting nature. It differs, though, in its more hopeful tone as its protagonist is a truly good person who rebels against his father’s wishes for him. 

The series also delves a bit deeper into the sci-fi realm with its inclusion of alien species and space travel. While Invincible is often bloody and over-the-top, it lacks some of the irreverence and comedy in Gen V and The Boys, making it an excellent choice for viewers seeking something serious, brutal, and more in line with The Walking Dead, given its shared creator in Robert Kirkman.

Jessica Jones (2015-2019)

Jessica Jones is another one of the earlier, darker Marvel shows. It centers on Jessica Jones (Krysten Ritter), a private investigator and former superhero who must act when a dangerous man from her past, Kilgrave (David Tennant), resurfaces. While the series is dark and gritty, it stands out from other entries on this list due to its film noir style and elements of a mystery/detective drama.

Like Daredevil, Jessica Jones also shies away from some of the more gratuitous violence, but it maintains maturity through its psychologically twisted villain and poignant exploration of trauma and PTSD. If you love the complexity of Daredevil and the bleak tones of iconic film noirs, such as The Killers, you’ll enjoy Jessica Jones.

Peacemaker (2022-Present)

Peacemaker is a spin-off of The Suicide Squad, which focuses on the titular hero (John Cena) as he tries to avoid prison by joining A.R.G.U.S.’s black ops squad, Project Butterfly. The series is an excellent spin-off of The Suicide Squad, offering redemption to one of its most ruthless anti-heroes.

It’s just as bloody and outlandish as its predecessor, but it also boasts showrunner James Gunn’s typical heartwarming depictions of underdog heroes and found families. Peacemaker parallels Echo with a less bleak tone, while still maintaining breathtaking action and superhero brutality. It’s most reminiscent of Deadpool in that it offers violence, maturity, and some darkness, but with a little more fun and adult humor.

The Boys (2019-Present)

The Boys centers on the titular group of vigilantes, led by Billy Butcher (Karl Urban), who attempt to take down the corrupt superhero organization, Vought International. As the first series in The Boys franchise, the show has shock factor on its side. It’s one of those shows that will truly cause your jaw to drop at the unexpected twists and turns, and the way it always manages to top itself with its violence and sexual content. 

Like Gen V and Invincible, it offers realism but also imbues its story with satire in a way that makes it a relevant and thought-provoking social commentary. The Boys has a little bit of everything, including violence, sex, humor, and gritty superhero action. If you love the tone and premise of Gen V and Invincible, but are seeking even more absurdity and satire, like The Tick, The Boys is a must-see.

The Boys Presents: Diabolical (2022)

The Boys Presents: Diabolical is an animated spin-off of The Boys. It boasts an anthology format, with each episode delving into different characters and histories within The Boys universe. If you’re a fan of The Boys and Gen V, you won’t want to miss The Boys Presents: Diabolical. Each episode is just as shocking and irreverent as the live-action series, but told in a much more breezier and visually stunning 15-minute format.

It expands The Boys lore with tales of familiar and new characters, while its animated medium allows it to push the boundaries even further. Viewers seeking a cross between Invincible and The Boys will love The Boys Presents: Diabolical. 

Watchmen (2019)

Watchmen (2019) serves as a sequel to the comic book series of the same name. In the series, a racist attack on the Tulsa Police Department leads to cops concealing their identities and professions, paving the way for detective Angela Abar (Regina King) to investigate the convoluted history of vigilantism. The series does justice to the source material while expanding on its themes. It is just as entertaining and dark as the 2009 movie, but it seems to have a better understanding of the source material. 

The result is a series that is dark and unflinching in its exploration of racism, morality, patriotism, and vigilantism, reflecting society in a startling and poignant manner. Viewers seeking the dark, superhero aspects of Daredevil and Jessica Jones, along with the social commentary of The Boys, but with even more complexity and relevance, need look no further than Watchmen.

Ever since his breakthrough performance in Whiplash, Miles Teller has boasted a prominent presence on the big screen. From joining the Divergent and Top Gun franchises to starring in the Footloose remake, Teller has been entrusted with some of the most beloved franchises and classics in Hollywood.

His career continues to expand as he’s next set to star in the fantasy rom-com Eternity with Elizabeth Olsen and Callum Turner. He will also star as lawyer John Branca in the upcoming Michael Jackson biopic, Michael. Viewers interested in more of his work can use our guide to find the best Miles Teller movies on platforms like Apple TV+, Paramount+, and more.

10. Rabbit Hole (2010)

Rabbit Hole is one of Teller’s more emotionally complex roles as he portrays Jason, a teenager grappling with the guilt of being involved in a car accident that led to a four-year-old boy losing his life. Rabbit Hole is actually Teller’s first film role, but it’s hard to tell as he poignantly portrays the introspective, guilt-ridden teen, who still puts up a valiant effort to move forward and connect with the boy’s parents. His role is a vital piece of the puzzle in a story about multiple lives connected by grief. 

It’s a heavy but powerful film reminiscent of other profound works on loss, such as Tuesday and Ordinary People. The only issue is that the film sometimes seems a bit restrained in its exploration of grief, delving only into the expected marital struggles of Jason’s parents, whose poor choices and behaviors make it difficult to stir sympathy for them. Rabbit Hole does its best, but it doesn’t quite delve into the complexity and psyche of its characters as well as Whiplash or even Divergent do, which is why it takes last on this list.

9. Footloose (2011)

Footloose is a remake of the 1984 film of the same name and sees Teller take on the role of Willard, who Chris Penn portrayed in the original. Teller’s role as Willard is small but impactful, as he plays the friendly and fun-loving high school boy who overcomes his shyness and learns to dance. 

His character arc aligns well with the movie’s mission to highlight the joy that music and dancing bring to young people. Footloose will appeal to fans of the original movie, especially those eager to share their love of the film with modern audiences. However, it does struggle a bit in the shadow of its hit predecessor and may feel like an unnecessary remake to some of the original's stronger fans.

8. Divergent (2014)

Shortly after portraying lovers in The Spectacular Now, Teller and Woodley portrayed rivals Peter and Tris in Divergent. Teller tackles one of the heaviest roles of the story, as a young man who can’t suppress his violent, sadistic, and cruel side. His performance drives home the fierceness and brutality of the environment, providing the perfect backdrop to Tris’s story. 

Divergent is an intriguing, sci-fi dystopian that serves as a worthy adaptation of Veronica Roth’s book and will appeal to fans of other dystopian stories like The Hunger Games and The Maze Runner. However, it leans a little more into the YA genre and may come across as slightly shallow to those some. 

7. The Gorge (2025)

Teller earned his first executive producer credit for Apple TV+’s The Gorge, which he also stars in alongside Anya Taylor-Joy. In the film, he portrays Levi Kane, an elite sniper sent on a top-secret mission to guard a mysterious gorge. 

Part of the story is about him discovering the truth about the gorge, but a bigger part is the heartfelt tale of Kane learning to cope with his PTSD through his connection with Drasa (Taylor-Joy). Teller and Taylor-Joy’s performance and chemistry elevate The Gorge from an action-packed thriller to an enchanting and highly creative love story. For fans of both sci-fi and romance, you can’t do much better than this. 

6. Bleed for This (2016)

Bleed for This sees Teller transform into former world champion boxer Vinny Pazienza, as the film tells the incredible true story of his return to the ring 13 months after a severe spinal injury. Teller’s performance in Bleed for This parallels his performance in Whiplash, as he captures the sheer grit, determination, and passion of Panzienza. 

It boasts an excellent performance from Teller, who beautifully cycles through all the stages of vulnerability, resilience, and triumph as Panzienza. Bleed for This is a very inspiring, feel-good sports biopic that will appeal to fans of both fictional and real-life story boxing movies, ranging from the Rocky series to The Fire Inside. Although Teller delivers a phenomenal performance, the film feels somewhat contrived and fails to delve deeper than the typical inspirational comeback movie. It’s a little less thought-provoking than films like Thank You for Your Service and Whiplash that delve into grief, PTSD, the cost of greatness, and abuse with a nuanced lens, preventing it from ranking higher on this list.

5. Thank You for Your Service (2017)

Teller stars in Thank You for Your Service as one of several Iraq War veterans returning home and attempting to adjust to civilian life. He gives a powerful and empathy-evoking performance as a veteran struggling with PTSD. His performance doesn’t just capture the mental toll of war, but also the lack of help and resources for veterans. 

Thank You for Your Service is a sobering yet eye-opening film that exposes the flawed system veterans are placed in after service, evoking empathy and outrage for the situation. Viewers who enjoyed American Sniper will also be interested in this essential but complex watch.

4. Only the Brave (2017)

Only the Brave tells the heroic and tragic true story of the Prescott Fire Department’s Granite Mountain Hotshots—elite firefighters dedicated to fighting wildfires. On June 30th, 2013, 19 of the Granite Mountain Hotshots lost their lives while responding to the Yarnell Hill Fire. 

Teller stars in the film as survivor Brendan McDonough, adding another emotional layer to the movie as he heartbreakingly depicts McDonough’s substance abuse and survivor’s guilt trials, capturing both his bravery and humanity. Like Black Hawk Down and Lone Survivor, it’s an action film that honors real-life human courage and sacrifice.

3. The Spectacular Now (2013)

The Spectacular Now is a coming-of-age romance starring Shailene Woodley and Teller. However, it’s not your typical romance movie, as the series delves into a budding romance between Sutter (Teller) and Aimee (Woodley), challenged by Sutter’s substance abuse struggles and inability to settle down. 

The Spectacular Now subverts typical romance clichés and realistically portrays its 18-year-old protagonists, their struggles, and the highs and lows of their relationship. In the vein of The Perks of Being a Wallflower, it’s a film that doesn’t shy away from real problems teenagers face, but instead seeks to be faithfully representative of them.

2. Top Gun: Maverick (2022)

Teller boasts a starring role in Top Gun: Maverick, the long-awaited Top Gun sequel and one of the biggest films of 2022. He boasts one of the most critical roles in the movie as Rooster Bradshaw, the son of Maverick Mitchell’s (Tom Cruise) late best friend, Goose (Anthony Edwards). Much of the film revolves around these two men letting go of the past and accepting their connection as part of Goose’s legacy. 

Top Gun: Maverick is a worthy successor to Top Gun, capturing Maverick’s evolution and surpassing the original in breathtaking visuals and stunts. It’s a must-see for aviation enthusiasts and fans of Cruise’s stunt-laden Top Gun and Mission: Impossible franchises.

1. Whiplash (2014)

Whiplash marked Teller’s breakthrough in Hollywood and the best movie of his career thus far. He caught critics' and audiences’ attention with his emotional, convincing performance as Andrew, a passionate jazz drummer pushed to his limit by his abusive instructor Terence Fletcher (J. K. Simmons). 

Whiplash is a powerful film for music lovers or really anyone who understands the pressure of trying to achieve their dreams. It’s also for lovers of intense movies, as the film plays out almost like a psychological thriller with the intensity and suspense that arise from Simmons’s volatile and psychologically manipulative performance. Whiplash is excellent for fans of Tár, Black Swan, and other films that turn prodigy clichés on their head. Meanwhile, Teller’s relatable, moving performance and the powerful exploration of the high-pressure world of the music industry make it decisively Teller’s best film.

In the world of anime, there are animation studios, and then there’s Studio Ghibli. While it’s not the oldest anime production company in the business today, thanks to titles like Spirited Away (2001), Princess Mononoke (1997), and Howl’s Moving Castle (2004), it’s the one that most Westerners are familiar with. Whether you watched Studio Ghibli movies on Toonami in the 2000s or discovered its library on HBO Max, it is one of the most beloved animation studios in the world. It even won Oscars for its films!

Most anime fans love Ghibli for its painstaking attention to detail and its whimsical characters and worlds. No matter how you slice it, nothing can really compare to the naturalistic beauty of a Studio Ghibli movie, and no amount of AI programs can replicate how human and soft they feel. While you may know the studio for its big hits, its library spans nearly half a century worth of titles, many of which have become overlooked. So, with Ghibli Fest 2025 currently underway, let’s take a look at 10 Studio Ghibli films that are the most underrated, presented in chronological order. 

Lupin III: The Castle of Cagliostro (1979)

To some, Lupin III: The Castle of Cagliostro isn’t considered a Ghibli movie because it was released before the studio's foundation. However, Hayao Miyazaki directed it, and the film would unite many of the core creative talents that would eventually establish Studio Ghibli, so I consider it to be an important part of Ghibli’s history.

Lupin III: The Castle of Cagliostro is a simple movie in a lot of ways, filled with many classic adventure tropes like saving a princess and discovering a lost civilization. However, that simplicity is what makes The Castle of Cagliostro such a fun adventure, with a lighthearted tone that channels a dapper gentleman thief aura that is a bit more sanitized than other interpretations of Lupin III. While it may not be 100% accurate to the franchise, it makes the film great for families looking for an adventure, especially for those searching for something similar to The Bad Guys (2022). 

Nausicaa of the Valley of the Wind (1984)

Another technicality for the same reasons as The Castle of Cagliostro, Nausicaa of the Valley of the Wind is a much more ambitious film for Miyazaki. Unlike his last film, this is an original film for Miyazaki, and he went to great lengths to depict how dire everything is. It’s a coming-of-age story about a princess, Nausicaa, attempting to prevent the reactivation of a weapon of mass destruction capable of annihilating the world. 

The amount of lore present in Nausicaa is impressive, with a lot of its themes and ideas serving as direct inspiration for Princess Mononoke, Nadia: The Secret of Blue Water (1990), and Mushi-Shi (2005). The film manages to stand apart from other fantasy anime thanks to its giant monsters. These creatures, whether they be mechanical, natural, or something in between, are striking and make the climax as memorable as it is. If you like Princess Mononoke but wish that it were a bit more straightforward, then Nausicaa of the Valley of the Wind is perfect for you.

Grave of the Fireflies (1988)

Grave of the Fireflies is a tough watch. It’s one of the most down-to-earth and realistic depictions of post-World War II Japan out there, and it makes sure you’re aware of how brutal war can be. It doesn’t focus on the impact of nuclear war, like in the equally gruelling Barefoot Gen (1983), or the brutality of warfare that has become the mission statement of the Gundam franchise. Instead, it’s similar to Godzilla Minus One (2023) since it’s about what comes after and how people cope with the aftereffects of war.

The focus is on two children, Seita and Setsuko, as they attempt to find a way to survive on their own following WWII, and it’s gut-wrenching to watch solely because of what happens to them. The suffering they experience is hard to see, and there’s very little joy they experience, leading to a sad, but inevitable, conclusion. That being said, Grave of the Fireflies is so wonderfully executed that you have to respect Studio Ghibli for producing such a frank look at the horrors of war and how it impacts people. It’s not for the faint of heart, but it’s a great anti-war movie.

Kiki’s Delivery Service (1989)

This may be the most well-known underrated Studio Ghibli film because those who have seen Kiki’s Delivery Service love it. I should know, because I’m one of them. When I was young, I would watch this movie on repeat on my VHS and couldn’t get enough of it. 

Like The Castle of Cagliostro, it’s a simple movie, but instead of telling a huge adventure, it focuses on a little witch just living her life in a small town. There’s very little conflict in the film, channeling that slice-of-life energy that would become commonplace decades later, as we watch Kiki fly her broomstick, make deliveries, and play with her cat. It’s the definition of a cozy movie, and it’s perfect for anyone who wants to take a load off and just relax. If you love anime like Flying Witch (2016), Mary and The Witch’s Flower (2017), or even Frieren: Beyond Journey’s End (2023), check this one out! 

Porco Rosso (1992)

Studio Ghibli rarely does comedies, but Porco Rosso can easily be classified as one. Its premise is silly, as we follow a gruff pig captain as he gets into dogfights, tries to win the heart of his close friend, and evades the Italian Air Force. 

There’s a sense of adventure in Porco Rosso not dissimilar from Castle in the Sky (1986), or even The Rocketeer (1991) and Top Gun Maverick (2022). Porco loves to fly, and those scenes where he’s just soaring the Italian skylines are magical. It’s pretty obvious from those moments that Miyazaki loves aviation and goes to great lengths to make those scenes look as good as they do. Plus, thanks to its small but lovable cast of characters like Porco, his rival Curtis, and Porco’s assistant Fio, the chemistry between them is rock solid, making this a great adventure movie for those looking for something on the lighter side but with a snarky edge.

The Cat Returns (2002)

Who doesn’t love cats? Someone at Studio Ghibli clearly does because The Cat Returns is filled to the brim with anthropomorphic cats and is an easygoing fantasy adventure to boot. In it, a young woman named Haru is taken to a kingdom of cats and has to try to escape a forced marriage between her and the prince of cats, Lune, with the assistance of the mysterious Cat Bureau.

Many people were probably scared away from The Cat Returns because it is technically a spin-off of another Ghibli film called Whisper of the Heart (1995). However, don’t let that stop you from watching it, since the only thing you need to know from that movie is that the main character of The Cat Returns, Baron Humbert von Gikkingen, is featured in it. The Cat Returns is a fun and cheery film, with even the most serious moments coming across as fairly silly, and the bright colors really do pop when compared to some of Ghibli’s earlier library. If you liked The Princess Bride (1987) and want another fun adventure like it, then The Cat Returns will probably scratch that itch. 

The Secret World of Arrietty (2010)

There’s a real sense of magic and wonder to every shot of The Secret World of Arrietty. Every scene has a painterly charm to it, where even a cozy cottage is a fantastical world ripe for exploration. 

There’s not a whole lot of plot to Arrietty, which instead focuses on being an animation showcase for Ghibli. The art direction is to die for here and helps to make the story feel like a classic fairy tale come to life. It’s a quiet and contemplative movie that doesn’t have a lot of action in it, but it’s a story that doesn’t need action. It’s like if Kiki’s Delivery Service was crossed with Anne Shirley (1979). There’s a certain magic and nostalgic charm in watching Arrietty, but the beauty of the film is most felt in the smaller aspects of everyday life it depicts. It’s not a complicated movie, but it isn’t trying to be. It’s a brisk 94 minutes of serene cottage life that will make you want to rent a cabin in the woods. 

The Wind Rises (2013)

In a lot of ways, The Wind Rises is the embodiment of Hayao Miyazaki as a director. Unlike his earlier films, The Wind Rises is a biopic about a World War II aeronautical engineer, giving the film a unique flavor when compared to the rest of the studio’s library. Yes, Miyazaki has adapted stories before, but nothing that was rooted so firmly in reality.

Miyazaki painstakingly animates every single plane featured in the film, giving aviation enthusiasts something to fawn over. It’s also a surprisingly mature movie that is layered with plenty of depth, delving into topics like legacy, nature, and the corruption of art and beauty. Because of that, it occupies the same space as The Hunchback of Notre Dame (1996) and Fantastic Mr. Fox (2009). Yes, families can watch it, but only adults will truly appreciate it for what it truly is. The Wind Rises is a perfect encapsulation of Miyazaki as a creator and is worth watching just to get a glimpse of his core beliefs.

The Tale of Princess Kaguya (2013)

Whenever you think of Studio Ghibli, the studio’s signature character designs and art style are often among the first things that come to mind. The Tale of Princess Kaguya forgoes the studio’s signature style and instead animates the film like a watercolor painting, much like Loving Vincent (2017). 

For those who love Japanese folklore, it’s also a fairly accurate telling of the myth of the Bamboo Cutter, one of the most popular stories from the country. It’s a film that puts its artistry first, which may have resulted in it not being quite as popular as some of the more energetic movies Ghibli is known for. Still, it manages to command attention from its stunning animation alone. This results in, and I mean this without hyperbole, some of the best animated sequences ever produced, anime or otherwise. It is a hefty watch at 137 minutes, but if you had to see one Studio Ghibli film from this list, make it The Tale of Princess Kaguya.

The Red Turtle (2016)

No one would blame you if you had never heard of The Red Turtle. While technically a Studio Ghibli film, most of the creative staff are French, as are the numerous animation studios that came on to assist production. Not only that, but neither of the main figures at Studio Ghibli—Hayao Miyazaki and Isao Takahata—directed it, making it a huge outlier in the company’s library.

Whether that makes this a true Ghibli movie is irrelevant because The Red Turtle continues a lot of the same ideas that the studio is known for. Naturalistic beauty? Check. A simple yet thought-provoking narrative? Check. However, it does have its own specific quirks that make it stand out, like how the film is actually a silent movie. It’s also a decade-spanning story that dabbles in romance, making it highly unconventional. The world needs more unconventional animated movies, so The Red Turtle’s existence is appreciated.

The Texas Death Match has earned a reputation as wrestling's ultimate blood-soaked spectacle. These matches commonly churned out over 30 falls across marathon sessions, with some lasting well over three hours, before town curfews shut them down. The gruesome tradition continued into regional circuits.

Today, this type of match remains a cherished legend, in part because so few promotions dare stage them live. When they do, anything goes, and if the pinned wrestler can't react to the referee's count, the match ends. If they rise, the carnage continues until only one man (or woman) is able to remain upright.

Origins - Born in Amarillo, Forged in Blood

Before we get into specific matches that have left their mark on pro-wrestling, let's rewind to where it all began. The very first recorded Texas Death Match took place in Amarillo, Texas in the mid-1960s when Dory Funk Sr. faced off against "Iron" Mike DiBiase under his Western States Sports banner. The two engaged in a grueling battle that reportedly lasted between three and four and a half hours, with over thirty falls exchanged.

Ultimately, the town curfew forced the bout to end in a draw, and both men required medical treatment afterward. Funk Sr. reportedly needed 32 stitches. It was a brutal match template, without time limits or fall limits, where endurance, weaponry, and sheer stubbornness defined its legacy. Terry Funk later carried that tradition forward, turning it into a hallmark of hardcore wrestling in the Southern territories.

The Rules: Not Just Another No-DQ Brawl

What exactly makes a Texas Death Match a spectacle, rather than just another brawl? First off, there are no disqualifications or count-outs. Anything goes, and any weapon is fair game. A fall only counts if a wrestler is pinned (three-count) or submits. But this doesn't end the match. Instead, after each fall, the pinned wrestler is given a 10-count to get to their feet or return to the ring.

If they cannot respond to the count, the match ends, and their opponent becomes the winner. If they succeed, the match continues until someone eventually can't stand at the 10-count. In essence, it's the classic Last Man Standing stipulation, but with the extra wrinkle of requiring a pin or submission first. This formula has made the Texas Death Match a uniquely punishing storytelling device, built for ultimate closure.

The Best Texas Death Matches To Watch Right Now

Looking to check out some of the best and most entertaining Texas Death Matches? Below, we explain the who's who and what's what of some of wrestling's most famous matches. 

Ric Flair vs. Terry Funk – SuperBrawl 2000 (WCW)

At WCW's SuperBrawl 2000, Ric Flair dug deep to deliver a Texas Death Match with the legendary Terry Funk. This was gritty, rough, grind-it-out storytelling with multiple falls, brutal weapon shots, and the palpable sense that it was the passing of the torch through blood and sweat. Critics gave major props to both men's endurance, though some fans thought the pacing lagged amid the marathon structure. Still, it remains a top-tier example of how to use age and history to elevate a Texas Death Match's gravitas.

Big Van Vader vs. Cactus Jack – Halloween Havoc 1993 (WCW)

This match is considered legendary for being reckless and ridiculously unforgettable. During WCW Halloween Havoc 1993, things kicked off right from the ramp when Cactus Jack attacked Vader before the bell. What followed was chair shots to the head, bites, fan cameras as weapons, fighting through the entranceway, and even into a graveyard stage set marked RIP Vader. Cactus scored the first two falls, Vader responded with moonsaults and a DDT on a chair. Harley Race intervened with a stun gun while the referee was distracted, handing Vader the win.

Jon Moxley vs. Lance Archer - Wrestle Kingdom 14 Night 1 2020 (NJPW)

Jon Moxley and Lance Archer tore it up at one of NJPW's most prestigious events in a US Title Texas Death Match that felt like an indie horror show in wrestling boots. Forks, kendo sticks, trash can lids, and Moxley's signature Death Rider through two tables. Each weapon choice seemed to hold more meaning than simply being used as a gimmick. Moxley took the title back after Archer didn't answer the 10-count. Pacing was tight, and physical storytelling was on point in NJPW Wrestle Kingdom 14.

Mickie James vs. Deonna Purrazzo – Hard To Kill 2022 (Impact Wrestling)

In what may be the most surprising yet fitting use of the Texas Death Match format, Mickie James and Deonna Purrazzo went toe‑to‑toe in a Knockouts World Title match that delivered vicious storytelling in a violent package. Thumbtacks, tables, and even a guitar had a part to play in Impact Wrestling: Hard to Kill 2022. Purrazzo busted Mickie open with a road case, and Mickie answered by nailing Purrazzo with a guitar shot and stacked a chair and table over her opponent so she couldn't rise before the 10-count.

Leyla Hirsch vs. Diamanté - Death Before Dishonor 2024 (ROH)

At Ring of Honor's streaming-exclusive Death Before Dishonor event, Leyla Hirsch faced Diamanté in a rare ROH Texas Death Match. After several pinfalls and a few near‑falls, the match reached its end when Diamanté couldn't answer the 10-count following a piledriver through a table. Hers was a hard-earned, decisive victory that stunned the ROH faithful. Fans applauded the bold move to bring this hardcore stipulation into their women's division, while critics praised both wrestlers for their commitment to their craft.

Where To Watch The Most Famous Texas Death Matches Online

To discover more about TV shows and movies currently streaming in the US, check out the JustWatch streaming guide! You can filter your search by streaming service, genre, price, age rating, and score. Be sure to build your watchlist and receive helpful notifications on what to watch next based on your preferences!

What if you could talk with the animals? Such is the question poised by the Doctor Dolittle series of films. Based on the children’s novels by English-American author Hugh Lofting, the stories follow the titular character, an eccentric doctor who can speak with animals. 

To call the films a franchise feels disingenuous, at best. What the films encapsulate is no fewer than three attempts at making the property into a film franchise. One technically worked, though the returns diminished into oblivion as it went on. If you want to experience the totality of Doctor Dolittle on film to date, look no further than our list of every Doctor Dolittle movie and where you can find them on streaming. 

Doctor Dolittle (1967)

The first film, Doctor Dolittle, hit theaters in 1967. Starring Rex Harrison (then best known for appearing in the film adaptation of My Fair Lady), the movie adapts elements from multiple original Doctor Dolittle novels and follows the eccentric Dolittle as he attempts to prove his ability to talk to animals and clear his name after being accused of stealing a horse. Though the film’s reception was poor at the time, it became beloved in later years. The film never got a sequel but an animated series, The Further Adventures of Doctor Dolittle, made its way to television in 1970. 

Dr. Dolittle (1998)

Eddie Murphy was on something of a hot streak in the ‘90s when he dipped his toes into family-friendly films. While he still starred in more mature affairs, like Metro and Life, Murphy began featuring in all-ages properties, rebooting The Nutty Professor and lending his voice to Mulan. That same year came 1998’s Dr. Dolittle, which reimagined Dolittle as a medical doctor who had repressed his ability to speak to animals. Also starring Raven-Symoné and Kyla Pratt as Dolittle’s daughters, the film was Murphy’s biggest opening weekend until 2000’s Nutty Professor II: The Klumps. Despite the box office, though, the film received a somewhat middling reception from critics.  

Dr. Dolittle 2 (2001)

Given the success of the first film and Murphy’s hot streak with The Nutty Professor and its sequel, Dr. Dolittle 2 seemed to be an inevitability. For the sequel, Dolittle, now a renowned veterinarian thanks to his power to speak to animals, is trying to save a forest from being destroyed by a corporation by repopulating it with an endangered species. Like the first film, it also starred a cavalcade of big-name stars as animal voices, including Norm Macdonald, Steve Zahn, and Lisa Kudrow. Dr. Dolittle 2 was a modest success with a strong reception, though it failed to conquer that year’s most surprising hit, The Fast and The Furious. 

Dr. Dolittle 3 (2006)

Murphy would find himself tied to the Shrek franchise following Dr. Dolittle 2, and the property would be dormant for a few years. By 2006, the decision was made to revisit the property with a series of direct-to-DVD sequels. Neither Murphy or Raven-Symoné would reprise their roles for Dr. Dolittle 3, with the plot instead shifting to focus on Dolittle’s youngest daughter, Maya. For the film, Maya and her dog are sent to a ranch, where they use their ability to speak to animals to save it from being taken over. Like most direct-to-DVD cash-grab sequels of the era, this didn’t generate much of a reaction. 

Dr. Dolittle: Tail to the Chief (2008)

While Dr. Dolittle 3 may not have had a huge reception, it still warranted a sequel. Logically, there’s only one place left for the franchise to go at this point: politics! Dr. Dolittle: Tail to the Chief brought Kyla Pratt back as Maya Dolittle, this time attempting to get into college. In the process, she winds up recruited by the President to both help find out why his dog is attacking dignitaries after one such incident jeopardized efforts to save a rain forest. The film did not make a huge impact when it landed on DVD in 2008, but reviews were more gentle, with most giving it middling reviews and regarding it as serviceable all-ages fare.

Dr. Dolittle: Million Dollar Mutts (2009)

Obviously, after helping the President and saving a rainforest, the next logical step is to become a movie star. Dr. Dolittle: Million Dollar Mutts is the last iteration of this franchise, bring Kyla Pratt back for a final outing. This time around, Maya, wanting to skip the tedious process of going to college and getting an education, finds herself starring on a reality show under the pretense of helping animals. Million Dollar Mutts marks the end of this iteration of the Dr. Dolittle franchise, and it would be over a decade before an attempt at a new Dolittle film would find its way into theaters. 

Dolittle (2020)

For his first big outing after the MCU and Tony Stark’s death in Avengers: Endgame, Robert Downey Jr. made his way to a big-budget reimagining of the Dolittle franchise. Released in 2020, Dolittle returns to the original source material and tries to lean very hard into the fantastical nature and whimsy of being able to speak with animals. Unfortunately, all the whimsy in the world couldn’t stir interest in the film. Dolittle was a box office flop, losing somewhere between $50 and $100 million dollars. Critics were even harsher, with the film ending up with an abysmal 14% on Rotten Tomatoes. 

Where To Watch All Doctor Dolittle Movies Online

To discover more about TV shows and movies currently streaming in the US, check out the JustWatch streaming guide! You can filter your search by streaming service, genre, price, age rating, and score. Be sure to build your watchlist and receive helpful notifications on what to watch next based on your preferences!

Nathan Fillion has been a consistent presence on film and television for a quarter of a century. The son of retired English teachers, Fillion first gained notoriety when his performance as Joey Buchanan on the long-running soap opera One Life to Live got him nominated for a Daytime Emmy Award. While he found consistent roles in shows like Two Guys, a Girl, and a Pizza Place, it was his starring role as Malcolm Reynolds in Firefly that helped cement him as a cult classic star. 

Since then, the actor has anchored network TV shows and brought his unique mixture of swagger, arrogance, and charm to plenty of ensembles. Fillion has delivered many memorable performances, finding chances to deploy his talents for heroic leading men, comedic scene-stealers, and even a few memorable villains. Given his recent scene-stealing turn in Superman and with The Rookie set to return in 2026, it’s never been a better time to be a fan of Fillion. Here are the best Nathan Fillion movies and shows featuring and where you can find them on streaming services like Netflix, Apple TV+, and more!

10. Saving Private Ryan (1998)

One of Nathan Fillion’s first notable (and most memorable) film roles, his brief appearance in Saving Private Ryan as James Frederick Ryan was a great showcase of the charm and comedy that Fillion can bring to any of his roles. He briefly appears in the Steven Spielberg-directed war epic as a soldier named Ryan, whom the main platoon of soldiers mistakenly believes to be the Ryan they’re looking for. '

A painfully human narrative with some of the best action of any entry in the war movie genre, Fillion’s scene is an emotional beat that becomes unexpectedly hilarious when they all realize the truth of the situation. It’s perfectly attuned with the emotional core of the film, and a part of what makes it one of the best movies in Spielberg’s canon.

9. Justice League Unlimited (2004)

Although he only guest stars in a few episodes of Justice League Unlimited, Nathan Fillion leaves a lasting impression in the DC Animated Universe series. Fillion has played plenty of animated characters over the course of his career, with one of his most high-profile being the antagonistic business owner Sterling in Cars 3. However, his best vocal performance for an animated project might be Justice League Unlimited, an underrated classic of the 21st century superhero genre.

Coming not too long after the end of Firefly, Fillion brings back a touch of his space cowboy performance in his guest appearance as Vigilante. The cowboy-themed superhero is a minor background character for much of the epic superhero series, but Fillion’s performance in "Hunter's Moon" and "Patriot Act" lends the character a natural roughness and edge that makes him particularly compelling opposite characters like Hawkgirl and Green Arrow. While he doesn’t appear much in Justice League Unlimited, it’s a great early showcase for how well Fillion fits into a superhero story.

8. Buffy the Vampire Slayer (1997)

Nathan Fillion’s collaborations with Joss Whedon are among the better entries in the writer/directors career, with Fillion even making the leap to Buffy the Vampire Slayer before the long-running series came to an end. Fillion appears in Season 7 of the show as Caleb, the mortal champion for the seasons big bad, the First.

Caleb was a chance for Fillion to twist his natural charms for a villainous character, creating a menacing and unsettlingly pleasant preacher with an affinity for cruelty. Caleb is exactly the kind of villain that Buffy the Vampire Slayer always excels at, a compelling urban fantasy riff on the horrors of the real world. Caleb is one of the highlights of the later episodes of Buffy the Vampire Slayer, which remains a benchmark of modern television, even if elements haven’t aged the best.

7. Dr. Horrible’s Sing-Along Blog (2008)

Dr. Horrible’s Sing-Along Blog is a purposefully goofy tragic love story, using a parody of the superhero genre as an excuse to give Neil Patrick Harris and Felicia Day a musical showcase. Opposite Harris’ ambitious but sweet-hearted supervillain Dr. Horrible is Fillion’s Captain Hammer.

Fillion turns his swagger up to 11 in the role to create the most aggravating of cinematic jerks, a sexist, self-centered narcissist who seems to target Dr. Horrible less because he’s a villain and more because Hammer finds it funny to bully him. Gifted with powers and popularity that make him impervious to pain, Fillion embodies a level of privilege with Captain Hammer that’s just the right amount of awful to be hilarious. He fully commits to the performance, which helps ensure that the big comedy swings of the story fully land. Dr. Horrible’s Sing-Along Blog is an acquired taste, but fans of wacky comedies, catchy musicals, and Nathan Fillion should make sure to check it out.

6. Castle (2009)

Airing for eight seasons on ABC, Castle is the definition of a crime comfort show. The mystery series focuses on Fillion's Richard Castle, an initially self-centered but gradually heroic mystery novelist who finds himself working with NYPD Detective Kate Beckett to solve murders in New York City.

Castle was a big hit for Fillion, with the actor winning several People's Choice Awards for his performance as Richard. The series is perfect for audiences who are looking to relax with straightforward mysteries and embrace the show's long-term romantic subplot between Fillion's Castle and Stana Katic's Beckett. This is Fillion at his most romantic, especially as the dynamic between him and Katic deepens with time to become the show’s primary overarching throughline. Easy to binge and hard to quit, Castle is a great showcase of Fillion’s talents used to flesh out an initially one-note character.

5. The Rookie (2018)

Nathan Fillion’s The Rookie is a compelling and character-driven riff on the cop procedural that uses the actor’s full capabilities in effective ways. Fillion laid the groundwork for the series's success by bringing the potentially frustrating John Nolan to life. His ability to bounce off an ensemble cast and find different memorable dynamics is key to what makes The Rookie so entertaining, especially as the show embraces that larger cast to strong effect.

The series has gradually become more engaging as the other characters have been given more depth and personality, but it all orbits around Fillion, who deploys all of his likability to create a charming take on a midlife crisis. Even the show’s shift to Nolan becoming a mentor to a new class of students plays to Fillion’s strengths, letting him channel his age in a way that brings new depth to his performance.

4. Big Mouth (2017)

Fillion’s best comedic performance so far has been in Netflix’s Big Mouth, which features him as a recurring gag character. The initial celebrity crush of the intelligent Missy, Fillion, appears as a parody of himself inside the tween’s fantasies. These gags highlight the joke-a-minute tenor of the foul-mouthed but sweet-hearted animated comedy, as well as Fillion’s talent at self-deprecation and playing into his standard acting tropes.

There’s just something hilarious about Fillion representing Missy’s more innocent perspective on romance and desires, especially as she becomes more confident and intrigued by complex concepts. Fillion’s cameos in Big Mouth are among the most entertaining guest spots in the show and come with just the right amount of self-awareness to be hilarious to any of the actor’s long-term fans.

3. Firefly (2002)

Firefly and the subsequent sequel film Serenity were Nathan Fillion’s big break, cementing him as a leading man ahead of his starring roles in shows like The Rookie and Castle. The fusion of Western elements and sci-fi resulted in a cult classic for the ages, all anchored by Fillion’s Captain Malcolm Reynolds.

The outlaw space captain is a deceptively complex character, brought to life by Fillion’s often snarky, sometimes scary, and always engrossing performance. The entire cast and crew of Firefly benefit from the dynamics they find with each other to the betterment of the show’s episodic adventures, but Fillion’s performance as Mal is the standout in a strong cast that, by the time of Serenity, solidifies into one of the 21st century’s biggest fan-favorite sci-fi stories. Firefly proves how well Fillion can fit into an ensemble, especially when collaborators like Gina Torres or Alan Tudyk are on hand to match him.

2. Slither (2006)

A horror sci-fi about an alien race of slug creatures that end up on Earth, Slither is a gross-out horror for the ages that gives Fillion a perfectly ridiculous circumstance to bounce off of. His talent for playing straight-faced characters responding to absurd situations has rarely been utilized as well as it is in Slither, an early collaboration between James Gunn and Fillion that serves as a great showcase of both their skill sets. For Fillion, that means deploying just the right amount of heroic nerve and understated comic timing to make the absurd visuals really land.

Slither is an underrated modern classic of the body horror genre and a perfectly gruesome fusion of sci-fi and horror tropes that Fillion helps ground with his natural charm. It might be the best example of Fillion as a leading man, and this underrated sci-fi flick should have pushed him more into the spotlight.

1. Superman (2025)

Arguably the best use of Fillion’s comedic talents and ability to shift from smug to charming in an instant, Fillion’s performance as Guy Gardner/Green Lantern in Superman is a perfect showcase for what makes the actor such a fun presence in films and TV shows.

As one of the members of the Justice Gang (and the only person who calls the team that), Guy Gardner delivers a bunch of the film’s biggest action set pieces and silliest jokes. However, Fillion also finds a way to bring some gravitas to Guy Gardner during some charged scenes with Superman, showing off the harsher edges that Fillion has always been able to sneak into his best performances. Superman is a genuine highlight of the superhero genre, and it’s the best movie to feature Nathan Fillion in a major role.

Where To Watch The Best Nathan Fillion Movies & TV Shows Online

To discover more about TV shows and movies currently streaming in the US, check out the JustWatch streaming guide! You can filter your search by streaming service, genre, price, age rating, and score. Be sure to build your watchlist and receive helpful notifications on what to watch next based on your preferences!

Elle Fanning is quickly carving a name for herself in the sci-fi genre. One of her very first leading roles was in J. J. Abrams’ sci-fi thriller Super 8, which Fanning starred in as a teenager. From there, she continued her sci-fi career with both live-action and voice roles.

Next, Fanning is set to star in one of the biggest and most anticipated sci-fi films of 2026 as she takes over the role of Effie Trinket in The Hunger Games: Sunrise of the Reaping. Viewers interested in Fanning’s sci-fi career can use our guide to find out where to watch her best sci-fi movies, including those upcoming, on platforms like Hulu, Starz, and more.

Super 8 (2011)

Super 8 is a nostalgic sci-fi thriller from the minds of J. J. Abrams and Steven Spielberg. It’s part blast-to-the-past with its relatable tale of teens discovering the joys of filmmaking and part sci-fi action as supernatural phenomena make their way into a small town setting. The film perfectly resurrects the vibe of ‘80s movies like The Goonies, E.T. the Extra-Terrestrial, and Stand by Me. It also marks Fanning’s breakout performance, as she shines as a teen film aficionado with a vulnerable side. If one is a fan of ‘80s sci-fi or nostalgia-fueled projects like Stranger Things, Super 8 is a must-see. 

Astro Boy (2009)

Astro Boy is an animated superhero movie that packs quite the emotional punch. It’s not just the story of a robot boy, Astro Boy (Freddie Highmore), fighting crime in Metro City, but also a complex tale of a boy trying to come to terms with his identity and the knowledge that Dr. Bill Tenma (Nicolas Cage) created him to be a replacement for someone irreplaceable. The film also marks a rare voice acting role for Fanning, who brings a small but memorable role to life by voicing the feisty schoolgirl Grace. Astro Boy features cute animation and superhero action, but its most considerable merit is its thoughtful tackling of grief and memory.

I Think We’re Alone Now (2018)

I Think We’re Alone Now is a film with more subtle sci-fi components that leans into the genres of drama and romance. There’s an eerie tone to the film, which takes place in a post-apocalyptic world with few survivors. However, it’s not a film about the end of the world, but rather about two survivors, Del (Peter Dinklage) and Grace (Fanning), who form an unlikely connection. Fanning stuns as the erratic, mysterious Grace, who struggles to break through to the abrasive Del. I Think We’re Alone Now is perfect for viewers looking for a simplistic, creative movie about human connection that foregoes the flashiness of some sci-fi films.

Déjà Vu (2006)

Déjà Vu is an excellent movie for fans of the time travel subgenre of sci-fi. It’s reminiscent of Back to the Future and Twelve Monkeys in that its premise is a bit outlandish but still every bit as fun as the average time travel story. The film blends action and sci-fi, as ATF Special Agent Douglas Carlin (Denzel Washington) quite literally races against time to stop a terrorist attack. Déjà Vu is one of Fanning's earliest movies, but her minor role as a girl whose fate will be determined by Carlin’s success adds emotional weight to the movie. 

The Nines (2007)

The Nines is perfect for viewers who enjoy complex, mind-bending sci-fi films that can be challenging to interpret. Rather than a single story, the film is divided into three parts, in which the same actors portray different characters. In the end, the three stories connect unexpectedly. The film is similar to Memento, Nostalgia, and The Life of Chuck in terms of its layout and hidden connections. There’s an air of ambiguity about the movie, making it rich for viewer interpretation and analysis. The Nines is another one of Fanning’s childhood roles. She appears as Noelle, a young girl in the final part of the film who adds to the ambiguity of the ending with her cryptic, mysterious statements.

How to Talk to Girls at Parties (2017)

How to Talk to Girls at Parties is a surreal sci-fi romance. There’s quite a lot going on in the film as it blends 1970s nostalgia, punk rock, and aliens. However, it will appeal to fans of ambitious, vibrant films with unexpected premises. Fanning shines as Zan, convincingly depicting a teenage alien who has the sense of wonder of an extraterrestrial but the rebellion and angst of an average teenager. While some may find How to Talk to Girls at Parties a bit strange, it’s perfect for viewers looking for a whimsical, eccentric, and spirited sci-fi movie.

Young Ones (2014)

Young Ones is a Western sci-fi boasting a similar vibe to the Mad Max franchise, given its dystopian premise of societal collapse and the lengths humans go for survival. The world-building and visuals are impressive, while it adheres to the standard Western themes of lawlessness and vengeance. Young Ones also marks one of Fanning’s first mature roles, as she portrays a woman in a troubled marriage, conveying what it’s like to get caught between family and one’s need for survival. In addition to its gritty Western premise, Young Ones is ultimately an emotional tale of family loyalty.

Predator: Badlands (2025)

In later 2025, Fanning will join the Predator franchise in Predator: Badlands. She stars as Thia, a damaged humanoid robot with only the top half of her body remaining. However, Thia proves quite helpful for an outcast Predator (Dimitrius Schuster-Koloamatangi) as he embarks on the ultimate hunt. Based on the trailer, Predator: Bandlands leans heavily into its sci-fi components with robots, epic technology, and extraterrestrials, while Fanning is sure to dazzle as the comedic, wry, but very capable Thia.

The Hunger Games: Sunrise on the Reaping (2026)

Fanning is set to star in The Hunger Games: Sunrise on the Reaping on November 20, 2026, as a young Effie Trinket. Previously portrayed by Elizabeth Banks in the Hunger Games trilogy, Fanning is taking over the role for the prequel, much to viewers’ delight as they fan-cast her as Effie long before her official casting announcement. She’s the perfect fit for Effie’s posh, stylish, and empathetic ways. In addition to exciting casting, The Hunger Games: Sunrise on the Reaping will follow the Games of fan-favorite character, Haymitch Abernathy (Joseph Zada), in an emotional blend of dystopian sci-fi and drama.

Where To Watch Elle Fanning’s Best Sci-Fi Movies Online

To discover more about TV shows and movies currently streaming in the US, check out the JustWatch streaming guide! You can filter your search by streaming service, genre, price, age rating, and score. Be sure to build your watchlist and receive helpful notifications on what to watch next based on your preferences!

Phase Five of the Marvel Cinematic Universe was a trying time for the franchise. The reality had begun to set in that Marvel was no longer the center of the pop culture landscape. Its brand had diluted significantly due to the sheer quantity of TV shows being pumped out onto Disney+. To make matters worse, Marvel had to significantly pivot and rethink its entire cinematic universe following the allegations made against Jonathan Majors, who was slated to be the Multiverse Saga’s primary antagonist, Kang the Conqueror. 

February 2023 to May 2025 was a rough time for Marvel, one that it’s only just now trying to move past. Of course, troubled times don’t necessarily equate to bad movies, but Phase Five has the dubious honor of also including some genuine critical and commercial failures for the series. Now that Phase Five is officially completed and Phase Six is already underway with the release of The Fantastic Four: First Steps (2025), let’s take a look at each Phase Five MCU movie and rank them from worst to best. 

6. Ant-Man and the Wasp: Quantumania (2023)

You almost have to feel bad for Ant-Man and the Wasp: Quantumania. In another world, this could have been a decent mid-tier action movie like the other Ant-Man films. Sadly, it can’t hold a candle to the earlier entries. Marvel’s extensive use of CGI has always been a crippling criticism for its post-Endgame (2019) films, and that’s no more apparent than here, where virtually all of Quantumania feels like oddly composited CGI.

The lighter tone of the earlier movies has also been ditched in favor of needless world-building and setting up the next several films. This is especially galling given how Jonathan Majors’ Kang would quickly be written out of the franchise, making all of the extensive setup legitimately worthless. The sad thing is that Majors was actually pretty good as Kang, but now that Robert Downey Jr.’s Dr. Doom has been made into the MCU’s new big bad, there’s very little reason to give Quantumania a watch, except if you’re a fan of Paul Rudd and like the charm he so effortlessly exudes.

5. The Marvels (2023)

For some reason, a lot of people absolutely loathe The Marvels. While it most certainly isn’t great by any definition, it is a fun film for those looking for a superhero blockbuster ripped straight from the late ‘90s and early ‘00s. It’s simple, almost to a fault, but there are some redeemable elements to it. Iman Vellani makes a great Ms. Marvel, and it’s clear that she’s having fun in the role, which is more than can be said about her co-stars. The fight scenes utilizing the teleportation gimmick is pretty enjoyable, too. But… that’s about it.

The mercifully short hour and 45-minute length of The Marvels makes it feel like a blink-and-you’ll-miss-it movie, one that quickly sets up its conflict and just as quickly resolves it. Normally, I prefer shorter movies, but what makes this aggravating is the amount of homework someone needs to do to actually get up to speed with the plot So far, The Marvels has been the biggest box office bomb in the MCU’s history, and the only reason it’s not at the bottom is because if you remove it from the context of the MCU, it’s a perfectly serviceable action film.

4. Captain America: Brave New World (2025)

Captain America: Brave New World didn’t have to be as disappointing as it was. It’s clear from the very beginning that the film underwent extensive reshoots, and by the time it was released, enough people at Marvel seemed to have thrown their hands in the air and given up, resulting in a movie that’s all over the place. 

Nearly everything about Brave New World reeks of being focus-tested to oblivion, hardly having anything to say about any of the numerous topics it brings up. It’s a shame because the earlier Captain America films always had something to say about politics, moral/ethical issues, and the lengths a person will go to do the right thing. None of that is present here. Yes, the action is serviceable, and fans of Harrison Ford, in particular, will enjoy the pathos he mines from Thaddeus “Thunderbolt” Ross, but everything else is so aggressively mediocre. This is a true middle-of-the-road cinematic experience that die-hard MCU fans will surely enjoy, but general audience members will (and should) probably ignore.

3. Deadpool & Wolverine (2024)

You either love or hate Deadpool as a character, and there were concerns that when Disney purchased 20th Century Fox, it would try to tone down Deadpool’s R-rated sensibilities. Fortunately, that never happened, and Deadpool was allowed to be as raunchy and violent as usual in Deadpool & Wolverine.

Honestly, the casting of Hugh Jackman definitely reads as a publicity stunt, especially given how Jackman’s interpretation of the character received the perfect ending in Logan (2017). That being said, seeing a Wolverine who’s allowed to curse and murder to his heart’s content is delightful, and fans of the character will be in heaven. The dynamics between him and Ryan Reynolds’ Deadpool is what makes Deadpool & Wolverine shine, but it tends to go a bit overboard when the film pokes fun at 20th Century Fox. That will either delight fans of the X-Men movies or annoy them considering that Fox’s slate of movies has been effectively reduced to a punchline. Comedy is subjective, though, and if you liked the earlier Deadpool movies, you’ll like Deadpool & Wolverine. 

2. Thunderbolts* (2025)

Most people may have written off Thunderbolts* as a knock-off of DC’s Suicide Squad (2016), but that absolutely isn’t the case, as the film has much more to say than that cinematic misfire ever did. The concept is somewhat similar, revolving around a group of anti-heroes being forced to work together to stop a bigger threat, but the charm of Thunderbolts* lies in how it examines the inner demons of each character.

Depression, grief, loneliness, and irrelevancy are all explored, and it doesn't sugarcoat any of it, making it perfect for those seeking a darker and more mature superhero movie like The Dark Knight (2008) or Watchmen (2009). This is mostly thanks to the excellent cast assembled here, with Florence Pugh, Sebastian Stan, and Wyatt Russell doing the heavy thematic lifting. It even subverts the expected Marvel tropes in favor of telling a story that takes risks and sets up a status quo that appears interesting and exciting. It’s a shame this underperformed at the box office because Thunderbolts* is a remarkably good movie. 

1. Guardians of the Galaxy Vol. 3 (2023)

The Guardians of the Galaxy series is usually hailed as being one of the best subseries in the MCU, and while Guardians of the Galaxy Vol. 3 may not be the best entry in the trilogy, it more than delivers a satisfying conclusion to a series that got its start back in 2014. 

Viewers will have to do a bit of homework to figure out what happened between Star-Lord and Gamora, but the original story is emotionally gripping and effective. Rocket Raccoon’s past is simply heartbreaking, and Chukwudi Iwuji’s High Evolutionary is one of the most detestable Marvel villains that you love to hate in the best way possible. If you adore a good bad guy, then you need to see Guardians of the Galaxy Vol. 3. Most importantly, it offers all of the characters the happy ending they deserve, which is rare in our modern-day cinematic landscape. Thanks to the film retaining James Gunn’s signature brand of humor and characterization, like in Creature Commandos (2024), Guardians of the Galaxy Vol. 3 is a must-watch for fans of Gunn or for those who want a good sci-fi action flick, making it the best Phase Five movie in the MCU.

Establishing himself as one of cinema’s most important indie filmmakers with the one-two punch of Reservoir Dogs and Pulp Fiction, Quentin Tarantino has been using unique Easter eggs, like the fictional Red Apple cigarette brand, as a connecting motif in almost all of his films. In fact, only one of Tarantino’s movies don’t seem to have a direct connection to the others—the criminally underrated Jackie Brown, which instead is a part of the Elmore Leonard universe of films.

As reported by Esquire, Tarantino has referred to two shared universes in his films. This is the “Realer Than Real” timeline where most of his movies are set and the fictional, in-universe “Movie Universe” of shared continuity. Here is how all Quentin Tarantino movies (including upcoming films that he wrote like The Adventures of Cliff Booth) are connected through the “RTR” and “MU” timelines and what they bring to the shared Tarantino universe. 

Reservoir Dogs (1992)

Quentin Tarantino’s debut feature, Reservoir Dogs, established the RTR shared universe in ways that would only become apparent with time. A tight and tense thriller that’s perfect for fans of dramatic performances, Reservoir Dogs lays the groundwork for the universe by introducing characters like Vic Vega, aka Mr. Blonde.

Vic’s brother is Vincent Vega, one of the primary characters of Tarantino’s subsequent film, Pulp Fiction. This connection was supposed to be more pronounced in a potential film focusing on the pair, but this concept never made it past development and remains one of Tarantino’s most intriguing unfinished products. The film also slyly mentions a woman named Alabama as an associate of Mr. White, who would go on to be one of the main characters in True Romance.

Pulp Fiction (1994)

Perhaps Tarantino’s most iconic film, Pulp Fiction’s idiosyncratic script, tight direction, and strong cast make for one of the best crime dramas in cinematic history. It also serves as a major connection point between several of Tarantino’s films in the RTR universe.

Uma Thurman’s Mia mentions auditioning for an action TV show that seems to follow the same general archetypes as Kill Bill, serving as the first hint that Kill Bill doesn’t take place in the same universe as the “RTR” films. Minor Pulp Fiction characters, like Jimmie Dimmick and Captain Koon, are suggested to be related to characters from Reservoir Dogs and Django Unchained. There’s also a longstanding theory that Marsellus Wallace’s briefcase contains the diamonds from Reservoir Dogs, although the purposefully ambiguous nature of the contents leaves that open to debate even two decades later..

Inglourious Basterds (2009)

Inglourious Basterds is Tarantino’s take on the World War II epic, with one of his best ever scripts and a killer cast that elevate their war film archetypes into something truly special. Inglourious Basterds is largely removed from the RTR universe, although some theories (such as from Cracked’s After Hours series) suggest that the Basterds’ influence on real historical events explains the more violence-obsessed culture of this timeline. 

Notably, Inglourious Basterds has two direct family connections to other Tarantino films. Archie Hicox is a British agent serving behind enemy lines. He’s a far more heroic character than his ancestor, English Pete Hicox, a notorious criminal who appears in The Hateful Eight. Donny, otherwise known as “the Bear Jew,” is the most fearsome of the Basterds, and his son, Lee Donowitz, goes on to become a movie producer who appears in True Romance. 

Django Unchained (2012)

The Western revenge epic starring Jamie Foxx, Django Unchained is perhaps Tarantino’s most plainly entertaining film, with all-time great performances by Foxx, Christoph Waltz, Kerry Washington, Samuel L. Jackson, and an almost unrecognizable Leonardo DiCaprio.

Technically, the earliest film in the RTR universe, many of the characters are long dead by the events of the other movies. However, Captain Koons from Pulp Fiction’s ancestor is Crazy Craig Koons, a part of the Smitty Bacall Gang that Django helps Schultz hunt down. A similar connection is also implied with Maynard, a minor villain in Django Unchained who shares a surname with one of the villainous pawnshop owners from Pulp Fiction. Notably, both Maynards are ultimately killed by the people they tried to brutalize.

The Hateful Eight (2015)

Tarantino’s bleakest film, The Hateful Eight, is a tightly-written character study that works almost more as a play than a film. It initially doesn’t seem to have many connections to the rest of the RTR universe besides the Hicox connection to Inglorious Basterds and the consistent presence of Red Apple as a tobacco brand across the films. However, The Hateful Eight almost had one of the most concrete connections of any Tarantino film. 

The movie focuses on Major Marquis Warren, a Black bounty hunter operating in the post-Civil War era. Tarantino originally conceived of the film as a direct sequel to Django Unchained, which would have been titled Django in White Hell. As reported by Entertainment Weekly, Tarantino eventually realized the story wasn’t right for Django, so he adjusted the protagonist and created Warren.

Once Upon a Time... In Hollywood (2019)

Once Upon a Time... in Hollywood is one of Quentin Tarantino’s most grounded films, bolstered by a charming lead performance and a surprisingly deft balance of unexpected comedy, dramatic turns, and tension-filled twists. There aren’t any of the notable family connections seen in previous Tarantino movies here. Instead, the connections have been theorized to involve how history is reflected by the events of the RTR universe.

Rick Dalton’s The 14 Fists of McClusky is suggested to be the in-universe dramatization of Inglourious Basterds. It’s likely that Once Upon a Time... in Hollywood’s upcoming David Fincher-directed sequel, The Adventures of Cliff Booth, will introduce more fallout of how the altered history of the RTR universe impacts culture.

True Romance (1993)

True Romance is a grisly love story with a script by Tarantino and directed by Tony Scott. An early showcase of Tarantino’s skills as a writer, the jovial cast and Scott’s trademark slick direction make True Romance a delightfully fun crime thriller take on a meet-cute romance.

Tarantino sold the script for True Romance partly to fund his directorial debut, Reservoir Dogs. This suggests that the clearest connection between these two films is actually the very first connection that would eventually expand to become the RTR universe. While Mr. White mentions Alabama in Reservoir Dogs, she appears as one half of True Romance’s central relationship, this time getting herself and her new lover, Clarence Worley, involved in a chase with the mafia.

Natural Born Killers (1994)

Directed by Oliver Stone, the purposefully polarizing and provocative Natural Born Killers is one of Quentin Tarantino's bluntest (and darkest) films ever. The movie contains two direct connections to Reservoir Dogs through character surnames.

One of them is Jack Scagnetti, a vile police officer from Natural Born Killers who shares his last name with Mr. Blonde's parole officer, Seymour Scagnetti. There's also a TV report in Natural Killers that recounts the death of Officer Gerald Nash at the hands of the Knoxes. Two other members of the Nash family appear in other Tarantino films: Marvin Nash is the police officer who is tortured by Mr. Blonde in Reservoir Dogs, while their implied ancestor, Gerald Nash, was a member of the Smitty Bacall Gang in Django Unchained.

Kill Bill Vol. 1 & 2 (2003/2004)

While many of Tarantino’s movies take place in the RTR universe, some of them occur in a fictional, in-universe world, like Kill Bill. The “Movie Universe” refers to the Tarantino films that technically also exist in the RTR universe, entertaining the characters of other Tarantino films. This explains the more outlandish elements of the MU films, such as the stylish action and wild twists of Kill Bill Vol. 1 and Kill Bill Vol. 2.

The Viper Assassination Squad are referenced in Pulp Fiction, with Uma Thurman’s Mia seemingly up for a role that would go on to feel very similar to her character of the Bride. Sheriff Earl McGraw and his son Edgar both appear in Kill Bill, highlighting how they quietly became fixtures of the MU films. 

From Dusk ‘Till Dawn (1996)

Quentin Tarantino’s early collaboration with Robert Rodriguez, From Dusk ‘till Dawn, is also one of his wildest movies ever, a gleefully dark and campy riff on crime thrillers and vampire horror movies that has to be seen to be believed. Like Kill Bill, From Dusk ‘Till Dawn exists in the MU Tarantino universe, explaining why its supernatural elements haven’t carried over to any of the RTR films.

The biggest connection From Dusk ‘Till Dawn is the presence of Earl McGraw, who appeares in Kill Bill as one of the officers looking into the attempted murder of the Bride. The Texas Ranger appears briefly in From Dusk ‘Till Dawn’s opening act, serving as an early casualty of the Gecko Brothers. This also suggests that From Dusk ‘Till Dawn technically takes place after the events of Kill Bill in its own universe.

Grindhouse (2007)

A melding of minds between Quentin Tarantino and Robert Rodriguez, their Grindhouse double-feature of Death Proof and Planet Terror has been confirmed to exist within the MU universe. These bombastic takes on the slasher and zombie genres are grisly, brutal, and deeply entertaining, although not for the faint of heart.

The Tarantino-directed Death Proof has more concrete connections to the MU timeline than Planet Terror, which makes sense given their respective chief filmmakers. Taking up the mantle of his father, Edgar McGraw appears in Death Proof while investigating some of Stuntman Mike’s murders. G.O. Juice also appears as a distinctive brand and had previously been spotted in Kill Bill. The MU presents an interesting meta-commentary on the nature and impact of art on culture, especially as Tarantino uses it as a place to showcase levels of brutality that would be too much for his other films.

Where To Watch All Quentin Tarantino Movies Online

To discover more about TV shows and movies currently streaming in the US, check out the JustWatch streaming guide! You can filter your search by streaming service, genre, price, age rating, and score. Be sure to build your watchlist and receive helpful notifications on what to watch next based on your preferences!

Fan fiction often begins as a humble hobby, anonymous chapters scribbled in the dead of night under an online username. But some of these stories catch fire and evolve into full‑blown franchises. Anna Todd's After was one such phenomenon, transforming Harry Styles fan fiction into a film series. And E. L. James's Fifty Shades of Grey began as Twilight fan fiction before becoming a billion-dollar trilogy.

Robinne Lee's The Idea of You had fan fiction origins, too, striking a deeper chord with critics. And Ali Hazelwood's The Love Hypothesis, born from Star Wars fan fiction about Rey and Kylo Ren, is on its way to the big screen. So let's take a look at what makes these films, which can be found on streamers like Netflix, HBO Max, and Prime Video, so popular.

After (2019)

After follows Tessa Young (Josephine Langford) as she enters a tumultuous romance with brooding Hardin Scott (Hero Fiennes Tiffin). Despite narrative clichés and toxic relationship tropes that were slammed by almost everyone, the series eventually found its audience. If you're the kind of viewer drawn to raw energy, roller‑coaster emotion, and messy young adult romance, the story delivers consistent intensity.

After has fueled tons of online fan chatter and is great viewing for a lazy weekend. It might not be perfect, but the story gives off a kind of reckless honesty that's weirdly compelling. If you lovedTwilight (2008) and its passionate but chaotic vibe or the ups-and-downs of The Kissing Booth (2018), this movie is an absolutely brilliant choice.

After We Collided (2020)

Set a few years after the original film, After We Collided throws Tessa into the fallout of her relationship with Hardin. She tries to move on, only to find herself drawn back. But a new friend complicates matters. The movie leans heavily into dramatic confrontations and broodiness, which is exactly what fan fiction readers live for.

It's messy and over-the-top, but that's exactly what makes it hard to look away from. It may lack subtlety or polish, but the story gives fans an addictive mixture of longing, toxicity, and so-wrong-it's-right passion. After We Collided is ideal for viewers who crave emotional swings and enjoy seeing the drama escalate. It's an excellent choice for folks who enjoyed To All the Boys I've Loved Before (2018).

After We Fell (2021)

After We Fell deepens in story complexity. This time, Tessa prepares for her dream job in Seattle, while Hardin struggles with revelations about his family. But jealousy, secrets, and instability test their bond. Despite some mild narrative fatigue, the story managed to sustain fan engagement. At this point in the series, you're either fully in or fully out.

For most, it had enough angst and emotional escalation to justify the story, even if the plot sometimes takes a backseat to the drama showcase. If you're drawn to emotional strain and unresolved tension, After We Fell offers a "hope against all odds" trope that kind of makes it necessary viewing for fans of movies like The Notebook (2004).

After Ever Happy (2022)

After Ever Happy brings resolution to the story (or something close to it). A tragedy results in Tessa pulling away from Hardin, who is wrestling with the guilt of not being there when she needed him. They ultimately decide whether to mend their relationship or move on, punctuating toxicity with sacrifice and identity exploration.

The movie's ending might not resonate with everyone, but it contains just the right amount of catharsis to make the entire ride feel very worthwhile. After Ever Happy is perfect for viewers invested in bittersweet love stories and fans who want emotional payoff after a roller-coaster romance sort of like the film Me Before You (2016).

After Everything (2023)

After Everything closes out the saga with a quieter, more introspective tone than its predecessors. Set after the events of After Ever Happy, the film follows Hardin as he tries to make peace with his past and win back Tessa once and for all. While it trades some of the earlier films' drama for reflection, there's something refreshing about watching Hardin grow up.

The romance is more restrained, but longtime viewers will appreciate the emotional payoff. It doesn't undo the messiness of Tessa and Hardin's love story, but acknowledges it with surprising grace. After Everything is best suited for fans who appreciate character growth, reflection, and quieter moments of romance. If you enjoyed seeing couples evolve in Before Midnight (2013), you will like this.

Fifty Shades of Grey (2015)

Fifty Shades of Grey introduces us to shy college grad Ana Steele (Dakota Johnson), who is drawn into a steamy relationship with Christian Grey (Jamie Dornan), a wealthy entrepreneur with a taste for control. The film luxuriates in slow tension, whispered seduction, and glossy cinematography, offering an erotic charge that fans of the source material craved.

The dialogue falters in a few places, but the visual and atmospheric pull is very intoxicating. The movie is less about realism and more about the allure of indulgence. Despite its flaws, it started a franchise that audiences can't help but keep watching. Fifty Shades of Grey is ideal for adults looking for a glossy, erotic romance story like Secretary (2002).

Fifty Shades Darker (2017)

Fifty Shades Darker does a deep dive into Christian's backstory as Ana pushes boundaries and demands more, emotionally, spiritually, and physically. The story unfolds with richer character exploration, maintaining momentum from the first film. The relationship between Ana and Christian starts feeling more mutual, and that makes it easier to invest in.

It's still fantasy, but the story attempts to ground itself in something more than just desire. For fans of the evolving role of power in relationships, Fifty Shades Darker delivers just enough depth to keep the trilogy moving. It's a must watch for viewers invested in complex romantic dynamics similar to Cruel Intentions (1999).

Fifty Shades Freed (2018)

The trilogy concludes with Fifty Shades Freed, where Ana and Christian deal with the complexities of marriage, jealousy, betrayal, and threatening outside forces. This installment leans into the romance‑drama spectacle a lot more than the previous entries. While this movie might be the most over-the-top of the three, there's a certain joy in watching the characters find some version of peace.

It's gratifying for viewers invested in the couple's final evolution, wrapping up with style for fans committed to the ride and the eroticism. Fifty Shades Freed is a must for fans committed to seeing a romance saga through to the end, with all its drama and steamy payoff. If you love epic love stories like Twilight Saga: Breaking Dawn – Part 2 (2012), this movie was made for you.

The Idea of You (2024)

The Idea of You follows Solène (Anne Hathaway), a 40‑year‑old single mom who unexpectedly falls for 20-something‑year‑old boy band frontman, Hayes Campbell (Nicholas Galitzine), at Coachella. Unlike other films with fan fiction origins, the chemistry between its lead stars is palpable, and the mature storytelling feels thoughtful, which makes the final product more polished, with emotional resonance.

The Idea of You is also the most critically respected entry in the fan fiction turned movie genre and is a must-watch for viewers who want romance that transcends clichés while still offering a steamy, uplifting payoff. If you tend to escape to a mental fantasy world, and love Music and Lyrics (2007), you will really appreciate this film.

The Love Hypothesis (upcoming)

The Love Hypothesis will follow biology PhD candidate Olive Smith (Lili Reinhart) and her professor, Dr. Adam Carlsen (Tom Bateman), who she pretends to date only to prove that she can be in a long-term relationship. Fans of the source material can expect smart banter, slow-burn chemistry, and a fake-dating trope that plays perfectly into both academic awkwardness and simmering tension.

The movie does not have an official release date at this time, but it is tentatively expected to hit cinemas in 2026. The Love Hypothesis will likely be a great choice for romantic comedy fans who found themselves drawn to the story in The Hating Game (2021). 

For decades, Jar Jar Binks (Ahmed Best) has been one of Star Wars' most divisive characters. Making his debut in Star Wars: Episode I - The Phantom Menace, Jar Jar is depicted as a clumsy, bumbling Gungan, cast out by his tribe for his penchant for accidents and only narrowly saved by Jedi Master Qui-Gon Jinn (Liam Neeson). Unfortunately, viewers didn’t appreciate his comic relief, with critics and audiences singling him out for criticism.

However, over the years, viewers’ perception of Jar Jar has shifted dramatically. Rather than viewing him as one of Star Wars’ biggest mistakes, many are convinced he’s secretly a powerful Sith Lord.

Jar Jar Binks Sith Lord Fan Theory, Explained

The theory that Jar Jar is secretly a Sith Lord in Star Wars began with Robot Chicken, the adult animation show known for pulling off outlandish parodies of pop culture phenomena. The show produced multiple Star Wars parodies, including the 2010 episode, “Robot Chicken: Star Wars Episode III.” In the episode, Jar Jar reveals that he’s a Sith Lord and has been secretly manipulating events in the Star Wars universe, including intentionally granting Chancellor Palpatine (Ian McDiarmid) emergency powers in Star Wars: Episode II – Attack of the Clones.

Although the episode is a parody, Star Wars fans took the Darth Jar Jar idea to heart. In 2015, Reddit user Lumpawarroo posted a formal fan theory regarding Jar Jar’s Sith Lord ties to the Star Wars subreddit. The user posits that Jar Jar is an influential, manipulative figure who hid his Force powers and Sith associations behind his bumbling act. 

The user suggests that Jar Jar is using a Force-sensitive form of Zui Quan, or Drunken Fist wushu, making his movements appear sloppy and goofy to trick and disorient his opponents, even though his actions are all very intentional. The user takes things a step further to suggest that Jar Jar utilized Force Mind Control to manipulate the Star Wars galaxy.

While the user posits that everything Jar Jar did was intentional, they also suggest it never happened because George Lucas backed out due to the overwhelmingly adverse audience reactions to the character after Star Wars: Episode I - The Phantom Menace.

The Evidence For The Darth Jar Jar Theory

The Darth Jar Jar theory actually makes a good deal of sense. Given that Star Wars has always relied on the underdog trope, it’s genuinely not as outlandish as it seems at first glance. The “Chosen One” was a boy born into slavery. A farmer boy, Luke Skywalker, was the one to save the galaxy. Yoda, an unassuming member of a small, ancient species, turns out to be one of the greatest Jedi Masters of the Jedi Order. It’s always the most unassuming and most looked down upon by society who turn out to be the most important people, so why wouldn’t the same be true of Jar Jar?

Not only is the theory in line with Star Wars’ trajectory, but there’s a lot of evidence in the prequel trilogy to back it up. As mentioned above, Jar Jar is awfully, physically talented for a supposed klutz. Multiple moments throughout the Star Wars movies see Jar Jar suddenly performing inexplicable physical feats, like a 20-foot somersault or leaping over a balcony in moves resembling Force Jumps. In Star Wars: Episode I – The Phantom Menace, he leads the Gungan army in the Battle of Naboo, and many of his “accidents” appear intentionally, such as getting a blaster wrapped around his ankle and using it to fire multiple precise and perfect shots at the enemy. 

Meanwhile, his entry into the Senate can be seen as an infiltration, as there’s no way someone of his apparent low intelligence and proneness to chaos would be entrusted as a Senator. Interestingly, immediately before his promotion to Senate and before his speech imploring the assembly to grant Palpatine emergency powers, he’s seen utilizing hand gestures, which are often a tell-tale sign of Sith or Jedi mind tricks and mind control.

One also can’t help but wonder if the fact that Jar Jar and Palpatine hail from the same planet, Naboo, is a coincidence or a nod to their secret collaboration. If Jar Jar truly was manipulating the Jedi and Senate, it’s unlikely he’d fall victim to Palpatine’s manipulation. It would be more plausible that they were partners, especially since Palpatine oddly chooses to keep Jar Jar near even after he’s elected Chancellor. Had Jar Jar been a pawn in Palpatine’s game, he would have disposed of Jar Jar after getting what he wanted. Instead, he keeps him near, as if recognizing Jar Jar’s supreme power.

Is The Darth Jar Jar Theory Accurate?

The Darth Jar Jar theory has never been wholly confirmed. However, George Lucas and Ahmed Best have made statements seemingly in support of the theory. Lucas once claimed Jar Jar was his favorite character in the franchise and an important “key” to the saga. It’s hard to understand his statement if not considered in the Darth Jar Jar theory context. Meanwhile, Best acknowledged the theory and refused to either disprove or confirm it, meaning it remains a possibility.

Where To Watch Jar Jar Binks’ Movies And TV Shows Online

To discover more about TV shows and movies currently streaming in the US, check out the JustWatch streaming guide! You can filter your search by streaming service, genre, price, age rating, and score. Be sure to build your watchlist and receive helpful notifications on what to watch next based on your preferences!

The words "horror" and "free" go together like bread and butter. With thousands of horror movies spanning countless subgenres, there is always an old classic or modern marvel dropping on a free streaming service. The tricky part is mining through the vast libraries of free streamers like Tubi and Pluto TV to find that hidden gem. While investing in Shudder might make your life easier, not everyone wants (or is able) to dish out more cash for yet another subscription.

That's where JustWatch's guide comes in. Whether you're a horror newcomer in search of a welcoming entry point or a terror connoisseur looking for a scary hit, here are the 10 best horror movies streaming for free right now, categorized by some popular subgenres for your convenience.

Halloween (1978) 

Best for Slashers

For horror heads, Halloween might seem like an obvious pick. However, for those just starting their descent into the horror genre, it's a great starting point. John Carpenter, known for other genre favorites like The Thing (1982) and They Live (1988), is a master of suspense. As a result, Halloween offers plenty of slow-creeping dread that so many other slasher films lack.

What starts with Michael Myers' chilling origins on one fateful night in 1963 jumps 15 years forward to when Michael escapes a mental institution and returns to his hometown to wreak havoc. While the larger Halloween franchise has a reputation for creative kills and gore, the original movie has very little blood, making it a solid option for more squeamish audiences that don't mind a retro feel. There's a reason Halloween remains a year-round favorite, with the movie shooting to an impressive top three spot on JustWatch's streaming charts the week of Halloween. 

The Cleansing Hour (2019)

Best for Possession

If you love and respect The Exorcist (1973), then you already know that almost every possession movie to come after tries to emulate it. For fans of the subgenre, it can get tiring. That's where The Cleansing Hour comes in. Although it's got all the standard possession movie tropes, it subverts expectations with a fake demonic possession turned real—all during a live stream.

The acting is great, the specific effects are solid, and, more importantly, the story keeps you engaged from start to end. There is even a little dark humor thrown in for measure. This one will surprise you, so if you think you've seen it all, give The Cleansing Hour a try.

Society (1989)

Best for Body Horror

Society tends to give its gruesomely weird premise away in trailers and marketing, but I promise you that it's best enjoyed with minimal spoilers. All you really need to know going in is that a wealthy, Beverly Hills teenager begins to suspect his family is part of an unusual cult. Simple, right? Well, what lies at the end of Society is pure nightmare fuel.

Once a box office bomb, the movie has become a bona fide cult classic, earning a spot in the body horror hall of fame alongside the works of David Cronenberg. If you're not squeamish and like a decent little mystery, Society should be your next watch.

Let the Right One In (2008)

Best for Vampires

Based on the John Ajvide Lindqvist novel of the same name, Let the Right One In delivers the expected vampire tropes with a unique spin. Rather than featuring the tall, dark, seductive vampires inspired by Bram Stoker's Dracula, Let the Right One In places the strange yet tender relationship between a bullied 12-year-old boy and a vampire "child" at its center. With an atmospheric, cold-weathered backdrop, the movie constantly reminds you how cold and lonely vampirism can be—but also how cold and lonely being a misunderstood child can be, too.

Just as dark, twisted, and taboo as you'd expect from the subgenre, Let the Right One In will appeal to anyone who loves supernatural stories with a touch of romance, if you can even call it that. Those who struggle with subtitles (or who just want a different version of the story) should consider the American remake, Let Me In (2010), instead.  

Ju-On: The Grudge (2002)

Best for Supernatural Horror

If you're looking for a one-word descriptor of Ju-On: The Grudge, it's creepy. Takashi Shimizu's supernatural story spawned a franchise for a reason. Watching Rika Nishina (Megumi Okina) encounter the cursed spirits living in the home of the elderly woman she's assigned to care for is as dark, spooky, and haunting as you can imagine.

Those who enjoy ghost stories with creepy imagery that evokes that look-over-your-shoulder feeling will find a lot to like in Ju-On. If you struggle with subtitled films (or just want another movie with a similar vibe), you should check out Takashi Shimizu's American remake,The Grudge (2004), which, at the time of writing, is streaming for free, too. Regardless of which version you choose, watch them with the lights off.

Triangle (2009)

Best for Psychological Horror

Christopher Smith's Triangle is underrated, plain and simple. Despite its tense, twisty premise, it doesn't make a lot of mainstream horror lists. However, for those who like think pieces where nothing is quite what it seems, Triangle is a must-watch. To divulge too much about the plot would be a disservice; just know the movie kicks off with Jess (Melissa George), a single mother in desperate need of a break, whose day out at sea with her friends turns into a bizarre nightmare when she gets the uncanny sense that they're being watched.

Scary, smart, and infinitely engrossing, Triangle will not disappoint fans of psychological horror. This isn't a "second-screen" experience movie; it demands your full attention. You've been warned.

Tucker & Dale vs. Evil (2010)

Best for Comedy Horror

Sometimes, the title of "horror comedy" gets tossed on any old movie looking to excuse its B-movie flaws. However, those searching for a genuinely laugh-out-loud, high-quality horror comedy will find nothing better than Tucker & Dale vs. Evil. Trust me, I've tried.

The film pokes fun at horror movie tropes, particularly those of the "hillbilly horror" or "rural horror" variety. While the actual scares are minimal, the movie offers up some creative kills and decent gore nonetheless. The real standouts are the titular leads themselves. With all their innocence, charm, and rock-solid comedic timing, it's difficult not to fall in love with Tucker (Alan Tudyk) and Dale (Tyler Labine). If you love the meta commentary in movies like Scream (1996) and The Cabin in the Woods (2011), you're about to add a new favorite to your list.

Train to Busan (2016)

Best for Zombies

Maybe George A. Romero's Living Dead movies still have your heart, or perhaps you prefer a more modern-day feel like The Walking Dead (2010). Either way, Train to Busan won't disappoint zombie enthusiasts.

Yeon Sang-ho's masterpiece is heavy on the action, featuring fast-moving zombies that would feel right at home in World War Z (2013). As the title hints, the movie follows the passengers on a train as a zombie outbreak plunges Korea into utter chaos. And while that's all thrilling in itself, Train to Busan shines in its quieter moments, whether it's characters staring death in the face or the social commentary surrounding Korea's class division.

Rare Exports: A Christmas Tale (2010)

Best for Creature Feature

While you might want to save this one for the holiday season, Rare Exports: A Christmas Tale makes this list for its sheer uniqueness. With creature features typically dominated by werewolves, mutated animals, and vampires, this Finnish flick positions bizarre, monstrous Santas as its main antagonists. While that in and of itself isn't anything special, considering films like Krampus (2015), Rare Exports treats these wild Santa Clauses like a rare species that various world governments want to exploit.

Told primarily through the eyes of a young boy, it blends adventure, fantasy, and horror to fantastic effect. If you think you've seen everything under the creature feature sun, Rare Exports raises the bar, giving you a different type of monster to fear (or root for).

The Mist (2007)

Best for Sci-fi Horror 

For fans of sci-fi and creature features, The Mist offers the best of both worlds. After an unusual fog descends upon a small Maine town, a ragtag group of survivors stuck in a grocery store has to band together to survive the extraterrestrial monsters lurking outside. And, of course, a group of strangers working together under tense situations involves heaping loads of drama.

If you didn't already know, The Mist stems from a Stephen King short story, so expect the usual tropes and small-town New England horror present in the author's other adaptations like Pet Sematary (1989) or Misery (1990). However, just know that this adaptation is much more sci-fi. With one of the most shocking endings in cinema history (do not spoil yourself), The Mist is an easy choice for King fans or anyone craving an atmospheric, character-driven horror story. 

2025 has been one of the most plentiful and high-quality years that the anime industry has ever seen. The Spring and Summer seasons alone have been bursting with excellent shows like The Summer Hikaru Died. Frankly, anime fans are spoiled for choice in 2025. There’s just so much great new anime that, even though we’re more than halfway through the year, it’s going to be next to impossible to choose an Anime of the Year. But given how we’re approaching the Fall season, let’s stop and think of which titles could be crowned the best anime of 2025.

For the purposes of this list, we’ll mostly be looking at new and original anime that debuted this year. While fan-favorite anime like Solo Leveling (2024), Dan Da Dan (2024), and The Apothecary Diaries (2023) are great and their second seasons may be excellent, this list intends to spotlight new anime, or at the very least, spin-offs of long-running franchises. We’re also going to limit it to six recommendations, which lines up with how many nominees Crunchyroll usually includes for Anime of the Year. Plus, if you want to check out any of these titles, most of them are easily available over on Crunchyroll, too!

The Summer Hikaru Died (2025)

If you ask me which show is most likely to be Anime of the Year, I would probably say it’s The Summer Hikaru Died. Never mind the fact that it’s an excellent fusion of horror and yaoi (aka Boys’ Love). What makes The Summer Hikaru Died so compelling is how it stays with you long after you finish watching it. Maybe it’s because of the creeping small-town horror or the will-they-won’t-they romance between Hikaru and Yoshiki, but the series exudes tension so effortlessly. 

In a lesser year, there would be no debate as to whether or not The Summer Hikaru Died would be considered Anime of the Year, but 2025 is not like other years. Still, The Summer Hikaru Died should find a spot on everyone’s watch list, especially if you’re looking for a Netflix anime with a hint of Lovecraftian horror and tender LGBT themes.

Zenshu (2025)

In a season that was dominated by Solo Leveling’s second season, most Winter anime got lost in the shuffle. This is especially tragic in the case of Zenshu, a fantasy anime that’s inspired by classic fantasy adventure anime from the ’80s and ’90s. The sense of adventure Zenshu creates feels like a cross between Studio Ghibli’s Nausicaä of the Valley of the Wind (1984) and Shirobako (2014).

Zenshu is compelling to watch solely because of how it handles the numerous themes it wants to address. Sure, the animation is delightful, especially the magical girl-inspired transformation sequences, but the show’s heart lies in examining the art of storytelling. Authorial intent, the nature of endings, death, and predestination are all tackled in Zenshu in thought-provoking ways and come together to create one of the most satisfying climaxes of any anime I’ve seen so far in 2025. Zenshu is a series that’s not only perfect for those yearning for classic anime aesthetics, but for creators who love stories about stories. 

Kowloon Generic Romance (2025)

Kowloon Generic Romance is a complicated series to dissect, and that’s entirely because it's adapting virtually an entire manga in a 13-episode series. The series focuses on a woman named Reiko in the Second Walled City of Kowloon, but it quickly becomes apparent that not everything in the city is what it seems, most notably with the revelation that another Reiko was living in Kowloon, but no one seems to recall who she was.

Kowloon Generic Romance stands apart from the crowd entirely due to how it’s intended for adults. The anime feels mature, complete with a multitude of mysteries and character drama addressed in artistic and poignant ways. At points, it feels somewhat overstuffed, with plenty of blink-and-you’ll-miss-it plot points, but when the series hits, it comes across like an anime version of Severance (2022). Kowloon Generic Romance will wrap you in its odd sense of nostalgia for bygone summer days and lost loves, and no other anime this year can come close to making that claim.

Uma Musume: Cinderella Gray (2025)

The Uma Musume series has been around for nearly a decade, and while it’s been a fairly popular series in Japan with numerous Gacha games and merchandise, it was never able to break through in the West in any meaningful way. That was until Uma Musume: Cinderella Gray, which tells the story of Oguri Cap, a horse girl who is trying to be the best competitive racer of them all.

Cinderella Gray is a sports story at its heart, filled with all of the drama and twists befitting one, and would feel right at home with other sports movies like Field of Dreams (1989) and A League of Their Own (1992), just with cute horse girls! This became Prime Video’s big anime of the Spring season (Sorry, GQuuuuuux!), and the fact that it was able to explode in popularity as much as it has goes to show just how much fun and emotionally satisfying the series is. If you’re trying to find a traditional, yet unconventional, anime sports series, then you’ll have a great time with Cinderella Gray.

To Be Hero X (2025)

China has been desperately trying to break into the anime scene for years, but after years of middling successes, it finally had its first unmitigated hit with To Be Hero X. The series is a superhero anthology show that runs for 24 episodes and focuses on the stories of the top 10 heroes in Japan and how they all intersect with each other. Sometimes the connections are pretty straightforward, but other times, the series channels Rashomon (1950) by presenting scenarios from multiple characters’ perspectives to enhance the larger narrative.

What sets To Be Hero X apart from other anime is how it mixes animation styles. The series frequently shifts between some absolutely gorgeous 2D animation and 3D CG, with a mixed media intro that’s one of the year’s best. Think of the show as a love child of the animation of Arcane (2021) crossed with the spectacle of My Hero Academia (2016). The biggest strength of To Be Hero X is its world, most notably how trust and fear determine not only a hero’s status in society, but also the nature of their powers. To Be Hero X is ambitious in a lot of ways, and so far, that ambition is paying off in spades.

Takopi’s Original Sin (2025)

Depression, thy name is Takopi’s Original Sin. Despite only lasting six episodes, each episode of Takopi’s Original Sin hits with the emotional weight of a freight train, layering on trauma after trauma for each member of its small cast. The show at first appears to be a happy-go-lucky children’s show about a magical octopus coming to Earth to make people smile, but after 15 minutes, it becomes all too clear that this isn’t like Doraemon (2005) at all.

It’s a tough watch, coming with a content warning at the beginning of each episode, but it’s so well-written and gorgeously animated that you just can’t turn away from it despite the soul-crushing nature of it all. The only other anime that’s arguably just as depressing as Takopi’s Original Sin is Grave of the Fireflies (1988), which is saying something. Despite the darkness, Takopi’s Original Sin is so artistically fulfilling that it’s hard not to consider it nothing short of a must-watch anime experience.

Since his appearance in Stranger Things, English actor Joseph Quinn has become an undeniable heartthrob people want to see more of. With a solid background in period pieces, he's got plenty lined up on the backend, but it's his work going forward that's going to be so gripping to watch, primarily when he fills the shoes of the legendary George Harrison in the upcoming biopics centered on The Beatles. 

From period pieces like Howard's End to the long-anticipated Gladiator sequel, here are the best Joseph Quinn movies and TV shows, along with where to watch them on platforms such as Netflix, Prime Video, and more.

The Fantastic Four: First Steps (2025)

Picking up the fiery mantle from Chris Evans and Michael B. Jordan, Joseph Quinn stuns with unbeatable heart and easy charm as Johnny Storm in Marvel's newest spectacle, The Fantastic Four: First Steps. Bringing his natural, open-hearted approach to an already electric role is one thing, but it's another how Quinn manages to imbue the character with so much compassion when other films haven't given the hero the space to shine as poignantly. While this retro version is undoubtedly full of more emotional beats than its predecessors, it's the actors who bring something unforgettable to their embodiments. 

Stranger Things (2016)

Joseph Quinn's Eddie Munson shows up for a handful of episodes in the series' fourth season and leaves the type of mark no other guest star has managed. His wildly metal-loving passion and big heart glisten as he befriends Dustin and Chrissy and chooses to sacrifice himself after a life that wasn't all that kind to him. Still, to this day, viewers are hopeful that he'll maybe show up in the final season of Stranger Things, giving Eddie and fan-favorite characters a chance to move on with better lives.

A Quiet Place: Day One (2024)

John Krasinski's films require very little spoken dialogue, so plenty relies on the actors to convey the emotions that make the stories compelling. Such is the case with the two originals and their prequel, A Quiet Place: Day One, starring Lupita Nyong'o and Joseph Quinn. With the short amount of time we get with the characters, Quinn's Eric is easy to love, wholesome, and memorable. With a single look, he consistently shows us how caring the character is, managing to ensure that we root for him and Samira through every beat.

Gladiator II (2024)

While Joseph Quinn's role in Gladiator II isn't as big as fans anticipated it would be, he still manages to deliver something unique, proving that his range as an actor is boundless. In a complex story about twin emperors, Quinn's unlikable yet layered character, Geta, still gives us plenty to explore and understand in a film that's rooted in the idea of legacies. With a performance that's so different from what most people are used to, the actor manages to ensure that viewers see more than what's on the surface. 

Dickensian (2015)

BBC's Dickensian is an underrated and compelling treat from start to finish as a collection of Charles Dickenson characters coming together into one big spectacle. Quinn plays Arthur Havisham, one of the recognized and rebellious characters from Great Expectations. While the series is somewhat different from the books, the characters are all relatively solid representations, which, in turn, allows Quinn to bring yet another intriguing character to life with great care and nuance.

Hoard (2024)

A directorial, coming-of-age debut from Luna Carmoon, Hoard gives Joseph Quinn the chance to play the kind of character he doesn't often do. On the heels of Stranger Things, where fans may have expected more softness and charm, Quinn's Michael is instead manipulative, malicious, and not at all the type of heartthrob anyone wants around. Still, the role is further proof of Quinn's impeccable range and one worth watching to see what the actor is capable of. 

Catherine the Great (2019)

Not to be confused with The Great, Joseph Quinn's inclusion in Catherine the Great is a small but mighty role that continues to allow the actor to show off how he can blend into all sorts of pieces. It isn't every actor who's capable of taking part in period dramas on top of modern-day marvels, but this is an area where Quinn shines with his universality as he embodies Catherine's son, Paul Petrovich, the Tsarevich of Russia. Nuanced, layered, and petulant at times, Quinn nails his role in the mini-series. 

Howard’s End (2017)

Based on the novel by E.M. Forster, the mini-series Howard's End is a heartwarming exposé that examines the changing landscapes of England in the 20th century. Starring another Marvel alum, Hayley Atwell, Joseph Quinn plays Leonard Bast, a clerk. While heartbreaking and tragic at times, the limited series is a brilliant adaptation of the novel and one that gives the stars solid material to dig into and work with. 

Where To Watch The Best Joseph Quinn Movies & TV Shows Online

To discover more about TV shows and movies currently streaming in the US, check out the JustWatch streaming guide! You can filter your search by streaming service, genre, price, age rating, and score. Be sure to build your watchlist and receive helpful notifications on what to watch next based on your preferences!

Comedies are meant to drive people to laugh out loud, with clever beats and great character journeys that make the story feel layered and uplifting. It's often said that writing a drama is easier than writing comedies because determining what people will find funny isn't as easy as digging into the dark parts of the human psyche to make something relatable. Comedy is also subjective when we examine that there are people who have dry humor versus those who appreciate more on-the-nose jokes.

Netflix is especially chock-full of great comedies that are streaming right now. Whether they're now classics or newer gems that'll very likely still hold up years from now, here are 10 of the funniest comedies to choose from.

Glass Onion: A Knives Out Mystery (2022)

Rian Johnson's Knives Out (2019) is good, but Glass Onion: A Knives Out Mystery is even better. A truly excellent whodunnit and an even better comedy, rich with a time-appropriate story that takes place during the COVID-19 pandemic, the film examines a billionaire's role in our world and explores what happens when people have had enough. Since he's more grounded in the role, Daniel Craig's Benoit Blanc's dry humor shines with more nuance here, and stars like Kate Hudson and Kathryn Hahn portray characters viewers love to hate with hilarious remarks that effectively poke fun at the rich.

As isolated stories with alternating characters in each film, viewers can dive right into Glass Onion without watching Knives Out. Perfect for fans of lighthearted crime dramas, these films aren't to be missed. 

Derry Girls (2018-2022)

Lisa McGee's Derry Girls is an unmistakable treasure and one of the best coming-of-age comedies to have ever graced our TV screens. As a series loosely based on The Troubles, the waging arguments between Protestants and Catholics, as well as the teenage woes, never fail to provide ample entertainment. 

Brimming with the kind of humor that grumpy people can probably relate to best, Derry Girls mixes various personality types in the most deliciously obscure cocktail that delivers the kind of jabs that are both culturally specific and universally easy to relate to. 

Wicked Little Letters (2024)

Olivia Colman's range as an actress is a gift that keeps on giving in Hollywood, and thus far, there's nothing quite like the comedy she plays with in Wicked Little Liars. The role of Edith Swan is so different from anyone Colman has played that the period piece is bound to leave a mark for that reason alone. 

But there's one scene, in particular, toward the end that involves so much cursing, it gloriously puts a Shakespearean monologue to shame and allows Colman's prowess to glisten in the most hilariously obscure and crude manner. Perfect for viewers who not only love British humor but especially those who appreciate flowery language. 

One Day at a Time (2017-2020)

If any cancellation on Netflix still stings, it's One Day at a Time. The underrated and beautifully thoughtful comedy starring Justina Machado, Rita Moreno, Isabella Gomez, and more became a beacon of hope as a solid representation of Latine homes with unbeatable heart and exceptionally relatable humor in every single episode. 

The sitcom feels like the kind of classic gem that's both genuinely hilarious and wholesome in a way that proves that the writers wanted to do right by every line in a way that would feel organic to everyday households. It's one that holds up today, and it's surely one that people will keep turning to years from now as they discover it for the first time. Perfect for fans of Modern Family (2009), One Day at a Time is a delightfully family-focused must-watch. 

A Man on the Inside (2024-Present) 

Mike Schur has an indescribable ability to take an ordinary career or a not-so-exciting setting and make it wonderfully hilarious and undeniably wholesome. He does this with all his properties, and for the viewers who loved Ted Danson in The Good Place (2016), you'll adore the work he brings to Netflix's A Man on the Inside. Season 2 is set to release on November 20, so now's the perfect time to catch up.

A Man on the Inside is everything a comedy should be and more. It spotlights a demographic we don't get to see often, but to top things off, it gives us another cozy mystery that's especially perfect for viewers who love The Thursday Murder Club (2025). Sharp, hilarious, and deeply wholesome, it's the type of series that you'll want on replay. 

Crazy Rich Asians (2018) 

For the viewers who want an excellent romance alongside their humor, look no further than Jon M. Chu's Crazy Rich Asians. With the release of Wicked: For Good (2025) later this month, it's a perfect time to revisit the bold comedy and get a sense of what Chu is capable of when it comes to relationships as well.

More than anything, Crazy Rich Asians is not only one of the best book-to-screen adaptations we have, but it's the type of true rom-com we don't have nearly enough of. It's easily quotable, laugh-out-loud funny, and the type of film that many fans would still do anything for a sequel. Plus, it stars a number of excellent actors who make the film a must-watch. 

Hit Man (2024)

Richard Linklater's Hit Man isn't just a delicious showcase of Glen Powell's exceptional range, but it's a wildly uproarious ride that has no business being as funny and as sharp as it is. An undercover hit man thrust into an unexpected situation does indeed have all the markings to be awkwardly funny, but it's everything that comes along with the dark thriller that makes it so well-written. 

The comedy is subtle, yet it's exactly why it pairs so well with the performances and the off-the-wall narrative. Hit Man will likely stay on Netflix for a long time, and it's especially perfect for viewers who want a gripping romance woven into their comedies.

Grace and Frankie (2017-2021) 

If you're a fan of Reba (2021) and have wondered what it'd be like for the titular character and Barbara Jean to be the ones to move in together after divorce, then Grace and Frankie is an absolute must-watch for you. It's a must-watch regardless because of the impeccable performances Jane Fonda and Lily Tomlin consistently bring to the role, but still.

Grace and Frankie is a hilarious spectacle from start to finish that's expertly written to honor the characters and, more importantly, the friendship they build. There's an indescribable heart woven into every interaction that's so sincere, it makes the series even more special. In other words, it's the type of show that's so rare, we may never get anything like it again.

Brooklyn Nine-Nine (2013-2021) 

There will never be another Brooklyn Nine-Nine because there will never be another actor whose unbeatable dry wit could hit as hard as the late Andre Braugher's. Sharp, thoughtfully inclusive, and remarkably self-aware, the writing on Brooklyn Nine-Nine consistently sticks the landing because all it tries to do is honor its characters and humanity as a whole. Because of this, the show becomes 10 times funnier, allowing the jokes to turn into memes that hold relevance years after the episodes premiered.

Plus, Andy Samberg's Jake Peralta breaking into an unplanned jam session, singing "I Want It That Way" by the Backstreet Boys while trying to identify a murderer, is a brilliantly clever inclusion of pop culture jabs that feel acutely well-placed. If you loved Parks and Recreation or Superstore, Brooklyn Nine-Nine is a must-watch in every way. 

White Chicks (2004)

There are undoubtedly parts of White Chicks that don't hold up today, given conversations we have about bodies and women, but for the most part, it's a solid feature that's always worth watching for the unexpected laughs it manages to evoke. 

To this day, countless people associate Vanessa Carlton's "A Thousand Miles" with the film's characters belting the lyrics at the top of their lungs. With an incredible cast, a solid script, and thoroughly fantastic performances, there's a reason it's one of the easiest movies to rewatch. If you want an accurate depiction of early 2000s humor and antics, few films do it as gloriously as White Chicks did.