The modern landscape of animation has been full of remakes, with plenty of creatives adding their own particular flavor to older ideas. The ‘80s have a lot of characters and concepts that have been popular across generations, especially when they get multiple reimaginings or fresh takes. Similar to the way that ‘80s culture remains in vogue through shows likeStranger Things (2016), these cartoon remakes keep a certain spirit of the era alive.

The best examples of these reboots are the ones that actually take what worked in the earlier shows and improve on them. They can do this through carrying on the stories in new directions, revealing mysterious backstories, or completely changing everything. Here are the best ‘80s cartoon remakes that are actually better than the originals.

Carmen Sandiego (2019-2021) 

Beginning life as a series of educational computer games, Carmen Sandiego is a fun adaptation stemming from 1985’s Where in the World Is Carmen Sandiego? video game. However, it takes the characters introduced in the animated game shows like Where in the World Is Carmen Sandiego? (1991) and Where on Earth Is Carmen Sandiego? (1994) and reimagines them into a more straightforward espionage/action series.

The prequel explores Carmen Sandiego as a young thief who finds herself caught between the machinations of the criminal syndicate that trained her and the peacekeeping organization A.C.M.E. Audiences who prefer a mystery narrative alongside their stylized action, like Jentry Chau vs. The Underworld (2024) or Kipo and the Age of Wonderbeasts (2020), will love the femme fatale revamping of the character that animation veteran Duane Capizzi and his team deliver.

Rise of the Teenage Mutant Ninja Turtles (2018-2020) 

Teenage Mutant Ninja Turtles (1987) helped transform the jokey premise of two indie comics creators into a pop culture behemoth, with plenty of great adaptations across animation. Still, there are a lot of cool, unique elements to Rise of the Teenage Mutant Ninja Turtles that make it easy to recommend.

A more supernatural and slick take on the premise, the comic book stylings of the animation and action give this show’s more vibrant supernatural art style a distinct (but similarly effective) visual style from Teenage Mutant Ninja Turtles: Mutant Mayhem (2023). With a more ambitious sense of scale, some truly ambitious feats of kinetic motion, and surprising character exploration, Rise of the Teenage Mutant Ninja Turtles is a bit of a preferred taste, but it lands well for the kind of audience that fell in love with the artistic strengths of Spider-Man: Into the Spider-Verse (2018).

My Little Pony: Friendship Is Magic (2010-2019) 

Whereas the original My Little Pony (1986) was very much a memorable visual without any substance, Lauren Faust’s team brought a lot of life to the vividly bright and incredibly charming My Little Pony: Friendship Is Magic. Taking the broad concept presented by the original show and turning it into a wider plot that mixes high fantasy with relatable emotional stakes, Friendship Is Magic creates a new world for younger audiences (and a surprisingly energetic older fanbase).

Fueled by a similar energy that Faust would put into the chaotic, fun DC Super Hero Girls (2019), My Little Pony embraces a bombastic tone that never loses sight of the humanity at the core of these talking horses. It’s an effective improvement of the ‘80s original, adding a real sense of scope to the show.

ThunderCats (2011-2012) 

A hardcore anime-inspired reimagining of ThunderCats (1985), the 2011 adaptation of ThunderCats is a showcase for just how dramatic the millennial reboots were willing to get. While the original show leans heavily into the action beats surrounding Lion-O and his allies in their battle against Mumm-Ra, the new series ups the ante by directly adapting the cast with character design elements inspired by popular anime of the era.

If you’re looking for a more epic fantasy adventure to pair with something like The Lord of the Rings: The War of the Rohirrim (2024), then this is a good fit. If you’re someone who is looking for a show that’s more reflective of the goofy sensibilities of the ‘80s era, then ThunderCats Roar (2020) is a fun and lightweight take on the franchise that’s more in line with Teen Titans Go! (2013) than anything else.

Voltron: Legendary Defender (2016-2018) 

Voltron: Defender of the Universe (1984) is an early example of anime connecting with Western audiences, and it still inspires generations of animation to this day, not the least of which is Voltron: Legendary Defender. As the latest iteration of the franchise, the eight-season show really has the opportunity to flesh out the universe in some exciting and unexpected ways.

One of the best-reviewed shows on this list, Voltron: Legendary Defender, was a terrific success for DreamWorks and Netflix, although the Emmy-nominee faced some controversy over its surface-level LGBTQ+ representation. Fans of Voltron: Legendary Defender can see the original show as a major part of the DNA in the modern approach, alongside other giant mech classics like Mobile Suit Gundam Wing (1995). 

Scooby-Doo! Mystery Incorporated (2010-2013) 

A far cry from the more supernaturally goofy Scooby-Doo and the Ghoul School (1988) style of cartoons that defined the franchise in this era, Scooby-Doo! Mystery Incorporated might be one of the most thematically rich takes on Scooby and the gang ever.

While Scooby-Doo has been a fixture of pop culture for half a century, the mystery-solving dog and his friends have gone through plenty of reinventions over the years that largely lean silly. Mystery Incorporated is more of an overarching mystery show, taking just as many cues from Twin Peaks (1990) as A Pup Named Scooby-Doo (1988). With a lot in common with Gravity Falls (2012), Scooby-Doo! Mystery Incorporated’s dark storytelling and complex takes on the classic characters are a surprisingly effective mix for fans young and old alike.

Masters of the Universe: Revelation (2021) 

Courtesy of nerd icon Kevin Smith, Masters of the Universe: Revelation served as the astonishingly dark and surprisingly mature sequel series to the original He-Man and the Masters of the Universe (1983). The show opens with the apparent demise of both the titular hero and his long-time enemy Skeletor and only gets wilder from there.

Bolstered by a strong voice cast and a tone that sometimes felt more akin to the battle-heavy episodes of Game of Thrones (2011), this Masters of the Universe show is a far more intense experience than the original ‘80s version. However, fans who grew up with the original will likely get a kick out of Revelation’s eventual realization of that show’s mythology. Ahead of Masters of the Universe (2026), it’s worth checking out how far the animated universe was willing to take things.

She-Ra and the Princesses of Power (2018-2020) 

Devised by Nimona (2023) mastermind ND Stevenson, She-Ra and the Princesses of Power is a terrific expansion of the original He-Man spin-off show, She-Ra: Princess of Power (1985). Powered by a more diverse storytelling approach and compelling art style that blends distinct personalities and clever action, She-Ra and the Princesses of Power is an impressive five-season fantasy show that pushed the boundaries of what Netflix was willing to showcase. 

Focusing on She-Ra and gradually expanding to a larger cast of colorful heroes, the show’s true strength is in the villains. A terrific series that’s a perfect contrast to the sillier but just as epic Adventure Time (2010), She-Ra is a great fantasy epic that’s got enough family-friendly elements to make it charming for audiences of all ages, especially those who really enjoyed The Dragon Prince (2018).

DuckTales (2017-2021)

DuckTales is a modern reimagining of the Disney classic, taking all the charm of DuckTales (1987) and infusing it with a great sense of comedy, adventure, and surprisingly complex internal mythology. Filled to the brim with an amazing cast (led by David Tennant as Uncle Scrooge), the show’s commitment to worldbuilding results in a self-aware style that pokes fun at Disney tropes but filtered through a modern lens.

DuckTales is the best example of a modern cartoon remake that takes what made the ‘80s original compelling and transforms it into something special. Whether you’re a veteran DuckTales fan or a newcomer to the franchise, you will appreciate what this modern incarnation throws down.

Steven Spielberg's 1993 sci-fi adventure, Jurassic Park, which can be found on Prime Video, Apple TV, and more, brought dinosaurs back to life while rewriting the visual language of Hollywood. Adapted from Michael Crichton's 1990 novel of the same name, the story follows visionary and wildly optimistic founder John Hammond (Richard Attenborough), who invites a group of experts to sign off on his theme park before opening day.

When a disgruntled programmer shuts down the park's security systems, paleontologist Dr. Alan Grant (Sam Neill), paleobotanist Dr. Ellie Sattler (Laura Dern), and chaos theory icon Dr. Ian Malcolm (Jeff Goldblum) realize that the park's biggest flaw is the humans running it. The island slowly descends into a rain-soaked nightmare, filled with escaped raptors and a rampaging T. rex.

Jurassic Park's core premise is the idea that technology, no matter how advanced, is only as reliable as the people controlling it. And that message is exactly what makes Xfinity's reimagined version of the movie (in Super Bowl commercial form) so epic. By recreating the film's most famous moments with the original cast, familiar music, and restored visuals, the clip flips the entire story.

Xfinity's Commercial Changes An Iconic 'Jurassic Park' Scene

Thanks to a steady Wi-Fi connection, courtesy of Xfinity and a very enthusiastic tech support guy, Jurassic Park's security system is down for a fraction of a second before it boots back up again. So the fences stay on, and the nightmare never starts. Instead of Grant and Malcolm sitting frozen in their Jeep, with nowhere to go as a T. rex steps into the road, the power is restored, and the vehicle keeps moving.

The commercial works so well because the audience knows how wrong this moment is supposed to go. The ad turns one of cinema's great disaster sequences into a mild inconvenience, all because the Wi-Fi holds. But the commercial is more than just a single gag. Allan, Ellie, and Ian then enjoy everything the park has to offer, like spa treatments and taking selfies with the deadly T. rex.

That contrast is the joke. The Jurassic Park movie is built on the idea that control is an illusion. But the commercial imagines a world where control is just well-managed infrastructure. Of course, the clip knew better than to skip the most famous line in the franchise. When a very relaxed, unbothered Ian, lounging by the pool with a tablet, is asked if the signal is ok, he says, "Wi-Fi finds a way."

Nostalgia, But Make It Functional

The Jurassic Park ad works so well because it follows a very specific formula that Xfinity (and its tech cousins) have already proven effective. Take a beloved movie, identify its central problem, and eliminate it with modern connectivity. In Spielberg's E.T. the Extra-Terrestrial (1982), also on Prime Video and Apple TV, the entire emotional arc hinges on separation, failed communication, and no way to find each other.

E.T. can't contact home, Elliott (Henry Thomas) can't explain what's happening, and everything spirals from there. In the 2019 Xfinity commercial, which functions as a sequel to the film, E.T drops back into grown-up Elliot's life for a visit and is able to contact his home planet using new technology. And when it's time for him to leave, he gives Elliot's son a communication device so no one is sad.

The result is a version of E.T. that's less traumatic and easier on everyone's nervous systems. In 2018, Google released a commercial/mini-sequel to 1990's Home Alone (now on Disney+) that sees a grown-up Kevin McCallister (Macaulay Culkin) waking up alone in his childhood home. But this time the house is equipped with automation technology. So when the Wet Bandits show up, he uses voice commands to outwit them.

'Jurassic Park' Desperately Needs A Comedy Reboot

What all these ads understand is that nostalgia works best when it's not overly cynical, which is something the Jurassic Park sequels could learn from. If the original film serves as a cautionary tale about human arrogance and technology failing spectacularly, the sequels take that premise and stretch it well past its breaking point.

The Lost World: Jurassic Park (1997) throws a second island into the mix, while gifting us with Jeff Goldblum's Malcolm in his most flustered yet charming state. And Jurassic Park III (2001) leans into "dinosaurs are everywhere and nothing makes sense" territory. By the time we reach the Jurassic World entries, the plot is basically Chris Pratt running in slow motion while huge dinosaurs leap through CGI clouds.

Watching those sequels, it's hard not to think that maybe the franchise secretly wants to be a comedy. The insanity is already baked in—oversized raptors chasing tiny vehicles, genetically engineered hybrid monsters whose only motivation is to look scary, and characters who consistently make every wrong decision imaginable.

In fact, the more these films pile on ridiculousness, the funnier the premise becomes. It's easy to picture a full-length Jurassic Park comedy with Alan doing stand-up about raptor behavior, Malcolm leading a wellness seminar for stressed-out park employees, and Ellie live-streaming a dinosaur feeding. It might sound a little out there... but comedy finds a way.

For the past three decades, the Library of Congress has chosen 25 movies to add to the National Film Registry annually to honor and preserve these creative works. To make the cut, these films must have "enduring importance to American culture." While these titles are usually pretty darn good, they don't have to be the best movies ever made; they just have to be culturally significant. 

On Thursday, January 29, 2026, the Library of Congress announced this year's picks. Going as far back as 1896 to as recently as 2014, here is the complete list of movies added to the National Film Registry in 2026:

• The Tramp and the Dog (1896)

• The Oath of the Sword (1914)

• The Maid of McMillan (1916)

• The Lady (1925)

• Sparrows (1926)

• Ten Nights in a Barroom (1926)

• White Christmas (1954)

• High Society (1956)

• Brooklyn Bridge (1981)

• Say Amen, Somebody (1982)

• The Thing (1982)

• The Big Chill (1983)

• The Karate Kid (1984)

• Glory (1989)

• Philadelphia (1993)

• Before Sunrise (1995)

• Clueless (1995)

• The Truman Show (1998)

• Frida (2002)

• The Hours (2002)

• The Incredibles (2004)

• The Wrecking Crew (2008)

• Inception (2010)

• The Loving Story (2011)

• The Grand Budapest Hotel (2014)

If you're a true cinephile or rampant completionist, then you may want to watch these all. The good news is that most of these films are available on streamers like Prime Video, HBO Max, and even free services like Hoopla. However, if you're looking for a more streamlined list, here are seven of the best movies to watch from the National Film Registry's 2026 selection. While all of the films are excellent in their own right, these seven left an undeniable, much-felt mark on pop culture or spotlighted significant pieces of American history. 

White Christmas (1954)

While you might want to wait until the holiday season rolls around to watch White Christmas, this Bing Crosby and Danny Kaye vehicle is the ultimate choice for musical fans seeking cozy, winter vibes. Here, Crosby and Kaye play two World War II vets turned successful song-and-dance act who head to Vermont to help an old friend save his failing inn. Not only do iconic musical numbers ensue, but a sentimental, carefree dose of holiday cheer does as well.

White Christmas' influence and cultural significance are undeniable. It was the highest-grossing movie of 1954, with its VistaVision widescreen format delivering a vibrant, first-ever experience for audiences of the era. Top it off with spectacular performances and chemistry among the cast, and you've got yourself the ultimate comfort Christmas movie to watch each season. 

The Thing (1982)

It's hard to believe that The Thing was a critical and commercial failure upon its 1982 release. The story about a group of researchers succumbing to paranoia as an assimilating extraterrestrial creature invades their numbers is one of John Carpenter's best movies. Thankfully, like a lot of horror, it found new life among the home video market and remains a cult favorite. 

You can see The Thing's influence in everything from Futurama (1999) to The Mist (2007) and, of course, The X-Files' fan-favorite Season 1 episode, "Ice." While there are plenty of body horror scares, The Thing's true horror lies in its slow-burning, finger-clenching suspense as we watch Kurt Russell, Keith David, and the rest of the research crew battle a sinister yet unassuming force in a desolate Antarctic research station. If you're going to watch any horror movie, make it this one. 

The Karate Kid (1984)

Unlike The Thing's slow rise to fame, The Karate Kid came out of the gate swinging… pun intended. It scored high among critics, ranked it at the box office, and even earned Pat Morita a Best Supporting Actor nomination at the Academy Awards for his portrayal of Mr. Miyagi. Funny enough, The Karate Kid contains a relatively simple story about a boy learning to stand up for himself with karate, not just physically but on an emotional level, too. However, it's this simplicity that makes it so relatable. 

The Karate Kid is timeless and contains one of the most iconic mentor/mentee relationships in all of cinema. To even question its cultural impact feels laughable. After all, how many movies and shows have paid homage to its "wax on, wax off" scene? If you want an emotionally satisfying underdog story, watch The Karate Kid. 

The Truman Show (1995)

The Truman Show earned all types of critical acclaim and nominations upon its 1995 release. It stars Jim Carrey as the titular Truman, who slowly begins to realize that his entire life is the subject of a reality TV show that's been running since his birth. He doesn't have friends. He doesn't have a family. Heck, he doesn't even really have a wife. These people are just actors, specifically selected and scripted to push the narrative forward. 

If that sounds like an existential nightmare, that's because it is. The Truman Show excels at delivering satire layered through comedy, drama, and even a bit of romance. It's the ultimate mind-bending movie to put on when you want a thinker, because every little detail in this story matters. 

The Incredibles (2004)

If you like the retro-futuristic 1960s vibes of The Fantastic Four: First Steps (2025) or 2001: A Space Odyssey (1968), you'll find an animated version of that in The Incredibles. This Pixar/Disney collab follows a on-the-low-down superhero family who becomes embroiled in a conspiracy involving a fan turned villain. Winning Best Animated Feature and Best Sound Editing at the 77th Academy Awards, The Incredibles is another critically acclaimed hit from Brad Bird, the man behind other animated favorites like Ratatouille (2007) and The Iron Giant (1999). 

Mastering the careful balancing act between heartfelt family drama and high-action superheroes, The Incredibles is both fantastical and relatable. It's the perfect family movie night pick that will delight kids and keep parents entertained with deeper, more mature themes about family and coming to terms with just being ordinary.   

Inception (2010)

Christopher Nolan's movies feel tailor-made for cultural preservation. They're epic, visually distinctive, and crafted for big, showy IMAX viewings. With The Dark Knight (2008) and Memento (2000) already in the National Film Registry, it only makes sense that Inception would be, too. This twisty Leo DiCaprio-led sci-fi thriller follows a thief who infiltrates targets' minds to steal corporate information through shared dreaming. While the "dream within a dream" concept has been done before, when someone references it, this is the movie they're talking about.

The mind-bending concept is enough to keep anyone hooked, but the jaw-dropping visuals and heist action will turn them into fans. Most action movies aren't cerebral, but Inception meshes genres and tones together to brilliant effect. Nolan knows how to make a movie, and perhaps none proves it better than this. 

The Loving Story (2011)

The Loving Story sits apart from the twisty dramas, big blockbusters, and feel-good musicals on this list. Instead, it's a documentary about Loving v. Virginia, which led to a landmark civil rights decision to deem any laws banning interracial marriage as unconstitutional. It's a big deal that traces back to Richard Loving, a white man, and his wife, Mildred Loving, a woman of color. After the Lovings were convicted of violating Virginia's Racial Integrity Act of 1924, they were given two choices: prison or vacating the state. 

Thankfully, the Lovings chose a third option by filing a motion to deem the Racial Integrity Act of 1924 unconstitutional. In 1967, the Supreme Court issued a unanimous decision in their favor, and the rest is history. For those interested in history and learning more about the two people responsible for abolishing all race-based legal restrictions on marriage, The Loving Story is inspiring, emotional, and undoubtedly culturally significant. 

Yahya Abdul-Mateen II is making waves with his powerful performance as Simon Williams in the Marvel Cinematic Universe’s hit new series, Wonder Man (2026). Audiences and critics are hailing Wonder Man as one of the MCU’s best projects in recent years, largely due to Abdul-Mateen’s subtle but powerful performance, which imbues the miniseries with a personal touch and sense of heart that’s been missing from the franchise.

While many are just discovering Abdul-Mateen's talent, he has been here in Hollywood all along and has made an impression in several other major franchises. From horror to drama to superhero action, Abdul-Mateen has done just about everything in an incredibly short amount of time. If you’re eager to get further acquainted with the rising star, use our guide to find out where to watch his best TV shows and movies, ranked to the best based on project quality and Abdul-Mateen’s performance, on platforms like Max, Disney+, and more.

The Greatest Showman (2017)

The Greatest Showman marks another small but potent role for Abdul-Mateen. In the film, he portrays W. D. Wheeler, an acrobat and Anne Wheeler's (Zendaya) older brother. He’s quiet, but protective of his sister, and the pair share the same fear and desire for acceptance. The Greatest Showman was one of Abdul-Mateen’s first major movie performances, and he proves his knack for packing a lot of emotion in a short amount of time. Although Zendaya takes the spotlight, Abdul-Mateen complements her role nicely.

The Greatest Showman is an excellent watch for viewers seeking a feel-good musical, reminiscent of Wonka (2023). It features excellent characters, dazzling performances, and a strong message about acceptance and success. However, the movie often forsakes truth for a lighthearted, inspiring story. Between its historical revisionism and Abdul-Mateen’s relatively minor role, The Greatest Showman takes last place on this list.

Us (2019)

Abdul-Mateen boasts a small role in the horror film Us. In the film, he appears in flashbacks as the main character Adelaide’s (Lupita Nyong’o) father, Russel. Although it’s a small role, it’s quite impactful, helping viewers understand Adelaide’s background, including the tension between her bickering parents and their cluelessness about how to cope with her disappearance. Us as a whole is an excellent and thought-provoking horror movie. It induces the perfect amount of fear, horror, and anxiety, and is a genuinely chilling watch.

However, Us also goes beyond the typical horror movie, seeking not just to horrify audiences but to make them think about social inequality and the nature of disparity. Like Get Out (2017), Us offers a lot to think about while still delivering excellent horror. The only reason it ranks low on this list is that Abdul-Mateen’s role was so small that it’s easy to miss him.

Black Mirror (2011-present)

Abdul-Mateen appears in Season 5, episode 1 of the anthology series Black Mirror. In the episode “Striking Vipers,” he portrays Karl, a young man who begins to have a virtual affair with his friend Danny (Anthony Mackie) via the video game Striking Vipers, even though Danny is married and has a child. “Striking Vipers” is an interesting installment in the Black Mirror series, delving into love triangles and virtual infidelity, and it feels very different from other episodes that explore more intense dystopian and sci-fi concepts.

However, Abdul-Mateen and Mackie make the episode work, perfectly capturing the confusion of two men exploring their sexuality through a video game. It leaves many aspects ambiguous and raises interesting questions of infidelity, sexuality, and the ethical implications of virtual relationships. Since the episode is mainly from Danny’s point of view, though, Abdul-Mateen’s performance is a little more subdued to fit the more flat characterization of Karl.

The Handmaid’s Tale (2017-2025)

The Handmaid’s Tale season 2, episode 3, “Baggage,” marks the best guest appearance of Abdul-Mateen. He appears in the episode as Omar, a member of the resistance who secretly practices Islam and attempts to help smuggle June (Elisabeth Moss) into Canada. Although he means well, he’s torn between helping June and keeping himself and his family safe. As “Econopeople,” he and his wife have everything to lose by helping June, but they try to do so anyway.

Omar perfectly captures the struggles of someone who isn’t brave, yet still tries their best to be. His family’s story is brief, but deeply moving, as people who strive to help not just themselves but people less fortunate than them. As always, Abdul-Mateen packs a lot of emotion and power into a small role, while the episode helps propel the haunting, unforgettable world of The Handmaid’s Tale.

Aquaman (2018)

Abdul-Mateen stars in Aquaman as the villain Black Manta opposite Jason Momoa’s Arthur Curry. Abdul-Mateen brings Black Manta to life flawlessly. He adds depth to Black Manta through the emotion he infuses into his relationship with his father and the way he conveys grief. However, he also beautifully demonstrates how that grief begins to shift into a madness that more closely aligns with his comic book counterpart, packing in quite a bit of brutality and ferocity.

Still, I believe the story restricted him a bit, keeping him from going all in on the role, both to make room for the other antagonist and to keep the tone lighthearted. The lighthearted tone works well for the movie as a whole, giving Aquaman the charm and appeal of other movies like Shazam! (2019) and Blue Beetle (2023), though it leaves one feeling like Abdul-Mateen could’ve done even more as Black Manta if given the chance.

Candyman (2021)

Abdul-Mateen is the lead star of Candyman, in which he portrays an artist, Anthony, who becomes obsessed with the legend of a hook-handed killer dubbed Candyman. His performance as Anthony reminds me a lot of his performance as Wonder Man. He has a knack for playing the role of a man so dedicated to his art that it manifests as obsession and anxiety, and slowly becomes all-consuming. Of course, his unraveling goes to much greater heights in Candyman than it does in Aquaman or Wonder Man.

Abdul-Mateen adds depth and backstory to the Candyman film series while meticulously balancing a complicated character who is human, flawed, sympathetic, and terrifying all at once. However, how well Candyman resonates with viewers depends on whether they’re open to this new interpretation of the legend or if they prefer a successor that stays truer to its roots.

First Match (2018)

First Match is one of Abdul-Mateen’s most underrated movies. The Netflix film tells the story of Monique (Elvire Emanuelle), who joins her school’s boys’ wrestling team in a bid to win her father Darrel’s (Abdul-Mateen) approval. It’s a poignant, tear-jerker film that strives to capture the experiences of foster children and of those who feel they must win their parents’ approval. Abdul-Mateen offers a great performance as Darrel, turning what could’ve been a typical deadbeat father role into something more complex about a man trying to live through his daughter after giving up his own dreams.

At times, Darrel is unlikable, but at other times, viewers can see his perspective. It’s not an easy role to balance, but Abdul-Mateen pulls it off. First Match reminds me of movies like I, Tonya (2017) and The Fire Inside (2024) that capture the complicated parental relationships many athletes shoulder, but differentiates itself by offering a little more hope in the end.

Watchmen (2019)

Abdul-Mateen stars in the Watchmen miniseries as Cal Abar, Angela Abar’s (Regina King) husband and the alter ego of Doctor Manhattan. He makes a fantastic Doctor Manhattan, playing the role of a powerful, omnipotent entity with conviction. Meanwhile, he plays the kind, introspective role of Angela’s husband with equal conviction, sounding thoughtful and deep enough to give some viewers an early suspicion of his true identity. Like much of the Watchmen cast, he fleshes out the character with a complexity not seen in the 2009 movie.

Watchmen is an excellent watch if you enjoyed Candyman. Not only does it deliver on the superhero action and work well as an extension of the comic book series, but it also delivers on political and cultural commentary. Watchmen offers the social commentary of Candyman and The Trial of the Chicago 7 (2020) encased in an excellent superhero adaptation. 

Wonder Man (2026)

Wonder Man sees Abdul-Mateen take on the role of Simon Williams, a struggling actor auditioning for the role of Wonder Man while trying to conceal his real-life superpowers. Just as he did with his Candyman role, Abdul-Mateen flourishes as he makes a superpowered man surprisingly human. He really builds Simon bit by bit, establishing this startlingly sympathetic and relatable figure with anxiety, loneliness, and personal quirks.

Wonder Man avoids the pitfalls of most superhero projects by foregoing spectacle for an intimate character-driven story and centering the human experience over the superhero experience. Abdul-Mateen gets the chance to take the spotlight and go all out with his acting prowess, complemented by Ben Kingsley’s excellent performance. It’s a fantastic series and a fantastic performance, second only to one of Abdul-Mateen’s previous, even more potent roles.

The Trial of the Chicago 7 (2020)

In The Trial of the Chicago 7, Abdul-Mateen stars as Bobby Seale, one of the seven defendants arrested and charged with crossing state lines for participating in an anti-Vietnam War protest. The film is a riveting dramatization of one of the most infamous trials in U.S. history. It’s a sharp, intense, and startlingly relevant courtroom drama that keeps you on the edge of your seat. However, it's Abdul-Mateen’s role as Bobby that largely gives the film its depth and power.

He shines as the intelligent, unbreakable Bobby, though the disparity in his treatment compared to the other defendants makes for some of the movie's most sobering, harrowing scenes. Abdul-Mateen portrays Bobby with the utmost delicacy, telling his story, but while ensuring viewers come away knowing his strength and dignity. With an intense courtroom drama to rival the likes of 12 Angry Men (1957) and a standout performance from Adul-Mateen, The Trial of the Chicago 7 is his best movie.

Critics and casual viewers aren't always in agreement with many movies or even TV shows. We have specific elements that we search for in every film, while audience members have the luxury of simply watching something for its means of providing entertainment and/or escapism. However, some movies are truly so sensational—so significant in all that they convey that our diverging opinions tend to morph into the unanimous agreement that they're a masterpiece. Plus, a classic is a classic for a reason. 

There are a number of brilliant movies worthy of being called a ‘masterpiece,’ and it's high time you cross them off your bucket list. From It's a Wonderful Life (1946) to Citizen Kane (1941), here are some inimitable films that are undoubtedly worth watching, as well as where you can stream them on platforms such as Prime Video and more.

It’s a Wonderful Life (1946)

There are very few movies in the world that have the ability to make everything genuinely feel like it'll be okay for a moment, and how Frank Capra's It's a Wonderful Life achieves this by being wholly evocative and never once saccharine is something that there are still very few words for. It is, singlehandedly, the greatest movie of all time, and I know some people have yet to watch it because I'm constantly still badgering them to do so. 

Wholesome, warm, hilariously charming, and deeply vulnerable, it's an account of how one man's life can have a tremendous impact. James Stewart delivers a perfect performance, and the importance of its message being something we all consistently need is why it's on yearly rotation during the holidays. There are few movies quite like it, and if you want something that's guaranteed to make your heart feel a little okay by the end, you won't regret it, even if it's a rewatch. 

Citizen Kane (1941)

I'm not going to pretend that Citizen Kane is one of my favorite movies, but I can completely recognize its significance in filmmaking and how its unique approach revolutionized so much for the industry. There's a reason the film is crowned as number one for so many people and on so many charts. Its vast legacy is entirely because of how much it effortlessly shines with its sharp screenplay, innovative directing, and the grounding performances. 

In many ways, telling the story of a man after he passes can indeed require a lot of telling. But a large part of the reason Citizen Kane is so revered is because of what it shows us. How the duality of the word "Rosebud" brings the entire story full circle and represents so much. It's the type of movie that's fully in a league of its own, and that's not a hyperbole. Whether you like it or not, there's no denying its greatness.

12 Angry Men (1957)

The first time I watched 12 Angry Men, I couldn't sit still. At some point, I stood up because everything was so tense, and I'm pretty sure I didn't sit back down until the credits began to roll. 12 Angry Men isn't just perfect for people who love courtroom dramas, but it's the blueprint for them, and the type of movie that's so rich in its themes, you could write a whole dissertation on its subject matter.

The astounding screenplay is one part of its greatness, but the performances and directing from Sidney Lumet are what heighten the stakes and keep you glued to the screen. Arguing and debates aren't new to fiction, nor were they exactly revolutionary at the time, yet the careful decision to rely on sharp dialogue is precisely what makes it such a strong showcase of how conversations can effectively guide the plot and stick the landing. There are few films like it, and that's ultimately a testament to its excellence.

The Godfather (1972)

While many people know The Godfather and can likely recognize quotes that have been used in pop culture since its release, there are still too many in the world who have yet to see it. And whether mob-based narratives are your jam or not, it's the type of masterpiece that deserves watching at least once for how it explores complicated family dynamics and the idea of the American dream.

As critics, it may seem as though we throw around words like ‘cinematic masterpieces’ too often, but in every way where it matters, The Godfather is a visual feast. It features one of the most brilliantly captured final shots of all time, and the performances never once feel like caricatures. These two factors alone make it a must-watch, even if you don't find yourself wanting to revisit it or continuing with the films that follow.

To Kill a Mockingbird (1962)

Book-to-screen adaptations are rarely categorized into best-of lists by scholars and purists who believe a film simply cannot capture the entire essence and all the minute details of the book. Yet, anyone who says that about To Kill a Mockingbird is simply wrong (and I can vouch for this as someone with an MFA in English Literature, too.) 

Yes, To Kill a Mockingbird is a complex story to adapt, but the movie does a brilliant job of capturing its themes in the loss of innocence and racial injustices. In large part, Gregory Peck's tremendous performance is one of the reasons why, and the screenplay delivers on all fronts as it ensures that we have a full grasp of the story in all its glory. It’s perfect for anyone who wants something that's both a coming-of-age story and a masterclass in exploring courtroom procedures. 

Rear Window (1954)

When it comes to Hitchcock movies, Psycho (1960) is likely the one most people think about and know. But Rear Window (with a 99% Rotten Tomatoes score) is his true masterpiece, written and directed to perfection with an indescribably brilliant performance from James Stewart. He's almost unrecognizable from how most people might know him in It's a Wonderful Life, yet it's undoubtedly one of the movies that shows off his range most impeccably.

Rear Window explores similar themes to Hitchcock's other films, but the humanity in how the story is told through L.B. Jefferies' point of view is exactly what makes the unveiling of events so compelling to us as the audience. We're getting everything in real time, which builds on the tension and adds a layer of intrigue that couldn't have been captured if we didn't feel as trapped as he does inside his apartment. Every simple decision feels surprisingly innovative, making it a must-watch on all fronts if you love suspenseful thrillers. 

Saving Private Ryan (1998)

There are a number of historical war films out in the world, and there will likely be many more to come, so it can be daunting to watch them all when the subject matter is rarely easy to swallow and can often be deeply upsetting. But if you have to choose one, Steven Spielberg's Saving Private Ryan is a known masterpiece for countless reasons, and one of them is the realistic portrayal that makes it even more challenging to watch for viewers who might be squeamish. 

Still, it's worth trying to bear witness to the sensational performances, the brilliant score, and the themes of sacrifice that put much into perspective. Spielberg is known for impeccable and revolutionary visuals, but everything he accomplishes in Saving Private Ryan is unlike anything else in his filmography. A masterpiece through and through for its gripping means of locking you in right from the start and making it impossible to look away. 

Paddington 2 (2017)

Paddington 2 feels like a movie that doesn't belong on this list, but that's almost exactly why it does. Because it is a masterpiece, from start to finish, and its 99% Rotten Tomatoes score proves it. And still to this day, there are way too many sleeping on its perfection because they think it's some silly kid's movie when it's a tour-de-force in delivering a profound message through a simple, transparent lens.

Often, the type of movies that end up on lists like this are dark and dreary, but Paddington 2 is the blanket we all need amid the heavy emotions to remember that there's joy after heartbreak and the people around us can help us heal from our struggles. It's about friendship, found families, and kindness above all things, which is still a universally needed reminder. Perfect for viewers of all ages, it's a must-watch if you grew up loving The Many Adventures of Winnie the Pooh (1977). 

Good Will Hunting (1997)

If the late and legendary Robin Williams is in a film, it's a guaranteed masterpiece. There's no question about it. But Good Will Hunting is also sensational because of Matt Damon's brilliant performance, and how profoundly admirable the screenplay from Damon and longtime collaborator Ben Affleck is (there's something to be said about how Damon has two fantastic performances; Good Will Hunting being one, and Saving Private Ryan being another.)  Many people have likely heard of it, but too many are still sleeping on its tremendous significance in film. 

It's a story that's all heart in a way that's fully indescribable. Good Will Hunting beautifully portrayed the importance of therapy, overcoming trauma, and the need for healing in a time when it wasn't discussed with as much nuance as we do today. If you appreciate a show like Shrinking (2023), then you're bound to love how Good Will Hunting explores second chances at life in a manner that makes it a must-watch for all kinds of viewers. Honest and profound from start to finish, it still holds up remarkably well. 

Singin' in the Rain (1952)

If you've watched and loved La La Land (2016) but are somehow still sleeping on the most iconic musical of all time, then I'm begging you to rectify this immediately. Singin' in the Rain isn't just a breathtaking and utterly mesmerizing musical, but it's so well done that, in many ways, it's the archetype for how to deliver a joyously profound narrative through song. 

With perfect performances from Debbie Reynolds, Gene Kelly, Donald O'Connor, and the whole cast, there are genuinely so few musicals like it. There are great ones, sure, but how the movie brilliantly captures the joy and need for creativity is something that's guaranteed to have a lasting impact on anyone who wants to make something for themselves. The process of showcasing how filmmaking changed and why music matters is still something I have very few words for. It's special in more ways than one and a tremendous accomplishment in honoring much of what Hollywood movies stand for.

Video games have come a long way since their inception. At first seen as being only for nerds and social outcasts, video games have exploded to become the most dominant form of entertainment on the planet. Obviously, this led to a lot of movie and TV video game adaptations over the years, with some becoming billion-dollar hits, and others becoming some of the worst films of all time.

Most of these awful adaptations come from the ‘90s, a time when video properties were easy to acquire and adapt for a cheap cost. And of those terrible ‘90s video game movies, Double Dragon (1994) is often considered one of the worst. It’s a bizarre film in plenty of ways, and now it’s available to watch on JustWatch TV. If you’re tilting your head at why that’s a good thing, it’s because Double Dragon is one of the best worst movies from a decade absolutely stuffed to the brim with them. If you haven’t seen it, then you’re in for a wild ride.

What Is ‘Double Dragon’ About?

Double Dragon, as a franchise, has always been a bit of a mess. While the original 1987 arcade beat’em up is a stone-cold classic, most of the games afterward varied in quality and had little to do with each other. The only thing that’s somewhat consistent between each game is that they star two brothers, Billy and Jimmy Lee, who use their martial arts skills to save the day.

The film focuses on Billy and Jimmy, but it’s everything else that makes Double Dragon completely deranged. Instead of following Billy and Jimmy’s rescue of the girl they both have a crush on from gangsters, like in the original game, the movie tries to do its own thing. Here, Billy and Jimmy have to protect an amulet from a weeaboo businessman who looks like a parallel universe Vanilla Ice, played by Robert Patrick. This amulet contains untold magical powers (because every amulet always has some mysterious magical power), and if Robert Patrick unleashes its power, he can take over the world.

He is an evil businessman after all. That’s really all they want to do any day of the week. So, obviously, the only ones who can stop him are two teenagers. (Power Rangers (1993) logic at its finest.)

How Bad Is ‘Double Dragon’?

Double Dragon’s premise is a bit wild, but most video game premises are silly when you say them out loud. I mean, just look at Sonic the Hedgehog (2020). It’s about a blue rat who runs fast, outwitting a scientist who looks like an egg. Still, Double Dragon’s execution is exceptionally bizarre. 

For some unknown reason, the film is a post-apocalyptic action movie. It takes place in the lawless hellscape that is 2007 Los Angeles, where a gigantic earthquake obliterated the city. Don’t you remember it? It was the same earthquake that encouraged gangs of cartoonish crooks who look like rejects from The Warriors (1979) to roam the streets at night and be mildly inconvenient to anyone they encounter. I mean, the rampant destruction and gangsters made LA look like Escape From L.A. (1996), which itself was set in the post-apocalyptic hellscape of 2013 Los Angeles, but that temporal paradox is besides the point! 

You would think that such a gritty presentation would lead to some action worthy of its PG-13 rating, but you couldn’t be further from the truth. Double Dragon was intended to be a kids’ movie in the same vein as Teenage Mutant Ninja Turtles II: The Secrets of the Ooze (1991). After all, the biggest threat to these macho gangsters is a literal group of children ninjas. Are they intimidating? Absolutely not. The kids from 3 Ninjas (1992) would mop the floor with these toddlers turned ninjas, and watching Billy and Jimmy try to save the day from Weeaboo Vanilla Ice is deeply humiliating for Robert Patrick. This is the same man who, three years ago, played the deeply serious and stoic T-1000 in Terminator 2: Judgment Day (1991). Now, he’s begging a teenager not to beat him up.

‘Double Dragon’ Is The Ultimate Guilty Pleasure Movie 

Tonally, Double Dragon is all over the place, but that’s precisely what makes it such a weirdly fun watch. It is cheesy and corny in a way that only a video game movie from the ‘90s can be. The mismatched setting and tone never fail to get a chuckle out of audiences, regardless of whether you’ve ever played the games or not. The fact that this movie got a PG-13 rating was a death blow to its long-term success, because it truly is ideal for young children, probably seven and under. The bright colors, weird character designs, and nonsensical plot turns are all lighthearted and fun, even if they’re not really authentic to the rest of the franchise. 

Films like that were par for the course in the ‘90s. In all honesty, the same problems that plagued Double Dragon also plagued its contemporaries, most notably Super Mario Bros. (1993) and Street Fighter (1994). All three films are cut from the same cloth, with wildly different interpretations from their source material that really don’t work, but are still guilty pleasures. Double Dragon just isn’t as popular as those infamous bombs, so it doesn’t get the recognition that it deserves.

Double Dragon is a hokey and inherently silly 96-minute action movie that you should watch if you have little kids or just want a strange mix of ‘90s action tropes and kids’ movie shenanigans.

Sam Raimi has been a revolutionary figure in film, with the unique elements of the director’s movie-making style influencing countless directors from around the world. Having perfected a goofy sense of campy humor only matched by his love for gross-out horror and compelling characters, Raimi’s films have run the gamut of genres from bold IP adaptations like Oz: The Great and Powerful (2013) to much more low-key affairs. The trick is that all of them have felt unavoidably his, and have almost all been great.

The best of Sam Raimi’s work includes some of his earliest films, as well as modern entries into his canon like Send Help (2026). From broadly appealing superhero fare to some of the bleakest horror stories you’ll ever see, here are the best Sam Raimi movies, ranked. Find them on streamers like HBO Max, Netflix, and more. 

10. Spider-Man (2002)

One of Sam Raimi’s most famous films by sheer virtue of being arguably his biggest blockbuster, Spider-Man indulges in all the filmmaker’s unique quirks while still being a terrific and broadly appealing adventure. Coming out amid a slew of big hits for Marvel, like Blade (1998) and X-Men (2000), Spider-Man laid the groundwork for the cinematic superhero resurgence that would come with the Marvel Cinematic Universe.

Raimi uses his goofy sensibilities to great effect by adapting the tone of early Spider-Man comics and creating an occasionally campy and thoroughly entertaining experience. While the cast is still figuring itself out and lacks the immediate charm of the central trio in Spider-Man: Homecoming (2017), the film has a secret weapon in Willem Dafoe and J.K. Simmons, both of whom bring all their gravitas and comedic timing to all-time great incarnations of Green Goblin and J. Jonah Jameson. While it’s a delightful action film, Raimi’s filmography is so stacked that it can only crack the top ten.

9. Army of Darkness (1992)

As the third entry in the Evil Dead series, Army of Darkness is a rip-roaring and wacky good time. Played by Bruce Campbell in one of cinema’s most gloriously over-the-top performances, Ash Williams finishes his evolution from horror movie protagonist to B-movie hero in a fantasy horror adventure that feels attuned to Duck Soup (1933) just as much as the legends of King Arthur.

While it might not be the right fit for those seeking a straight-faced dramatic fantasy, Army of Darkness has a blast being what it is, deploying Raimi’s sensibilities on the genre like a shotgun blast from a time-displaced Ash’s “boom stick.” Fans of Ash vs. Evil Dead (2015) need to check out this film to see where the character established his true core.

8. A Simple Plan (1998)

One of Raimi’s more dramatic films, A Simple Plan is more of a straight thriller than anything else the filmmaker has ever done. Still, his unique directorial style bleeds through. Similar in approach to Shallow Grave (1994) or Fargo (1996), the film presents regular people with a temptation—this time in the form of a surprising fortune amid a plane crash—and forces them to confront the limits of their morality.

Bill Paxton and Billy Bob Thornton find a real sense of depth to the characters, giving the entire experience a meaty, dramatic edge. It’s one of Raimi’s more dramatically effective films. It’s a tense thriller that isn’t necessarily as fun as his other movies, but that’s because it’s not trying to be.

7. The Hudsucker Proxy (1994)

Although Sam Raimi was only a 2nd unit director on this Coen Brothers film, there’s so much of Raimi’s unique flair in The Hudsucker Proxy that it’s hard not to include it on this list. Raimi wrote the screenplay for the screwball comedy, which focuses on a recent business school graduate who is hired as the head of a major company only as a cover for a stock scam.

As a true collaboration of Raimi and the Coen Brothers’ filmmaking styles, there’s a lot to love about the absurd turns and fun performances. While it’s not the most in-depth film any of the directors have made, the retro Hollywood vibes, similar to what the Coen Brothers would later do in Hail, Caesar! (2016), make for a stylish, enjoyable film. Perfect for anyone who grew up with Who Framed Roger Rabbit? (1988), The Hudsucker Proxy is a visual and stylistic delight that highlights Raimi’s talents as a collaborator. 

6. Darkman (1990)

The earliest proof that Raimi had it in him to helm a big blockbuster superhero movie, Darkman is also a love letter to a kind of serial adventure character that simply doesn’t exist anymore. Something of a companion piece to this era’s gothic superhero movies like Batman (1989) and The Crow (1994), Darkman stars Liam Neeson as a scientist whose life is torn asunder when he’s attacked by a mobster. Restored by an experimental serum, Peyton Westlake goes on a mission of vengeance.

Dark and campy in equal measure, Darkman feels like a test run for the bigger movies that Raimi would go on to make later in his career. Feeling at times like the dead center between Evil Dead and Tim Burton, Darkman is a time capsule movie that’s an absolute blast from start to finish, underscoring just how fun Raimi can have with a bigger canvas.

5. Drag Me To Hell (2009)

Mean, lean, and haunting in the best kind of way, Drag Me to Hell is Raimi’s most overtly scary movie and works as an effectively bleak tale for the era it was released in. After a young banker enrages an old woman, she’s cursed to suffer for three days before being pulled into the abyss. 

Raimi’s genre sensibilities are on full display here, with a harsher edge and scarier visuals befitting the clear frustration and anger that the filmmaker is working through. It’s also darkly hilarious when it wants to be and underscores Raimi’s great ability to infuse minor characters with memorable personalities. A terrific pick for horror fans that has one of Raimi’s most memorable endings ever, Drag Me to Hell distills everything great about Raimi into one movie.

4. The Quick and the Dead (1995)

Sam Raimi’s only venture into the Western genre, The Quick and the Dead, is an underrated classic that deserves to be seen by anyone who has ever loved a cowboy movie. Focusing on a dueling competition in the Old West, The Quick and the Dead is just the right level of over-the-top. Riding high on the impact of other contemporary Westerns like Unforgiven (1992), Tombstone (1993), and Maverick (1994), The Quick and the Dead takes that revisionist aesthetic and filters it through a great excuse to introduce colorful gunfighters.

Underneath it all is a surprisingly compelling story about flawed men looking for recognition, redemption, or revenge. Benefiting from a great cast, including a young Leonardo DiCaprio in a performance that proved he was going to be one of cinema’s biggest stars, The Quick and the Dead is a blast from start to finish and underscores Raimi’s tonal versatility as a director.

3. Send Help (2026)

Sam Raimi’s survivalist drama Send Help may initially seem like his riff on Castaway (2000), but it quickly proves to be something else entirely—and completely Raimi. Starring Rachel McAdams as a put-upon employee and Dylan O’Brien as her cruel boss, Send Help flips their power dynamic when they end up the only survivors of a plane crash on a remote island.

The tension and dark humor of the plot gel perfectly together, with Raimi finding lots of room for his traditional gross-out elements while still exploring a tense character thriller. Some of the best plot twists Raimi has ever deployed are in this film, underscoring his talent for creating a compelling narrative where no one is innocent but the guilty still get their just desserts. 

2. Evil Dead II (1987)

Building on the success of his feature film The Evil Dead (1981), the remake/expansion that was Evil Dead II remains one of Raimi’s most influential and famous films, as well as one of the best horror comedies of all time. A delightfully madcap take on the haunted house archetype, the film’s creative visual touches and blend of creature features with wacky slapstick make for an ideal experience.

Bruce Campbell entered the pop-culture lexicon forever with his performance as Ash in this film, taking the stock character of the original and recasting him as a tragic figure, a comedic icon, and a surprisingly capable fighter. Dark when it wants to be and striking that delicate chord between hilarious and horrifying, Evil Dead II is a nearly flawless film.

1. Spider-Man 2 (2004) 

One of the greatest superhero movies of all time, Spider-Man 2 takes everything that worked about the first film and enhances it, all without losing Raimi’s distinct sense of style. Building on the adventures of Peter Parker but raising the stakes by introducing new personal complications amid the transformation of the kindly Otto Octavius into the dangerous Doctor Octopus, Spider-Man 2 took the superhero genre higher than ever before.

Fitting in neatly alongside other classics of the genre like The Dark Knight (2008) and Black Panther (2018), Spider-Man 2 is action-packed, scary, dramatic, and above all else fun in a way that few other films can match. It’s also the best film Sam Raimi has ever made and stands out as a blockbuster achievement of the 21st century.

Wonder Man (2026) has taken Disney+ by storm. The MCU miniseries debuted with an 89% Rotten Tomatoes score and quickly climbed streaming charts worldwide. The hype around Wonder Man isn’t surprising. At a time when the MCU has felt disconnected and a bit underwhelming, Wonder Man is the exact change of pace that the franchise needed. You don’t have to be a comic book or MCU fan to find the charm in this series, which tells a deeply personal and human story of Simon Williams’ (Yahya Abdul-Mateen II) dreams to be an actor while secretly harboring superpowers.

The series is also unique in that it wraps up many elements into one: a meta commentary on Hollywood, a deep character study, and a screwball bromance dramedy. With every episode, I never knew which side of the story I would get, which made it exciting. At times, Wonder Man almost seemed to get a little too comfortable leaning into the unexpected, making for two of the most shocking “deaths” the MCU has ever seen.

The Most Mysterious ‘Wonder Man’ Death, Explained

Wonder Man, like most MCU projects, features fairly light superhero violence, which is why viewers were taken aback by the deadly events of Episode 4, “Doorman.” The episode is by far the most creative episode of the series, paying homage to classic Hollywood with its nostalgic score and black-and-white picture. It brings in one of Marvel’s strangest heroes, Doorman (Byron Bowers), whose sole power is, literally, that he’s a human door, allowing anyone and anything to teleport through him.

Although he’s initially content working as a doorman, his life changes when he saves a group of people, including Josh Gad, from a fire by using his body as an emergency exit. With Gad’s encouragement, Doorman begins pursuing Hollywood fame, seeking more and more until one day it leads to horror. While filming a heist movie, Doorman loses control of his powers right as Gad attempts to pass through him, causing Gad to disappear.

It takes a moment for it to sink in what just happened in that scene, and the fact that Gad is, indeed, gone. He disappears entirely, never seen again, even though Doorman remains under surveillance for the rest of his life. The unexpectedly tragic, absurd ending of Doorman’s and Gad’s friendship is a huge shock. To add to the twisted nature, we’re not even certain if he’s really dead. Did he transfer to another dimension? Is he technically still inside the Doorman? Never has an MCU “death” felt so uncertain, uncomfortable, and unexpected at the same time, but it’s not even the most shocking one in Wonder Man.

‘Wonder Man’ Borrows A Page From ‘The Boys’ With This Shocking Death

As unexpected as Gad’s disappearance is, nothing prepares you for the surprise death in Wonder Man Episode six, “Call Back.” In the episode, Simon and Trevor Slattery (Ben Kingsley) attend a callback for Wonder Man with several other actors at director Von Kovak’s (Zlatko Burić) home. Simon blows his first round of impromptu acting, making him eager to redeem himself during the next exercise with his acting buddy, Richard (Simon Templeman). During the exercise, Richard pretends to be a former bully of Simon’s. However, as the exercise continues, Richard’s acting starts to feel less like acting as he jeers at Simon and hints that he knows Simon’s secret powers.

Simon grows angrier and angrier. When Richard calls him a “freak,” it’s the final straw. Using his powers, Simon abruptly punches Richard, his fist going clean through the actor’s face, killing him instantly. The fellow actors in the room look through the gaping hole in Richard’s face and begin to scream. My jaw dropped watching that scene. It was the last thing I expected and reminded me of a scene straight out of The Boys (2019) or the shocking ending of I Am Not Okay With This (2020). You just don’t see it coming, and the idea that Williams messed up this badly leaves you shaking. 

However, the scene is meant to trick you. In the next scene, Williams wakes up, revealing that the gruesome death was just a dream. Still, the fact that it really led you to believe that the death was real and hit you with that unexpected gore easily makes it one of the most shocking MCU moments ever.

‘Wonder Man’s Deaths Take the MCU In A New Direction

While Wonder Man’s deaths certainly give you the vibe of The Boys or Invincible (2021), they still feel distinct because the tone of the show as a whole is so far from these other shows. To me, it almost feels like a better way to use the shock factor, where it generally is a moment so shocking and so far out there that you can’t predict, unlike shows where the shock factor is the entire show. 

I also think it speaks to the MCU getting a bit bolder. The franchise has been trying to get bolder and edgier with the likes of Deadpool & Wolverine (2024) and Daredevil: Born Again (2025). Still, Deadpool & Wolverine almost feels like it’s trying too hard, whereas Daredevil: Born Again is an excellent, gritty, dark superhero series, but doesn’t quite capture that boldness and willingness to shock fans. Wonder Man, though, feels like the MCU is finally getting maturity, gore, and the shock factor just right, and maybe even better than most superhero shows in general.

Valentine's Day is an odd holiday because even if you're in a relationship, you might still hate the hallmark date and all it stands for. Personally, for me, it's Galentine's Day that matters—the unofficial holiday coined by Amy Poehler's Leslie Knope in Parks and Recreation (2009).

However, with "Wuthering Heights" (2026) releasing in theaters soon, it's understandable why the hype surrounding Emerald Fennell's reimagining might have people searching for all types of compelling love stories. If you're looking for guaranteed happy endings and swoon-worthy rom-coms, this isn't the list for you. Instead, these are the love stories you should hold off until after the holiday because they're the opposite of a romance.

From "Wuthering Heights"  to the best version of Romeo + Juliet (1996), here are some of the best tragic love stories, as well as where to stream them on platforms such as Prime Video, Netflix, and more.

“Wuthering Heights” (2026)

There's a lot of controversy surrounding Fennell's adaptation of "Wuthering Heights" and the detail that Jacob Elordi isn't from Romani descent like Heathcliff is in Brontë's book. That point alone is likely keeping die-hard book fans out of the theater, but Fennell's vision as a director could still provide something worthwhile if we look at it as its own entity outside of the book.

As a story, "Wuthering Heights" is for the type of fans who love angsty forbidden pairings and the relationships that have a means of haunting people for years. It's iconic for a reason, but it's never been a romance. Catherine and Heathcliff's story is instead one of the more tragic accounts in literature, and it's one that allows for plenty of analysis to dissect social conflicts, expectations from love, and vengeance. So while the movie sounds like it could be a good Valentine's Day blockbuster, prep the tissues if you don't know what's coming.

Moulin Rouge! (2001)

There are a few movies that capture tragedy as beautifully and as dazzlingly as Baz Luhrmann's Moulin Rouge!. The jukebox musical centered around the Bohemian movement in Paris during the late 1800s is a masterclass in performances and storytelling. It might bring one of the greatest heartbreaks of all time with death from tuberculosis, but the love story that we get between Ewan McGregor's Christian and Nicole Kidman's Satine is legendary for a reason.

In many ways, despite the loss and darkness, Moulin Rouge! isn't a hard movie to watch. You'll cry, yes, but Luhrmann's directorial vision is so distinct that you won't mind revisiting his world over and over again (ask me how many times I've been lucky enough to see the Broadway musical.) It's a riveting, lavishly breathtaking movie that's perfect for anyone who wants love to hit in all the right ways, even if it'll simultaneously rip your heart out in the end. Moulin Rouge! is fully in a league of its own. 

Roman Holiday (1953)

Roman Holiday isn't a traditional romance because of its bittersweet ending, but it's a classic love story still worth watching as a blueprint of the idea that a single day can change a person's life. It's the type of classic that's yet to be replicated, nor is there anything quite like it in a sea of love stories. Somehow, though, it remains one of the more underrated films, so if you love Casablanca (1943) but have somehow never seen Roman Holiday, run, don't walk after Valentine's Day.

Overflowing with impeccable chemistry and achingly romantic longing, every moment that Audrey Hepburn's Princess Ann and Gregory Peck's Joe Bradley spend together tugs on the heartstrings and proves that if she weren't royalty, their love could stand the test of time. It also features the single greatest (and most heartbreaking) last line of any film. Perfect, by all means, Roman Holiday is perfect. It's an inimitable accomplishment in tragic storytelling in a manner that makes it so vastly excellent, I can go on and on for hours. 

The Phantom of the Opera (2004)

The Phantom of the Opera is a tricky one. If you're a fan of Christine and Raul, then watch the movie on Valentine's Day. But if you're a brooding girl and have always been rooting for the Phantom, then hold off until after. The dark and sweepingly romantic but utterly tragic love story makes for the kind of movie that's absolutely delicious on all fronts. And I'll fully admit that I prefer it to the Broadway musical for how it captures adoration and Gothic elements on-screen.

In many ways, a large part of the reason Frankenstein (2025) was such a hit with romance fans was because of how the Creature and Elizabeth's fascination with one another is portrayed. And if you loved it, but have yet to watch The Phantom of the Opera, now's the best time to do so. Emmy Rossum and Gerard Butler are magnetic together, and the whole film is especially appropriate for this season. 

Romeo + Juliet (1996)

Also directed by Moulin Rouge!'s Baz Luhrmann, this adaptation of Shakespeare's most renowned tragedy is the best one yet. Maybe the only one that even matters. As a stark hater of the story from all my years of studying it in school, Luhrmann's modernization speaks to the urgency and pain in a way no other version does. How he makes their love story feel earned and life-altering, to allow their deaths to hit even harder, is no small feat.

In a lot of ways, it's likely similar to how “Wuthering Heights” will be in modernizing the source material to absurd and overdramatic lengths. There are understandably Shakespearean purists who may not appreciate all that Luhrmann explores and projects, but it's the kind of film that's an all-around force to be reckoned with. Leonardo DiCaprio and Claire Danes deliver impeccable performances through and through, and it features one of the best soundtracks to date, with the kind of screenplay that's electric in its means of honoring the play.

Atonement (2007)

If you want to have your heart ripped to shreds with the type of ending that'll never once stop haunting you with five words, then watch Atonement. Keira Knightley and James McAvoy deliver breathtaking performances throughout, but it's young Saoirse Ronan who proves she's a star in the making. The tragic turn of events in Atonement makes it such a hard film to revisit, but there are moments throughout that are so lovely, you'll find yourself replaying them over and over.

There's also a good chance you'll want Knightley's green dress because it's that iconic. Ultimately, if you love Joe Wright's vision and picturesque directing in Pride and Prejudice (2005) and are willing to put up with a story that doesn't deliver a lasting romance, Atonement will at least be a visual feast for the eyes. It's haunting and dark, but so beautifully done that saving it for this time of year feels especially suitable. 

One decade ago, the world of music lost the great David Bowie. A true pioneer of alt-rock, Bowie wasn’t just one of the greatest musicians of the 1970s or 1980s, but of all time. Minor missteps with Tin Machine aside, Bowie’s discography is filled with classic after classic, and his sudden death in January 2016 from liver cancer, which he hid from fans and audiences, was shocking. Bowie was a true visionary, not just in the world of music but also in the world of film.

Like most major musicians, Bowie had a fairly healthy career in film, though his career was more extensive than most, featuring in several major films and television shows, over the course of four decades, many of which have gone on to become cult classics. As we look back on Bowie’s passing, let’s also appreciate his contributions to the world of film, many of which can be found on streaming services like Amazon Prime Video and HBO Max. If you’re longing to honor Ziggy Stardust and his legacy in the world, pay your respects with these five films.

Zoolander (2001)

Most of Bowie’s filmography is home to cult classics and underrated gems, but Zoolander is one of the few films he starred in that you can say was both a commercial and critical hit. 

Zoolander sits alongside Dumb & Dumber (1994) as one of the greatest idiot comedies around, and for good reason. Ben Stiller and Owen Wilson do wonderful jobs playing some of the dumbest human beings to ever exist on the planet, yet look completely cool at every opportunity. That’s what you would expect from a satire of the world of fashion, but seeing Bowie cameo as the judge in a walk-off fashion competition is the icing on the cake. He knows he’s a star and exudes a sense of class and style that makes him come across like a god amongst men. Bowie adds some legitimate star power to Zoolander, making it a comedy that Bowie fans and low-brow comedy enjoyers can have fun with, even if his appearance here is more of a cameo than anything else.

The Man Who Fell To Earth (1976)

Few sci-fi movies are as experimental as The Man Who Fell To Earth. It was a film that could only have been made in the ‘70s and somehow was able to match Bowie’s strange and esoteric persona beat for beat.

While the plot of The Man Who Fell To Earth is straightforward on paper, you’d be remiss to think it’s more complicated than it is solely for its presentation. There’s an otherworldly aura that the film emits, which almost makes it come across like a transcendental experience, in the same way that 2001: A Space Odyssey (1968) does. It can be a bit hard to follow solely because of how evocative the imagery is, which does limit its placement from being any higher, but it helps make the film feel like a lucid dream. You’re watching it, and then suddenly two hours and eighteen minutes have passed, and you have no idea why. The ‘70s were the decade of experimentation, and if you want to see the textbook definition of experimental sci-fi, Bowie’s debut performance more than clears that bar.

Twin Peaks: Fire Walk With Me (1992)

While David Bowie would stand apart from his contemporaries thanks to his unique style, another David would be doing the same in the world of film. David Lynch is a director who needs little introduction, so it should come as no surprise to know that the two collaborated on Lynch’s magnum opus, Twin Peaks (1990-2017), specifically on the film Twin Peaks: Fire Walk With Me.

Despite Bowie only being present in a handful of scenes, his portrayal of Phillip Jeffries was anything but conventional. In an already strange series, Jeffries is by far one of the series most puzzling characters, and that was before he turned into a giant tea kettle! Frankly, everything about Twin Peaks: Fire Walk With Me is an enigma, and it’s clear that the film raises more questions than it answers, but that’s exactly what makes it so compelling. At its core, Twin Peaks: Fire Walk With Me is still easier to follow than The Man Who Fell To Earth, even if Bowie’s sequences may seem nonsensical. Similar to movies like Donnie Darko (2001), it’s a film that prioritizes mood and atmosphere above all else and delivers a surreal film that’s great if you want to get lost in a cacophony of strange sights and sounds.

The Prestige (2006)

There are a whole lot of moving pieces in Christopher Nolan’s The Prestige. There are a lot of sleights of hand, tricks, lies, and death, and while Bowie appears in a relatively small role, it’s a role that is fundamental in understanding Nolan’s tribute to stage magic.

While Bowie is only present in a few minutes of the film’s two-hour and 10-minute runtime, he presents himself as more of a wizard than the magicians the film depicts. Using science and a somewhat cold and dispassionate delivery, Bowie presents Nikola Tesla as a man above the personal grievances that define the rivalry between Hugh Jackman’s Algier and Christian Bale’s Borden. The film would serve as his last major role before his death, but very much like his appearance in The Man Who Fell To Earth, Bowie would leave the world of acting with a character who seemed unreal and unnatural, perfectly befitting a man who was both in real life. Lovers of movies about magic like The Illusionist (2006) will easily find a lot to appreciate with how The Prestige delivers its magical tricks, but fans of Bowie will love it for how it reinforces Bowie as this uncanny, once-in-a-generation talent both on and off stage. 

Labyrinth (1986)

If you had to think of one movie starring Bowie, chances are it’s Labyrinth. It’s by far his most popular role, and Bowie’s turn as the goblin king Jareth was simply iconic, and no, it wasn’t because of his wardrobe that left nothing, and I mean NOTHING, to the imagination.

What made Bowie’s performance in Labyrinth so endearing, even after all these years, was how much fun he clearly was having. Bowie wasn't the center of attention in The Prestige or Zoolander, but Labyrinth is clearly Bowie’s film. The film is dark, much like Henson’s previous work, The Dark Crystal (1982), but there’s also a sense of fun that Bowie brings to the performance. You can tell that Bowie is enjoying singing and dancing alongside Henson’s puppets, with Bowie himself even getting involved in the writing to make the film a little bit brighter and more comical. Without Bowie, Labyrinth would have been just another fantasy movie from the ‘80s. With Bowie's charismatic energy, Labyrinth is the perfect campy and fun fantasy movie ideal for both kids and adults, making it his best film.

Ask anybody to name the best dinosaur movie ever made, and they'll most likely say Jurassic Park (1993). More than three decades later, Steven Spielberg's dino blockbuster has yet to be matched in story and special effects quality, even by its own franchise. Truthfully, what's its competition? However, rewind to the silent film era, and there was another dinosaur movie ruling cinema: 1925's The Lost World.

If you haven't heard of The Lost World, I get it. For non-ciniphiles the film has been (mostly) lost to time—no pun intended. Still, its significance in cinema cannot be understated. While Jurassic Park has a juicy 91% on Rotten Tomatoes, The Lost World surpasses it with a perfect 100%. Sure, it may have fewer reviews when compared to Spielberg's more modern giant, but it's an impressive stat nonetheless. With the movie now available to watch for free on JustWatch TV, nothing is stopping you from checking it out, even if you just skim through to witness the then-groundbreaking stop-motion special effects. 

'The Lost World' Stems From An Arthur Conan Doyle Book 

While Sherlock Holmes never faced off against dinosaurs, he does share connective tissue with The Lost World. Sherlock Holmes creator, Sir Arthur Conan Doyle, penned the novel in 1912 by using zoologist notes and a little inspiration from Jules Verne's famous book Journey to the Center of the Earth (1864). The story itself is pure sci-fi adventure, with a first-person account of an expedition party's exploration of a remote South American plateau where prehistoric animals and dinosaurs exist among a group of ape-like creatures. 

The movie, directed by Harry O. Hoyt, follows Doyle's novel pretty closely, apart from a romantic subplot and an angry Brontosaurus rampaging through London, which is worth checking out all on its own. Willis Harold O'Brien did the stop-motion effects for The Lost World, with many of his tricks and signatures carried over in King Kong (1933). Although it all might seem a bit cheesy now, The Lost World was revolutionary during its release. Not only did O'Brien's special effects set a new standard in cinema, but it paved the way for the big monster movies that came after, like the aforementioned King Kong, The Valley of Gwangi (1969), and, of course, Jurassic Park. 

'Jurassic Park' Might Not Exist Without 1925's 'The Lost World'

It's important to note that behind Spielberg's Jurassic Park sits the author who originally brought the idea to life. After going through multiple story ideas and many rewrites, Michael Crichton published Jurassic Park in 1990. While he didn't take much from the plot of Doyle's novel, Crichton cited Doyle's book and the 1925 movie as inspiration, even going as far as to homage them with the title of his sequel novel, The Lost World (1995).

If you've seen the movie adaptation with Jeff Goldblum back as Ian Malcolm, The Lost World: Jurassic Park (1997), then you know it skews even closer to 1925's The Lost World film adaptation by ending with a T. rex rampaging through San Diego, similar to how the Brontosaurus stomped through London in the silent era. Funny enough, that gives Crichton's and Doyle's books another iconic connection, considering their respective film adaptations slapped on a "dinosaur meets city" ending that wasn't part of the source material. I always thought of Jurassic Park: The Lost World's ending as a King Kong nod, but after watching The Lost World, that's clearly the true inspiration. 

Why To Watch 1925's 'The Lost World' (And What To Watch After)

Truthfully, The Lost World won't be for everybody. Ciniphiles? Yes. Silent movie lovers? Absolutely. But it's likely fans of modern-day, action-packed movies won't have the patience to sit through The Lost World's silent movie theatrics and dated special effects. Even still, it's free on JustWatch TV, so why not skip through it and watch your own abridged version of one of cinema's most influential movies? Who knows? It might even become a new favorite. 

Whether you watch The Lost World or not, everyone should check out Jurassic Park and its sequel, The Lost World: Jurassic Park. But, hey, if you really want to get the vibe of Doyle's The Lost World, consider trying 2001's The Lost World. It's not perfect, but it's a fun and faithful adaptation with decent special effects. I'd also argue that Peter Jackson's King Kong (2005) has a Lost World vibe.

The 'Burbs (1989) is one of those films that's been sitting in the shadows of late-night cable rotations and film nerd conversations for decades, patiently letting its reputation grow stranger and funnier with time. When director Joe Dante's suburban paranoia comedy, which is streaming on Prime Video, arrived in 1989, it didn't quite make an impression with mainstream critics or audiences. It was too weird to be a standard comedy, too silly to be a thriller, and too self-aware to play suburbia straight.

That ambiguity didn't help it at the time. But that's exactly why it works now. Peacock's new The 'Burbs series feels less like a nostalgic cash-in and more like a much-needed reevaluation, even if it is almost four decades later. The original film understood that beneath the perfectly trimmed hedges and overtly friendly small talk of suburban life exists a bubbling anxiety about who your neighbors really are. That idea has only grown more relevant in a world obsessed with true crime podcasts and Ring camera footage.

What's exciting about this adaptation is that The 'Burbs' cultural moment has finally caught up to what the film was doing all along. Dante's movie is a satire about fear, boredom, masculinity, and the stories we tell ourselves when we have too much time on our hands. Peacock's series has the opportunity to explore those ideas with fresh eyes, new characters, and modern suburban trends that are arguably even stranger than they were in the late '80s.

'The 'Burbs' Movie Absolutely Nails Suburban Paranoia

Dante has always been fascinated by the thin line between normalcy and chaos. And The 'Burbs might be his most distilled version of that obsession. Set almost entirely on a single suburban street, the film turns trimmed lawns and white picket fences into pressure cookers. The story follows Ray Peterson (Tom Hanks), a man who is stuck at home on vacation and eventually starts to believe that his new neighbors, the Klopeks, are up to no good.

But what starts as casual curiosity quickly becomes an obsession, which is obviously made worse by strange noises, reclusive newcomers, and a collective willingness to believe the worst. Dante treats Ray's behavior as a kind of suburban madness, where masculinity and fear spiral together under the guise of protecting the neighborhood. This is where The 'Burbs connects beautifully with Dante's earlier work on Gremlins (1984), since both films show us how quickly civility collapses when paranoia takes over.

In The 'Burbs, the monsters are essentially assumptions, half-seen clues, and the dangerous thrill of being right. What makes the satire brilliant is that the film never lets its characters fully off the hook. Even when the true nature of the Klopeks is revealed, Dante makes it clear that Ray and his friends were already unhinged long before that. Today, The 'Burbs feels eerily prophetic. If you replace whispered suspicions with online speculation, you've got the modern paranoia machine in full swing.

Watch 'The 'Burbs' Movie For Its Star-Studded Cast

Part of the reason The 'Burbs has become a popular cult classic is its stacked cast, filled with performers who understand exactly how far to push the film's heightened reality. Tom Hanks anchors the chaos with a performance that sits at an interesting crossroads in his career (post-comedic leading man, pre-America's dad). Ray Peterson is anxious, petulant, selfish, and deeply relatable, and Hanks embraces all of it without smoothing away the character's edges.

Carrie Fisher, as Ray's wife Carol, plays the lone voice of reason with impeccable timing and is the most aware of how ridiculous the men are behaving. Fisher delivers her skepticism with dry wit rather than nagging exasperation. There's also Bruce Dern, whose Vietnam-obsessed Mark Rumsfield feels like a walking warning sign about nostalgia-fueled aggression. Corey Feldman's Ricky Butler functions as a chaos catalyst by feeding the adults bits of information to keep the conspiracy alive.

Wendy Schaal's presence is another delight, especially for modern viewers who recognize her instantly as the voice of Francine on American Dad! (2005). Her performance in The 'Burbs adds to the film's sense that everyone on this street is slightly off-kilter in their own way. Even Darla, the dog who plays Queenie, is a star. She appeared in The Silence of the Lambs (1991), Pee-wee's Big Adventure (1985), and Batman Returns (1992).

What To Expect From Peacock's 'The 'Burbs' Series

Peacock isn't trying to create a shot-for-shot remake with its The 'Burbs series, which is a good thing. The show is set to premiere on Feb. 8, 2026, and reframes the premise around the newly married Rob and Samira Fisher. When the couple returns to the suburban neighborhood where Rob grew up, it doesn't take long for the past to catch up with them. The series is a natural evolution of the original idea, shifting the focus from midlife stagnation to the discomfort of revisiting the past.

Keke Palmer and Jack Whitehall lead the series as Samira and Rob, a pairing that suggests the story will feature a good chunk of comedy based on social observations. Palmer, in particular, feels like expert casting as someone who can balance humor, skepticism, and emotional intelligence. Supporting players like Julia Duffy, Paula Pell, Mark Proksch, and Kapil Talwalkar hint at a tone that will mix absurdity with character-driven humor.

What makes this adaptation worth watching is its relevance. Modern suburbia is more surveilled than ever. Everyone is watching everyone else, documenting behavior, and forming (often incorrect) opinions in real time. If the series pulls off even just a fraction of Dante's original satirical genius, while updating its fears for a new generation, it could finally cement The 'Burbs movie as more than a cult favorite. Because sometimes the strangest stories just need the right moment to finally be understood.

Every Western fan worth their salt has probably seen, or at least heard of, the Dollars Trilogy. Sergio Leone's iconic spaghetti Westerns pioneered the genre by swapping traditional Western heroics for gritty, violent stories with morally gray protagonists in the lead. These were the movies that solidified Clint Eastwood as a star. Long before Dirty Harry (1971) and Every Which Way but Loose (1978), Eastwood strode through sun-drenched deserts as the ultimate mysterious anti-hero. Dripping with rugged masculinity and quietly cool, his portrayal of the "Man with No Name" became a staple archetype in Westerns and beyond. 

When it comes to the Dollars Trilogy, the connective tissue lies in Sergio Leone's direction, Ennio Morricone's epic score, and Clint Eastwood's stoic protagonist. Technically speaking, they don't have a linear story and easily work as standalone films. If you want to watch them chronologically, then consider starting with The Good, the Bad and the Ugly for its Civil War setting and working backward. However, the best and easiest way to watch them is by order of release date. Here's how to watch the Dollars Trilogy in order, including where you can find each movie on streamers like Tubi, Prime Video, and more. 

A Fistful of Dollars (1964)

A Fistful of Dollars has a unique legacy, releasing with acclaim but also with a lawsuit from Akira Kurosawa after declaring (and winning) the claim that the movie is essentially a remake of Yojimbo (1961). Despite this complicated legal controversy, A Fistful of Dollars went on to become one of the most influential films of all time. It introduces Clint Eastwood as the Man with No Name, a drifter mercenary type who is equally mysterious as he is cool. Here, he gets entangled with rival families, forcing him to use his wits and manipulation skills to ultimately get what he wants: money.

The movie delivers a high-stakes plot filled with all the dramatic close-ups and stylized violence expected from the spaghetti Western genre. With nothing quite like it in the US, A Fistful of Dollars became something of a phenomenon. It traded the typical trappings of the star-spangled, all-American Westerns popularized by John Wayne for grittier, more morally ambiguous storytelling—and audiences ate it up. If you want to see one of the most revered spaghetti Westerns in cinema, you can't go wrong with A Fistful of Dollars. 

For a Few Dollars More (1965)

No matter how you decide to watch the Dollars Trilogy, For a Few Dollars More sits right in the middle. When it comes to reception, that sentiment (mostly) holds true, too. While A Fistful of Dollars and The Good, the Bad and the Ugly spark frequent debate about which is the best, For a Few Dollars More exists as the lovable, unbothersome middle child. This time, the Man with No Name teams up with a rival bounty hunter (Lee Van Cleef) to track down a psychopathic outlaw (Gian Maria Volonté). 

While some might consider it more of a slow-burn than its predecessor, Eastwood and Van Cleef's chemistry and banter more than make up for it. That's not to say For a Few Dollars More lacks action; it's just better paced. The other standout here, of course, is Gian Maria Volonté's villain, El Indio. If you appreciate competently written bad guys with chilling, sociopathic edges (think Javier Bardem's Anton Chigurh from 2007's No Country for Old Men), then you'll love For a Few Dollars More. 

The Good, the Bad and the Ugly (1966)

Eastwood and Van Cleef return for The Good, the Bad, and the Ugly, along with Eli Wallach. Together, the trio play the titular gunslingers who become embroiled in the hunt for stolen gold. Like For a Few Dollars More, The Good, the Bad and the Ugly ups the slow-burn tension while still delivering plenty of Sergio Leone's trademark stylized violence. Many consider it the best of the Dollars Trilogy, but even if you disagree, there's no denying its impact on pop culture. Quentin Tarantino famously homages the movie in Reservoir Dogs (1992), and Stephen King touted the film as a significant inspiration for his Dark Tower series. 

Our three protagonists are equally archetypal and complex, and honestly, that's where this movie excels. While Westerns can get lost in the action and tropes, The Good, the Bad, and the Ugly opts for a character-driven story loaded with themes and commentary on human sins like greed. Oh, and the "Mexican standoff" sequence is just one of those scenes every cinephile needs to experience at least once.  

Heavy metal musician turned director Rob Zombie has a divisive filmography. While his most recent movie, The Munsters (2022), disappointed critics and audiences alike, his other directorial efforts sit firmly in the hearts of horror fans. With a gritty visual style and some of the most despicable characters to ever grace the big screen, Rob Zombie's movies aren't for everybody, but that's okay. For others, the unhinged chaos and over-the-top violence are just the ticket. (I'm still campaigning for Zombie to make a Texas Chainsaw movie!)

With a decent stockpile of films to pull from, this list aims to highlight the best. Whether you're a new horror fan looking to dip into Rob Zombie's blood-soaked waters or a veteran wanting to see how my ranking holds up to yours, here are the best Rob Zombie movies, ranked. Watch them on Plex, Prime Video, and more now. 

5. 3 From Hell (2019)

3 From Hell is the final installment in the Firefly trilogy, and honestly, it's the worst of the lot. If you like the demented stylings of its predecessors, House of 1000 Corpses (2003) and The Devil's Rejects (2005), then you'll probably like this one, too. However, it's not essential viewing. Sure, it's always fun to see the Firefly family return, especially after a decade away from the big screen. Still, I'd argue The Devil's Rejects left them with a rather satisfyingly ambiguous ending. (Has "Free Bird" ever been better utilized in a film?)

Completionists won't want to miss this one, but really, 3 From Hell is for the hardcore Zombie fans craving another nostalgic hit of grindhouse horror. Perhaps its biggest sin is killing off most of the likable characters and never giving the Fireflys their comeuppance. It's all a bit rinse and repeat, which is why it ranks in last place on this list. 

4. The Lords of Salem (2012)

Listen, The Lords of Salem has diehard fans, and I totally get it. The movie retains some of Zombie's signature grunge while leaning into a more surreal, atmospheric style. It feels strange to call a Rob Zombie movie "pretty," but if that adjective applies to anything in his filmography, it's The Lords of Salem. So, for anyone shouting at their screen right now that this is Zombie's best movie, you're not wrong. This is why it's so challenging to actually rank Zombies films because they're imperfect but also uniquely raw in their own ways. 

Truthfully, The Lords of Salem only sits in fourth place because of its niche target audience. More mainstream audiences might not fully jive with the movie's hypnotic arthouse style, while the tonal change might also be a bit jarring for faithful Zombie fans. Think of it like Rosemary's Baby (1968) with a Rob Zombie makeover. If witchy, Satanic stories are your vibe, you'll definitely find that here. 

3. Halloween (2007)

Perhaps ranking as one of the most divisive horror remakes ever made, you'll either love or hate Rob Zombie's rendition of the 1978 John Carpenter masterpiece. If you're already familiar with Michael Myers, you'll probably fall into the latter category. However, I'm here to defend Zombie's Halloween as a solid horror film… if you can separate it from the larger Halloween franchise. Doing that, you get a sufficiently gory slasher, and honestly, watching Michael (Daeg Faerch) experience childhood trauma and exhibit psychopathic warning signs as a child is genuinely chilling. The problem: It's not what Halloween is about. 

Michael Myers is pure evil, and giving him an origin story cheapens his character. While Carpenter forced audiences to confront the idea of someone being born evil, Zombie chooses a "nature versus nurture" approach. In some ways, it feels more realistic, but again, realism was never what attracted people to 1978's Halloween. Still, if you're open-minded to classic slasher remakes like A Nightmare on Elm Street (2010) and Friday the 13th (2009), then give this one a try.

2. House of 1000 Corpses (2003)

As the first film in the Firefly trilogy and Rob Zombie's directorial debut, House of 1000 Corpses might be the best introduction to the musician turned director. Zombie's signature style permeates through every frame, proving he's got a knack for visceral horror, over-the-top violence, and a '70s throwback aesthetic. I used the word "raw" earlier in this list, but it's the best adjective to describe House of 1000 Corpses and Zombie's directorial style as a whole.  

If you dig grindhouse movies about deranged encounters in rural settings, like The Texas Chain Saw Massacre (1974), The Hills Have Eyes (1977), and Tourist Trap (1979), then you'll love House of 1000 Corpses. Captain Spaulding (Sid Haig) and his creepy carnival hijinks are memorably twisted. This movie is chaotic and unhinged, but that's part of its charm. (If you're not screaming, "Run rabbit run," after this one, did we even watch the same thing?)

1. The Devil's Rejects (2005)

If you like horror-infused Westerns like Bone Tomahawk (2015), that's enough reason alone to watch The Devil's Rejects. Although it falls more into the southern-fried, hillbilly horror subgenre than the aforementioned film, it's a unique genre-mashup that all horror fans should watch at least once. Why? Because it's a chaotic, over-the-top splatterfest that better executes what House of Corpses set out to do. 

Horror fans, I'm talking directly to you here. If you're someone who loves The Texas Chain Saw Massacre but ranks The Texas Chainsaw Massacre 2 (1986) higher, then you'll get what The Devil's Rejects throws down. It intensifies the gore, ups the dark humor, and contains an iconic performance from Sid Haig as Spaulding. It undoubtedly deserves the number one spot on this list because when it comes to my rankings, "Oh, I don't disappoint."

Ian Fleming's James Bond is the type of character who's so iconic and understandably integrated into the world of literature and film that we all have our favorite version. The actor who cemented why the special agent is so remarkable and why his story is worth caring about. While Daniel Craig's Bond movies weren't the first ones I watched, they were the first to become favorites. They were the first to make me so invested in the story that I'd run to the theater for the next one. In a lot of ways, Craig is one of the best out there, and he's already set an impossible standard for the actor who'll follow in his footsteps to become the next 007. 

But until we know who'll be filling his shoes next, it's high time we rank all Daniel Craig Bond movies, and rewatch them on platforms like Netflix, Prime Video, and more.

5. Quantum of Solace (2008)

The problem with Quantum of Solace isn't that it's a bad movie, but it's the fact that the choices made within feel so questionable and lackluster when Casino Royale (2006) is quite literally the most astounding starting point. The James Bond we see here isn't acting as himself, and no, it's not because Vesper Lynd broke him to a point of no return.

There's a disconnect in the narrative that doesn't exactly work, but still, it's a follow-up that's worth watching at least once. In many ways, it's the secondary characters in Quantum of Solace that make it what it is, specifically any moment we get with Judy Dench's M and Jeffrey Wright's Felix. It might be easy to appreciate for the viewers who aren't looking to fill the cracks because the action is still solid, but it's sadly the weakest of the bunch.

4. Spectre (2015)

Unlike Quantum of Solace, while beats in Spectre don't exactly feel earned, the majority of the story at least feels like a somewhat smooth consequence from Skyfall (2012). In many ways, Spectre works because this is where we meet White's daughter, Madeleine Swann, and it's how we begin connecting more dots to the end that makes the film a wild, albeit daunting, penultimate ride.

The secrets that are unveiled and the deception that we see in Spectre are exactly what ensure that No Time to Die (2021) is a worthy conclusion. While some things weirdly remain unanswered, Daniel Craig also delivers one of his best performances in the quiet beats throughout. Oddly, while the cast in Spectre is fantastic, it doesn't feel as though characters are given a proper chance to shine, which in turn, doesn't allow this to land in the top three. 

3. No Time To Die (2021)

No Time To Die is a solid, genuinely impeccable conclusion for those of us who've always believed that Vesper Lynd has haunted the narrative since her introduction. It allows the events of Casino Royale and Spectre to feel earned, but more importantly, it delivers the type of climax that honors Bond as a character and his tremendous legacy. 

No one wants to see a beloved character die in the end, but this was always something that felt fated—written in the cards, if you will. Structurally, it's a fantastic movie that ensures every moment is thrilling and enormous, while all the stakes from every movie that's led us here come to a head with the type of final battle that is still haunting. It might not be the ideal ending, but there's no denying that it's a well-written one.

2. Skyfall (2012)

In every way that matters, Skyfall redeems Quantum of Solace while also delivering the kind of movie that feels like an epic blockbuster. A true cinematic adventure with a Bond who's not invincible, but deeply human and flawed, allowing the entire narrative to feel more relatable. And no, while we don't have to relate to him, we should see his humanity, and no film does a better job of bringing it to the surface.

From the opening moments, which feature Adele's award-winning title track to the credits, every beat of Skyfall fires on all cylinders. It tells a layered, cohesive story with stunning direction from Sam Mendes and another brilliant performance from Daniel Craig that cements why he's the 007 for so many of us. 

1. Casino Royale (2006)

There aren't many movies as perfect on all fronts like Casino Royale. Sharp, engrossing, action-packed, and achingly romantic, it's the type of origin movie that delivers something so compelling, I still don't have words for it, and I might never. This one's for the romantics and the action aficionados—the type of movie that has something for everyone. If you only ever watch one Bond movie, Casino Royale should be it.

How it sets up the origin of the spy we get to know, and how the events that unravel here trickle down to every film that follows, is no small feat. Beginnings aren't always the most captivating in large sagas like this, yet Casino Royale does something inimitable as it lays the foundation. Plus, Mads Mikkelsen is an excellent villain as Le Chiffre, and Eva Green is revolutionary in embodying a fleshed-out, deeply complex woman. If you loved Sean Connery's From Russia With Love (1963), you would love Casino Royale.

During the 40th anniversary celebration of the Dragon Ball series, it was announced that Dragon Ball Super (2015) would be continuing. While there is a palpable sense of excitement for this new entry in the long-running series, mostly due to the arc this upcoming sequel will adapt, people are also excited about more Dragon Ball. The recent Dragon Ball DAIMA (2024) was well received, and several of the films leading up to it were also held in high regard.

Yet, there wasn’t as much wistful nostalgia for Dragon Ball Super itself. This shouldn’t be all that surprising, given how Super received a lot of flak from anime fans upon release. To this day, it’s probably just as polarizing as Dragon Ball GT (1996). But while excitement builds for Super’s sequel and you’re debating rewatching Dragon Ball Super on Crunchyroll, let’s look back on the series nearly a decade after its conclusion and give it a fair analysis to see if it deserved all the hate it got.

Why Did People Hate ‘Dragon Ball Super’?

Dragon Ball Super didn’t exactly get off to the best of starts. The earliest episodes adapted two feature films, Dragon Ball Z: Battle of Gods (2013) and Dragon Ball Z: Resurrection F (2015), yet their television counterparts paled in comparison to their big-screen outings. 

The animation of those early episodes was rough, to say the least. Characters were off model, the fights looked sloppy, and the fight choreography was dull. Dragon Ball fights are meant to be fast and frenetic, with ki blasts mixed with martial arts, both of which were lacking in Super. What made things worse was how fans were actively comparing how Super adapted those scenes unfavorably to their feature film counterparts. A part of this problem stems from Toei Animation’s commitment to weekly episodes with no breaks, which noticeably made some episodes feel rushed. 

Underperforming fight scenes are one thing, but simplifying its cast is arguably a greater sin that Super commits. Dragon Ball has one of the most extensive and likable casts of heroes and villains, and we see the characters who appear here become flanderized caricatures of themselves. Gohan is probably the most notable victim, but even the new characters can’t escape this homogenization, lest we forget about the series’ final villain, Jiren, an ultra-powerful alien devoid of any meaningful personality. 

More diehard Dragon Ball fans also criticized how the series gave out power-ups like they were candy, which undermined their importance. Ultra Instinct is cool, but when the series already introduced Super Saiyan God, Super Saiyan God Blue, and canonized Legendary Super Saiyans, did we really need four separate major power-ups in 131 episodes?

‘Dragon Ball Super’ Isn’t All Bad

While those early arcs are rough, once Dragon Ball Super focuses on story arcs beyond the films, there’s a notable jump in overall quality. Most fans consider its fourth major arc, the Future Trunks Saga, to be the best arc in the series, mostly because of how fresh it feels. It adds two new interesting villains, Goku Black and Zamas, and breaks from the series formula by having not Goku or Vegeta, but Trunks, save the day. 

In fact, a lot of lesser characters get a good amount of love and attention thrown their way during the series. Future Trunks obviously gets a lot of love, but so does Android 17 in the show’s final arc, and Master Roshi. Even the Pilaf Gang, who were minor antagonists in Dragon Ball (1986), return and become more prominent comic relief characters. And while some new characters are dull, opening up the world with the introduction of gods like Beerus and angels like Whis presents the concept of parallel universes with fighters just as strong as the ones we’ve known for decades. 

And when those fighters come together in the Universe Survival Arc, Toei locks in and delivers some outstanding fight scenes that even exceed the films. Yes, Jiren has as much personality as a stack of saltines, but watching the slugfest between him, Goku, Frieza, and Android 17 quite literally broke the internet when it debuted. Fans went wild for that fight in the same way they freaked out over Luffy Gear Five in One Piece (1999) or during the Rumbling in Attack on Titan (2013). The animation issues were finally put to rest, and the series ended on a high note.

So Should You Watch ‘Dragon Ball Super’?

Dragon Ball Super is at its worst during those opening arcs. There’s no getting around the poor animation quality or the simplified characters. Thankfully, fans don’t have to watch those first two arcs, as they can simply watch the films they’re based on.

If you go that route and decide to watch Dragon Ball Super from its third arc onward, then you’ll be treated to a solid and exciting action series. It’s definitely a bit long in the tooth, especially in the Universe Survival Arc, but when the trade-off is watching the show’s supporting cast get the justice they deserve, it’s justifiable.

At points, it even reaches the same level of spectacle and scale that made Dragon Ball Z (1996) such a mainstay in the anime industry and stands on par with modern productions like Jujutsu Kaisen (2020). Back in its day, Dragon Ball Super may have had reasons to be hated, but with careful planning and consideration, you can easily enjoy a solid continuation of one of the most iconic anime series of all time.

The ending of Stranger Things (2016), after nearly a decade-long run, has renewed interest in the topic of movie and TV show endings and what makes a good one. The series employed a few controversial tropes, including the heroic sacrifice and bittersweet ending, and quickly divided fans over its effectiveness.

While many series and movies shy away from tropes and familiar endings, they’re not always a bad thing. When executed correctly, some of the most controversial ending tropes, such as “it was all a dream,” can actually be quite good. Use our guide to find five controversial ending tropes and the movies and/or shows they worked for and didn’t work for.

Trope: Everyone Dies In The End

Worked: Final Destination: Bloodlines (2025)

The trope where everyone dies in the end doesn’t work well for many shows and movies, simply because it’s too bleak and disappointing. The Final Destination franchise frequently uses the trope with varied results, but Final Destination: Bloodlines is the most adept at utilizing it while avoiding predictability and disappointment. The film draws from pre-established lore to make viewers genuinely believe Stefani (Kaitlyn Santa Juana) and Charlie (Teo Briones) escaped Death due to Stefani’s resuscitation after drowning.

In the final moments, though, we realize that Stefani technically didn’t die and, hence, Death strikes at the last second. Despite its formulaic franchise, Final Destination: Bloodlines still managed to trick viewers. The revelation that they die anyway isn’t bitter but almost amusing, given how the franchise has established itself. It’s the kind of movie where you can chuckle that it tricked you without feeling too bad that everyone’s dead.

Didn’t Work: The Umbrella Academy (2019-2024)

Across The Umbrella Academy’s four seasons, viewers came to love the Hargreeves siblings. Many saw themselves reflected in this story of adults who, despite their trauma and differences, have the opportunity to rebuild their lives and connections to one another. Hence, it hurt quite significantly when the final episode revealed that the Hargreeves didn’t get their happy ending, but had to wipe themselves out of existence because they kept causing the apocalypse.

It seemed The Umbrella Academy was trying to convey the heroic sacrifice trope, but it didn’t quite work in this story. The story was about people who’ve experienced trauma rebuilding their lives, but suddenly the ending seems to say that they’re fundamentally wrong and shouldn’t exist. I personally would’ve preferred that Season 3’s ending be the finale, where things aren’t quite happy or alright, but they learn to keep living and make the most of their circumstances regardless.

Trope: It Was All A Dream

Worked: Total Recall (1990)

Total Recall demonstrates how the “it was all a dream” ending can serve as a mind-bending conclusion in sci-fi. One reason it works so well is that it prepares viewers for such an ending. Like Inception (2010), Total Recall delves heavily into memory manipulation with a twisty premise in which viewers are never quite certain what’s real and what’s an implanted memory. Although it raises the idea that the story is all a dream, Total Recall leaves the ending ambiguous enough for viewers to interpret.

The film doesn’t force viewers to accept that the story is a dream. As a result, it has sparked lively debate among fans over whether it’s real or a dream. If Total Recall is all a dream, it fits the plotline incredibly well. However, there’s also just enough ambiguity that, if you don’t like the dream trope, you don’t have to see it as such.

Didn’t Work: Roseanne (1998-2018)

Before its revival, Roseanne ended its nearly decade-long run with one of the most bizarre renditions of “it was all a dream.” In the original finale, Roseanne Conner (Roseanne Barr) reveals that the entire final season is actually a dream. Essentially, she concocted a dream about her family winning the lottery to avoid facing the difficult realities of her life, including the death of her husband, Dan (John Goodman), who actually died at the end of Season 8.

Most viewers’ reactions to that ending were, “What?” Instead of getting a proper conclusion to the stories of the characters they loved, they're told that Season 9 isn’t real, and their favorite character is actually dead. Roseanne totally derailed in Season 9, and the finale felt like one last feeble attempt to save face, but it only made fans angrier.

Trope: They Were Dead All Along

Worked: We Were Liars (2025-Present)

The revelation that the main characters were deceased all along is an overused trope, but We Were Liars pulls it off beautifully. It works partially because it successfully makes it a surprise twist. Those who didn’t read the book were genuinely shocked by the ending. A show or movie rarely pulls off a twist that genuinely leaves viewers shook, but We Were Liars does. 

In addition to the element of sheer surprise, the ending doesn’t feel unnecessary or like a cop-out. We Were Liars is an intricate story about privilege, corruption, and living in denial. The ending ties its themes together beautifully as viewers take in the shocking cost of the Sinclairs’ wealth, the illusion of their privilege, and the lies that they’ve told themselves. We Were Liars turns a trope into a shocking, heartwrenching, and deeply moving ending.

Didn’t Work: The Uninvited (2009)

The Uninvited ends with the revelation that the main protagonist, Anna (Emily Browning), has been imagining her sister, Alex (Arielle Kebbel), throughout the movie. Anna realizes Alex is dead, and that she has been hallucinating her presence to cope with the knowledge that she accidentally caused her death. The problem with The Uninvited is that it’s an American remake of the South Korean film A Tale of Two Sisters (2003), and it largely keeps the main twist in the story.

As a result, viewers who saw the first movie already knew how it was going to end. Even without A Tale of Two Sisters’ existence, The Uninvited constantly teases some major twist with its growing mysteries that very obviously don’t add up. Hence, the revelation that Alex is dead feels just a little sad, but mostly uninspired and underwhelming.

Trope: Heroic Sacrifice

Worked: V for Vendetta (2005)

V for Vendetta sees the titular hero (Hugo Weaving) meet his demise while pulling off his final mission on Guy Fawkes Night. While preparing to blow up the Parliament building, V defeats the Norsefire Party leader, Creedy (Tim Pigott-Smith), but sustains a fatal injury. Despite his death, his plan to destroy the Parliament building succeeds. Meanwhile, his identity remains concealed, with Evey (Natalie Portman) identifying him as “All of us.”

Sometimes the heroic sacrifice feels too cliche or bittersweet, but it works perfectly for a movie like V for Vendetta. There aren’t any lingering doubts about whether his sacrifice was worth it or why he specifically had to die so others could live. You watch the movie knowing he died for something he believed in, fulfilled his dying wish, and lives on in the ideas he represented. Even after his death, viewers feel confident that his ideas will live on forever and continue to change society.

Didn’t Work: Stranger Things (2016-2025)

Stranger Things ends with Eleven (Millie Bobby Brown) making the heroic sacrifice so that every other character gets their happy ending. Although there are teases that she may have survived, she either died physically or gave up the only life, friends, and family she knew. Her death doesn’t work for a lot of the same reasons The Umbrella Academy’s ending didn’t work. Stranger Things spent a decade establishing Eleven’s story as a girl fighting her whole life for acceptance after being mistreated by so many people.

There’s something so bitter about the character who most deserved the happy ending being the sole character who didn’t get one. Instead of feeling content knowing someone died for something they truly believed in, you have people wondering why the person they saw themselves most reflected in isn’t allowed to live her life. A heroic sacrifice should feel somewhat inspiring, but this one just feels too depressing.

Trope: Deus Ex Machina

Worked: Jurassic Park (1993)

Movies and shows often draw criticism for the Deus Ex Machina ending, in which an unexpected person or thing arrives at the last second to rescue the characters from a seemingly impossible situation. However, Jurassic Park makes the Deus Ex Machina ending work. In the film, the characters are cornered by two raptors with no way out when the T. rex shows up and attacks the raptors. The same animal that attacked the characters earlier suddenly becomes their saviour.

It is abrupt and improbable, but for a movie about genetically engineered dinosaurs eating humans, it works well. These characters are contending with creatures that they don’t fully understand in an environment where truly anything can happen. Once you bring a T. rex into contemporary times, nothing else is too far out there. It suddenly makes perfect sense that “The enemy of your enemy is your friend” also applies to dinosaurs.

Didn’t Work: Pokémon: The First Movie (1998)

The worst cases of Deus Ex Machina are the ones that simply don’t make any sense, such as that at the end of Pokémon: The First Movie. While trying to maintain peace between the Pokémon, Ash Ketchum (Veronica Taylor) turns to stone after Mewto and Mew accidentally strike him. Then the Pokémon cry, and their tears somehow bring Ash back to life.

In the end, you’re left wondering what actually happened. The film never explains how the tears brought back Ash, or whether Pokémon tears actually have magical powers. Pokémon: The First Movie is a kids’ movie, so viewers shouldn’t expect anything too complex, but, at the very least, it should make a little sense. Using a Deus Ex Machina to get around a particularly difficult plot point is somewhat understandable, but using it to reverse a death leads to the most frustrating and nonsensical resurrections.

For the longest time, fans believed that Ted Lasso (2020) would end with its third season, and in a lot of ways, it does. Ted's position as the head coach in AFC Richmond is now in the past, and we've got a new women's league with additional cast members like Jude Mack, Faye Marsay, Rex Hayes, Aisling Sharkey, and Abbie Hern announced as potential players. We don't have much information about the players we've grown to love, like Phil Dunster's Jamie Tartt or Toheeb Jimoh's Sam Obisanya, just to name a few. We also have confirmation that Grant Feely will be recast as Ted's son Henry, and we know that Annette Badland's Mae will be back at The Crown and Anchor pub.

Apart from the fact that we know Ted Lasso will return later this summer, perhaps after the World Cup, we don't have much information on how this new chapter will pan out. Still, some major key players are returning, and we'll likely get more news later down the line. But before that happens, here are the confirmed Ted Lasso cast members of Season 4, as well as where you can stream their movies and TV shows on Apple TV+ and more.

Jason Sudeikis as Ted Lasso

There's no Ted Lasso without its titular king of kindness. Considering he left London for a while to go back to Kansas to be with his son, Henry, we now have confirmation that Ted will return to London, back with his team, where he belongs. Sudeikis has been a comedy legend long before he filled the shoes of AFC Richmond's most optimistic character. From SNL (1975)  to Horrible Bosses (2011), his ability to fully embody a role is indescribable.

Perhaps some part of him will always be best known as the titular coach. To have a legacy as vast as what this series establishes is a rarity that most actors don't get in their careers. Ted Lasso is special, and it's impossible to think of anyone embodying him as brilliantly as Sudeikis.

One to watch: If you are in the mood for the polar opposite of Ted Lasso, try Horrible Bosses for its wild jokes.

Hannah Waddingham as Rebecca Welton

There are legends, and then there's the absolute inimitable prowess that is Emmy Award-winning showstopper, Hannah Waddingham. For many people, Waddingham's role in Ted Lasso is the first thing they've seen her in. But long before she was calling the shots as club owner, Waddingham was stealing hearts at The West End. She also quite literally stole the scene in Game of Thrones (2011) by ringing the bell and shaming Cersei Lannister. 

Since Ted Lasso, Waddingham has had significant roles in blockbusters like The Fall Guy (2024) and Mission: Impossible - The Final Reckoning (2025). In the same way that the series wouldn't work without Sudeikis, there's no Ted Lasso with Rebecca Welton. So her return is not only prominent, but considering it's a women's team, it's going to be riveting to see how her character continues to grow with her new responsibilities.

One to watch: If you liked watching Waddingham in a menacing role in Hocus Pocus 2 (2022), try The Fall Guy, where she has significantly more screentime. 

Juno Temple as Keeley Jones

The biggest hints of a possible fourth season in Ted Lasso came from Juno Temple's Keeley Jones and her endeavours in starting KJPR. If there was going to be a new team, then there's no one who'd represent them better than Jones. And everything Temple does throughout the show ensures that there's an indescribable levity and warmth that wholly represents sunshine in human form.

Still, the masterful work that Temple delivers in Ted Lasso isn't the only thing on her CV. She delivered an unstoppable performance in the latest season of Fargo (2014) and continuously does an astounding job of embodying characters with nuances that are worth admiring. When we last saw her on the show, she was doing great for herself, so it's easy to hope that the streak will continue in Season 4.

One to watch: If you love the thrilling nature of Ozark (2017), try Fargo for its anthology series approach. 

Brett Goldstein as Roy Kent

He's here. He's there. He's everywhere. Thinking about returning to Ted Lasso without Brett Goldstein's involvement isn't something I ever want to think about. The grumpy football star turned beloved coach has one of the most admirable and deeply relatable arcs on the series, and it's comforting to have the confirmation that he'll be back on in the fourth season.

But the writer and actor hasn't left our screens either since the show's third season concluded. Goldstein has a prominent role in 2023's Shrinking (which he's also one of the three creators of), and he also recently delivered all the emotions in the latest romantic drama, All of You (2025). We don't yet know what Roy Kent will be up to when he's back, but the chances of him making us cry are pretty high. 

One to watch: If you love the heart and vulnerability of Ted Lasso, try Shrinking for how beautifully it explores therapy.  

Brendan Hunt as Coach Beard

Brendan Hunt's Coach Beard and Sudeikis' Ted started the show together, but when we last see them in Season 3, Beard is getting off the plane to stay in London with his on-again/off-again girlfriend (now wife) Jane. If Ted were going to return to London, then of course, Beard would still be in the picture, too, because the best friends have to work together, don't they? 

Like Sudeikis, Hunt is known for dabbling in plenty of comedy, and interestingly, they're in a lot of the same films together. If you ever do some sort of a marathon, you'd be sitting in front of your screen like Leonardo DiCaprio in Once Upon a Time… in Hollywood (2019), pointing to the screen. Recently, Hunt did some voice acting for Pixar's Elio (2025), and surely his return to Ted Lasso will make the series feel more complete.

One to watch: If you loved Elemental (2023), try Elio for another gorgeously animated feature.

Jeremy Swift as Leslie Higgins

Jermey Swift's Higgins steals your heart in a way that's unlike anything else, and there's no looking back. Before we had confirmation of the Summer 2026 release timeline, we had a single still of Higgins sitting beside Ted, Rebecca, and Keeley, signaling that he'd also be returning to the fourth season. Countless episodes throughout the series authenticate his importance, but more than anything, Swift's performance always sticks the landing. 

Outside of Ted Lasso, you've likely seen Swift in Descendants: The Rise of Red (2024) and a few episodes of All Creatures Great and Small (2020). Although his roles in both series are different from his work on Ted Lasso, they're still incredible and worth watching while we wait to see what's in store for him as Higgins.

One to watch: If you like the found family elements in Ted Lasso, try All Creatures Great and Small for its wholesome vibes.

Tanya Reynolds

Apart from the fan-favorite characters we know are returning, Tanya Reynolds is the one new regular who seems to have a significant role. Judging by the new stills that have been released, she appears to be one of the new coaches, which is fantastic information considering this is a women's team. We don't seem to have her name in the show yet, nor as much information as we'd like, but knowing her work from Sex Education (2019), Reynolds is a perfect addition.

Interestingly, Waddinahm has also been in Sex Education, so it'll be riveting to see two stars from the show reunite again, and how Reynolds will play a character who's likely going to be very different from Lily Iglehart. This begs the question of what'll happen to Nick Mohammed's Coach Nate, but maybe he's still at AFC Richmond? Because surely he's a character we'd all love to see return.

One to watch: If you want more LGBTQ+ romances like Heartstopper (2022), try Sex Education for its honest approach.

He-Man’s an odd property. The original series is a universally beloved cartoon, but it’s really just a long commercial. Yes, He-Man was always meant to be a toy line first and foremost. Those animated adventures were just to ensure you bought a Battle Damaged He-Man to do battle with your Skeletor and Moss Man figures. 

Today, He-Man is a legacy property, and every few years there’s a new attempt at a relaunch. 2026 will see one of the biggest ones to date, in the form of a big-budget blockbuster film from Bumblebee (2018) director Travis Knight and starring Idris Elba and Jared Leto. Before you dig into Masters of the Universe, here’s our ranking of the best He-Man adaptations, just in time for you to catch up. 

6. Masters of the Universe (1987)

I suppose in some sense, you have to give Cannon Films credit for really trying to make a He-Man film. 1987’s Masters of the Universe is an odd duck, though, even for Canon. Starring Dolph Lundgren as He-Man and Frank Langella as Skeletor, the movie tried to avoid filming a costly Eternia set by having the film mostly take place in modern-day California, where the Masters of the Universe and the Evil Warriors are stranded in search of an artifact.

The film suffered a notoriously cursed production, with He-Man and Skeletor’s final duel literally being shot in a darkened gymnasium because they ran out of money. Fans have fond memories now, but this one missed the mark by a wide shot. Still, if you like campy sword and sorcery movies, it’s worth watching at least once, even if it’s just for Langella’s performance as Skeletor. 

5. The New Adventures of He-Man (1990-1991)

He-Man was always about selling more toys, but eventually, you’ve got to find a way to get the kids to buy something new. With toy sales down and the show having not produced new episodes for five years, a reimagined sequel series hit TVs in 1990, alongside a new toyline. The New Adventures of He-Man saw Prince Adam summoned to the future to defend the planet Paradis, but his nemesis Skeletor manages to sneak into the future as well.

The show is generally an improvement on the original, with more engaging stories and better animation, but it completely lacks the visual style that made the original Masters of the Universe stand out, resulting in a forgettable mess that ended after 65 episodes. Think of it a little like Thundercats (1985) or the original She-Ra: Princess of Power (1985), both imperfect nostalgia-filled series that only came into existence to sell toys. 

4. He-Man and the Masters of the Universe (2002-2004)

After a little over a decade of dormancy, He-Man returned with the revival, titled—what else?— He-Man and the Masters of the Universe (2002). Ignoring what came before for a relatively wholesale reboot, the 2002 series borrows a lot from its predecessor, serving as a robust update of the classic cartoon. Was it a success? It will largely depend on your preferences.

The series was praised at first for its animation and storytelling, but classic fans didn’t click with it, and the second season, which replaced Skeletor with new foes, the Snakemen, and updated He-Man’s armor, got a little too toyetic. It’s a fine update and didn’t look out of place at all in 2002, but it does lack some of the charm that made He-Man work. 

3. Masters of the Universe: Revelation & Revolution (2021-2024)

2021’s Masters of the Universe: Revelation and its second season, Revolution, might have been the most interesting thing to happen to He-Man in years. The show is a grounded exploration of a world without He-Man, seeing the hero killed in the first episode. Instead, your hero for the first season is Teela, finally taking the spotlight for a show that gained a fair amount of critical praise.

He-Man makes his way back by the end of the first season for a more traditional second season, but this one is definitely a must-watch if you’re looking for a surprisingly emotional take on the He-Man mythos. With Kevin Smith in the creator’s seat and a stacked cast, including names like Mark Hammill and Keith David, Masters of the Universe: Revelation and Revolution is easily available on Netflix. 

2. He-Man and the Masters of the Universe (2021-2022)

The most recent animated reimagining of He-Man, 2021’s He-Man and the Masters of the Universe, skewed toward a decidedly younger audience than even the original series. Making use of extremely exaggerated character designs and more toyetic armored looks for the characters, this series focuses on a He-Man who has only just regained his memories and rediscovered his life as Adam, Prince of Eternia. 

He-Man and the Masters of the Universe may not look like much, but it’s arguably the most critically successful version of the character, earning praise for its animation and writing that previous series only wished they had. It’s the perfect show for the whole family to enjoy before delving into some of the more mature incarnations of the character. 

1. He-Man and the Masters of the Universe (1983)

For all the reboots, reimaginings, and remakes, there’s just nothing like the original He-Man and the Masters of the Universe. Airing in 1983, the show managed to crank out a head-turning 130 episodes, a Christmas special, and a crossover with sister series She-Ra: Princess of Power. A lot of great creatives got their start on He-Man, and I am obligated to tell you that includes Babylon 5 creator J. Michael Straczynski and Batman: The Animated Series (1992) writer Paul Dini.

He-Man is a rare example of a show that is blatantly dated but still works. The charm of its low-production, oft-repeated animation frames, and in-your-face cheesiness is what makes it work, and is what’s missing from later adaptations. This is, without a doubt, the He-Man adaptation that everything is trying to top to this day. 

Masters of the Universe (2026) - Where Will It Rank? 

A new He-Man is upon us yet again. Will the 2026 Masters of the Universe learn from its predecessors’ mistakes? The first trailer has a lot of the characters and action fans want to see from a He-Man project. But, like the 1987 film, it seems to stick He-Man on Earth for a portion of its story.

Can the all-star cast, coupled with the MGM and Amazon money, have the power to make the latest iteration of Masters of the Universe stick, or are we doomed to another 40 years before our next He-Man movie? We’ll find out on June 5, 2026.

While promoting Sinners (2025), Ryan Coogler and Michael B. Jordan spoke with JustWatch about their ultimate guilty pleasure movies. Coogler's A Walk to Remember (2002) response (which you can read about HERE) plunged Jordan into giggles that he never entirely recovered from. But between the laughter, Jordan managed to chime in with his own response: A Low Down Dirty Shame (1994). 

WATCH: Michael B. Jordan Can't Stop Laughing At Ryan Coogler's Guilty Pleasure Movie

Boosting an impressively bad 4% on Rotten Tomatoes and a similarly poor critical reception across the board, A Low Down Dirty Shame is one of those films that critics hated, but audiences adored.  

As far as the story goes, A Low Down Dirty Shame is pretty standard stuff. Keenen Ivory Wayans plays Andre Shame, a former LAPD detective turned private investigator who gets a chance at revenge and redemption after a break in an old case. As the brain behind comedy classics like In Living Color (1990), Scary Movie (2000), and White Chicks (2004), Wayans also directed and wrote the script. However, unlike those aforementioned titles, A Low Down Dirty Shame didn't receive quite the same mainstream praise.

While critics, like Roger Ebert, took issue with the film's shallow characters, weak plot, and overuse of cliches, not all audiences agreed, including Jordan, who called it "a good one." The actor also specifically gave a shout-out to Peaches, the energetic, unfiltered character memorably played by Jada Pinkett Smith. Like all the best guilty pleasure movies, A Low Down Dirty Shame has a divisive legacy, and that's what makes it all the more fun!

'A Low Down Dirty Shame' Is An Underrated '90s Comedy

Listen, when it comes to tropey action comedies like this one, not everyone will get it, but that's okay. Some of the best hidden gems lie off the beaten path, which is precisely the case with A Low Down Dirty Shame. The movie never asserts itself as a cinematic masterpiece. Instead, it aims to entertain with ridiculous one-liners, absurd action, and over-the-top scenes across the board. Not every joke has aged perfectly, but in some ways, that lends to the film's '90s charm. However, if "shock" comedy like that doesn't sit right with you these days, then consider passing.

For the right audience, though, A Low Down Dirty Shame is the perfect popcorn movie. It homages and spoofs some of the best and most well-loved blaxploitation movies of the 1970s, like Shaft (1971), while tossing out references to TV favorites like Soul Train (1971) and Good Times (1974). Although the movie has a then-present-day setting, the blaxploitation throwback vibes offer a nostalgic layer perfect for fans of that era of filmmaking.

Again, it's not the type of film you throw on to feel something; it's what you watch when you need to turn your brain off. Perhaps one of the commenters on our YouTube interview with Jordan summed it up best: "It's hilarious every single time." Yeah, that pretty much hits the nail on the head. 

Why To Watch 'A Low Down Dirty Shame' (And What To Watch After) 

If you're tired of revisiting the same old '90s comedies, then boot up A Low Down Dirty Shame. Those already familiar with Wayans' In Living Color-style comedy will feel right at home in this action spoof. Honestly, watching any of Wayans' comedies, like the aforementioned White Chicks and even Scary Movie, makes excellent peers for this style of movie. 

That said, if you're craving more over-the-top action and comedic violence with a crime drama conceit, look to movies like Bad Boys (1995) and Money Talks (2007). And, hey, maybe even consider rewinding to the '80s and '70s. Movies like I'm Gonna Git You Sucka (1988) deliver on the wild, ridiculous parody vibes A Low Down Dirty Shame also throws out, while Trouble Man (1972) offers cool action with a more grounded detective story if you're craving something more serious in the blaxploitation genre. 

Emilia Clarke is the type of actor who should be in a lot more movies and TV shows, but sometimes, even when she is, the property itself doesn't give her nearly enough solid material in order for her to really  show off her acting chops. Other times, it's an absolute jackpot when everything's done well, and she's involved in it because it's then that we get something genuinely special. 

With a show like Ponies (2026) currently climbing charts, people are understandably getting the chance to see just how gifted she really is. And of course, there's always Game of Thrones (2011) or fan videos to rewatch all her best moments. As one of the most versatile actresses of our generation, Clarke continues to prove that there's really no role she can't master.

From heartbreaking love stories to animated gems, here are the best Emilia Clarke movies and TV shows, as well as where you can stream them on platforms like Disney+, Peacock, and more.

5. Me Before You (2016)

Romantic dramas that end in tragedies aren't for every type of viewer, nor are they usually easy to recommend, especially when a main character dies, and people have specific health-related triggers. Me Before You is one of those movies. While both Emilia Clarke and Sam Claflin do a gorgeous job in their respective roles, the adaptation based on JoJo Moyes' book of the same name, is a rough one. 

Still, it's a well-made adaptation and an excellent story in the moments between all the heartache. If you want a good cry that'll also rip your heart out, Me Before You is a solid movie to show off Clarke's acting range in a way that's completely different from her more popular roles like Game of Thrones. 

4. Solo: A Star Wars Story (2018)

It's always challenging to deliver an origin story based on a beloved character that also essentially changes some of the lore from the present we know. But despite what some critics and fans believe, Solo: A Star Wars Story is an excellent feature, and Emilia Clarke's role as Qi'ra is one of the most memorable among a list of countless amazing characters. 

And while Clarke's role might not be as big as Alden Ehrenreich's as the titular character, we still get enough through her performances that allows us to understand who she is and what she stands for. If you've never watched Star Wars (1977), you can still commit to Solo as a standalone, but it can also be a riveting gateway into the original trilogy. 

3. The Night Before Christmas in Wonderland (2024)

The Night Before Christmas in Wonderland flew under the radar for so many people, but it's one of the most wholesome Christmas animated features. Perfect for anyone who loves Alice in Wonderland (1951) and appreciates a good twist on classic stories, it's got stunning animation all around and incredible voice performances from the whole cast.

Clarke voices the Queen of Hearts, with Bridgerton's (2020) Simone Ashley taking the voice of Alice in a way you've never seen (or heard) before. Genuinely, it's the type of animated feature that should be on yearly rotation during the holiday season for all that it accomplishes in its short timeframe. There's an interesting beat of nostalgia in the film that adds layers to the original story we know, making it even lovelier in the process. It reminds me of another favorite underrated gem, The Life & Adventures of Santa Claus (2000).

2. Ponies (2026-present) 

The latest Peacock espionage series, Ponies, is perfect for anyone who's still missing FX's masterpiece, The Americans (2013). Starring Emilia Clarke and Haley Lu Richardson, it's sharp, gorgeously shot, and compelling from the very first episode to the last, in a way where it'll leave you invested and wanting more immediately. It's the kind of show that's so good you'll wonder why we don't have more of it. 

Clarke delivers one of her best performances throughout the series, showing off her range in a way that once again proves just how much she is capable of when the script is captivating and thoughtful. The layers she brings to Bea make her an effortlessly fascinating character, and the dynamics within the show are just as enticing. This one's not to be missed, and hopefully there will be more on the horizon.

1. Game of Thrones (2011-2019)

Game of Thrones may have one of the most controversial final seasons of any show, but the performances throughout were unmistakably memorable. There's a reason that almost all the actors later went on to do excellent things afterward. Their talents are limitless. And even if you never watched an episode, chances are you know the dragon queen, Daenerys Targaryen.

Clarke's performance throughout the seasons has been astounding in indescribable ways. The layers she brings into each of her scenes and the amount of heart she lays bare throughout are no small feat. Daenerys is a great character on paper, but it's what Emilia Clarke brings to the role that makes her so iconic and legendary. Despite its ending, Game of Thrones is still the type of fantasy blueprint that's worth watching, if for no other reason than for the performances.

The latest trailer for The Super Mario Galaxy Movie (2026) finally dropped the first look at Yoshi. Yoshi made his first appearance in Nintendo’s Mario franchise in the video game Super Mario World (1990). Ever since then, he has been a staple in the franchise, serving as Mario’s trusty dinosaur companion. It’s impossible not to love his jolly personality and cute appearance. He’s also one of the best characters to play due to his handy flutter kicks and ability to eat enemies.

Hence, he’s one of the most anticipated characters for The Super Mario Galaxy Movie. However, this isn’t the first time he has appeared on the big or small screen. Use our guide to find out where you can catch all of Yoshi’s TV and movie appearances before his arrival in The Super Mario Galaxy Movie.

Super Mario World (1991)

Shortly after his video game debut, Yoshi made his small-screen debut in the animated series Super Mario World. In the show, Yoshi is a main character, accompanying Mario (Walker Boone) and Luigi (Tony Rosato) on their adventure as they battle the scheming King Koopa (Harvey Atkin). The series really capitalized on how cute Yoshi is and his special bond with Mario and Luigi. One of the most popular episodes is a flashback to Luigi and Yoshi meeting, where Luigi becomes “Mama Luigi” to the baby Yoshi. Honestly, there’s nothing cuter than baby Yoshi’s design.

Super Mario World, like the Mario games of the 1990s, evokes strong nostalgia and charm. It’s goofy and wholesome, and viewers will appreciate that many of the actors from The Adventures of Super Mario Bros. 3 (1990) return to their roles. The only downfall is that Toad is surprisingly absent, but if you’re here for Yoshi, you’ll get exactly what you’re looking for.

Super Mario Bros. (1993)

Super Mario Bros. features Yoshi (Frank Weller), though you may not recognize him at first glance. The film features the only live-action depiction of the character, and he looks like a little Velociraptor, portrayed by a lifelike dinosaur animatronic. In Super Mario Bros., Yoshi is a pet of the Koopa family, but decides to switch sides to help rescue Princess Daisy (Samantha Mathis). Not everything in the film translated well to live-action, but Yoshi certainly did. It’s a truly adorable design, and he boasts more heart and bravery than most characters in the movie.

Although Super Mario Bros. struggles to convey the charm of the video games, it has its own merits. Like A Minecraft Movie (2025) and The Super Mario Bros. Movie (2023), it boasts a simplistic premise and is loads of fun if you’re not expecting anything too sophisticated. Plus, it has one of the best on-screen appearances from Yoshi.

The Super Mario Bros. Movie (2023)

The Super Mario Bros. Movie is one of the best adaptations of Mario, though it doesn’t feature a whole lot of Yoshi. In the Jungle Kingdom scene, you’ll catch a glimpse of wild Yoshis running about. However, Yoshi gets a post-credits scene dedicated to him. The scene surveys the damage left behind from the movie’s final battle and reveals a single egg with green spots among the carnage. As it begins to hatch, the screen fades to black, and you hear a familiar voice say, “Yoshi!”

The Super Mario Bros. Movie mainly teases Yoshi’s appearance in The Super Mario Galaxy Movie, and I really like that he’s getting the special appearance treatment. The film recognizes Yoshi’s popularity and gives fans just enough to get excited for his future appearances. Additionally, The Super Mario Bros. Movie is a beautiful animated rendition of the Mario universe and sets up the perfect, wholesome, lighthearted, and vibrant environment for Yoshi to thrive.

It isn't surprising that Ryan Coogler's Sinners (2025) breaks Oscars history with its 16 nominations, but what is surprising is that the academy chose to finally recognize something that's fully groundbreaking. Because more often than not, a movie like Sinners would've been brushed under the rug or maybe given some sort of accolade off-screen. But there's only so many times you can snub excellence before the public gets frustrated, and time and again, moviegoers have been begging for recognition in niche genres because their place in film is vastly significant. 

Understandably, horror isn't for everyone, and for a beat, I wasn't sure I could handle Sinners either. But thank goodness I was able to one-up my fear and run to the movies for an IMAX screening because it's the type of story that deserves to be seen on the big screen. However, despite having excellent nominations in the past, like another Coogler masterpiece, Black Panther (2018), the academy isn't always known for allowing genre movies to win, even when they rightfully deserve it. But could Sinners break the mold like The Shape of Water (2017) previously did? I wholeheartedly think so. 

Now streaming on HBO Max, if you're somehow still sleeping on the seminal film, watch it before it sweeps awards. And from one scaredy cat to another, I promise you'll be fine. 

What Awards Could 'Sinners' Actually Take Home? 

There's a good chance that Sinners could take home every award pertaining to music and sound, which includes Music (Original Song), Music (Original Score), Sound, and Visual Effects. In a year where it's running against some pretty great films, its biggest competition in terms of production design is Guillermo del Toro's Frankenstein (2025). Still, in a lot of ways, even if the classic novel's adaptation wins, there's still something to be said about how horror is on top this year. 

The most unpredictable category every year isn't actually Best Picture, but rather the ones for Best Actor and Actress. Even when the choice seems painfully obvious, the decisions at times are so questionable that you have to wonder if voters actually watched all the films. And sure, all of this is an opinion at the end of the day, but there's often an objective choice, and if you ask me, the Best Actor should go to Michael B. Jordan. Who else in the running is playing two different characters who are uniquely different from one another in the same production? Jordan's performance is sensational throughout Sinners, and given his body of work in the past, it's a clear showcase of his talent in a way that he deserves the recognition.

In addition, while Best Director and Original Screenplay are also tough to predict, there's a good chance that Ryan Coogler could take home one or both. His directorial vision is exactly what makes Sinners such a triumph, so the win as a director would be fully deserved, but the sharp dialogue in his screenplay is also revolutionary. I'm going to go ahead and make the active prediction now that, since Guillermo del Toro isn't nominated for Frankenstein, Coogler should and could certainly win for Best Director. If I were part of the voting committee, he'd have my vote without a question. 

Why 'Sinners' Is A Masterfully Captivating Story 

Niche genres like horror and science fiction often do the most thoughtfully superlative job of telling relatable stories veiled underneath a seemingly fantastical plot. Whether they include aliens, vampires, or some totally unheard of creature, human complexities and the history that haunts us are very much the nexus point of these genres. Creators tell the stories that they know by finding unique ways to understand everyday battles and bring them to an audience. This notion is especially true for a director like Coogler, who brings Black history to our screens in a way that textbooks fail to educate us on.

Before the credits even roll, and you run to the internet to learn more, the emotions scattered throughout Sinners showcase that this story is bigger than what we understand. Coogler has previously spoken about the fact that his family members are descendants of the Great Migration, but throughout the narrative, we have sprinkles of what it means to leave a legacy and how much turmoil and agony come from fleeing a place where others are out for your blood. The message is literal in Sinners with the inclusion of vampires, but the deeper reminder of the atrociousities that Black people and those from indigenous places faced with colonizers is boldly on display. 

This injustice that's at large in history and still a tremendous tragedy plaguing the present is brought to life through Blues music, inimitable performances from the whole cast, and a directorial vision that unveils the fabricated glow America hides underneath. Metaphorically impactful and methodically captivating, Sinners is the type of masterful feature that can and should be studied—the kind of movie you can analyze frame by frame and still find yourself barely scratching the surface of its depth. 

And again, a genre like horror often holds indisputable depth in its jump scares—the reminder that the monsters aren't the ones seemingly in closets or under the bed, but they're sometimes the people we pass on the street or the ones who sit beside us at churches, schools, or work. The reality that bleeds from the obscure plot is at times more evocative than the simple truth we can't seem to see when it's staring us right in the eye. For this reason, recognizing Sinners for its impact is a decision that can hopefully leave more room for creative people not to be shunned by awards because their work is a little different from the average drama feature.

The video game curse returns as Return to Silent Hill bombs at the box office. During its opening weekend, the movie earned just $3.2 million, which is a remarkable travesty for any studio. Its failure also brings back the old “video game curse” that alleges video game adaptations will always fail at the box office and receive horrible reviews (Return to Silent Hill currently holds an 18% on Rotten Tomatoes). In the last few years, it seemed like the curse may have been broken, thanks to hits like The Last of Us (2023-Present) and Fallout (2024-Present). But Return to Silent Hill has once again cast doubt on just how good video game adaptations can be. 

Luckily, gamers and horror fans have another scary video game adaptation to look forward to…and there’s a good chance it’ll be way better than Return to Silent Hill. Releasing on Shudder on February 13, 2026, The Mortuary Assistant is based on the hit 2022 video game of the same name. The story follows a woman who gets a job as a mortuary assistant, but what she doesn’t know is that the mortuary is haunted by a demon, and that her presence has upset it. 

But what makes The Mortuary Assistant such a great and scary game, and why could it be the perfect video game adaptation? Read on to find out.

What Is ‘The Mortuary Assistant’ Game Like?

In The Mortuary Assistant, players take on the role of Rebecca, a newly hired mortuary assistant. For a horror game, The Mortuary Assistant has a relatively relaxed gameplay. You explore the mortuary, take care of cadavers, and perform basic tasks. 

From the start, the game is creepy. You are alone. In a mortuary. On a stormy night. The vibes feel perfectly off-balance from the very beginning. But then, things start to happen. You start to see shadowy figures, cadavers begin to move, hallways suddenly go on forever…and full-bodied apparitions chase you through the dark corridors of the mortuary. 

It’s very much an atmospheric video game and players don’t need to worry about combat or dying until the very end, where you can either succeed or become possessed yourself. But for the most part, The Mortuary Assistant is a game all about the great atmospheric horror and jump scares. 

How ‘The Mortuary Assistant’s’ Unique Scares Could Translate To The Big Screen

Most of the fun in The Mortuary Assistant comes from the way the game expertly sets up jump scares. You’ll be working, and a face peeks around the corner; or your character will turn around, and a shadowy figure is suddenly right behind you. With so much of the game focusing on atmospheric horror instead of quick, action-based combat or survival, it’s already essentially set itself up as a cinematic experience. 

As we’ve seen with blockbuster hits like Paranormal Activity (2007) and The Blair Witch Project (1999), atmospheric horror translates incredibly well into the cinematic experience. Those small noises in the background, or something lurking in the corner of the screen, and the building tension of knowing that something is wrong, all makes for a great and scary horror movie experience. And that’s exactly the vibe The Mortuary Assistant already has, so the filmmakers had a great blueprint to work from to create an engaging horror movie. 

Plus, as a small indie game, its graphical power is limited (while still very scary), so with movie VFX and practical effects, the demons can look more real and terrifying, potentially giving the film adaptation a chance at being even scarier than the game. 

What To Watch If You Like ‘The Mortuary Assistant’

If you loved playing The Mortuary Assistant and are excited about the movie, here are some other films you should check out on Prime Video, Hulu, and more. Whether you loved the game for its demonic plot, its lingering and terrifying atmospheric horror, or its screamworthy jumpscares, you’re going to love these films.

If you loved the demonic plot, check out The Autopsy of Jane Doe (2016), which is going to be the most similar movie to the game. In the film, a mysterious cadaver arrives at the mortuary, and it turns out she was a demonic sacrifice. From there, the horror really takes off. Another similar film is The Taking of Deborah Logan (2014). The movie follows the caretaker of an elderly woman with Alzheimer's. But it turns out she isn't actually suffering from a disease, rather is slowly being taken over by a demonic entity. The indie film is a really fun and seriously scary movie that became a hit in the home video and streaming markets. 

If you’re a fan of The Mortuary Assistant’s atmospheric horror, not only are films like Paranormal Activity and The Blair Witch Project must-watches, but also check out movies like Late Night with the Devil (2024) and The Orphanage (2007). Both have fantastic settings that create eerie, tense vibes. If you love the way the game places you in an environment where the dread and horror slowly grow around you, you’ll love the way these films bring out the same emotions. 

Of course, another part of what makes The Mortuary Assistant so terrifying is its excellent jumpscares. Half the reason the little indie game became such a huge success was by streamers like Markiplier playing the game and getting scared shi***** from the excellent jumpscares. If you love a good fright, you should check out movies like Host (2020) or Hell House LLC (2015). Both build up the tension and horror with great jumpscares, and even better, both films use practical effects, which always makes them so much scarier! 

The 2026 Winter Olympics are just around the corner. For over two weeks, the best athletes in the world will compete in winter sports from bobsledding to curling. The Winter Olympics arguably offer a bigger spectacle than the Summer Olympics, with awe-inspiring shots of skiers soaring through the air or lugers racing across ice at high speeds. Perhaps this is also why the Winter Olympics lend themselves well to cinema, already featuring the high-stakes drama, danger, dreams, and determined figures necessary for a compelling sports biopic.

Movies about the Winter Olympics lets viewers experience the thrill of elite competition in a condensed format and often offer opportunities to delve deeper into the backstories and histories of its athletes. If you’re finding yourself short on time to delve into the two-week Olympics event, you can use our guide for 10 Winter Olympics movies to watch instead on platforms like Disney+, Tubi, and more.

Miracle on Ice (1981)

Miracle on Ice is a docudrama about the United States men's national ice hockey team's shocking Gold Medal win in the 1980 Winter Olympics. Using dramatization and repurposed footage from actual game broadcasts, it captures how coach Herb Brooks (Karl Malden) leads the team to victory over the heavily favored Soviet Union. While it takes some creative liberties, it is essentially a historically accurate dramatization, and sports fans will love the actual game footage.

However, Miracle on Ice isn’t the only movie on this list that tackles the hockey upset at the 1980 Winter Olympics. Miracle (2004) covers the same story but reshoots the entire game rather than using real-life footage. The 2004 film is the more popular adaptation of the story. However, Miracle on Ice remains an excellent film for true hockey enthusiasts, running closer to the truth while still capitalizing on sentimentality.

The Cutting Edge (1992)

The Cutting Edge is a fictional sports romance centered on two down-on-their-luck athletes: the spoiled, snobbish figure skater Kate (Moira Kelley) and the arrogant former ice hockey player Doug (D. B. Sweeney). After their careers are derailed, they reluctantly team up as an Olympic figure skating pair and are surprised to find genuine attraction growing as they train. The Cutting Edge is an engaging blend of romance and sports drama. Not only does it feature a fun, “opposites attract” romance, but it also ramps up the exhilaration and stakes with its Olympic setting.

I like how The Cutting Edge capitalizes on the romanticization of figure skating. If you watch pairs figure skating, you’ll likely notice strong chemistry between them, though most of us recognize it's part of the sport. The Cutting Edge, however, allows the illusion of a dreamy romance and an ice-skating power couple to persist.

Cool Runnings (1993)

Cool Runnings is loosely inspired by the Jamaican national bobsleigh team's debut at the 1988 Winter Olympics. It follows four Jamaican athletes who, under the tutelage of retired Olympic bobsledder Irving Blitzer (John Candy), form a bobsleigh team and pursue their dream of competing in the Olympics despite their unfamiliarity with snow and cold weather. Cool Runnings is a great inspirational sports movie that finds the perfect balance between humor and inspiration.

The film’s lighthearted tone and humor are reminiscent of sports comedies like Next Goal Wins (2014), though it still also manages to drive home that same feel-good, sentimental drama that Miracle on Ice achieves. Stories of underdogs always have the potential to be inspiring and comical, and Cool Runnings really capitalizes on this. If you’re not too concerned with historical accuracy and are interested in a light take on the 1988 Winter Olympics, Cool Runnings is an excellent choice.

Miracle (2004)

Miracle recreates the dramatic victory of the U.S. men’s national hockey team over the Soviet Union in 1980. In this take on the story, there’s a heavier emphasis on Coach Herb Brooks and his unconventional coaching methods, which Kurt Russell perfectly embodies. From his demanding style to how he fostered passion in his players, Russell brings Herb to life in a way Miracle on Ice doesn’t.

Additionally, the dramatic recreation of the game with modern graphics heightens the film's exhilaration, while the casting of numerous hockey players adds realism. It doesn’t quite offer the raw, real-life footage of Miracle on Ice, but its spin on the story is special in its own way. If you loved Miracle on Ice but were seeking more drama and grandeur, Miracle is the perfect film to delve into the story, padded with a bit of extra nostalgia and passion.

Blades of Glory (2007)

Blades of Glory tells the story of disgraced figure skaters Chaz (Will Ferrell) and Jimmy (Jon Heder), who are stripped of their medals at the 2002 World Winter Sport Games (the film’s version of the Olympics) and find the only way to compete again is to team up as the first male-male figure skating pair at the games. If you’ve ever thought that sports dramas get a little too sentimental and melodramatic, then Blades of Glory is for you. The film brilliantly parodies sports dramas, poking a little fun at sports feuds and the sometimes flamboyant world of figure skating. 

Ferrell and Heder are a comedy dream team, and I rank Blades of Glory alongside Anchorman: The Legend of Ron Burgundy (2004) and Step Brothers (2008) as Ferrell’s best comedies. It’s got the classic Ferrell comedy elements of absurdity and goofiness, and while it may not make you cry or inspire you, it will make you laugh.

Take Off (2009)

Take Off is loosely inspired by the first South Korean national men’s ski team. In the film, Cha Heon-tae (Ha Jung-woo), a Korean American adoptee struggling with his identity, agrees to join a ragtag team of misfits who make up South Korea’s first national men’s ski jumping team. The story is reminiscent of Cool Runnings and boasts the same balance of heart and humor as it tells the tale of underdogs doing what seems impossible.

However, Take Off also goes a little deeper than Cool Runnings in exploring national pride and belonging. Telling the story from the perspective of an adoptee was an excellent way to delve into questions of identity and culture, and to capture the experiences of transnational adoptees. If you liked Cool Runnings and Miracle on Ice, Take Off offers similar drama, inspiration, and humor, while still maintaining its own unique perspective.

I, Tonya (2017)

I, Tonya is a sports biopic that tells the true story of Olympic figure skater Tonya Harding (Margot Robbie) and her alleged involvement in the 1994 assault on her rival, Nancy Kerrigan (Caitlin Carver). The film is unlike any sports biopic due to its abundance of dark humor and inclusion of mock interviews with the characters. Despite its dark comedy, it ultimately takes a sympathetic, compelling approach to Harding’s story, shifting the narrative from villainizing her to portraying her as a woman dealt a raw deal.

I enjoyed the realism of I, Tonya and how it wasn’t afraid to tackle the darker side of Olympic athletes and sports, rather than opting for the typical inspirational stories. It really makes you think about what elite athletes go through behind the scenes. Additionally, I, Tonya probes topics of abuse, domestic abuse, and manipulation, which sets it apart from other sports biopics.

Eddie the Eagle (2016)

Eddie the Eagle is another sports biopic about an unconventional Olympian. The film follows Michael “Eddie” Edwards (Taron Egerton), an Olympic skiing hopeful, who realizes he can qualify for the Olympics by entering as Britain’s sole ski jumper and begins training under former skier Bronson Peary (Hugh Jackman). Eddie is certainly an interesting choice for a sports biopic, since he inspired the Olympics to change their rules to prevent others from following in his footsteps.

However, the unconventional story lends itself well to the movie’s heart and humor. Egerton and Jackman make a comical, mismatched duo, while the story is stranger-than-fiction and keeps you on your toes. Ultimately, though, it proves you don’t have to be an elite athlete to inspire others. 

Torvill & Dean (2018)

Torvill & Dean is a TV movie that follows the lives and careers of Jayne Torvill (Poppy Lee Friar) and Christopher Dean (Will Tudor), the ice-dancing pair who earned a rare perfect score at the 1984 Winter Olympics. The pair mesmerized the globe in 1984 when they became the highest-scoring figure skaters of all time for a single performance. Meanwhile, Torvill & Dean is an excellent watch for those seeking a deeper understanding of the pair beyond their famous 4-minute, 10-second 1984 routine.

The film is fairly accurate, with some added drama for entertainment. It may not be as flashy as Miracle or as complex as I, Tonya, but it offers an inspirational tale about how two people from humble beginnings, working regular daytime jobs, went on to become two of the best skaters in the world. Torvill & Dean is an excellent choice for those seeking a true story of determination and connection.

Breaking Through (2022)

Breaking Through centers on Yang Fan (Meng Meiqi) and her journey to becoming China’s first-ever gold medalist in the Winter Olympics for short-track speed skating. The film is based on the true story of Yang Yang, who won China its first two gold medals at the 2002 Winter Olympics. It’s an interesting movie that tackles a story not many are familiar with. We all know China dominates the Summer Olympics, making it all the more enjoyable to see the struggles it had to overcome at the Winter Olympics.

Breaking Through is also an excellent choice for those seeking a sports biopic centered on a female athlete. The film is a wonderful tribute to Yang Yang while also educating viewers about the lesser-known sport of short-track speed skating. Like The Fire Inside (2024) and Nyad (2023), Breaking Through is perfect for viewers seeking sports biopics that tell lesser-known yet highly inspiring stories.

Fictional killers who make us question our own moral compass are fascinating. We know we shouldn't root for them, and yet, when they're written with charisma and a strangely relatable humanity, we can't help ourselves. The most popular murderers often come with tragic back stories shaped by pain, obsession, or an unshakable sense of purpose, and that complexity is what keeps us watching.

Whether they're vigilantes, icons of horror, or psychologically fractured masterminds, if you're ready to confront your own complicated love for killer storytelling, these are the murderers worth meeting on platforms like Netflix, HBO Max, and Hulu. Remember, it's not about endorsing their criminal behavior. We are simply drawn to the why behind it.

Memory of a Killer (2026)

Based on De Zaak Alzheimer, a 2003 Belgian film, Memory of a Killer follows Angelo Doyle (Patrick Dempsey), a hitman who begins losing his memory after being diagnosed with early-onset Alzheimer's. As his condition worsens, he races against time to protect his daughter from the criminal underworld while tying up the violent loose ends of his past.

The series, which is currently in its first season, manages to find the perfect balance between brutal crime show and family drama. Angelo comes across as more of a tragic figure than a cold-blooded killer because his crimes are rooted in survival and protection, not cruelty, even when they're horrifying. It shares the same thematic DNA with The Bourne Identity (2002), making it perfect for viewers who love when action mixes with intimate character studies.

Child's Play (1988)

Child's Play begins after a dying serial killer, Charles Lee Ray (Brad Dourif), transfers his soul into a Good Guy doll using voodoo magic. The seemingly innocent doll ends up in the hands of six-year-old Andy Barclay (Alex Vincent), who believes Chucky is his new best friend. When the doll goes on a mini killing spree while searching for a new body to possess, Andy has to convince his mother of its evil intent.

The horror of Child's Play lies in the contrast between Chucky's harmless-looking exterior and his adult cruelty. After several sequels and a series, Chucky became a fan favorite because his humor and lack of remorse make him unpredictable and weirdly endearing. The movie is great for viewers who like their horror with a good dose of mischievous energy.

The Silence of the Lambs (1991)

The Silence of the Lambs follows trainee FBI agent Clarice Starling (Jodie Foster), who has the terrifying task of interviewing Hannibal Lecter (Anthony Hopkins), an imprisoned cannibalistic serial killer, in hopes of catching another murderer. What begins as a professional exchange quickly becomes a psychological duel, as Hannibal uses manipulation to probe Clarice's deepest fears.

This film remains one of the most intelligent psychological thrillers ever made. We love Hannibal Lecter because his calm sophistication makes his brutality feel even more terrifying. It carries the same cerebral menace as Zodiac (2007), but with a far more intimate and personal power struggle. It's a must for fans of frightening character-driven suspense.

Scream (1996)

Scream tells the story of high school student Sidney Prescott (Neve Campbell), who, along with her friends, becomes the target of a serial killer called Ghostface. On the anniversary of her mother's murder, Ghostface turns his murderous spree into a game by taunting his victims with horror movie trivia before killing them. The film cleverly plays with genre expectations, turning familiar tropes into punchlines and weapons.

Everyone eventually becomes a suspect as Scream turns the classic slasher movie formula into a self-aware commentary on fear and storytelling. Ghostface is popular because the mask makes the killer feel more like an idea instead of a single person. The movie is ideal for horror fans who love a few good jump scares and self-referential plots.

Dexter (2006-2013)

Dexter follows a forensic analyst, Dexter Morgan (Michael C. Hall), who secretly lives a double life as a serial killer targeting other murderers. Guided by a strict moral code he learned from his adoptive father, he channels his dark urges into what he believes is a form of justice. Each season explores how long he can maintain the illusion of normalcy before his worlds collide.

Dexter thrives on its psychological character work, which is why we are drawn to Dexter. His internal conflict makes him feel oddly relatable, and there's also a twisted satisfaction in watching someone who operates outside the law deliver consequences where the system fails. The series feels like a darker, more introspective cousin to You (2018) and is ideal for fans of long-form crime storytelling.

Bates Motel (2013-2017)

Bates Motel is a modern reimagining of Psycho (1960). The series chronicles the early life of Norman Bates (Freddie Highmore) and his intense co-dependent relationship with his mother, Norma (Vera Farmiga). The series tracks his slow psychological unraveling as his fractured identity begins to take shape, while his mother does everything in her power to protect him.

The brightest part of the series is how it humanizes a character we already know will become monstrous. Norman becomes an endearing character due to his initial clueless vulnerability. So when he turns into a killer, you're left feeling a little sad rather than terrified. Bates Motel is the perfect series for anyone who enjoys psychological horror with a strong emotional arc.

Based on a True Story (2023-2024)

Based on a True Story follows Ava (Kaley Cuoco) and Nathan Bartlett (Chris Messina), a couple under intense financial strain, who become obsessed with the popularity of true crime podcasts just as a serial killer resurfaces in their neighborhood. When they cross paths with Matt Pierce (Tom Bateman), who may be responsible for the murders, their curiosity quickly turns into a dangerous opportunity.

Based on a True Story is a smart mix of satire and suspense. We find ourselves rooting for Matt because he's charismatic (in a disturbing way), revealing just how easily charm can override common sense. Even more unsettling is how he exposes the protagonists' own moral decay. It's perfect for fans of Only Murders in the Building (2021) and viewers who enjoy thrillers that critique media culture.

Jessie Buckley is about to be booked and busy. People who didn't know her name before 2026 are not only about to learn it, but they're about to obsess over her the same way many of us have been for years. Because today, Jessie Buckley not only deserves her current Oscar nomination for the role of Agnes Shakespeare, but she also deserves to win. (And there's a good chance she will, considering how well she's been doing during award season thus far.)

Buckley isn't new to the business, but it's understandable why every viewer isn't aware of her quite yet. If you've just sobbed your eyes out to Hamnet (2025), we've compiled a list of the five best Jessie Buckley movies that brilliantly showcase her range, as well as where to stream them on Netflix, Prime Video, and more.

Wild Rose (2019)

If there's one movie you should watch alongside Hamnet, it's Wild Rose—a beautiful and raw narrative about a woman trying to make it as a country singer. (Buckley also plays a mom here.) On paper, the premise of Wild Rose sounds like most music-related stories, but it's Jessie Buckley's performance that adds impeccable layers to the complex character and makes her someone worth rooting for. She isn't always likable, and she'll likely frustrate you, but those complexities are exactly why the movie stands out.

There's something really poignant and guttural about Buckley's performances throughout, both live on stage and in the moments where she's just a woman trying to make it through to the next day. Despite beats that can feel predictable, the movie does an excellent job of keeping you on the edge of your seat while also telling a story that feels remarkably grounded. If you want to see Buckley sing her heart out, then look no further.

I'm Thinking of Ending Things (2020)

Thrillers aren't everyone's cup of tea, but if you have patience and want to watch a movie that almost messes with you, then I'm Thinking of Ending Things is the right call. Buckley delivers another stunning performance throughout and effortlessly proves that she's the kind of actress who can blend into any role without missing a beat. She makes you believe every emotion her character is feeling, which in turn makes the events that much more jarring.

There are moments throughout the movie that feel a bit overdone and too obscure, but how it manages to keep viewers invested is entirely because of the cast and directing. Even if you get confused along the way or wonder what's happening, you'll still be too invested in knowing how it ends to stop watching. And in many ways, that's a plus when it isn't every film that can keep viewers' attention. If for no other reason, watch it for Buckley's performance.

Women Talking (2022)

Like Hamnet, Women Talking is an ensemble film starring Rooney Mara, Claire Foy, and more. Still, Buckley's role as Mariche is enormously significant, and her performance is an achingly memorable part of the heartbreaking story. As one of the best movies to come out of 2022, it's a slower account, but it's significant in what it represents and still pretty timely given current events.

Much of the premise is in the title itself. While circumstances are different, it reminds me of the significance of 12 Angry Men (1957) and what happens when people are allowed to exercise their voice and take up space. In this case, women. It's complex and heavy at times, but it's a deeply memorable story that shines with its simple yet evocative conversation points. 

Wicked Little Letters (2024)

Wildly hilarious and surprisingly deep, Wicked Little Letters is the type of sensational British comedy that you'll want more of. For viewers who wanted Jessie Buckley and Olivia Colman to have more screentime after The Lost Daughter (2021), nothing could prepare you for the delicious chaos in Wicked Little Letters. And while it's crass at times, it's still guaranteed to be a hit for most types of comedy fans.

So much of the movie succeeds in being memorable because Buckley and Colman make an indescribable team despite being at each other's throats the entire time. As two legendary actors who maximize their talents just by being in the same frame, it's not even a question that the movie is a roaring hit because of them. You'll want to replay the second it's over, and on a list of movies that are a bit harder to watch, this one's got the right amount of levity.

Hamnet (2025)

Titled after Shakespeare's son Hamlet and the inspiration behind the notable tragedy, the story is a family-focused account of grief as much as it is a narrative about creation. Buckley's award-nominated performance is the type that'll wreck you to a point of no return, and actors like Paul Mescal, Jacobi Jupe, Noah Jupe, Olivia Lynes, Bodhi Rae Breathnach, and Joe Alwyn will do the same in how they act alongside her. 

It's not a hyperbole to say that Hamnet isn't an easy movie to watch, and it can be deeply triggering for people who can't stomach heartbreaking things happening to children, but Chloé Zhao's latest is an absolute masterpiece. Raw, profound, and deeply harrowing, it's also an indescribable adaptation of Maggie O'Farrell's novel of the same name. As the best film of 2025, Hamnet is a story that deserves all its flowers, but genuinely, if you want to watch something that'll haunt you, Buckley's performance is a masterclass in every way. 

The Bride! (2026)

If you thought Jessie Buckley disappearing into grief and psychological upheaval was impressive, just wait until she steps into gothic legend territory. The Bride! might be Buckley's most ambitious role yet - and easily one of the most fascinating projects of her career so far. The film reimagines the mythology of Bride of Frankenstein through a sweeping romantic lens, placing Buckley at the center of a story that's equal parts haunting love story and social commentary.

Set in 1930s Chicago, the film follows Frankenstein's monster as he seeks companionship, leading Dr. Euphronius (Annette Bening) to resurrect a murdered woman known only as "the Bride." And yes, somehow, the movie will also feature large-scale dance numbers, which is a detail that sounds slightly unexpected. The movie is said to be gothic, romantic, strange, and unapologetically theatrical, which is exactly the kind of swing that modern studio filmmaking rarely takes anymore.

Every streaming service has its massive hits. Netflix has Stranger Things, Amazon Prime has Fallout, and HBO Max has the Game of Thrones franchise. But every streaming service also has excellent series that have sadly fallen into obscurity, despite being great. Many of these shows are even critically praised and award-winning, but for some reason, they’ve been overlooked. 

Maybe they just aren't flashy enough, or they’re too smart for viewers who are mindlessly watching on their phones—an audience group so large that Netflix even has a name for them: “casual viewers.” Whatever the reason, the outcome is the same. 

These 10 shows are amazing and deserve your attention. This list will focus on original series since acquired and syndicated programming can usually be found in various places. Read on to discover the most criminally underrated original series from all 10 of the major streaming platforms. 

Netflix – Lady Dynamite (2016-2017)

Netflix’s Lady Dynamite is a meta, autobiographical series about comedian Maria Bamford. The show tells the story of her wild life and the challenges (and hilarities) of trying to go through it all with a severe mental illness. From briefly being the Target Lady to her failed attempts at landing sitcoms, and even her journey back to her hometown in Minnesota, where she was institutionalized, Lady Dynamite never shies away from the triumphs and struggles Bamford went through. 

But this isn’t some melodramatic trauma porn series. Lady Dynamite is seriously laugh-out-loud funny, and Bamford knows how to perfectly turn her life into a giant joke. There’s a reason why the show holds a lofty 97% on Rotten Tomatoes. Plus, the series is loaded with Bamford’s famous friends, from Ana Gasteyer to Jenny Slate, Patton Oswalt, and Bridget Everett, among many others. If you liked HBO’s biographical comedy Crashing (2017-2019), but want it with a madcap, almost Muppet-like vibe, check out Lady Dynamite. 

Apple TV+ – Schmigadoon! (2021-2023)

The musical comedy series Schmigadoon! on Apple TV+ spoofs old-school musicals and follows two travelers (Cecily Strong and Keegan-Michael Key) who accidentally stumble upon the town of Schmigadoon, where everyone lives their lives like it’s a musical. Schmigadoon!’s soundtrack even won an Emmy and got nominated for a Grammy, proving that the songs aren't just funny, they’re also super catchy. 

If you’re a Broadway fan, you’re definitely going to love this series. But even if you aren't, the show is so smart and witty that you’re still going to have a great time. Plus, the supporting cast is phenomenal and includes everyone from Dove Cameron to Martin Short, Kristin Chenoweth, and Jane Krakowski.

HBO Max – Enlightened (2011-2013)

A decade before The White Lotus, Mike White launched his show Enlightened on HBO. The series stars Laura Dern as a compulsive, somewhat manic woman who loses everything and is demoted to an entry-level data job in the basement of her Fortune 500 company. Throughout the show, it’s revealed just how corrupt the company is, and she decides it’s time to take them down. 

White co-stars with Dern, and the show keeps audiences on their toes, constantly wondering if this might be the episode where she finally takes down the corporation. Plus, Dern expertly played the role and showed how manic people aren't just delusional, but are deeply hurt and conflicted by their own actions. Enlightened even earned Dern an Emmy nomination and Golden Globe win. If you love the mix of drama and comedy in The White Lotus (2021-Present), you’ll find lots to love in Enlightened. 

Hulu – Mid-Century Modern (2025)

What happens when three aging gay men (played by the fabulous Nathan Lane, Matt Bomer, and Nathan Lee Graham) all move in with one of their mothers (played by the late, great, and even more fabulous Linda Lavin)? You get a sassy, modern homage to The Golden Girls (1985-1992) that would have made Bea Arthur proud. Mid-Century Modern is loaded with witty quips and brassy retorts, making it the perfect show to watch with a nice glass of wine and good friends. 

If you love The Golden Girls or other hodgepodge housemate sitcoms, like Hot in Cleveland (2010-2015) or Grace & Frankie (2015-2022), then Mid-Century Modern is sure to become your new comfort show on Hulu. It even scored a Best Directing Emmy nomination. For someone looking for a show filled with heart and humor, this is it. 

Paramount+ – Halo (2022-2024)

The TV adaptation of Halo was wild, ridiculous, and insane, almost bordering on camp. And that’s exactly why it’s so great. Listen, this show has everything. Master Chief getting naked, Master Chief having sex with a Covenant spy, space witches, impoverished space teens doing drugs, a space pirate who lives in an asteroid…the list goes on and on. Halo is a wonky, bonky wonderland. 

The show was, obviously, panned by Halo gamers, who are mostly of the middle-aged, grumpy incel variety, so not really the type to enjoy campy, corny, bombast…especially in a franchise that they associated with their own masculinity for so many decades. But in 2025, the show hit Netflix from Paramount+ and shot to the Top 5 chart, proving that, with a broader audience, Halo could have been a success all along. 

Peacock – Girls5eva (2021-2024)

Girls5eva follows the life of a former girl group who, now firmly in their 40s and 50s, decide to regroup and search for fame. The ensemble cast is amazing, with Sara Bareilles being joined by Busy Phillips, SNL’s Paula Pell, and Hamilton’s Renee Elise Goldsberry. The show was created by Meredith Scardino, who is best known for creating The Unbreakable Kimmy Schmidt (2015-2020), so if you love her colorful, vibrant style of humor, you are going to love Girls5Eva on Peacock.  

The show is loaded with laughs, and Pell is especially great in the series, using her experience as a writer for SNL to bring tons of perfectly-timed comedy. It’s also perfect for anyone who wants some 90s bubble pop nostalgia, since the show does lots of flashbacks to the band’s initial rise to fame during that period. 

Disney+ – Goosebumps (2023-2025)

In 2023, Goosebumps returned to Disney+, but this time for a bit of an older audience. No longer a kids show, Goosebumps came back with a more mature cast, some great scares, and even a bit of foul language (gasp!) Aimed more at teenagers this time around, the series was surprisingly good, offering up nostalgia while also creating a fun story of its own. 

If you loved the scarier classic Goosebumps episodes, like “The Haunted Mask,” you’re going to love this new take. Plus, it even snagged some big names like Justin Long, Rachael Harris, and David Schwimmer, and its Pacific Northwest setting brought tons of great eerie vibes, almost like an homage to Twin Peaks. 

Prime – Homecoming (2018-2020) 

Prime’s fantastic thriller Homecoming starred Julia Roberts as a therapist who works at a secret government facility intended to help “rehabilitate” soldiers who are struggling with PTSD and returning to everyday life. But how are they accomplishing these things? Is it safe…or ethical? 

Fans of Netflix’s Wayward (2025) will see lots of similarities in Homecoming and love the questions that arise, the mystery that unfolds, and the danger that develops. Plus, c’mon, it’s Julia Roberts, who is absolutely fantastic as always. She even scored a Golden Globe nom for her role. 

Starz – Shining Vale (2022-2023)

Starz might be best known for Power and Outlander, but it also takes risks most other streamers won’t and produces some seriously fun, compelling, and unique shows. Shining Vale is easily one of the streamer's best and follows a struggling writer (Courteney Cox) who is either completely delusional, or is in a battle with Satan himself. Even worse, she’s surrounded by cultists who do everything they can to make her feel like she’s going crazy. 

For horror fans, Shining Vale is a must-watch thanks to its numerous nods to horror classics like The Shining (1980) and Rosemary’s Baby (1969). Plus, it’s loaded with fantastic performances, not just by Cox, but also Greg Kinnear, Mira Sorvino, and Judith Light. Tragically, Starz dropped the show, and for a brief period, it wasn’t available to stream anywhere. But in early 2025, HBO Max picked it up, and it quickly became a success on the streamer. Thanks HBO Max for saving this hidden gem! 

Shudder – Cursed Films (2020-2022)

Right now, Shudder is best known for Mark Duplass’ found-footage horror series, The Creep Tapes. But an often overlooked series that deserves some praise is their docuseries, Cursed Films. From The Omen to The Wizard of Oz, each episode centers around a movie that had a disastrous, and sometimes deadly, production. All of these movies have spawned legends that their productions were cursed, and Cursed Films investigates what really happened. 

Trust me…you won’t believe the things that happened on these movie sets, and for a few of these films, you’ll truly walk away wondering if their productions were indeed cursed. If you love horror docs like Room 237 (2012) or terrifying documentaries like The Nightmare (2015), check out Cursed Films. 

For those of us who have Peter Jackson's The Lord of the Rings trilogy constantly on replay, it might seem wild that 2026 marks the 25th anniversary of The Fellowship of the Ring. But, hey, I guess time flies when you're nerding out. In Middle-earth, 25 years is just a blip in time, especially if you're an elf. In our universe, though, it's a quarter of a century, which offers ample time for the actors to complete different projects. 

For many cast members, The Fellowship of the Ring launched their careers or pushed already well-known names, like Ian McKellen and Sean Bean, into international stardom. Getting typecast is many actors' worst nightmare, but there's also something to be said about being forever known as a great character. McKellen is Gandalf, just like Viggo Mortensen is Aragorn. The Fellowship of the Ring's importance to J.R.R. Tolkien's story can't be understated, similar to the impact it had on the actors who helped bring it to life. Here's where The Fellowship of the Ring cast is now, including their most famous roles since appearing in the trilogy's first movie.  

Elijah Wood as Frodo

Calling one member of the Fellowship the standout isn't really fair considering they all play a vital part in the story, but Frodo earns special mention for carrying the burden of the One Ring. While many consider Frodo to be Elijah Wood's breakout role, he actually got his start much earlier as a child actor in films like The Good Son (1993). However, since traversing Middle-earth, Wood has popped up in all sorts of projects across TV, film, and video games. 

Wilfred (2011) ranks among his most memorable, thanks to its four-season run with Wood in the lead role. As horror fans (probably) already know, Wood is also a major genre fan and even co-founded a horror film production company, SpectreVision. This gives Wood producer credits on surrealism favorites like Mandy (2018) and Color Out of Space (2019). If you want to see Wood in horror but in front of the camera, turn to movies like Maniac (2012), Come to Daddy (2019), or The Toxic Avenger (2025) instead. Wood will forever be Frodo, but he also has a penchant for playing weird freaks (just look at this Reddit thread) that shouldn't be overlooked, and I'm almost certain he'd consider the "weird freaks" descriptor a compliment.

One to watch: Wilfred will give you the largest dose of Elijah Wood, just make sure you're in the mood for some bizarre and darkly weird surreal comedy. 

Sean Astin as Sam 

Like Elijah Wood, Sean Astin started as a child actor, with his role in The Goonies (1985) still ranking as one of his best projects. (And yes, there is also 1993's Rudy to consider). Poll me and a thousand other The Lord of the Rings fans, though, and we will all tell you the same thing: Samwise Gamgee is Astin's most iconic and beloved role.

Like his LOTR co-stars, Astin has a plethora of credits to highlight, ranging from decent stints in The Conners (2018) and Perry Mason (2020) to his voice acting work as Raphael in 2012's Teenage Mutant Ninja Turtles. However, his most popular post-LOTR role is undoubtedly in Stranger Things (2016), where he played the love interest of Winona Ryder's character in Season 2 and, well, poor Bob. 

One to watch: While you'll have to wait until Season 2 to see Astin, Stranger Things is well worth the watch for sci-fi nerds who love spotting Easter eggs and pop culture references. Just brace yourself for its divisive final season. 

Billy Boyd as Pippin

Billy Boyd's breakout role undeniably occurred in The Fellowship of the Ring, where he played Pippin, the perpetual thorn in Gandalf's side. Since then, he's made all kinds of appearances across TV, film, and theater. Outlander (2014) fans might recognize him as General Ford, just like the critically acclaimed Master and Commander (2003) holds a special place in the hearts of history buffs.

If you're asking me, though, Boyd's most iconic role is voicing Chucky's genderfluid doll-child, Glen/Glenda in Seed of Chucky (2004). Funny enough, this role also gives him overlap with fellow LOTR actor, Brad Dourif, who famously voices Chucky when he isn't whispering in Théoden's ear as Grima Wormtongue in The Two Towers (2002). 

One to watch: Listen, if you want an acclaimed movie with loads of Boyd in it, Master and Commander is absolutely the way to go. However, if you have questionable taste like me, Seed of Chucky gives you a chance to hear Boyd having a blast as a morally conflicted doll. 

Dominic Monaghan as Merry

Dominic Monaghan rose to fame bumbling around as Merry, Pippin's cousin and number one partner in mischief. Of all the actors on this list, Monaghan might be the person I stumble across the most frequently. From roles in other nerd-centric franchises like X-Men and Star Wars to his own wildlife docuseries, Wild Things with Dominic Monaghan (2013), Monaghan remains a busy guy. 

However, one of his best and most memorable roles post-LOTR is most certainly Charlie Pace, the rocker and struggling addict stranded on the deserted island in Lost (2004). While the ending is still worth debating about, Lost reigns as one of the best pieces of dramatic television out there. While it harbors a large ensemble cast, Monaghan's character is one of the standouts. 

One to watch: Lost isn't just a good TV show for fans of twisty, supernatural mysteries, but it also gives Monaghan plenty of screentime. 

Ian McKellen as Gandalf 

While Ian McKellen wasn't Peter Jackson's first choice for Gandalf, it's hard to envision anyone else in the role. As a highly regarded actor with roots in Shakespearean dramas, McKellen rolled onto the set of The Fellowship of the Ring with a plethora of experience. Although he was already well-known, his portrayal of Gandalf gifted him international stardom that piggybacked off the fame he garnered for playing Magneto in 2000's X-Men. 

Since then, McKellen has reprised the role of Magento multiple times, with a return slated for 2026's Avengers: Doomsday alongside longtime collaborator and friend, Patrick Stewart as Charles Xavier. In 2015, McKellen also played an older version of Sherlock Holmes in Mr. Holmes. Not only did it earn him significant praise, but it also gave him another pop culture icon to add to his filmography. However, even more exciting is McKellen's return to Middle-earth in The Hunt for Gollum (2027), where he will don the robes and staff again as Gandalf. 

One to watch: While Fox's original X-Men trilogy is an easy recommendation, Mr. Holmes proves just how powerful an actor McKellen is. Don't miss it if you like other Sherlock Holmes-inspired projects like Sherlock (2010) or Elementary (2012). 

Viggo Mortensen as Aragorn

Like many of the older cast members on this list, Viggo Mortensen already had a career before The Fellowship of the Ring, but his portrayal of the rugged and honorable Aragorn shot him into the stars. If you're not still rewinding the scene of Aragorn pushing open the doors of Helm's Deep in The Two Towers just to feel something, then you've likely caught Mortensen in several movies, including Captain Fantastic (2016), for which he received a Best Actor nomination at the Academy Awards. 

Another Mortensen-starring favorite is The Road (2009), a post-apocalyptic survival story based on Cormac McCarthy's famous book. Mortensen also made his directorial debut with Falling (2020), an emotional drama starring Mortensen and Lane Henriksen as his aging, homophobic father. In 2023, Mortensen put on his jack-of-all-trades hat again to direct, produce, star, and score in The Dead Don't Hurt. 

 One to watch: If you're looking to see Mortensen in a similar rugged role to Aragorn, consider The Road. While it's a far cry from Tolkien's epic fantasy, it's an emotional story about a father-son duo with an apocalyptic backdrop, not dissimilar from The Last of Us (2023) or Children of Men (2006). 

John Rhys-Davies as Gimli

Hear the name John Rhys-Davies and two iconic franchises probably come to mind: The Lord of the Rings (duh) and Indiana Jones. Before he picked up the axe as Gimli in LOTR, Rhys-Davies appeared as Sallah, the "best digger in Egypt" and longtime friend of Indy. Truthfully, the best of Rhys-Davies' career exists in the '80s and '90s (and yes, I'm talking about you, Sliders), but he still has a couple of 21st-century roles of note. 

Rhys-Davies' unmistakable commanding voice lends itself nicely to voice acting. Most recently, he voiced Brine King in Aquaman (2018) and Aquaman and the Lost Kingdom (2023) and appeared in multiple episodes of Trip Tank (2014) as various characters. Still, his most significant role post-LOTR is in Indiana Jones and the Dial of Destiny (2023), where he, of course, reprised the role of Sallah. 

One to watch: While hearing Rhys-Davies' voice is always a delight, those wanting a hefty blast of nostalgia should check out Indiana Jones and the Dial of Destiny. 

Orlando Bloom as Legolas

Sometimes it's easy to forget that Orlando Bloom owes his breakthrough role to The Fellowship of the Ring. If you're a millennial, he's one of those actors who feels like they've been around forever, but it wasn't until the early 2000s that his career exploded. Not long after LOTR, he memorably appeared as heartthrob Will Turner in the Pirates of the Caribbean franchise while also playing Paris in Troy (2004) and Duke of Buckingham in The Three Musketeers (2011).

More recently, Bloom starred alongside Bryce Dallas Howard and Nick Mohammed in Deep Cover (2025), where he masterfully played a method actor roped into a real-life undercover investigation of a dangerous drug smuggling operation. It may have fallen under the radar for some, but honestly, it's a fun comedy where Bloom truly shines while showing off his acting chops. 

One to watch: While you can't go wrong with (most) Orlando Bloom movies, Pirates of the Caribbean: The Curse of the Black Pearl (2003) is the perfect introduction to Bloom's Will Turner and just a blast overall. 

Sean Bean as Boromir

Sharpe (1993) put Sean Bean on the map, but his stint as the flawed yet heroic Boromir in The Fellowship of the Ring brought him international recognition. Funny enough, his performance as Boromir capitalized on the two things Bean is known for: playing villains (or, in this case, morally complex characters) and dying on-screen. These days, that trend continues, with Bean going dark in The Hitcher (2007) and the Snowpiercer TV series. In contrast, if you want to witness one of the gnarliest Sean Bean deaths to date, boot up Black Death (2010). 

That said, Bean isn't always the bad guy. Perhaps his most famous role after The Fellowship of the Ring is Ned Stark from Game of Thrones (2011). While Ned's arc goes about as well as you'd expect from the actor, Bean proves he is perfect casting for any fantasy series. He has the rugged looks, the poise, and the depth to play honorable characters with complex motivations and backstories. 

One to watch: If you already love The Lord of the Rings, then Game of Thrones is the perfect follow-up. Heavily inspired by Tolkien's epic, it's one of the best fantasy shows out there, divisive last season and all. 

Major Supporting 'The Fellowship Of The Ring' Cast Members 

Liv Tyler as Arwen: Outside of LOTR, horror fans probably know Tyler best from The Strangers (2008). However, like Ian McKellen, she also crossed over into Marvel, playing Betty Ross in The Incredible Hulk (2008) and Captain America: Brave New World (2025). Since her role there is primarily limited to supporting love interest, I highly recommend checking out The Leftovers (2014) for more significant and more developed Liv Tyler screentime.  

Hugo Weaving as Elrond: Joining some of his co-stars in the MCU, Hugo Weaving had a brief but memorable stint as Red Skull in Captain America: The First Avenger (2011). In some ways, Weaving's involvement in some of the biggest franchises has made him a darling of "nerdom." Check out our full article about the best Hugo Weaving movies and TV shows here.

Cate Blanchett as Galadriel: The question isn't what Cate Blanchett is in; it's what isn't Cate Blanchett in? With a long and storied film career, Blanchett has appeared in no shortage of projects, from socialite dramas like Blue Jasmine (2014) and Carol (2015) to blockbusters like Thor: Ragnarok (2017) and Ocean's 8 (2018). 

Christopher Lee as Saruman: Last but not least is Sir Christopher Lee, a lifelong Tolkien fan who lent Saruman his intimidating stage presence and booming voice. Lee's filmography is vast and sprawling, dating back to his portrayal of Count Dracula in the Hammer Horror films of the '60s and '70s. If we're talking post-LOTR, though, his most famous role is undoubtedly Count Dooku in Star Wars: Episode II – Attack of the Clones (2002) and Star Wars: Episode III – Revenge of the Sith (2005). Lee also reprised his role of Saruman in The Hobbit: An Unexpected Journey (2012) and The Hobbit: The Battle of the Five Armies (2014). Sadly, Lee passed away not long after their release in 2015 at the age of 93, leaving behind a tremendous legacy. 

Sophie Turner only has a relative handful of movies and TV shows to her name, but her talent is impossible to deny. Making her acting debut as one of the stars of Game of Thrones (2011), Turner honed her abilities while contending with the challenges of being a young star. Since the HBO drama concluded in 2019, Turner has made several film and television appearances, displaying an endearing quality that doesn’t betray the harsher edges she can play within a character. 

Turner is currently set for one of her biggest roles yet, taking on the role of Lara Croft in the latest adaptation of the Tomb Raider series. Before that show hits Prime Video, it’s worth checking out some of her other projects. While some of the films and shows can’t quite match the heights of her debut series, Turner is typically among the highlights of every production she’s in. Here are the best Sophie Turner movies and shows, ranked.

8. Dark Phoenix (2019)

One of the weaker Fox X-Men movies and a mess on a storytelling level, Dark Phoenix nevertheless highlights how Sophie Turner can still deliver a great performance even when in a muddied film. Playing a young Jean Grey who begins to discover the full extent of her powers after encountering a maniacal alien, Turner’s performance as Grey allows her to embrace a darker side that she has rarely gotten to utilize in other roles.

While neither of the X-Men films that contain Turner is all that good, at least Dark Phoenix has some clever highlights that X-Men: Apocalypse (2016) can’t match. While the film is flawed on a lot of levels, Dark Phoenix at least has enough good Sophie Turner bits to make it a worthwhile watch for fans of the actress, even if it ranks last on this list.

7. Trust (2025)

Similar to Dark Phoenix, Trust serves as a good showcase for Sophie Turner, even as the film itself isn’t all that impressive. As a psychological thriller that follows an actress trying to get some privacy in the woods, Trust’s plot twists turn the faulty tension into unintended comedy. If you’re the kind of person who likes to watch bad movies for their accidental comedic attributes, this bizarre film will be right up your alley. Otherwise, it helps to be a big fan of thrillers.

Even here, however, Sophie Turner underscores her talent as a performer, bringing a genuine level of intensity to her performance. Audiences who love the thriller genre to death and enjoyed movies like Secret Window (2004) will probably enjoy this one. It ranks second to last on this list, but it’s another reminder that Sophie Turner can find gold even in stories that suffer from lackluster scripts and direction.

6. Survive (2020)

Debuting on the short-lived Quibi, Survive was an interesting experiment in turning the Alex Morel novel of the same name into a series of shorts. The adaptation follows Jane and Paul, the only survivors of a plane crash in the snow-covered mountains. As they make their trek back down to society, personal demons and depression confront Jane (Turner). Running roughly the length of a feature film, Survive plays like a mini version of Alive (1993) or Everest (2015).

While the show can often struggle against the short format, Corey Hawkins and Sophie Turner give spirited performances as the unlikely pair try to survive their unexpected ordeal. Turner proves adept at depicting the pressure Jane is under without losing sight of the character’s humanity, a skill set she honed over the years of playing Sansa Stark. Survive isn’t for audiences looking for a light comedy, but there’s a great portrayal of a complex depression in Turner’s starring performance.

5. Do Revenge (2022)

A sly and dark comedy in the vein of Heathers (1989) and Mean Girls (2004), Do Revenge is a modern take on Strangers on a Train (1951) that nails the tenor of the era. Following two tween girls who find themselves outcasts in their social lives, the pair work together to target their respective enemies to seek revenge without being blamed for it.

Dark in its comedy and subject matter, Do Revenge takes the high school revenge plot and amplifies it in some surprising ways. Turner plays a fairly minor role in the Netflix film but still has a memorable turn opposite Riverdale (2017) star Camila Mendes and Stranger Things (2016) fan-favorite Maya Hawke. Good for fans of snarky high school comedies like Bottoms (2023), Do Revenge is a slick comedy that fits neatly into the modern high school film pantheon.

4. The Staircase (2022)

An intense character drama that steadily unfolds against the backdrop of a murder mystery, The Staircase features Sophie Turner in a crucial role that relies on her ability to play the dutiful family member. Based on a true story, the HBO Max miniseries adapts the real-life story of crime novelist Michael Peterson, who was accused of murdering his wife in 2002. Turner appears as Margaret, Peterson’s adopted daughter.

While the series doesn’t really do anything surprising with the material that wasn’t covered by the docuseries, The Staircase (2004), which came out amid the height of the trial, the HBO Max show is a good chance for a talented cast to expand on the major players in the story and explore their humanity amid heightened tension. A steady character study that might not be the right pick for audiences looking for a thrill a minute, The Staircase has great performances across the board, including from Turner. 

3. Joan (2024)

As one of the better showcases Turner has gotten to highlight her versatility, Joan gives the actress plenty of different styles to play with. The period-piece crime epic takes a similar approach to Legend (2015), depicting the rise of a criminal mastermind in the London underground.

The story of Joan Hannington is brought to life largely thanks to Turner’s strong performance as a desperate mother who gradually finds a talent for deception and crime. Charming when she needs to be and often pushed to the edge by her circumstances, the different periods of Joan’s life and the challenges she faces give Turner a lot of room to work with. Perfect for fans of crime movies like Goodfellas (1990), Joan gives Turner the kind of starring role she’s been waiting years for.

2. Game of Thrones (2011-2019)

Game of Thrones may have suffered in the latter years, but the HBO fantasy remains a highlight for the 21st century in terms of adult drama. Turner’s performance as Sansa Stark, the privileged princess who endures hardships on her way to becoming an indomitable queen, is one of the understated highlights of the show, with the young Turner delivering a quietly powerful performance that grows with the character.

Faced with some of Game of Thrones’ most difficult material, Turner proves her mettle as an actress for eight seasons, steadily developing her initially frustrating character into someone the audience doesn’t just sympathize with but actively admires in her tenacity. It’s all down to Turner, who holds her own throughout the show against some of the best actors working today.

1. Steal (2026)

As the best work that Sophie Turner has done to date, Steal is a twisty thriller that highlights just how good Turner works in a lead role. Steal focuses on Zara, a financial trader who finds herself caught up in a high-stakes robbery at her financial firm. However, as the investigation into the crime continues, it becomes apparent that Zara might be more than she appears, as a web of intrigue and murder draws her and the investigators in.

A tense thriller that doesn’t always stay on track, the show is rooted in Sophie Turner’s terrific central performance. A great pick for anyone who loves a good modern female-led mystery like A Simple Favor (2018) or The Housemaid (2025), Steal is only as good as its leading lady, meaning it has a really great advantage thanks to the presence of Turner in the lead role.

In a franchise defined by betrayal and power struggles, A Knight of the Seven Kingdoms, which is currently dominating the JustWatch streaming charts, feels almost deceptively small. There are no dragons taking to the skies, no armies clashing in fields of fire, no throne room politics that lead to bloodshed. And yet, this series might be one of the most important additions to the Game of Thrones universe we've had since the original show ended in 2019.

Set nearly a century before the flagship series, the story follows Ser Duncan "Dunk" the Tall (Peter Claffey) and his young squire Aegon "Egg" Targaryen (Dexter Sol Ansell). They travel across Westeros during a much quieter but very formative time in the history of the Targaryens, when honor carried meaning, and the consequences of even small actions echoed through generations. Through Dunk, we see knighthood stripped of spectacle but rich with principle.

And through Egg, we witness a young royal before he is weighed down by the crown. He is simply a boy whose curiosity and compassion will one day clash tragically with the ruthless politics of his world. And looming over it all is Egg's uncle, Prince Baelor "Breakspear" Targaryen (Bertie Carvel). Baelor is one of those rare figures in Westeros who feels too good for his world due to his kindness and the respect he carries across houses that otherwise would never see eye to eye.

The following contains major spoilers for A Knight of the Seven Kingdoms. Proceed with caution.

The Targaryen Who Might Have Changed History

In another timeline, Baelor becomes king, and the Targaryen dynasty could have been entirely different. But Westeros does not deal in what-ifs. In reality, Baelor dies in battle, leaving a vacuum that destabilizes the entire Targaryen line of succession, which causes less suitable heirs being pushed toward the throne. It also sets the stage for Egg to eventually become King Aegon V, a man whose good intentions will clash with the harsh realities of ruling.

In the broader Game of Thrones story, Baelor represents a version of the Targaryens that could've been. Based on his personal traits, Baelor would have been a fair king. And his death helps explain why the later Targaryens are plagued by instability, obsession, and a fragile claim to legitimacy. But in A Knight of the Seven Kingdoms, Baelor is not a distant footnote. He is alive and moral in a way that contrasts sharply with other members of the Targaryen family, who think that leading through fear is the only way.

But A Knight of the Seven Kingdoms is essentially Egg's origin story. Remembered as King Aegon V in Game of Thrones, he only exists in fragments. The first is through his brother Maester Aemon's (Peter Vaughan) grief. And the second is through the tragedy of Summerhall, as a man who tried to do good and died trying. A Knight of the Seven Kingdoms humanizes that memory. We meet the boy who slept in stables, shared meals with strangers, and believed that more power could be gained from fairness than fear.

From Boy To Tragic King

Egg begins his journey far from the trappings of royalty. While traveling with Dunk, he sees Westeros for what it really is and witnesses various injustices firsthand. He also learns that real power is often invisible and extremely fragile. So when he finally becomes King Aegon V, he carries those lessons with him, resulting in a reign focused on lifting the smallfolk, curbing noble excess, and making fairness a guiding principle.

But the world sees no real value in kings who try to be fair. Every one of Aegon's merciful acts is seen as a weakness. And every attempt at reform is undermined by centuries of tradition. But Egg doesn't fail because he misunderstands leadership. He fails because he still believes that love and decency can change Westeros. When persuasion fails, he searches for leverage powerful enough (dragons) to make his ideals unavoidable.

That's why Summerhall, where he attempts to hatch dragon eggs, becomes the ultimate metaphor for his reign. A king who wanted peace unleashes fire. A man who valued family dies trying to reach godlike power. And yet, from the ashes, Rhaegar Targaryen is born. While he never appears in the Game of Thrones series in real detail, his presence looms over nearly the entire story. Rhaegar is the eldest son of King Aerys II, heir to the Iron Throne, and the great-grandson of Egg.

The Shadow Of Egg's Legacy In 'Game Of Thrones'

In life, Rhaegar was celebrated as noble, intelligent, and charismatic. But his secret love for Lyanna Stark, who he allegedly abducted, triggers Robert's Rebellion, the war that topples the Targaryens and reshapes all of Westeros. Rhaegar dies heroically at the Battle of the Trident at the hands of Robert Baratheon. But his death casts a shadow across generations and leads directly to the rise of Robert as king, Daenerys' claim to the throne, and Jon Snow's hidden parentage.

So, A Knight of the Seven Kingdoms, which can be found on HBO Max, is essentially about the first Targaryen who learned the wrong lessons. That power must be absolute, or it will be crushed. That premise went on to define Rhaegar, Daenerys, and even Jon Snow, who all inherit the burden of trying to lead with fairness. And after meeting Egg, every dragon, every speech about destiny, and all the acts of rebellion in Game of Thrones become haunted by a boy who once tried to do good and burned for it.

Darth Maul has been a fan favorite since the moment he debuted in the Star Wars franchise, but his upcoming starring role in Star Wars: Maul - Shadow Lord (2026) will work better if you know everything the character has been up to. Debuting in Star Wars: Episode I - The Phantom Menace (1999) as the apprentice of overarching villain Palpatine, Maul was a villainous opposite to Obi-Wan Kenobi and Qui-Gon Jinn. Played by Ray Park and voiced by Peter Serafinowicz, Maul was one of the few elements of the prequel that was largely embraced by an otherwise conflicted fanbase. 

Despite his apparent death at the end of Phantom Menace, Maul has returned in several canon Star Wars films and shows, now played by Sam Witwer. These shows, set between the events of the original movies and the prequel trilogy, steadily reveal Maul as a more complex character, whose impact on the galaxy can be felt on multiple levels. Before diving into Maul - Shadow Lord, here are all the Star Wars movies and TV shows featuring Darth Maul. Find them on Disney+ now. 

Star Wars: Episode I - The Phantom Menace (1999) 

Maul serves as the primary threat of The Phantom Menace, the first movie of the prequel trilogy. Although the movie suffers from a bloated second act and unnecessary diversions, Phantom Menace features some pretty memorable moments and distinct characters, with Maul chief among them. The almost silent Sith warrior is a stark contrast to Liam Neeson and Ewan McGregor’s Jedi masters.

While there isn’t much to the character in this form beyond “Sith assassin,” Ray Park brings an engaging energy to the character that enhances the impressive visual design George Lucas and his team crafted. It’s something the actor excels at, considering he did something similar with Toad in X-Men (2000). Darth Maul is blunt in this portrayal, but it’s no wonder the character struck a chord with audiences.

Solo: A Star Wars Story (2018)

Solo: A Star Wars Story isn’t really a Darth Maul story, with the Sith warrior never formally appearing in the main plot. However, the events of this movie are important to keep in mind, as they factor into the time period that Maul - Shadow Lord will explore. One of the final scenes in the film sees Emilia Clarke’s Qi’ra reach out to the head of her criminal syndicate, the Crimson Dawn. This turns out to be Maul, making his cinematic return after 19 years. Informing him of the death of her superior and covering for Han’s escape, Qi’ra impresses Maul enough that he demands her presence on his world of Dathomir.

Clearly meant as a sequel tease, the mixed reception to Solo and a change in production at Lucasfilm meant this has been Maul’s only big-screen appearance since Phantom Menace. Still, it’s important to note this shared point in the timeline.

Star Wars: The Clone Wars (2008-2020)

Star Wars: The Clone Wars did the brunt of the work in expanding on Darth Maul, turning him into a more complex character who never lost that villainous core that defined him from the beginning. After being teased in Season 3, Maul is discovered alive in Season 4 of the animated series. Restored by the following season, Maul becomes a powerful crimelord until his rise in power attracts the attention of his former master.

Along the way, Maul develops a tense animosity with Obi-Wan, which intersects with characters like Bo-Katan and artifacts like the Darksaber before they appeared on The Mandalorian (2019). The show develops Maul into an effective villain on his own, laying the groundwork for the concepts that will become more important in spinoffs like Star Wars: The Mandalorian and Grogu (2026). 

Star Wars Rebels (2014-2018)

As the sequel to Star Wars: The Clone Wars, Star Wars Rebels is a more focused show about a rag-tag bunch of misfits from around the galaxy who have become one of the first prominent groups of rebels. One of the show’s key arcs focuses on Ezra, a young Force-sensative boy who finds himself torn between his exiled Jedi mentor Kanan and Maul. This is another great example of Maul as a deeply complex character, who nevertheless remains focused on his core motivations of rage and hate.

This show also notably gives Maul a perfectly constructed farewell, explaining why he isn’t in the original films while also fitting neatly into the established canon. Arguably the most emotionally effective of Disney’s animated expansion shows for the larger Star Wars universe—not counting Star Wars: Visions (2021), which are all non-canon and are all definitely worth checking out— Rebels is a great final chapter for Maul.

Star Wars: Maul - Shadow Lord (2026)

That’s what makes Star Wars: Maul - Shadow Lord an interesting prospect from the onset. Maul’s full arc has already been explored, but the character’s history and connection to the underworld of the franchise give him plenty of room for even more thorough exploration. The idea of seeing Maul actually take on an apprentice is an inherently compelling one, especially after Rebels and The Acolyte (2024) teased that same sort of storyline but didn’t get to fully showcase it.

Putting Maul in the lead role also suggests that the show will be able to get a little darker than what most of the franchise usually gets to be. As potentially the final word on the character before the Star Wars franchise moves forward once again, Maul - Shadow Lord could end up laying more groundwork for future entries in the series. 

Avengers: Doomsday (2026) is shaping up to have quite the stacked cast. Marvel Studios is going all out, not only bringing back the majority of the Marvel Cinematic Universe’s current Avengers members, but also the Thunderbolts, Fantastic Four, and the X-Men. As impressive as the cast is, we’re still excited for potential cameos, since the multiverse and X-Men crossover into the MCU keeps the door open to many possibilities.

The only problem is, you may be wondering who is even left to cameo outside of the film’s enormous cast. While we kind of anticipate unconfirmed MCU appearances from the likes of Deadpool (Ryan Reynolds) or Spider-Man (Tom Holland), there are a few other Marvel cameos that Avengers: Doomsday could utilize to surprise us. Use our guide to find out where to watch the Marvel characters we’d love to see make a surprise return in Avengers: Doomsday.

David Hasselhoff as Nick Fury

While Samuel L. Jackson is the Nick Fury of the MCU, the multiverse opens the door for the return of another Nick Fury: David Hasselhoff. Hasselhoff played the role of Fury in the made-for-TV movie Nick Fury: Agent of S.H.I.E.L.D. (1998). The film is a far cry from the MCU, filled with campy humor and playing out like a cheesy action flick.

However, Hasselhoff’s performance as Fury is the one standout in Nick Fury: Agent of S.H.I.E.L.D. He didn’t offer the same grit and humor as Jackson’s fury, but worked well as a more sarcastic, campy, tongue-in-cheek version of the character. According to Hasselhoff, Stan Lee told him he was the “ultimate” Nick Fury, and he has been open to returning to the role. His role is just old and obscure enough that it’d be quite shocking if Avengers: Doomsday opted to bring him back.

Colin Farrell as Bullseye

Daredevil (2003) has a mixed legacy among superhero fans, but it holds a few compelling performances. Colin Farrell especially offered an excellent spin on Bullseye. He may not have had the outfit, but he clearly understood the character and nailed his unhinged, over-the-top, sadistic side. It’s also important to remember that he didn’t have a whole lot to work with, given the flaws in Daredevil’s script, dialogue, and characterization.

Hence, one can only imagine what more Farrell could do working with the MCU. Avengers: Doomsday could give him the chance to wear the comic-book-accurate Bullseye costume and portray a more mature version of the character. While viewers may expect Daredevil (Ben Affleck) or Elektra (Jennifer Garner) to return, Farrell’s take on Bullseye is a little less recognizable and would undoubtedly cause a stir if he suddenly returned for Avengers: Doomsday.

Thomas Jane as The Punisher

Marvel fans love Jon Bernthal’s intimidating, rage-fueled Punisher in the MCU, but most also still have a soft spot for Thomas Jane’s portrayal of the character. Jane offered one of the best iterations of Punisher in The Punisher (2004), even though the film struggled with its cliche revenge plot and overly bleak tone. Even so, Jane nailed the role of Frank Castle. He looks the part to a T and provides a brilliant, calculated, and brutal persona that matches the comic book version beautifully.

Despite his well-received performance, Jane believed he was miscast as Punisher and had no interest in returning to the role. As a result, my hopes aren’t high that Avengers: Doomsday could convince him to return. However, if the movie pulls it off, it would be one pleasant surprise and would mean so much to all the fans who still consider him their Punisher.

Nicolas Cage as Ghost Rider

Ghost Rider (2007) is a lot like The Punisher (2004) and Daredevil (2003) in that it boasts a divisive legacy. The film is pretty campy, but it definitely has its audience, especially if you’re a fan of fun Nicolas Cage movies like Renfield (2023) and The Rock (1996). He makes the role his own, adding a bit of over-the-top energy to the character that works quite well. Although I personally prefer Gabriel Luna’s Ghost Rider from Agents of S.H.I.E.L.D. (2013), seeing Cage return to one of his most polarizing roles certainly would be fun.

Having Johnny Blaze’s Ghost Rider in the MCU would be a delight. Ghost Rider is one of Marvel’s best anti-heroes, and, after 15 years, it’s about time he returned to the big screen. However, it would be quite a surprise if Avengers: Doomsday got Cage to reprise the role, as he hasn’t shown much interest in doing so.

Terrence Howard as War Machine

Terrence Howard is one actor we imagine Marvel would have a very difficult time securing for Avengers: Doomsday. Howard was the MCU’s original James “Rhodey” Rhodes (a.k.a. War Machine), portraying the role in Iron Man (2008). He offered a unique take on the character, portraying a more laidback, humorous version that meshed well with Stark’s personality. However, a pay dispute arose during negotiations for Iron Man 2 (2010), leading to Don Cheadle taking over the role of Rhodes.

Cheadle is an excellent War Machine, too, but fans of Howard’s iteration still wonder what would’ve happened if he’d stayed in the MCU. Not only has there been no discussion of Howard returning as War Machine, but even fan speculation about it has been pretty much nonexistent. Seeing him in Avengers: Doomsday would be quite the shock.

Robert Downey Jr. as Tony Stark

Robert Downey Jr. is already starring in Avengers: Doomsday as Doctor Doom, but the MCU could drop a bigger surprise by also bringing him back as Tony Stark. Downey played Stark for over a decade, beginning with Iron Man and ending with Avengers: Endgame (2019). Even so, there have been fan theories that Stark survived Avengers: Endgame. However, the multiverse also means Stark could easily return as a variant, and it wouldn’t even have to interfere with Earth-616 Stark’s ending at all.

It wouldn’t be the first time the MCU used the multiverse to bring back an iconic actor after their character died, given Hugh Jackman’s return in Deadpool & Wolverine (2024). Of course, we don’t quite know what Avengers: Doomsday is doing with Doom or if he already is a Stark variant himself. Still, having Downey play Doom and Stark opposite each other would be wild, surprising, and one mind-bending way to use the multiverse.

Edward Norton as The Hulk

Edward Norton portrayed Bruce Banner (a.k.a. The Hulk) in one of the MCU’s earliest movies: The Incredible Hulk (2008). The film received mixed reviews for its lack of depth and poor CGI. Given its struggles, many seem to have forgotten that Norton was really an incredible Hulk. He offered an iteration that beautifully captured the Hulk's rage and Banner’s internal conflict. Unfortunately, due to creative differences, Banner was recast after The Incredible Hulk, with Mark Ruffalo taking over the role.

Recently, the MCU has brought The Incredible Hulk and its characters back into relevance with projects like She-Hulk: Attorney at Law (2022) and Captain America: Brand New World (2025). Given the creative differences Norton and Marvel faced, his return seems unlikely. Still, if he were to return, it’s the kind of surprise cameo that would have movie theater audiences cheering.

Evan Peters and Aaron Taylor-Johnson as Quicksilver

Two actors have portrayed Quicksilver on the big screen. Aaron Taylor-Johnson briefly portrayed the MCU’s Quicksilver before his untimely demise in Avengers: Age of Ultron (2015). Meanwhile, Evan Peters portrayed a different variant of Quicksilver in the X-Men movies. Taylor-Johnson’s Quicksilver’s death is still one of the most infamous moments in the MCU, as viewers slammed the improbable way he died, as well as the fact that he died much too early.

Peters offered a younger, different, but wildly fun take on Quicksilver beginning with X-Men: Days of Future Past (2014), leading fans to hope for his MCU debut. Although WandaVision (2021) teased his potential return, he ultimately has not crossed over into the MCU. With Avengers: Doomsday’s multiversal premise, though, the MCU can finally bring back Peters’ beloved Quicksilver and throw in Taylor-Johnson’s Quicksilver while they’re at it to fix the MCU’s Quicksilver mistakes.

Oscar Isaac as Apocalypse and/or Moon Knight

Oscar Isaac has played two Marvel characters throughout his career. He joined the X-Men film series in X-Men: Apocalypse (2016) as the titular villain. More recently, he starred as Marc Spector in the MCU’s Moon Knight (2022). Of the two roles, Apocalypse would be a bit more shocking to appear in Avengers: Doomsday. While Isaac is an excellent actor, his portrayal of Apocalypse fell flat due to underwhelming makeup and costume, combined with a flimsy plot. Isaac himself wished the film had done a better job, and found the role “excurciating” due to the prosthetics.

However, Avengers: Doomsday could give Marvel a chance to fix Apocalypse, perhaps by doing a CGI version with Isaac’s voice instead of the prosthetics. Additionally, even if Isaac returns only as Moon Knight, it’d still be a pleasant surprise. Fans have begun to give up hope that he’ll actually return, but a surprise cameo in Avengers: Doomsday could renew some hope.

Tom Hardy as Venom

Tom Hardy stars as the titular anti-hero in Sony’s Venom (2018), and his potential appearance in Avengers: Doomsday shouldn’t be that big of a surprise, but the MCU has made it so with how much they’ve teased but not delivered on his MCU debut. Venom: Let There Be Carnage (2021) ended with Venom’s transportation into the MCU through the multiverse, making fans believe he’d play a significant role in Spider-Man: No Way Home (2021). However, Spider-Man: No Way Home then revealed Venom missed all the action and relegated him to a post-credits scene, and the MCU hasn’t done anything with Venom since then.

Meanwhile, Venom: The Last Dance (2024) seemed to end Eddie Brock and Venom’s saga. As a result, I’ve pretty much lost hope that the MCU will ever just give Hardy’s Venom a proper entry. So, if Avengers: Doomsday finally actually brings Venom into the mix outside a post-credit scene, I’ll be pleasantly surprised.

Following the massive success of Barbie (2023), Mattel Studios is moving forward with its next major live-action project, Masters of the Universe (2026). Inspired by Mattel’s Masters of the Universe media franchise, which began as a toy line in the 1980s, the film follows He-Man (Nicholas Galitzine), who, years after fleeing his homeworld, Eternia, for Earth, must return home and face the power-hungry Skeletor (Jared Leto).

Recently, Amazon MGM Studios dropped the first official Masters of the Universe teaser. While the film featured impressive special effects and a nice dose of humor, it also held a little more. From He-Man tugging a sword from the palms of a Viktor statue to the release date’s nod to Masters of the Universe toy designer Mark Taylor’s birthday, the teaser is rife with fun facts certain to intrigue fans. However, one of the biggest Easter eggs is one that you probably missed: a nod to the Masters of the Universe’s strong ties to Big Jim.

Big Jim’s Cameo In ‘Masters Of The Universe’ Teaser, Explained

Right around the 1:01 mark of the Masters of the Universe teaser, you see He-Man struggling to retrieve his sword from the Viktor statue in what appears to be a game/toy store, which prompts a store employee to tell him he can’t do that. When the camera pans to the employee, you can see Big Jim toys on the shelf behind her, including the Big Jim Sports Camper set. There’s also an “All-Star Big Jim 1972” sign hanging to the left of the shelf, which is a nod to the All-Star Big Jim toy series.

Although you might dismiss it as random toys in the shop’s background, Big Jim is definitely an intentional move from the filmmakers. After all, the toy line significantly influenced the Masters of the Universe. Big Jim is another Mattel toy line that has an earlier history than Masters of the Universe, debuting in the 1970s. The line itself drew heavily on Hasbro’s G.I. Joe line, though Mattel went with a less militaristic route, making Big Jim more of an adventurer. 

One of the Big Jim sets was Big Jim on the Tiger Trail, which featured Big Jim in safari attire and came with the Big Jim Tiger, a simple painted tiger with its maw open, baring its fangs. Mattel later reused the Big Jim Tiger mold in its Tarzan and the Jungle Cat set. The Jungle Cat was the same mold as the Big Jim Tiger, but painted black like a panther. Eventually, the mold was also used to craft He-Man’s trusty companion, Battle Cat, the earliest version of which featured the same paint pattern as the Big Jim Tiger but with different colors.

Mattel also reused the molds from the Big Jim Eagle set to craft Masters of the Universe’s fighting falcons, Zoar and Screech, though the designers painted them in more vibrant colors. In addition to reusing Big Jim molds, Masters of the Universe seemed to have pulled some character inspiration from Big Jim characters, too. For example, Skeletor bears resemblance to the skull-faced hooded pirate, Big Jim’s Captain Drake, while Trap Jaw parallels the design of Big Jim’s Iron Jaw.

The Big Jim toy set in the Masters of the Universe teaser is a nod to the franchise’s origins. It’s a nice recognition of the toy line and its designers, who heavily inspired Masters of the Universe. I enjoy that Mattel has no problem addressing all of its toy history. Just like Barbie acknowledges the weird history of the pregnant Barbie doll, Midge, Masters of the Universe subtly acknowledges the not entirely original roots of its characters. The Big Jim nod is a great example of Mattel utilizing all the toy history it can in its films.

Reusing Molds Is Common In The Toy Industry

Now, some of you may feel a certain way about learning that the Masters of the Universe toy line reused Big Jim molds. After all, when you pay for a new toy, it comes with the expectation that it’s “new,” not a toy from a different line with just a slightly different color palette. However, the reusing of molds in the toy business is a pretty standard practice. Reusing molds is an economical choice that reduces the energy and labor needed in mold manufacturing. Toy brands from Mattel to Hasbro and toy lines from Big Jim to Marvel Legends have used the practice.

While reusing molds is fairly common, it can cause some disgruntlement when customers keep noticing the same mold over and over again. One can argue a lack of creativity, though others point out there’s nothing wrong with reusing what isn’t broken. Plus, customers partially fuel mold reuse by continuing to purchase some models. It really just comes down to how creative companies get in mold reuse. The earliest versions of Battle Cat were pretty unimaginative recolorings of Big Jim Tigers, but later versions with purple flocking and battle armor accessories made better use of it. 

One of the benefits of bringing Mattel toys to the big screen is that it can raise awareness of toy line history and even allow toy companies to poke fun at their own practices and decisions. Barbie and Masters of the Universe both invite viewers to dig deeper into the world of toymaking and toy history, and you’ll find the world full of interesting and fun surprises.

On January 22, 2026, the academy announced all of the nominees for the 98th Academy Awards. It was a lavish affair celebrating the best in films of 2025, but frankly, it was all a bit too positive. No major snubs or upsets (unless you were rooting for 2025’s Wicked: For Good, I guess), and almost all of the films most audiences would consider to be good got nominated. But not every movie is good. Some movies are terrible and need a good lambasting, and that’s exactly what the Razzies are for!

Each year, the Razzies nominate the worst movies of the past year, and everyone gathers around to have a good laugh. These nominations, for the most part, are rarely malicious and are all in good fun, even if the movies are truly awful experiences. These are misfires, bombs, and so-bad-they’re-good films that have no place being at the Oscars. Still, they’re worth watching in their own strange way. If you want to know who the nominees are for this 2026’s Razzies and how to watch them, you’ve come to the right place. 

Worst Screen Combo

Some things go well together. Peanut butter and chocolate. Snowy days and hot cocoa. Michael B. Jordan and Ryan Coogler. And then there are the pairings in this category. Was anyone asking for Robert De Niro to star opposite himself as two different characters in The Alto Knights (2025)? What about seeing James Corden and Rihanna voice major characters in Smurfs (2025)? No? Congratulations, you have something we in the industry call “taste.” These are the nominees for Worst Screen Combo:

• The Weeknd & His Colossal Ego, Hurry Up Tomorrow

• James Corden & Rihanna, Smurfs

• All Seven Dwarfs, Snow White

• Robert De Niro & Robert De Niro (as Frank and Vito), The Alto Knights

• Cube & His Zoom Camera, War of the Worlds

Worst Screenplay

There’s an artistry in crafting dialogue to evoke emotions within your audience. That was lost on the writers in this category. Whether it be shoehorning frequent Amazon product placements or the dramatic anticipation of watching Dopey the Dwarf speak, these nominees lost the plot on how to construct a story that audiences could take seriously. 

• Hurry Up Tomorrow

• Snow White

• Star Trek: Section 31

• The Electric State

• War of the Worlds

Worst Remake, Rip-off, or Sequel

For as long as there is nostalgia, there will be movies to exploit that nostalgia. In theory, making a new installment in a franchise is a good way to get people into theaters, but sometimes studios forget to make them good. Be honest now, was anyone asking for a new movie about Snow White or the Smurfs? Five Nights at Freddy’s 2 is at least understandable thanks to the internet’s uncomfortable fascination with all things FNAF and Chica. Oh, and a word to the wise: never look up “FNAF Chica” with SafeSearch off. You’ll thank me later. Here are the nominees for Worst Remake, Rip-off, or Sequel:

• Five Nights At Freddy’s 2

• I Know What You Did Last Summer

• Smurfs

• Snow White

• War of the Worlds

Worst Supporting Actress

By now, it should be clear that War of the Worlds and Snow White are the biggest targets of this year’s Razzies, but shockingly enough, neither film was nominated for Worst Supporting Actress! One would have thought that Gal Gadot or Eva Longoria would be here, but at least we have a Stallone. Not Sylvester Stallone, but a Stallone nonetheless! Here are the nominees for Worst Supporting Actress:

• Anna Chlumsky, Bride Hard 

• Emma Horvath, The Strangers: Chapter 2

• Kacey Rohl, Star Trek: Section 31

• Scarlet Rose Stallone, Gunslingers

• Isis Valverde, Alarum

Worst Supporting Actor

Is it even fair to list the nominees in this category besides Sylvester Stallone? Sure, Nic Cage is here for a movie that no one had ever heard of, and the unholy animated septuplets that are the Dwarfs from Snow White should be the frontrunner to win since they made me viscerally shrink in my seat. Still, they have no chance against the King of the Razzies. The man has won top honors a dozen times! Say what you will about the Razzies, but whenever there’s a chance to mock Stallone, they will take it. Here are the nominees for Worst Supporting Actor:

• All Seven Artificial Dwarfs, Snow White

• Nicolas Cage, Gunslingers

• Stephen Dorff, Bride Hard

• Greg Kinnear, Off the Grid

• Sylvester Stallone, Alarum

Worst Actress

Best Actress is an interesting category this year since there are actually a lot of actresses who won Oscars who are now nominated for Worst Actress. Granted, some of these actresses have never come close to winning an Oscar, but there may come a time when Milla Jovovich and Rebel Wilson can stand onstage at the Academy Awards. Not this year, though. This year, they’re stuck at the Razzies. Here are the nominees for Worst Actress:

• Ariana DeBose, Love Hurts

• Michelle Yeoh, Star Trek: Section 31

• Milla Jovovich, In the Lost Lands

• Natalie Portman, Fountain of Youth

• Rebel Wilson, Bride Hard

Worst Actor

2025 was the year when musicians turned actors gave us some of the worst performances of the year. Between The Weeknd for Hurry Up Tomorrow and Ice Cube in War of the Worlds, it’s going to be hard to see who delivered the worst performance. Then again, Jared Leto did give a pretty robotic performance in Tron: Ares (2025), so maybe this is the year where an actor turned musician wins. Here are the nominees for Worst Actor:

• Abel “The Weeknd” Tesfaye, Hurry Up Tomorrow

• Dave Bautista, In the Lost Lands

• Ice Cube, War of the Worlds

• Jared Leto, Tron: Ares

• Scott Eastwood, Alarum

Worst Director

Normally, Best Director is a solid indicator of who would go on to win Best Picture. The two are usually tied hand in hand, and the same is true at the Razzies. All of the nominees for Worst Director are also nominated for Worst Picture, so whoever best realized their terrible vision for their film will most certainly go on to win Worst Picture. Here are the nominees for Worst Director:

• Marc Webb, Snow White

• Olatunde Osunsanmi, Star Trek: Section 31

• Rich Lee, War of the Worlds

• The Russo Brothers, The Electric State

• Trey Edwards Shults, Hurry Up Tomorrow

Worst Picture

Six nominations for Snow White. Six nominations for War of the Worlds. Five each for Hurry Up Tomorrow and Star Trek: Section 31, and only three for The Electric State. It’s no surprise that the most nominated films at this year’s Razzies are all vying for the grand prize, and all of them most certainly deserve it, but who will win? Personally, I have my money on War of the Worlds, but I’ve been wrong before. Here are the nominees for Worst Picture:

• Hurry Up Tomorrow

• Snow White

• Star Trek: Section 31

• The Electric State

• War of the Worlds

We’re just a few weeks into 2026, and it’s already shaping up to be a dream year for period drama fans, especially for those who think yearning is a lost art. As someone who has built their entire personality around period dramas, the 2026 lineup feels unusually well-balanced, and I’m here for all of it. Between literary adaptations, Gothic horrors, family sagas, and amateur sleuths getting their time in the sun, this year seems to be offering up a buffet of stories for every taste. If the imminent release of Bridgerton season 4 has been living rent-free in your head, then you already know what I mean: period dramas are so back! 

Here are 10 period dramas that are either set to release or return in 2026; or have already been released in 2025, but now will be made available to stream online. If you love this genre even half as much as I do, then at least one of them is bound to become your new obsession when they ultimately release on Netflix, Prime Video, and more; so without any further ado, let’s dive in!

Sense and Sensibility (2026)

This one’s for those who can never get enough of Austen retellings even in a world filled to the brim with it. Adapted from Jane Austen’s 1811 novel, Sense and Sensibility stars Daisy Edgar-Jones and Esmé Creed-Miles as Elinor and Marianne Dashwood respectively. In 1995, Emma Thompson and Kate Winslet dominated the screens as the Dashwood sisters, and this adaptation promises to refresh the story for modern audiences, while keeping the emotional stakes high. 

What I’m excited to see is the dynamic between the sisters and the degree of faithfulness to the original story. Some adaptations veer away from the source material and take creative liberties, and some follow it to a T, and I’m looking forward to seeing where the 2026 adaptation falls on that spectrum. Sense and Sensibility has always been understated and subdued, which is why it usually gets overshadowed by its more flashier siblings like Pride & Prejudice or Emma. Nevertheless, this is also a part of its charm. If you love emotional tension and character-driven storytelling, then this is absolutely your movie. 

Sense and Sensibility will be released in theatres on September 11, 2026.  

“Wuthering Heights” (2026)

Emily Brontë’s Wuthering Heights has never been a cozy, comforting romance. It was always about obsession and resentment. I’ll be frank, I’ve read the book only a handful of times as I found it a bit too brooding and bleak. What can I say, I’m more of a Pride & Prejudice girl. But what I am interested to see is how “Wuthering Heights” is going to lean into raw emotion. The storms, the feuds, and watching Catherine and Heathcliff spiral through their passions is something I’m sure will leave us all emotionally winded. 

The trailer looks gorgeous with windswept landscapes and cinematography. But—the trailer says the film is inspired by ‘the greatest love story of all time,’ and, well, Brontë’s novel isn’t exactly a romance you want to swoon over. Anyone who expects a happy ending has wandered into the wrong moor. I do want to see how Margot Robbie and Jacob Elordi embody Catherine and Heathcliff, and the sheer intensity of it all. Fans of Rebecca or Jane Eyre will recognize the same Gothic, slow-burn elements in “Wuthering Heights”, but the moors here give it a distinct, almost wild edge that makes it feel untamed. 

“Wuthering Heights” will be released in theatres on February 13, 2026.

The Other Bennet Sister (2026)

It’s the year for Austen and Austen-adjacent stories (what a dream!) After being removed from the plot in Pride and Prejudice adaptations like Bride and Prejudice and Pride and Prejudice (1967), Mary Bennet is finally getting her dues. And it’s about time, if you ask me. The Other Bennet Sister follows the often overlooked middle Bennet sister, Mary, as she leaves her home and family to travel to London, where she has her own adventures (and maybe, love too!) 

Because this show is an expansion of a character (and adapted from Janice Hadlow’s book of the same name), rather than an explicit retelling of Pride and Prejudice, the appeal lies in fresh perspective. Mary isn’t someone even Austen purists really hear from often, so The Other Bennet Sister gives a voice to a side of story that is usually ignored, and I’m so ready to have a front row seat to Mary’s personal discovery. If you enjoy literary spin-offs, like The Artful Dodger, then The Other Bennet Sister is bound to be a refreshing watch. 

The Other Bennet Sister is expected to debut in spring 2026, and will stream on BritBox. 

Dracula (2026)

A lovelorn Dracula casting longing glances across a ballroom wasn't on my 2026 bingo card, but here we are. Adapted from Bram Stoker’s titular character from his 1897 novel, Dracula is an English-language film released in France in July 2025. Lucky for the North American audience, it’ll be theatrically released in February 2026, bringing the suspense and deliciously twisted romance to a whole new slew of people who missed watching it the first time around.  

If the thought of creepy, shadowy manors and dark, brooding tales of morally-complicated vampires and lost loves gives you goosebumps, then Dracula might be right up your (snow-covered) alley. The Gothic visuals itself are enough to pull you in, but the emotional stakes (with music by Danny Elfman!!) is the real hook. Dracula seems to be the darkest entry on this list, though tonally, it comes closest to the “Wuthering Heights.” As someone who finds vampires fascinating, I’m excited to see how this adaptation will handle the balance between horror and human drama. And anyways, drama from this decade is fine, but who wouldn’t love to immerse themselves in centuries old drama? 

Dracula will be released in theatres on February 6, 2026.

The Forsytes (2025-Present)

If you thought your family had the most drama during Thanksgiving, then The Forsytes will change your mind. This is the kind of period drama that doesn’t just tell a story, it brings you into a family dynasty complete with ambition, desire, and wealth. If you love watching dramas which seem polite on the surface, but with intergenerational conflict and betrayal underneath, then this one’s for you (it’s looking very Gossip Girl-esque—if, you know, Gossip Girl was based in Victorian England.)

While The Forsytes was broadcast in October 2025, it’ll be premiering in the U.S this year, so get ready to watch the complex, flawed, yet deeply human characters split between personal desires and duty (and strong women fighting against restrictions in a society that favors men never gets old.) If you loved Bridgerton for its romance, but wished the social tension was dialed up a notch, then give this show a whirl. I have a feeling it's going to be one of those quietly addictive dramas of 2026, the one you don’t see coming, but watching one episode has you highly anticipating the next one. Plus, I might be secretly excited to take notes on all the scandals.. for personal amusement purposes. 

The Forsytes premieres in March 2026 on PBS Masterpiece.

Miss Scarlet (2020-Present)

Detective drama meets Victorian flair—that’s Miss Scarlet for you. After five seasons of mysteries, deductions, and the right hints of danger, season 6 promises more of what Eliza Scarlet does best: outsmarting everyone in a city that isn’t quite ready for a female sleuth. This show stands out from the other entries on this list because Miss Scarlet is an original concept, not an adaptation (and for that reason itself, I think it’s worth recommending to everyone.) 

Miss Scarlet always puts its best foot forward; not only does it have consistently satisfying mysteries, but the historical charm and layered characters make it an interesting watch. Another thing I’m excited about is Eliza getting a chance at love. Season 4 saw the Duke—a character she had a will-they-wont-they relationship with—exit the show, opening up that spot for his replacement, Inspector Blake. I’m looking forward to seeing how Eliza and Blake’s relationship evolves over the season (and to be honest, I’m kind of glad the Duke left, he was being a bit of a downer with his constant grumpy attitude.) I wouldn’t be surprised if I binge-watched the first five seasons before jumping into the new one—and you should too!

Miss Scarlet is currently streaming on PBS Masterpiece. 

Pride and Prejudice (2026)

Ah, Pride and Prejudice. I don’t know if there’s anything I can say here that hasn’t been said before, but gosh, I’m so excited! I’m personally of the opinion that you can never have enough Pride and Prejudice adaptations, and I already know this series is going to deliver top-tier yearning and the enemies-to-lovers trope. 

Pride and Prejudice isn’t just a slow-burn romance. It’s also a sharp critique on society and the pressures for unmarried women (which is still so relevant in today’s times), and a journey of personal growth for the main characters. It’s why this story remains untouchable, no matter how many different kinds of period dramas hit our screens. In 2026, I want to once again witness the clever banter and simmering chemistry in a way that feels classic, yet new. The only question that then remains is, will Jack Lowden’s Mr. Darcy join the ranks of previously adored Darcys (played by Colin Firth and Matthew MacFadyen)? And better yet, will this adaptation be a part of the infamous 1995 vs 2005 debate? Only time will tell! 

Pride and Prejudice will stream on Netflix in 2026, though the exact date is unknown. 

The Artful Dodger (2023-Present)

Calling all Dickens fans! Based on the beloved character, Jack Dawkins, also known as the Artful Dodger from Charles Dickens’ Oliver Twist, and set 15 years after the events of the novel, The Artful Dodger brings another season of the titular character balancing his life as a surgeon and a charming pickpocket (though a bit reluctantly, to begin with), wreaking havoc in 1850s Australia. Unlike more moody entries like Dracula, The Artful Dodger thrives on energy and clever trickery, within a fast-paced plot line.

I’m genuinely delighted to see another character I’m fond of get more screen time (first Mary Bennet, then Dodger? I’m feeling blessed.) It was a joy watching Dawkins be the lovable thief he is in season 1, and this season appears to follow that same formula of quintessential Dickensian charm and comedy. With the addition of a new character and a romantic rival for Dawkins, I think we’ve got a winner on our hands. If you’re a fan of heist shows, or playful, character-driven drama (and of course, a romantic subplot!), then The Artful Dodger is calling your name. While the first season premiered in 2023, the second season will be released in 2026. 

The Artful Dodger Season 2 will premiere on February 10, 2026 on Hulu and Disney+.

Young Sherlock (2026)

If there’s one thing I know for sure about myself, it’s that I will watch anything Sherlock and this is no exception. Young Sherlock is exactly what it sounds like: a series about a 19-year-old Sherlock at Oxford where his first murder case takes place. If you’ve always wondered what Sherlock was like in his late teens, then this show might answer some of your questions. 

The show deals with Sherlock’s first foray into crime-solving, and will give insight into his relationship with his future nemesis Moriarty. However, Watson fans might be disappointed because the show features a time in Sherlock’s life before he met Watson. With Guy Ritchie—the person who directed the Sherlock movies with Robert Downey Jr. as the titular character—directing the whole thing, I’m definitely intrigued, especially since it explores the roots of a character we think we know so well. If you enjoy watching origin stories, or shows with sharp detectives at the helm, then Young Sherlock must go on your to-watch list. 

Young Sherlock will be released on March 4, 2026 on Prime Video. 

Enola Holmes 3 (2026)

It’s a big year for the Holmes family! The world has been waiting, and yes, Enola is back for her third cinematic adventure. Based on Nancy Springer’s book on Sherlock Holmes’ younger sister Enola Holmes, Enola Holmes 3 is for anyone who loves witty mysteries and independent, resourceful heroines, much like our Miss Scarlet, who’s also navigating a world that underestimates her. Millie Bobby Brown shines as Enola, bringing an extra dose of humor and sass that makes her feel especially relatable. 

If you kept coming back to watch each of the previous two films, then naturally, this is the next step. This time, Enola travels to Malta for more adventure and mystery, and the third movie promises to be just as exciting, smart, and endlessly charming. Fans of other teen or breezy young-adult-friendly mysteries like Nancy Drew, should add this movie to their Netflix queue. The third movie could easily outshine its predecessors (with an engagement, perhaps?) and I will absolutely be taking time off this summer, cheering for her from my home.  

Enola Holmes 3 will release on Netflix in summer 2026, though the exact date is unknown. 

Money Heist (2017), also known as La Casa de Papel, originally aired on a Spanish network as a 15-episode limited series. However, Netflix took an interest in the show, acquiring its streaming rights and giving the show a global audience. Money Heist exploded in popularity, becoming one of Netflix’s most-watched non-English language shows of all time.

Blending heist action with lovable but flawed characters, there’s a near-universal appeal to the series. Netflix quickly capitalized on the success, expanding the show into five parts and turning it into a franchise with additional shows set in the Money Heist universe. If you’re looking to catch up on the franchise in time for the newest addition, Berlin and the Lady with an Ermine (2026), you can use our guide to find out how to watch the series in order.

The only shows that are chronologically related are Money Heist and Berlin (2023), since the latter is a prequel to the former. While you could watch Berlin first, we recommend watching the entire franchise in release order to avoid spoilers and experience the full emotional impact of Money Heist.

Money Heist (2017-2021)

Money Heist tells the story of The Professor (Álvaro Morte), a criminal mastermind who recruits a team of eight to pull off the most ambitious heist in history at the Royal Mint of Spain in an 11-day operation. On the one hand, Money Heist offers everything you could want from a typical heist thriller. From the code names to the intricate plot to the meticulous planning, it’s a thrilling story that avoids the pitfalls of other heist dramas by steering clear from predictability.

However, Money Heist also shines because it’s not just about a heist. It’s also an intense, character-driven drama that delves deeply into its characters' lives and relationships. Their stories and the show’s strong anti-capitalist themes transform them from criminals into unexpected anti-heroes. The character connection and thought-provoking themes create an emotional weight similar to Squid Game (2021), though its intricate plot is reminiscent of shows like Prison Break (2005).

Money Heist: The Phenomenon (2020)

Money Heist: The Phenomenon is a documentary that delves into why and how Money Heist became a global phenomenon. It also functions as a behind-the-scenes feature, including interviews with the show's cast, crew, and creators. Money Heist: The Phenomenon also explores how Money Heist was more than just a source of entertainment. For many, it became a symbol of resistance, to the point that worldwide political protests have incorporated the show's iconic jumpsuits and masks.

Money Heist: The Phenomenon digs deeper into the world of Money Heist and is an engaging, feel-good documentary that celebrates an impactful work of art. If you fell in love with Money Heist and are eager to see more of the cast and crew, as well as to gain a deeper understanding of why the show resonates with so many people, Money Heist: The Phenomenon is an excellent watch.

Money Heist: From Tokyo to Berlin (2021)

If you loved Money Heist: The Phenomenon but wanted an even more in-depth behind-the-scenes aspect, Money Heist: From Tokyo to Berlin is made for you. The docuseries focuses specifically on the cast and crew of Money Heist as they discuss their creative process on the show. Given how much Money Heist has already resonated with audiences, it’s even more interesting to see firsthand the impact and work of those directly involved in the project.

Money Heist: From Tokyo to Berlin has the same celebratory feel as Money Heist: The Phenomenon, along with a bit more reflection. There’s a discussion of the story's evolution, the emotional impact of the show’s success on its cast, and an exploration of key creative decisions. Money Heist: From Tokyo to Berlin is an excellent watch for those seeking a greater appreciation of the original series.

Money Heist: Korea - Joint Economic Area (2022)

In Money Heist: Korea - Joint Economic Area, criminal mastermind The Professor (Yoo Ji-tae) recruits a group of thieves to pull off a major heist at the mint of the reunified Korean Peninsula. As you can likely tell from the description, it parallels the original's premise but features new characters and a new setting. Since Money Heist: Korea - Joint Economic Area is a Korean remake, it lacks the advantage of surprise that Money Heist had when it released. 

However, it’s still an intense show that keeps viewers engaged with its elaborate plot. Additionally, the series explores themes of its own, using the refreshing setting to examine the division of Korea and to highlight its anti-capitalist themes in a new light. If you loved Money Heist but want a South Korean drama twist akin to Vincenzo (2021), Money Heist: Korea - Joint Economic Area is worth a watch.

Berlin (2023-Present)

Berlin is the prequel to Money Heist that puts the spotlight on fan favorite, Andrés de Fonollosa a.k.a. Berlin (Pedro Alonso), who, years before the Royal Mint of Spain heist, pulled off his own jewel heist. There’s no denying that Berlin was one of the most interesting characters of Money Heist. Charismatic and charming, but also displaying elements of narcissism and insensitivity, he’s a prime example of the show’s surprisingly likable anti-heroes.

Hence, the prequel series is an intriguing continuation of Berlin’s story. It’s less about heist action like Money Heist was, and more a character study with intense psychological thriller and romance aspects. Berlin offers a twisted tale of obsession and criminality, and while it may not surpass the original series, it’s still highly entertaining. Fans of jewelry heist series like Kaleidoscope (2023) and Everybody Loves Diamonds (2023) will especially enjoy Berlin.

Berlin and the Lady with an Ermine (2026)

Berlin is rebranding for its second season with a new title: Berlin and the Lady with an Ermine. While it’s technically season 2 of Berlin and continues Berlin’s story, it does feature a few new elements beyond its title, including a change of location. Season 1 of Berlin is set primarily in Paris, but Berlin and the Lady with an Ermine takes us to Seville, Spain.

The new season will follow Berlin as he recruits his gang and sets off to complete his latest ambitious heist: faking the theft of Leonardo da Vinci’s Lady with an Ermine painting as a distraction for swindling his actual target. Berlin will return, and the heist sounds just as audacious as those in the Money Heist universe tend to be, boding well for the franchise’s latest expansion. Berlin and the Lady with an Ermine premieres on Netflix on May 15, 2026.

Becoming one of the most foundational hits for Warner Bros. during the Golden Age of Hollywood, the Looney Tunes franchise has received some deeply impressive entries over the years. The animated shorts starring Bugs Bunny, Daffy Duck, Porky Pig, and countless other characters have become among the most iconic fixtures in animation history, with a sense of wacky comedy and subtle cultural references that make them perfect for a broad audience.

Over the years, Warner Bros. has experimented with the concept, introducing plenty of unique takes on the characters that play with genre, style, and medium. While some have struggled under the weight of their concept, others have proven the characters and comedy to be surprisingly adaptable. With the franchise continuing to expand with modern interpretations like Coyote vs. Acme, which awaits an August 28, 2026, release, here are the best Looney Tunes shows and movies you can watch right now. 

9. Looney Tunes: Back in Action (2003)

Looney Tunes: Back in Action was unfortunately maligned by critics and audiences, but there’s a lot of fun to be had in this wacky throwback, so long as you’re looking for a light-hearted time. An attempt to mix animated characters with a live-action adventure, Back in Action was the end result of several planned follow-ups to Space Jam (1996) once Michael Jordan declined to return for a sequel. The movie takes cues from self-aware studio comedies like The Player (1992) and Who Framed Roger Rabbit (1988), with plenty of deep-cut references to animation history and commentary about the bizarre nature of the Looney Tunes franchise at large.

Brendan Fraser is as charming as ever, with the comedy muscles he showcased in movies like George of the Jungle (1997) going a long way to keep the film fun. The central dynamic between Bugs and Daffy is also surprisingly compelling. While it’s far from essential, which is why it ranks last on this list, Back in Action didn’t deserve the harsh response it got from audiences and critics. If you’re a fan of the more chaotic cartoons in the Looney Tunes library and don’t care for the slower-paced imaginative ones, then this is a great alternative.

8. The Sylvester & Tweety Mysteries (1995-2002)

A surprisingly compelling fusion of Looney Tunes aesthetics with the mystery-of-the-week structure of Murder, She Wrote (1984), The Sylvester & Tweety Mysteries is a funny and surprisingly consistent mystery show. The series follows Granny and her loyal pets, Sylvester, Tweety, and Hector, as they travel the world and solve mysteries. The series is a multiple Annie Award winner, with a fun globetrotting approach that lent itself well to sight gags for different landscapes and settings.

While it’s far from the most complex story, younger audiences who enjoy adaptations of Sherlock Holmes will love this series. While it might not have the depth of something like Poker Face (2023), The Sylvester & Tweety Mysteries is a great introduction to the genre for kids in a way that doesn’t lose any of that wacky Looney Tunes charm.

7. Duck Dodgers (2003-2005)

An overtly sci-fi reimagining of the Looney Tunes universe, Duck Dodgers is an unexpectedly fun and kid-friendly precursor to the sort of genre subversions that would become more pronounced in later shows like Rick & Morty (2013) and Final Space (2016). Duck Dodgers is a continuation and expansion of the classic Looney Tunes shorts, bringing back Daffy Duck’s arrogant space explorer character and setting him loose against hordes of aliens, invasive parasites, and work rivals.

Running for three seasons, the show grounds the humor with a clever touch, centering much of the comedy on the mistaken assumptions that the Eager Young Space Cadet (Porky Pig) and the Martian Queen Tyr’ahnee have about the “heroic” Duck Dodgers. The show is best when it leans into those archetypes and exaggerates them for comedic effect. As a result, it never quite gets serious enough, even when the threats become galactic-level. Silly and just the right level of crass, the show’s strong animation brings a stylish edge to this wacky sci-fi parody.

6. Space Jam (1996)

While it may have aged painfully in some regards, there’s a cheesy joy to Space Jam that makes it just as appealing now as it was when it first released. The live-action/animation hybrid sees the Looney Tunes recruit a recently retired Michael Jordan to help them win a basketball game against aliens for the fate of the toons. The film’s cartoonish take on the underdog sports movie tropes gets a lot of fun subversions, even as the hit/miss ratio for jokes can be a little iffy. 

The film benefits from a human cast that throws themselves fully into the experience, with Jordan, Wayne Knight, and Bill Murray’s appearances alongside the likes of Bugs, Daffy, and Tweety, a very fun beat. Perfect for a nostalgic trip to the ‘90s or younger audiences who love cartoons and sports, Space Jam is a ball of a time, although make sure you skip Space Jam: A New Legacy (2021), which turned some good potential into a mess. 

5. Looney Tunes Cartoons (2019-2024)

Delivering on an authentic retro cartoon experience while retaining modern sensibilities can be tricky, but it’s something Looney Tunes Cartoons manages to pull off with aplomb. A peer to the revival of Mickey Mouse (2013) that became a fixture for a decade at Disney, Looney Tunes Cartoons is all about bringing back the older characters and giving them new adventures that feel fresh in the modern day but also feel true to the spirit of the original shorts.

While the creatives can sometimes take the liberty afforded them a bit far (seriously, there’s a Bugs Bunny cartoon in here that might be scarier than most of the horror movies I’ve seen in recent years), the overall effect is a blast. Highlights include a revamped version of Lola Bunny that feels more in line with the actual toons, as well as a new Daffy/Porky dynamic that gets better explored in the show’s big final story. While the harsher elements might not make this the best show to start younger audiences on, Looney Tunes Cartoons is a worthy heir to the legacy set by the older shorts.

4. Tiny Toon Adventures (1990-1995)

Following in the footsteps of Disney cartoons like DuckTales (1987), Tiny Toon Adventures proved a delightful series that quickly generated its own mini-franchise. Set largely at the Acme Tooniversity, Tiny Toon Adventures focuses on a new generation of characters who are learning the ropes of animated antics from the established characters. Buster, Babs, Plucky, and Elmira are great additions to the franchise cast and do a great job of synthesizing sitcoms of the era like Saved by the Bell (1989) with the kind of anarchic comedy that would come to define Warner Bros. Animation’s follow-up to Tiny Toon Adventures, Animaniacs (1993).

While audiences who don’t like the idea of restricting the Looney Tunes to a more grounded setting like a school can probably skip it, the worldbuilding and characters of Tiny Toon make for a charming experience. The modern sequel series, Tiny Toons Looniversity (2023), is pretty fun, too.

3. The Looney Tunes Show (2011-2013)

A deeply hilarious take on a sitcom that feels more in line with Community (2009) and New Girl (2011) than the original shorts, The Looney Tunes Show is a quietly great comedy that uses the cartoonish characters to tell deceptively mature stories. Set in a suburban neighborhood where Bugs and Daffy are housemates, The Looney Tunes Show uses half-hour episodes and a self-aware tone to really have fun with the typical trappings of the genre.

Bolstered by a truly game cast, including Kristen Wiig deploying all of the manic comedy energy she honed on Saturday Night Live (1975) to make Lola Bunny into one of the funniest modern Looney Tunes characters, The Looney Tunes Show’s ability to hop around genres and never lose sight of the core mechanics of a Looney Tunes story or the sitcom trappings is genuinely impressive.

2. The Day the Earth Blew Up: A Looney Tunes Movie (2024)

A great movie in its own right but a pitch-perfect feature adaptation of the Looney Tunes, The Day the Earth Blew Up: A Looney Tunes Movie is a great parody of sci-fi disaster flicks, depicting a world where aliens resembling bubble gum try to take over the world, and only a quickly overwhelmed Daffy and Porky can save the day.

The film pulls off the difficult feat of making the audience really care about the central dynamic between the two characters. Here, Daffy and Porky are adopted brothers who have to reaffirm their bond while also facing off against a threat that wouldn’t feel out of place in a throwback sci-fi film of the B-movie era. Absurd in its comedy but surprisingly clever in its worldbuilding and horror, The Day the Earth Blew Up works on a lot of levels. Skeptics may have balked at the big tonal swing, but this Looney Tunes movie might be one of the best feature-length takes on the characters ever.

1. Looney Tunes (1929-1934)

As the gold standard for animated comedy for almost a century, the original Merrie Melodies and Looney Tunes shorts remain the best examples of the franchise in film and television. The shorts are great, with a mix of cultural deep-cuts, slapstick comedy, and witty wordplay. The best cartoons in the series, like “Duck Amuck” and “What’s Opera, Doc?” are among the most impressive animated shorts of all time, with a mix of fast-paced comedy and perfectly designed character animation.

It’s hard to understate just how funny and influential these shorts are, impacting entire generations of creatives and shaping the future of animation and comedy across the board. The best example of the franchise and some of the best animated comedy you’ll ever see, Looney Tunes is uniformly fantastic and most definitely deserves first place on this list.

While we movie fans owe Robert Zemeckis thanks for plenty of classics, like Romancing the Stone (1984), Who Framed Roger Rabbit (1988), and Forrest Gump (1994), perhaps his most important contribution to pop culture came in the form of a high school boy and an eccentric scientist. In 1985, Back to the Future changed the cinematic landscape for the better by bringing sci-fi into the mainstream (remember Star Wars was still for nerds then) with some of the finest visual effects of the time.

The first movie's cliffhanger ending resulted in two more sequels, and unlike some trilogies, each film is pretty perfect. Whether you're looking to watch the trilogy for the first time or just want another hit of nostalgia for the hundredth, here's how to watch the Back to the Future movies in order. Find them all on streamers like Prime Video, AMC+, and more to follow the adventures of Marty McFly and Doc Brown in their completion. 

Back to the Future (1985)

If you're looking for the ultimate sci-fi adventure movie, Back to the Future is your ticket. From references in Stranger Things (2016) to the entire premise of Rick and Morty (2013), Robert Zemeckis's magnum opus continues to influence pop culture. Following Marty McFly's (Michael J. Fox) trip back in time thanks to Doc Brown's (Christopher Lloyd) time-traveling DeLorean, the movie finds the perfect balance between memorable, emotional storytelling and comedy. 

A large part of Back to the Future's charm comes from Fox and Lloyd, who exude an unreplicable charisma and chemistry that carries throughout the rest of the trilogy. Personally, I consider Back to the Future a perfect movie, right alongside Jaws (1975) and The Silence of the Lambs (1991). If you want to watch the entire trilogy, you need to start here, considering it sets up the characters and basic time-travel logistics that continue to play a role in the larger story. 

Back to the Future Part II (1989)

Picking up directly after Back to the Future, Back to the Future Part II makes good on Doc coercing Marty to go "back to the future." Together, they travel to 2015, with Jennifer (now played by Elisabeth Shue), to deal with a new threat created by their children. As all good time-travel movies prove, messing with the order of things is never a good idea, which turns Back to the Future Part II into a proper time-hopping affair in an attempt to course-correct ongoing mishaps.

As far as sequels go, Back to the Future Part II ranks among the best. While it doesn't quite match the sheer power of the original movie, it upholds the series' dedication to zany sci-fi tropes and madcap humor. If you like Rick and Morty, this installment feels the most similar since our protagonists do a lot of on-the-fly problem-solving with a healthy dose of meta-commentary attached.

Back to the Future Part III (1990)

The Back to the Future trilogy is solid all around. However, Back to the Future Part III might be the most divisive movie of the lot. If you already love the first two movies, there's no sense in stopping now, especially because Back to the Future Part II leaves us on a pretty big cliffhanger with Marty and Doc stranded in separate timelines. Back to the Future Part III picks up there, with Marty using the DeLorean to travel to 1885 to rescue Doc. If the Old West setting already sounds like a blast, then you'll love this movie.

For some, the setting shift might be a bit jarring, but Back to the Future Part III still carries the trilogy's trademark humor, sci-fi, and meta-comedy to rope fans in. Consider it more of a peer to Butch Cassidy and the Sundance Kid (1969) or the more goofy Blazing Saddles (1974) than traditional sci-fi fare. Regardless of whether you like Westerns or not, Back to the Future Part III provides a satisfying conclusion to the trilogy's story that gives Doc and Marty the proper development and closure they needed. You won't be disappointed if you stick it out. 

In many ways, the streaming age is one of the best times to be a fan of television and movies. So many titles are available at a moment’s notice, whether they are classics from decades past or new titles that quickly explode on social media. The ease of access is wonderful, but something that isn’t quite as nice is when streaming services remove titles. At best, a removed show can still be available on other streaming services or via physical media. At worst, it becomes lost media.

We’ve seen this happen before, most notably with Warner Bros. and the removal of several shows like Infinity Train (2019) from HBO Max. It’s a shame when it happens, but it’s especially horrible when it’s a show that’s not only critically acclaimed but also adored by a small but passionate audience. This is the situation that Netflix will find itself in when it removes She-Ra and the Princesses of Power (2018) from its platform on February 21, 2026.

What Is ‘She-Ra And The Princesses Of Power’?

For those not aware, She-Ra and the Princesses of Power was a reboot of She-Ra: Princess of Power (1985). Like most shows of its time with a girl-centric premise, She-Ra: Princess of Power wasn’t especially complex, as it focused more on selling toys to girls. It proved to be a hit, though, and it secured a loyal following of fans.

She-Ra and the Princesses of Power attempts to modernize the characters from that series and give them a level of depth that wasn’t present back then. She-Ra and the Princesses of Power became extremely popular within the LGBT community, mostly for how unafraid it was to depict a variety of characters and relationships from across the LGBT spectrum. Cartoons have only fairly recently begun to be more vocal about presenting their cast as anything other than heterosexual. In a time where gender representation seems to be regressing in the wake of titles like Win or Lose (2025) or Elio (2025) removing said representation, shows like She-Ran and the Princess of Power matter.

Even if you’re not interested in the show’s LGBT themes, the series still presents a well-thought-out and planned adventure that spans 52 episodes across five seasons. The story depicts a war between the technologically advanced Horde and the magical Princess Alliance. In it, She-Ra was originally a member of the Horde and fought alongside her closest friend, Catra, but once She-Ra discovered the atrocities that the Horde was committing, she deserted them and started to fight for the Princess Alliance. It’s a solid premise, and one that the show mines for all of the drama it’s worth.

Why Is ‘She-Ra And The Princesses Of Power’ Leaving Netflix?

It’s important to keep in mind that She-Ra and the Princesses of Power was a popular show. At the height of its popularity, it reached #7 on the streaming charts and had plenty of ardent fans both on and offline. Despite this, licensing issues sparked its removal from Netflix in February 2026. 

A collaboration between DreamWorks and Netflix produced She-Ra and the Princesses of Power, but nowadays, DreamWorks has deals with Hulu and Peacock to stream its titles. Because of this, many DreamWorks/Netflix titles have already been removed from the platform, like The Epic Tales of Captain Underpants (2018), and moved to Peacock or other streamers. That gives some hope that She-Ra and the Princesses of Power may also make the jump to Peacock, but the outlook isn’t exactly bright.

Netflix also doesn’t seem too eager to renew an agreement to continue streaming the series because it ended more than half a decade ago. Keep in mind, She-Ra and the Princesses of Power is a serialized show with a definitive beginning, middle, and end. The show has long finished, the merchandise has sold, and it can’t continue in perpetuity like SpongeBob SquarePants (1999). That’s great for creative integrity, but it’s not generating revenue for DreamWorks or Netflix. Yes, it’s seen a revival on the streaming charts, clawing its way to #1627 on JustWatch as of this writing. Still, it’s nowhere near the heights of the show at its peak. Netflix got its engagement; now it’s ready to toss it aside.

Why You Should Watch ‘She-Ra And The Princesses Of Power’

That may be a bleak way of looking at it, but the disappointment and outrage by fans is only as loud as it is because She-Ra and the Princesses of Power is an incredible animated series and one of the best of its time.

She-Ra and the Princesses of Power is a surprisingly mature animated series with plenty to say about revolution, feminism, and most importantly, identity. It’s a show where its cast constantly question who they are, who they want to be, and the difficulties in discovering their true selves. The show’s LGBT themes are inextricably tied to the arcs its characters undergo, much like Steven Universe (2013), but She-Ra and the Princesses of Power never forgets it’s an action series with plenty of well-shot, animated action beats.

What keeps She-Ra and the Princesses of Power living rent-free in my mind is the sheer scale of it. While the conflict in Season 1 starts small, it eventually grows into a universal battle that feels truly epic. In many ways, it captures the same sense of scale that Avatar: The Last Airbender (2005) does, culminating in a cathartic finale that feels well-earned, justified, and gives all of its large cast of characters the endings they deserve. While the original series targeted girls, both girls and boys will love the vibrancy and action that She-Ra and the Princesses of Power offers. As one of the few LGBT animated series intended to be viewed by children and young adults, it’s an important series for people of all ages to hopefully learn more about themselves.

When Ryan Coogler and Michael B. Jordan sat down with JustWatch to promote Sinners (2025), it went from a standard interview to a full-blown roast of Ryan Coogler after the director labeled A Walk to Remember (2002) as his guilty pleasure re-watch. Beside him, Jordan and some of their crew erupted into fits of laughter, prompting Coogler to tease, "Why you laughing at me?" But honestly, if you've ever seen A Walk to Remember, then you're probably giggling right alongside Jordan.

WATCH: Michael B. Jordan Can't Stop Laughing At Ryan Coogler's Guilty Pleasure Movie

Starring Mandy Moore and Shane West, this Nicholas Sparks adaptation chronicles the love story between a rebellious bad boy and a minister's daughter. It's labeled a coming-of-age romantic drama, but before you start swooning, wipe that dopey smile off your face. A Walk to Remember ends with [spoiler!] the death of Moore's character, who spends a good chunk of the movie hiding her cancer diagnosis. If you can get through this movie without crying, then you're stronger than most of us because ouch, this one hurts.

In that sense, Coogler revealing A Walk to Remember as his comfort movie makes for a bit of unintentional comedy, hence Jordan's laughter. Most people wouldn't consider a heartwrenching, gut-twisting feel-sad film comforting, but Coogler does and without shame. He points to watching it during his high school years and called it "very useful on a home day," meaning it carries nostalgia for him, and let's be real, nostalgia can make us defend some wild things.

'A Walk To Remember' Rightly Remains A Feel-Sad Favorite 

That's not to say Coogler's adoration of A Walk to Remember is wrong. In fact, poll a thousand fans of feel-sad romantic dramas like The Fault in Our Stars (2014) and Brokeback Mountain (2005) and most will tell you that A Walk to Remember is an early 2000s masterpiece that hurts you in the best way possible. It's a powerful story about love, faith, and loss that's made all the better thanks to Moore and West's genuine chemistry. While it might bum out viewers craving something more upbeat, it certainly qualifies as one of those films you should watch at least once, if you're in the right headspace. 

Millennials, especially, might even tap into that same sense of nostalgia Coogler has. With high school protagonists navigating the early aftermath of the new century, A Walk to Remember offers familiar technology, settings, and vibes for anyone sporting a birth year starting with "19." (These characters still talk on landlines!) 

It seems A Walk to Remember's nostalgia and emotional devastation are the perfect ingredients for a guilty pleasure. Take one look at the YouTube comments on our interview with Coogler, and it's obvious people agree: "Ryan Coogler is a man with taste." A Walk to Remember folds me every time. That movie hurts bro." "Don't laugh at Ryan… he has excellent taste! A Walk to Remember is a classic."

Why To Watch 'A Walk To Remember' (And What To Watch After)

Again, if you're someone who likes your movies to come with a good cry, then A Walk to Remember is for you. Nostalgia aside, it harbors one of Mandy Moore's best performances and some truly memorable scenes. After all, don't we all remember the sheer glee we felt watching Moore stand in "two places at once."

While Ryan Coogler hasn't directed any romantic dramas, Fruitvale Station (2013) shares an equally heartbreaking ending to A Walk to Remember, just with a true story appeal. If you're searching for more romance, then you'd probably prefer Sinners, which features a couple of complicated love stories. Much more gory and brutal than A Walk to Remember, Coolger's historically-set and critically acclaimed vampire story, which just broke records with an unprecedented 16 Oscar nominations, is perfect for fans of supernatural stories with juicy thematic undertones. Thank me later.

Every adult who looks back at the shows and movies that defined their childhood likely believes that the ones they grew up on are the best ones ever made. Whether it's because we shared it with our siblings or because we have comforting memories attached to them, some aren't easy to revisit because they simply don't hold up to today's standards or other factors that mar how we view them now. But thankfully for me, and presumably most '90s kids, Rugrats (1991) is an exception.

The sharp and hilarious cartoon, as well as the movies that followed, are still pretty delightful to revisit and provide a ton of entertainment to say with our whole chests that '90s shows are indeed something else. If you're in the mood to revisit, here's how to watch the Rugrats movies and TV shows in order on Paramount+.

Rugrats (1991-2005)

For ten seasons, the adventures of Tommy, Chuckie, Phil, and Lil, while being picked on by Angelica, began with the original cartoon, and none of us have been the same since. From collectible watches as toys from Burger King to catching every rerun and then growing to realize we relate even harder with the adults, Rugrats was a staple for so many of us. There is nothing quite like the original series, and as someone who recently rewatched it all, I can confidently confirm it holds up.

Every part of Rugrats shines as a uniquely well-rounded gem that explores a period of our lives none of us actually remembers. The approach to babies and the disconnect from adults, and how our imagination runs wild, is so uniquely comforting that, still, to this day, it feels relevant and honest. If you only have time for one part of Rugrats history to revisit, go back to the series that started it all.  

The Rugrats Movie (1998)

Enter Dill Pickles—the best named baby, ever—and the adventures of Reptar and a hilariously great time at the theater. The Rugrats Movie was an instant success, signaling to executives that we won't just watch reruns on Nickelodeon, but we'll go to the movies for more adventures. For a movie that introduced a brand new character to an already beloved cast, it did a solid job of it through and through.

The Rugrats Movie not only gave us a thrilling experience but also one of the best soundtracks. I, for one, replayed "Take Me There" by Amanda and Blackstreet so many times, it's shocking my family didn't go out of their way to hide the cassette player. For the sake of the bigger story, The Rugrats Movie is integral for new key players and the changing dynamic that would lead into a new season of the series. Watch it between Season 5 and Season 6 of the original cartoon.

Rugrats in Paris: The Movie (2000)

Cue the tears because no non-Disney animated movie makes me cry as much, and it's entirely because of Chuckie. The surprisingly heartfelt depiction of grief in Rugrats becomes even more pronounced in Rugrats in Paris, serving as a narrative that's all about new beginnings and moving forward. Plus, it's set in Paris, and that's a delightful bonus, too. 

The warmth in this particular movie also makes it an incredible must-watch for anyone who wants to see Chas and Chuckie start a new family. The addition of Kimi into the group also feels earned, allowing the tiny found family to expand with an exciting and heartfelt movie that's equal parts adventurous and emotionally compelling. Objectively, Rugarts in Paris is also such a well-made animated feature that it deserves all the hype compared to the show. 

Rugrats Go Wild (2003)

The decision to combine the adventures of The Wild Thornberrys (1998) with the characters of Rugrats is the kind of genius move that kick-started the obsession with crossovers for so many of us. The writing and character interactions in Rugrats Go Wild were so phenomenal that the entire movie is one worth rewatching on a loop. It's also a shame that it's one of the last movies with these characters because we deserved so much more.

Rugrats Go Wild was an all-around good time, especially for the people who were fans of both individual cartoons growing up. It's not the type of movie that's trying to be some sort of animated epic, but instead, it's a quietly added piece of lore that serves as a piece of entertainment to give the characters more to do. You can skip it, but I, for one, never would.

Rugrats Pre-School Daze (2008)

In many ways, Rugrats Pre-School Daze flew under the radar as a lot of '90s kids who grew up with the original TV shows and movies were already too old for the new adventure. Plus, the promo around it was far more limited, so there's a good chance many don't even realize it exists. But if you've ever wanted more of Angelica and Susie, then the miniseries is the right call for you.

Release-wise, it's the last piece of Rugrats TV to air, but where the timeline is concerned, it should be the one you watch if you want to go in order before hopping into All Grown Up! (2003). It's not the best spin on the classic characters, but it's still an amusing ride that can be enjoyable and easily consumed with the limited number of episodes.

All Grown Up! (2003-2007)

The concept of All Grown Up!, after the success of the single episode that gave us a glimpse into the babies as older kids, is so genius because it feels so timely for those of us who grew up with the babies to see them at the same place we were in while watching. The spinoff series was a genuinely well-written good time that showcased how their personalities were very much the same, but with character journeys that also addressed older themes and arcs.

Tonally, All Grown Up! loses a bit of the original cartoon's wholesome vibe, but it's still an absolute blast, especially if you grew up loving Recess (1997), which is 100% the case for me. Now, this is a crossover I would've been so geeked to see when I was younger. Still, if you love the original, then you'd at least appreciate All Grown Up! for what it accomplishes.

Kathleen Kennedy has become a strangely divisive Hollywood exec in the last decade, mostly because of her role shepherding the modern Star Wars era. But long before lightsabers and legacy characters, Kennedy had already shaped modern blockbuster cinema. She worked on some of the greatest films ever made, helping define the storytelling standards that Hollywood still follows today.

Her partnership with Steven Spielberg, in particular, created a golden era of adventure and wonder that made 1980s and 1990s cinema so memorable. Yes, Star Wars dominates the discourse now, but it's only one chapter in her extraordinary career. The movies on this list, which can be found on Hulu, Netflix, and more, offer a small glimpse into that world. Here are the best movies Kathleen Kennedy produced. 

E.T. the Extra-Terrestrial (1982)

E.T. the Extra-Terrestrial follows a lonely suburban boy named Elliott (Henry Thomas), who becomes friends with a stranded alien while hiding him from government agents. As their bond deepens, Elliott and his siblings race against time to help E.T. return home. It's a story about friendship, empathy, and the magic of believing in something bigger than yourself.

E.T. is where Kennedy's epic partnership with Spielberg began. The movie is a masterclass in emotional storytelling disguised as a sci-fi adventure. Kennedy, as an associate producer, was deeply involved in helping translate Spielberg's concept into something that the whole family could enjoy. If you love films like The Iron Giant (1999), this is the gold standard.

Gremlins (1984)

Gremlins begins when Billy Peltzer (Zach Galligan) receives an unusual creature called a Mogwai as a Christmas gift, along with three strict rules for its care. When those rules are inevitably broken, the adorable pet, whom he names Gizmo, multiplies into a swarm of destructive monsters. What begins as whimsy spirals into full-blown chaos in a small town.

Gremlins is one of the clearest examples of Kennedy's willingness to embrace tonal risk. As a producer, she helped support Joe Dante's wild mix of horror, comedy, and holiday satire at a time when studios preferred safer, more easily marketable family films. If you grew up loving Ghostbusters (1984), Gremlins belongs on your rewatch list. It's also perfect for viewers who prefer horror stories with minor scares.

Back to the Future (1985)

Back to the Future follows the time-hopping adventures of high school student Marty McFly (Michael J. Fox) and scientist/inventor Emmett "Doc" Brown (Christopher Lloyd). When Marty accidentally travels back to 1955 using a modified DeLorean, he lands right in the moment his parents met and ruins it. To save his own existence, he is forced to stick around to fix the timeline.

Kennedy's involvement in Back to the Future highlights her gift for championing high-concept stories while keeping them emotionally accessible. Back to the Future remains a popular choice for audiences who appreciate clever storytelling and character-driven humor. If you love movies like Groundhog Day (1993), this one is a must.

The Color Purple (1985)

The Color Purple follows Celie Harris-Johnson (Whoopi Goldberg), who grows up facing abuse, poverty, and isolation in the American South. Over the decades, she finds strength through unexpected friendships and discoveries about herself and her family. This is perhaps the most powerful example of Kennedy's range as a producer.

Working with Spielberg, she helped bring Alice Walker's deeply personal 1982 novel to mainstream cinema without softening its pain or urgency. This film belongs in the same conversation as 12 Years a Slave (2013). It's ideal for audiences who value character-driven drama and stories that focus on women and their resilience.

Hook (1991)

Hook follows an adult version of Peter Pan (Robin Williams) who has forgotten all about his magical past. Instead, he's living as a stressed-out lawyer named Peter Banning. When Captain Hook (Dustin Hoffman) kidnaps his children, Peter must return to Neverland to save them. There, he rediscovers who he was and who he still has the power to be.

Hook is often remembered as a divisive Spielberg film, with the director admitting that he also didn't care for the finished product much. But fans of adventure films will agree that it's also one of the most emotionally sincere projects Kennedy ever supported as producer. This film belongs alongside movies like Paddington (2014) in how it treats imagination as something we grow back into, not out of.

Jurassic Park (1993)

Jurassic Park follows paleontologists Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern), who are invited to visit a theme park filled with cloned dinosaurs by industrialist John Hammond (Richard Attenborough). When the park's security systems fail, humans become prey, and survival is the only goal. As producer, Kennedy helped deliver one of the most revolutionary blockbusters in history.

Along with being a technical triumph, Jurassic Park is a lesson in pacing and restraint. Even today, its practical effects still outperform most CGI-heavy films, which says everything about the careful craftsmanship behind it. It's the perfect choice for audiences who want thrills without sacrificing storytelling intelligence. If you love Jaws (1975), this will be your kind of blockbuster.

The Sixth Sense (1999)

The Sixth Sense follows child psychologist Malcolm Crowe (Bruce Willis), who begins treating Cole Sear (Haley Joel Osment), a boy who believes that he sees dead people, but is afraid to tell anyone his secret. As Dr. Crowe tries to make sense of Cole's supernatural abilities, his findings lead to a final revelation that reshapes the entire story.

Kennedy's role as executive producer on The Sixth Sense is another perfect example of her ability to identify brilliant stories. The film relied on emotional intelligence and precision to create its atmosphere (instead of gore), making it one of the most iconic thrillers of its era. It's a must for audiences who enjoy psychological suspense stories like The Others (2001).

Few series have managed to cement themselves into pop culture quite like Black Mirror. Created by Charlie Brooker in 2011, the anthology show began as a sharp, often uncomfortable reflection of humanity's relationship with technology, media, and power. Over time, it became a sort of literal mirror into our very real anxieties, desires, and moral contradictions.

Each season feels like a capsule of its era, responding to social trends, emerging tech, and the emotional state of a digitally saturated world. Despite the long gaps between some seasons and its increasingly experimental storytelling, Black Mirror, which can be found on Netflix, continues to perform exceptionally well on the JustWatch streaming charts.

The show often resurfaces as a popular choice whenever a new season drops, a tech controversy breaks out, or audiences collectively stumble on an old episode that feels disturbingly relevant again. There's also a timeless quality to Black Mirror's storytelling that keeps it circulating in recommendation lists (like this one), which proves that its core themes, though repetitive, remain as strong as ever.

Black Mirror's success lies in its ability to make big ideas feel very personal. It doesn't matter if it's exploring grief through artificial intelligence, fame through gamification, or morality through surveillance, the series consistently asks uncomfortable questions about how far we're willing to go for convenience, love, or control. It's also cautionary, empathetic, and occasionally even hopeful, but do you have to watch Black Mirror in a certain watch order? 

The Best Way To Watch 'Black Mirror' In Order

An anthology series like Black Mirror doesn't come with any kind of rulebook. Each episode exists in its own universe, with its own characters, timelines, and very specific internal logic. So you can start with Season 1 then jump to Season 6, and it really makes no difference to the series' impact. That freedom is part of the show's appeal because it invites you, the viewer, to curate your own experience.

Although there's no correct watch order, that doesn't mean there aren't interesting ones. Watching Black Mirror in order of release gives you a sense of the show's evolution and how its tone moved from grim minimalism to storytelling that can only be described as genre-bending. Watching episodes at random can feel like opening a box of narrative chocolates filled with unpredictability, thrills, and occasionally devastation.

Yet one of the best ways to approach the series is to watch it backwards, starting from the most recent episodes and working your way to the beginning. Doing this reframes the show entirely. Instead of watching technology grow more invasive and bleak over time, you watch it simplify, retreat, and become more intimate.

The later seasons often deal with emotional fallout and memory, while the earlier ones feel colder and more politically confrontational. In reverse order, Black Mirror starts with people trying to make peace with their creations and ends with them being brutally confronted by it. In a way, it becomes less about innovation and more about origin that begins with nuance and slowly peels back layers to raw provocation.

This reverse journey also mirrors how many of us experience technology in real life. We're currently living in the aftermath of massive digital shifts, trying to negotiate boundaries and reclaim autonomy. So watching the show backwards feels like tracing the story of how we got here, episode by episode, invention by invention, moral compromise by moral compromise.

The Only Narrative Disruption: "USS Callister" And Its Sequel

The backward-watch approach only truly stumbles once, with the one episode that has a direct sequel. Black Mirror Season 4, Episode 1, titled "USS Callister," mixes sci-fi adventure with psychological horror, telling the story of a reclusive programmer who traps digital clones of his co-workers inside a twisted Star Trek-style simulation.

It's a story about power, entitlement, and the very real danger of unchecked escapism, wrapped in an aesthetic that is often deceptively fun. Its sequel, Season 7's Episode 6, titled "USS Callister: Into Infinity," continues the story of the same digital crew after their escape and follows their struggle to survive in an open online universe where they are no longer confined, but still far from safe.

The premise expands on the premise of the original episode, but moves from imprisonment to survival, while exploring the cost of freedom in a digital space where corporations and algorithms rule everything. Watching the series backwards means stumbling onto the sequel before the original, which is not ideal. However, this disruption is minor in the grand scheme of the show.

It's the only time Black Mirror breaks its otherwise strict anthology format. You can simply swap their positions in your viewing order or treat them as a paired miniseries. Watching the story back-to-back, separate from the rest of the series, actually makes it a lot better since it becomes a self-contained story that perfectly encapsulates Black Mirror's central obsession with what it means to be human.

Why 'Bandersnatch' Should Always Be Your Final Stop

No matter how you choose to watch Black Mirror, one rule feels almost sacred. The 2018 movie, Black Mirror: Bandersnatch, should always come last. The film was released as an interactive experience that allows viewers to make choices for the protagonist, Stefan Butler (Fionn Whitehead), a young game developer trying to adapt a choose-your-own-adventure novel into a video game.

Every decision takes the story into new paths, multiple endings, and deeply unsettling realizations about control, free will, and authorship. Even today, its interactive mechanics still work on most streaming platforms that support the feature, allowing you to use your remote or mouse to guide the story. And if you watch it non-interactively, it still functions as a layered, meta-narrative about the illusion of choice.

Watching Bandersnatch last is special because after watching dozens of episodes about manipulated realities, the film hands the power directly to you. So you're no longer just watching a Black Mirror story, you're actively participating in one. And your choices echo the very questions the show has been asking for years. Are you really in control? And that's perhaps the most Black Mirror ending possible.

Some families pass down heirlooms. Others pass down charisma, and apparently… Razzie nominations. Sylvester Stallone just added another milestone to his already mythic career, becoming part of the first father-daughter duo ever nominated in the same year at the 2026 Golden Raspberry Awards. The action star, who is also the undisputed king of Razzie records, with 40 nominations and 12 wins, is up for Worst Supporting Actor for Alarum (2025), which you can judge for yourself on Prime Video, AppleTV, and more.

His daughter, Scarlet Rose Stallone, joins her dad with a Worst Supporting Actress nomination for Gunslingers (2025). It's the kind of Hollywood symmetry you can't script, mostly because no one would dare pitch it seriously. Alarum is an action thriller that follows secret agents Joe (Scott Eastwood) and Lara Travers (Willa Fitzgerald), who decide to go off-grid after getting married. But their quiet life is disturbed when they are attacked by Agent Chester (Stallone).

As a movie, Alarum isn't so much bad as it is aggressively familiar. It borrows heavily from the post-Taken (2008) post-John Wick (2014) era of "dad-core" action cinema, where gravelly voices and bulletproof jackets do most of the heavy lifting. Stallone does what Stallone has always done best, which is project authority, menace, and lived-in toughness. The Razzie nomination feels less like a condemnation and more like a reminder that legacy action stars are often graded on a curve.

Scarlet Rose Stallone's Western Debut

Gunslingers, the film that earned Scarlet Rose Stallone her own Razzie, is set in a stylized, modern-leaning Western world. The story follows Thomas Keller (Stephen Dorff), who just wants to live a peaceful life in a small town. But his hopes are destroyed when his vindictive brother arrives with a dangerous mob in tow. Scarlet plays a supporting character named Bella, caught between power players in a place where everyone is pretending they're not afraid.

The story is not half bad, but Gunslingers struggles because it bounces between serious drama and action film, but never really commits to either. As a result, Scarlet Rose Stallone's performance ends up getting trapped between the demands of the genre and the thinness of the material she's given. It could have been a breakout role if the writing had been better. Instead, it becomes more of a learning curve. The movie is best described as Desperado (1995) filtered through the lens of The Harder They Fall (2021).

Together, these two films serve as a strangely poetic Razzie double feature with a veteran star doing what he's always done, and a newbie finding her footing in an industry that learns by fire. And that's exactly why the Razzies exist. The Golden Raspberry Awards have always been the Academy Awards' mischievous little sibling, showing up to the industry's most glamorous weekend with a generous dose of side-eye.

The Razzies Are Hollywood's Counterbalance To The Oscars

The trophy is a gloriously low-rent, golf ball-sized raspberry perched on a film reel, wrapped in faux-gold shelf paper, sitting on a spray-painted jar lid. The whole thing started in 1981, specifically in publicist John J. B. Wilson's living room, during a potluck party on Oscar night. A cardboard lectern, a broomstick microphone, and ballots passed between friends turned into an institution that now sits permanently alongside awards season.

Why Razzie Nods Don't Ruin Careers

But if the Razzies have taught us anything over the years, it's that a nomination is not a career death sentence. And the 2026 lineup proves that point beautifully. The ballot is filled with performers who already have Oscars on their shelves and acting credibility locked in. In other words, none of the nominees are losing sleep over their place on Hollywood's most ironic honor roll. Jared Leto, nominated for Worst Actor for Tron: Ares (2025), is the same man who took home an Oscar for Dallas Buyers Club (2013).

Ariana DeBose, up for Worst Actress for Love Hurts (2025), is another reminder that one role never defines an artist. She won her Academy Award for West Side Story (2021), dazzling audiences with elegance, fire, and emotional depth. Appearing in a project that's weak doesn't erase that brilliance. Natalie Portman, nominated for Fountain of Youth (2025), is practically royalty in the awards circuit, with her Oscar win for Black Swan (2010) standing as one of the most iconic performances of the century.

Michelle Yeoh, nominated for Star Trek: Section 31 (2025), very recently wowed audiences with her Oscar-winning turn in Everything Everywhere All at Once (2022). If anything, their Razzie mentions feel surreal, like seeing couture gowns at a costume party. And Robert De Niro, nominated for Worst Screen Combo for The Alto Knights (2025), is still the man behind The Godfather Part II (1974). A Razzie can't dent that legacy; it just adds a quirky chapter to his storied career.

The Stars Who Turned Razzie Wins Into Iconic Moments

For all the playful shade the Razzies throw, their best moments come from the people who actually show up to accept their awards because accepting a Razzie is far braver than accepting an Oscar. Director Paul Verhoeven was the first to do it in 1996 when he walked into the ceremony to accept Worst Director for Showgirls (1995). At the time, the film was still Hollywood's favorite punching bag, but Verhoeven's presence flipped the narrative.

Halle Berry took things to the next level when she accepted her Worst Actress award for Catwoman (2004), holding her Oscar from Monster's Ball (2001) in one hand and her Razzie in the other. Sandra Bullock followed that same spirit in 2010 when she accepted her Worst Actress Razzie for All About Steve (2009), just one day before winning the Oscar for The Blind Side (2009). That kind of duality is iconic. She also brought along copies of the movie for everyone.

The Marvel Cinematic Universe is returning to the small screen with its newest miniseries, Wonder Man (2026). In the series, Yahya Abdul-Mateen II makes his MCU debut as Simon Williams (aka Wonder Man). Abdul-Mateen’s Simon is a struggling actor who runs into the MCU’s other infamous actor, Trevor Slattery (Ben Kingsley). Slattery got on the Ten Rings’ bad side after posing as the terrorist persona The Mandarin in Iron Man 3 (2013). Wonder Man sees Williams and Slattery cast in a remake of the superhero film Wonder Man.

So far, Wonder Man is shaping up to be quite different from what the MCU has done before, thanks to its intriguing meta premise. It seems it will be poking fun at itself through the topic of superhero movie-making and franchise fatigue. Given the fairly ambiguous trailers, though, you may be wondering who Wonder Man actually is and if he’s real or another pseudo-Mandarin figure. Use our guide to find out who Wonder Man is and how he fits into the MCU.

Wonder Man’s Marvel Comics History, Explained

Wonder Man has been appearing in Marvel Comics since the 1960s, sometimes as a villain and other times as a hero. Simon Williams initially began his story as an average man with business aspirations. He inherited his father’s business, Williams Innovations, at just 20 years old. However, the company began struggling due to its much more successful competitor, Stark Industries. Williams went to desperate lengths to top the competition and ultimately landed in prison on embezzlement charges.

His prison tenure drew the attention of Baron Zemo and Amora the Enchantress, who decided to use him to accomplish their goals of taking down The Avengers. They paid his bail and got him out of jail; in return, he agreed to undergo an experiment to imbue himself with ionic energy. He came back from the experiment with his Wonder Man powers, including superhuman strength, durability, senses, and speed. However, the experiment came with a caveat: He would die if he didn’t receive regular treatments of Zemo’s antidote.

The antidote was Zemo’s way to ensure Williams’ loyalty, or so he thought. Williams attempted to take down The Avengers, but ended up inspired by them. Knowing he would die, he still chose to aid The Avengers, sacrificing his life. Although his death drove his brother, Eric, to become the villain, the Grim Reaper, Williams wasn’t entirely gone. His brain patterns were retained and later utilized as a template for Vision’s mind. Eventually, the Living Laser revived the true Williams, who emerged as a being composed entirely of ionic energy. He went on to become the hero Wonder Man, accepted Vision as a brother, and joined The Avengers officially.

Despite his stint with The Avengers, The Avengers were also sometimes the main villains he faced, aside from Zemo and Enchantress. Wonder Man had strong moral convictions and became disillusioned with superheroes, even forming The Revengers to oppose The Avengers. He later admitted that The Avengers did more good than harm, but he remained staunchly opposed to superheroes utilizing any form of violence in their work.

How Wonder Man Fits Into The MCU

As mentioned above, the Wonder Man show’s meta premise has definitely confused some fans, who question whether Simon Williams is Wonder Man or just an actor playing Wonder Man. As of now, it appears that Williams is an actor who, while preparing to play the role of Wonder Man, develops real powers and essentially turns into the real-life Wonder Man. It’s difficult to tell how Wonder Man fits into the wider MCU, as the show seems pretty self-contained. However, it will introduce Simon and Eric (Demetrius Grosse) and connect them with Trevor Slattery.

Given that Trevor was an original character created for the MCU, the MCU may take a more original route with Simon. In the comics, Simon was also an actor, though he took up his acting career after his resurrection. The MCU, though, seems to be retconning the source of his power, especially since there’s no evidence Zemo (Daniel Brühl), Enchantress, or The Avengers will be in the series. It seems Wonder Man will be the MCU’s spin on Williams’ origin story, potentially opening the door for him to appear in the upcoming Avengers: Doomsday (2026) or somewhere else in the MCU’s future.

Where To Watch Wonder Man Before His MCU Debut

In addition to the MCU’s new Wonder Man series, you can catch Simon Williams in a few other TV projects. All his television iterations have been unique. In his first animated appearance in The Avengers: United They Stand (1999), Williams (Hamish McEwan) is an established Avenger. The team-up more closely resembles the West Coast Avengers than the MCU Avengers lineup you’re most likely familiar with. As one of the first Avengers animated series, it’s a little dated, but the vibrant colors, fun characters, and Marvel lore are appealing.

If you’re looking for a little more sophisticated Marvel animation, The Avengers: Earth’s Mightiest Heroes (2010) is an excellent watch. The animation is gorgeous, though the biggest allure is the high comic book accuracy, as it even captures William’s (Phil LaMarr) stint with Zemo and Enchantress’s Masters of Evil, and his ultimate sacrifice. 

For a more irreverent take on Williams, there is also Marvel’s M.O.D.O.K. (2021). The series is an over-the-top adult animation that follows the incompetent supervillain M.O.D.O.K. (Patton Oswalt). It also offers a more humorous take on Williams (Nathan Fillion) as a struggling actor who considers himself a “pending Avenger.” James Gunn once actually planned to have Fillion’s Williams crossover into live-action with a cameo in Guardians of the Galaxy Vol. 2 (2017). However, it ultimately didn’t make it into the final cut.

At long last, the Best Picture nominees for the 98th Academy Awards have been announced. After a competitive awards season, ten movies are now slated to compete for the biggest prize of them all. Some of these films are expected, like One Battle After Another (2025) and Sinners (2025). Others are dark horses that, unless you’ve been following film festivals and awards circuits, you've probably never heard of before.

Now that the race for the Oscars has officially begun, these ten films will duke it out on March 15th for top honors. Cinephiles now have only a few weeks to catch up on these nominees if they want to be up to date on who has the best shot at winning Best Picture. Many of these films have already appeared on streaming services like HBO Max and Netflix and have ever topped the streaming charts at some point in 2025, but others may be a bit trickier to watch. If you want to watch all ten of the Best Picture nominees before the Academy Awards, here’s how you can.

Bugonia (2025)

Yorgos Lanthimos has always been an Oscar darling, with each of his films netting at least one Oscar nomination, and Bugonia is no different. It wasn’t always a guarantee, though, as this is easily one of his most polarizing films yet.

As a paranoia-infused psychological thriller, Bugonia is dead set on making you question everything you know about its cast. Emma Stone is meant to be a self-centered and out-of-touch CEO, but watching her suffer at the hands of Jesse Plemons’ deranged conspiracy theorist is tough to watch. Yet the film constantly keeps its cards close to its chest about what’s actually going on, much in the same way 10 Cloverfield Lane (2016) went out of its way to hide the truth behind its captor’s deranged motivations for imprisoning its lead. If you like your thrillers dark and with very little hope, then Bugonia will definitely make you feel numb and disturbed.

Bugonia is streaming on Peacock.

F1 (2025)

While many of the movies nominated for Best Picture are often financially successful, not many of them are considered among the highest-grossing movies of their year. This year, F1 stands as the most commercially successful nominee at this year’s Academy Awards.

While it’s easy to write F1 off as just another racing movie in the same vein as Ford v. Ferrari (2019) or Gran Turismo (2023), it’s so much more than that. It’s a slick and electric racing movie that excels at going fast and impressing you with its technical aspects. The sound design, the cinematography, and the visual effects all come together to create an immersive experience that connected with audiences in a way that few racing movies do. Yes, it does fall into several of the tropes you would expect from a sports movie, but they’re tropes for a reason. They help make F1 a fun ride that keeps you glued to your screen whenever Brad Pitt is driving during the film’s two-hour and 35-minute runtime. This is for the speed junkies out there.

F1 is available on Apple TV.

Frankenstein (2025)

For decades, Guillermo del Toro has wanted to create an adaptation of Mary Shelley’s ‘Frankenstein,’ and now, his dream has finally become a reality. And, much like all of del Toro’s films, it’s a Gothic masterpiece.

While Frankenstein doesn’t fully adapt the original 1818 novel, what it does do is use the story as a springboard for a film that’s both a Romantic tragedy and a grand story of vengeance. Equal time is given to the origin of both Victor and his Creature, and posits the classic question of which of them is truly the monster. While those beats may be tried and true, it’s del Toro’s attention to detail and production design that truly stun. If you’ve been a fan of his work on Crimson Peak (2015) or The Shape of Water (2017), he knocks it out of the park with awe-inspiring set pieces and moments that show the power of practical effects when compared to CGI. It’s a film that feels like a true modern classic, and lovers of Gothic horror owe it to themselves to seek it out.

Frankenstein is streaming on Netflix.

Hamnet (2025)

While plenty of the frontrunners for Best Picture are loud, bombastic, and command your attention, Hamnet is drawing attention because of the depth of emotions it evokes in its viewers. 

At first glance, Hamnet appears to be a story about William Shakespeare and the creation of his magnum opus, Hamlet, but while that’s technically true, it’s also a severe oversimplification. Hamnet is a story about loss, broken families, and grief that fans of Manchester By the Sea (2016) will find familiar. It’s a story where people come to terms with the tragedy of life and try to find ways to move on. Some internalize it, while others cry and scream into the void. It’s a heartbreaking film, but the beautiful cinematography and the stellar performance by Jesse Buckley will leave you moved in a way that only film is capable of. Chloe Zhao is great at what she does, and those looking for a tasteful and poignant exposé on what it means to be human need to give it a watch. 

Hamnet is currently playing in theaters. It is expected to be released on Peacock sometime in the near future.

Marty Supreme (2025)

Timothee Chalamet wants to be one of the greats. He made it very clear last year at the Screen Actors’ Guild Awards, and if he continues to star in movies like Marty Supreme, then he may just be able to pull it off.

Marty Supreme is a film that lives and dies by Chalamet’s performance. He plays Marty like an insufferable brat for whom you are constantly hoping to receive his comeuppance, yet he’s so darn likable it’s impossible to hate him. The web of lies he creates, enemies he makes, and hearts he breaks in his efforts to play ping pong in Japan helps to make the film an anxiety attacks on the same level as Josh Safdie’s previous film, Uncut Gems (2019) He knows how to make a wonderfully reprehensible lead, and Chalamet’s commitment to the role may not only propel him to take home the prize for Best Actor, but may help secure Marty Supreme taking home the grand prize of Best Picture. This is an actor’s movie, and if you want to see an actor fully commit to their role, make sure you see Marty Supreme.

Marty Supreme is currently playing in theaters. It is expected to be released on HBO Max sometime in the near future. 

One Battle After Another (2025)

It’s not surprising that One Battle After Another received a Best Picture nomination. For most of the awards season, Paul Thomas Anderson’s generational story about revolution is considered by most pundits to be the frontrunner, and it’s still true now.

It’s not hard to see why. Sporting a wonderful ensemble cast, the film is a two-hour and forty-two-minute thrill ride as we watch the remnants of a small revolutionary group endure against a corrupt and reprehensible colonel out for blood. One Battle After Another is a white-knuckle thriller, with plenty of intense scenes where you genuinely don’t know what’s going to happen. It’s a raw film that doesn’t shy away from its pro-revolutionary message, which isn't to rebel against the status quo, but to fight for what’s right, reminiscent of classic prestige films like Serpico (1973). In a year defined by political turmoil, One Battle After Another’s surprisingly uplifting message is perfect for those who have become numb to the horrors of politics and the state of the world.

One Battle After Another is streaming on HBO Max.

Sentimental Value (2025)

Towards the beginning of the awards season, Sentimental Value was seen as a dark horse candidate for the Oscars, but now there’s genuine momentum for the film to take the Academy’s top prize.

What makes Sentimental Value stand apart from the other nominees is how understated it feels. The conversations that are had between its cast feel genuine, like the conversations kids have with their parents once they grow up and realize their parents are just as flawed as they are. On one hand, Sentimental Value is a movie about empathy that’s reminiscent of All of Us Strangers (2023), minus the emotional devastation. On the other hand, it’s a film about creativity and the lies we tell ourselves to justify settling for less. Both of those topics are rarely addressed in films, yet over Sentimental Value’s two-hour and 13-minute runtime, director Joachim Trier tells an emotionally honest story that is ideal for those seeking a truly adult drama that doesn’t resort to cheap melodrama.

Sentimental Value is available to rent on Amazon Prime Video.

Sinners (2025)

Most of the major Oscar nominees tend to come out towards the end of the year, but then there are movies like Sinners, which became an early Oscar contender all the way back in April and has gone on to earn a staggering 16 nominations, including Best Picture.

Ryan Coogler’s love letter to the blues is palpable in every frame. There’s such a passion in how the film draws parallels between several different ethnicities and cultures to create its world. All of these characters are identified and bond around music, creating a visual and aural tapestry that’s simply impossible to resist. The music alone is worth the watch, and that’s before the film flips a switch and turns into a horrific homage to vampire films like From Dusk Till Dawn (1996). The fact that a horror movie musical is in contention for Best Picture is stunning, but if you love either of those genres, then Sinners is a transcendental experience that needs to be seen on the biggest screen possible.

Sinners is streaming on HBO Max.

The Secret Agent (2025)

To many, the appearance of The Secret Agent as a Best Picture contender is probably the biggest surprise of all the nominees. Not even a month ago, barely anyone heard about the film, but now, after a solid performance at the Golden Globes, nobody can stop talking about it.

The Secret Agent is the kind of historical film that comes from a place of authenticity. Its depiction of 1970s Brazil under its then authoritarian dictatorship feels all too real. However, the film isn’t quite as dour as one would expect. There’s a sense of levity that reminds us that life and culture can endure even under the harshest of circumstances. This is primarily thanks to its large supporting cast, which helped earn the film a nomination for the inaugural Best Casting category. It’s a film that pairs well with last year’s I’m Still Here (2024), as both films don’t hold back in showing the human cost that Brazil’s military dictatorship had on the population. Those looking for a stark and frank historical thriller will find that in The Secret Agent.

The Secret Agent is currently playing in theaters. It is expected to be released on Hulu sometime in the near future.

Train Dreams (2025)

Films have the power to evoke such a wide range of emotions in their viewers, and few are as poetic and nuanced as Train Dreams.

There’s a softness to Train Dreams that’s almost hard to quantify. It’s an ethereal movie that goes to great lengths to show the beauty of nature, at times feeling like a more grounded take on a Terrence Malick movie like The Tree of Life (2011). Joel Edgerton delivers a career best as we follow the quiet life his character leads. It’s a film defined by the little moments and the people he meets during his life. Some leave an impact, some don’t, yet it captures an all too real element of life and its fluidity. It’s an arthouse film in every definition of the word, and that may rub some people the wrong way, but if you’re the kind of cinephile who likes to marvel at nature's picturesque cinematography, Train Dreams will deliver your evocative imagery and then some. 

Train Dreams is available on Netflix.

Tessa Thompson is one of those actresses who can do everything. She can be funny, she can be serious, she can be chaotic, and she’s utterly convincing in all those facets. Long before she became the acting powerhouse she is today, Thompson had already left a mark in Hollywood.

No one could look away from her in Thor: Ragnarok (2017), with Valkyrie becoming a fan favorite in the Marvel Cinematic Universe as soon as she was introduced. But even before, Thompson’s critical part in Selma (2014) to roles in Dear White People (2014) and Veronica Mars (2004) teased why she would become one of the actresses to watch. As her Netflix show His & Hers (2026) debuts in the Netflix Top 10, let’s look back at some of the best Tessa Thompson movies and TV shows and rank them.

10. Veronica Mars (2004-2019)

It’s always fun to see accomplished actors in some of their first roles, and Veronica Mars was that for Thompson. Baby-faced and playing a simpler character than what she ended up becoming famous for, she still made Jackie Cook her own.

Not just that, but she made us care about someone other than the titular character, or the main romance, which is a high bar to clear on a show like Veronica Mars. While it’s not one of her best performances, it’s still worth watching to understand how far Tessa Thompson has come, especially if you need a little nostalgia.

9. Dear White People (2014)

Samantha White makes Dear White People, and Thompson embodies her with a certain insolence that makes her absolutely stand out. This role came around the time Thompson was starting to become more well-known, and it really cemented her as an actress with range, but also one who is willing and able to push a character and construct something different.

It’s not her best role, and it doesn’t feel essential, but if you really want to follow the progression of her career, this one’s necessary. Plus, there just aren’t many movies like this one, though there is a show also called Dear White People (2017). Thompson also appears in the series, but she doesn’t play the main character.

8. Passing (2021)

Perhaps the best thing we can say about Thompson is that every character she plays has a very distinct personality. That’s a combination of her picking really good roles and what she brings to each character as an actress. Passing does one thing a lot of Thompson’s movies do really well: play with the dynamics of race by following the life of a Black woman (Thompson) and her white-passing childhood friend (Ruth Negga) in 1920s New York.

The chemistry between Thompson and Negga carries the movie, but Thompson brings a lot of relatability to a character that is very, very specific in a lot of ways. One of her most serious roles, and one that cemented her as a real heavyweight actress, Passing is perfect for fans of thought-provoking period pieces.

7. His & Hers (2026)

Thompson’s newest project, the miniseries adaptation His & Hers, sees the actress play what has become her signature: a complicated woman who is a lot more than what she seems to be. But deep down, His & Hers is also a love story. It’s just that Thompson isn’t playing the love interest. If anything, Jon Bernthal is.

The chemistry works, and Thompson grounds her complicated woman in reality, giving it a distinct vibe from some of her other characters. Think Gone Girl (2014), but with actual romance. Come for Thompson, stay for the bonkers twist.

6. Westworld (2016-2022)

Thompson plays Charlotte Hale and Dolores Abernathy in the HBO series Westworld. Although she plays different characters and different versions of Charlotte, this is more than just a showcase of Thompson’s acting range. For that, there are many other roles. Instead, this is proof that Thompson can also grow a character and portray them convincingly through many changes.

It’s a different skill than her other projects have showcased and proof that she truly is one of a kind. If you like Westworld, you might enjoy Silo (2023) or even Dark Matter (2024).

5. Selma (2014)

Playing a real person, especially someone like civil rights activist Diane Nash, is always a different kind of challenge. Thompson rises to the occasion and manages to imbue the character with real humanity, despite playing within the confines of who the real Diane Nash was.

Selma exists in the same space as Malcolm X (1992) and Just Mercy (2019), but Ava DuVernay’s historical drama charts its own path, and Thompson is a big part of that. While it’s not the must-watch performance of Thompson’s career, Selma is still a must-watch movie. And if you give it a chance, it will blow you away.

4. Sorry to Bother You (2018)

You probably don’t think of Tessa Thompson when you think of Sorry to Bother You, Boots Riley’s directorial debut. But the surreal sci-fi black comedy is another good example of Thompson’s range. She never plays the same character twice, even when it feels like two characters in her filmography are very similar.

So yes, this is another love interest role, but Sorry to Bother You’s Detroit is nothing like Bianca (mentioned next on this list), and those two characters are nothing like Valkyrie, or Anna Andrews from His & Hers. Love her or hate her, you’re probably going to have opinions about Thompson after Sorry to Bother You.

3. Creed (2015)

In Creed, Thompson plays Bianca Taylor, the love interest for Adonis Creed, and yet, Bianca is not the love interest we usually expect from a movie like this one. Credit where credit is due, Ryan Coogler truly knows how to write compelling characters.

Still, Thompson does a lot to make a character that wouldn’t have typically been a standout into someone we invest in as much as we do in the character this series is named after. Her chemistry with Michael B. Jordan doesn’t hurt, either. Fans of sports dramas, Creed is a must-watch.

2. Thor: Ragnarok (2017)

Bringing the same chaos as Hedda (2025) while making it funny, Thompson is clearly very comfortable with playing characters that don’t really fit into the stereotypes we often see of women. Valkyrie is a character that might not have worked if someone else had played her, but Thompson makes her funny, smart, and interesting at the same time—all while making us want more.

And there is more, as the character is also heavily featured in Thor: Love & Thunder (2022). Superhero fans will love the Thor movies, even if they don’t always stick the landing.  

1. Hedda (2025)

If you can only watch one performance from Tessa Thompson, let it be her captivating take on Hedda in a new movie by Nia DaCosta. The character lets Thompson showcase her range, with both serious, borderline funny, and often chaotic turns that only an actress of her caliber can believably deliver.

It’s hard to compare Hedda or Thompson’s performance to anything, but if you enjoyed this movie, you might appreciate other dark, character-driven movies like Die My Love (2025) or Saltburn (2023).

Award season is officially in full-swing and the nominees for the 98th Academy Awards have finally been revealed. The 2026 Oscars will take place on March 15th and will be hosted by Conan O’Brien. This year’s Oscars also made history, with Sinners scoring a whopping 16 nominations, the most of any film in cinema history! Earning virtually every major award, from Best Picture to Best Director, Best Actor, and more, viewers will be eagerly waiting to see just how many wins Sinners can snag. 

Following closely behind is One Battle After Another, which earned 13 nominations and also has a nominee in virtually every major category. There are also a few curveballs that have lit the internet ablaze, like Amy Madigan scoring a Best Supporting Actress nomination for her scene-stealing role as Gladys in Weapons. 

But who are the other nominees for the 98th annual Oscar awards? Read on to find out, plus discover where all the movies are streaming and/or showing in theaters right now. 

Best Picture 

For now, it looks like the rivalry for the Best Picture crown is going to be between Sinners and One Battle After Another. For months now, both movies have been seen as frontrunners for the awards, and it seems relatively unlikely that another movie could come in and steal the award. Although major upsets have happened in the past, like Crash winning in 2006 or the infamous Moonlight mix-up in 2017. Here’s a look at this year’s Best Picture nominees:

• Bugonia

• F1

• Frankenstein

• Hamnet

• Marty Supreme

• One Battle After Another

• The Secret Agent

• Sentimental Value

• Sinners

• Train Dreams

Best Director

Just like Best Picture, it seems likely that the battle for Best Director is going to be a fierce one between Sinners and One Battle After Another. Both directors are big names, with Ryan Coogler already earning a Best Director nomination in 2021 for Judas and the Black Messiah, and Paul Thomas Anderson earning a lofty 14 Oscar noms throughout his career for films like Boogie Nights (1997) and There Will Be Blood (2007).

Can one of the other nominees dethrone these two Hollywood titans and snag the award? Here’s a look at the Best Director nominees:

• Paul Thomas Anderson, One Battle After Another

• Ryan Coogler, Sinners

• Josh Safdie, Marty Supreme

• Joachim Trier, Sentimental Value

• Chloé Zhao, Hamnet

Best Actress

While the fates of the Best Picture and Best Director awards seem pretty much solidified, the Oscar for Best Actress is totally up for grabs. This year sees a list of standout performances, and at this point, anyone could win. Emma Stone has a good chance of winning for her role in the tense sci-fi thriller Bugonia, where she may or may not be playing a sadistic alien empress. 

But she’s got close competition from Rose Byrne, who shocked the world with her stunning performance in the painful drama If I Had Legs I’d Kick You. Byrne even outshone Stone at the Golden Globes and scored the win for her performance. Kate Hudson is also a potential for her role as a Neil Diamond cover artist in the sappy biopic Song Sung Blue. The film received mixed reviews, with many calling it classic Oscar bait, which normally is enough to score a nomination, but rarely gets the win. Here’s the full list of Best Actress noms:

• Jessie Buckley, Hamnet

• Rose Byrne, If I Had Legs I’d Kick You

• Kate Hudson, Song Sung Blue

• Renate Reinsve, Sentimental Value

• Emma Stone, Bugonia

Best Actor

Right now, everyone is thinking that Timothée Chalamet will win Best Actor for Marty Supreme. Loosely inspired by the table tennis player Marty Reisman, the film has been a hit with critics and audiences. So far, Chalamet has already won a Golden Globe and a Critics’ Choice Award for the role, so all eyes will be on him during the ceremony. 

Shockingly, one actor not in the running is Paul Mescal for Hamnet. Despite the film scoring multiple nominations, including Best Picture, Mescal’s turn as William Shakespeare was somehow overlooked by the academy and is already being considered one of the biggest Oscar snubs of the year. So, who will be Chalamet’s competition at the awards? Check out the list of every Best Actor nominee:

• Timothée Chalamet, Marty Supreme

• Leonardo DiCaprio, One Battle After Another

• Ethan Hawke, Blue Moon

• Michael B. Jordan, Sinners

• Wagner Moura, The Secret Agent

Best Supporting Actor

Another category that’s totally up for grabs is Best Supporting Actor. The category is loaded with legendary Hollywood vets who already have Oscars, like Stellan Skarsgård and Benicio del Toro, but the hottest and buzziest nominee is Frankenstein hunk, Jacob Elordi. So far, he’s definitely been the media’s favorite choice this award season, despite the fact that Skarsgård beat him for the award at the Golden Globes. 

But Elordi is the hunkiest and most camera-friendly nominee this year, which has given him ample screentime by the press. Still, is being tall, dark, and handsome enough to snag the award? His leading man looks are great for red carpets and magazine covers, but as we saw with the Golden Globes, it might not be enough to secure the win. 

• Benicio Del Toro, One Battle After Another

• Jacob Elordi, Frankenstein

• Delroy Lindo, Sinners

• Sean Penn, One Battle After Another

• Stellan Skarsgård, Sentimental Value

Best Supporting Actress

Once again, One Battle After Another will find itself as a frontrunner for the award, but this time, Sinners won’t be its biggest competition. Instead, it will be pitted against the horror film Weapons. Technically, One Battle After Another is the favored winner. Not only has the movie earned a dozen other noms, but newcomer Teyana Taylor has a great underdog story and has lit red carpets ablaze. Plus, she scored the Golden Globe for her performance, where she was also competing against Weapons actress, Madigan. 

But while Taylor is the critics’ choice, Madigan’s performance in Weapons is the fan favorite. Since the movie premiered back in August, fans have obsessed over her wild, nefarious performance, and her fiery red hair and smudged makeup inspired tons of Halloween costumes. This year, the debate seems to be about who will prevail: the critical darling or the audience choice? Read on to find out who else scored Oscar noms for Best Supporting Actress:

• Elle Fanning, Sentimental Value

• Inga Ibsdotter Lilleaas, Sentimental Value

• Amy Madigan, Weapons

• Wunmi Mosaku, Sinners

• Teyana Taylor, One Battle After Another

Best Animated Feature

Historically, the Best Animated Feature award was just handed to whatever Disney movie had come out that year. But in recent years, Disney has lost its grip on the category, with indie films like Flow (2024) and The Boy and the Heron (2023) winning the two previous awards. This year could be similar. While Disney has films like Elio nominated, the movie failed at the box office and received ample amounts of controversy because its producers feared Republican backlash and cut tons of diversity and subplots out of the movie, turning it into a mediocre and generic slopfest. 

Plus, KPop Demon Hunters is nominated this year and has dominated pop culture since it came out in June. Its soundtrack continues to rule the Billboard charts, and its zeitgeist significance can’t be ignored, so there’s a good chance that Disney will once again lose the Best Animated Feature award. Here are all the nominees for Best Animated Feature:

• Arco

• Elio

• KPop Demon Hunters

• Little Amélie or the Character of Rain

• Zootopia 2

Best International Feature

The Best International Feature award is pretty much secured for Sentimental Value or The Secret Agent, since both movies are also nominated in the major categories, including Best Picture. It would be strange for another film not nominated for Best Picture to somehow snag the award over two movies that have Best Picture noms.

• The Secret Agent, Brazil

• It Was Just an Accident, France

• Sentimental Value, Norway

• Sirāt, Spain

• The Voice of Hind Rajab, Tunisia

Other Major Oscar Categories & Nominees 

Best Adapted Screenplay

• ​​Bugonia

• Frankenstein

• Hamnet

• One Battle After Another

• Train Dreams

Best Original Screenplay

• Blue Moon

• It Was Just an Accident

• Marty Supreme

• Sentimental Value

• Sinners

Best Cinematography

• Frankenstein, Dan Laustsen

• Marty Supreme, Darius Khondji

• One Battle After Another, Michael Bauman

• Sinners, Autumn Durald Arkapaw

• Train Dreams, Adolpho Veloso

Best Original Score

• Bugonia

• Frankenstein

• Hamnet

• One Battle After Another

• Sinners

For the first time in a long, long time, the 98th Academy Awards delivers nominations that don't have me rolling my eyes. The results are pretty impressive, with Ryan Coogler's Sinners (2025) deservedly breaking records with 16 nominations across the board. If it were up to me, they'd also win in every category. Frankenstein (2025) also got an impressive nine nominations. Yet, despite how overwhelmingly positive the nominations are this season, there are still a few snubs to consider.

Many viewers expected Wicked: For Good (2025) to be part of the running considering how well Wicked (2024) did, but it's almost understandable when we look into the fact that the Broadway show's ACT II is also weaker than its beginning. Still, a few nominations are more shocking than they are understandable. Here are five movies that deserved Oscar nominations in 2026, as well as where you can stream them on HBO Max, Netflix, and more.

Sorry, Baby (2025)

Eva Victor's Sorry, Baby is the most masterful debut I've seen in a long, long time, so the fact that she's snubbed for both Original Screenplay and Best Actress is shocking. Here's the thing: Sometimes, even if a debut is good, it's not always sensational. It effectively showcases the writer and director's talents, but it almost hints to us that better things are coming because they're that good now. But Sorry, Baby is also the type of debut that Oscar voters typically love.

I was so convinced that it'd surprise everyone the same way that Celine Song's Past Lives (2023) did, so the fact that there's absolutely no recognition for it is unfortunate. It's not the easiest movie to watch as it addresses sexual assault, but it's a hauntingly transparent character study that's worth watching for how real and relatable it is. 

Wake Up Dead Man (2025)

While Rian Johnson's Wake Up Dead Man: A Knives Out Mystery has some pacing issues and it's far from a perfect film, it's thematically his strongest inclusion in the Knives Out (2019) universe. The supporting cast of characters is all exceptional, and the screenplay is as sharp as ever. Still, I expected that there'd be very little for it in terms of nominations. Still, color me thoroughly shocked that there's nothing for Josh O'Connor.

O'Connor delivered some of his finest performances last year with Rebuilding (2025), The Mastermind (2025), and The History of Sound (2025) alongside his embodiment of Father Jud, so it's wild how we aren't recognizing his body of work. While there are a number of incredible actors nominated this year, O'Connor deserves the recognition for Wake Up Dead Man the most. He was my personal MVP of the year.

The Testament of Ann Lee (2025)

While many audience members haven't had the chance to watch The Testament of Ann Lee yet, surely Academy Award voters have. And the fact that it's snubbed across the board without even a single costume nomination as the bare minimum is wildly unfair. More than anything, Amanda Seyfried also deserves the recognition for her work.

Seyfried consistently delivers incredible work when it comes to roles that involve singing. In the same way that she floors you in Les Misérables (2008), she does the same here in The Testament of Ann Lee. It's without a doubt the most underrated movie of 2025, and it's one that I hope will catch a cult following later on because it deserves all the hype for its creative means of telling a compelling true story.

Rental Family (2025)

I went back and forth a lot about whether Rental Family or Rebuilding is the bigger snub, but perhaps voters were concerned that Rebuilding would feel too much like the previous winner, Nomadland (2020). That said, Rental Family is one of the biggest surprises of the year. As a film that's so honest and transparent, it's mostly shocking that there's no nomination for Japanese filmmaker Hikari in the directing category.

I personally would've also nominated Brendan Fraser in the Best Actor category, but with a sea of phenomenal performances this year, it's understandable that he would be left out. Still, Rental Family is a gorgeously moving story about found families and the importance of looking out for people. It's reflective and honest, and it deserves recognition for its production and cinematography as well.

Steve (2025)

Like Sorry, Baby, I was convinced that Steve would be the kind of underdog to come out on top and surprise everyone with its nominations. Cillian Murphy surely deserves a nod for his performance, but at the same time, so does Tim Mielants for his directing. The screenplay is also fantastic, but the nominations for director and actor would've been most deserved.

If you loved Dead Poets Society (1989) growing up or even the more recent The Holdovers (2023), you'd enjoy the message in Steve despite its darker themes. It's a captivating must-watch for the vulnerability and exceptional performances from the whole cast, as well as the distinct directorial approach. If nothing else, I hope this one also gains traction later down the line and gets the recognition it deserves with more viewers.