
7 Dark Comedies You Cannot Miss In 2026
While it doesn't take a specific type of humor to appreciate dark comedies, it does take a bit of resilience to stomach how the subgenre often plays with other tropes. For instance, the way that Widow's Bay (2026) blends horror and comedy is no small feat, but there are still some people who might not be convinced it'll work for them. Other times, while some people can appreciate dry comedy in terms of writing, physical comedy that often comes from bad things happening to their favorite characters might not be preferred.
Still, for those who do love dark comedies, 2026 has been a pretty solid year with a lot of shows and movies coming to surprise us. There are a few unique tropes that we get to see this year, and the way that each of them delivers distinctly gritty humor is no small feat. From award winners at HBO Max to Apple TV and more, here are some of the dark comedies you can't miss in 2026.
Widow's Bay isn't just one of the best dark comedies of 2026, but it's one of the best new shows, without question. Genre-bending sounds easier said than done, and yet, the way that Widow's Bay creator, Katie Dippold, accomplishes it needs to be studied. How the show's humor makes the horror extremely palatable for the biggest scaredy-cat like me is a feat that's legitimately rare because I'm scared of things that aren't even considered horror.
Yet, interestingly, because of how the series is born from the mind of a writer on Parks and Recreation (2009), it allows those beats of triumphant humor to bleed into the town's eerie lore. The comedy might be significantly different, but the way the show ensures that we care about the characters and this small town is where it ultimately shines. Because in order for a dark comedy to stick the landing, we have to care about the characters even when things get strange and ugly. We have to be willing to root for them, despite how off-the-wall the humor might be.
Olivia Wilde's The Invite is her best directorial feature to date as a dark comedy that simultaneously explores riveting conversations about marriage, sex, and who people become when they lose parts of themselves for various reasons. With a sharp screenplay from Rashida Jones, a large part of the reason the movie works so well is because of everything Jones gives us in terms of dialogue. It feels organic, clever, and thoughtful as opposed to shocking for the sake of it.
With riveting performances from the whole cast, the movie sticks the landing because of everything that we're given through the layers that unfold in front of us. On top of being a dark comedy, it also feels like a haunting drama at times, which still works to make it one of the most thoughtful movies of the year. Perfect for anyone who loves Who's Afraid of Virginia Woolf? (1966).
Like The Invite, A24's The Drama is both a drama and a dark comedy. There are layers to the film's unraveling turn of events that make it hilariously thrilling for fans with gritty humor, but at the same time, the serious undertones add plenty of depth. Effectively, the movie works as a dark comedy because of Robert Pattinson and Zendaya's performances.
While there are a lot more serious topics discussed here, the two of them manage to deliver them all with so much range that it works to also provide a hopeful ending. Based on what sort of relationship quirks people find funny or not, The Drama might not exactly fall into the dark comedy section for them, but as someone who finds dry humor to be even funnier at times, The Drama is an unmistakable gem in this category.
As a dark comedy, so much of it feels relevant today as a look into the industry and all that's in store. Riz Ahmed delivers one of the most striking performances of the year, and every beat of the story in Bait gives us an effective and meta exploration of being an actor and the challenges that come with it. Through a sharp screenplay and a riveting directorial vision, the first season is a critical hit for how it manages to keep us invested from start to finish.
It's unlike any of the shows on the list, yet if you've liked any of them and want more of the dark comedy sprinkled with British humor that hits differently, look no further. It's one of the most compelling shows you'll watch all year for how uniquely impressive the narrative techniques are.
Another dark comedy that's one of the more surprising shows this year is Dan Levy's Big Mistakes. The show's certainly no Schitt's Creek (2015), but fans of it are sure to appreciate Levy's range in how he brings to life a completely different character. In every way that a series can be that's focused on crime, Big Mistakes gets messy. The stakes are pretty high in the first episode alone, and while it can be jarring for people who aren't typically fans of the genre, the manner in which the show handles it is particularly organic.
Part of what makes dark comedies so wild is that the offbeat narratives have to feel realistic even when they're incredibly far-fetched and so far removed from what most people would consider the norm. Yet, like Widow's Bay, there's something so richly nuanced about how the events pan out in Big Mistakes, too. If you want a family drama that isn't afraid of getting intense all while it brings the laughs, Big Mistakes is where it’s at.
In more ways than one, DTF St. Louis is one of the biggest surprises of 2026. It's more of an underrated series in its popularity, but the surprising number of Emmy Award wins indicates that, at the very least, the right people were watching. It's a quintessential dark comedy, and for those of us who loved Linda Cardellini in Dead to Me (2019), her deserved win for DTF St. Louis feels extra validating.
As someone who typically steers clear of most love triangles or shows that feature characters going through heavy emotions, DTF St. Louis works because of the comedy portion. It helps make what the characters are going through more palatable. Not to mention that the performances are all incredible, and alongside Cardellini, David Harbour also won this year.
Teenage Sex and Death at Camp Miasma, like Widow's Bay, achieves so much with genre-bending that it's almost wild. Horror, dark comedy, and romance all at once isn't easy to sell, and yet the movie does it exceptionally well, thanks to astounding performances from both Gillian Anderson and Hannah Einbinder. Hilarious, wild, and incredibly niche in more ways than one, while it's not the kind of movie the average audience member might appreciate, it's certainly worth it for slasher fans.
The movie is also campy and nuanced in a way that works to ensure that the characters stand at the forefront of the narrative as opposed to delivering a bonkers plot only. It's why it manages to be both thoughtful and completely chaotic at the same time.










































