For decades, rumors spread around Hollywood about the “video game curse,” and it was believed that adapting video games into movies and TV shows was a death sentence. There was good reason to believe so, too. Films like Super Mario Bros. (1993), Street Fighter (1994), and Wing Commander (1999) all failed at the box office and left behind tarnished legacies. 

The 2000s brought a mixed bag of results. Some films, like Tomb Raider (2001), became a success, while others, like Doom (2005), continued to show how risky video game adaptations could be. But within the last decade, the tides have finally started to turn. Yes, we still get a few stinkers like Monster Hunter (2020), but we’re also getting huge, successful movie and TV adaptations. But what are some of the best adaptations that seem to be breaking the dreaded video game curse? Read on to find out where you can watch them on Prime Video, HBO Max, and more. 

Fallout (2024-Present) 

Based on the Bethesda game series, Fallout sees a retro-future world after a series of nuclear blasts rattled the surface, bringing widespread destruction and radiation. But some groups of people survived the fallout in underground bunkers called vaults. The Fallout series picks up as one of the vault dwellers (Ella Purnell) ventures to the surface for the first time to find her missing father. 

Fallout received rave reviews and even Emmy nominations thanks to its fantastic blend of humor and action. The Wastelands (the surface world) provide so much great material to work with, blending a post-apocalyptic dystopia with wild west and mid-century vibes. But all of it is done with a good dose of humor and wit. Think of Fallout as a weird mix of Westworld (2016-2022) and Zombieland (2009). 

The Last of Us (2023-Present)

Whereas Fallout is a humorous look at a dystopian future, The Last of Us takes a much more serious tone. Inspired by the zombie apocalypse subgenre, The Last of Us offers a similar story, but this time focusing on a parasitic fungus that causes the annihilation of mankind. The fractions of society that remain are lost in grief and grapple with trauma. 

The Last of Us does a great job at showing the emotional toll the survivors suffer through and reveals how easily we can lose our humanity when pushed to the brink. If you love The Walking Dead (2010-2022), this is an absolute must-watch. It also has some similar vibes to films like Children of Men (2006). The series also has a fantastic cast, including Pedro Pascal, Bella Ramsey, and Kaitlyn Dever. 

The Super Mario Bros. Movie (2023)

While the original Mario Bros. movie from the 90s was a failure (though I seriously love it and think it’s an underrated classic), 2023’s animated film The Super Mario Bros. Movie was a smash hit. Grossing over $1.3 billion at the box office, the movie saw Mario (Chris Pratt) team up with various characters around the Mushroom Kingdom to defeat Bowser (Jack Black). 

Whereas the original film featured a totally ‘90s, grungy, cyberpunk world, fans loved that the animated movie stayed true to the video games, creating a vibrant and colorful realm. Plus, the voice cast was stacked with talent, including Seth Rogen, Fred Armisen, and Keegan-Michael Key, among others. For a fun movie that stays super on-brand with the video games, you need to watch The Super Mario Bros. Movie. 

Sonic the Hedgehog (2020-Present)

Based on the iconic SEGA game series of the same name, Sonic the Hedgehog sees Sonic enter the human world and find refuge with a small-town couple (James Marsden and Tika Sumpter). But true to the games, Sonic ends up in a furious cat-and-mouth chase with the evil mad scientist, Dr. Robotnik—played by none other than Jim Carrey in his greatest character performance in decades. 

Just like the game series, Sonic the Hedgehog is fast-paced and full of adventure. Plus, the movie uses tons of other goodies from the games, like the gold rings and even naming the town Green Hills. If you’re a Sonic fan, or just love great family-friendly adventure movies like Jumanji (1995) or Jungle Cruise (2021), check this one out. So far, there are three movies and a miniseries. Plus, we can look forward to a fourth film set to release in 2027. 

Twisted Metal (2023-Present)

Based on the vehicular deathmatch game Twisted Metal, the series adaptation depicts an alternative timeline where society collapses in the early 2000s, turning America into a wasteland of walled cities, roving gangs, and ample violence. But just like Fallout, Twisted Metal leans heavily into the action and humor, turning this apocalyptic realm into a vibrant, almost cartoonish world.

Think of it like The Fast and the Furious (2000) and Mad Max (1979) came together, with tons of raunchy humor thrown in. It’s wild, it’s full of explosions, and you can tell the entire cast is having a blast. If you want irreverent humor and wild action, Twisted Metal is the show for you. A third season has already been greenlit and is heading for production soon. 

Pokémon (1997-Present)

Pokémon has seamlessly made the transition to movies and TV numerous times. Most notably, the 1997 cartoon that raised an entire generation of Millennials. The show wasn’t just a successful adaptation of the games, but actually fueled interest, making the games more popular than ever. 

Then came the dark and funny noir film Detective Pikachu in 2019, which hilariously turned the world of Pokémon into a gritty, crime-filled megacity. The dichotomy between the childlike Pokémon and the world of sleazy back alleys was amazingly absurd…and incredibly lucrative, earning over $433 million at the box office. 

From noir to cozy, Pokémon also debuted its slice-of-life series Pokémon Concierge in 2023. The charming show centers around a resort for Pokémon, and its vibe is cute, refreshing, and relaxing. It feels like a cozy video game came to life. If you’re a Pokémon fan, be sure to check out all three adaptations, since all were met with praise from critics and audiences. 

A Minecraft Movie (2025)

Grossing close to $1 billion at the box office, A Minecraft Movie was truly a video game adaptation for a new generation. It was total meme-bait, loaded with inside jokes, and had lots of cultural references that, if you’re over 30…you probably just aren’t going to get. 

But for those who play Minecraft and grew up in the era of social media and virality, the film is actually really smart, super funny, and tons of fun. Plus, all viewers will love Jennifer Coolidge’s fantastically aloof performance, where, as always, she delivers nothing but the best. If you loved the fun adventure (and surprisingly smart humor) of The Lego Movie (2014), then you should watch A Minecraft Movie. 

Uncharted (2022)

Based on the PlayStation franchise of the same name, Uncharted follows a young brother (Tom Holland) who searches for his missing older brother—and treasure—with the help of an old family friend (Mark Wahlberg). But per usual with treasure-hunting films, deceit and backstabbing add more layers of drama to the story. 

Uncharted was a huge success, grossing over $407 million. Its plot stayed very true to the games and was seen as an authentic adaptation by fans. Its one downside is that Uncharted is super generic. If you’ve ever watched an Indiana Jones or Tomb Raider movie, you can probably figure out the entire plot of Uncharted after about 10 minutes. But for adventure fans, it’s still worth a watch. 

Greek mythology is one of the definitive bedrocks of Western storytelling, with plenty of common archetypes, morals, and concepts having their roots in the ancient era. 

There have been lots of faithful and inspired adaptations of that material, ranging from classic movies like Jason and the Argonauts (1963) and the upcoming The Odyssey (2026) to more inventive reimaginings like Disney’s Hercules (1997) and Netflix shows like Blood of Zeus (2020). However, others have taken the ideas into some pretty interesting directions.

The best of these reimaginings use the mythological figures as the core idea, taking inspiration from the Gods and the legends that arose around them. Some of them play with the genre in creative ways, leaning more into comedy, romance, or pure drama. A few are even almost unrecognizable from the original myths, fully reimagining the concept from a new cultural perspective. These are the best ten modern takes on Greek mythology across movies and TV, available to watch on Disney+, Netflix, and more.

Percy Jackson and the Olympians (2023)

Based on the book series of the same name, Percy Jackson and the Olympians is a fun remix of the Greek pantheon into the YA-world. The first season of the show adapts the first book in the series, The Lightning Thief. While the film adaptation of Percy Jackson & the Olympians: The Lightning Thief (2010) was fairly well-received, the new show has proven to be a critical darling with several Emmy nominations and wins to its name. 

Perfect for fans of YA-tinted material like the Harry Potter franchise or The Hunger Games series, Percy Jackson and the Olympians does a great job of coaching the Greek Gods in the background, where they serve as parental and aspirational figures for the show's younger main cast. The modern reinventions of the mythological characters are fun, with the supporting cast benefiting from some great casting—including Jason Mantzoukas as Dionysus, which is perfect casting.

Kaos (2024)

Ambitious, colorful and deeply creative, Kaos was a compelling riff on Greek mythology that feels undercut by a one-season cancellation. The show focused on several figures around a modern-day reimagining of ancient Greece, with Jeff Goldblum's Zeus ruling on high as the various Gods, mortals, and demiGods of the world and in-between dimensions reckon with his actions. 

Thought-provoking in its medley of reimagined myth and somber character drama, Kaos is the ideal Greek-flavored follow-up to anyone who enjoyed The Sandman (2022). While the show seems not to be getting a second season on Netflix, this eight-episode story is still very much worth a watch, if only for the clever ways it plays with the power dynamics among the older members of the Pantheon and to see how Goldblum makes Zeus both disarmingly funny and deeply frightening.

American Gods (2017)

A wide-ranging exploration of mythology with a complex emotional core, American Gods is a visually rich if tonally muddled story that has some interesting things to say about the Gods of old. In American Gods, various deities have fled to the United States, preparing for conflict with a new crop of Gods rising up to reflect the 21st century. An adaptation of the book with the same name, American Gods has some creative fun with the various Gods and their interactions, especially whenever it can let Ian McShane throw out some of the prickly charm he pulls out in shows like Deadwood (2004) and films like John Wick (2014)—with one great example being his encounter with Demeter, the Greek God of the harvest and hearth. Similar to Kaos, this show came to an unexpected and premature end, but it’s worth checking out for audiences who love to see mythology reimagined in fresh, modern ways.

O Brother, Where Art Thou? (2000)

One of the best films from the Coen Brothers and one of the best adaptations of The Odyssey, O Brother, Where Are Thou? is a bluegrass riff on mythology that intersects with the charming folksiness and darker sides of the American experience. Starring George Clooney as the dimwitted but overconfident leader of a trio of escaped convicts, their efforts to get home lead to plenty of bumbling slapstick and charming musical sequences. 

The film’s true thematic run is rooted in the ways it quietly references Greek mythology through clever takes on concepts like the Cyclops, the Sirens, and a plea to the Gods. Perfect for people who loved the Coen Brothers' other more comedically tinted films like The Big Lebowski (1998) or Hail, Caesar! (2016), O Brother, Where Are Thou? is one of the more creative reimaginings of Greek mythology, by taking it as far from the epic nature of the old stories as possible.

Xena: Warrior Princess (1995)

While it may be rooted in the mythology and era, Xena: Warrior Princess has a creative approach to reimagining mythology through a decidedly ‘90s vibe that separates it from other period pieces. Focusing on the titular wandering hero and her best friend, Xena: Warrior Princess has a lot of fun with the episodic nature of the show and throws her constantly against new dangers and threats inspired by mythology. 

A spin-off of Hercules: The Legendary Journeys (1995), Xena is the more entertaining show and makes for a perfect pairing with fellow turn of the century feminist pop culture icon, Buffy the Vampire Slayer (1997). Xena’s popularity led to 134 episodes, and its influence can be seen in everything from She-Ra and the Princesses of Power (2018) to more mature fare like Red Sonja (2025).

Hercules In New York (1970)

More famous for being the cinematic debut of Arnold Schwarzenegger than anything else, Hercules in New York is a silly idea that can't quite match the comedic potential. Set in a version of New York City that won't feel unfamiliar to anyone who has seen Hair (1979) or Midnight Cowboy (1969), Hercules in New York focuses on a version of the legendary demigod who descends from the heavens and gets to experience the weirdness of the city. While the film itself is a bit of a shaggy mess, there is some fun to be had with the cheesy comedy and fun moments like the sight of Hercules wrestling a bear. Not necessarily for anyone looking for a dramatic or complex time, Hercules in New York is a fun film for fans of the unwittingly goofy action movie, like Samurai Cop (1991).

Wonder Woman (2017)

One of DC’s most successful blockbusters, Wonder Woman does a great job of bringing the iconic superhero to life. Starring Gal Gadot as the titular hero, the film introduces a version of the Amazons and the Greek God Hades who find themselves intersecting with the growing conflict of World War I. Wonder Woman’s ability to bring mythic levels of power and nobility to the increasingly muddied conflict of man’s war is what the film sings, especially in sequences where Diana is able to just storm her way through the greatest weapons that the era has to offer. Definitely the highlight of Gadot’s appearances in the DC Extended Universe—although her minor role in Shazam!: Fury of the Gods (2023) is at least entertaining—Wonder Woman is a fun superhero story that does a good job of bringing the Gods into a superhero universe.

Valentine (2008)

Valentine is an interesting riff on Greek mythology, taking cues from shows like Desperate Housewives (2004) more so than actual myth. The show focuses on the Valentine family, the clan of Aphrodite, who find their ability to spread romance waning in the modern day. The show takes an interesting direction by focusing on Aphrodite, who is usually shunted off to the side in adaptations. Canceled after only 8 episodes, there's still something intriguing about the show's blend of Greek mythology with stock romantic dramedy characters, especially a version of the dynamic between Aphrodite, Ares, and Hephestus that doesn't pull back from the messy drama. It’s almost strangely prophetic of Lore Olympus, which took a similar modern-day approach to much greater success in the world of comics. A strange peer to the likes of Gossip Girl (2007), Valentine is an interestingly bizarre and strangely charming show.

Krapopolis (2023)

Irreverent and silly but with a surprisingly strong heart, Krapopolis is a very silly take on Greek mythology. From Dan Harmon, the mind behind Community (2009) and one of the chief creatives for Rick & Morty (2013), Krapopolis is a bombastic comedy about a “great city’ of the ancient world that often falls into chaos due to the ruling family. With a main cast that includes Richard Ayoade, Matt Berry, Hannah Waddingham, Pam Murphy, and Duncan Trussell, Krapopolis is a great pick for audiences looking to laugh along with the mythology and can appreciate how it reflects modern society. A mythological counter to the sci-fi absurdism that is Futurama (1999), Krapopolis is a clever, cheeky, and colorful take on mythological creatures and deities that finds fun ways to use the concept as a means of discussing class disparity and politics.

Mischief Of The Gods (2014)

A wild reinvention of mythology that takes the concept into the world of anime, Mischief of the Gods is a self-awarely strange and deeply committed take on the romantic teen genre, all filtered through old Gods. Tasked with teaching the importance of love to teenage variants of various Gods from across several deities, the anime focuses on mild-mannered Yui Kusangai doing her best to teach the various Gods, all while struggling with her own self-doubt and attraction to them. An anime that's ideal for fans of K-drama romance stories, Mischief of the Gods has a lot of fun with the concept, especially when pitting pretty boy variants of the likes of Hades, Thor, Anubis, and Tsukito against one another in pursuit of the same woman. While it doesn’t have the most action in the world, fans of high-drama anime will find plenty to love in this show.

Released in December 2005, Brokeback Mountain is celebrating its 20th anniversary. In the two decades since the movie was released, so much has changed in our world. From growing acceptance of the LGBTQ community, to the achievement of marriage equality in 2015, to all the regression and rising levels of bigotry that we now see today, the queer community has been through a lot since Brokeback’s premiere. 

But, as a whole, we are definitely seeing more queer characters in film and television, something that was virtually unheard of back in the 2000s when Brokeback Mountain hit theaters and became a landmark moment for queer media. Let’s take a look back at the most powerful, popular, groundbreaking LGBTQ movies and TV shows that have debuted since Brokeback  Mountains shattered the barriers of queer characters in media 20 years ago.

Modern Family (2009-2020)

Cam (Eric Stonestreet) and Mitch (Jesse Tyler Ferguson) broke ground by starring in Modern Family. The ensemble series sees the extended Pritchett and Dunphy families live their day-to-day lives, which are always filled with hilarious misadventures. Cam and Mitch weren’t the first gay characters on TV, but since they were in the main cast and were featured so prominently for so many years, their roles were enormously influential in normalising gay people on television. 

Plus, they, along with the rest of the cast, were perfectly casted and fantastically hilarious. If you love the humor from shows like Parks and Recreation (2009) or The Middle (2009), then check out Modern Family.

RuPaul’s Drag Race (2009-Present)

Arguably one of the most crucial pieces of media to make gay culture mainstream, RuPaul’s Drag Race has boomed into a cultural phenomenon. The competition series pits drag queens against each other in various challenges ranging from fashion to acting, lip-syncing and more. 

Its larger-than-life contestants, bright colors, and epic drama helped make it must-watch television, and the show has ushered in a new generation of world-famous queens like Trixie Mattel, Katya, Bob the Drag Queen, and more. If you’ve ever used or heard “shade,” “what’s the tea,” or “Not today, Satan,” you can thank Drag Race. It’s perfect for fans of reality competition series like Project Runway (2004), but with bigger hair, more glitter, and higher stiletto boots.

Dallas Buyers Club (2013)

Based on the true story of Ron Woodroof, Dallas Buyers Club stars Matthew McConaughey as a man in the ‘80s who discovers he has HIV that has progressed to AIDS. But with America’s highly homophobic culture and the bigoted Reagan administration, he quickly realizes that the nation couldn’t care less if he lives or dies. So, he sets out on his own to find and distribute AIDS medication to those who need it. 

The movie was praised for offering a glimpse into just how bigoted and merciless America was toward the gay community in the ‘80s. It was also a milestone for cinema because it showcased a meaningful trans character (played by Jared Leto, which is problematic for its own reasons, but that’s another article). Dallas Buyers Club scored six Oscar nominations and two wins for McConaughey and Leto’s performances. If you’ve seen powerful movies about gay life during the AIDS crisis, like Longtime Companion (1989) or The Normal Heart (2014), this is a must-watch. 

Carol (2015)

Based on the 1952 novel The Price of Salt, the Oscar-nominated film Carol tells the story of an older woman, Carol (Cate Blanchett) and a younger woman, Therese (Rooney Mara), who secretly fall in love during the 1950s. The film is an eye-opening look at the secretive lives queer people had to live during the Lavender Scare era, but its real power lies in the captivating emotional depth of its characters.  

On top of earning Oscar noms, it’s an important piece of queer history because it’s based on the novel from 1952, which, at the time, was wildly controversial (but that actually helped push sales, turning the book into a success.) It’s a great example of pre-Stonewall queer art released during an era where gay stories were practically unheard of.  

Moonlight (2016)

Moonlight centers around two low-income Black men growing up during the crack epidemic. The film follows them from childhood to adulthood, exposing the way their lives are shaped by crime and a failed system. But most importantly, Moonlight is a tender expose of Black men. Whereas most media depicts Black men as hardened and overtly aggressive, Moonlight shows a different side.

Star Andre Holland spoke with The Root in 2016, saying of the film, “So much value has been placed on the Black body and it being a powerful tool that, when we see images that present a counterpoint to that, I imagine that for some people it feels quite threatening.” If you love coming-of-age queer dramas like Beach Rats (2017) or movies that challenge Black stereotypes like Waves (2019), then Moonlight is required viewing. At the 97th Oscars, the film earned eight nominations, even taking home the prestigious Best Picture award. 

Call Me By Your Name (2017)

Based on the 2007 novel of the same name, Call Me By Your Name was a wildly popular but somewhat controversial film by auteur Luca Guadagnino. The film sees 17-year-old Elio (Timothee Chalamet) fall in love with 24-year-old Oliver (Armie Hammer). 

Like most of Guadagnino’s films, Call Me By Your Name is super pulpy and melodramatic, but in a way that you can’t look away from. He somehow blends high-brow and guilty pleasure together seamlessly, creating movies that are artful enough to earn Oscar nominations, but salacious enough to garner tons of gossip and online fanfare (the peach!!!!). However, as stated, the film is also loaded with controversy, but its success (it scored four Oscar noms, including Best Picture) and its widespread adoration from viewers can’t be ignored as a part of queer history. If you’re a fan of other Guadagnino movies like Queer (2024) or Challengers (2024), this is the film for you. 

Love, Simon (2018)

Based on the 2015 novel Simon vs. the Homo Sapiens Agenda, the teen rom-com Love, Simon sees a closeted student (Nick Robinson) get blackmailed by the school bully. In order to keep his secret, he needs to set the bully up with his friend, Abby (Alexandra Shipp). Naturally, madness ensues, lessons are learned, and queer love blossoms. 

The movie was a huge hit and really helped bring gay storytelling into the mainstream rom-com space, whereas gay films previously were (largely) bitter dramas about secret lovers or dying of AIDS. This marked a significant moment for Hollywood, which finally realized that gay storytelling didn’t just mean focusing on the painful and the dramatic. If you love other gay rom-coms like Bros (2022) or Single All the Way (2021), then check out this hit movie. You can even watch its sequel series, Love, Victor (2020). 

Red, White and Royal Blue (2023)

Based on the 2019 novel of the same name, Red, White and Royal Blue follows a handsome politician’s son (Taylor Zakhar Perez) as he falls in love with a hunky British royal (Nicholas Galitzine). The rest of the film is just a pure, good-ol’ rom-com romp filled with the kind of juicy romance that puts butterflies in your tummy.

The movie was so impactful because it was a huge success for Amazon despite coming out in 2023, after Republicans had already begun their new witch hunt against the LGBTQ community, claiming all queer content to be obscene, perverse, and designed to “groom” children. Red, White and Royal Blue was a fearless response that showed how normal a gay rom-com could be, instantly proving bigots wrong. We’re even set to get a sequel next year. 

Emilia Perez (2024)

The musical crime drama Emilia Perez is a very controversial film for a variety of reasons. But its impact on culture can’t be denied. The movie follows a cartel leader (Karla Sofie Gascon) who quits the business and starts a new life as a woman. Her wife (Selena Gomez) is none the wiser, and her entire ordeal is aided by her American friend, Rita (Zoe Saldaña). 

Look… the movie has some issues, and Gascon has some issues, and nobody really knows how this film will be viewed in five, ten, or twenty years from now. But it was a massive hit, garnered tons of chatter online, and scored 13 Oscar nominations, including Best Picture. It also earned Saldaña a win for Best Supporting Actress, and Gascon became the first trans person to earn an Oscar nomination ever. 

So, yeah, the movie and its star have problems, but they made quite the splash. So, whether it’s good or bad, Emilia Perez is cemented in the history books of the queer experience. If you enjoyed other trans stories, like Transparent (2014), or experimental musicals like Idlewild (2006), check out Emilia Perez. 

Heated Rivalry (2025)

The Canadian hockey series Heated Rivalry took the streaming world by storm when it premiered in 2025. The show follows two closeted hockey stars, Shane Hollander (Hudson Williams) and Ilya Rozanov (Connor Storrie), who begin having a secret, heated affair. But before long, the two realize they might actually be developing feelings for each other. 

The show is unapologetically gay and features tons of hot, steamy scenes that have gotten the entire internet talking. Streaming on Crave in Canada and HBO Max in the US, the show quickly climbed the charts and got so popular that halfway through the first season, a second season was greenlit. Heated Rivalry is so remarkable because it didn’t have to hide its queerness to get popular. In fact, its ample sex scenes are actually part of what’s bringing in viewers. Think of it as all the romance of Red, White and Royal Blue mixed with the daring passion (and nudity) of Queer as Folk (2000). 

Honorable Mention - Paris is Burning (1990)

Paris is Burning is a 1990 documentary about New York’s ball scene in the late ‘80s, which largely served as a space for low-income queer communities that were often Black and Latino. It was a space where you could dress up and compete, or just meet up with your friends. It was also super diverse, where competitors could be gay, trans, nonbinary, or anything in between. 

While the film was praised in high-brow circles upon its release, it didn’t really see national attention until we entered the woke era decades later, and marginalised groups started getting more understanding and attention. That’s truly when Paris is Burning exploded and found itself a new era of success and popularity (much larger than it ever received when it first came out). In 2016, it was even added to the Library of Congress. 

And yes, a good chunk of its renewed fame is because of Drag Race and the way the series mainstreamed trans queens and aspects of ball culture on the show. If you love the series Pose (2018), this is the film it is inspired by, and trust me, you’re going to love it. 

The Boys’ fifth and final season will premiere on Prime Video in Spring of 2026. The final season of the gritty superhero satire show is shaping up to be quite the finale. Based on the Season 5 official teaser, the stakes are higher than ever, and there’s nothing “the boys” aren’t willing to do. Billy Butcher (Karl Urban) himself promises, “We’re going all the way.”

Now, for longtime fans of the show, it’s hard to see how The Boys could go much further. The series is known for its over-the-top sex and violence and masterful utilization of the shock factor. No matter how shocking a season is, the show always manages to keep viewers on their toes. Use our guide to revisit the wildest moments in The Boys, ranked by shock factor and effectiveness, to prepare for Season 5. 

10. Billy Butcher’s Parasite Reveal In ‘The Boys’ Season 4

After abusing V24 and taking Compound V in an attempt to stave off the effects, The Boys Season 4 reveals Butcher has a parasite. It causes him to hallucinate and squirms under his skin. However, no one could have predicted how the parasite would manifest. In the final episode, Butcher gives in to his darkness and unleashes his parasite. He crashes a meeting between the boys and Victoria Neuman (Claudia Doomit) when enormous tendrils explode from his chest, grabbing Neuman and ripping her in half with ease.

I knew The Boys Season 4 would give Butcher special abilities, but I never thought he’d go full Venom. The shocking reveal, combined with the grisly death, was just unexpected enough to make your jaw drop. I also thought it fit in well with Season 4’s themes, which focus on Butcher’s increasing deterioration and struggle to evade his dark side. 

9. Timothy’s Death In ‘The Boys’ Season 2

One of the weirdest aspects of The Boys is The Deep’s (Chace Crawford) attraction to fish, including his relationship with the octopus, Timothy. However, their relationship in Season 2 culminates in one of the most nauseating incidents of the season when Homelander (Antony Starr) sadistically forces The Deep to eat Timothy alive. The scene is shot in excruciating detail as viewers hear the crunch of Timothy’s body, see the black ink dripping down Deep’s lips, and Deep slowly slurp the tendons down. The knowledge that Timothy is the Deep’s friend only makes it more jarring.

The Boys Season 2 is really where Homeland starts to go off the deep end. He doesn’t even try to hide his sadistic side from The Seven, and instead revels in tormenting them. The Deep consuming Timothy is a brutal scene to stomach, but it drives home the extent of Homelander’s sadism.

8. Love Sausage Scene In ‘The Boys’ Season 2

In The Boys Season 2, the boys infiltrate Sage Grove Center, and Mother’s Milk “MM” (Laz Alonso) comes across a few rogue, unusual supes, including a man dubbed Love Sausage (Andrew Jackson). Love Sausage attacks MM with an enormous tentacle protruding from his body and nearly strangles him. It’s only when Kimiko (Karen Fukuhara) knocks out Love Sausage that MM realizes, in horror, that the tentacle is actually the man’s penis.

The Love Sausage scene is one that grosses you out but is oddly funny at the same time. I felt like this scene in Season 2 particularly prepared me for some of the even more grotesque scenes in the following seasons. It really establishes The Boys’ unique brand of penis humor, though it’s not even close to as taboo as some of the genitalia scenes on this list.

7. The Airplane Scene In ‘The Boys’ Season 1

In The Boys Season 1, Homelander and Queen Maeve (Dominique McElligott) set off on a mission to save a hijacked plane. However, when Homelander uses his laser vision to kill the hijackers, he damages the plane’s controls, sending it nosediving. Despite Maeve’s pleas, he insists he can’t possibly save everyone on the plane and encourages her just to leave. When the passengers rush at him, begging for their lives, he threatens to laser everyone of them.

Homelander convinces Maeve to leave, letting the plane crash with all its passengers. Season 1 initially keeps viewers guessing at just how corrupt Vought and Homelander are, but it finally reveals all with that dark scene. Although it’s not the goriest or most abruptly shocking, it’s one of the darkest scenes in the show, and it leaves you with a pit in your stomach watching the plane go down. It ensures viewers leave Season 1 with no doubt about the nature of Homelander.

6. The Sauna Scene In ‘The Boys’ Season 4

In The Boys Season 4, the gang infiltrates the alt-right convention, TruthCon, where Firecracker (Valorie Curry) and her assistant, Splinter (Rob Benedict), give a speech. At one point, Frenchie (Tomer Capone) and Kimiko accidentally walk in on Splinter in a sauna. The supe, who can clone himself, has created duplicates to form a human centipede. The nude clones stand in a line, performing oral anal sex on another in front of stupefied Frenchie and Kimiko.

It’s one of those The Boys scenes that you can never unsee. While the show has a reputation for its wild sex scenes, it somehow still manages to top almost all the others. It’s a testimony to how, even four seasons in, The Boys still manages to up the ante. As disturbing as the sauna scene is, the fact that it was tame in terms of gore prevents it from ranking in the top five entries on this list.

5. Hugh Sr.’s Hospital Rampage In ‘The Boys’ Season 4

In Season 4 of The Boys, Hughie receives the terrible news that his father, Hugh Sr. (Simon Pegg), suffered a stroke that left him comatose. After a misunderstanding, Hugh receives Compound V, which causes him to awaken. However, the Compound V has horrible side effects, resulting in Hugh suffering memory loss and an inability to control his powers, including phasing through physical matter, including humans. As a result, he accidentally rips out the heart of one patient before phasing through and killing two more hospital patients, leaving him soaked in blood from the waist down.

The scene is the closest The Boys has come to genuine horror, driven by Hugh’s completely unpredictable, erratic, and violent behavior. Finding him in various stages of murdering patients is deeply unsettling. The horrifying sequence is a stark, final reminder of the dangers of Compound V and utilizing it to cheat death.

4. Robin Ward’s Death In ‘The Boys’ Season 1

The Boys has one of the most shocking opening scenes in TV history. Viewers see Hughie (Jack Quaid) and his girlfriend, Robin (Jess Salgueiro), discussing their future together while holding hands on the sidewalk. However, in a split second, everything changes. Robin disappears as blood spatters on Hughie’s face, and he sees her reduced to a puddle of blood on the sidewalk; the only part left is her two severed hands, which he’s still holding. It takes viewers a few seconds to realize speedster A-Train (Jessie T. Usher) accidentally ran through Robin at super speed, killing her instantly.

As someone who walked into The Boys not knowing what to expect, that scene absolutely blew me away. It came out of nowhere and was so fast, shocking, and unexpected that it absolutely made most viewers’ jaws drop. Few TV show moments compare to it, aside from the massacre in Invincible’s (2021) first episode.

3. Congressional Head Popping In ‘The Boys’ Season 2

In Season 2 of The Boys, Butcher convinces former Vought scientist Jonah Vogelbaum (John Doman) to testify against Vought’s corruption. Jonah takes the stand, but just before he can speak, the presiding judge’s head explodes, followed by Jonah’s head. Numerous heads begin exploding among the courtroom, bathing survivors in blood as a supe (later revealed to be Victoria Nueman) commits a massacre in the courtroom.

In the show, the boys are watching the court hearing on television, and react in horror to the carnage. Their reactions likely reflect your own while watching that scene. Just like Robin’s death, it has the advantage of being completely unexpected, to the point that it might even give some viewers a jump scare. The scene proves The Boys Season 2 isn’t just raunchy, but also still able to pack the same shock and emotional punch as its first season.

2. Homelander Kills Protestor In ‘The Boys’ Season 3

The Season 3 finale of The Boys sees Homelander introduce his son, Ryan (Cameron Corvetti), to the world. When a protester throws a can at Ryan, Homelander lasers his head, killing him instantly in front of a large crowd of Homelander supporters. After a few moments of stunned silence, Homelander’s supporters start cheering, and Ryan slowly breaks into a smile.

The protestor’s death was sudden and shocking. However, there’s also an underlying horror to the scene as you watch both Homelander and Ryan smile. Homelander’s smile marks the absolutely bone-chilling moment when he realizes he doesn’t have to hide his violence and corruption anymore. Ryan’s smile signifies he’s not the innocent child viewers thought he was. As shocking and brutal as the scene is, there couldn’t have been a better way to end Season 3 and set up Season 4.

1. Termite’s Sneeze in ‘The Boys’ Season 3

In The Boys Season 3, the boys set off to find the Vought-connected supe Termite (Brett Geddes), who has the power to shrink. They find him at a party, where he goes off with his love interest, Peter (Jarrett Siddall). The pair engage in some unusual intimacy, which includes Termite shrinking down and entering Peter’s penis. However, when Termite sneezes, he accidentally grows to full-size inside Peter, causing Peter to explode from the waist down.

Now, even if The Boys had left it at the weird sex act, it still probably would’ve made this list because it’s the kind of scene that makes you go, “What did I just watch?” However, the show then had to add a gory, brutal explosion and death to ensure no show would ever come close to the wild scenes. Termite’s sneeze is the kind of scene in a show that you never forget, no matter how much you may want to.

The entertainment industry is still reeling from the potential sale of Warner Bros., which could transform the landscape in some major ways if a company like Netflix gets it. Currently engaged in a bidding war with Paramount for the legacy studio, Netflix could be looking to expand its franchise library in some pretty crucial ways with a successful merger with one of Hollywood’s oldest institutions.

Fans of the shows and films that come from Warner Bros. have some serious questions, though, especially as it pertains to the future of those franchises. Some seem likely to be a great position under the Netflix banner, while other brands might suffer from the streamer already having plenty of original productions that fill a similar space. Here are 10 of Warner Bros.’ biggest franchises and what becoming part of Netflix could mean for each of them.

Game of Thrones Franchise

Game of Thrones remains one of the biggest franchises under the Warner Bros. banner, and the fate of the series might hang in the balance due to the potential Netflix merger. Game of Thrones ended on a fairly conclusive note, although the fantasy epic continues with prequels like House of the Dragon (2022) and A Knight of the Seven Kingdoms (2026). It’s likely that Netflix would let those series play out if they ended up on HBO, especially given the popularity of House of the Dragon.

However, it seems likely that many of the other supposed spin-offs and prequels in development could be shut down. It’s possible, though, that audiences could finally see the proposed sequel series focused on Arya Stark if the plan goes through, as Netflix could see that particular spin-off as a potential new franchise starter.

The Lord of the Rings Franchise 

While Prime Video is the home to the prequel series The Lord of the Rings: The Rings of Power (2022), the future of the The Lord of the Rings series could be severely impacted by Netflix taking ownership of the films through an absorption of Warner Bros. This would give the streamer access to the Peter Jackson trilogy as well as the subsequent prequels like The Hobbit: An Unexpected Journey (2012) and the two films that followed it.

 It would also give Netflix a controlling interest in The Lord of the Rings: The Hunt for Gollum (2027). Netflix having The Lord of the Rings franchise under its belt could lay the groundwork for other adaptations of J.R.R. Tolkien’s works, although a certain amount of negotiation would have to be had between Netflix, Prime Video, and the Tolkien estate ahead of any other proposed sequels. 

Harry Potter Franchise

The Harry Potter series remains one of the biggest franchises under the Warner Bros. banner, even as series creator J. K. Rowling has raised plenty of controversy in recent years with her political statements. Despite this, development is moving ahead with the Harry Potter (2027) series, currently in production.

The show, intended for HBO Max, could even be one of the things that has Netflix so interested in purchasing Warner Bros., as the streamer could replace its concluding Stranger Things (2016) with another fantastical coming-of-age story rooted in nostalgia. The Potter franchise being bought out in the WB sale could also end up giving Netflix more room to consider spin-offs or remakes of its own, albeit only if it can get Rowling’s involvement and approval, given her prior deal with Warner Bros.

DC Universe

One of the more intriguing questions of a potential merger between Netflix and Warner Bros. would be the fate of the DC Universe. Although some Zack Snyder fans are hopeful that the streamer’s partnership with Snyder on Army of the Dead (2021) and Rebel Moon (2023) could bring him back into a leadership position, it seems more likely that Netflix would want to retain James Gunn and Peter Safan at the helm of the successful cinematic relaunch of the franchise. 

Netflix could continue to grow the brand by keeping up momentum on upcoming releases like The Batman 2 (2027), Supergirl (2026), and Lanterns (2026), while also using the former two as a litmus test for what it’s willing to bring to movie theaters, which has been a big question for the streamer’s WB ambitions, especially in light of the success Superman (2025) had on the big screen. Conversely, TV shows from DC, like Harley Quinn (2019), Creature Commandos (2024), and Peacemaker (2022), would feel right at home on Netflix. However, it likely depends on how much Netflix is willing to let someone like Gunn retain creative control.

Dune Franchise

The Dune movies have been tremendous successes for Warner Bros., with Dune (2021) turning the iconic but previously decried “unfilmable” book into a genuine blockbuster smash. Dune: Part Two (2024) had an even more positive reception. Given that Dune: Part Three is currently in production, it wouldn’t be surprising to see Netflix let Denis Villeneuve close out his trilogy before he moves on to his upcoming reboot of James Bond with Prime Video.

However, it’s possible that Netflix looks at the huge commitment to Dune and decides to let it lie without its chief creative force behind the scenes, making it more likely that this is a franchise that would come to a conclusion (at least for now) with Dune: Chapter Three and Dune: Prophecy (2024).

Looney Tunes Franchise

Looney Tunes is one of the foundational franchises that helped make Warner Bros. what it is, which is why it’s been so surprising to see Looney Tunes have such ups and downs lately. Honestly, Netflix might be a good place for audiences to check out Coyote vs. Acme (2026) after a limited theatrical run, especially given how close the film came to not being released.

Given the streamers’ embrace of animation for both families and mature audiences, it wouldn’t be surprising to see Looney Tunes get a bigger push with Netflix, potentially even bringing back the Looney Tunes Cartoons (2020) after HBO Max discontinued the modern series. In fact, seeing Netflix acquire the rights to all the Looney Tunes shorts might give the streamer a deep bench of animation to help it better combat Disney+ and its reserves of Mickey Mouse content.

Friends (1994-2004)

One of the biggest successes in television history, Friends found renewed love in the modern era with the show’s streaming releases. While it became a selling point for HBO Max, bringing Friends back to Netflix could give the streaming service one of the benchmark sitcom franchises.

This could be an opportunity for the streamer to also build off that success, whether that be in spin-offs, remakes, reimaginings, or even just incorporating Friends elements into some of its other successful reality shows like Is It Cake? (2022). While Friends might not have the pull that it once had, it still presents a good bedrock for Netflix to build its own future sitcoms around as it attempts to replicate the heights of previous generations of television success.

Cartoon Network

There are a lot of shows that fall under the Cartoon Network category that might be called into question if Warner Bros. does become part of Netflix. Legacy shows like Adventure Time: Fionna and Cake (2023) and The Wonderfully Weird World of Gumball (2025) might be safe, given their popularity and longstanding fandoms. Other consistent titles like Teen Titans Go! (2013) and new hits like Iyanu (2025) might benefit from Netflix’s embrace of animation. 

However, there’s also a chance that the streamer could consider its own output enough and decide to cut down on the number of animated shows it keeps actively producing. While it may be a mix of the two, it seems likely that a Netflix and Warner Bros. merger would result in some of Cartoon Network’s franchises coming to an end.

Adult Swim

The more mature programming block on Cartoon Network, Adult Swim likely faces the same potential future as Cartoon Network. While popular hits like Rick and Morty (2013) and Smiling Friends (2020) might be safe due to their popularity and extensive pre-existing contracts with Warner Bros., there’s a chance that Netflix might not renew them.

Conversely, the Adult Swim banner (and the Toonami one, for that matter) could be absorbed by Netflix and turned into its standard bearer for more mature animation and anime. In the process, Netflix would also get the rights to a lot of classic Adult Swim material like Aqua Teen Hunger Force (1999), Harvey Birdman, Attorney at Law (2000), or Sealab 2021 (2000), which could lay the groundwork for revivals or reboots of those older titles.

HBO

As one of the most critically acclaimed brands under the Warner Bros. umbrella, it seems likely that HBO is one of the main draws for Netflix in its attempt to acquire WB. Even beyond the Game of Thrones shows, HBO’s library of content and strong modern programming would be a major win for Netflix as it hopes to establish itself as the streaming home of prestige entertainment.

New seasons of shows like The White Lotus (2021) would likely be in the works, especially if they continued the more anthology approach that defined the first two seasons. Likewise, the HBO library of titles like The Wire (2002) and The Sopranos (1999) could find new life on the streamer, which may even seek to continue the franchises in new ways. HBO is one of the prime names in television, so Netflix acquiring it would likely put the brand front and center, albeit while likely putting down HBO Max in the process. 

Every year, it feels like dramas get darker and the real world around us grows more bleak, making it harder and harder to sometimes watch things that are too heavy. Amy Poehler asks this question to all her guests in her podcast, Good Hang With Amy Poehler, where she wonders what they're doing to make themselves laugh. 

For me, it's always comedies—but specifically, the wholesome comedies that are both laugh-out-loud funny and simultaneously go the extra mile to stitch something broken inside of us. We have a lot more returning gems than newer shows, but they're still the perfect ones to turn to for every type of viewer.

From the Golden Globes-nominated series, The Studio (2025) to underrated, The Residence (2025), here are the best comedy TV shows of the year, as well as where you can watch them on platforms such as Apple TV+, Hulu, and more.

Ghosts (2021-present)

Every year, I get on my soapbox and scream about how Ghosts is the best show on TV that not enough people are watching. It's the single greatest sitcom we've had in decades, and in the same way that the US The Office (2005) essentially improves on the UK version while still honoring its legacy, Ghosts does the same with its BBC predecessor. And five seasons in, we get so much development that it's astounding how brilliantly the writers use the ensemble cast with a near-perfect balance. 

Ensemble shows are generally more challenging to navigate because how do you fairly tell stories that'll satisfy the audience when their favorite characters aren't on screen? Yet, the excellence of Ghosts lies entirely in the detail that the characters are all so captivating, you can't help but love them all. I've watched a lot of sitcoms in my career, and I've never seen anything like Ghosts. If you want something that'll make you laugh while also making you cry with significant conversations about human connections and legacy, look no further. 

The Studio (2025-present) 

The Studio is likely on its way to sweep the Golden Globes, and it's still the biggest surprise of 2025. I'll be totally honest in admitting that I had no plans to watch it when I first heard about its development. As someone who generally prefers dramas as opposed to comedies centered around the art of filmmaking, I didn't think I'd appreciate The Studio. Yet, from beginning to end, the humor and meta-storytelling make it an absolute doozy.

It's exactly the type of show we need in this day and age, when it feels like all we're getting are reboots and remakes. And, in more ways than one, it is coming in at the right time, where so much of the industry is in a strange place these days with AI, the lack of original storytelling, and questionable decisions from big properties that focus on subverting expectations rather than honoring the characters. In short, if you love movies, The Studio feels like a must-watch on all fronts.

Only Murders in the Building (2021-present)

For five seasons now, and like Ghosts, no show delivers wholesome and bleak narratives wrapped up so neatly in humor the way that Only Murders in the Building does. As Season 5 takes us through the murder of The Arconia's longest resident, Teddy Coluca's Lester; it deep dives into showcasing the heart of the show and how it's all a brilliant homage to unexpected friendships. It's a love letter to the idea that every person who stepped through those doors has become part of a found family.

And when it came to protecting everything from the construction of a casino that would change The Arconia forever, the podcast trio proved that they'd stop at nothing. Wholesome shows like Only Murders come once in a lifetime to give us levity with tragedies in a manner that effectively displays the ongoing vicious cycle of life. It's a continuous testament to humanity in a way that feels integral to murder mysteries as a genre. If you've yet to start watching and are a fan of sharp humor and whodunnits, what are you waiting for?

The Paper (2025-present) 

It's safe to assume that when production of The Paper was announced, many of us were guilty of assuming that it'd be some sort of lackluster spin-off capitalizing on the success of The Office. Instead, it's a fresh, deeply relevant, and clever mockumentary that focuses on journalism and the state of the craft in the world today. Domhnall Gleeson and the whole cast bring something unique and nuanced to their roles, proving with the show's debut season that it's about to become something special.

It's genuinely hilarious and thoroughly compelling from start to finish in its means of highlighting a profession that doesn't get nearly as much attention as it should while still maintaining the charm of a small city. In its way of also focusing on the dynamics of office employees who are each vastly different from one another, it delivers unique bonds and fun friendships that can stay with viewers for a while. If you loved The Office and were hesitant about giving The Paper a try, know that there's a very good chance you'll appreciate everything it's trying to do.

Abbott Elementary (2021-present) 

Like Ghosts and Only Murders, Abbott Elementaryproves that five seasons in, and it's only capable of improving itself. Quinta Brunson and the whole team continue to deliver some of the most wholesome narrative beats that touch on the found family trope while also healing the inner child in me who used to hate elementary school (please tell me I'm not alone in this specific thing.) Everything about the show is special, but it's extra hilarious in Season 5 as so much of it changed with school budgets, further challenges, and character dynamics.

As it happens in Parks and Recreation (2009), the inclusion of romance with Janine and Gregory makes the show ten times lovelier and sweeter. How they continue crossing milestones in and out of the school while Ava also finds love, and the teachers all find ways to grow, makes the season incredible. There's plenty to appreciate with every episode, but more than anything, it's how each narrative angle feels nuanced and relatable. If you want a good, classic sitcom, Abbott Elementary is the show for you.

A Man on the Inside (2024-present) 

One thing is for certain: we can safely deem 2025 as the year of excellent mystery comedies with amateur sleuth detectives delivering heart and humor in spades. While A Man on the Inside Season 2 loses a tiny bit of its charm from its debut, it's still an incredible sophomore run that provides plenty of joy. Ted Danson is so particularly delightful in the role that I'd happily watch seasons of him taking on the next big case, even when the location changes.

A large part of the reason some people don't latch onto comedies the same way they do with dramas is that they prefer a heavy plot that can provide shocking twists and turns. Some comedies land in the space that allows them to be both, and that's the case with A Man on the Inside, as Season 2 does an even more gripping job of strengthening dynamics and making us worry for the characters. It provides nuanced entertainment and a plethora of joy, perfect for anyone who loves Only Murders.

The Residence (2025) 

Uzo Aduba leads The Residence so expertly that it's an absolute travesty the show was canceled during its first season. It could've done so well with fans of Only Murders and A Man on the Inside discovering it later on, and it's also so perfect for those who loved the humor in The Thursday Murder Club (2025). It's clever, funny, and the whole cast brings something deliciously sharp in every frame they're in.

Shows like The Residence aren't rare or overtly unique, but it's still shocking that it wasn't given the leg room to grow because it has all the markings of a solid comedy. From the writing to the directing and every performance, it's got something for every type of audience who generally appreciates the genre to some capacity. 

Disney's Renaissance Era is one of its most iconic decades, where films are each incomparable in a way that's shaped so many '90s kids through our childhoods. Every movie is unique in its animation, characterizations, and themes, reflecting a hopeful era of storytelling that relies heavily on ensuring the underdogs come out on top.

Beyond this, while stylistically they're each different, there's a precise reflection of growth through each one that showcases how the animation technique and narrative go hand-in-hand to create something special. From 1989 to 1999, here is every Disney movie released in order during the Renaissance Era, as well as how you can watch them on Disney+. 

The Little Mermaid (1989)

Even to this day, there's no statement truer than Sebastian's "Ariel, the human world is a mess." Louder for the people in the back. The Little Mermaid is a delightful fairytale, veiling an even darker story about agency and how people often treat their daughters as opposed to their sons. I always cry like a baby at the end when Ariel says bye to her dad, but beyond that, it's a nuanced tale of how to compromise in a relationship.

For many people, Prince Eric was also their first animated crush, and while a lot of times critics feel that Ariel lost too much of her identity at the end, it's actually a fascinating account of how she makes a choice that's right for her. Kids movie or not, it's one of the best features there, with incredible music, gorgeous animation, and a solid narrative through and through. It's especially perfect for people who love anything pertaining to the ocean, as it's stunning in how it captures the sea.

The Rescuers Down Under (1990)

Of all the movies in the Disney Renaissance era, Rescuers Down Under is undoubtedly the most underrated. Countless people still don't even remember it exists, and it's a shame because it's lovely on so many levels. The story itself isn't all that unique, but it's still so gorgeously animated and wholesome that it's perfect for the whole family.

While some themes can be a bit mature, it's still one that's appropriate for all ages. As a sequel, while it's not as groundbreaking or memorable as The Rescuers (1977), it still provides all the right entertainment and a worthy follow-up that ensures the heart and characters are all intact with another thrilling adventure. If you want something that's super cute and features a location we don't always travel to in fiction, look no further.

Beauty and the Beast (1991)

Like The Little Mermaid, people often love to criticize Beauty and the Beast for how it diminishes the princess's strength when she chooses love in the end. Don't even get me started on the bigger and more wild critics that attempt to make Beauty and the Beast sound more toxic than it is, when it's one of the most thought-provoking movies to explore genuine kindness and the importance of spreading it.

Belle's bookworm spirit is formidable for those of us who grew up to be giant nerds because we also had our noses stuck in a book when we were kids. Beyond this, Beauty and the Beast still features the single most romantic Disney song ever in "Tale as Old as Time," while the library scene is quite literally gift goals in every way. Frankly, if you ask me, all men should learn from the Beast.

Aladdin (1992)

Narratively and visually in every way, Aladdin is a standout. And while the focus here is on the male character as opposed to the princess, so much of Jasmine's journey is what shines when we examine how women are often trapped in this era. They don't need "rescuing" per se, because let's be real—she can take care of herself—but the love stories matter, too. 

For the longest time, Aladdin was also one of the more underrated Disney movies with less and less merch, but its growing popularity has been a welcome change. Perfect for the people who love an opposites attract romance, Aladdin and Jasmine are one of the best pairs, while the late Robin Williams delivers the most iconic performance in his voice work for the Genie.

The Lion King (1994)

The Lion King feels like everyone's favorite Disney movie, and rightfully so, because its version of a Hamlet retelling is near-perfect. Personally, I'm an even bigger fan of The Lion King 2: Simba's Pride (1998) because Simba is in his dad era, plus the forbidden romance between Kovu and Kiera, hit hard. Still, The Lion King is a brilliant showcase of grief and an achingly realistic story of how to navigate through it.

It might not be appropriate for more sensitive kids, but it's still a gorgeously animated feature to eventually introduce to everyone, too. As an account of unexpected friendships, love, and loyalty, there's nothing quite like it in Disney's archives and there's a reason it's so profoundly revered by most people.

Pocahontas (1995)

Pocahontas features the actual best Disney soundtrack of all time, and I will hear absolutely no arguments about this. No song makes me weep the way "Colors of the Wind" does, and there's nothing quite like the journey the titular character goes on to protect her land. As one of the more serious animated movies that tries to address how Americans took Indigenous peoples' lands, two paragraphs simply aren't enough to describe how momentous the film was growing up when it came to understanding the history.

If you've watched Avatar (2009) and have somehow never seen Pocahontas, or you haven't watched it in a while, rewatch it now because no animated feature compares, narratively and visually. It's a triumph, and the best Disney film from the Renaissance era. 

The Hunchback of Notre Dame (1996)

Funnily, after watching Wake Up Dead Man: A Knives Out Story (2025), I had the urge to then immediately rewatch The Hunchback of Notre Dame. If you're in the same boat, I highly recommend doing the same. Thematically and visually, everything about the movie glistens as one of the strongest showcases of corruption and power, disguised under a fairytale lens to make it more palatable for kids. 

Though, really, it's also one of the darker stories like The Lion King that might not be suited for sensitive audiences until they're a bit older. Quasimodo's torture scene is still one that viscerally affects me as an adult. There's something tremendously thought-provoking about every detail in this movie that really cements the Disney Renaissance era as its strongest run.

Hercules (1997)

Greek mythology in general often provides rich and nuanced material to craft beautiful stories that are both engaging and aesthetically pleasing. Hercules is a perfect example, and one that also comes equipped with an incredible soundtrack and a heartfelt story about where strength truly comes from.

Hades is the last best villain we've had until we later get introduced to the sinister ways of Mother Gothel in Tangled (2010), but it's lovely and gorgeously stylized, with colors that make it stand out even beyond the story's strength. It’s perfect for kids who want to dive into a bit of mythology through a more easily accessible storyline. It also feels like one of the more underrated gems that deserved far more praise back when it initially aired and now, too. 

Mulan (1998)

Mulan is one of the most emotional films in Disney's Renaissance era, because, like The Little Mermaid, it paints a clear picture of how women are treated far more differently than men. It's one of the most powerful films to date, with visuals to match its compelling narrative and even more astounding voice work.

On top of the story and its thematic significance, Mushu may be the best sidekick. Truly, ask me how many times I say "dishonor on you, dishonor on your cow" every time I'm pissed off, but if I'm proud, it's always "My little baby, off to destroy people." It's one of the best and most quotable movies, while also being one that's visually so stunning and significant. It’s a must-watch for the whole family, but especially if you're in the mood to feel empowered. 

Tarzan (1999) 

Coming in a close second with a movie that features one of Disney's most emotional songs in Phil Collins' "You'll Be in My Heart" is Tarzan. And visually, it's also another triumph that showcases exactly how the Renaissance era progressed with more freedom to allow the characters to look different while still maintaining Disney's charm. When we watch them in order, especially the advancement is enormous and so fascinating.

As a movie, Tarzan also shines thematically as a story of friendships that's reflected through various personality types. It's one of the few stories that's especially more poignant where familial bonds are concerned than romantic relationships, allowing it to stand out with gorgeous animation, voice acting, and writing. Perfect for all the little adventurers out there. 

Santa Claus is one of the most popular recurring roles in cinema. For decades, too many actors to name have portrayed Santa in a variety of films, from classic holiday flicks to Christmas horror movies. As popular as Santa is in cinema, he has never been a big name at awards shows. On the whole, Oscar nominations for magical/non-human roles are very rare, and Santa Claus is no exception.

Because Santa Claus appears in films so frequently, it’s difficult for actors to put a truly unique spin on the character. However, 78 years ago, one actor achieved the remarkable feat of portraying the only Oscar-winning Santa. In 1947, the original Miracle on 34th Street included an Oscar-winning performance from Edmund Gwenn as Kris Kringle. Although the 1994 remake often overshadows the 1947 version, it’s worth revisiting.

The Story of ‘Miracle on 34th Street’ (1947) - And its ‘90s Remake

The original Miracle on 34th Street tells the strange and magical story of Kris Kringle (Edmund Gwenn), an elderly man who saves the Macy’s Thanksgiving Day Parade when he fills in for Santa Claus after the original actor becomes intoxicated. He plays the role so well that event planner Doris Walker (Maureen O’Hara) hires him to play Santa regularly at the Macy’s Store on 34th Street in New York City.

Kringle continues to perform phenomenally as Santa, earning shoppers’ respect and loyalty by finding them the best deals in the area for their shopping needs. He also forms a connection with Doris’ daughter, Susan (Natalie Wood), who Doris raised not to believe in Santa. However, things take a strange turn when Doris and others begin to realize that Kringle genuinely believes he is Santa.

What starts as a heartwarming story of a Santa, who goes above and beyond, turns into a courtroom drama as New York City lawyers debate whether to rule that Santa is or isn’t real, and put it upon Kringle to prove he’s the real Santa. It’s a charming, wholesome, and sentimental movie that strives to fend off the cynicism surrounding the holidays and encourage a little belief. 

In the ‘90s, director John Hughes set about remaking Miracle on 34th Street. The 1994 version maintains the original’s general plot, though it changes a few details. Macy’s refused to allow the remake to use its name, so Kris Kringle (Richard Attenborough) worked at the fictional Cole’s instead. The film also tackles religious faith alongside its Santa debate and elevates a romantic subplot between Dorey Walker (Elizabeth Perkins) and Bryan Bradford (Dylan McDermott). Although it does a good job of modernizing the tale, it struggles to live up to the original, which most critics and audiences agree was nigh perfection.

What Made Edmund Gwenn’s Santa Oscar-Worthy?

The 1947 Miracle on 34th Street attained high critical acclaim, earning four Oscar nominations and three wins. Among the wins, Gwenn took home the Oscar for Best Supporting Actor for his performance as Kringle. While many actors have portrayed Santa and done so well, I believe Gwenn stands apart because he was the only actor to truly embody the role. As Kris, Gwenn radiated a warmth and wholesomeness difficult to replicate.

It’s a timeless performance with near universal appeal, still effortlessly choking up audiences to this day as viewers see Gwenn interacting with children and infusing the lives of everyone he comes across with a bit of warmth and magic. Even more than a top-notch, emotional performance, Gwenn achieves something that no other Santa has on-screen: embodying the enchantment of Santa so thoroughly that he almost makes the viewers believe he is Santa, too.

At the 20th Academy Awards, when Gwenn won the Oscar, the competition wasn’t even close. The uproarious applause when his name was announced as a nominee confirmed that Hollywood stood behind Gwenn’s Oscar win. After a touching speech he began with, “Whew! Now I know there’s a Santa Claus!”, it was even clearer that he was the perfect actor for the role of Kris Kringle. A lot of actors can act, but it’s something special when an actor can actually make you believe.

Why You Should Watch ‘Miracle on 34th Street’ (1947)

Miracle on 34th Street is a true Christmas classic. If you love timeless classics like A Christmas Story (1983) and It’s a Wonderful Life (1946), you need to add Miracle on 34th Street to your list. Gwenn’s performance alone is enough reason to watch. While opinions may vary, I believe Gwenn is the closest you can get to Santa Claus. He embodies the character like no other, helping infuse the film with its sense of magic.

I especially enjoy how Miracle on 34th Street conveys its message while remaining realistic. It’s lifelike in its exploration of holiday cynicism and commercialization, as well as the corrupt reason one may or may not want to rule Santa Claus as real. However, through its redemption arc of both a child and her mother, it raises a genuine sense of hope and belief that shines through the cynicism.

If you want a Christmas film that tackles an interesting debate about belief in a warm, funny, and heartfelt way, with impeccable performances and a balanced blend of realism and magic, Miracle on 34th Street is a must-see.

The tease trailer for Supergirl is finally here, and it gave fans a small taste of everything they could have wanted: action, snark, drama, and even more Krypto. The film, which hits theaters this summer, promises to be something of a mirror of the popular Superman (2025), thanks to its flawed and cynical lead. 

But there’s one thing fans are dying to see that was barely featured. Blink, and you may have missed the brief, shadowy shot of Jason Momoa, making his DC Universe debut as Lobo. Lobo has long been one of DC’s most popular characters, but this marks his big-screen debut. Before you get too excited, here’s everything you should know about Lobo and where you can catch the Main Man’s past TV appearances.  

DC Comics & Supergirl Anti-Hero Lobo, Explained

If you know anything about comics, then you know about the hyper-extreme comics of the ‘80s and ‘90s that led to the rise of characters like Deadpool and Spawn. Lobo is a byproduct of that thinking, though he actually predates it by quite a bit. He debuted in the ‘80s as a rival to one of DC’s lesser-known cosmic teams, The Omega Men, before transitioning to his own stories in the ‘90s. 

In the current continuity, Lobo is the last of his species, the Czarnians. He’s a bounty hunter by trade, but his alien physiology means he is practically unkillable. Even when reduced to fragments, Lobo always regenerates. He’s also incredibly strong, able to go toe-to-toe with Superman and give the Man of Steel a run for his money.  

For a brief spell, he was one of the most popular characters in comics, reworked from his first appearance to become a parody of grimdark ‘90s characters. The character blew up almost overnight, with a number of high-profile appearances and one-shots, but it was fairly short-lived. After just a few years, Lobo was back in obscurity, only showing up for occasional big stories, such as DC’s landmark weekly series 52 or joining Batman’s reformed Justice League of America in the New 52. 

These days, Lobo hasn’t been up to much in the comics. He most recently was roaming around space with his daughter, Crush, after she spent some time in the Teen Titans to spite him. In his most recent appearances, he turned up in DC K.O., a linewide DC Comics tournament, but was quickly knocked out of the tournament by Wonder Woman. 

With his upcoming big-screen debut in Supergirl, it’s almost certainly just a matter of time before DC’s Main Man makes his return. Until then, here’s where you can go to find Lobo’s biggest TV appearances in streaming. 

Superman: The Animated Series (1996)

For many, Superman: The Animated Series was the introduction to a lot of DC comics characters you may not otherwise have heard of. Lobo, voiced by Everybody Loves Raymond (1996) star Brad Garrett, appears in a two-part story in which a villain collects the last members of a dying species. Hired initially to capture Superman, Lobo must instead work with him to escape.

The story is exciting, with great humor and a wonderful, all-ages representation of the typically crass Lobo. While Lobo was, like many other cameos, just a one-off appearance, he eventually returned for an episode of the later Justice League series. 

The Lobo Paramilitary Christmas Special (2002)

This one feels like it’s little more than a checkbox on the Lobo trivia list, but it’s just significant enough to warrant a mention. Released in 2002 and starring Andrew Bryniarski (perhaps best known as Zangief in 1994’s Street Fighter) as Lobo, this short movie was filmed as part of an educational course for the American Film Institute.

In the film, Lobo is hired by the Easter Bunny to kill Santa so that Easter can become the top holiday. It’s a harmless and entertaining little romp, but you’ll have to find a bootleg copy on YouTube if you want to check it out. 

Young Justice (2010-2022)

Lobo makes a few scant appearances in the popular series Young Justice, debuting in the show’s second season premiere. He is introduced as a bounty hunter who comes to Earth in search of an alien robot hiding in the body of a presentation, in an episode that sees him fighting Wonder Girl and Batgirl.

Young Justice is renowned for its action and storytelling, and Lobo’s few appearances here are no exception, but he’s more of a supporting character than an antagonist or recurring character. You shouldn’t expect much more than fan service in these appearances, but if your expectations are tempered, they’re great episodes. 

Krypton (2018-2019)

A point about Lobo’s Czarnian heritage that is seldom brought up? He’s functionally immortal. The only place that would really need to come up, though, would be Krypton, a supremely underrated 2018 SyFy channel series about Superman’s grandfather, Seg-El. Lobo appears in the second season, played by Kin (2021) star Emmett J. Scanlan.

Again portrayed as the last of his species, Krypton ties the eradication of the Czarnian race to Brainiac and sets up a feud between Lobo and Brainiac. The character was popular enough that a spin-off was in development, but that seemingly went away when Krypton itself was cancelled. 

Superman: Man of Tomorrow (2020)

In much the same way Superman: The Animated Series had years earlier, Superman: Man of Tomorrow used Lobo’s similarities to Superman to introduce brand new fans to the universe. Man of Tomorrow was the first installment of DC’s latest wave of animated films and saw Lobo come to Earth in pursuit of a bounty placed on Superman’s head. The two duke it out, alongside the Martian Manhunter, eventually teaming up to take down classic Superman foe Parasite.

Man of Tomorrow uses a lot of the same story beats as prior stories, but it’s still a really good take on the Superman and Lobo dynamic. Sadly, it’s also the only appearance of Lobo in the Tomorrowverse, and his last appearance in anything prior to Supergirl.  

There has been no shortage of iconic TV theme songs over the years. From early hits like Green Acres (1965) to longstanding favorites like The Golden Girls (1985) and Friends (1994), these themes are so catchy, you don't even have to look up to know what's playing. While these titles are still beloved favorites, some theme songs go even harder and achieve viral status. 

It's no small feat, either. With all the music and television at our fingertips this day and age, there's something special about the themes people boost into the pop culture zeitgeist and ensure they stay. Here are seven TV show theme songs that went viral and what made them stick. While I surely left off many deserving titles, these picks represent some of the best. Find their respective TV shows on Hulu, HBO Max, and more.  

Law & Order (1990-Present)

If you need a theme song to emphasize criminal activity, whether it's your dog tearing up the sofa or something more serious, look no further than Law & Order. While Cops' "Bad Boys" theme is a close contender, I'd argue Law & Order just beats it out because it doesn't need words to convey its message.

Controversial opinion? Perhaps, but there's something almost magical about Law & Order's menacing, stern, and direct tone that makes it feel… "especially heinous" (that one is for you, Law & Order: SVU fans). Composer Mike Post effectively captured the title in the opening theme. If you've ever thought about what "law" and "order" sound like from a musical perspective, it's apparently the first few minutes of Law & Order's opening.

The X-Files (1993-2018)

Even if you've never seen a single episode of The X-Files, you undoubtedly know its eerie opening score. Mark Snow's creepy masterpiece (which he created partly by accident with his elbow) has been a pop culture hit since its 1993 debut, and that hasn't changed much over the decades. These days, you'll hear it interjected into videos to express mystery or to punctuate "WTF" moments, given the show's central conspiracy premise.

However, it's not the only part of The X-Files to go viral. Mulder's "Do you think I'm spooky?" quote, which he utters right in the pilot episode, also frequently makes its rounds, especially around Halloween. While The X-Files' icon status ensures it's worth watching for almost anyone, those who like dark procedurals loaded with mystery will appreciate it even more. Bonus points if you're as spooky as Mulder and also enjoy supernatural stories. 

The Sopranos (1999-2007)

The Sopranos' opening theme became a viral hit long before social media and proved it has staying power. "Woke Up This Morning" by Alabama 3 is bluesy, moody, and also a little electric. It's a certified bop that is undeniably catchy. While it's the type of song you'd probably nod your head to even if you've never seen The Sopranos, so much of its popularity comes from the series' staggering success.

As The Godfather (1972) of television, The Sopranos is one of the best and most influential TV shows of all time. Interestingly, Alabama 3 didn't write the song specifically for the show, but singer Rob Spragg said it was inspired by a murder committed by a survivor of domestic abuse, later charged with manslaughter (Mental Floss). Perhaps it's the way the song recounts how violence can change an ordinary day that makes it such a perfect pairing for The Sopranos' gritty, violence-heavy content.

The Office (2005-2013)

The Office might have ended in 2013, but that didn't stop the Louisiana State University Tiger Marching Band from performing their own rendition of the mockumentary series' famous theme. Understandably, that stint went viral. However, Jay Ferguson's upbeat piano riff is a frequent background song for TikTok and Instagram videos in general.

Like the show itself, the theme evokes a sense of warmth, which is probably why it remains so beloved all these years later. You don't hear it and think, "I'm about to watch a gritty drama like The Sopranos." Instead, it perfectly captures the series' lighthearted tone about workplace mayhem and hijinks. If you need a sitcom filled with relatable characters to binge next, consider moving up The Office on your watch list, especially if you loved shows like A.P. Bio (2018) or Parks and Recreation (2009).

Curb Your Enthusiasm (2000-2024)

If you already know and love series like The Larry Sanders Show (1992) or Seinfeld (1989), then you'll probably jive with Curb Your Enthusiasm's particular brand of dark, observational humor. The Larry David-created show might not be for everybody, but its theme song is another story. "Frolic," composed by Luciano Michelini for a 1974 Italian film, found new life in Curb Your Enthusiasm, and then again on social media.

Honestly, it feels like not a day goes by that I don't hear "Frolic" attached to some embarrassing moment captured on video, followed by a blip of Curb Your Enthusiasm's end credits (Directed by Robert B. Weide and Executive Producer Larry David). Is it funny? Absolutely, which is probably why it remains so ingrained in the pop culture zeitgeist. The song's almost circus-like sounds do wonders in making anyone using the theme seem like a… well… clown, which is really the whole point.

Stranger Things (2016-2025)

Stranger Things is an unusual case. Not only is its main theme a social media phenomenon, but Kate Bush's "Running Up That Hill" became an even bigger viral sensation after its prominent use in Season 4. Honestly, at this point, it's basically an alternate theme for Stranger Things. So, yes, while that exciting '80s synth sound over the intro is a big deal, "Running Up That Hill" is the real star—which, so far, has been criminally underused in Season 5. 

Gen Z's obsession with the 1985 song rocketed it into the streaming charts, with Netflix reporting it reached one billion streams on Spotify. It's undoubtedly an impressive feat for a forty-year-old song, and that success likely stems from the importance it holds in the show. "Running Up That Hill" isn't just Max's favorite song; it also plays a pivotal role in her confrontations with Vecna. For many, it's symbolic of hope, giving it a universal appeal. If you like sci-fi with an adventurous spirit and a heavy dose of '80s nostalgia like Back to the Future (1985), you'll also dig Stranger Things.

It: Welcome  To Derry (2025)

Fans of Stephen King's iconic story might have had to wait five episodes for Bill Skarsgård's Pennywise to appear, but It: Welcome To Derry dropped a certified banger right from the start. "A Smile and a Ribbon" by Patience and Prudence creates a perfectly deranged juxtaposition, with the 1956 song offering an old-fashioned whimsy to a show loaded with horrific violence and creepy moments.

Really, it's the perfect Pennywise anthem. As a shape-shifting creature, it masquerades as something it's not to lure in children and feed on their fear. In that respect, "A Smile and a Ribbon" functions as a similar mask by lulling viewers into a false sense of security before unleashing the scares. Since Welcome to Derry's HBO Max release, I've seen no shortage of memes featuring people dancing to this song with captions reading along the lines of, "Me on my way to watch kids get slaughtered by a clown each week." 

Bridgerton (2020) Season 4 just ended, and if you've read the books, then chances are that, like me, you're suffering from some major withdrawal. 

Based on Julia Quinn's third book of the series, An Offer From a Gentleman, the fourth season follows the second son, Benedict Bridgerton and Sophie Baek (Beckett in the books), in a Cinderella-inspired secret identity romance. In other words, Benedict is in a love triangle with the same woman, and it was glorious to watch his buffoonery until he clocked everything in real-time (affectionately.) 

But really, a large part of the reason why Sophie and Benedict are such a beloved pair is that there's something delightfully joyous and simultaneously angsty about Cinderella stories. How a couple falls in love quickly and slowly at the same time, without quite putting two and two together. It's an effortless trope to appreciate, and while we process the recently-ended Bridgerton Season 4, here are the best Cinderella movies to watch, as well as the platforms you can stream them on, like Disney+ and more.

Rodgers and Hammerstein’s Cinderella (1997)

Nothing, and I mean nothing, could ever top Rodgers and Hammerstein's Cinderella. Brandy and Paolo Montalban are sensational, plus the incomparable Whitney Houston as the fairy godmother? It's in a league of its own in every way and the best live-action adaptation to date. One of the things Bridgerton gets a lot of credit for is its means of having inclusive casting in a time period where stories are centered around predominantly white characters.

But in countless ways, Rogers and Hammerstein's Cinderella paved the way. With incredible music, perfect performances, and a glowing production design that feels achingly nostalgic and warm, few things will ever come close to the magic of this version. If you enjoyed Bridgerton Season 4 and only watch one Cinderella adaptation after that, let it be this one for its unique and transcendent spin. 

A Cinderella Story (2004)

Some might say that consistently waiting for more Bridgerton is the equivalent of Hilary Duff's Sam waiting for rain in this drought: useless and disappointing, until it's not. As far as modern-day classics go, A Cinderella Story is for the millennials. It's for the Lizzie McGuire (2001) girlies who'd follow Hilary Duff to the ends of the earth and beyond. But it's also a solid present-day retelling that explores the hierarchy of high school in a way that's still relevant today.

While every season of the Bridgerton television series veered a little from the source material, based on the book version, Sam and Sophie are most alike in how their own dreams and freedom are part of their bigger character journey outside of the romance. It's a lovely, quintessential early 2000s rom-com that hits in all the right ways, and a must-watch if you want something contemporary and nostalgic at the same time. 

Cinderella (2015)

Disney live-action movies are unfortunately not as great as their animated counterparts, but everything about Kenneth Branagh's Cinderella glistens as a cinematic treasure. A large part of the reason this version works is that, like Rogers and Hammerstein's Cinderella, it honors the original animated cartoon while adding realistic elements that feel organic. And the success of this really never meant that we needed a live-action version of everything.

Still, Lily James and Richard Madden are so perfectly cast as Ella and the Prince, that this adaptation is one of the few where we actually get to know him and his grief with his father, too. The side of him that we get to see with his father and everyone around him, parallels interestingly with Bridgerton in how Benedict interacts with his mother (a book moment that I enjoyed very much). Plus, we get to see Prince Kit shine in how he fully sees Ella, which makes their romance even lovelier.

A Cinderella Christmas (2016)

A Cinderella adaptation that takes place during Christmas? Nobody move, this one's for me specifically. A Cinderella Christmas is a charming and stunning adaptation that's rich with magic and layers in a way that feels particularly dreamy. It's not every made-for-TV Christmas movie that every type of viewer can appreciate, but Emma Rigby is perfect in the role, and it can be especially joyous if you've ever watched her in Once Upon a Time in Wonderland (2013). 

It doubles as a celebrity romance, which is fascinating when compared to Bridgerton because while the prolific family isn't exactly royalty, their popularity in the Ton is basically the equivalent of being a celebrity in the Regency era. It's deliciously trope-y, and the chemistry between Angie and Nicholas is an absolute treat in every area. 

Ella Enchanted (2004)

For a whimsical and fun twist to the original story with a delightful cast and gorgeous production design, look no further than Ella Enchanted. It's bold and so full of layers that it's a film you'll want to rewatch a few times if it's not already on rotation. It's one that's especially perfect for the viewers who love the vibes in Ever After (1998), too. 

Anne Hathaway and Hugh Dancy make a precious team, and the twists provide the kind of intriguing drama that makes it easy to appreciate how a story can fully become its own while still honoring the classic tropes we love and adore. And I mean, really, it's a musical, need I say more? I don't think I do. 

Well, it’s finally over. After eight seasons, 181 episodes, and four feature-length films, My Hero Academia has finally come to an end. It’s a bittersweet ending, especially given how the show’s final season delivered an unforgettable climax, and the show’s finale gave most of its cast a satisfying resolution. It’s hard to watch things you like end, but My Hero Academia went out as good as it could have, with its head held high.

But now, for many fans like myself, there’s a My Hero Academia-shaped hole in people’s hearts that needs filling. While it’ll probably be a while until another show captures that blend of western superheroes and Japanese animation as well as it did, these ten shows have some of that same spark. Some focus more on the superhero action, some focus on the charming school setting, and some are chock full of the same Shonen tropes that made the series as accessible as it is. My Hero Academia may be over, but these ten shows, which can be found on Crunchyroll and Netflix, may be your next obsession.

My Hero Academia: Vigilantes (2025-Present)

If you’re that torn up about My Hero Academia finishing, did you know that it has a spin-off that actually was referenced in the final season? If that’s the case, then My Hero Academia: Vigilantes would be the best place to start!

Focusing more on ground-level heroics and with fewer cataclysmic conflicts, My Hero Academia: Vigilantes feels like the franchise’s version of Marvel movies like Spider-Man (2002). Street-level crimes are the name of the game here, offering insight into a part of the series that we knew was there but was never explored in great detail. It also leans a lot more into the comic book aesthetics, with plenty of animated sound effects dotting the screen that help the show embrace its comic book roots. If you want to keep exploring the world of My Hero Academia, Vigilantes will do that, and with a second season confirmed for Winter 2026, fans won’t have to wait too long for more content.

Jujutsu Kaisen (2020-Present)

While My Hero Academia was the poster child for Shonen Jump during most of its run, it soon began to share the spotlight with a similar, yet much darker series cut from the same cloth, Jujutsu Kaisen. 

Also set in a school featuring super-powered teenagers, the students at Jujutsu High use dark magic called Curse Energy to defeat monsters that threaten the people of Japan. While there are plenty of unusual powers to be had in Jujutsu Kaisen as well as excellently animated fight scenes, it is also a much more violent series than My Hero Academia, with plenty of death, destruction, and heartbreak. As a modern version of anime like Yu Yu Hakusho (1992-1995), there are still moments of levity, but the tone is decidedly for those who are looking for a more serious My Hero Academia. Plus, with JJK also getting a new season in Winter 2026 as it barrels towards its climax, there’s still plenty of time to start watching and catch up before it airs.

Mashle: Of Muscles And Magic (2023-Present)

At its core, My Hero Academia is a lighthearted Shonen series that does a great job balancing comedy and action together. If that’s what you loved most about the series, then consider giving Mashle: Of Muscles And Magic a shot.

Yes, Mashle's inventive, colorful magic system delivers excellent fight scenes, but the true joy of the series is watching its lead, Mashle, fighting. While everyone fights with magic, Mashle punches things hard. Really, really, hard. So hard, in fact, that everyone thinks he’s magically powerful. It creates some excellent comedic moments, but it also makes the fight scenes a ton of fun to watch, with each punch he throws showcasing the raw strength he possesses. He’s like a high school version of Saitama from One Punch Man (2015-Present), both in terms of his sheer power and his stoic responses to most situations. It may not be as inventive as My Hero Academia, but it carries the series' spirit through its tone.

Welcome To Demon School! Iruma-Kun (2019-Present)

If you’re the kind of person who wants to see more of the high school antics of Class 1-A and less superhero action, then Welcome To Demon School! Iruma-Kun may be for you.

My Hero Academia contains a wide and likeable cast of characters (except Mineta), each with their own unique quirks and eccentricities, and the same can be said for Welcome To Demon School! Iruma-Kun. Because Iruma-Kun centers around monsters and demons, each of the characters has a unique visual design and set of powers… except for its lead, Iruma. Iruma-Kun, much like Deku, doesn’t have any powers, and if that gets discovered, he’s a dead man. The lengths that Iruma goes to hide his secret are a lot like The Disastrous Life of Saiki K. (2016-2019), and with such a wide cast of characters, there’s plenty of opportunities for some lighthearted hijinks. With three seasons under its belt already, and a fourth set for Spring of 2026, if you want another long-running and lighthearted comedy, Welcome to Demon School! Iruma-Kun could fill the void. 

Naruto (2002-2007)

While it’s clear that American superheroes inspired most of My Hero Academia’s aesthetics and powers, its plot and structure scream classic Shonen. In fact, if you were going to watch another anime like My Hero Academia, why not go for the one that inspired the series the most: Naruto?

Masashi Kishimoto’s ninja epic was a prolific Shonen anime for its time. While Naruto would become a more action-oriented anime as it shifted into its sequel series, Naruto Shippuden (2007), the original series carries some of that early MHA charm. Naruto has his friend/rival Sasuke, much like Deku has Bakugo, and a whole support cast of characters with their own unique powers, a league of villains with their own nefarious purposes, and a message of hope and optimism that its lead constantly spouts at every turn. Naruto, alongside its descendants Black Clover (2017-Present) and My Hero Academia, all deliver accessible and universally appealing action that anyone, from kids to adults, can enjoy.

Tojima Wants To Be A Kamen Rider (2025)

If there’s one thing that’s clear about My Hero Academia, it’s that it wears its heart on its sleeve. Deku loves superheroes and is willing to do anything to be like his mentor, All Might, and if you want another show that openly loves superheroes, then Tojima Wants To Be A Kamen Rider is unconventional, but perfect for you.

There’s a genuine and earnest nature to each of Tojima Wants To Be A Kamen Rider’s characters as they train effortlessly to become just like the superheroes that inspired them as kids. Is it a bit goofy at points? Yes, but it hardly matters when the conviction they have to do good is as strong as it is. In that sense, it carries both the spirit of My Hero Academia, Vigilantes, and even Samurai Flamenco (2013-2014), although it’s not quite as lighthearted as those shows. If you ever wanted to be a superhero when you were a child but eventually grew up, Tojima Wants To Be A Kamen Rider will reignite that childlike wonder in your heart.

Shy (2023)

Shonen shows like My Hero Academia are primarily made for teenage boys. That isn’t to say that girls can’t like them, but much like superhero comics, they tend to skew to male audience members. Shy is what you get when you try to make a female version of My Hero Academia.

While you may expect Shy to be a bombastic superhero show like My Hero Academia, or one filled to the brim with fan service, it’s actually not. Instead, it’s more of a superhero drama that explores the anxieties and trauma of its cast, with the occasional bad guy thrown in to spice things up. While it isn’t quite as weird as Doom Patrol (2019-2023), it retains the soul of that series and doesn’t shy away from some discussions that are given the maturity and care they deserve, making it a great choice for those who are looking for a superhero anime with a bit more depth. Add in the predominantly female cast, and you have a superhero anime that tries something different within the genre and more or less succeeds.

Bungo Stray Dogs (2016-2023)

One of My Hero Academia’s key strengths is how approachable and accessible it is. Bungo Stray Dogs is the thinking man’s MHA, and ideal if you ever wished that My Hero Academia explored more heavy topics.

While My Hero Academia contains a whole host of colorful superheroes with equally colorful powers, Bungo Stray Dogs is more understated. Thanks to the show’s characters all being literary authors, their abilities all correspond to their own works. It creates some interesting powers that can seem borderline broken, like a billionaire who has the ability to become stronger the more money they spend. Because of that, it’s a very high concept action series not dissimilar to anime like Blood Blockade Battlefront (2015-2017), and the ongoing war between the different factions of Bungo Stray Dogs’ world has been building for five seasons. If you’ve matured and think the superheroics of My Hero Academia are too juvenile, then Bungo Stray Dogs may just be for you.

Little Witch Academia (2017)

Sometimes the setting is what makes a show special. The world of My Hero Academia is positively bursting with potential, and each new facet learned about it and its central setting, U.A. High School, makes it all the better. If you miss the halls of U.A. High School, consider enrolling in Little Witch Academia’s Luna Nova Magical Academy.

Much like U.A. High School, a lot of thought and care went into the construction of Little Witch Academia’s setting. The amount of effort and worldbuilding that went into crafting just the curriculum at Luna Nova may seem unnecessary, but it helps to establish just how much attention to detail the staff at Trigger put into effectively establishing the show’s setting. People may say that it’s just Harry Potter and the Sorcerer’s Stone (2001), but anime, but that’s doing Little Witch Academia a great disservice. The world is densely packed with lore and wonder, and the energy of its cast of young witches and wonderful animation helps make its world feel more alive than Hogwarts ever was. If it’s worldbuilding you want, Little Witch Academia is for you.

SSSS.Gridman (2018)

For as great as the heroes of My Hero Academia are, sometimes you’re more interested in the villains. Overhaul, Stain, and Shigaraki are all excellent antagonists, and if you want a superhero show that also knows how to deliver a great villain, then you need to watch SSSS.Gridman. 

While SSSS.Gridman initially appears as a send-up of Gridman the Hyper Agent (1993-1994), once it reveals that its central antagonist isn’t a gigantic monster, but a teenage girl named Akane Shinjo, you’ll become curious about how bad she can be. Over 12 episodes, we see how multifaceted a villain Akane is, and you’ll be both rooting for her defeat, yet sympathetic to her motives. She’s a god-like being, not unlike Makima from Chainsaw Man (2022) or All-For-One, and you’ll genuinely wonder how our heroes can defeat such a powerful enemy. Every hero needs a bad guy, and SSSS.Gridman presents one of the best anime villains in recent memory.

Hallmark has once again done something incredible. It built one of its most comforting and quietly thriving franchises with Good Witch. What started as a made-for-TV movie in 2008 turned into a beloved universe, spanning across seven movies and seven seasons of television (wow!), drawing viewers in with its low-stakes drama and enough charming small-town energy to make you consider moving to Middleton yourself. 

With so much content to cover, it can be overwhelming to know where to start, especially in a way where you feel like you haven’t accidentally skipped a chapter. Luckily, the franchise is very welcoming, and Good Witch’s chronological order and release order align here, which thankfully prevents a lot of “wait, what did I miss, when did that happen?” confusion. 

The best and smoothest way to watch Good Witch is in release order, beginning with the movies, which lays the foundation, and then transitioning into the TV series. It’s the cleanest way to experience Cassandra “Cassie” Nightingale’s arc, from mysterious newcomer to the emotional center of Middleton. There are also five specials attached to the show, and they’re best watched after Season 1 (Halloween), Season 2 (Secrets of Grey House), Season 3 (Spellbound), Season 4 (Tale of Two Hearts), and Season 5 (Curse from a Rose), respectively. 

How To Watch The Good Witch Franchise In Release Order

• The Good Witch (2008)
• The Good Witch’s Garden (2009)
• The Good Witch’s Gift (2010)
• The Good Witch’s Family (2011)
• The Good Witch’s Charm (2012)
• The Good Witch’s Destiny (2013)
• The Good Witch’s Wonder (2014)
• Good Witch Show Season 1 (2015)
• Halloween (2015)
• Good Witch Show Season 2 (2016)
• Secrets of Grey House (2016)
• Good Witch Show Season 3 (2017)
• Spellbound (2017)
• Good Witch Show Season 4 (2018)
• Tale of Two Hearts (2018)
• Good Witch Show Season 5 (2019)
• Curse from a Rose (2019)
• Good Witch Show Season 6 (2020)
• Good Witch Show Season 7 (2021)

Now, let’s break down each movie and the TV series, so you know what you’re getting into, and where you can find it on streaming services like Hallmark+, Fubo, and more!

1. The Good Witch (2008)

The Good Witch is where it all begins. We meet Cassie Nightingale, a woman who moves into a haunted-looking mansion, Grey House, in Middleton, and immediately becomes a source of fascination (and suspicion) for the town—partly because of her intuition and partly because she’s a bit too perceptive for everyone’s comfort. The Good Witch does cozy mystery perfectly; it’s whimsical and slow-paced, so if you’re coming in expecting big fantasy or supernatural elements, then you might find the entire franchise understated. But that’s what I love about it. 

Compared to later titles (especially the more romantic sequels), the first movie is mysterious and guarded, before it softens Cassie into a more open and real character, which I think works in its favor. The Good Witch might be the strongest entry in the franchise, because it feels the most magical without trying too hard. So for anyone who loves small-town mysteries and antagonists who are cartoonishly suspicious of any woman with a functioning personality, then you’re in the right place (and I checked, you can’t book Grey House as a B&B, I’m sorry!)

2. The Good Witch’s Garden (2009)

The Good Witch’s Garden expands Cassie’s emotional world. Cassie is now more settled in Middleton, and the film starts unfolding the romantic side of things with her relationship with Jake (her love interest) deepening, along with increased character interactions (which is needed, because in the first film the secondary characters felt more like concepts rather than people.) If you enjoy a gentle romance way more than romance involving grand speeches or fireworks, you’ll like the sequel. 

Like the first film, the drama is a bit low-stakes, so you won’t find any major plot twists here (but with a new film comes a new antagonist who brings conflict to the town, which I think they should have explored a bit more.) According to me, if the first film was a trial run for you, then Garden is where you’ll decide if the franchise is for you or not (I’d still suggest sticking with it if you’re someone who likes character-driven storytelling.) Sure, the antagonist’s arc wraps up pretty quickly, but if you enjoyed the emotional comfort of Chesapeake Shores, then Garden will scratch the same itch.

3. The Good Witch’s Gift (2010)

Of course, a franchise can’t be considered complete if there isn’t a seasonal instalment! The Good Witch’s Gift is set around Christmas, and leans into themes of family, forgiveness, and second chances (you know, all the good stuff!) Cassie tries to plan a Christmas Eve wedding, but chaos ensues, as expected. I felt Gift is the most emotionally accessible title in the franchise because of how Cassie gently nudges people towards growth without overstepping her boundaries, proving that her presence is changing people in a subtle way. 

Gift is an ideal choice to watch as a standalone around the holidays because of the vibes it brings (and the ‘conflict’ in this movie is basically a misunderstanding.) Where Garden was about setting up the romance between Cassie and Jake, Gift solidifies it and highlights the arcs of some other characters as well (all plot lines are treated with equal importance in this film, which I appreciated.) If you like cozy seasonal storytelling, with it being emotional but not overly sentimental, then The Good Witch’s Gift is an easy watch (and rewatch!)

4. The Good Witch’s Family (2011)

This one is for drama lovers (it’s me, I’m the drama lover) where new family members with maybe-not-so-great intentions show up. The Good Witch’s Family now shifts the focus to Cassie in her new role as a wife to Jake, and a stepmother to Jake’s kids, Brandon and Lori. But just when you think things are settling down into a routine within their new family, we’re introduced to the chaos storm that is Abigail, Cassie’s long-lost cousin. To be frank, I think Family is the most fun movie to watch as a viewer (as I mentioned before, I thrive on drama.) 

The franchise thus far was feeling a bit too goody-goody to me, and Abigail brings the spice the series desperately needed. Family commits to tension between the characters in a way where you’re not really sure if Abigail is lending a hand or is making things worse. It still holds up as the edgiest title of all the films, relatively speaking (I mean, it’s still Hallmark, not HBO.) Family channels Once Upon a Time’s energy from the early seasons, with small towns and mysterious family members. Honestly, Abigail should’ve had her own spinoff, perhaps titled The Better Witch? (Please don’t tell Cassie!)

5. The Good Witch’s Charm (2012)

If you’ve thought that Cassie’s life is going a bit too smoothly (barring Abigail’s visit, of course) and want her to have a (lovingly!) rough week, then The Good Witch’s Charm delivers. A new job? Check. A new baby? Check. And an estranged mother returning without warning? CHECK. Charm portrays Cassie stressed and frazzled, with a “too much to do, too little time” sentiment (something we’ve all been through, I’m sure.) For once, she isn’t effortlessly gliding through problems, and this leans into her humanity. Just like in shows like Gilmore Girls, we learn a bit more about Cassie’s past and her struggle to reconcile her past relationship with her foster mother to her present (it’s very Emily-and-Lorelai-esque.) I’m unable to decide if I liked the “investigative journalist” subplot or not, as the tension is mild. As always, the resolution is predictable, but I think adding another feather in Cassie’s already overwhelmed cap was a smart move, as it makes her seem more relatable than she was in the other movies (I honestly think she should be messy more often.) If you like movies that give out peak “Sunday afternoon movie” energy, like Autumn In The Vineyard, then you’ll enjoy The Good Witch’s Charm.

6. The Good Witch’s Destiny (2013)

If you love Merriwick lore and have been intrigued about Cassie’s roots, then The Good Witch’s Destiny is crafted for you. It’s way more lore-heavy than previous entries, and dives into family history and ominous vibes (but, and I say this with love, no one would lose their sleep over the ‘scares’ in the film.) The film could be considered Halloween adjacent and is for viewers who enjoy a mystical atmosphere without being morbid, or awaiting a jump scare in every other scene. 

Destiny is tonally closest to Family, just because they’re both not as “happy-go-lucky” as the other titles. I have to admit, Cassie’s birthday curse storyline was interesting, though I was frustrated by how some of the characters were acting towards her (you’ll know what I mean when you watch it.) The ending was a bit too neatly wrapped; seriously, it felt as though the twist ended before it could really mature into something, but all in all, if you enjoy watching movies about prophecies and revelations about family, you’ll have fun watching this movie. 

7. The Good Witch’s Wonder (2014)

If you’ve made it this far, it’s clear that you’re ready to live in Middleton long-term. The Good Witch’s Wonder is the swan song of the movie era, with Cassie facing a new challenge, this time involving wedding planning, misunderstandings, and a newcomer harboring secrets (at this point, it’s just a classic Middleton Wednesday!) The comfort factor is dialed up a notch; it knows it’s the final movie, and goes into the “one last cozy ride” vibe in full throttle. Compared to the first movie, Wonder has let its characters grow with it emotionally, and has solidified Cassie as the epicentre of the community from an outsider who everyone looked at with a side eye. 

Wonder is for the viewers who appreciate closure after having been invested in Cassie’s life for 6 years. This film acts like a bridge between the movies and the upcoming TV series, and can be considered as the perfect launchpad or stopping point (depending on if you’re fatigued yet or not.) If you’re not quite ready to leave Middleton behind, you still have 7 seasons to go through, so no shedding tears or goodbyes yet! For anyone who has stuck with the films from the beginning, The Good Witch’s Wonder will feel like coming home. 

8. The Good Witch TV Series: Seasons 1-7 (2015-2021)

Aaaand we’re back! Cassie returns in the Good Witch (TV Series), and this time she’s newly widowed (I know, I can’t believe Jake’s dead!) and living with her now-teenage daughter Grace. Because of its long-form storytelling and episodic format, the series is truly able to build up character arcs and deepen relationships in a way the movies weren’t able to (but they did their best, and that counts for something!) Spanning 7 seasons from 2015 to 2021, the series transforms Middleton into a fully lived-in world, with new neighbors—and love interests!—being introduced, but with the same community and family problem-solving formula that made the films so beloved (and, just as a cherry on top of the cake, Abigail from The Good Witch’s Family is back! She genuinely gives the show its flair.) Some fans didn’t like the ending, and thought it deserved a couple more episodes for better closure, and they wouldn’t be totally wrong. The show is ideal for viewers who value warmth, character-driven storytelling, and slow-burn romance, all provided on a low-stakes, low-stress silver platter. Anyone who enjoyed the emotionally rewarding storyline of Hart of Dixie, will enjoy the Good Witch show. 

Luca Guadagnino has captivated audiences with his deeply personal, intimate, and sensual filmmaking. Unapologetically provocative and delving deep into complex and sometimes even taboo topics, like cannibalism, few movies are as engaging and polarizing in modern Hollywood. 

Most recently, Guadagnino’s divisive new movie, After the Hunt (2025), premiered on Prime Video, drawing new audiences to the filmmaker. If you’re interested in delving further into his filmography, you can use our guide to find out where you can watch all Luca Guadagnino movies, ranked to the best, on Prime Video, Mubi, MGM+, and more.

10. The Protagonists (1999)

The Protagonists is Guadagnino’s feature film debut, which follows a film crew as they document the 1994 homicide case of Mohamed El-Sayed (Andrew Tiernan). It’s an interesting film-within-a-film story and utilizes a more unconventional format than most of Guadagnino’s movies. I enjoyed the meta elements and found it impressive that, back in 1999, Guadagnino was already exploring society’s problematic attitude toward true crime.

At the same time, The Protagonists struggle to evade becoming what it warns about. The strange film-within-a-film premise and choppy recreations of a terrible actual crime case don’t say anything profound about it. The format and ambiguity are also quite confusing, resulting in The Protagonists taking last place on this list.

9. After the Hunt (2025)

After the Hunt is a psychological thriller that centers on Alma (Julia Roberts), a Yale professor who finds herself caught in the middle when her student, Maggie (Ayo Edebiri), accuses Alma’s colleague, Hank (Andrew Garfield), of sexual assault. Like most of Guadagnino’s films, After the Hunt contains powerful performances and big ideas. Roberts, especially, dazzles with a quiet but sharp performance, while the increasingly complex web of “he said, she said” keeps viewers intrigued in this talk-heavy drama.

After the Hunt parallels movies like Promising Young Woman (2020) and Luckiest Girl Alive (2022) in terms of its themes, though it maintains a higher level of ambiguity. Even though After the Hunt tackles interesting ideas, its execution is a little shaky. The film is overly long and struggles to say something significant about its topic, preventing it from ranking higher on this list.

8. Melissa P. (2005)

Melissa P. is Guadagnino’s second feature film and tells the story of the titular protagonist (María Valverde), who begins exploring her sexuality while juggling a turbulent relationship with her mother. The film is as erotic and provocative as customary for Guadagnino. It also features his common coming-of-age topics and exploration of complex relationships and sexual awakening. However, it’s even darker than most of his films, as Melissa P. explores human cruelty and sexual predators.

Although the darker subject matter may not appeal to everyone, Melissa P. still reminded me of other well-received movies, such as A24’s Anora (2024) and Eighth Grade (2018). It’s a difficult watch, but there are elements of hope, nonetheless, and a realism that comes from viewing the coming-of-age experience from a teenage girl’s perspective. 

7. A Bigger Splash (2015)

A Bigger Splash is a psychological drama that follows rock singer Marianne Lane (Tilda Swinton) and her husband, Paul (Matthias Schoenaerts), whose vacation in Italy takes an unexpected turn when they run into Marianne’s former lover, Harry Hawkes (Ralph Fiennes). It’s an intriguing drama with complex relationships and unexpectedly dark narrative twists. Although A Bigger Splash begins as a soapy drama, the plot twists keep it fascinating and add layers of depth and ambiguity.

A Bigger Splash reminds me most of Guadagnino’s other works, Call Me By Your Name (2017) and Bones and All (2022). It boasts the same dreamy, hazy summer-vacation vibes as Call Me By Your Name, thanks to its idyllic Italian setting, while the dark plot twists are reminiscent of Bones and All. However, the ambiguity of the plot means it’s the type of movie you may not get a lot from on the first watch, but that offers a new interpretation with every subsequent watch.

6. Suspiria (2018)

Suspiria is Guadagnino’s remake of the 1977 horror film of the same name and centers on Susie Bannion (Dakota Johnson), a young ballerina who begins studying at a prestigious dance academy in Germany and becomes suspicious of its mysteries and odd phenomena. The film accomplishes a difficult task of holding up well against the original. By offering additional plot elements and elevating the brutality, it feels almost like its own project.

Suspiria also shines because of its strong performances, especially Tilda Swinton, who portrays multiple characters throughout and essentially carries the movie. Dark and disturbing with intriguing feminist themes, Suspiria is a thoughtful horror movie. It’s a great film if you enjoy thought-provoking, slow-burning horror like Climax (2018) and Black Swan (2010), though you may be disappointed if you’re looking for more conventional horror. 

5. Bones and All (2022)

Bones and All tells the story of two young cannibals, Maren (Taylor Russell) and Lee (Timothée Chalamet), who form a connection while drifting and struggling to make sense of their pasts. Between its mature subject matter and grisly body horror, Bones and All isn’t an easy film to stomach. However, those who enjoy or are ambivalent to body horror will find it’s also a very rewarding and complex coming-of-age romance.

Russell and Chalamet shine as young lovers, navigating a world where they don’t quite fit in. The cannibalism is a little less jarring when one recognizes it can be seen as a metaphor for many things, including substance abuse or trauma. While the extreme nature of its horror prevents it from ranking higher on this list, Bones and All is still an excellent coming-of-age horror-esque tale reminiscent of Raw (2016) and Only Lovers Left Alive (2013).

4. Queer (2024)

Queer follows William Lee (Daniel Craig), an American immigrant in Mexico City in the 1950s, who finds himself falling for a young G.I., Eugene (Drew Starkey). The film strongly parallels Call Me By Your Name, evoking the same dreamlike atmosphere and telling a hauntingly beautiful, intimate tale of love and yearning. However, Queer also seems to adopt a darker, perhaps more realistic, lens.

Whereas Call Me By Your Name is a dreamy, summer romance, Queer centers on two men struggling to subdue their sexuality and desires. There’s a haunted and dark feel to it, though the visuals are gorgeous and Craig’s performance as the desperate Lee is mesmerizing. Like many of Guadagnino’s films, it paints an intriguing portrait of human loneliness and the search for connection.

3. I Am Love (2010)

I Am Love centers on Emma Recchi (Swinton), who begins a whirlwind love affair with a chef. At the same time, her husband and children grow increasingly divided over an inheritance issue involving their paternal grandfather. The film reminds me a bit more of Melissa P. and A Bigger Splash, due to its gorgeous visuals, cinematography, and feminist themes. In addition to its romance tale, it’s a thoughtful family saga and exploration of one woman’s journey to self-discovery.

I Am Love is also the kind of movie that one can rewatch and discover something new about each time, including opening one’s eyes further to the gravity of Emma’s situation. The movie is passionate, visually pleasing, and thought-provoking. However, its relatively standard “trapped/bored housewife” trope prevents it from reaching the heights of the best Guadagnino movies on this list. Still, I Am Love is an excellent watch for fans of A Bigger Splash and Babygirl (2024).

2. Challengers (2024)

Challengers tells the story of tennis coach and former tennis champion, Tashi (Zendaya), as she coaches her husband, Art (Mike Faist), through a Challenger event, where he’ll face off against her ex-boyfriend, Patrick (Josh O’Connor). You’ll never realize just how interesting tennis can be until you watch Challengers. While the central love triangle is one of the biggest draws, the impeccably choreographed, intense, sweaty, and intimate tennis matches throughout keep the pace and adrenaline running high.

Despite the love triangle element, Challengers doesn’t feel like a romance movie. Instead, it plays out more like a psychological thriller, as viewers explore the manipulation, attraction, and betrayal among three people over thirteen years. As a result, it feels a little different and more refreshing than the typical romance drama. It’s a must-see for viewers who enjoy complex romances, such as those in May December (2023) and Shiva Baby (2021).

1. Call Me By Your Name (2017)

Call Me By Your Name is a romance film in which 17-year-old Elio (Chalamet) finds himself increasingly drawn to Oliver (Armie Hammer), the 24-year-old graduate student living with the Pearlmans for the summer. The film is an achingly beautiful and authentic depiction of first love. It captures both the intensity and yearning, as well as the innocence and wholesomeness of true love.

What really makes Call Me By Your Name so appealing is that its themes and depictions of love resonate with a universal appeal. Although it’s a love story between two men, it’s told with such empathy and beauty that many viewers can see themselves reflected in its themes of love and heartbreak, regardless of their sexuality. Call Me By Your Name combines the strengths of all of Guadagnino’s best movies, boasting the authenticity of Queer but with the aesthetics of I Am Love and the passion of Challengers, making it his best film. 

MTV may have reinvented itself more times than most of us have changed hairstyles. But its most iconic shows have a staying power that's hard to match. Before streaming shaped what we watch and how we watch it, MTV was the place where young people discovered new music and new trends. And yes, it also gave us a handful of genre-defining shows that walked so the rest of modern pop culture could run. What's fun about revisiting MTV programming today is how different the context feels.

Shows that once defined pop culture now feel like time capsules or a familiar echo in an empty room. Reality TV still follows the blueprint MTV drafted. Music documentaries still chase the intimacy MTV Unplugged (1989) perfected. And scripted teen dramas still borrow the essence of series like Teen Wolf (2011). With several MTV classics finding new digital homes on Paramount+, Prime Video, and more, this is the perfect moment to rediscover (or finally catch up on) the best the network created.

MTV Unplugged (1989-Present)

MTV Unplugged was a special musical experience in which major artists were invited to perform stripped-down acoustic sets. Bands performed intimate renditions of their biggest hits, which occasionally redefined their entire careers. Performers have included Oasis, Bob Dylan, Alicia Keys, Pearl Jam, and Jay-Z. No other music series has captured music history in such a raw, documentary-like format.

Some of the most famous live shows ever recorded happened on the MTV Unplugged series, making it the perfect pick for concert-goers and anyone who enjoys music in its rawest form. Not every installment is a masterpiece, but the great ones transcend time. Even today, the Nirvana and Mariah Carey sessions remain benchmarks for live performances. 

The Real World (1992-2019)

Long before reality television became a viewing staple, The Real World tossed a group of strangers into a shared apartment and documented the messy reality that comes with being a young adult. Cameras captured everything, from clashes over identity, hookups, heartbreak, and the kind of blow-ups that happen when people from wildly different backgrounds are forced into close proximity. It's impossible to overstate how foundational The Real World is to modern television.

It shaped the language and structure of unscripted storytelling before "reality show" even existed as a category. It's perfect for anyone who loves social-experiment shows, viewers who are curious about early millennial culture, and fans of Love Island (2019) who want to see where the formula started. Opinions expressed by the cast reflect the decade they came from. But that's part of its value.

The Osbournes (2002-2005)

The Osbournes gave the world an inside look at heavy-metal legend Ozzy Osbourne, his wife Sharon, and children Kelly and Jack, long before celebrity reality shows became a proper thing. Their Beverly Hills home became ground zero for some of reality TV's most unforgettable moments as they balanced ordinary home life with fame. Across four seasons, the show humanized the rock icon while simultaneously exposing the absurdity of celebrity life.

Some moments feel over the top, but the emotional honesty (especially Ozzy's vulnerability) gives the show a surprising amount of depth. It's messy, loud, and sometimes insensitive by today's standards, but that authenticity is what made it iconic. It's perfect for fans of rock history, outrageous family dynamics, and the early 2000s era of reality television, especially since it paved the way for Keeping Up with the Kardashians (2007).

Punk'd (2003-2015)

Hosted by Ashton Kutcher in its original and most famous run, Punk'd inflicted pranks on unsuspecting celebrities, capturing unrehearsed reactions from stars like Justin Timberlake, Beyoncé, and Drake. When it premiered, the show redefined what celebrity entertainment could be. It flipped the power dynamic of fame, letting everyday viewers see panic, outrage, and disbelief from people normally surrounded by handlers and PR filters.

Some pranks land flawlessly, while others feel a touch mean-spirited by 2025 standards. But the show's cultural significance is undeniable, especially in its early seasons when the concept felt fresh and chaotic in the best way. Anyone who enjoys prank shows, early-2000s pop culture, or celebrity reality content with a comedic twist will love Punk'd. 

The Hills (2006-2010)

The Hills follows Lauren Conrad, Heidi Montag, Audrina Patridge, and Whitney Port as they chase careers, chase dreams, and sometimes chase each other out of their lives while living in Los Angeles. What begins as a post-high-school adventure quickly morphs into an LA fairy tale with sharp edges. Few series better capture the glossy escapism of late-2000s reality storytelling like this Laguna Beach: The Real Orange County (2004) spin-off.

The Hills perfected that "scripted but not scripted" vibe that came to dominate lifestyle-centric shows for years. Watching it now is like revisiting an era of oversized sunglasses, emotionally vague boyfriends, and impossible rent prices. It's ideal for fans of comfort-drama reality shows, anyone who loves the early influencer aesthetic, or viewers looking for an easy binge with maximal nostalgia.

Teen Wolf (2011-2017)

Teen Wolf begins when shy high-schooler Scott McCall (Tyler Posey) is bitten by a mysterious creature and eventually discovers that he's become a werewolf. His transformation upends his life and forces him into a supernatural world filled with hunters, rival creatures, and impossible moral choices. Alongside best friend Stiles Stilinski (Dylan O'Brien) and love interest Allison Argent (Crystal Reed), Scott must balance homework with saving the world.

Teen Wolf expertly mixed supernatural mythology with surprisingly engrossing emotional arcs. It's equal parts scary, romantic, and earnest, a combination MTV hadn't attempted on this scale before. The show ran for six seasons and continued the story in Teen Wolf: The Movie in 2023. It's a must for viewers who enjoy coming-of-age fantasy, supernatural romance, and serialized drama with teen-adventure vibes like Buffy the Vampire Slayer (1997). 

Scream (2015-2019)

Inspired by the Wes Craven films, the first two seasons of the Scream series follow Emma Duval (Willa Fitzgerald) as a masked killer terrorizes her small town, exposing secrets and pushing her friend group into paranoia. Scream cleverly modernizes the franchise for a digital-age audience. Social media, bullying, and online anonymity become part of the horror, making the scares feel unsettlingly contemporary.

Scream Season 3 follows football star Deion Elliot (RJ Cyler). He is tormented by Ghostface, who uses his darkest secrets and tragic past against him, while going on a killing spree. The show is super fun and a lot more emotionally resonant than you'd expect from an adaptation of such a popular film series. It's ideal for slasher fans, teen-drama enthusiasts, or anyone who enjoys horror. It's also a fun companion piece for fans of the original movies.

The tail end of the year is usually one of the most exciting times in the world of film. Not only are many movies that received accolades at film festivals beginning to be released, but several of them are racking up nominations at prestigious awards ceremonies. Just this past week, the Golden Globes revealed its nominations, and while several of the films that received multiple nominations were expected, one movie took many cinephiles by surprise. That film was Joachim Trier’s Sentimental Value (2025).

Despite being in limited release and not premiering on a streaming platform like Netflix, Sentimental Value was nominated for eight separate Golden Globes, including Best Motion Picture - Drama. For comparison’s sake, the only other film to snag more nominations is Paul Thomas Anderson’s One Battle After Another (2025). To make things more interesting, the Golden Globes are oftentimes a major indicator of which films will be nominated for the Oscars, so Sentimental Value’s surprisingly strong performance makes it a dark horse this awards season. If you haven’t heard of this film before, here’s everything you need to know about Sentimental Value, including whether or not you should see it. 

What Is The Plot Of ‘Sentimental Value’?

Sentimental Value primarily follows Nora Borg (Renate Reinsve) as her father, Gustav (Stellan Skarsgård), re-enters her life after years of separation. It’s not an emotional reunion, mostly because Gustav abandoned Nora and her sister to pursue his career as a movie director. His career was successful, but Nora grew to resent him, even as she began to take up acting. Now, as an adult, Gustav reaches out to her in the wake of his ex-wife’s and Nora’s mom’s death to ask Nora to star in his latest film, one based on his own childhood, where Nora plays his mom.

While the film is mostly from Nora’s perspective, Sentimental Value also shifts frequently to Gustav as he attempts to make what he intends to be his final film. In those moments, the film becomes a story about an aging director trying to create art on his terms and the difficulties of doing so. We see how he tries to acquire funding, a distributor for his film, and the compromises he makes along the way, including recasting his daughter with a popular American actress, played by Elle Fanning. Sentimental Value doesn’t shy away from the complex emotional realities of both characters, though, as they use this experience to at least attempt to understand where the other is coming from.

Who Is Joachim Trier, And What Other Films Has He Directed?

If you’ve never heard of Sentimental Value’s director, Joachim Trier, before, don’t feel bad. After all, unless you live in Norway, there’s a very good chance he wouldn’t have been on your radar. Trier began directing films in 2006 with his debut film, Reprise. It garnered positive critical buzz and set a precedent for him for years to come. 

While Sentimental Value was shortlisted for Norway’s submission for the Academy Awards’ International Feature category, some of Trier’s other films got pretty close, like his sophomore outing, Oslo, August 31st (2011), and Thelma (2017). However, everything changed with The Worst Person in the World (2021). That film went on to win critical acclaim both in Norway and was nominated in two categories at the 94th Academy Awards, Best International Feature Film and Best Original Screenplay. It would lose to Drive My Car (2021) and Belfast (2021), respectively, but it would later be considered one of the best films of the 21st century, at least according to the New York Times.

Where You Know The Cast Of ‘Sentimental Value’ From

While you may assume that you wouldn’t know any of the cast from Sentimental Value, considering it a foreign movie, that couldn’t be further from the truth. Many of the actors involved are not only good, but they’re some of the best in the business. 

Take Renate Reinsve, for example. She previously collaborated with Trier on The Worst Person in the World, in which she played the lead, Julie, earning her numerous accolades. Even if you have never seen a film from Norway before, she made her Western debut in A Different Man (2024) as Ingrid, starring opposite Sebastian Stan.

As for Stellan Skarsgård, patriarch of the Skarsgård family, most moviegoers will probably recognize him as the imposing and manipulative Lord Harkonnen from Dune (2021) or as Bill from Mamma Mia! (2008). Elle Fanning most recently appeared in dual roles in Predator: Badlands (2025), but also showed her acting chops in A Complete Unknown (2024) and The Neon Demon (2016).

Why You Should Watch ‘Sentimental Value’

Sentimental Value, like The Worst Person in the World, is a very emotional, vulnerable movie that feels both grounded and authentic. It’s not melodramatic in the slightest. Instead, it’s a movie for people who simply want to see a realistic and believable familial drama. 

The film doesn’t paint any of its characters as good guys or bad guys, but humans with their own flaws. It’s probably one of the better examples in recent years of a dysfunctional father-daughter relationship, hitting a lot of the same beats as Aftersun (2022), but without leaving you horribly depressed and hollow after viewing it.

Even if you can’t necessarily relate to the familial dynamic in Sentimental Value, it’s also just a great movie about an aging director trying to go out on his own terms, but can’t because of the restrictions of the modern movie-making landscape. At first, it’s small concessions, but it slowly progresses to the point where he deludes himself into thinking the film he’s making is still his original vision and not a pale imitation of its former self. Either way, Sentimental Value is just a well-made and thought-provoking movie, and it’s no wonder it earned as many Golden Globe nominations as it did. 

While TV shows like Better Call Saul (2015) and Succession (2018) are revered for their season finales, other series have the opposite legacy. Despite starting strong, the shows on this list stumbled in their final seasons, creating glaring divides in their fandoms. In most cases, one (or two) bad seasons doesn't spoil an entire series, but it can certainly break your heart. 

With Stranger Things (2016) already creating controversy and division mid-way through its long-awaited final season, it's the perfect excuse to look back on some of the most divisive final seasons in TV history. If you're here to relive the pain, that's one thing. However, don't let a questionable finale completely put you off a first-time watch. Instead, boot up Hulu, HBO Max, and other streamers to watch these series for yourself and form your own opinion.

The X-Files (1993-2018)

The X-Files is a landmark series and '90s staple that popularized so many of the tropes you see on TV now. While it's most definitely worth watching, temper your expectations when you hit Season 9, the final season of the original run. Really, The X-Files' issues began before that in Season 8 when David Duchovny left the series, resulting in Mulder's absence from the vast majority of the show's last two seasons. Couple that with a confusing, convoluted mythology, and it's a recipe for disaster.

Scully and Mulder's dynamic makes the show, so not having them on-screen together feels like a cardinal sin. While The X-Files' final episode gives them a pretty satisfying reunion and poetic happy ending, it's not enough to save Season 9 as a whole. That said, The X-Files is an addictive, intriguing watch for seven solid seasons. Plus, its "Monster of the Week" format makes it easy enough to jump into whenever (just don't skip the pilot).

The Sopranos (1999-2007)

The Sopranos is a bit of a mixed bag because its final season isn't terrible. In fact, it's quite good. Maybe you could complain about its slightly slower pace, but really, The Sopranos remains a masterpiece of television. However, the final episode is largely notorious for dividing audiences, with most feeling that the ambiguous cut-to-black ending tainted the final season's build-up and impact.

Personally, I favor ambiguity, although in this case, I'd argue there are enough clues to reach a pretty solid conclusion about Tony's fate (and it's not pleasant). I can totally understand why so many viewers felt unsatisfied. Still, The Sopranos is well worth the watch—last season and all. If you like gangster settings and complex characters, you're in for a real treat. James Gandolfini delivers one of the best performances of his career, and one of the best performances to ever grace the small screen in general.

Gilmore Girls (2000-2007)

While the Gilmore Girls revival didn't exactly knock the socks off fans with its ending, the final season of the original run might sting even harder. With creator Amy Sherman-Palladino exiting the series in Season 6, Gilmore Girls' seventh and final season suffered. You know when something feels "off," well, that's pretty much what happened here. Lorelai's marriage to Christoper has this rushed vibe to it, while Rory ends up not choosing anyone, leaving her ending somewhat ambiguous and incomplete.

Some people call Season 7 "lazy," but again, it really depends on who you ask. It might have some weak points, but overall, it still retains the heartwarming aura that makes Gilmore Girls so enduring. If you're looking for your new comfort show, this might be it, especially if you adore the softer edges of dramas like Hart of Dixie (2011) or New Girl (2011).

Lost (2004-2010)

Similar to The X-Files, Lost got a little lost (you see what I did there?) in its mythology. Across its six seasons, the series grew from a survival drama to a full-blown sci-fi adventure, complete with the mysterious, supernatural entity dubbed The Smoke Monster and a whole lot of other weird stuff. As a result, a lot of questions were raised that didn't exactly get answers. Understandably, that created frustration for some. Cap it off with Lost's infamous final episode, which (spoiler!) involves a purgatory reveal, and you're almost left hollow.

Did you spend six seasons wasting your time? Well, that depends on how you interpret that ending and your tolerance for lingering plot points. Lost's final season (and final episode) certainly has its supporters, and as one of the greatest TV shows of all time, it's still worth watching if you like character-driven stories and genre mash-ups.

How I Met Your Mother (2005-2014)

How I Met Your Mother's final season was a major disappointment, with (spoiler!) the titular mother, Tracy, dying and Ted and Robin's second-chance romance feeling entirely rushed and kind of… sleazy as a result. Like so many entries on this list, the last season crammed too much into too little, which hurt what should've been such a tremendous emotional payoff after nine seasons of building.

If you want to point fingers, blame the pre-filmed ending originally intended to air in Season 7. Instead, the story continued, forcing HIMYM writers to write around it, which is never an easy thing to do. While the complete series DVD included an alternate ending, it couldn't erase past sins. It sounds bad, and it is bad. However, if you want a relatable, relatively lighthearted sitcom to get lost in, HIMYM is still a comfort watch for so many—horrible last season and all.

Game of Thrones (2011-2019)

There's good TV, and then there's TV so great that it literally changes the pop culture landscape. Game of Thrones falls into the latter category, with gritty, fantasy storytelling so phenomenal that butts dropped on couches every Sunday night to see who would sit on Westeros' coveted Iron Throne. Unfortunately, the excitement started to crumble in Season 8 (and probably even before that, depending on who you ask). Rushed pacing played a big role in Game of Thrones' downfall, with not enough care or time devoted to tying up storylines and making character development feel earned or even make sense in the first place (talking about you, Daenerys).

What's so difficult to forgive here is that Game of Thrones, from its very first episode, establishes a long-spanning plot. It's meant to build and build and build, until the "Winter" is dealt with and the Iron Throne gets a rightful contender. Too bad we never really get either. It is disappointing for sure. However, I still rank Game of Thrones among the best TV series ever made. If you're a fan of The Lord of the Rings or fantasy in general, you'll devour this, even if it doesn't stick the landing.

Hannibal (2013-2015)

As someone who has read Thomas Harris' Hannibal series, the Hannibal Lecter-centered universe, in my opinion, fumbled its ending. Personally, I'd also argue the TV series, Hannibal, did, too. Season 3 has a plethora of defenders, but many of us found it… boring. Some of that likely has to do with the show's shift from procedural to an arthouse drama that feels like someone brought David Lynch on to direct. If you don't mind slow-burn, almost meandering stories, then maybe Season 3 won't bother you. However, the sudden change in style and pacing is pretty jarring.

To be fair, Hannibal's abrupt cancellation also resulted in issues. However, all those loose plot threads and infamous cliffhanger ending weren't exactly in the show's control. Despite all that, I still recommend Hannibal to anyone looking for psychologically challenging television. A little like Mindhunter (2017) or The Sinner (2017) in vibes but with the characters you know and love from The Silence of the Lambs (1991) and other Thomas Harris stories, Hannibal is darkly intriguing and beautiful. 

“Dad Movies” are a unique subgenre that make for perfectly cozy epics. The quintessential Dad Movie can be found on something like TNT at 2:00 PM on a Saturday, a movie with enough inspirational elements, clever action, and bittersweet emotion to make even the burliest guy soften up. Historical epics, lone wolf thrillers, and sports movies are often considered the bread and butter of this genre, and for good reason.

With the likes of Rear Window (1954), National Lampoon’s Vacation (1983), Old School (2003), and Top Gun: Maverick (2022) often held up as great entries in this subgenre, others appeal to that simple joy of tucking into the right kind of movie on a couch, kicking your feet up, and diving into the specific but varied tone of a Dad Movie. Here are the best 10 Dad Movies and where you can check them out on Tubi, Netflix, HBO Max, and more.

Gladiator (2000)

One of the best ever examples of a pinnacle Dad Movie, Gladiator has a lot of the key ingredients that make up this subgenre. The historical epic, directed by Ridley Scott, focuses on a Roman battlefield commander who is betrayed by his new Emperor. Russell Crowe is pitch-perfect as the aggrieved warrior, whose anger over the loss of his family translates into a dogged and furious quest for revenge.

The film’s period setting during the height of the Roman Empire will also appeal to the inner history buff, with a fun mix of invented concepts and accurate historical recreation. Topped off with a quietly subversive undercutting of the dramatic final battle trope, Gladiator will hit that parental spot in your heart just right, and it makes for a crowd-pleaser that other similar films like Troy (2004) and Gladiator II (2024)  aim for but can’t quite reach.

Master and Commander: The Far Side Of The World (2003)

Another historical epic starring Russell Crowe, the seafaring epic Master and Commander: The Far Side of the World is a slower, more meticulous approach to the concept of a good Dad Movie. The globetrotting adventures of the crew of HMS Surprise serve as a surprisingly effective contrast to Ridley Scott’s Napoleon (2023), showcasing the efforts of other nations to contend with the French military’s expansive and aggressive push to control Europe.

At times, taking on elements of Moby Dick (1956)  in its themes about dogged and sometimes even reckless ambition, the historical setting (brought to stunning life thanks to its Oscar-winning cinematography), and the underlying camaraderie of brothers in arms at the heart of the film make it a terrific lazy afternoon epic. Master and Commander might not be the most action-packed historical movie, but it’s a bittersweet and effective one.

The Fugitive (1993)

Harrison Ford is one of the quintessential Dad Movie stars, and The Fugitive might be one of the best examples of his charisma and star power. An adaptation of the TV show of the same name, The Fugitive follows Ford’s Dr. Kimble as he tries to avoid arrest for a murder he didn’t commit. An expansive thriller that rewards crafty wit over blunt violence, The Fugitive is a great thriller that appeals to the Dad Movie’s tendency to pit a single man against a world out to get him.

What makes this film especially effective is the chief antagonist, Samuel Gerard, a committed US Marshall who isn’t a villain but will bring Kimble to justice. Fans of this movie should also check out U.S. Marshals (1998) for the return of Tommy Lee Jones’ Gerard, or check out Ford’s other great Dad Movies like Witness (1985) and Air Force One (1997).

The Blues Brothers (1980)

Delightfully deadpan and frequently wacky, The Blues Brothers is the ultimate musical Dad Movie. John Belushi and Dan Aykroyd star in the first cinematic Saturday Night Live (1975) adaptation, bringing their titular musicians to the big screen for an adventure to reunite their old band in time to save the orphanage they grew up in.

Filled to the brim with musical interludes by the likes of Cab Calloway, Aretha Franklin, and Ray Charles, the film’s silliest moments have become synonymous with Dad humor for a decade. Alongside other SNL adaptations like Wayne’s World (1992) and Coneheads (1993), The Blues Brothers is a great example of the Dad Movie filtered through the comedy genre. While some elements haven’t aged the best, there’s an undeniable charm to the musical adventure.

Field of Dreams (1989)

Plenty of sports movies can be described as Dad Movies, although none of them quite reach the same emotional heights as Field of Dreams. Kevin Costner, who is also the star of other classic movies in this subgenre, like Bull Durham (1988) and Dances With Wolves (1990), is terrific as a farmer who builds a baseball field in his cornfield for a mysterious purpose he doesn’t quite understand.

Openly emotional about the quiet, often unspoken emotional connection between fathers and their children, Field of Dreams has the same bittersweet emotional core that makes The Shawshank Redemption (1994) and The Green Mile (1999) so effective and memorably heartbreaking. A good blend of the emotional heartwrencher and the feel-good sports story, Field of Dreams is peak Dad Movie.

Indiana Jones and the Last Crusade (1989)

While the whole series probably qualifies for this list, Indiana Jones and the Last Crusade is the best example of the series as a Dad Movie. The third film in the larger Indiana Jones franchise, Last Crusade forces Harrison Ford’s Indy to team up with his father, a crusty but clever archeologist played by Sean Connery.

Years after he became an icon of Dad Movies by playing James Bond in Dr. No (1962) and Goldfinger (1964), Connery is perfectly cast as Indy’s prickly father, especially when they can’t help but bicker. With an adventurous spirit, World War II setting, and a surprisingly strong emotional core as two men wrestle with everything unsaid in their relationship in the face of the unknown and impossible, Last Crusade is a terrific adventure Dad Movie.

Dunkirk (2017)

Plenty of war movies could be accurately described as Dad Movies, but Dunkirk might be the most effective. While The Dirty Dozen (1967), Saving Private Ryan (1998), and Fury (2014) might have their champions, Dunkirk’s fusion of several storylines is what makes it so uniquely compelling. Telling the story of the British evacuation from German-occupied France, the film hops between various characters and their own parts to play in the chaos.

Ranging from intense aerial battles to stirring sea rescues, Dunkirk is awe-inspiring in its depiction of the event, all without ever losing the human core of the concept that makes the story so inspirational decades later. One of Christopher Nolan’s most technically impressive films, Dunkirk is a must-watch for anyone who loved Band of Brothers (2001).

Miracle (2004)

An inspirational sports story like Miracle is perfect fodder for Dad Movies, as it speaks to the sort of dogged determination that the subgenre often embodies. Miracle adapts the story of the 1980 American hockey team, which pulled off one of the greatest upsets in Olympic history by defeating the favored Russian team. With a similar emotional arc to Rudy (1993) and a fun US vs. USSR element that can also be found in Rocky IV (1985), Miracle borders on schmaltzy but retains just enough grounded grit thanks to performances from stars like Kurt Russell.

If you want your sports films gritty, this isn’t the movie for you. However, anyone who loves an emotionally stirring and effectively staged drama will find that Miracle is a great example of why sports movies are perfect for this subgenre.

Blazing Saddles (1974)

Westerns are a staple of the Dad Movie, and one of the best, Blazing Saddles, also happens to be the funniest. The brainchild of Mel Brooks, Blazing Saddles is a satirical, cutting, and uproariously silly film that is never afraid to rip into prejudice. Focusing on a suave Black sheriff forced to protect a town that doesn’t want him around, Blazing Saddles has all the elements that make for compelling Westerns like Rio Bravo (1959), but with the goofy wit that makes stuff like Young Frankenstein (1974) so good.

Bolstered by charming lead performances that never let up on the comedy but also never feel like pure caricature, Blazing Saddles is a great example of the kind of Westerns and comedies that make for good Dad Movies.

Cast Away (2000)

Although he hasn’t been featured yet on this list, Tom Hanks might be the king of Dad Movies, with Cast Away standing out as the best example of his star power. Road to Perdition (2002), Catch Me If You Can (2002), and even his earlier films like Big (1988) and Splash (1984) have the proper mix of cinematic whimsy and existential dread that makes for an ideal Dad Movie. 

Cast Away is the best example, though, a film that only survives because of Hanks’ likability. He overcomes an impossible situation, finds companionship in unlikely places, and is faced with the bittersweet realities of life in short order. Cast Away is a terrific film that takes a simple premise and stretches it out in some seriously effective ways, as any great Dad Movie should. 

Outlander (2014) made headlines when it first began airing on Starz, but there was nothing quite like the reception of Bridgerton (2020) when it first aired at the height of the COVID-19 pandemic as a series that pushed many viewers to pick up the books the Netflix series is based on. And as the genre that's ultimately the reason book sales are booming worldwide, it's still shocking that we don't have nearly as many adaptations as we should.

And respectfully, I'm not talking standard romantic comedies with all white heterosexual leads. I'm talking about inclusive shows, from books written by BIPOC authors, that give us unique, well-rounded stories and joy that also don't end in tragedy for members of the LGBTQ+ community.

Often, when there's critical recognition or even awards hype with love stories, it centers on films like Call Me By Your Name (2017) or shows like Fellow Travelers (2023). And while they're both beautiful in their own right, it's high time shows like Heated Rivalry (2025) remind people that joy and romance are also deeply profound in their narratives. Now playing on Crave and HBO Max, Heated Rivalry is an undeniable triumph in more ways than one.

‘Heated Rivalry’ Is A True Game Changer For LGBTQ+ Romance Adaptations

Based on the romance novels by Rachel Reid, the reception of Heated Rivalry is revolutionary. I haven't seen this much fanfare around a show on social media all year, save for The Pitt (2025), which, in its own way, was a game-changer for medical dramas. The weekly distribution for Heated Rivalry also ensures that fans get online after every episode to deconstruct their favorite parts and geek out with each other, proving that we've been begging for more shows like this, and we'll show up for them. 

And despite the fact that paperback copies have been sold out everywhere, Rachel Reid still hit the New York Times Best Sellers list in the Combined Print and E-Book Fiction category because the demand is all there. Networks and executives often underestimate the sheer power of social media campaigns, and we have proof yet again of all the ways fans and critics are willing to show up. (If I could only write about Heated Rivalry for the rest of the year and onward, I happily would.) 

Again, while there are excellent and joyful LGBTQ+ romances out there like Heartstopper (2022) and Red, White, and Royal Blue (2023), the approach that Jacob Tierney takes with Heated Rivalry allows it to feel cinematic. Visually, tonally, and narratively, it tells a breathtaking story that not only involves one couple but two through a lens that deserves big-screen reception. 

The Layers In ‘Heated Rivalry’ Brilliantly Prove How Nuanced The Romance Genre Is

People love to throw around phrases like "mindless smut" when it comes to the romance genre, but the level of character building that occurs within every page is unlike anything else I've seen. All of this boils down to one vital component that's present in each of them, which is that the romance genre isn't afraid of allowing its characters to be vulnerable. 

Sex and intimacy can, at times, be mindless, sure—and there's nothing wrong with that approach—but more often than not, there are layers to two people getting to know each other through their bodies. Despite the progress we've seemingly made in Hollywood and around the world to break gender norms, toxic masculinity is still very much at large. Kindness and gentleness are often seen as weaknesses, whereas stoicism is revered as a strength. When grief gets tangled with villainy or some sort of dark aftermath, then it's perceived as a profound human emotion in film or TV. 

Yet, where the romance genre is concerned, strength is present in all the quiet moments and loud ones, too. Moving through grief and feeling the pangs of loss are welcomed without someone wanting to burn down the entire world in a nihilistic manner. Characters—whether male, female, or non-binary—aren't punished for crying or feeling frustrated. 

The common ground we all share as human beings is our capacity to love, and no genre explores this with as much detail as romance. Now, here's the thing, sitcoms and dramas often do this, too, and I'm not saying they don't. But there's a frequent misconception, especially with dramas, that if there's a happy ending instead of a tragedy, it'll be too easy—too cliche. Sitcoms often go in the opposite direction, thankfully, but at the same time, they aren't always taken as seriously as dramas. 

It's a double-edged sword as there's a lot of hypocrisy floating around, but everything Heated Rivalry accomplishes proves that people simply aren't looking close enough to decipher how much depth lies in a story that's centered around two people sharing their lives. From the directing to the writing, along with every performance, Heated Rivalry delivers a masterful depiction of how vulnerability and openness that result in joy can consistently initiate heartfelt conversations, all while evoking profound, much-needed hope at a time when it feels like everything else hurts too much. 

Prime Video’s wildly popular superhero satire series, The Boys, will conclude with a fifth and final season, set to premiere on April 8, 2026. Naturally, anticipation is high for the show, which attracted attention through its dark take on superheroes and over-the-top sex and violence. Based on the official teaser trailer, The Boys Season 5 will have quite the intense and shocking conclusion.

However, before diving into The Boys’ epic final season, there is another series you’ll want to watch first. A highly underrated but fantastic show has slowly established its importance in The Boys universe over two seasons, now making it vital to understanding Season 5. If you want to enjoy and understand The Boys Season 5 to the fullest extent, Gen V is a must-see.

How ‘Gen V’ Fits Into ‘The Boys’ Universe

Gen V is a spin-off of The Boys that premiered in 2023. Set in the same universe as The Boys, Gen V centers primarily on the younger generation of superheroes, also known as supes. It centers on Marie Moreau (Jazz Sinclair), a powerful young supe with blood-manipulation abilities who enrolls at Godolkin University, a special college for young adults with superhuman powers. While she quickly climbs the ranks at Godolkin University, she begins to realize that nothing is as it seems after a tragedy.

Not only does Gen V take place in the same universe as The Boys, but it also fits within its timeline: Season 1 occurs between The Boys Seasons 3 and 4, and Season 2 between The Boys Seasons 4 and 5. As a result, it serves as a bridge, filling in the gaps of what happens between seasons of The Boys. Meanwhile, Seasons 1 and 2 featured cameos and guest appearances from many of The Boys’ stars, including Butcher (Karl Urban), Starlight (Erin Moriarty), A-Train (Jessie T. Usher), Tek Knight (Derek Wilson), and Victoria Neuman (Claudia Domnit).

Gen V does an excellent job of filling the gaps in The Boys and exploring interesting story arcs that the main show may not have time for. I especially liked how Gen V expanded on The Boys’ Compound V reveal. While The Boys explored the fallout from supes learning that a higher power didn’t bestow their gifts, Gen V gets into the nitty-gritty of children and teens discovering that their parents chose to inject them with Compound V. It also continues The Boys’ exploration of what superheroes would truly look like in real life by showing the traumatic ways many children come unexpectedly into their powers.

Yes, ‘Gen V’ Is A Must-Watch Before ‘The Boys’ Season 5

Naturally, when Gen V Season 1 premiered before The Boys Season 4, the hottest question was whether you had to watch it first. The answer was slightly more complex back then. While Season 1 introduced a virus storyline that The Boys expanded on extensively, the Gen V characters don’t feature prominently in the season. If you weren’t overly interested in where the virus came from, you could probably get by without Gen V.

However, Gen V Season 2 is a different story. The series centers on Marie and her friends as they become suspicious of Godolkin U’s new dean and whispers of a mysterious “Project Odessa.” I can’t say too much without spoiling it, but let’s just say the cast teams up with an essential The Boys character and learns “Project Odessa” has surprising connotations for Homelander (Antony Starr).

Gen V’s season finale heavily hinted that its characters will play an essential part in The Boys Season 5. Most of the cast have since been confirmed to appear, although the extent of their roles is unknown. Also, The Boys and Gen V creator, Eric Kripke, has been firm about not merging the shows entirely. So the Gen V characters may not appear as much as viewers hope. Still, if you want to get a feel for the high stakes, tense atmosphere, and rumblings of resistance in The Boys universe, you’re going to want to watch Gen V.

‘Gen V’ Is The Perfect Spin-off Of ‘The Boys’

While Gen V is important to The Boys Season 5, you should also watch it because it’s a great show and the perfect spin-off for The Boys’ fans. The series is every bit as bloody, over-the-top, and wild as The Boys, constantly pushing boundaries and dialing up that shock factor. Although the vibes are very similar to The Boys, it also tells its own story. The college premise and the younger cast feel refreshing and intriguing. Of course, Gen V also contains some fan service, and one of the best parts of the series is holding your breath, wondering when another central The Boys character will pop up.

I also found Gen V slightly more relatable than The Boys. All of The Boys’ characters appear morally ambiguous, and most are seeking revenge. However, Gen V is more relatable in its portrayal of college-aged students unfairly drawn into a life they never asked for, yet still choose to do the right thing. They’re surprisingly easy to empathize with, and the premise gives Gen V a coming-of-age feel that The Boys doesn’t have.

The Boys is gritty through and through, but if you’re looking for a show that somehow manages to pull off similar levels of violence and sex but maintains a feeling of innocence in its characters, Gen V is the way to go.

As with the surplus of movies that are released every year, TV is more often than not doubled and impossible to keep up with. The Emmy Awards are often a great place to gauge whether something might be right for you, but additionally, so are the Golden Globes, as they sometimes include the shows that miss the cutoff. Personally, this last year hasn't been a favorite for me where movies are concerned, but TV is on another level with dramas, comedies, and limited series all delivering excellent content in spades.

If you're looking for the next best thing to start, we've got you covered with the 2026 Golden Globe-nominated TV shows, as well as where you can stream them on Netflix, Apple TV+, HBO Max, Hulu, and more. 

Best Television Series - Drama

• The Diplomat (Netflix)
• Pluribus (Apple TV+)
• Severance (Apple TV+)
• Slow Horses (Apple TV+) 
• The Pitt (HBO Max) 
• The White Lotus (HBO Max) 

Severance (2022-Present) 

More than any other genre, dramas are stacked with excellent shows this year. (Also, let's informally add The Bear's "comedy" nomination here, too, because we all know it's where it belongs.) Though ultimately, nothing tops Severance's long-anticipated sophomore season. It's not only better than its debut, but it also brilliantly focuses on character development and expertly balanced narratives that provide entertainment and much to think about on a deeper level, relating to grief, human connections, and the choices characters are forced to grapple with.

It's not only visually stunning, but the performances are also some of the best on TV right now, with its seventh episode, "Chikhai Bardo," being the single greatest flashback I've seen in years. Seriously, all the awards for Jessica Lee Gagné for an accomplishment that's truly indescribable no matter how long you sit with it. Perfect for anyone who wants mind-bending plot twists with grounded and achingly realistic character arcs, Severance is the best drama on TV right now.

The Pitt (2025-Present) 

Despite its obvious connection to ER (1994) with Noah Wyle's leading role, The Pitt is unlike any other medical drama and is in a league of its own. With a unique pacing decision that allows the entire season to take place during one emergency room shift, it not only delivers one catastrophic emergency after another, but it also manages to find quiet beats in between to give us chances to get to know the doctors we're meant to care for.

As someone who generally can't stomach medical dramas in any capacity, The Pitt is a unicorn of sorts in how it manages to not only lock me in but somehow make everything palatable. It's especially relevant to the real world and addresses matters that we need on our screens more often. Full of gripping performances left and right with some intriguing character dynamics blooming amid the emergencies, The Pitt is a must-watch for anyone who wants something that's both heavily plot-driven and centers the characters in a unique way.

Best Television Series - Musical or Comedy 

• Abbott Elementary (ABC)
• The Bear (FX) 
• Hacks (HBO Max)
• Nobody Wants This (Netflix)
• Only Murders in the Building (Hulu)
• The Studio (Apple TV+) 

Abbott Elementary (2021-Present)

For five seasons now, Abbott Elementary continues to deliver non-stop entertainment while simultaneously healing the kid in me who hated school. It's the closest mockumentary we have to the positivity and comfort that came from Parks and Recreation (2009), and with every season, Quinta Brunson and the whole cast prove that they're only capable of getting better and better. Truly, there's not a dull moment, and that's an amazing achievement on its own.

It's been especially riveting during the back half of Season 4 and the start of Season 5 for the romance fans, as Janine and Gregory's slow-burn friends-to-lovers arc becoming canon is a bonus that makes everything sweeter. Crossing every milestone with them is a gift that keeps on giving, and how sitcoms often explore romantic relationships is a strength we don't talk about nearly as much as we should. If you want something lighthearted that'll simultaneously hit you with profound emotions, Abbott Elementary is the show to consider.

The Studio (2025-Present) 

It's hard to imagine an awards season where The Studio centers an episode around the Golden Globes and gets snubbed, so I'm really hoping they actually win and, more importantly, that they each thank Sal Saperstein when they do. And if you're confused reading this, then here's your cue to watch it immediately, because if you've ever wanted insight into how a movie is made, The Studio is the show for you. Bold and wildly hilarious, the show calls out so much of what happens behind the scenes in Hollywood that it's legitimately shocking it was even made.

Yet, that's exactly what makes it such a unique and compelling comedy because it feels especially relevant in our market when everyone's wondering why we constantly get remakes and reboots. The sea of guest stars and original characters is each so entertaining that the show is a triumph in storytelling for its on-the-nose humor. And again, the Golden Globes episode alone is a gift in and of itself.

Best Television Limited Series, Anthology Series, or Motion Picture Made for Television 

• Adolescence (Netflix)
• All Her Fault (Peacock)
• Black Mirror (Netflix)
• Dying For Sex (FX)
• The Beast in Me (Netflix) 
• The Girlfriend (Prime Video) 

All Her Fault (2025)

Because limited series have a specific set of episodes to tell a whole story, they generally don't get the leg room to deliver an "okay" pilot—they have to lasso the audience's attention immediately, and like Adolescence, which is also nominated, no show grips you quite as intensely as All Her Fault. Within a few minutes, you're locked in and ready to binge the whole thing. But the best part lies in its compelling and earned ending—something that's both seamless to catch if you're paying attention, yet so well executed that you're also shocked beyond measure.

Sarah Snook comes back strong after her incredible performance in Succession (2018) to prove that there's absolutely no role she can't take on. The entire cast is full of greats all around, but really, Snook is so unbeatable that it's a must for those who are already fans of her. If you want a riveting and bold mystery that'll keep you on the edge of your seat with a ton of emotions at every turn, All Your Fault is the one to turn to. 

Josh O'Connor delivers one memorable performance after another in everything he tackles, making him one of the most enthralling actors of our generation. Plus, one of his favorite movies is Ratatouille (2007), and if that's not a man with excellent taste, then I don't know what is. O'Connor's range is truly sensational and so indescribable that one minute he can play a character you'll loathe with your whole chest, while the next film, you'll want to protect his character with everything in you. And that, my friends, is called range. Brilliant, inimitable range.

From Emma (2020) to a whole bunch of hidden gems, we've compiled a list of the best Josh O'Connor movies, ranked, as well as how you can watch them on platforms such as Netflix, Prime Video, and more.

8. Emma (2020)

My first introduction to Josh O'Connor was in Autumn de Wilde's Emma, and what a gift that is for someone who did her dissertation on Jane Austen. And while Mr. Elton is one of the most insufferable characters in any book that's out there, how O'Connor embodies him makes him a bit more tolerable. Mostly, he's hilarious, and it's glorious to watch him in every scene he is in.

This version of Emma might not be the most accurate adaptation of Austen's longest story, but it's certainly the funniest and most stylistically directed. It's entertaining all the way through, and the entire cast brings their A-game through performances that are both heartfelt and delightfully whimsical, making the adaptation unique on all fronts. If you only watch one movie version of Emma, let it be this one. But if you want an accurate version, BBC's Emma (2009) is the one to top. If only O'Connor were also in that. 

7. La Chimera (2023)

La Chimera is proof that Josh O'Connor pours his heart and soul into every role he embodies. It's proof that his talents are limitless, and he can take us through any sort of odyssey. The film is quietly contemplative at times, and achingly harrowing in others, while simultaneously providing enough levity to keep us invested. It's gorgeously shot, and the screenplay delivers something profoundly memorable to sit with. Perfect for anyone who loved the thematic beats in The Dig (2021). 

As we follow O'Connor's Arthur through uncovering his own chimera—an imaginary monster compounded by incongruous parts, which is the definition—we understand something bigger about ourselves. We see something moving about humanity and artifacts and preservation. It's the type of movie that'll end with you wanting to do more research to understand just how much goes into every frame and every narrative decision. If you want something that'll make you think about excavations and human connections, this one's a must. 

6. Aisha (2022)

Like La Chimera, Aisha is a quieter movie and one that unfortunately flew under the radar. Still, it's a heartfelt depiction of what immigration looks like and how lonely the entire process can be. Led by Letitia Wright as the titular character, it's a beautiful account of finding home away from home and the people who look out for you. It's not an easy film to watch, but O'Connor's performance is a warmth that reminds us how there are always good people out there who'll look out for those in need.

He may not be the key player here, but everything he delivers continues to showcase how much range he's capable of and how he's the type of chameleon actor we need to pay closer attention to. It's a tender, deeply moving watch, and while it's not the best film ever made, it's still something lovely that's worth watching at least once.

5. Rebuilding (2025)

Similar to the heart and quiet calm of God's Own Country, Josh O'Connor delivers another memorable and achingly realistic performance in Max Walker-Silverman's Rebuilding. As a story about grief, resilience, and the inability of man to grapple with the devastation caused by natural disasters, O'Connor is the perfect actor to embody the role of Dusty. How he layers the character in the short amount of time we spend with him is a gift that O'Connor is especially great at.

Rebuilding is the type of movie that'll make you think about life and the people who are often met with challenges far more heartbreaking than they deserve. Still, in the end, it's a beautifully rewarding movie that's honest in its approach to emphasize the importance of how human beings endure amid tragedies without ever being too melodramatic. Instead, it feels incredibly real, personal, and deeply heartfelt.

4. God's Own Country (2017)

At times, God's Own Country is a challenging film to watch because the probabilities of what can happen in a small town, in a contained space, generally lead to not-so-comforting outcomes. Yet amid its heartbreaking moments, it's a beautiful exposure of finding oneself and protecting the world around you, shot beautifully with picturesque shots from director Francis Lee.

It's not exactly the happiest of romances, given the time period, but it's still hopeful. O'Connor is simply breathtaking in his embodiment of Johnny, a character who goes from deeply dejected and shut off to someone who finds longing and levity. The relationship between Johnny and Gheorghe feels raw and heartfelt, adding an extra layer of heart to a film that would've otherwise been too melancholic to watch. If you appreciate scenic movies and character-driven narratives, add God's Own Country to your list. 

3. The Crown (2016-2023)

Respectfully, only Josh O'Connor could make Charles, the Prince of Wales, a somewhat tolerable historical figure to watch on screen. In large part, The Crown was a success because of the actors embodying the real people, and it's especially prevalent in someone like O'Connor, who had to really dig into various emotional places to deliver something that'd land him an Emmy win. 

It's likely one of the few times you'll be deeply frustrated with a character he's playing, but it's ultimately proof of just how versatile he is as an actor. When you're watching him in The Crown, it's impossible to think about any of the other characters he's played. Honestly, it's impossible to see anyone other than Prince Charles. Perfect for anyone who loves stories surrounding the royal family, no show does a better job of layering them like The Crown does.

2. Wake Up Dead Man (2025)

Between Emma and Wake Up Dead Man: A Knives Out Story, Josh O'Connor has now played a priest of some kind twice, and with both characters being so vastly different from each other, it's undeniable evidence of what an astounding actor he is. Wake Up Dead Man is also the most compelling of the three Knives Out (2019) films so far, and dare I say, it's entirely because of O'Connor. He imbues Reverend Jud with so much goodness and so much heart that I'd happily go to church every Sunday if he were a real leader.

It's a must-watch film for anyone who loves a classic whodunnit, but more than that, it's a captivating account of how bigotry has taken over Christianity. O'Connor's performance is so mesmerizing that it makes the entire film something worthy of theological dissertations. So profound in its context that a few words simply cannot sum up the depth. But let Josh O'Connor be reason enough. He alone is worthy. And afterwards, if you want something with similar vibes, look no further than Granchester (2014). 

1. Challengers (2024)

One thing about me? The person I was before Challengers and the person I am now aren't the same. It rewired my brain chemistry—full stop. It's a perfect spin on the love triangle trope and a delicious movie to watch for anyone who loves the idea of friends becoming lovers. More than that, it's a tour de force where performances are concerned, with Josh O'Connor, Mike Faist, and Zendaya each delivering unforgettable performances that span decades within the movie itself.

Patrick Zweig isn't an easy character to love, but from start to finish, Josh O'Connor ensures that we see all his heart and layers. He gives us moments that are achingly complex, which adds nuance to how we examine the film and the relationships. How each of the actors plays off one another is also something incredible to acknowledge, because really, it isn't easy for an actor to play the same character around different ages, and they each nail this art brilliantly. In other words, Challengers is a game-changer in every way. 

The Golden Globe nominations are here, and they're full of some gems along with frustrating snubs that are very likely saddening to not just critics, but casual viewers, too, who connected to movies on a deeper level. At the same time, it's one of the better years, and that alone is a win, even while I'm actively upset that Train Dreams (2025) as a film wasn't nominated in the movie categories. 

That said, we also know how hard it can be to keep up with movies throughout the year, so the Golden Globe nominations are a great place to start, so we've got you covered with all the nominations, as well as how to watch them on platforms like Prime Video, Netflix, and more.

Best Motion Picture - Drama

• Frankenstein (Netflix)
• Hamnet (Focus Features) 
• It Was Just an Accident (Memento Distribution) 
• Sentimental Value (Nordisk Film) 
• Sinners (Warner Bros.) 
• The Secret Agent (Vitrine Filmes) 

Hamnet (2025)

Visually, Frankenstein is the most striking and breathtaking motion picture of the year, but structurally and performance-wise, Hamnet is the one I want to keep screaming about. Though it's the type of movie I could never rewatch, it's the one that's haunted me the most since my initial viewing. Thankfully, Jessie Buckley is also nominated for her performance; otherwise, I'd be gathering up my pitchforks.

Buckley's performance alone is everything in Hamnet. There have been a number of sensational performances throughout the last decade, but the harrowing grief and unthinkable pain she delivers in Hamnet is indescribable. It's the best female performance of the last ten years, and I stand by that declaration. Whether you're a fan of Shakespeare's Hamlet or not, Hamnet is a must-watch for anyone who wants a thoughtful depiction of how grief and art go hand-in-hand.

Best Motion Picture - Musical or Comedy

• Blue Moon (Sony Pictures Classics) 
• Bugonia (Focus Features) 
• Marty Supreme (A24) 
• No Other Choice (CJ Entertainment) 
• Nouvelle Vague (ARP Sélection) 
• One Battle After Another (Warner Bros. Pictures) 

Blue Moon (2025) 

There's a good chance that Paul Thomas Anderson's One Battle After Another will take the award for Best Motion Picture in a Musical or Comedy, but Blue Moon is an underrated gem that more people should be talking about. Ethan Hawke delivers a heartfelt, brilliantly complex performance that highlights the end of one's life and the sheer adoration for creativity and theatre.

For viewers who loved Oklahoma! (1955) and want to deep dive more into the creative process of a Broadway musical, Blue Moon is a great film to underscore how grueling the thoughts can be for the creators in the world. It's not a musical by any means, but it's a thoughtful exploration of the people who make the productions we love, brought to life by reflective conversations that will hit hard in their simplicity.

Best Motion Picture - Animated

• Arco (Neon)
• Demon Slayer: Kimetsu (Aniplex) 
• Elio (Walt Disney Studios Motion Pictures) 
• KPop Demon Hunters (Netflix) 
• Little Amélie or the Character of Rain (Haut et Court)
• Zootopia 2 (Walt Disney Studios Motion Pictures) 

KPop Demon Hunters (2025)

KPop Demon Hunters rightfully took the world by storm in 2025 and proved that allowing creators the time and means to make what's in their hearts can have a monumental impact on the world. From kids to adults, everyone is still belting out the songs and appreciating everything that the story stands for as a reflection of how to take back agency and be your truest self while in the spotlight.

With all the deserved hype surrounding it, it's hard to believe that there's anyone out there who hasn't yet seen it, but even if you aren't a musical fan, it's still something that I'm positive anyone can appreciate. Gorgeously animated and full of brilliantly inimitable performances, it not only deserves the nomination for Best Animated Motion Picture, but it deserves the win, too. 

Zootopia 2 (2025)

It's not every Disney sequel that sticks the landing and deserves as much hype as its original, but Zootopia 2 is a triumph in every way as yet another installment that's not only timely but deeply profound in the thematic message it delivers. It might even be better than the original, solely for how established the characters are and how lived-in the performances feel, allowing the narrative arc to shine with even more humor and heart.

Plus, the romance? Yes, it's a romance, and no, I will not hear any objections, including those that come from the Mouse himself. Nick and Judy's gorgeous partnership makes the second installment that much more engaging, and the film as a whole glistens with stunning animation and clever writing to make it stick. The nomination is so wholly deserved, and it's a must-watch for anyone who loved the original.

Best Motion Picture - Non-English Language

• It Was Just an Accident (France)
• No Other Choice (South Korea)
• Sentimental Value (Norway)
• Sirāt (Spain)
• The Secret Agent (Brazil)
• The Voice of Hind Rajab (Tunisia) 

Sentimental Value (2025) 

Sentimental Value is one of the year's most surprising films and an undeniable masterpiece in how it tells a story of healing, reconnecting, loss, and the importance of art amid everything. With career-best performances from Stellan Skarsgård, Renate Reinsve, and the whole cast, they each ensure that every moment of the film sticks the landing. 

We have a few films this year that reflect creativity of some kind, like Hamnet and Blue Moon, so it's fitting that Sentimental Value also gets the recognition it deserves. It's quietly reflective and loud where it needs to be, supplying the type of drama that isn't just well written, but it feels achingly authentic and full of heart. And how it marries juxtaposing emotions is also no small feat in delivering a thought-provoking narrative.

A large part of the reason why Zootopia 2 (2025) is such an incredible and worthy sequel is that, outside of the timely themes, it's a gorgeous reflection of partnership.

And we can be here for days arguing about whether whatever's happening between Nick Wilder and Judy Hopps is romantic or not, but the point is, their loyalty shines throughout the movie and allows it to be the most memorable part. The hype surrounding them online right now feels like something we'd watch on a TV show with actual canon relationships, which makes it that much more intriguing. 

That said, if you loved the partnership and thematic importance of doing the next right thing in Zootopia 2, here are some of the best movies to watch afterwards, as well as where to stream them on platforms such as Disney+ and more. 

The Aristocats (1970)

If you're suddenly attracted to a cartoon fox and questioning your sanity, don't worry, I've been there before, and it all started with Thomas O'Malley, the suavest alley cat in the business. Thomas O'Malley basically ran, so a fox like Nick Wilder could walk. And following similar themes like in Zootopia 2, The Aristocatsis about a family of cats trying to find their way back home while exposing the terrible person who is the reason they've strayed from home. 

The dynamic between Thomas O'Malley and Duchess, the house cat, along with her kittens, is so perfect and wholesome, I clocked this one as an all-time favorite the second I watched it as a kid. The animation is also deeply nostalgic and so precious that it's still something to be in awe of. Don't ask me to explain it, but this one's for the romance girlies. Trust me.  

Shrek 2 (2004) 

One of the funnest parts of watching Zootopia 2 is acknowledging all the Easter eggs and engaging movie references made with animals instead of humans. And no film nails this same type of artistry better than Shrek (2001), but specifically Shrek 2, which also takes us through a similar path where characters question whether they're good enough for those in their lives. Shrek even goes so far as to change himself from an ogre to a human before realizing that Fiona loves him as he is.

Like Zootopia 2, the cameos and clever real-world nods like Farbucks, as well as the prominent theme of addressing those in power and how corruption sometimes comes from the top, are no small feat. If you love Zootopia 2 but somehow haven't seen the Shrek movies, please do yourself a favor immediately. 

The Muppet Christmas Carol (1992)

I wouldn't be me if I didn't find a way to scream about The Muppet Christmas Carol and its inimitable greatness as the single best adaptation of Charles Dickens' A Christmas Carol. But beyond that, if we're talking partnerships, there can never be a more immaculate duo than Gonzo as Charles Dickens and Rizzo the Rat as Himself. 

Their ridiculous banter throughout the movie results in some of the film's most iconic lines, and I personally think about the nose kiss at least once a day and twice on Sundays. The undertones of their partnership are so similar to Nick and Judy's in Zootopia 2, but beyond that, how the story naturally addresses the corruption of billionaires and builds a worthy redemption arc is exactly what makes it such a holiday staple. 

Monsters, Inc. (2001)

While there aren't any talking animals or too many pop culture references, the partnership in Monsters, Inc. is one of the best additions to Disney since Toy Story. The dynamic we get between Sully and Mike is rich with nuance, layered, and so poignant when we also examine the role of monsters and how sometimes, it's not the ones who look like they can be dangerous, but rather the ones disguised as heroes.

Similar to Zootopia 2 in that vein, but also equally creative in its way of honoring myths and legends, is also its own unique accomplishment. Monsters, Inc. is a near-perfect movie that doesn't get enough praise as it deserves to. Clever in every way and genuinely refreshing from start to finish, it's been one of the best additions to Pixar from the very beginning.

Lilo & Stitch (2002)

Thematically, there's much we can discuss about how Zootopia 2 uncovers and touches on immigration, and how it explores stereotypes wherein anyone that looks a certain way must automatically be a certain way. And few movies look into similar matters while also addressing the preservation and care of one's homeland, like Lilo & Stitch. The way the story plays with the found family trope is also what makes it such a triumph, with the titular characters and their bond being one of the most memorable Disney partnerships.

Lilo & Stitch isn't just adorable in every way, but it's profoundly meaningful and well-written on all fronts. If you loved the live-action, which was also released this year, the animated version does a significantly stronger job of not glossing over critical matters. It's also perfect for anyone who recently loved Elio (2025).

It’s only a matter of time in your filmmaking obsession before you start taking note of who directed your favorite movies. Much like everyone has a favorite sports team or a favorite car maker, who you choose as your favorite director says a lot about you. Do you enjoy the raucous action of a Tarantino film? The bleak suspense of Hitchcock’s classics? You’ll be tracking your favorite director’s career before you know it. 

But with that may come a few surprises. Directing is as much art as anything else, and sometimes your favorite director may step out of their norm to experiment (or, let’s be real, to get a paycheck to fund their next venture). Take, for example, these 10 dueling choices of films, a selection of wildly different movies that are by the same director, and our handy guide for where you can watch them all on streamers like HBO Max, Hulu, and more. You may not think about your favorite director the same after seeing what they did just a few years apart. 

The Omen (1976) & The Goonies (1985) by Richard Donner

When you think of iconic horror movies, you likely think of The Omen, the horrifying 1976 tale of a boy destined to be the Antichrist. What you might not think about is the film Richard Donner made just over a year later, 1985’s all-ages classic, The Goonies.

The reality is that Donner was a director with an incredible range. Sure, he made Superman: The Movie (1978), easily one of the best superhero movies ever made, but he also helmed the quintessential buddy cop film franchise with Lethal Weapon (1987). From spine-tingling horrors to goofy action, Donner’s work shows a range most directors would kill for.

First Blood (1982) & Weekend at Bernie's (1989) by Ted Kotcheff

1982’s First Blood is the odd man out of the Rambo movies, but Ted Kotcheff did something really special with this film. First Blood is a gripping, slow, haunting thriller, less about a musclebound hero saving the day and more about a traumatized veteran who had been abandoned by his country. It is, for my money, the actual best Rambo film, as it’s the only one that humanizes the character.

Just a few years later, Kotcheff made… Weekend at Bernie’s, a wild comedy about two guys trying to secure a promotion by parading their dead boss around. You couldn’t really pick two more different films, but, for better or for worse, Kotcheff makes them work, as Weekend at Bernie’s is still a part of the pop culture discussion today and perfect for fans of outlandish comedies. 

When Harry Met Sally… (1989) & Misery (1990) by Rob Reiner

While our previously discussed entries go from horror to lighter fare, acclaimed filmmaker Rob Reiner did the opposite and earned praise for it. 1989’s When Harry Met Sally… remains the definitive rom-com for a generation, a tale of two wayward lovers and the decade between them. But his very next movie was a different kind of romantic tale, one of toxic obsession.

Misery is an adaptation of the Stephen King novel about a popular author who is held captive by an obsessed fan. Both When Harry Met Sally… and Misery became pop culture touchstones: one, the definitive ‘80s comedy and the other an unforgettable thriller to kick off the ‘90s. The one you prefer will entirely depend on your taste. 

Braindead (1992) and The Lord of the Rings (2001) by Peter Jackson

Released in New Zealand in 1992, Braindead is a bit of an unsung hero of filmmaking. It was the last of acclaimed director Peter Jackson’s “splatter” era, a movie hailed as the goriest ever committed to film. And even though it got a US release (though it was retitled Dead Alive), the movie failed to make much of an impact. That is, until Jackson blew up big time.

After a handful of more traditional studio films, Jackson made history helming The Lord of the Rings trilogy. As a result, Braindead was reappraised by horror fans, who came back around on the goofy, campy fun. It couldn’t be more different than The Lord of the Rings, but both films highlight the ingenuity and love Jackson puts into all his projects. 

GoldenEye (1995) & Green Lantern (2011) by Martin Campbell

Martin Campbell surprised the world when he brought back James Bond with GoldenEye in 1995. The film, which starred longtime fan-favorite casting choice Pierce Brosnan as the perennially English superspy, kept the more serious tone that previous films had attempted and grounded Bond in a world of intrigue. Campbell did so well at it that he came back in 2006 and saved Bond again with another reboot, Casino Royale (2006)!

So it’s a bit of a shocker that after that, he made the notorious cosmic stinker Green Lantern. To Campbell’s credit, he was saddled with a production already in trouble and a star he didn’t want (and who didn’t want him), but it’s still wild that the director of two legendary James Bond films couldn’t do more with Green Lantern. If you like cheesy superhero movies, then you might actually enjoy Green Lantern, but Campbell’s Bond films are inarguably the stronger choices for action thriller fans. 

The Godfather (1972) & Jack (1996) by Francis Ford Coppola

1972’s The Godfather is a must-see film for any generation. This was the definitive mafia film, long before Goodfellas (1990) became everyone’s dad’s favorite movie. Francis Ford Coppola made a once-in-a-lifetime masterpiece, the story of a man reluctantly getting drawn into his family’s business and the way it changes his life, for better and for worse.

Coppola was behind several of the greatest dramas of any age, which is why 1996’s Jack stands out so much. Reportedly made because Coppola wanted to work with his good friend Robin Williams, this critically panned melodrama about a 10-year-old boy who ages so fast that he looks 40 might just be the polar opposite of everything The Godfather was. It’s hard to say that you’ll like Jack if you liked The Godfather, but if you must see everything Coppola directed, add these to your list.  

RoboCop (1987) & Showgirls (1995) by Paul Verhoeven

If The Godfather is the definitive gangster movie, then RoboCop is the definitive science-fiction film of the ‘80s. Paul Verhoeven took what should have been a by-the-numbers, hyperviolent schlock film about a murdered cop reborn as a robotic law enforcement officer and turned it into something with emotion and pathos. It also started a hell of a run for Verhoeven, who followed it with the introspective Total Recall (1990) and the definitive erotic thriller, Basic Instinct (1992).

That said, it may surprise you to learn that the streak ended with the most infamous flop of the ‘90s, Showgirls. Verhoeven’s trademark bombastic style and wit are present in Showgirls, but the film is so crass and campy that it just doesn’t work. Fortunately, you can see a bit of Verhoeven’s style slip back in with 1997’s Starship Troopers, though it sadly soared right over the heads of audiences who took it at face value at the time. 

The Muppets Take Manhattan (1984) & The Score (2001) by Frank Oz

Frank Oz is an accomplished director by any means, but he’s probably still best known for his puppeteering work, be it as Yoda in The Empire Strikes Back (1980) or, in this case, as a cavalcade of characters in his first solo directorial effort, The Muppets Take Manhattan, where he portrays Miss Piggy, Fozzie Bear, and more. It may surprise you, though, to learn that Oz has had a prolific non-Muppet career, too.

Perhaps the highlight is 2001’s The Score, though not for any reason you may imagine. The film, which stars Robert De Niro and Edward Norton as a pair of thieves trying to steal a valuable sceptre, is notable for being Marlon Brando’s final film role. Brando, naturally, was reportedly cantankerous on set and repeatedly clashed with Oz, meaning this film goes down in history for all the wrong reasons. Still, it’s a solid enough watch for fans of heist movies wanting to see a big-name cast do their thing. 

Babe (1995) & Mad Max: Fury Road (2015) by George Miller

Okay, this is probably the one everyone knows by now, but it wouldn’t be a list of different films by one director without it. George Miller has had a prolific career, and it’s all thanks to his Mad Max films. Set in a dystopian future, Miller’s work on Mad Max has become generational, presenting not a lore-heavy franchise, but as a series of epics with a mythical, ageless figure in the titular Mad Max, all the way through 2015’s groundbreaking Mad Max: Fury Road.

They’re dark, gritty, apocalyptic films with a serious, haunting tone. However, George Miller also directed Babe, the adaptation of a beloved children’s book about a pig who wants to herd sheep. They are truly polar opposites, but Miller makes both work thanks to his sincere approach to the material and his genuinely underrated directorial style. 

Crouching Tiger, Hidden Dragon (2000) & Brokeback Mountain (2005) by Ang Lee

Ang Lee has had a prolific but fairly uneven career, to say the least. If you want to know what that means, look no further than his two biggest hits. He took the world by storm with 2000’s Crouching Tiger, Hidden Dragon, a romantic epic wrapped up in a shiny martial arts coating. That wirework-heavy martial arts style made Crouching Tiger a brief sensation, cementing a Western fascination with martial arts films that had begun with The Matrix (1999). It also made Lee, who had been directing movies for decades at this point, a prominent figure.

Still, his background was in romantic dramas, not action flicks, so it shouldn’t be a surprise that he was also behind the masterful and equally important Brokeback Mountain, the critically acclaimed Western about the struggles of two gay lovers in the American Midwest. It’s a bit of a surprise for new fans to realize Brokeback Mountain and Crouching Tiger, Hidden Dragon are by the same director, given how fundamentally different they are, but it’s a testament to Ang Lee’s skill that both films work so well and are so highly regarded among all types of audiences. 

It's time to get into the festive holiday spirit. But this time we're not decking the halls with boughs of holly, we're decorating with blood-drenched axes. For over four decades, the Silent Night, Deadly Night franchise has delighted horror fans by turning Christmas cheer into slasher terror. Since the original debuted in 1984, the series has spawned a few sequels, some odd detours, and a 2012 reimagining.

With a brand new film set to hit screens on Dec. 12, 2025, now is the perfect time to revisit the franchise that refuses to rest quietly under the tree. If you're gearing up for a horror marathon or just want to sip hot cocoa while watching Santas carve up more than cookies, this list explains how to watch all Silent Night, Deadly Night movies in order on platforms like Netflix, HBO Max, and Hulu.

Silent Night, Deadly Night (1984)

Silent Night, Deadly Night begins when a little boy named Billy Chapman witnesses his parents' brutal Christmas Eve murder at the hands of a man in a Santa suit. The trauma sticks, and as an adult, Billy dons the same red coat to hand out his own twisted Christmas justice. The film was super controversial and was pulled from theaters a week after its release for daring to depict Santa as a killer.

It remains the most effective entry because it refuses to toy with tone. There's no levity, just fear, guilt, and vengeance under a cold, unblinking Christmas moon. However, the movie is still careful not to romanticize violence. Instead, it lays bare how childhood horror can warp someone's psyche. It's perfect for horror fans who crave gritty reality rather than stylized gore.

Silent Night, Deadly Night Part 2 (1987)

Three years later, the franchise doubled down on its murdery Santa premise by reviving the nightmare through Billy's brother. Ricky, who has been arrested for going on a killing spree of his own, breaks free to continue the holiday mayhem. There's a bizarre quality to Silent Night, Deadly Night Part 2 because so much footage from the original is recycled. But it's re-framed through a second character's psyche.

In a way, it's a commentary on how trauma can echo across generations. The reused scenes can feel repetitive. The pacing is also uneven and feels like three different movies awkwardly stitched together. However, die-hard psychological-horror fans who like their slasher wrapped in guilt and mental unraveling will love Part 2 for its strange, uncomfortable tone.

Silent Night, Deadly Night 3: Better Watch Out! (1989)

Silent Night, Deadly Night 3: Better Watch Out! dives into weird territory. The story begins six years after Part 2, with a comatose Ricky on life support, waiting for a second lease on homicidal hell. When he wakes, he sets his sights on a blind girl with psychic powers and her brother, turning the siblings' holiday road trip into a nightmare.

In terms of tone, this is where the series starts to shed its original skin. The gritty psychological horror is abandoned in favor of late-80s slasher tropes and psychedelic stylistic flourishes. But there's something perversely entertaining about the story because it doesn't feel like a retread. It's perfect for horror aficionados who enjoy the horror vibes that only direct-to-video B-movies can offer.

Silent Night, Deadly Night 4: Initiation (1990)

If you thought Part 3 was bizarre, Silent Night, Deadly Night 4: Initiation takes things to the next level by dropping the Billy Chapman and Ricky Caldwell characters entirely. Instead, the story follows Kim Levitt (Neith Hunter), a reporter who decides to investigate how a woman outside her office spontaneously burst into flames. She soon finds herself mixed up with a coven of Lilith-worshipping witches.

The horror unfolds through occult rituals, bug-infested nightmares, and surreal visuals that drag the series miles away from its Christmas-slasher roots. The holiday setting exists only by virtue of timing (Christmas Eve rituals), but the spirit of yuletide gore is pretty much gone. Viewers who enjoy cult horror with a weird tone will feel that they found a hidden gem in this movie.

Silent Night, Deadly Night 5: The Toy Maker (1991)

Silent Night, Deadly Night 5: The Toy Maker is the final film in the original franchise run. This time, the story follows a deranged toy maker and his son who produce deadly playthings that turn innocent children's gifts into instruments of death. The movie is filled with nightmare fuel, creepy robotics, and a finale that toes the line between horror and weird sci-fi.

Yet, for all its flaws, The Toy Maker is wildly entertaining. It leans into horror-toy hysteria with almost gleeful abandon. If you ignore the weak script and often erratic tone, you're left with a grotesque, hallucinatory holiday nightmare. The movie is a must for anyone who enjoys horror that veers off the rails—creepy dolls, story logic be damned.

Silent Night (2012)

The franchise received the reboot treatment in 2012 with Silent Night, reimagining the killer-Santa mythology for a new generation. The story follows Deputy Aubrey Bradimore (Jamie King) as she investigates a fresh wave of Santa-themed murders in a remote Midwestern town. While it doesn't directly follow the original storyline, it resurrects the core concepts of trauma and rage.

Silent Night has a more polished production value compared to the original and its VHS-era sequels. The gore effects are updated, and there's a slightly more modern pacing that acknowledges the overall horror movie evolution. But the downside is that it somehow feels less edgy. It's still a fun watch for horror lovers and a must for franchise fans, even if its murdery axe has been filed down slightly.

Silent Night, Deadly Night (2025)

The remake, Silent Night, Deadly Night (2025), takes the franchise back to the original's core trauma-to-ravage premise. The story follows a child named Billy Chapman (Rohan Campbell), who witnesses his parents' murder by a man in a Santa suit. Years later, an adult Billy dons a Santa costume and goes on a violent quest for retribution against those responsible for his traumatic childhood.

The movie is also rumored to feature a romantic arc as Billy meets a woman who challenges his dark side. But the question on everyone's mind is whether the film will honor the bleak intense tone of the original or soften it for modern sensibilities. If the hype is correct, Silent Night, Deadly Night might be the reboot that horror fans have been waiting for.  

Some of the greatest, most enduring Christmas movies of all time are the simplest. 

A Christmas Story (1983), for example, became a holiday classic on a modest budget of just $3.3 million. Even as costs rise with advances in special effects, more modern Christmas movies like Elf (2003) got by on a $33 million budget. However, sometimes studios seek to add a bit more magic to their films.

Most recently, Red One (2024), the holiday film starring Dwayne “The Rock” Johnson and Chris Evans, racked up a staggering $250 million budget thanks to its visually dazzling Christmas-action premise. Although a heftier budget doesn’t always correlate with success, the bigger budget Christmas movies almost always offer an eyeful. Use our guide to find out where to watch the biggest budget Christmas movies of all time on platforms like Apple TV+, Disney+, and more.

Spirited (2022) - $75 million

Apple TV+’s Spirited is a musical comedy offering a modern take on Charles Dickens’ A Christmas Carol. In the film, The Ghost of Christmas Present (Will Ferrell) is determined to redeem greedy media consultant Clint Briggs (Ryan Reynolds), despite his fellow ghosts’ warnings that Clint is beyond hope. It’s a funny, lighthearted take on a classic story, and offers some catchy tunes. I especially enjoyed “Good Afternoon,” and was pleasantly surprised by Ferrell and Reynolds’ singing abilities.

The $75 million budget is put to good use through epic musical and dance sequences and festive costumes. Although it doesn’t depart significantly from A Christmas Carol, the story is jolly enough to get you in the Christmas spirit. If you’re eager to see another Ferrell Christmas movie after Elf and enjoy modern takes on A Christmas Carol, like Scrooged (1988), you’ll love Spirited.

The Grinch (2018) - $75 million

The Grinch is a computer-animated take on Dr. Seuss’s classic story, How the Grinch Stole Christmas. It follows the Grinch (Benedict Cumberbatch), who forms a devious plan to steal Christmas and stop his Whoville neighbors from celebrating the bothersome holiday. The Grinch is a nice modern adaptation of the classic story, and Cumberbatch is an excellent choice to voice the grumpy character. With eye-catching computer animation and a score from Danny Elfman, it’s a well-crafted Christmas movie.

Like Spirited, it struggles to add some originality to the story. Even so, it offers lighthearted, warm, and festive vibes and is more family-friendly than How the Grinch Stole Christmas (2000). Meanwhile, its $75 million budget proved effective, as The Grinch is the highest-grossing Christmas movie of all time. Viewers looking for a sturdy and visually gorgeous, family-friendly Christmas movie will want to watch The Grinch.

Arthur Christmas (2011) - $100 million

Arthur Christmas is an animated Christmas movie that centers on Arthur (James McAvoy), Santa Claus’s (Jim Broadbent) youngest son, who sets out to deliver a present to a child that Santa accidentally missed. Featuring a $100 million budget and cutting-edge CGI animation, it’s an excellent choice if you enjoyed The Grinch’s visuals but are seeking a more original tale. Arthur Christmas is refreshing, festive, and funny enough that both children and adults will enjoy it.

I enjoyed how quotable the movie was and how it boasted an unexpected level of emotional depth for an animated Christmas movie. It balances its light atmosphere and heavier subject matter surprisingly well. Additionally, the imaginative take on Santa’s operation will intrigue viewers. If you’re looking for an underrated, excellent animated Christmas movie, akin to Klaus (2019), Arthur Christmas is the movie for you.

How the Grinch Stole Christmas (2000) - $123 million

How the Grinch Stole Christmas is one of the earliest and most expensive live-action Christmas movies, with a whopping $123 million budget. In the film, the Grinch (Jim Carrey) plots how to ruin Christmas for everyone before he meets a little girl, Cindy Lou Who (Taylor Momsen), who might just change his heart. The film’s big budget is evident in the extensive makeup and visual effects, which bring Whoville to life in stunning detail and fully transform Carrey into the Grinch.

Carrey offers a phenomenal performance as the Grinch, and How the Grinch Stole Christmas has an element of strangeness and absurdity that will appeal to some fans. If you liked The Grinch but want a Dr. Seuss adaptation that gets a little more chaotic and daring, you’ll be intrigued by How the Grinch Stole Christmas. 

Rise of the Guardians (2012) - $145 million

Rise of the Guardians tells the story of winter sprite Jack Frost (Chris Pine), who fights to save the world’s Guardians, including Santa Claus (Alec Baldwin), after Pitch Black (Jude Law) hatches a plan to weaken children’s belief in them. Although not strictly a Christmas movie, many viewers see it as such since it takes place during winter and features Jack Frost and Santa Claus. However, it’s unique in that it brings together all the big holiday mascots, from the Easter Bunny (Hugh Jackman) to Santa, in an Avengers-esque crossover.

The film is creative and refreshing, featuring gorgeous animation. I thought it was a bit overstuffed, but excellent if you’re looking for a unique holiday mashup. Although the film struggled significantly at the box office and lost millions due to its hefty $145 million budget, it’s reminiscent of The Christmas Chronicles (2018) in that it’s a great film to enjoy from home around the holidays.

The Polar Express (2004) - $170 million

The Polar Express follows Christopher (Daryl Sabara and Josh Hutcherson), a young boy who is losing faith in Santa, until a magical train stops outside his home one night. The movie’s $170 million budget is evident in its dazzling visuals, which use motion-capture animation, resulting in a striking, innovative look. In addition to its meticulous, hyperrealistic animation, The Polar Express stands out for its more mature story and serious tone.

The Polar Express does away with much of the holiday cheer and offers a more intense adventure as it delves into topics of adulthood and loss of belief. Like Arthur Christmas, I feel The Polar Express is a bit underrated. Although it didn’t reach the heights of Elf and Home Alone (1990), it offers a hauntingly magical, unforgettable experience for children and adults alike.

A Christmas Carol (2009) - $200 million

A Christmas Carol is an animated retelling of Dickens’s story of the same name. It centers on Ebenezer Scrooge (Carrey) as the Ghosts of Christmas take him on a transformative journey through his life. Like The Polar Express, A Christmas Carol boasts the same stunning, realistic motion-capture animation, telling the familiar story in vibrant, incredible detail. The film also shares the same lightly dark and strange premise, true to Dickens’ story.

Although A Christmas Carol has a similar vibe to The Polar Express, it lacks some of the originality. Still, the timeless tale never fails to evoke the Christmas spirit. While I prefer the 1999 film featuring Patrick Stewart as Ebenezer Scrooge, I feel the 2009 A Christmas Carol is the better version for children and families to enjoy together. If you enjoyed The Polar Express and love Dickens, you’ll like A Christmas Carol.

Red One (2024) - $250 million

Red One tells the story of Callum Drift (Johnson), who enlists the black-hat hacker Jack O’Malley (Evans) to save the kidnapped Santa Claus (J. K. Simmons). With a budget of $250 million, Red One has just about everything in the way of special effects, from snowman henchmen to flying sleighs to CGI polar bears. Like Rise of the Guardians, it’s also bursting with star power, which certainly played into its massive budget.

Red One is most reminiscent of How the Grinch Stole Christmas in that it offers one wild, absurd take on the Christmas holiday. The film is original, imaginative, and weird, while still boasting some touching moments. Although it loses some of the magic due to its focus on special effects, Red One is perfect if you’re seeking an original, action-packed Christmas adventure.

K-dramas are, at this point, more of a lifestyle choice, and less of a genre you watch once every other month. Some people pick up hobbies, some people start businesses on the side, and some people embark on the quest to find the next bingeable drama (I sincerely hope you’ve apologized to your sleep schedule.) 

With so many different titles dropping each month, it can feel as though the universe is telling you to abandon all responsibilities and dedicate your life to watching beautiful people fall in love, chasing demons or serial killers. Tempting, yes, but totally impractical. 

Instead, here are ten K-dramas you can watch right now on Netflix, Viki Rakuten, and more, so whether you’re in the mood for crime, comedy, romance, or even a dose of the paranormał, they’re  an excellent place to start… or spiral.                            

Second Twenties (2015)

Second Twenties is one of those dramas that sneaks up on you—you go into it expecting a midlife story, and before you know it, you’re cheering for a woman you don’t know in real life. The show follows 38-year-old Ha No-ra who reclaims her life after putting her dreams on hold for nearly two decades, while being trapped in a dissolving marriage (disclaimer: her husband is.. frustrating, to say the least) and putting everyone else first. What makes Second Twenties so watchable is its blend of midlife crisis comedy and coming-of-age warmth, without trying to be profound; it isn’t interested in pitying No-ra, it’s rooting for her throughout. 

The drama keeps things breezy but quietly sneaks in emotional depth. If you’re looking for high-stakes twists like in The Guest, then this drama may feel a bit too slow-paced. If you’ve ever fantasized about a do-over (be it in school, career, or life in general) and liked the “reinvent yourself” vibes of movies like The Intern, then you’ll love this. Personally, I love how the drama reminds you that starting over in life doesn’t have an expiration date—though I still refuse to retake any math classes, no matter how inspiring the message may be.

Tunnel (2017)

If you’re the kind of person who wants a juicy mystery thriller with a sci-fi twist, then Tunnel is your show. It follows Gwang-ho, a 1980s detective who accidentally time-travels into present day Seoul while chasing a serial killer, only to realize the murders never stopped (because apparently catching a killer in your own decade is too easy). He teams up with officers who don’t appreciate his vintage swagger, as he navigates modern policing (and you know, using a mobile phone correctly.) 

Tunnel is the kind of show that confidently blends its tones; it’s gripping and emotional with moments of pure awkwardness and fish-out-of-water humor, but it never loses sight of the darker murder-mystery procedural. The pacing is tight with real stakes without veering off into 500 subplots, and the characters are surprisingly layered, which makes you invested in their arcs. Compared to The Guest, which jumps into total horror territory immediately, Tunnel is more accessible; it’s intense, but not “sleep with the lights on” intense, if you know what I mean. If you enjoyed Signal (which is considered the gold standard of time-traveling police shows), you’ll love this underrated gem.

Love in Contract (2022)

Love in Contract is one of those shows that sounds unhinged when you describe it, but when you watch it you end up thinking, “You know what? This works.” Choi Sang-eun is a professional wife-for-hire whose clients “marry” her to avoid nagging families, societal pressure, and being single in a judgemental world, until unintended feelings nudge their way into her strictly business life (I know, it’s delightfully chaotic!) Yes, the premise does require a generous suspension of disbelief, similar to Busted!, but I’ll allow it, because Love in Contract just wants you to have a good time. 

It’s a little absurd, but surprisingly easy to recommend to anyone, with its dry humor and oddly relatable and self-aware protagonist. For anyone who loves romantic comedies, slow burn relationships, and love triangles with a heroine who looks like she just walked out of a skin care commercial (seriously, what is Park Min-young’s skin care routine?), this drama checks all of the boxes. If you liked the playfulness of What’s Wrong With Secretary Kim you’ll find Love in Contract on the same spectrum. 

Witch at Court (2017)

If you’re tired of watching legal dramas that follow the script, and want something with more bite, then you’ve come to the right place. Witch at Court delivers bite alright, along with sass, and a lead character who doesn’t bat an eye about bending the rules, and that’s the best part about it; it lets our lead character prosecutor Ma Yi-deum be flawed, morally flexible, and sharp-tongued without punishing her for it. The show does lean a bit into the melodrama (which good K-drama doesn’t?) but the energetic courtroom scenes and brisk pacing constantly keep things interesting (and it’s such a refreshing change to see a legal drama without monotone old-school prosecutors.) 

Yi-deum doesn’t care about being liked, and that makes her extremely likable. As fiery as she is, Yi-deum comes with a tragic backstory, giving her character a duality that gives the audience a deeper look into why she is the way she is. Though The Killing Vote is also essentially a “justice must be served” sort of drama, it’s more grim when compared to Witch at Court, which uses satire and attitude. If you liked Lawless Lawyer or How To Get Away With Murder, you’ll enjoy Witch at Court. 

The Guest (2018)

If you want a K-drama that fully commits to horror (no “mysterious happenings at the abandoned lodge” but actual “your worst nightmare just showed up”), then The Guest is your stop. It follows a trio—a psychic, a priest, and a detective—teaming up to find a malevolent spirit. Tonally, this drama is completely different from the other entries on this list; it’s dark and unsettling, with a thick, unnerving atmosphere. The Guest is for viewers who want horror that doesn’t just rely on consistent jump scares; it builds dread slowly and on purpose, and each jump scare feels earned. 

Though it can feel like the drama is pure horror (and it is), when you pull the layers back, it’s also about exploring trauma and faith, which makes this show that sticks with you long after the credits roll. If you’re easily rattled and prefer lighter supernatural content (like Hotel del Luna), then this might be a lot. I wouldn’t recommend younger viewers watch The Guest because it can be intense and graphic (think exorcisms, possessions, psychological terrors), so I think this show is best watched only by mature viewers. Where Tunnel has some eye-widening moments, The Guest says “absolutely not,” kind of like The Exorcist, which I respect.  

Business Proposal (2022)

If The Guest left you checking under your bed for monsters at 3 a.m. (I’m sorry but that’s the worst possible time to watch a horror drama, but anyways!) you’ll want to cleanse your palate with something light like Business Proposal. The story is about a woman who accidentally ends up on a blind date pretending to be her friend, only to discover that the man across from her is her company’s CEO. Yep, cue the office chaos, enemies-to-lovers trope, and a fake dating plot you don’t need a single brain cell to follow (and needless to say, there are no possessions here, only CEO-induced butterflies.) 

Business Proposal knows what it is—a classic, sweet rom-com where you’re yelling at the screen but secretly shipping the leads. The plot is predictable and the stakes are so low you can practically jump over them, but who cares? That’s part of the fun. If you want a romantic comedy with more emotional stakes, then Welcome to Samdal-ri might be a better fit. But if you’re someone who enjoys watching effortless, cozy, and low-stress movies, like Set it Up, then Business Proposal is right up your alley. If you’ve never watched a K-drama before, this can be a great entry point. 

The Killing Vote (2023)

The Killing Vote has the kind of premise that’ll have you hooked from episode one. The drama follows a masked vigilante who conducts nationwide “votes” to determine whether certain criminals deserve death—and if the public says yes, the vigilante delivers. Meanwhile, we have the police scrambling to stop a killer who says he’s merely following democracy. I know, riveting right? The Killing Vote is compelling and bold, while balancing social commentary with thriller pacing; some reveals land beautifully, while others could have used a bit more work, but regardless it’s the kind of show that asks the uncomfortable questions about justice, morality, and power, while also giving you enough tension to clench your jaw for 12 episodes straight (I can confirm this firsthand.) The show is fast-paced, so if you’re looking for a comparatively slower-paced legal drama, then Witch at Court could be the right show to watch instead. If you love social thrillers or vigilante-justice angles, like Taxi Driver, then The Killing Vote is the perfect next choice.

Welcome to Samdal-ri (2023)

After some of the more thrilling entries on this list, it’s a bit of a relief to once again talk about a slow, atmospheric comfort watch like Welcome to Samdal-ri. The slice-of-life drama is about a successful photographer whose career collapses, forcing her to return to her hometown where she meets her childhood love once again (and we all know where this is heading, don’t we? It sounds like a plot of a Hallmark movie, yes!) This is a small-town drama done right, it’s warm and thoughtful (and refreshingly unhurried, bringing your heartbeat right down after The Killing Vote.) 

There’s no over-the-top drama, just real people navigating real problems. Where Second Twenties is about reinventing your life, Samdal-ri is about rediscovering it. They both have the same pulse, but Samdal-ri feels sunnier. If you’ve ever returned home after being away for a long time, this drama captures the “needing it more than you realized” feeling perfectly. So if you want to escape to a coastal town with a lovable and quirky community, like in Hometown Cha-Cha-Cha, look no further than Welcome to Samdal-ri.

Busted! (2018-2021)

Okay, so I have to confess, Busted! isn’t a traditional K-drama in the strictest sense, but I just couldn’t keep it off the list. It’s pure entertainment, and I’ll tell you why. A quirky team of detectives come together to play fictionalized versions of themselves to solve a case-per-episode, while untangling an overarching mystery that unfolds throughout the season. If you’re someone who loves variety shows where the cast solves puzzles and challenges together, but wished they had an ounce of a storyline, that’s where Busted! steps in. 

There’s nothing like Busted! on this list; it operates in a variety show format, but masquerades as a mystery show, and that’s what makes this show unique. Though the mystery parts of the show are scripted, the cast’s interactions are largely unscripted, making it pure, unserious fun. The cast chemistry (and celebrity cameos) is fabulous, and it’s very clear that they’re having a wonderful time. The episodes themselves are wildly addictive, and I was surprisingly invested in the mysteries and plot twists as well, and not just the antics. It’s as if Running Man was mixed with Knives Out (only with more giggling, and less logic.) 

The Heirs (2013)

We’re taking this one back to the early-2010s with The Heirs. With privileged kids, angst, and the kind of family dysfunction that money definitely does not fix, fans of melodrama will find that in troves here. Some parts feel dated, and others have aged like milk (you know, the cliches, classism, the “he stares at her and therefore must be in love with her” stuff), but it’s the kind of luxurious escapism that only a K-drama can deliver. Lee Min-ho leads the pack as the brooding-heart-of-gold heir (with a killer wardrobe!) 

The drama is glossy but made watchable with its iconic soundtrack. If you’re a fan of dramatic wealthy-teen romance which highlights that “rich kids have problems too,” then The Heirs should be next on your list. Where Business Proposal is modern and more polished, The Heirs runs on nostalgia, drama, and is sometimes unintentionally funny (one of the side characters is so hilarious, I found him to be the highlight of the show.) If you liked classic teen dramas with love triangles, like Boys Over Flowers or Gossip Girl, then you’ll probably love The Heirs.                  

Romance fans get fed frequently where books are concerned, but we rarely get shows or movies that deliver happy endings in a way that's as memorable. Movies and TV shows that don't just offer a love story for the sake of it, but ones that take their time to give us multiple scenes that deep dive into strengthening the relationship, while giving us moments that we can get online and squeal about with fellow fans because they're too good not to dissect everything. 

There aren't many this year in 2025, and a new season of Bridgerton (2020) drops early next year, but we've rounded up the best properties that are bound to make you swoon, as well as where you can watch them on platforms such as Prime Video, HBO Max, and more.

Heated Rivalry (2025-present)

Heated Rivalry is everything—full stop. It's a breathtaking, achingly intimate queer hockey romance that's full of so much longing and joy that by the time an episode is over, you'll be left trying to juggle a plethora of feelings. It hits in all the right ways, with not one pairing but two, and because it's based on a romance novel series, we have the guarantee that no matter how many seasons are released, it'll always have a happy ending. 

Bold, genuinely compelling, and full of achingly sincere performances that ensure vulnerability pushes through with every scene is no small feat. It's the type of series that people are going to refer to for a long time in terms of its storytelling and adaptation. It's already breaking molds and making a genuine difference in the space for romance and dramas in general. There's nothing quite like it on screen right now. It's the perfect show for anyone who loves Red, White, and Royal Blue (2023)—another LGBTQ+ adaptation that perfectly honors the book it's based on in every way possible. 

Eternity (2025)

If you're in the market for a unique twist on the love triangle trope, look no further than Eternity. Smart, profoundly moving, and poignantly transparent, it's the perfect narrative to showcase how people can love more than one person in their lifetimes and how they'll navigate through choosing in a unique afterlife. It's an honest reflection of grief and various personalities, too, allowing it to be an intricate blend of love and loss.

In many ways, it would've been better if she'd chosen both. Let's go throuple, babes. But that's what fan fiction is for because everything about Eternity is beautiful when it comes to revealing why Joan's choices matter. At the same time, Elizabeth Olsen delivers one of her best performances alongside Callum Turner and Miles Teller, who are both such incredible scene partners that they all ensure the narrative beats feel earned. 

My Fault London (2025)

This one's for the forbidden romance fans—the ones who probably watched Life With Derek (2005) back in the day and thought that the chemistry between Derek and Casey was a bit too heated for step-siblings. My Fault: London floors it with the romance—metaphorically and figuratively, as there are actual street races, too. And with fun performances plus a genuinely compelling relationship, it makes the bond between Nick and Noah effortless to root for. 

It's not without its drama, and surely more will follow in the remaining films as it's a remake of the Spanish version Culpa Mia (2023), but it's wholeheartedly too good not to scream about. Full of moments that are both fiery hot and achingly soft, it's one of the biggest surprises of the year as a romance that's not just good, but actually memorable. Trust me on this one, give it a go—the soundtrack is aces, too, and that's always a major win in my book.

The Summer I Turned Pretty (2022-2025)

For those longing for the days of quintessential teen dramas and angsty love triangles, unlike the kind featured in Eternity, Jenny Han's adaptation of The Summer I Turned Pretty is the show for you. In Season 3, Belly Conklin finally makes her choice between the Fisher brothers, Conrad and Jeremiah. The best part is, the show's popularity is so tremendous that even if you don't watch it, you likely know every detail that goes into it and are also likely rooting for Conrad, which makes the decision earned.

The Summer I Turned Pretty might be over as a TV show, but fans will also be getting a movie that will hopefully feature more of the beloved couple during their bliss. It's dramatic at times, understandably frustrating, but when the romance hits, it hits hard. And every part of it is incredible to continue adding more romance adaptations to our screens. 

School Spirits (2023-present)

School Spirits is unlike any of the shows on this list, but it's the supernatural alternative for viewers who need a bit of spooky intermingling with their romance. But I suppose, like in Eternity, they're all dead, so there's also that. More importantly, it doesn't just come equipped with one ship, but two for now, with the third being hinted at. Full of profoundly well-written characters who are easy to adore, it's a breath of fresh air in every way as a series that deep dives into second chances in the afterlife.

Well-written and intriguing from start to finish, the romances are not only some of the best of the year, but they're so wholesome you might shed a tear or two. It's honest and heartfelt and feels so unique in a pool of similar shows that solely rely on drama. School Spirits does something thoroughly poignant with every episode to ensure that the characters are always at the center.

Wild Cards (2024-present)

If you love a good procedural and grumpy/sunshine dynamic, then Wild Cards will deliver in spades for you. It's an absolute blast from the very first episode with the type of fake first kiss in an undercover situation that's bound to make you soon. And while Max and Ellis get under each other's skins, their partnership expands brilliantly in Season 2 as it evolves their slow-burn romance to make them one of the best pairs of 2025. 

Wild Cards isn't just a joy where the romance is concerned, but it's a fascinating procedural that deals with the detective/consultant dynamic through a con woman, flipping expectations through effortlessly compelling narratives. The cases are fun, and the showrunners clearly understand their audience because they consistently deliver gripping content that's so delicious if you're someone who loves shipping. I know, I do, and I need ten more seasons.

Disney is a company that doesn’t typically rock the boat, but 25 years ago, that’s exactly what it did with The Emperor’s New Groove (2000). While the film was originally conceived as a musical much in the same vein as other Disney Renaissance titles, thanks to a troubled production, it changed to a wild and kinetic 78-minute comedy. Gone were the songs by Sting and in were buddy comedy gags, dry wit, and some of the best one-liners in the company’s 100-plus-year history. In other words, it’s amazing and comes highly recommended.

Since its release, the film has earned a strong cult following and endures as an icon of meme culture. It’s a comedy that’s perfect for all ages, and a part of the movie’s charm is its wonderful cast of voice acting talent. While The Emperor’s New Groove wasn’t a career highlight for any of them, it introduced an entire new generation to some comedy powerhouses from across the spectrum. After you’ve finished watching The Emperor’s New Groove over on Disney+ and you want to know what happened to the cast since then, then we at JustWatch are here to enlighten you.

David Spade (Kuzco) - Hotel Transylvania (2012)

There’s a running joke within the Disney community that Kuzco is the greatest Disney Princess of all time, and a part of that comes from the wonderful performance of David Spade. His sardonic narcissism really helped elevate Kuzco into the perfect brat that you love to see get taken down a peg.

Following The Emperor’s New Groove, Spade spent the decades since mostly working alongside former Saturday Night Live (1975) alum Adam Sandler and his production company, Happy Madison. This collaboration helped Spade create his most well-known role since The Emperor’s New Groove, Griffin the Invisible Man in Hotel Transylvania. For four movies, Spade continued to deliver his lines with a snarky and lackadaisical attitude and helped make the series a spooky but approachable franchise for kids, much like The Addams Family (2019). If you want a family-friendly series of movies that capture that Halloween vibe, Hotel Transylvania is right up your alley.

John Goodman (Pacha) - Monsters Inc. (2001)

Out of all of the cast members of The Emperor’s New Groove, John Goodman is probably the most well-known and beloved. Goodman does a wonderful job playing the warm and compassionate father role, and Pacha is no exception. He’s calm, understanding, and just a loveable guy you want to be around.

While he already made a name for himself as Dan Conner in Roseanne (1988), his most beloved role came only a year after The Emperor’s New Groove when he appeared in another Disney project, Monsters, Inc.. Goodman plays Sully, the kindhearted monster who does whatever he can to protect Boo and send her back home. If you found yourself enjoying the whimsy but mature tone of The Wild Robot (2024), then Monsters, Inc. will make you feel the same way, almost entirely thanks to John Goodman’s performance.

Eartha Kitt (Yzma) - Holes (2003)

An icon of the ‘60s, Eartha Kitt was a sex symbol for Baby Boomers who saw her play Catwoman in Adam West’s Batman (1966). By the time she appeared as Yzma, she was 73 years old, but that didn’t stop her from making Yzma one of the most delicious Disney villains of all time. Up until her death in 2008, whenever she had the opportunity to play Yzma, she would always relish it.

Kitt spent most of her years after The Emperor’s New Groove appearing in children’s movies and shows, with her most iconic role being Madame Zeroni in Holes. Ask any kid who watched Holes growing up, and they’ll tell you why Zeroni is a woman not to be messed with. After all, you don’t want to be cursed for all eternity if you forget to return to her. Holes is filled with cartoonish moments that may seem goofy to adults, but feel as gargantuan to a kid as the adventures the kids in The Goonies (1985) went on. It’s an underrated adventure movie that’s perfect for kids who may feel like they’re too old for Disney, but aren’t quite ready for PG-13 young adult adaptations. 

Patrick Warburton (Kronk) - The Venture Bros. (2004-2018)

Kronk is a lovable idiot. His earnest stupidity is infectious, and the way that Patrick Warburton speaks each line is comic gold. Like Keith David or Kevin Michael Richardson, he has a distinct voice and tends to pop up in dozens of different animated shows and movies. Like Goodman, Warburton also had an active and healthy career before playing Kronk, with most people probably recognizing him as Joe Swanson from Family Guy (1999). However, following The Emperor’s New Groove, he stepped into the shoes of the greatest bodyguard of all time in The Venture Bros., Brock Samson.

While Kronk is warm and inviting, Sampson is the exact opposite. He’s cold, violent, and doesn’t like being around people, which makes most of the action scenes in the show brutal and hilarious. It’s an adult comedy to be sure, with the focus on a large cast of characters with complex relationships, which isn’t too far off from how Archer (2009) handles its characters. The Venture Bros. knows how to balance campy fun with the absurdity of its premise, making it ideal if you want a modern take on Hanna-Barbera cartoons. At the very least, Patrick Warburton will still deliver the laughs, even if Brock isn’t as charming as Kronk. 

Wendie Malick (Chicha) - The Owl House (2020-2023)

While she may not be as well-known as Kuzco, Pacha, Yzma, or Kronk, Pacha’s wife, Chicha, is not given as much respect as she deserves in The Emperor’s New Groove. She has to take care of her family, doesn’t put up with Kuzco’s antics, and tells it like it is. The woman who brought her to life is Wendie Malick.

Despite her underrepresented performance, Malick has been very active in numerous shows and movies. Granted, most of these appearances have been supporting roles, but she brings that same no-nonsense energy to each role. Disney fans will undeniably recognise her as the voice of Eda from The Owl House (2020-2023). Like Chicha, Eda has a down-to-earth personality and doesn’t put up with anyone’s stupidity. Sure, she may not exactly be on the up and up herself, but she tries to do the right thing, and Malick conveys that wonderfully. It’s a surprisingly mature animated show, too, despite being directed at kids, with complex emotional beats that would feel right at home in shows like Infinity Train (20191). Even with the darker imagery, The Owl House is still a great show for people looking for a wholesome but serious animated series about the wonders of magic, and Wendie Malick helps to convey that vision 

Debuting in 1959 as Superman’s cousin, Supergirl has gone on to become one of the DC Universe’s most iconic female heroes. A well-meaning if brash superhero who came to Earth as a refugee, as opposed to her cousin’s fantastical riff on an immigrant story, Supergirl is just as powerful as Clark Kent but with less of the firm confidence or bubbly friendliness. This makes her a uniquely flexible character, as evidenced by all the different versions of her that have appeared over the years.

Some adaptations lean into her alien qualities, even positioning her as an antagonist that Superman has to convince to lower her guard. Other portrayals cast her as a noble and heroic woman who struggles to find her place in the larger world. All of them highlight the qualities that have made Supergirl so enduring, although some films are better than others. With the first Supergirl (2026) trailer here, let’s spotlight the 10 best Supergirl appearances across film and television, ranked.

10. Supergirl (1984)

Supergirl’s first big adaptation into another medium, Supergirl (1984), might be a mess of a movie, but it has its campy charms. Tangentially connected to Christopher Reeve’s Superman: The Movie (1978), Supergirl has memorable elements, like solid production design and Helen Slater in the lead role. However, it suffers from a lackluster story and bizarre performances, especially from Faye Dunaway, whose Selena might have been a good fit for a knowingly goofy superhero production like Adam West’s Batman (1966) but doesn’t gel nearly as well with the earnest qualities of Supergirl.

Slater tries her best, but she’s let down by a movie that has little interest in her as a character and is far more focused on the sci-fi worldbuilding that was never the most memorable element of the Richard Donner Superman movies. Still, for all its faults, Supergirl does a good job of highlighting the charming core of the character that has made her compelling across several different iterations. 

9. Superman/Batman: Apocalypse (2010)

Superman/Batman: Apocalypse is one of the many DC Animated Universe movies to come out of Warner Bros. Animation, and one of the few to really focus on Supergirl. Unfortunately, the film adapts the “The Supergirl from Krypton” storyline from the comics, which has aged particularly poorly. Typically a sequel to the far more entertaining Superman/Batman: Public Enemies (2009), Superman/Batman: Apocalypse focuses on a version of Supergirl that has been corrupted by Darkseid into an agent of chaos.

While Firefly (2002) star Summer Glau is solid in the film as a more muted and troubled version of Supergirl, the mismatched tone and strange narrative choices let the character down. There are plenty of DCAU movies that are actually terrific, like Justice League: The New Frontier (2008), but this one is easy enough to skip unless you’re a true completionist. 

8. The Flash (2023)

A wild example of the highs and lows of the modern superhero genre, The Flash was a strange exit point for the DCEU that wasn’t quite the final nail in the coffin for the franchise… but close. To the film’s credit, it does have some compelling elements, such as the return of the Michael Keaton Bruce Wayne from Batman (1989). It also has a very effective version of Supergirl, here imagined as a long-term prisoner of the Russians who is unleashed onto a world she has little reason to care about.

Played by Sasha Calle, this Supergirl is a dark reimagining of the character and also one of the film’s only true strengths as a powerhouse with a vulnerable core who finds an unlikely companion in the titular speedster. While The Flash can’t quite escape the shadow cast by its many controversies, Calle’s version of Supergirl is at least a bright spot in a very uneven film.

7. Superman: Unbound (2013)

A better example of the DC Animated movies, Superman: Unbound is much more in line with the tone and tenor of Superman films that fans have come to appreciate more. Pitting the Man of Steel and his cousin against Brainiac when the alien AI arrives on Earth with plans to add the city of Metropolis to his collection, Superman: Unbound is a slick and entertaining superhero romp that may not be too impressive, but it has charm to spare.

Molly Quinn delivers a solid voice performance as Supergirl, especially alongside Matt Bomer’s version of the Man of Steel. Non-essential but entertaining for any superhero fan, Superman: Unbound is one of the rare movies or TV shows that actively shows the Kryptonian cousins actually working together for the greater good.

6. Smallville (2001-2011)

Smallville was quietly one of the most important superhero shows of the 21st century, laying the groundwork for a lot of the genre’s resurgence. The seventh season of the show introduced Laura Vandervoort as Lara, a version of Supergirl who has to learn about humanity and the fate of Krypton.

Playing to the melodramatic heights of the drama, Kara was crucial to the Season 7 storyline but was pushed back onto the sidelines for the rest of the show. It’s a shame, too, because Vandervoort finds a fun dynamic with Tom Welling’s Clark Kent that deserved a bit more screentime. Engaging without becoming overwhelming, the Supergirl of Smallville was a memorable chapter in that series that could have benefited from more focus during the show’s second half.

5. Superman (2025)

Although she only appears at the end of the film, the Supergirl of Superman is one of the comedic highlights of the entire movie. In direct contrast to the cool-headed and well-meaning Clark Kent, the movie quickly establishes his cousin as a rough and rowdy Kryptonian who has none of the patience that Superman is known for.

However, Superman also highlights her softer side with the reveal that Krypto is her dog and matches her high energy, a sweet little coda for the film and a solid tease for the upcoming Supergirl movie set in the same universe. A genuine delight in a movie full of such beats, the Supergirl appearance in Superman may be brief, but it is a lot of fun for any DC fan.

4. Superman: The Animated Series (1996)

Starting with Superman: The Animated Series and building to a number of appearances across the DCAU shared universe of shows (not to be confused with the movies of the same name), Supergirl got one of her best-ever showcases as a character during this era. Portrayed as a hot-headed but heroic young woman, the Supergirl of the Superman series quickly became a fan favorite for her attitude and fun dynamics with the rest of the cast.

She only became better when she returned for Justice League Unlimited (2004) as a member of the larger team, with a subtle storyline playing out over the show that highlighted her growth into her own hero. Nicholle Tom is an absolute blast in the role, finding the right balance of spunky and confident to make her Supergirl a really compelling character.

3. DC Super Hero Girls (2019-2021)

One of the few DC adaptations that puts Supergirl firmly in a lead role while shunting her cousin off to the side, DC Super Hero Girls is a delightful take on the superhero franchise that finds humanity in the heroes. Depicted as one of the titular team of high school crimefighters, Supergirl is the rough and tumble brawler of the group who has to learn to hold back and be vulnerable with her friends.

Nicole Sullivan is great in the role, with the right mix of sincerity and bravado to make a very likable character. In turn, her Supergirl ends up getting some of the show’s most effective comedy and dramatic beats. A happy medium between the absurdist comedy of Teen Titans GO! (2013) and the more character-driven superhero stories of Your Friendly Neighborhood Spider-Man (2025), DC Super Hero Girls is a wonderful showcase for Supergirl.

2. My Adventures With Superman (2023-Present)

A fantastic riff on the Superman mythos, My Adventures With Superman had a phenomenal second season in large part due to the focus on Supergirl. Reimagined as the adopted daughter of Brainic, who initially meets her cousin as an enemy, this version of Supergirl is one of the most overtly dramatic takes on the character.

Torn between a genuine curiosity for Earth and the orders of her “father,” this version of Supergirl has a darker edge that never betrays the inherent appeal of the character. All of this makes her gradual arc in the season, where she finds common ground with her cousin, all the more appealing. With Season 3 currently in production, Kiana Madeira’s compelling take on the character will hopefully step back into the spotlight.

1. Supergirl (2015-2021)

The best show for fans of Supergirl, the Arrowverse version of Supergirl is an optimistic, big-hearted love letter to everything that makes the character great. Played by Melissa Benoist, Supergirl flips the script on the typical Superman narrative by having the Man of Steel fully off in his own corner of the universe. 

While Superman & Lois (2021) is also a lot of fun, it doesn’t compare to the thematic strength and sci-fi heights of this DC adaptation that knows how to find the right balance between hokey superheroics, topical social commentary, and soap opera romance. Bolstered by arguably the best Supergirl performance to date, this entry in the larger CW adaptation of the DC Universe remains a major highlight of the genre on TV and proof that the character can work just as well on her own as supporting Superman. 

Every year, Hallmark releases so many movies that it can be impossible to keep up. It's hard enough to keep up with regular movies and TV shows, let alone the ones airing on Hallmark. Most people also only watch Hallmark during the holidays, but every so often, there are regular 'ol romance movies that hit in all the right ways, and they aren't always holiday-based. 

In truth, Hallmark movies aren't for everyone. They're for those of us who love romance and those of us who understand that these movies aren't that serious. We don't need to get out there and critique them like the next Best Picture contender. Sometimes, they're just fun, and these days, we can use more of that. That's why we've got you covered with the five best Hallmark movies of 2025, ranked, as well as how you can watch them on Hallmark+. 

5. Adventures in Love & Birding (2025)

Based on the deliciously steamy romance novel by Sarah T. Dubb, Adventures in Love & Birding is an absolute blast. I'm not going to pretend I know anything about birding, but I do know a thing or two about romance and tension, which the movie delivers in spades. Rachel Boston and Andrew Walker make a tremendous team as they navigate through a birding retreat, fake dating, and the art of falling in love for real.

In order for Hallmark movies (and really all romances) to hit in all the right ways, we have to believe in the chemistry. We have to believe in the fact that the quiet moments are bigger and that the couple we're watching will last beyond the last frame. It's not just believable in Adventures in Love & Birding, but it's adorable on all fronts with some incredible trope-filled moments that are sure to make you swoon. It's especially perfect for those of you who want all the best tropes wrapped up in a unique premise.

4. Christmas at the Catnip Cafe (2025)

The second I saw the title for this movie, I knew that it was tailor-made specifically for me, and from the very beginning, I kicked my feet and screeched at every narrative decision because it's that delightful. The ranking of this list is fully objective, but make no mistake, this is the number one of my heart. Christmas at the Catnip Cafe has everything: cozy holiday vibes, countless cats, and an unlikely partnership that gradually grows into something deeper.

We talk a lot about what dreamboats Andrew Walker and Tyler Hynes are in the Three Wise Men (2022) trilogy, but we don't talk nearly enough about how magnetic Paul Campbell is, too. Numerous movies from the past prove this, but seeing him as a veterinarian here while holding cats proved that he's also an "it boy." Pair him with someone as charming as Erin Cahill, and the movie is bound to make you so giddy. This is especially the case if you're already a cat person. Prepare to have your socks charmed off. I might've even cried.  

3. Christmas Above the Clouds (2025)

Anytime Hallmark does some sort of twist on Dickens' A Christmas Carol, they nail it. While Ghosts of Christmas Always (2022) will always be my favorite, Christmas Above the Clouds is a close second, doubling as an angsty and delightful second chance romance on top of the whole redemption arc. Erin Krakow and Tyler Hynes are incredible together as two exes trapped on a plane, on their way to Australia, when Krakow's Ella gets Scrooged.

As we travel through the past, the present, and the future, the performances keep us glued to our screens, with the question of how everything will unravel. We all know how narratives surrounding A Christmas Carol end, but it's how the characters and their romance keep us engaged that makes this movie so riveting. And they do. If you want to watch a spin on the classic that sticks the landing with poignant moments of growth, look no further.

2. We Met in December (2025)

We Met in December is so dreamy and so pleasant, and particularly made for the real ones who know that Serendipity (2001) is one of the best Christmas romances. Niall Matter and Autumn Reeser make an excellent team as two people for whom one day changes everything, but they somehow forget to exchange contact information because they believe they'll see each other on the flight the next morning. Except he sleeps through his alarm, and well…you can imagine where things go.

While you have to suspend a bit of disbelief for this one, like Christmas Above the Clouds on this list, the writing and performances do an excellent job of making us believe what we see through flashbacks while longing fills the present-day moments. It's achingly romantic, poignant, and full of so much Christmas magic that your Grinchy heart might grow with hope (it's me. My heart grew a bit from this one.) 

1. Three Wisest Men

Three Wisest Men concludes the Three Wise Men trilogy with a profoundly moving story that's full of so much heart, I know I'm not the only one who'll miss the Brenner brothers. Like in each of the films that have come before, they each have some roadblock they need to push through to become the best versions of themselves, and Andrew Walker, Tyler Hynes, and Paul Campbell deliver excellent performances to ensure their journeys feel earned. 

This arc feels especially relevant today, where it feels like so many people are not only struggling with their careers but questioning decisions that are too big to make without thinking them through. It's an honest and heartfelt reaction to moving away from your childhood home, and how that'll look in the future. So many moments are legitimate tearjerkers with beats of nostalgia that make it the best Hallmark film of the year.

The Abandons' rise on the Netflix streaming charts owes a good portion of its appeal to its leads, Gillian Anderson and Lena Headey, two accomplished actresses with filmographies stacked with strong female characters. Here, they play feuding adversaries against an 1850s backdrop. While middle-aged women in starring roles are rare in the Western genre, they're relatively rare in the TV landscape as a whole. However, if you're asking me, no character archetype is quite as compelling as the cool, cunning, and borderline villainous matriarch.  

While Anderson and Headey's characters make excellent additions to this list, they aren't the only morally questionable women to leave you intrigued, scared, and a little excited. This list is for anyone seeking more middle-aged baddies to root for and against. Here are the best shows with matriarchs you love to hate (and hate to love). Ready for your new favorite anti-heroine? Streamers like Hulu, HBO Max, and more hold your answer.

Lucille Bluth - Arrested Development (2003-2019)

Out of all the entries on this list, Arrested Development is the only sitcom. However, don't let its comedy fool you. Lucille Bluth, the matriarch of the once-wealthy Bluth family, is downright awful… in the best way. Manipulative, narcissistic, and selfish, Lucille tosses around scathing one-liners like it's her full-time job. Her oedipal relationship with her son, Buster (Tony Hale), also makes for wonderfully dark comedy that feels ripped straight from Psycho (1960). 

While it all sounds bad on paper, Lucille is likable for that very reason. She's a caricature of an elitist who does wonders for Arrested Development's satirical humor. Really, all credit goes to the late Jessica Walter, who excels at comedic timing and, apparently, playing manipulative matriarchs in general, as her performance in Archer (2009) also proves. If you like Schitt's Creek (2015) and want to see a darker, more cunning version of Moira Rose, Arrested Development is your answer.    

Gemma Teller - Sons of Anarchy (2008-2014)

As anyone who grew up watching Married… with Children (1987) knows, Katey Sagal has undeniable charisma. While her character on Sons of Anarchy is wildly different from Peggy Bundy, that same charisma is there. Gemma, like all of the show's characters, is morally complex. Everything she does is to protect her family. However, there is an element of selfishness in these actions that complicates things.

Like many of the women on this list, Gemma is a master manipulator who uses her cunning to pull the strings in the all-male motorcycle club her husband leads. She doesn't necessarily have power; she creates it. In some ways, it's admirable. In other ways, it's horrific. With no shortage of one-liners and badass moments, Gemma is the biker gang queen. You'll love her. You'll hate her, and she'll also scare the heck out of you. Watch Sons of Anarchy if you like anti-hero dramas about criminal enterprises like Peaky Blinders (2013) or The Shield (2002).   

Cersei Lannister - Game of Thrones (2011-2019)

With Lena Headey also starring in The Abandons, she has the esteemed honor of appearing twice on this list. While Fiona Nolan is a complicated matriarch in her own right, she doesn't hold a candle to Cersei Lannister, one of Game of Thrones' most complex characters. Similar to Gemma in Sons of Anarchy, Cersei might be wealthy, but she doesn't hold as much power as her male family members, including her own children. Thus, every ounce of power she amasses stems from her ruthlessness, manipulation, and quiet intelligence. Throw in a little incest with her twin brother, Jaime Lannister (Nikolaj Coster-Waldau), and you've got one of the most despicable villains in TV history.

Still, there's something tragic about Cersei that makes her likable… or, at least, sympathetic. Controlled by men and emotionally destroyed by a doomed prophecy, it's easy to see how and why she became so power hungry. Maybe you're like me, and those types of tormented, ruthless women excite you—or maybe you're normal. Either way, Cersei is one of Game of Thrones' most important characters. Without her, you'd have no story, and anyone who appreciates a good villain will understand why right from Season 1, Episode 1.

Fiona Goode - American Horror Story Season 3 (2013-2014)

Poll 100 American Horror Story fans, and I guarantee that the vast majority of them will say the same thing: Jessica Lange made the series. While she played four distinctive characters during her tenure on the show, Fiona Goode undoubtedly deserves a spot on this list. She is selfish, manipulative, and borderline sociopathic, the type of woman who would sacrifice her own daughter to achieve her goals without batting an eye.

Still, American Horror Story Season 3 sprinkles in just enough moments of humanity to keep her from being completely reprehensible. Likewise, Jessica Lange embodies the character so perfectly that she drips with charisma and class. You'll want to wear her outfits just as badly as you'll want to see her get her comeuppance. If you like supernatural stories that are heavy on drama and horror, American Horror Story Season 3 is practically mandatory viewing, especially if witches pique your interest.

Norma Bates - Bates Motel (2013-2017)

Listen, as a big fan of Psycho, I put off watching Bates Motel for a long time. Psycho presents Norman's mother as an overbearing, cruel woman, and four prequel seasons of that seemed tedious. Color me surprised when Bates Motel didn't just prove me wrong about its story, but also about its take on Norman's mom. Before there was Mother, there was Norma Bates. While she's utterly dysfunctional, manipulative, and weirdly devoted to her son, she's also very likable (and so isn't Norman, to a point). 

A big reason Bates Motel works for me is that it takes time to explain its characters' psychology. Norma is anything but one-dimensional. She is a deeply complicated person, consumed by past traumas, current traumas, and a fierce but twisted love for her son. It's hard to talk about Norma without talking about Norman. She fears the monster he is, without ever fully realizing how she helped create it. Vera Farmiga delivers what I consider her career-best performance, managing to portray Norma as hopeful but damaged. There is nothing quite like Bates Motel out there, but fans of dark, psychologically heavy horror series like Hannibal (2013) will find a similar vibe.  

Cookie Lyon - Empire (2015-2020)

When it comes to this list, perhaps no one walks the line between villain and heroin quite like Cookie Lyon. Empire's fierce matriarch is just as likely to steal your heart as she is to make your jaw drop (Political correctness? Nope, this is Cookie we are talking about). Like many of the women on this list, her ruthlessness comes from a place of twisted protection. Her sons are everything, but her relationships with them are also complicated and, at times, very dark—just like her past.

Taraji P. Henson plays Cookie as proudly loud and brazen, but that doesn't stop her from showing vulnerability, which is one of the reasons she's so easy to love. You'll also hate her at times, but hey, that's half the fun of Empire. Some, including me, might even say that Cookie is Empire. If you like complicated family dramas like Succession (2018), Empire will give you similar dynamics, just with hip-hop music as its focus.  

Jeanin 'Smurf' Cody - Animal Kingdom (2016-2022)

If you dig crime dramas and haven't watched Animal Kingdom yet, please rectify that mistake immediately. Relatively underrated in the genre, Animal Kingdom is a little like Sons of Anarchy ditched the motorcycles, got a sunny California makeover, and gave its matriarch all the power. If you thought Gemma was scary in SOA, Smurf will terrify you. Employing an oedipal hold over her kids and grandson, Smurf aims to create a loyal gang of henchmen to grow her criminal empire.

Truthfully, Smurf doesn't have many redeeming qualities, yet Ellen Barkin delivers a captivating performance nonetheless. It's so good, in fact, you just might find yourself manipulated into liking her alongside the characters, even when you see her cracks. If you want a series that balances heist-level action with psychological depth and unpredictable twists, look no further than Animal Kingdom. Smurf is one of my favorite villains ever written for a TV series. Nothing she does is without purpose, so pay attention. 

Fiona Nolan & Constance Van Ness - The Abandons (2025)

The Abandons is a landmark series for its representation of women. It's not very often that the Western genre gives women the spotlight, and it's even less often that those women are middle-aged. Those familiar with Lena Headey's aforementioned role as Cersei in Game of Thrones probably won't be shocked by her competent performance as a vulgar Irish Catholic with questionable moral values. However, it's not often—if ever—that we get to see Gillian Anderson of The X-Files (1993) fame step into a more villainous role. 

To call either of them villains might be too much of a stretch. Instead, they're morally gray characters, each pushed further and further by their own agendas. Constance might be a bit more challenging to like than Fiona, but both women take turns dipping into antagonistic territory. What's unique here is that we also watch them feud with each other. So, if you're here because you love stories about complex, powerful matriarchs who embrace morally questionable choices, what's better than watching two of them on-screen at once? 

‘Tis the season for glistening lights, family gatherings, roasted hams… and absolute chaos. That’s right, my friends, the holidays are upon us, and the world once again spirals into the dredges of what humanity can become. Oddly enough, that’s always reflected perfectly in holiday movies, which actually have some of the worst characters in cinema history. 

Some movies are open and honest about their bad characters. Movies like The Grinch (2018) and Bad Santa (2003) at least let you know with their titles what you’re about to experience. But the real nefarious holiday films are the ones that are seemingly innocent and “family friendly.” 

But just how family-friendly are these Christmas classics? From psychological abuse to robbery, assault, and more, the characters in these holiday movies are better suited for prisons than tinsel season. But what are some of the worst offenders of mistletoe madness? Read on to find out and discover how to watch them all on streamers like Disney+, Netflix, and more.  

Home Alone (1990)

It’s one of the most iconic holiday movies ever, but Home Alone is also filled with some of the worst humans imaginable. Lots of reviews and retrospectives like to focus on the level of violence perpetrated by a child, but in my opinion, Kevin (Macaulay Culkin) has every right to do whatever he wants. 

First of all, while home alone for days on end, two bandits try to rob his house and do who knows what else to him while they’re there. Kevin was basically just defending himself. What we really need to dive into is the fact that he was left home alone at all. How horrible must a family be not to realize their son isn’t with them when traveling? How do you even make it through airport check-in and security without noticing that extra boarding pass in your hand? Remember, back then, they were physical pieces of paper you had to carry around, so there would have been a physical reminder that someone wasn’t there the whole time. 

But beyond that, does anyone else remember the opening scene of that movie? Does anyone else remember just how absolutely terrible that family was to Kevin? His brother harasses him, yet Kevin gets blamed? Not to mention the horrible names he’s called at the start of the movie. “You little jerk.” “Kevin, you’re such a disease.” “You’re what the French call les incompetents.”

I think brutally assaulting the wet bandits was probably a cathartic experience for Kevin, who undoubtedly had enough repressed rage he could fill Santa’s sleigh with it. But also, Home Alone is such a fun movie. It’s iconic for a reason. Culkin was a brilliant child actor, and the traps and schemes he cooked up were pure genius. If you love the comedy vibes of Planes, Trains and Automobiles (1987) or home invasion comedies like Remote (1993), you need to watch Home Alone. 

A Charlie Brown Christmas (1965)

It’s about time we talk about just how cruel the Peanuts gang are. First off, we have our chronically depressed and joyless Charlie Brown, who is then mocked by all his “friends” for basically everything, from his chronic malaise to his flimsy, half-dead tree, and his inability to grasp the concept of Christmas… which is, admittedly, ridiculous. Eat food and open presents, Charlie, it’s simple! 

And yet, somehow, a Christmas special about a young, depressed boy being abused by those around him has become an iconic holiday staple. Maybe that’s because deep down, we all feel like Charlie Brown sometimes. Also, it doesn’t hurt that the soundtrack for A Charlie Brown Christmas is fantastic, and its classic animation style likely brings back tons of nostalgia for older viewers. If you love other Peanuts specials, like It’s the Great Pumpkin, Charlie Brown (1966), then this should be on your watchlist for the holidays.

Christmas with the Kranks (2004)

Determining who the worst people are in Christmas with the Kranks is pretty hard. First off, we have our joyless couple (Tim Allen and Jamie Lee Curtis during her “bad wigs” era) who decide to completely skip Christmas and take a cruise after learning their daughter joined the Peace Corps and won’t be coming home for the holidays.

Then, we have their psychotic neighbors (led by Dan Aykroyd) who, for some reason, become infuriated that the Kranks won’t decorate for Christmas this year. Yes, that’s seriously the plot of this movie. As their daughter helps starving, impoverished people, her parents and their neighbors squabble over decorations. The neighborhood erupts into the pettiest, shallowest conflict ever because, apparently, these people don’t have any real problems. 

But the stupidity of this movie ends up becoming its strength. Its “conflict” is so trifling and trivial that you actually can’t help but laugh. Granted, you won’t laugh with this movie; you’ll laugh at it. But I guarantee you won’t be able to turn it off. Think if The Room (2003) or Troll 2 (1990) were a Christmas movie. Sounds fun? Then it’s time to watch Christmas with the Kranks. 

Jingle All the Way (1996)

Nothing says Christmas quite like a deadbeat dad! And that’s exactly what we get in Jingle All the Way, where Arnold Schwarzenegger plays an absent father who has let down his son one too many times. To make it up to him, he decides to get him the year’s hottest toy: the Turbo Man action figure.

And wow, what a father won’t do for his son that he’s abandoned for years. We see Schwarzenegger steal, harass minors, impersonate a police officer, get involved in an illegal smuggling scheme, and commit numerous reckless endangerment felonies, including speeding toward oncoming traffic in the wrong lane. There’s even a scene with a bomb threat! Aren’t the holidays magical? 

What makes Jingle All the Way even wilder is that just weeks after its release, the very real Tickle-Me Elmo craze began, and very real people started committing very real crimes to get the toy, just like Schwarzenegger did in the film… coincidence? 

National Lampoon’s Christmas Vacation (1989)

As one of the various sequels to National Lampoon’s Vacation (1983), Christmas Vacation sees the Griswolds host their extended families for the holidays. But like all Christmas movies, the holidays quickly spiral out of control thanks to the Griswolds’ plethora of horrific relatives. 

Let’s see here (checks list), we have the poor, dirty brother and his family who are mooching off Clark because they’re broke; we’ve got the wife’s parents who think everything Clark does is wrong; we have the stuck-up neighbors who put Clark down at every chance they get; and…am I missing anything? Ah, yes, eventually, Clark goes crazy, and his brother kidnaps his boss and takes him hostage. Just another holiday at the Griswold house. 

But the madness is super enjoyable, and while your family (probably) isn’t as bad as the Griswolds, something about them and their whole ordeal just feels way too relatable. If you loved the way A Christmas Story (1983) captures the holidays of yesteryear, you’ll enjoy how Christmas Vacation skewers the holiday experience of modern America. 

The Guardians of the Galaxy Holiday Special (2022)

In The Guardians of the Galaxy Holiday Special, Mantis (Pom Klementieff) and Drax (Dave Bautista) notice that Peter (Chris Pratt) is depressed during the holidays. To help cheer him up, they decide to give him a gift. That gift is Kevin Bacon. The real, actual Kevin Bacon.

To get Kevin Bacon, they go to Earth, break into his house, chase him down, assault police officers, and then brainwash him into thinking he wants to travel through space to hang with Peter for Christmas. 

As we all know from holiday movies, actions like these are only acceptable if committed during the Christmas season. Because with a little holly, jolly spirit, any and all crimes can be overlooked! The holiday special is just a lot of fun, and it’s especially great for newcomers who aren’t super familiar with the MCU because it’s a pretty tight, standalone story that doesn’t require the kind of in-depth franchise knowledge most MCU projects do these days. But if you’re a Guardians of the Galaxy (2014) fan, you’ll especially love the holiday special. 

Happiest Season (2020)

Happiest Season is a holiday movie that’s actually all about abuse. In the film, Harper (Mackenzie Davis) invites her girlfriend, Abby (Kristen Stewart), to come stay with her family for the holidays. But she forgets to mention that her family is homophobic and doesn’t know that she’s gay. She also told them that Abby is coming with her for Christmas because her parents are dead (they aren’t).

Wow… that is, just wow. Then, throughout the entire movie, Harper pushes Abby further and further away, even though Abby is stuck there as a guest. Not to mention that the entire ordeal is all Harper’s fault. 

Harper is such a horrible person that Happiest Season is actually hard to watch and is less a holiday film and more a story about a toxic, abusive relationship. Seriously, the level of psychological abuse here is on par with movies like Gaslight (1944) or Enough (2002), so it’s perfect for anyone who wants a gripping drama parading around as an innocent Christmas movie. 

Deck the Halls (2006)

In Deck the Halls, Matthew Broderick and Danny DeVito star as two fathers who live across the street from each other and engage in an epic battle of who can be better at Christmas. Broderick is the “traditional” Christmas fan, full of standard white lights, caroling, and wreaths; while DeVito is the gaudier, tackier side, filled with obnoxious blow-up decorations and multi-colored lights everywhere. The film was met with very bad reviews, and as someone who has, unfortunately, sat through the whole thing, I can personally attest to just how boring and dull the plot is and how truly awful the characters are.

When combined, we get two of the worst characters in Christmas movie history, and we watch as their petty, pathetic competition completely consumes their lives. They’re so awful that they even push their families away. Literally, halfway through the movie, their families end up leaving them. Then, they both go to a Christmas concert where they start sexually harassing the women performing. At one point, Broderick shouts, “Who’s your daddy?” and the girl turns around and… she’s his daughter. Cringe! It gets worse, though, and the two fathers then run to a nearby church to wash their eyes with holy water. 

I dare you to sit through this stinker of a movie. Actually, no, I don’t. That would just be cruel. But if you’re a Christmas completionist like me and feel compelled to watch every holiday movie at least once, you’ve been warned.

A24 and Timothée Chalamet’s latest movie, Marty Supreme (2025), is right around the corner and already generating Oscars predictions. The film’s latest marketing tactic has further stoked anticipation after Chalamet posted a hilarious 18-minute skit on Instagram to promote the movie.

If the video has piqued your interest in other unhinged but brilliant marketing campaigns for films, our guide will show you how to watch the movies with the wildest marketing campaigns on platforms like HBO Max, Hulu, and more.

Psycho (1960)

Alfred Hitchcock’s Psycho was one of the earliest movies to utilize an unusual marketing campaign. At the time, theaters had looser admission policies, often resulting in audiences arriving in the middle of a movie. However, Hitchcock demanded that theaters instill a “no late admission” policy to ensure no one would miss the iconic twist after Marion Crane (Janet Leigh) arrives at the Bates Motel. Although theaters initially balked at the policy, it intrigued audiences enough that long lines quickly formed outside theaters as viewers waited to enter.

Psycho’s unique marketing worked well because it is the kind of movie that demands a unique theater experience. Popularizing the slasher genre and offering one of the most memorable murders in horror cinema, few films compare to Psycho. It’s a must-see for fans of Hitchcock’s work, especially Vertigo (1958) and Rear Window (1954).

The Blair Witch Project (1999)

Today, most of us know The Blair Witch Project as a horror movie that employs the found-footage technique. In 1999, though, some audiences went into the movie believing it was real, thanks to its wild marketing campaign. The creators marketed the film as a real case, going so far as to create a website with missing-person posters and staged interviews. The Blair Witch Project was even preceded by a 45-minute faux documentary, Curse of the Blair Witch (1999), to fool audiences further.

Not only was The Blair Witch Project one of the first movies to utilize the internet for its marketing, but it also helped popularize the found-footage format. It makes excellent use of the technique, keeping audiences in the dark and adding another layer of creepiness through its ambiguity. If you love found footage movies like The Dyatlov Pass Incident (2013) and Creep (2014), you’ll want to check out The Blair Witch Project.

The Dark Knight (2008)

The Dark Knight is the sequel to Batman Begins (2005) and sees Batman (Christian Bale) face off against The Joker (Heath Ledger). It boasted one of the most interactive marketing campaigns in recent years through ARG (alternate reality gaming). Fans were able to uncover details of the movie through clues on websites, a Gotham-inspired newspaper, and at San Diego Comic-Con. These clues led to the first image reveal of Ledger’s Joker, or to fans voting in the fictional election for Harvey Dent (Aaron Eckhart).

Thousands of people participated in The Dark Knight’s expansive campaign, helping build anticipation for the movie. The film was deserving of such a campaign, as it stands among the best Batman movies of all time. Dark, thrilling, and featuring, arguably, the best iteration of The Joker to date, The Dark Knight demonstrated just how sophisticated superhero movies can be. It’s an excellent watch for fans of mature superhero films like Watchmen (2009).

The Cloverfield Paradox (2018)

The Cloverfield Paradox is the third movie in the Cloverfield series, and sees a group of astronauts attempt to solve Earth’s energy crisis, only to cause a terrifying paradox in the process. The film boasted a pretty unusual marketing campaign. Its first trailer took audiences by surprise, dropping abruptly during Super Bowl LII on February 4, 2018, and announcing that the movie would premiere on Netflix immediately after the game. One major marketing push during the biggest sports event of the year, along with a surprise release, certainly caught viewers’ attention.

The Cloverfield Paradox is a nice addition to the Cloverfield franchise. Even if you’re not familiar with its predecessors, it’s a sturdy, albeit slightly predictable and formulaic sci-fi movie. I found The Cloverfield Paradox fit in well with the franchise and offered a standard space thriller in the vein of Life (2017) and Event Horizon (1997).

Smile (2022)

Smile follows Dr. Rose Cotter (Sosie Bacon), who begins suffering haunting visions and hallucinations, including sinister smiles, after witnessing a traumatic event. The film capitalized on just how creepy a smile can be by bringing them into the real world. If you were watching live sports in the months leading up to the film, there’s a chance you caught glimpses of audience members standing stock still and smiling eerily at the camera. The creepy stunts went viral on social media and were strange and disturbing enough to generate interest.

Smile’s marketing campaign highlighted the movie’s strongest aspect: its deeply eerie, disturbing visual imagery. From contorted beings to creepy smiles, Smile consistently creates an unsettling, dreadful atmosphere. It also goes a little deeper than most horror movies, touching on trauma and mental health. It’s a great watch if you’re interested in unique and complex horror films like The Ring (2002) and Cuckoo (2024).

Barbie (2023)

Barbie centers on Barbie (Margot Robbie) and Ken (Ryan Gosling) as they venture into the real world on Barbie’s journey of self-discovery. The film enjoyed an extensive marketing campaign. Barbie collabs popped up everywhere, including with Airbnb, which opened a renovated, life-sized, hot-pick Barbie Dreamhouse mansion for rent. Most notably, Barbie also embraced the internet phenomenon of “Barbenheimer,” which celebrated the concurrent release of Barbie and Oppenheimer (2023). Although much of that marketing was generated by social media users, Barbie’s team played into it, including having Greta Gerwig and Robbie pose with their Oppenheimer theater tickets.

Barbie’s marketing perfectly captured the movie’s eye-catching set designs and costumes. With vibrant colors, stunning outfits, and gorgeous, practical effects, the film brings Barbie to life in a way no other movie has. On top of that, its strong feminist themes added depth to its otherwise fun, humorous premise.

Longlegs (2024)

Longlegs tells the story of FBI Agent Lee Harker (Maika Monroe) as she attempts to solve a serial killer case with occult elements. The film garnered attention for its unconventional marketing campaign, especially since audiences initially didn’t know which movie the campaign was for. Longlegs’ studio, Neon, began releasing cryptic, disturbing short video teasers. For example, one was titled “Every year there is another,” and featured an image of a family against the backdrop of a 911 call. The end of the teasers contained hieroglyphics that fans had to solve to reveal which film the video teased. Another teaser unveiled the release date via heroglyphics.

Longlegs’ cryptic, creepy marketing did justice to the film’s frightening premise, as many critics dubbed it the scariest movie of 2024. Featuring an unhinged performance from Nicolas Cage, a constant atmosphere of dread, and nightmarish imagery and jump scares, it’s an excellent horror movie that really capitalizes on your anxiety. 

Novocaine (2025)

Novocaine is an unconventional superhero story about Nathan Caine (Jack Quaid), a man with a rare condition that prevents him from feeling pain, who sets out to save his abducted love interest. The film boasted a cheeky marketing campaign reminiscent of Smile. Quaid attended a Los Angeles Clippers game before Novocaine’s premiere. Audiences were a bit concerned when, every time the camera turned to Quaid, he appeared to have sustained progressively worse injuries, ending the game in a neck brace and with fake blood on his face.

The funny marketing campaign caught the audience’s attention and wasn’t as unsettling as Smile. Novocaine itself is a witty, bloody, and wildly entertaining superhero underdog story. With its unconventional hero, dodging of superhero tropes, and twisty premise, it’s sure to be a hit among The Boys (2019) fans.

Bugonia (2025)

Bugonia is Yorgos Lanthimos’ new movie, which follows Teddy (Jesse Plemons) and Don (Aidan Delbis), two men whose conspiracy obsession drives them to abduct Michelle Fuller (Emma Stone), the CEO of a pharmaceutical company. Promotional materials unveiled Stone with a shaved head for her role as Fuller, and the studio decided to capitalize on the hype around her unexpected look. In Los Angeles, audiences had the opportunity for an advanced screening. The price for admittance, though, was to shave your head. An on-site barber was available for those interested in the deal.

The strange marketing tactic actually fits in quite well with Bugonia, a peculiar movie. Boasting the signature absurdity of Lathinmos’ films, it delves deep into the nature of conspiracy theorists through a darkly comedic lens. Satirical, absurd, and complex, it’s a must-see for fans of Lanthimos’ work, especially Poor Things (2023) and Dogtooth (2009).

Marty Supreme (2025)

Marty Supreme is a sports comedy in which Marty Mouser (Chalamet) seeks greatness through table tennis. The film attracted attention with a creative marketing stunt from Chalamet. The actor uploaded an 18-minute meta-video in which he met with A24’s marketing executive to pitch his increasingly ridiculous marketing ideas for Marty Supreme, such as pouring ping pong balls into crowds and painting the Statue of Liberty orange. From his unhinged ideas to his interjections of “SCHWAP” to emphasize his opinions, the video is funny, self-deprecating, and oddly relatable to those in the corporate world.

The video accomplished its purpose, quickly going viral on social media and earning a positive reception from many media outlets. It also seems to foreshadow Chalamet’s character in Marty Supreme and the drawbacks of unfettered ambition. If the film is as intense or humorous as its marketing campaign suggests, it could be a hit upon its December 25, 2025, release.

With the number of movies and TV shows that are released every year, it can be impossible to keep up. It's hard for us as critics, too, let alone general audiences. How do you choose what's worthy? Do we rely on awards? Do we take advice from our peers? Years ago, I'd made the decision that I was going to watch all of AFI's Top 100 movies before finally choosing to embark on this career as a critic, and since then, I've often found that their choices are what work best for me. 

AFI has now released their Top 10 Awards for both 2025 movies and TV shows, and we're sharing the list of how you can watch them on platforms such as Netflix and Disney+, amongst others, as well as which ones stood out to us, specifically. 

Top 10 AFI Movies

• Avatar: Fire and Ash (20th Century Studios)
• Bugonia (Focus Features)
• Frankenstein (Netflix)
• Hamnet (Focus Features)
• Jay Kelly (Netflix)
• Marty Supreme (A24)
• One Battle After Another (Warner Bros.)
• Sinners (Warner Bros.) 
• Train Dreams (Netflix)
• Wicked: For Good  (Universal Pictures)

Frankenstein (2025)

In every way, Frankenstein is the type of story that was written for an artist like Guillermo del Toro to adapt. Mary Shelley's classic isn't everyone's favorite, but pair her words with a visionary director like del Toro, and we have something indefinable, transcendent, and genuinely masterful on our hands. From the cast to every brilliant directorial decision, Frankenstein shines as one of the most breathtaking films of the year.

Avatar: Fire and Ash and Wicked: For Good may be the most colorful movies of 2025, but in every way, Frankenstein is the work of art because of how del Toro uses darkness and gothic elements to create a spectacle on the duality of man and human fragility when it comes to the things we don't understand. It's a profoundly moving movie, perfect for anyone who loved his previous Best Picture winner, The Shape of Water (2017).

Hamnet (2025)

For the longest time, I was convinced that the AFI Top 100 film, Sophie's Choice, was the most devastating narrative centered around a mother and her children. Now I'm convinced that Hamnet is its equal. Adapted from the bestselling novel of the same name by Maggie O'Farrell, the story follows the death of Shakespeare's son Hamnet and the birth of his most renowned tragedy. Chloé Zhao's carefully crafted adaptation is harrowing on all fronts, made even more gut-wrenching by Jessie Buckley's perfect performance (if she doesn't take home every award next year, there's no justice in the world.)

In many ways, 2025 movies are quieter; they're not exactly roaring to life with big narratives. They're contained within a few sets, and none are more astonishing in how they utilize every space the way that Hamnet does. Buckley's performance is the type of tour de force we're going to be talking about for years to come. It's not for the faint of heart, but if you can stomach pain and grief and the art of creativity amid our struggles, then look no further.

Sinners (2025)

Sinners, like Frankenstein, is a tremendous jaw-dropper on all fronts as two films where humans and monsters exist in the same space, and we're meant to sit with our emotions to question where the real atrocity lies. It's significantly darker and bloodier, but with it, Ryan Coogler proves that we need to trust creators to deliver the unique stories they want, no matter how they sound on paper, because it's proof that greatness lies in those eerily integrated metaphors.

As someone who doesn't particularly love vampires, I was blown away by the craftsmanship and performances in Sinners. I was in awe of how Coogler told a story of racism and stereotypes through a lens that also uplifts and honors the role music plays in communities. It's the type of movie people can write dissertations about years from now because the thematic relevances within are vast and immensely significant.

Top 10 AFI TV Shows 

• Adolescence (Netflix)
• Andor (Disney+)
• Death by Lightning (Netflix)
• The Diplomat (2023) (Netflix)
• The Lowdown (FX)
• The Pitt (HBO Max)
• Pluribus (Apple TV)
• Severance (Apple TV)
• The Studio (Apple TV)
• Task (HBO Max)

Andor (2022-2025)

Andor isn't just a show for Star Wars fans, but it's a masterclass in storytelling through analogies that carefully and poignantly reflect matters of the real world that aren't just timely today, but will likely still matter years from now. It's a cautionary tale about oppression and bigotry and the ordinary people who fight through it. Diego Luna delivers one of the most memorable performances in any TV show, adding his name to the list of greats that prove there's profound relevance in the sci-fi genre.

If you've never watched anything in the Star Wars saga, Andor is a great place to start, as a beginning to the end. It's intriguing and thought-provoking, guaranteed to get you aboard an even bigger ride to a galaxy far, far away. Every minor detail, every thoughtful conversation, and every set piece tell a masterful addition that's rich with layers to deconstruct an even bigger revolution.

The Pitt (2025-present)

As a hypochondriac who generally cannot stomach medical shows, The Pitt is a perfect exception, and for that, I'm thankful. So if you're anything like me and can't handle medical shows, trust me on this one: give it a shot. You'll be thankful you did. Though it shares similarities with ER (1994), The Pitt isn't an ordinary medical drama, and it's entirely because of its structure in telling intimate stories that span throughout a single shift. 

It's guaranteed to make you examine medicine in a whole new light. However, more than that, it's the character development that occurs throughout the single day that makes it so extraordinary because it's proof of excellent writing that strikes an effective balance between plot and character. With inimitable performances in every corner, it's the type of series that is carefully and consistently doing something revolutionary in a genre that doesn't often get as much recognition.

Severance (2022-present)

Like Andor, a sci-fi series might not be for every viewer, but Severance should be an example of how it can be universal. Perfect for anyone who also loves the mind-bending plot twists that service the characters as opposed to the plot, it carefully deconstructs matters such as grief and conditioning to unravel what it truly means to be a human being amid harrowing experiences. 

As we dive deeper into unraveling what happens behind the scenes at Lumon, it becomes home to one of the most achingly haunting flashback episodes and plot twists that are guaranteed to keep you up at night. Because of how carefully and thoughtfully it explores intricate topics that aren't easy to crack through, Severance is, in every way, the best drama of the year. Adam Scott also delivers a career-defining performance throughout Season 2, and if you love him in a show like Parks and Recreation (2009), you owe it to yourself to see how much range he's capable of by also watching Severance. 

The 2026 Golden Globes have announced its nominations, and there are some real surprises and snubs in the pack. The goofy global cousins to the Oscars and the Emmys, the Golden Globes are usually a good barometer of the state of the award season race every year. Due to its splintering based on genre, it’s also always a bit of a random chance which films and shows will earn some love from the Governor’s Board.

Some of the biggest award season narratives surrounding One Battle After Another (2025), Sinners (2025), Sentimental Value (2025), and Marty Supreme (2025) all cemented their standing, while other prospective contenders that have suffered from critical drubbings like Christy (2025) fell. However, there are some pretty big surprises and snubs across both the TV and film categories that stand out. Here are the biggest shockers from the 2026 Golden Globe nominations and where you can find them on Paramount+, Netflix, and more.

Surprise: Helen Mirren Gets A Nomination For ‘Mobland’

Helen Mirren’s Golden Globe nomination for Mobland (2025) comes as something of a surprise, given the reception that the show received otherwise. Mobland is a fairly by-the-numbers crime drama, not too dissimilar from other shows like Tulsa King (2022) or The Gentleman (2024). While the cast is strong, Mirren doesn’t particularly stand out compared to co-stars Tom Hardy and Pierce Brosnan.

However, the Golden Globes connected with the performance on some level, going by her nomination for Best Performance by a Female Actor in a Television Series – Drama. While a win wouldn’t be out of the question, it would be a massive surprise given the quality of the competition, including Rhea Seehorn’s frontrunner status for Pluribus (2025) and Keri Russell for The Diplomat (2023).

Snub: ‘Alien: Earth’ Didn’t Take Off

Alien: Earth (2025) is one of the most ambitious shows of the year, building off the legacy of the classic franchise while also charting an exciting (and disturbing) path forward. While the performances were often strong, they also usually took a back seat to the alien designs and massive worldbuilding.

There were some expectations that Alien: Earth would at least earn nominations for Noah Hawley and his team, who took everything that makes Alien (1979) so memorable and refined it for great effect. Alien: Earth didn’t end up with a single Golden Globe nomination, which is a bit of a shocker given the impressive effects and strong critical reviews. Overall, the year wasn’t a big win for sci-fi as a whole, so this lack of a nomination might be a bit of a larger trend. 

Surprise: Glen Powell In ‘Chad Powers’

Glen Powell has been cementing himself as a blockbuster star in recent months, but even that doesn’t make his Chad Powers (2025) nomination any less surprising. The football comedy is a great chance for Powell to showcase his comic chops, with a charming lead performance that helps make the show work.

While the series was popular with viewers, it had a harder time with critics, who were more mixed on the show’s approach. It seems like the Golden Globes sided more with the audience than the critics, with Powell snagging a nomination for Best Lead Actor. In a year that saw Powell’s potential tested with the mixed reception to The Running Man (2025), the nomination is a major victory for the actor and retains his rising popularity.

Snub: No Love For ‘The Lowdown’

The Lowdown (2025) is a blast, a charming and explosive crime caper that gives Ethan Hawke (as well as co-stars Peter Dinklage, Keith David, Kyle MacLachlan, and Jeanne Tripplehorn) a terrific showcase. It’s also earned no nominations at this year’s Golden Globes, which is a real surprise.

The FX series has just the right amount of comedy and darker satirical edges to feel like a natural fit for the ceremony, and the supporting performances (especially the one by Keith David) definitely feel like they deserve some recognition. While other FX shows like The Bear (2022) were able to snag solid nominations, it wasn’t the best year at the Golden Globes for the network. Fans of the show will just have to keep hope alive for a Season 2 announcement.

Surprise: ‘The Smashing Machine’ Gets Two Big Nominations

The Smashing Machine (2025) was initially announced with a lot of award season ambitions. Dwayne Johnson was considered a potential contender for Best Actor, and several people were predicting massive success. However, the film fizzled out, with a historically low box-office return for Johnson and a mixed critical reception.

Johnson and co-star Emily Blunt are keeping the film’s award hopes alive, thanks to a nomination for Best Performance by a Male Actor in a Motion Picture – Drama and Female Actor in a Supporting Role. Blunt, in particular, has a unique challenge in The Smashing Machine, forced to contend with a relative lack of screen time compared to Johnson and a broader characterization in the script. Blunt is as good as ever in the role, though, justifying her seventh nomination.

Snub: No Comedy/Musical Nomination For ‘Wicked: For Good’

Wicked: For Good (2025) had the benefit of following up on the massive success of Wicked (2024), which became a global phenomenon. It’s also not like Wicked: For Good has been shut out, as the film has earned five nominations (Best Performance by a Female Actor in a Motion Picture – Musical or Comedy, Best Performance by a Female Actor in a Supporting Role, two nods for Best Original Song, as well as Cinematic and Box Office Achievement).

However, the film missed out on a nomination for Best Motion Picture - Musical or Comedy. The fact that films like One Battle After Another, which barely fit that category, still earned nominations must sting for musical fans, although the more tepid response it received from critics may have prepared fans for disappointment.

Surprise: ‘No Other Choice’ Snags A Best Comedy Nomination

One of the best films of the year, No Other Choice (2025) has been struggling to stand out in a crowded field. The South Korean dark comedy is a purposefully grim and painfully human watch, with a pitch-black sense of humor that works incredibly well. However, other films like It Was Just an Accident (2025), Sentimental Value, and The Secret Agent (2025) have been overshadowing it in other competitions for non-English language films.

Luckily, the Golden Globes gave No Other Choice some renewed life in the award season race, thanks to a nomination for Best Motion Picture - Musical or Comedy, as well as a nomination for Squid Game (2021) star Lee Byung-Hun for Best Performance by a Male Actor - Musical or Comedy. While actual wins might still be a tall order, No Other Choice has at least kept itself alive in the award season race.

Snub: ‘Stranger Things’ Misses Out On A Nomination

Stranger Things (2016) has been one of the biggest TV shows of the last decade, with the ‘80s-inspired romp growing from a single tightly designed drama into a cultural phenomenon. The first half of Season 5, which debuted over the Thanksgiving holiday, was such a success that it even brought down Netflix’s servers for a time.

While some had been hoping that the final season would connect with award voters, it seems that the Golden Globes weren’t all that focused on Hawkins. The show received zero nominations at the Golden Globes, which comes as something of a surprise given the amount of attention that has been paid to the lead performances. At least fans still have two more episode drops to look forward to. If you’re a sci-fi fan who hasn’t watched the Netflix phenomenon, this is your time to check it out. 

Surprise: Natasha Lyonne Gives ‘Poker Face’ One Last Hope

If you like case-of-the-week mysteries, Poker Face (2023) is a great show, with a one-of-a-kind lead performance by Natasha Lyonne grounding it. The brainchild of Rian Johnson and a companion piece of sorts to his Knives Out films, Poker Face is a classic episodic mystery series that revolves around Charlie Cale, a drifter with the uncanny ability to perceive any and all lies. 

The show is an absolute delight, a modern-day answer to Murder, She Wrote (1984) that flipped the script and subverted expectations. Although Peacock has ended Poker Face after two seasons and Johnson is hard at work pitching it elsewhere, Natasha Lyonne’s nomination for Best Performance by a Female Actor in a Television Series – Musical or Comedy could give it a final victory on the way out.

Snub: Wunmi Mosaku Doesn’t Get A Nomination For ‘Sinners’ 

Sinners (2025) had a very solid run at the Golden Globes, earning seven nominations across multiple categories. However, one person left out of the running was Wunmi Mosaku, who delivered one of the film’s most understated and emotional performances as Annie. Mosaku has been picking up momentum across several award ceremonies, but the Golden Globes didn’t end up giving her the nod for Supporting Performance.

While the competition is stiff this year (and Ariana Grande and Teyana Taylor are expected to be in a two-person race for the award across the board), it’s a shame that the Golden Globes didn’t give Mosaku recognition for a performance that required her to be both an emotional bedrock of the film and the primary exposition dump for vampire lore. Fans of vampire movies or unique horror in general should give Sinners a watch and judge for themselves. 

Generally speaking, it's impossible to please everyone, let alone a whole family, when everyone has different tastes. As much as I want to force everyone to watch While You Were Sleeping (1995), I know that one is better suited for the romance aficionados. So really, it's tough to sit with everyone, especially on Christmas day, but thankfully, there are a few movies that I genuinely and wholeheartedly believe can satisfy most people to some extent, while providing entertainment that delivers the perfect escapism. 

It can also be tough to find content that's streaming, but these five movies can all be found either on Disney+ or Prime Video, and they're very likely the ones that won't warrant a complaint from grandpa or even Tiny Tim. Perfectly appropriate for all ages, with distinct beats in each of them to garner laughter and joy, here are the five best movies to watch on Christmas Day.

The Muppet Christmas Carol (1992)

The Muppet Christmas Carol isn't just the best Christmas movie, but it's truly the most accurate adaptation of Charles Dickens' A Christmas Carol. It's so hilarious that there's no shortage of jokes that are ridiculously easy to quote and laugh about, like "No cheesus for us meecus," "1800? Imagine the grocery bills." "Heat wave! This is my island in the sun." But really, it's a perfect movie, and I don't trust anyone who says they don't love it. Imagine being wrong? Couldn't be me.

In many ways, The Muppet Christmas Carol isn't just a movie—it's a lifestyle, a religion, an experience. It's nostalgic and comforting, but it's full of so much heart that every viewing brings something entirely different. It's the ideal film for all age groups as it delivers something poignant and transcendent with its narrative, but is so distinctly hilarious that it fires on all cylinders. It is, without a doubt, the one holiday movie that everyone owes themselves to watch at least once, if not multiple times.

It's a Wonderful Life (1946)

Christmas is, and will forever be, synonymous with It's a Wonderful Life. No character's journey will ever hit as hard as George Bailey's, and despite some of the mature themes, there's really no movie out there that's more appropriate for all ages—parental guidance needed, but still. It's a classic gem on all fronts and the type of exposure we all need every year to remember that we're on the right path. 

The holidays can be hard and contemplative for most people, but like The Muppet Christmas Carol, we need the wholesome reminder that all we can really do is look out for other people—that's how we make an impact. That's how we ensure that we're on the right path. Selflessness and kindness are the very cornerstones of the holiday, and It's a Wonderful Life perfectly underscores why. It's one of the few movies of all time that legitimately has no flaws and hits every emotional beat with impeccable performances that are part of an even larger legacy.

Home Alone (1990)

Few things scream Christmas the way Home Alone does. Hilarious, charming, and bonkers in all the right ways, it's the one movie even the pickiest people can agree on. The fact that my whole family—with all our varying preferences—adore it and rewatch it yearly should say something. It's nostalgic and cozy, but it's also so well done that even with the newer standards we have today, it still upholds its greatness as a movie that's hilarious but not once unnecessarily offensive.

It's also so ridiculously quotable that it feels imperative to rewatch it every year and find joy throughout. It's certainly appropriate for both kids and adults, resulting in the kind of Christmas joy that we still haven't replicated with any other movie. The honest reflections, the hijinks, the performances, John Williams' "Somewhere in My Memory"—every beat of Home Alone is astounding in how it nails the spirit of Christmas with a warmth that hits hard.

Home Alone 2: Lost in New York (1992)

I'm often torn between which Home Alone is my favorite—the original or the sequel, Home Alone 2: Lost in New York. But really, this one's especially ideal for those of you who live in warmer climates and want to feel some semblance of true Christmas coziness (it’s me, I'm the one who's desperate for colder weather, so I keep running to shows and movies that actually take place in seasonally appropriate places.) But more than that, it's a worthy sequel that still features all the best details from the original in a manner that allows the premise to be organic.

Full of heart, perfect scenery, and double the hijinks from the original, Home Alone 2 is guaranteed to be appealing for the whole family and makes for an excellent double feature. Really, isn't that how we all watch it anyway? I know I do. If you have early '90s nostalgia and want the perfect escape, no other movie will provide it in spades.

How the Grinch Stole Christmas (2000)

If the romance fans in your family really want to watch Frankenstein (2025) instead, propose How the Grinch Stole Christmas as a holiday alternative that also features distinct relationship vibes between a mortal and a creature. Trust me on this one. How the Grinch Stole Christmas has everything, and it's singlehandedly the best Dr. Seuss adaptation to date, with the type of production level that we simply don't get enough of these days.

It's bound to provide entertainment and a thorough warmth as a lesson on acceptance. It's transparent and heartfelt on so many levels, but it's also festive and wildly hilarious, bound to make you find something new to laugh at even if you've already seen it before. Delivering on all fronts, it's also the year's most popular movie, proving that 20 years later, everything about it still holds up.

In the wide world of American cartoons, there’s no larger name than SpongeBob SquarePants (1999-Present). For over a quarter of a century, SpongeBob has delighted kids and adults, whether it be through silly jokes, gross-out humor, or clever adult jokes. Most kids can easily identify the voices of Tom Kenny, Bill Fagerbakke, and Clancy Browne as SpongeBob, Patrick, and Mr. Krabs, respectively. Still, in several SpongeBob SquarePants movies, you may hear or see celebrities that you probably weren’t expecting.

Some celebrities decide to appear in SpongeBob SquarePants to delight their kids. Some do it for a paycheck. Regardless of the reasons why, nobody was really expecting these six celebrities to appear in a SpongeBob SquarePants movie. The upcoming The SpongBob SquarePants Movie: The Search For SquarePants (2025) will most likely contain a treasure trove of weird and delightful celebrity cameos, so let’s take a look at some of the most unexpected celebrities to appear in a SpongeBob movie. All of these films can either be found on Paramount+ or Netflix, so head over there if you want to see some bizarrely iconic cameos.

David Hasselhoff - The SpongeBob SquarePants Movie (2004)

Arguably, the most iconic cameo in all of the franchise would be the moment when the legendary David Hasselhoff, star of Knight Rider (1982-1986) and Baywatch (1989-2001), came running across the screen to save SpongeBob and Patrick from dehydration.

Hasselhoff’s kids loved the series, so when he was offered the opportunity to play a more exaggerated version of his character from Baywatch, he jumped at the opportunity. His appearance was an instant hit with adults and kids alike. Kids loved watching this ridiculous man swim like a speedboat across the water, while adults got a kick out of seeing the most-watched man on TV act as a cartoony caricature of himself. To this day, Hasselhoff’s appearance in The SpongeBob SquarePants Movie has made him a memorable part of the franchise, to the point where he has cameoed in later SpongeBob projects, including the recent video game SpongeBob SquarePants: Titans of the Tide.

Scarlett Johansson - The SpongeBob SquarePants Movie (2004)

Nowadays, most people know who Scarlett Johansson is. Between her tenure in the MCU as Black Widow, her award-winning performances in Marriage Story (2019), and her recent box office behemoth Jurassic World Rebirth (2025), she needs no introduction.

Back in 2004, that was hardly the case. While she gained prominence the year before thanks to Lost In Translation (2003), Scarlett Johansson was relatively unknown, especially in the realm of voice acting. Nevertheless, she voiced King Neptune’s daughter, Princess Mindy, in The SpongeBob SquarePants Movie, who helped SpongeBob and Patrick on their quest to retrieve her father’s crown. Her cameo is still a surprising reveal to longtime fans, since she was rarely featured in the marketing in the lead-up to the film’s release, and in part because of how she quickly catapulted into the realm of Hollywood A-Lister in the decades that followed. But looking back, this helped introduce her to a mainstream audience and would only be another step in her meteoric rise to stardom.

Alec Baldwin - The SpongeBob SquarePants Movie (2004)

Rounding out our trio of notable celebrity cameos in The SpongeBob SquarePants Movie would be the man who played Dennis, the imposing and dangerous bounty hunter sent to hunt down SpongeBob and Patrick, portrayed by Alec Baldwin.

While Baldwin’s star has dimmed significantly since the release of the film, and mostly in part due to the controversy surrounding the filming of Rust (2024), he’s nevertheless a well-known name within the world of cinema. While he’s mostly known for his sardonic wit, seeing him play an intimidating bounty hunter actually manages to work pretty well, channeling a performance that takes some cues from Slade from Teen Titans (2003-2007). It’s unexpected to see such an A-list actor play this relatively silent menace, but leave it to Alec Baldwin to get the most out of what should be a simple villain.

Keanu Reeves - The SpongeBob Movie: Sponge on the Run (2020)

For most of the 2010s, Keanu Reeves was seen as the perennial Hollywood badass. Thanks to the popularity of John Wick (2014), as well as a breathtaking performance in the video game Cyberpunk 2077, Keanu Reeves was all the rage. So much so that his cameo in The SpongeBob Movie: Sponge on the Run seemed inevitable. 

In it, Keanu Reeves plays a spirit inhabiting a tumbleweed who was meant to guide SpongeBob and Patrick on their journey to rescue Gary. He pops up intermittently to offer courage, positive reinforcement, and the kind of platitudes that you would expect from mentors like Splinter in Teenage Mutant Ninja Turtles (1987-1996). However, there’s no getting around the fact that just seeing Keanu Reeves’ face inside a tumbleweed is bizarre. Apparently, the role was conceived solely for Reeves, so the uncanny appearance is intentional and part of the joke. It certainly does leave an impact and is probably the most memorable thing about the film, making it just as surprising as Hasselhoff’s role in The SpongeBob SquarePants Movie.

Johnny Knoxville - Saving Bikini Bottom: The Sandy Cheeks Movie (2024)

While there have only been four theatrically released SpongeBob SquarePants movies, there have been a few direct-to-streaming feature films that have their own odd and unexpected celebrity cameos. Probably the most unexpected one would have to be Johnny Knoxville appearing as Sandy’s brother Randy in Saving Bikini Bottom: The Sandy Cheeks Movie.

While this isn’t Knoxville’s first appearance in the franchise, his role as Randy will definitely be nostalgic to those who remember watching Knoxville on Jackass (2000-2001). Randy works at a rodeo and dresses like an Evel Knievel knock-off, and he, alongside the rest of Sandy’s family, helps Sandy and SpongeBob save Bikini Bottom. Even for the little time he’s present in this 82-minute movie, Knoxville shows that he’s grown and matured since his younger days. He’s less obnoxious, and seeing his character lean into what made Knoxville such a fun presence in his early years lets you appreciate Knoxville’s appearance all the more. 

Ice Spice - The SpongeBob Movie: The Search For SquarePants (2025)

It’s not uncommon for animated movies to get a tie-in pop song from a popular artist. Plenty of films have done it, yet seeing Ice Spice not only produce the lead single for The SpongeBob Movie: The Search For SquarePants, the infectiously catchy “Big Guy,” and appear as a character is pretty unexpected.

If you’re a fan of her music, though, that shouldn’t be too big of a shock. After all, one of her first singles was titled “Bikini Bottom,” and she talks about how she grew up watching the series. Say what you will about her talent as an artist, but seeing a younger celebrity cameo in a franchise like SpongeBob SquarePants makes perfect sense. Ice Spice herself has also been dipping her toes into acting this year as well, with her recently cameoing in Spike Lee’s Highest 2 Lowest (2025). Thanks to Nickelodeon’s marketing machine, it’s impossible to separate Ice Spice from The Search For SquarePants, and even if she’s only in the movie as much as Johnny Knoxville was in Saving Bikini Bottom: The Sandy Cheeks Movie, that’ll probably be the case for years to come. 

Leonardo DiCaprio has reached that comical level of stardom where even his early roles now feel like sacred artifacts. 

He started out in roles that required him to be bright-eyed and sincere (The Boy’s Life, What’s Eating Gilbert Grape), then slid into romantic heartthrob territory (Titanic, Romeo + Juliet), and then spent the next two decades (wow!) proving he could play morally dubious men who really should’ve considered therapy. Fast forward to today, and we’ve arrived at his latest film One Battle After Another, where Leo is still choosing characters who seem like they’re allergic to being stable. But this is what makes his work fun: Leo’s got range, and he doesn’t shy away from showing it. 

With that being said, let’s take a stroll through Leo’s emotional multiverse—the tender, the tragic, and the unhinged—because if there’s one thing Leo is good at, it’s giving an unforgettable performance. Here's a ranking of his ten best movies of all time and a complete guide to where you can watch them on streaming services.

10. Romeo + Juliet (1996)

Let it be known that I actually love this movie, but when compared to Leo’s later work, it’s slightly inconsistent in tone and doesn’t really showcase Leo’s strengths. If you’re a fan of modern Shakespeare adaptations, like 10 Things I Hate About You, then Romeo + Juliet is a ‘90s maximalistic treat. The most watchable part of the movie, even through the frenzied energy, has to be Leo’s earnest teenage sincerity, and his chemistry with Clare Danes which feels volatile and pure at the same time. He delivers Shakespeare’s language with clarity (and we know that if it’s not done correctly, it could sound stiff.) Few actors have survived being heartthrob-level famous at 22 and lived to tell the tale, but Leo’s Romeo cemented him as a romantic lead, long before Titanic made that official. Where The Great Gatsby is more of a refined romantic tragedy, Romeo + Juliet is more impulsive, but Leo’s longing in both stays the same.

9. The Revenant (2015) 

Ninth place may seem low for Leo’s Oscar-winning performance, but hear me out! The movie is more about endurance, and the elements sometimes overshadow the acting, making The Revenant not a movie you’d casually put on on a Friday night to relax. The gorgeous cinematography does make up for the lack of dialogue, and Leo fully throws himself into the role—it’s two and a half hours of him crawling, freezing, and screaming—but the emotional arc is thinner compared to his work in The Departed. If grueling, man vs nature survival stories like Apocalypto appeal to you, then The Revenant is worth watching. The movie is brutal and intense (to put it lightly), so needless to say, this movie isn’t for kids. Leo absolutely deserved the win, I mean he ate a raw bison liver (for real!); but let’s be honest, the bear deserved a nomination too. 

8. The Great Gatsby (2013)

If you’re someone who loves watching movies with style, aesthetic party sequences, and characters who express their feelings through longing glances, then Baz Luhrmann’s The Great Gatsby is tailor-made for you. Though—and I say this with affection—Luhrmann’s maximalist style sometimes overwhelms the emotional core, Leo’s performance of the charming, yet vulnerable Jay Gatsby, along with sheer spectacle of visuals turns the watchability factor up a notch (or ten!) Compared to Romeo + Juliet, which is another “beautiful disaster” creation by Luhrmann, Gatsby is more controlled, but no less dramatic. No one has ever said “old sport” with more conviction, and that definitely counts for something in my book. If lavish tragic romance is your thing, then the similarly beautiful and similarly tragic Anna Karenina should be your next stop.

7. Revolutionary Road (2008)

If you like watching marital dramas that aren’t afraid to peel off romantic illusions, then you’ve found the right movie. Revolutionary Road reunites Leo with his Titanic co-star Kate Winslet to play Frank Wheeler, a man quietly drowning in the expectations of suburban adulthood. But let’s be clear, Revolutionary Road is not a relaxing watch (in fact, his arguments with Kate in the movie feel so real you almost want to hide behind a pillow.) Leo’s chemistry with Kate is electric yet again, but in a completely different way than in Titanic; here it’s painful and heavy, so if you’re looking for a more breezier watch, then Catch Me If You Can might be a better choice. Leo gives his most emotionally mature and nuanced performance, where he drops the charm and swagger, and isn’t afraid to get real. He leans into fear, selfishness, and fragility without trying to make the character likeable. If you want another emotionally devastating marriage story, then Blue Valentine should be your next watch.

6. Titanic (1997)

Here’s another one for the romantics, historians, and Leo-Kate fans! Titanic is the blockbuster film that made Leo into a global household name. What makes the movie watchable even decades later, is how sincerely Leo plays Jack Dawson (and how good he looks in suspenders), even though it might not be his most nuanced performance. He radiates sweetness and warmth in a way that’s almost shocking if you’re used to his later work, where his characters look like they haven’t had a good day in months. Yes, the movie does veer slightly into melodrama territory at times, but Leo grounds it. Jack Dawson is almost like a fantasy; he’s simple, optimistic, and absolutely willing to die for a girl he met 48 hours ago (which, you know, youth). Titanic is the sunlit, nautical counterpart to the doom-filled romance in Romeo + Juliet, but if that’s the vibe you like, then Atonement should be next on your list. If there’s one thing that’ll outlive us all, it’s the door debate (even though we all know buoyancy physics is not what the movie is about.) 

5. The Departed (2006)

Titanic showcased a version of Leo we don’t get to see often anymore—he’s youthful and glowing like someone who hasn’t yet discovered that Martin Scorsese will eventually put him through psychological warfare for sport. This brings us to The Departed, which lies smack in the middle of the list. While it’s an excellent film (there were moments in the film, cough the elevator scene cough, which genuinely took me by surprise), Leo’s performance shares the spotlight rather than owning it, due to the ensemble format; however, he still gives an adrenaline fueled performance as Billy Costigan, a role he plays so convincingly that you want to reach through the screen and tell him it’s all going to be okay (especially during his meltdown at the psychiatrist.) If you enjoy crime dramas and undercover stories like Donnie Brasco, then The Departed offers the same flavor. My only (tiny) critique would be that the film’s pacing can feel a bit uneven, especially when compared to the precision of Inception, still Leo’s emotional unraveling makes it gripping.  

4. Catch Me If You Can (2002)

Want a movie that’s effortlessly rewatchable? Then, you’ve stumbled upon gold, because Catch Me If You Can is one of Leo's most playful entries in his filmography. This one’s recommended for the viewers who love watching morally slippery characters undertaking stylish capers with emotional undertones. Leo plays Frank Abagnale Jr. with youthful charm and mischief, running circles around adults using nothing but confidence (and cheekbones!), and it’s so refreshing to watch him play a character who isn’t drenched in trauma. Oh also, Leo and Tom Hanks in a weirdly endearing cat-and-mouse dynamic? Sign us up! The movie is a breezy watch, compared to the gloom of Shutter Island or high-anxiety of The Departed, and that fun shows in Leo’s performance, where you end up rooting for him, even though you know you shouldn’t be because technically, it’s a crime story. If movies with the same slick energy, charm, and lovable criminals hits the spot for you, try Ocean’s Eleven, though this one has more ensemble antics, and lesser childhood wounds. 

3. Inception (2010)

In third place is Inception because it proves Leo can anchor a brain-twisting blockbuster without melting into the spectacle. Sleek and ambitious (and sometimes confusing, I’ll admit), Leo plays Dom Cobb, a man weighed down by a memory; he’s guilty, determined, and grieving, not in the explosive way he was in The Departed, but in a more controlled, stoic-with-depth way. At times a bit too polished, Inception manages to be a puzzle, a therapy session, and an existential crisis, all disguised as an action movie with the ability to deliver a “wow, I am both moved and mind blown” effect. Though some fans found the planning and explanation scenes a bit unnecessary, I personally thought it was one of the best parts of the movie. Watching the team brainstorm and break things down, gave me the feeling of excitement that one gets when they’ve successfully solved a complex problem. Inception is for anyone who loves sci-fi movies with a blend of spectacle and emotions, similar to Arrival. Also, the ‘spinning top’ discourse is more interesting than half of the modern film breakdowns on social media. 

2. The Wolf of Wall Street (2013)

Leo and Scorsese have done it again. The Wolf of Wall Street is simply Leo at his most unleashed, and it’s glorious. Leo commits, and I mean commits, to his role as Jordan Belfort. The quaalude crawl? Wonderful. The Swiss Bank scene where dialogues were delivered without their mouths moving? Chef’s kiss. Tonally, it’s fast-paced, just like Catch Me If You Can, and where Shutter Island is him simmering until he boils over, Leo in Wolf is 200% unhinged. Sure, the movie is loud, excessive, and three hours long, but with Leo refusing to be subtle and disappear into the background for even a second (except for when Matthew McConaughey out-performed him in that one scene), it’s definitely worth the watch. With explicit language and graphic scenes, the movie isn’t suitable for kids, but for anyone who loves high-energy films, and wants something wild but not depressing, like American Hustle, The Wolf of Wall Street is your crown jewel, where it feels like someone poured Red Bull directly onto the script (in a good way!)

1. Shutter Island (2010)

Number one for me, with no hesitation is Shutter Island. The fourth Leo-Scorsese collaboration brings Leo’s incredible ability to turn dread and the quiet horrors people hide from themselves into art, to the forefront. Shutter Island is the kind of movie you’d recommend to a friend who wants to watch something where the tension builds slowly, but isn’t gory, and who loves films that mess with their brains in the best possible way. Leo truly imbibes his character, and plays Teddy Daniels with raw vulnerability and spiraling paranoia, unlike in Inception (which also plays with themes of memory and reality) where his unraveling is more restrained. What makes the movie watchable isn’t just the twist (which itself hits you like a tonne of bricks), but it’s the film’s unique ability to be layered, where a dozen new details reveal themselves only on rewatches. If you enjoy this brand of psychological storytelling, Prisoners delivers a similarly tense, emotional punch. Shutter Island might be Leo’s best, most underrated performance (as evidenced by his last line in the movie, if you know, you know. What a masterpiece!)

As we approach the holidays and the end of 2025, let’s not forget about the wildly underrated month of November. As it gets colder and closer to winter, odds are, you’re going to be watching more movies and TV shows to pass the time, and there is certainly no shortage of options to pick from. This month’s top fives are heavy on horror and thrillers, including holdovers from October’s spooky season, but there are some lighter films, too, ones the whole family can enjoy.

Here are the top five movies and TV shows streamed in November 2025, as well as what to know about them and where you can find them on Netflix, HBO Max, and more.

5. The Fantastic Four: First Steps (2025)

The Fantastic Four: First Steps came to Disney+ in November, allowing fans to stream the iconic team’s MCU debut. Set in a 1960s-inspired, retro-futuristic world separate from the main MCU timeline, the movie sees the quartet take on their greatest challenge yet: welcoming a new member.

While Reed Richards/Mister Fantastic (Pedro Pascal) and Sue Storm/Invisible Woman (Vanessa Kirby) prepare to welcome their first child, the team must confront a powerful cosmic entity that threatens the entire planet and tests their family ties. Joined by Joseph Quinn and Ebon Moss-Bachrach as Johnny Storm/Human Torch and Ben Grimm/The Thing, respectively, The Fantastic Four: First Steps is a joyful celebration that honors the Marvel comics and reminds us that nothing is more powerful than family.

4. A House of Dynamite (2025)

One of two movies from October’s top five to make the November streaming list is the political thriller A House of Dynamite, available on Netflix. The latest film from Oscar-winning director Kathryn Bigelow depicts the United States government responding to a nuclear missile launch, telling a tense story of potential armageddon from three distinct perspectives.

A House of Dynamite’s continued place on this list can be attributed to the online discourse that has surrounded the movie since its release, particularly in regard to its controversial ending and overall structure. While some critics and audiences found the film repetitive and unfulfilling, others say it’s riveting and sobering considering its connection to contemporary geopolitics. Regardless of how you feel about it, A House of Dynamite is one of those rare films that gets everyone talking like film critics, and that’s an achievement in itself.

3. Weapons (2025) 

Speaking of movies that have everyone talking, Weapons is the other returning entry from last month’s top five. The horror movie tells the story of a small town searching for answers after 17 children from the same third-grade class mysteriously run away from home at the same time. 

Dark and twisted like an old school fairy tale, Weapons has a lot to say about how we address, or fail to actually address, problems that endanger children. Of course, horror movies that center around kids aren’t for everyone, but if you can handle the dark content and enjoy movies like Pulp Fiction (1994) with non-linear storytelling, watch Weapons.

2. Wicked (2024) 

The only film on the November list not to have released this year is Wicked, which has shot back up the streaming charts thanks to its sequel, Wicked: For Good (2025), which came to theaters in late November. Based on the Gregory Maguire novel and its Broadway musical adaptation, it tells the story of the young women who go on to become the Wicked Witch of the West and the Good Witch in The Wizard of Oz (1939).

Cynthia Erivo and Ariana Grande shine as Elphaba and Galinda, with Wicked’s clever and catchy songs serving as perfect showcases for their powerhouse vocals and impressive acting chops. Their duo’s journey from loathing to loving each other is beautiful and charming, no matter how many times you watch it play out, and for those who have already seen For Good, your next viewing of Wicked will certainly hit different.

1. Frankenstein (2025)

Guillermo del Toro’s Frankenstein came to Netflix in November after a limited theatrical run the previous month and has remained high on the streaming charts ever since. Starring Oscar Issac as Victor Frankenstein and Jacob Elordi as the Creature he creates, the film is a more faithful adaptation of Mary Shelley’s iconic novel than most, though it does take some creative liberties. Among them is fleshing out Elizabeth (Mia Goth), the story’s most prominent female character, and changing her relationship with Victor.

Most notable, though, is the way this iteration of Frankenstein humanizes the Creature. Elordi gives a phenomenal performance, balancing the character’s superhuman strength and childlike innocence in a role with few lines. If you enjoy gothic movies that focus on atmosphere and character over horror, such as del Toro’s own Crimson Peak (2015), consider this a must-watch.

5. Down Cemetery Road (2025-Present)

Apple TV’s Down Cemetery Road premiered in late October and has been airing new episodes on Wednesdays since, with its finale coming on December 10. Based on a novel by Mick Herron, who also wrote the book Slow Horses (2022) is based on, the British series tells the story of a woman (Ruth Wilson) who hires an investigator (Emma Thompson) to investigate a child’s disappearance.

The show sets up an intriguing conspiracy for the duo to unravel, though you may agree or disagree that Wilson and Thompson’s performances make up for any flaws in writing and tone. Down Cemetery Road is a must-watch for Slow Horses fans, as well as anyone else who enjoys twisty British mystery series like Broadchurch (2013) and Sherlock (2010).

4. All Her Fault (2025)

Another new thriller that people were watching in November was Peacock’s All Her Fault, starring Sarah Snook of Succession (2018) fame. Snook plays Melissa, a mother whose life and marriage fall apart when her son disappears after a playdate. She’s joined by Jenny (Dakota Fanning), a fellow mom who becomes Melissa’s unlikely ally.

All Her Fault is filled with nail-biting tension and shocking turns that’ll have you binging it in one sitting. Though it suffers from some illogical plot twists, the series makes up for that with excellent performances, tight plotting, and a compelling premise that evokes every parent’s worst nightmares. 

3. Landman (2024-Present)

The latest show by Yellowstone (2018) creator Taylor Sheridan, Landman is back for a second season, which premiered on Paramount+ on November 16. It stars Billy Bob Thornton as a middleman for an oil company whose job is to go between those working on the rigs and the wealthy executives at the top. Joining the show for Season 2 is Sam Elliott, a staple of westerns who starred in Yellowstone prequel 1883 (2021), who plays Tommy’s father, T. L. Norris.

If you’re a fan of Sheridan’s other work, you’ll probably enjoy Landman, too. Though set in the modern day, the series maintains that western feel and contains the kind of soap opera-adjacent drama that kept fans watching Yellowstone. However, the series’ romanticization of the oil industry and treatment of female characters may rub you the wrong way.

2. It: Welcome To Derry (2025-Present)

It: Welcome To Derry premiered on HBO right around Halloween, and it continues to air new episodes every Sunday. The show serves as a prequel to It (2017) and dives into the origins of Pennywise (Bill Skarsgård) with a planned three seasons set in 1962, 1935, and 1908. Working backward, this season takes place in 1962, the last time the Dancing Clown terrorized Derry, Maine, before the modern film adaptation.

Welcome To Derry is a gory and terrifying addition to the It franchise, tailor-made for anyone interested in Derry and Pennywise lore. The show doesn’t hold back on the blood or the frights, delivering terrifying moments that’ll delight It fans and deter the faint of heart. 

1. Pluribus (2025-Present)

Sci-fi thriller Pluribus has been high on the streaming charts since it premiered in early November, with each new episode raising more questions about the strange new world Carol Sturka (Rhea Seehorn) finds herself in. Carol is one of just a handful of free-thinking humans who remain after an extraterrestrial virus turns billions into a terrifyingly affable hivemind that seeks to assimilate the rest.

The new show from Breaking Bad (2008) and Better Call Saul (2015) creator Vince Gilligan presents a compelling mystery and dives into the philosophical and ethical questions Carol’s situation presents. If you’re a fan of The Twilight Zone (1959) and shows that leave you with lots of deep thoughts to ponder, consider Pluribus essential viewing. 

The Star Wars franchise enjoys one of the biggest and most diverse fandoms. Given that the original trilogy premiered in 1977, while the sequel trilogy concluded in 2019, it’s quite the multi-generational fandom. At times, it can also be quite intense. You almost question if you’re a real fan if you don’t harbor a burning hatred for any of the movies or one particular trilogy in the franchise.

Hence, when celebrities, whether part of the Star Wars universe or not, start offering their hot takes on the franchise, things get pretty interesting. Use our guide to find five celebrity Star Wars hot takes that divided fans.

Ed Sheeran’s ‘The Phantom Menace’ Take

Star Wars: Episode I - The Phantom Menace is one of the most divisive Star Wars movies. It kicked off the prequel trilogy in 1999, years after the original trilogy’s smash hit success. A little cheesier and clunkier in its dialogue, the film was panned by many critics and fans. Although fans have re-evaluated it in a slightly better light in recent years, it still isn’t most fans’ favourite Star Wars movie, unless you’re Ed Sheeran.

Sheeran unapologetically named The Phantom Menace his favorite Star Wars movie because it was his introduction to the franchise. Sheeran told JustWatch, “And you can’t take that feeling that I had as a kid watching them.” For younger generations, The Phantom Menace was their Star Wars movie, which explains why many have a more sympathetic view of it and are more likely to enjoy the whole prequel trilogy.

Mark Hamill’s ‘The Last Jedi’ Take

Mark Hamill, who portrays Luke Skywalker in Star Wars: Episode VII - The Last Jedi (2017) and beyond, stirred controversy by criticizing his character’s arc. He admitted to telling director Rian Johnson that he “disagreed with every choice” he made for Skywalker, especially because he felt Skywalker would “double down” in the face of trial, rather than becoming a self-exiled hermit (Vanity Fairy).

Hamill later clarified that his comments were nothing more than mere creative differences and that he still enjoyed the movie overall, challenging fans and the media’s exaggerated claims that he disliked Johnson or hated Star Wars: The Last Jedi. Skywalker’s characterization in the film has sparked debate. However, fans unanimously agree that Hamill’s performance is a highlight of the film, and his character arc added another layer of complexity to Skywalker. If you love strong sequel movies, like Dune: Part Two (2024) and Blade Runner 2049 (2017), you’ll love Star Wars: The Last Jedi.

David Corenswet’s ‘Star Wars’ Watch Order Take

How to watch the Star Wars movies in order is one of the hottest debated topics in the fandom. Hence, viewers took note when Superman (2025) star David Corenswet offered his watch order on Brittany Broski’s Royal Court. He suggests watching the movies in the order, “4-5-1-2-3-6.” The idea is that you watch Star Wars: Episode VI – Return of the Jedi (1983) last to maintain the big reveal that Darth Vader (James Earl Jones) is Skywalker’s father. Of course, given that the big reveal is kind of old news to most of us, centering a watch order around it is a bit wild.

Most agree that watching in the original release order is the best way to enjoy Star Wars. However, if you’re one of the fans who believe Return of the Jedi is the best Star Wars movie due to its epic finale and featuring some of the most iconic moments of the franchise, perhaps saving the best for last isn’t a bad idea.

Alec Guinness’s ‘A New Hope’ Take

Alec Guinness was the first actor to bring Obi-Wan Kenobi to life in Star Wars: Episode IV – A New Hope (1977). Although he reprised his role for The Empire Strikes Back (1980) and Return of the Jedi, he made his distaste for Star Wars quite clear. He described A New Hope as “fairy-tale rubbish,” and called the dialogue “excruciating,” although he praised the spectacle of it (Business Insider). A New Hope is as iconic as Dune (2021) or The Lord of the Rings: The Fellowship of the Ring (2001) for kick-starting an epic film franchise, making Guinness’s criticism quite surprising.

Guinness’s alleged “hatred” of Star Wars has made the rounds throughout the fandom, though it isn’t as controversial a take as it sounds. When he agreed to do Star Wars, he was an established actor with three Oscar nominations and was known for his Shakespearean roles. One can understand his frustration at being known to younger generations simply as Obi-Wan Kenobi.

Liam Neeson’s ‘Jar Jar Binks’ Take

One reason The Phantom Menace stirred such divisive reactions is Jar Jar Binks (Ahmed Best). While he was meant to be the film’s comic relief, many viewers found him grating and irritating. However, Liam Neeson, who plays Qui-Gon Jinn in the movie, defended both The Phantom Menace and Best’s performance as Jar Jar Binks. He stated (as reported by The Hollywood Reporter), “He [Best] was probably one of the funniest guys and talented guys I had ever worked with.” Neeson even called Best the “new Eddie Murphy” and bemoaned how The Phantom Menace’s backlash hurt Best’s career.

Over the years, fans’ opinion on Jar Jar Binks has softened a bit, with some even stirring up a fan theory that he’s secretly a mighty Sith Lord. Many now feel the hate for Jar Jar Binks went too far. Regardless of whether the character was a hit or miss, Neeson is right that it shouldn’t have impacted Best’s career so negatively.

History can be a great source of storytelling inspiration, with countless films over the years adapting real events. Going all the way back to the early classics like Battleship Potemkin (1925), real events have been getting fictionalized for the big screen. Some filmmakers are incredibly dedicated to replicating the tales with vivid historical accuracy. Films like All the President's Men (1976), Schindler's List (1993), and 12 Years a Slave (2013) remain (mostly) true to the people, times, and stories they are adapting.

Sometimes, however, filmmakers take some pretty big liberties with their ideas. Even something like Hamilton (2020) that takes a radically different approach to adapting history is more accurate than some films that present themselves as true to fact. Some of the most famous and acclaimed films based on real events fabricated entire people, changed the nature of battles, and reinvented history for the sake of the story. While all the films became more compelling or dramatic for these changes, here are 10 historical movies that left history behind and where you can find them on Tubi, Netflix, and more.

Argo (2012)

Directed by and starring Ben Affleck, Argo is a great espionage thriller that takes a lot of liberties with the historical story that inspired it. The movie is based on the “Canadian Caper,” a joint operation between the United States and Canada to use a fake film production as the cover for a mission to rescue six diplomats caught in the Iranian Revolution. The film’s tense direction and tight screenplay are terrific, giving the entire mission a sense of danger, even as the charms never quite rub off from the unique concept.

However, Argo has come under fire for tweaking the plot to emphasize the CIA’s efforts in the operation. It was also a primarily Canadian-led operation, to the point where overt complaints led to Affleck changing the epilogue text at the end of the film to address the Canadian role in the story. Iranian government officials have also criticized the film for how it portrays the Iranian people during the tumultuous 1979 revolution. 

The Imitation Game (2014)

The Imitation Game is one of the best films in Benedict Cumberbatch’s filmography, but its celebration of Alan Turing includes some pretty important changes to historical fact. A slow-burning character drama caught up amid Britain’s efforts to crack the German Enigma code during the height of World War II, The Imitation Game features Cumberbatch as the unforgettable, blunt mathematician who joins the mission and struggles with the ensuing moral quandaries and personal invasions.

The Imitation Game gives Turing an early contrast in the form of Charles Dance’s Commander Denniston. The actor brings the same level of cold authority he used to embody Tywin Lannister in Game of Thrones (2011). However, in real life, Denniston didn’t have a contentious relationship with Turing and was actually the one to recruit him in the first place. Denniston’s family has even been open about their frustration with the film’s representation of the man. Still, The Imitation Game will be a sure hit for fans of Cumberbatch and World War II-set thrillers in general. 

Braveheart (1995)

One of the most well-regarded films in Mel Gibson’s career, Braveheart used an old folk story as its inspiration for a historically inspired war movie. The film depicts the First War of Scottish Independence, with Gibson starring as freedom fighter William Wallace. The film pulls from an epic 15th-century poem, taking the story and translating it into a massive and emotional epic. 

However, historians noted that Braveheart’s low-born hero, William Wallace, is very different from the real man, who hailed from the upper class and would kill soldiers who refused to fight for him. It’s probably better not to think of Braveheart as super historically accurate, though, and compare it more to Troy (2004) or Apocalypto (2006), which Gibson also directed. 

The Patriot (2000)

Another historical epic starring Mel Gibson, The Patriot has a lot of tonal similarities to Braveheart, albeit set during the events of the American Revolution. The film is a fictional story that largely attempts to replicate the look and feel of the era. While that results in a more concise story, it also means the film glosses over a lot of history. Gibson’s character, Benjamin Martin, is a composite of multiple real-life figures from the Revolutionary War. This includes Francis Marion, who was accused of atrocities during the war.

This follows a general trend, with The Patriot whitewashing much of the violence perpetrated by American soldiers during the Revolutionary War. William Tavington, the film’s villainous British general, is also largely based on Banastre Tarleton, whose legacy in Britain resulted in the city of Liverpool calling for apologies from the film producers over how inaccurate The Patriot was. The Patriot is a beloved classic, but audiences looking for more accurate versions of the American Revolution should check out John Adams (2008) or Turn: Washington’s Spies (2014).

Cool Runnings (1993)

Cool Runnings is a warm-hearted sports comedy about a Jamaican team braving the cold of the Winter Olympics’ bobsled competition. One of the final films made starring John Candy before he passed away, the film adapts the story of the four athletes who try to learn bobsledding.

A fun movie with an inspiring story about overcoming low expectations and prejudiced doubt, Cool Runnings amplified the real team’s success for dramatic purposes. This includes the film’s finale, which has the team earn eighth place in their second race. In reality, they never came in above 24th. Coming from the same era as Angels in the Outfield (1994) and Rudy (1993), Cool Runnings is a heartfelt example of how tweaking stories for drama can add more tension to a retelling of historical fact.

Gladiator (2000)

Ridley Scott’s historical epic is one of the greatest “dad” movies of all time. However, Gladiator also invents a lot of its lore. The film follows Russell Crowe’s disgraced general Maximus as he is brought into the Colosseum to fight—and gets the chance for revenge. Taking inspiration from real events that happened in Rome during the 2nd century, the film created Maximus and fictionalized almost all of his arc.

Gladiator particularly turns Commodus into a more reprehensible villain. In reality, Commodus didn’t kill his father, ruled for 20 years, was far less aggressively dangerous, and was killed in the bath by the wrestler Narcissus. Similar to The Patriot, Gladiator put more effort into replicating the look and style of real life while telling an original story. Fans of this one will find about the same amount of historical accuracy in Gladiator II (2024), but with a memorable Denzel Washington performance.

Amadeus (1984)

The Academy Award-winning drama Amadeus, about the rivalry between Wolfgang Amadeus Mozart and Antonio Salieri, is a classic film and must-see for drama fans, but it also completely fabricates its emotional core. Amadeus is a tale of jealousy and the downfall it leads to, focusing on Salieri’s rage at the immature Mozart’s natural skill. It’s a powerful story, but one that is openly fictional.

The film’s writer and director took the dynamic between the two leads from plays and operas rather than history. While the two were professional rivals, the real Mozart and Salieri were actually more akin to colleagues. Some even believe they were friends, with Salieri serving as the music teacher for Mozart’s son following Mozart’s death. It makes the intensity of their rivalry in the film off-putting in retrospect. However, it’s still a compelling watch if you consider it “fan fiction,” rather than fact. 

300 (2007)

Zack Snyder’s hyper-stylized action epic 300 is memorably over-the-top, so much so that it leaves a lot of real history in the dust. The film focuses on Leonidas, the King of Sparta, who leads a small contingent of soldiers to hold off the invading Persian army. In the process, the movie largely glosses over the darker qualities of the Spartans’ culture to depict them as more heroic and noble in contrast to Xerxes and his army.

300 also depicts the Spartans as the only true Greek warriors in the battle, outside of a small group of Athenian soldiers who join for a time but retreat before the final battle. In reality, Leonidas and his 300 men fought alongside upwards of 6,000 other groups from around Greece, helping maintain the battle. The war with the Persians was also not really pushed back until a number of naval battles, which served as the inspiration for 300: Rise of an Empire (2014). While inspired in part by history, the film is more accurately an adaptation of Frank Miller’s 300 comic series, which took the original liberties with historical fact to tell a stylized action epic instead.

Shakespeare in Love (1998)

Shakespeare in Love uses the immortal bard’s history as the grounding for a romantic comedy, all while taking plenty of liberties with the history of not just Shakespeare but also theater in the 16th century. The film focuses on the romance between Shakespeare and Viola de Lesseps, with their relationship serving as part of the inspiration for Romeo and Juliet. The pair even ends the film with Viola performing the play on stage opposite William, impressing the Queen of England enough that she saves them from arrest.

In reality, the Queen would have seen the shows in private; there were also several plays that Shakespeare wrote that were omitted by the film. While Shakespeare in Love will delight historical romance fans, other adaptations of Shakespeare’s life, such as Hamnet (2025), take a more measured and tragic approach to the idea, even if they are also heavily fictionalized.

Anastasia (1997)

An animated musical released to compete with the Disney resistance, Anastasia takes one of the more famously tragic moments from the Russian Revolution and uses it as the starting point for a more romantic story. When the Russian Empire collapsed, the ruling Romanov family was slaughtered. However, rumors swirled for decades that the princess, Anastasia, had survived and gone into hiding.

This idea served as the inspiration for Anastasia, which focused on the hunt for the amnesiac princess, the romance that blossoms between her and a con man, and the magical Rasputin chasing after her. It makes for a fun counterpart to the likes of Beauty and the Beast (1991) and The Little Mermaid (1989). However, the real story ends on a much more somber note, as modern technology has been used to investigate the scene of the massacre and confirm that Anastasia did die that night with her family. 

It’s been a long time between seasons, but Netflix’s most deranged action anime is finally back. I’m, of course, referring to the legendary (or infamous, depending on your perspective) Record of Ragnarok (2021). It’s a shameless action series that abandons any semblance of narrative in favor of just watching Gods and humans duke it out. There are laughable super moves, plenty of cheesecake to ogle over, and a reckless abandon that’s infectious. Is it trashy? Yes, and I wouldn’t have it any other way.

But Record of Ragnarok isn’t the only action anime that revels in its absurd premise. There are plenty of anime that go all in on being completely off their rockers, to the point where you just have to throw your hands up and embrace the chaos. These shows, with many of them on Crunchyroll, may be niche action series, but are nevertheless gripping and command your attention. If you’re looking for more ridiculous battle anime and have some time to spare, consider giving these eight anime, ranked from least to most unhinged, a watch.

8. Akudama Drive (2020)

While plenty of action anime are all about showcasing off-the-wall fight scenes, Akudama Drive doesn’t… at least at first. Good things come to those who wait, though, and those who are willing to let the series cook for its 12 episodes will find a dystopian sci-fi series perfect for the anarchist in you.

Akudama Drive, much like The Suicide Squad (2021) or Danganronpa: The Animation (2013), is what you get when you hire a group of eccentric anime villains and force them to work together. They’re pretty straightforward (There’s a character named Brawler whose entire purpose is to punch things really, really hard.), but each character relishes in the mayhem they bring. You’ll grow to love this group of psychopaths as they carve their way through the futuristic city and help burn it to the ground. There’s plenty of explosions, conversations about justice, revolution, and a man who uses a motorcycle as a grappling hook. What more do you need? 

7. Jojo’s Bizarre Adventure (2012-Present)

Depending on which season of Jojo’s Bizarre Adventure you watch, the plot can be pretty straightforward. However, thanks to the oftentimes incomprehensible nature of the superhuman Stands, viewers are almost always treated to some trippy and unfathomable fights that can’t be found anywhere else.

Jojo’s Bizarre Adventure is incredibly melodramatic and makes every fight scene a life-or-death encounter, even if it sounds ridiculous on paper. Do you want to see a cat turn into a plant and shoot air bullets at a man who collects fingernails? What about watching our heroes fight a chain-smoking orangutan with a porn addiction that controls a freighter? You may laugh, but Jojo’s Bizarre Adventure plays each of these moments with deadly seriousness and still has style to spare. These fights are stunning to watch and channel the comical brutality of Fist of the North Star (1984), giving action lovers plenty to admire. It’s not for everyone, but if you want an unconventional action anime, Jojo’s Bizarre Adventure is the poster child of nonconformity.

6. Kinnikuman: Perfect Origin Arc (2024-Present)

If you’re a fan of ridiculous action, then there’s a chance you also love professional wrestling. There’s pageantry, drama, weird gimmicks, and plenty of people beating each other up, and no other anime captures the spirit of professional wrestling better than Kinnikuman: Perfect Origin Arc.

While people in the States may be more familiar with the localized version from 4Kids Entertainment, Ultimate Muscle (2002), the recent remake captures the essence of what makes professional wrestling such a fun watch. Each character has their own odd yet distinctive appearance, and some of them are just objects given sentience that carry super moves like they’re from Ultraman (1966). It may appear goofy because of that, and at points is even weirder than Jojo’s Bizarre Adventure, but the action is on point, and it never forgets to be a spectacle to watch as the show continuously tries to one-up itself. If you’re the kind of wrestling fan who knows what “one fall” means, then Kinnikuman is for you.

5. Kill la Kill (2013-2014)

Studio Trigger is known for being extreme. The studio’s character designs, fight choreography, and scale are highly distinctive and unlike any other animation studio out there, but by far its best and most unhinged action series is Kill la Kill. 

At first, Kill la Kill may seem like a trashy show that gawks over its female leads and their incredibly revealing clothing, which they utilize to fight each other. However, the show uses its trashiness to tell a shockingly progressive story about objectification and the importance of freedom. It embraces its action pedigree for 24 episodes and delivers a constantly escalating threat that never slows down. It’s as irreverent as FLCL (2000) and as crass as Panty & Stocking With Garterbelt (2010), but never undermines its own premise. Sure, you may laugh at the thought of a girl using alien clothing to fight a fascist regime, but Kill la Kill is perfect for those who want an action anime with a loud and brash feminist perspective.

4. Kengan Ashura (2019-2024)

Sometimes you want to watch an action anime with magical deities using god-like powers to fight their foes, and sometimes you want to see two people just slug it out with their fists. If you want a martial arts battle series in the purest definition of the word, Kengan Ashura is ready to answer the call.

There is a plot to Kengan Ashura, but it firmly takes a back seat to watching its characters beat the life out of each other. Almost every character has their own weird quirk, like a man who decided to turn his femurs into swords. Does it make any sense? No, but there’s an artistry to the violence, since the anime has a shocking amount of knowledge on various martial arts styles and painstakingly depicts them. At points, it feels like a more brutal Fighting Spirit (2000), and the use of CGI elevates the technical acumen of the fights. Kengan Ashura may not be for everyone, but if you get a thrill from watching two people just slug it out, it’s for you.

3. Baki Hanma (2021-2023)

Baki Hanma is what you get when Kengan Ashura decides it no longer wants to take itself seriously. The two series share similar fanbases, but if you were to ask a Baki fan what makes the series so good, it’s how it relishes violence.

Sure, the characters may not be gods like in Record of Ragnarok, but they certainly act like them. The feats of strength they’re capable of are absolutely laughable to the point where it’s perfect popcorn entertainment. It doesn’t try to hide the fact that this is a battle anime about giant, burly men beating each other up in the most excessive way possible. Ripping off faces, fighting elephants, and smashing concrete with ease may be jaw-dropping in other shows, but in Baki, it’s just another Tuesday. The muscular monstrosities of Baki Hanma are pure fighting machines, and if you want two seasons of unadulterated violence and nothing else, no anime does it quite like Baki. 

2. Mad Bull 34 (1990)

There’s an argument to be made that anime today is too sanitized and not as eager to go completely off the rails. Every now and then, an anime comes along that is so far gone and mad that you can’t help but admire it. Mad Bull 34 is demented and not for the faint of heart. 

Mad Bull 34 is the kind of anime that lovers of trash will be head over heels for. It’s the kind of ultra-violent shlock that littered the anime scene in the early ‘90s, and sits comfortably alongside other infamous relics of the era like Demon City Shinjuku (1988). There’s undeniably a comedic edge to the series that Mad Bull 34 embraces on its war path to cause as much destruction as possible. After all, this is a series where a cop has a bunch of grenades attached to his crotch. Is the anime problematic? Undeniably, but you can’t turn away from it. There are explosions, curses, and plenty of blood, and a reckless abandon you can’t help but respect.

1. Bobobo-bo Bo-bobo (2005-2007)

No matter how ridiculous you may think these seven other anime are, they’re, at the very least, rooted in some logic. There’s a reason that these fights are taking place, and viewers can easily comprehend what’s going on. Bobobo-bo Bo-bobo has abandoned all logic, and because of that, it’s impossible to resist.

At its core, Bobobo-bo Bo-bobo is a gag anime much in the same way as Gintama (2006). There are constant threats for Bobobo to fight with his sentient nose hairs, including a man made of jelly and a man who fights with farts. To describe what a single episode of Bobobo-bo Bo-bobo is like is an effort in futility. It throws everything and the kitchen sink at viewers to make them laugh, including violent fights, bizarre comedic bits, and plenty of reactions to the farcical action taking place over the show’s 76 episodes. It’s just fight, after fight, after fight with no attempt to rationalize any of it. Bobobo-bo Bo-bobo is the definition of chaos, and if you need to laugh, it’ll make you roll on the floor in seconds.

Reality TV often gets a bad rap, but it has come a long way since The Real World (1992) spearheaded the genre as we know it today. Sure, reality shows can be a great way to relax and unwind from the stresses of our own lives, but they also provide fascinating glimpses into how other people live and the very human struggles we all face.

These shows are more than just rich women throwing wine in each other’s faces, though that somehow never gets old. Shows like The Secret Lives of Mormon Wives (2024) hook you in with intriguing premises—like a sex scandal involving a famously traditional religion—but what keeps you coming back are the human stories and drama. If you’re looking for the next guilty or not-so-guilty pleasure show to binge-watch, here are seven of the best.

The Secret Lives of Mormon Wives (2024-Present)

Like many of the best reality shows, The Secret Lives of Mormon Wives was born from a scandal, one that rocked the “MomTok” world. When influencer, now Secret Lives cast member, Taylor Frankie Paul went viral after admitting to participating in non-monogamous activity with her husband and other Mormon couples, she broke trust and damaged alliances with others in her MomTok friend group. The first season picks up in the midst of the fallout from that scandal, but the drama has only escalated from there.

What makes The Secret Lives of Mormon Wives so compelling and watchable is how candidly it deals with the typical reality TV topics of marriage, sex, and friendship with the added layer of the Mormon church. The show highlights the differences and intra-church conflict that exists within the Mormon community, especially as this younger generation of women seeks to balance personal expression with the expectations of a faith known for being quite restrictive. 

The Real Housewives of Salt Lake City (2020-Present)

My personal guilty-pleasure favorite, The Real Housewives of Salt Lake City, is an obvious perfect follow-up to The Secret Lives of Mormon Wives, but it’s absolutely worth watching even if you haven’t seen that show. Also centered on a group of luxurious women from Utah, RHOSLC is packed with drama and scandals, including the arrest and eventual felony conviction of former Housewife Jen Shah and a shocking Season 4 finale that’s too juicy to spoil.

Mixed in with the typical reality TV fare are genuine moments of friendship, family, and personal growth, with the ladies sometimes using their platform to shed light on important topics like addiction and religious trauma. The best example of this is Heather Gay, a former Mormon whose journey of publicly leaving the church is documented in early seasons. Recently, she released the limited series Surviving Mormonism with Heather Gay (2025), which dives into the church’s dark history and controversial practices. Stories like this are part of why reality TV is valuable outside of mindless entertainment, but even if you just want to watch some ridiculous and fabulous women hurl wine and insults at each other, don’t worry—there’s plenty of that here too.

Vanderpump Rules (2013-Present)

Vanderpump Rules is the show I would recommend to anyone who is new to reality TV. It follows, for the most part, employees at SUR Restaurant & Lounge in West Hollywood, run by former The Real Housewives of Beverly Hills (2010) star Lisa Vanderpump. The first 11 seasons are packed with memorable quotes and wild moments that made stars of people like Ariana Madix, who now hosts Love Island (2019), and Stassi Schroeder, who most recently hosted The Secret Lives of Mormon Wives Season 3 reunion.

Now, following the very public cheating scandal known as Scandoval involving Madix and ex Tom Sandoval, Vanderpump Rules has been rebooted with a new cast. Season 12 has just started, so it’s impossible to say whether the new SURvers are going to be as dramatic and fun to watch as the OGs, but it is nice to go back to the restaurant after several seasons that deviated far from the initial premise.

Love Is Blind (2020-Present)

If you like dating shows with a side of social experimentation, Netflix’s Love Is Blind should be your next watch. The show follows groups of men and women who meet and date in separate “pods” and cannot see each other until they get engaged. At this point, the couples spend a week at a resort getting to know one another, then several weeks living together in an apartment complex to meet their new partner’s friends and family and plan a wedding—all in the span of four weeks.

As its title suggests, the show examines the role of physical attraction in romantic relationships and whether you can actually pick your ideal partner without knowing what they look like. Considering how few of the couples on the show have gotten married and stayed together in the years after, it seems the answer may be “no,” but that doesn’t make the drama and sheer absurdity of Love Is Blind any less entertaining, especially if you like dating reality shows like Are You the One? (2014).   

Below Deck Mediterranean (2016-Present)

If maritime drama is your cup of tea, there’s no shortage of Below Deck (2013) content to watch. The original show is still going strong after 12 seasons, but if you need to pick one, I suggest Below Deck Mediterranean. The franchise’s first spin-off is currently airing its tenth season with fan-favorite Captain Sandy Yawn at the helm, a position she’s held since Season 2.

Below Deck Mediterranean, like the rest of the franchise, follows crew members on a superyacht as they balance personal relationships with their jobs and the demands of the wealthy clientele who charter the ship. But, if you’re like me and watch reality shows for the drama, Mediterranean outshines other Below Deck series in that department, with plenty of petty feuds and unwise romantic entanglements to keep you coming back for more.

90 Day Fiancé (2014-Present)

Like Love Is Blind, 90 Day Fiancé is another romance-centric reality show involving short engagements. In this case, the K-1 visa process motivates the short courtship, which allows the foreign fiancé of an American citizen to enter the United States for up to 90 days, during which time they are required to marry if they wish to stay permanently. The couples in question already know each other, though some have never met in person, and intend to wed, setting it apart from other reality shows that focus on the initial meeting and dating process.

That doesn’t mean it’s smooth sailing, though, not by a longshot. In addition to planning a wedding, 90 Day Fiancé couples have to navigate cultural differences, family expectations, and sometimes language barriers as they prepare to say “I do,” with the foreign partner, in particular, often dealing with culture shock as they adjust to living in a new country. It may not always lead to lasting or healthy marriages (watch spinoff 90 Day Fiancé: Happily Ever After? (2016) if you’re curious about how couples fare after the wedding), but it does make for endlessly interesting television for those who want to learn a little about world cultures while they take in other people’s relationship drama.

The Traitors (2023-Present)

There’s no shortage of reality competition shows, with long-running series like Survivor (2000) and Big Brother (2000) being among the most popular, but The Traitors is really something special. The American version of the Dutch show De Verraders (2021) places celebrity contestants in a social deduction game similar to Werewolf, Mafia, or Among Us, where everyone is either a Faithful or a Traitor. The Faithful’s job is to figure out who the Traitors are, while the Traitors work together to sow chaos and throw the Faithful off their scent.

What makes The Traitors so fun is its melodramatic tone. The series is set in and around a castle in the Scottish Highlands, giving it an extravagance and feeling of heightened drama that Emmy-winning host Alan Cumming perfectly embodies. Plus, the cast usually features plenty of reality TV stars from shows like The Bachelor (2002) and RuPaul’s Drag Race (2009), so you’ll probably see some familiar faces. If you love games of strategy where the low-stakes drama is treated as deathly serious, then you should definitely watch The Traitors, especially with Season 4 releasing in January 2026. 

With the Avengers: Doomsday cast confirmed and the film scheduled for release in the United States on Dec. 18, 2026, viewers might want to start preparing by revisiting the Marvel Cinematic Universe's film library. The cast also suggests that viewers may need to look beyond the MCU and explore 20th Century Fox's X-Men series.

Marvel Studios has also released four short, character-focused teasers that give viewers a glimpse into what their faves have been up to since the last time we saw them. However, directors Joe and Anthony Russo clarified the purpose of these clips in a post on Instagram, saying, "What you've been watching for the last four weeks… are not teasers. Or trailers. They are stories. They are clues… Pay attention."

Since official story details are unknown, and the only clues come from alleged plot leaks on Reddit, the best preparation strategy is to catch up with the MCU's Multiverse Saga and revisit the films most relevant to Avengers: Doomsday's cast. Use our guide to find out which movies you need to watch before Avengers: Doomsday and where you can watch them on platforms like Disney+ and more.

The Original X-Men Trilogy (2000-2006)

One of the biggest surprises of the Avengers: Doomsday cast announcement was the presence of the original X-Men team from Fox's film series. For the first time in decades, Professor X (Sir Patrick Stewart), Magneto (Sir Ian McKellen), Beast (Kelsey Grammer), Cyclops (James Marsden), Mystique (Rebecca Romijn), and Nightcrawler (Alan Cumming) will share the screen. To fully enjoy their thrilling return, you can watch the entire original movies in order, starting with X-Men (2000).

You can then watch the iconic sequel, X2 (2003), which introduced Cumming as Nightcrawler. Lastly, X-Men: The Last Stand (2006) completes the trilogy and includes Grammer's debut as Beast. In addition to watching X-Men for the original stars, the trilogy is perfect for any Marvel or superhero fan. It's faithful to the comic books and action-packed. If you enjoy superhero films featuring teams, such as The Avengers (2012) and The Guardians of the Galaxy (2014), the original X-Men series will be a real treat.

Marvel's third Avengers: Doomsday teaser directly reinforces the importance of this trilogy by shining a light on the original X-Men lineup. This clue features Cyclops (Marsden), with Professor X (Stewart) and Magneto (McKellen) in a somber, ominous scene which suggests that the legacy versions of these characters (not variants) will play a big role in Doomsday's story.

X-Men: Days of Future Past (2014)

It's unclear if Avengers: Doomsday will also bring back the X-Men prequel series' cast. While X-Men: Days of Future Past is an origin story, it features actors from the original and prequel X-Men series, as Wolverine (Hugh Jackman) travels back in time to enlist the help of a young Professor X (James McAvoy) and Erik Lehnsherr (Michael Fassbender). X-Men: Days of Future Past essentially changed the original trilogy's ending, making it essential viewing before Avengers: Doomsday.

Critics and fans often hail Days of Future Past as one of the best X-Men films, across both the original X-Men movies and their prequels. It boasts a darker tone than its predecessors and convincingly fixes some continuity issues. Days of Future Past especially shines because of its emphasis on character development, featuring the X-Men at some of their darkest moments with the highest stakes. Its darker tone parallels later, more mature X-Men adaptations, such as Logan (2017) and X-Men '97.

Loki (2021)

The first two seasons of Loki are crucial to understanding the Multiverse Saga, as they delve into the technical aspects of the multiverse, explaining the Time Variance Authority, branching timelines, and variants. The series is especially relevant because Tom Hiddleston's Loki is confirmed to return in Avengers: Doomsday. With Loki's close connection to the multiverse potentially playing into Avengers: Doomsday, Loki is a must-see.

Loki is one of the MCU’s best original series, as it delves into the fan-favorite trickster god and offers a wild story of redemption and time shenanigans. The ever-changing setting and time keep the show engaging, while Loki's character arc and development are everything MCU fans ever hoped for. Viewers who enjoyed Avengers: Endgame (2019) and The Adam Project (2022) for their blend of action and time travel but hoped for something with even more depth and character development will love Loki.

Shang-Chi and the Legend of the Ten Rings (2021)

One of the newest heroes appearing in Avengers: Doomsday is Simu Liu's Xu Shang-Chi, who debuted in Shang-Chi and the Legend of the Ten Rings. The film serves as an introduction to his character and is one of the first movies to launch the current Multiverse Saga in the MCU. It also contains an ambiguous but crucial mid-credits scene that explains how Shang-Chi first connected with some of The Avengers and strongly hints that his Ten Rings will play a significant role in the MCU’s future.

Shang-Chi and the Legend of the Ten Rings is one of the most distinctive new Marvel features, often leaning more into fantasy and kung fu than superhero action. As a more self-contained film, it's easy to forget its part of the MCU at all. Hence, it's an excellent film for viewers struggling with superhero fatigue and looking for a refreshing MCU entry. The unique tone makes it feel more in line with Eternals (2021) than the MCU films that came before.

Doctor Strange in the Multiverse of Madness (2022)

Doctor Strange in the Multiverse of Madness is essential to watch before Avengers: Doomsday because it's the first official introduction to the multiverse. It marked the first time a Marvel character explored the multiverse on-screen. Understanding the multiverse will likely be the key to understanding how the MCU and X-Men collide in Avengers: Doomsday. On top of that, Doctor Strange in the Multiverse of Madness marked the most recent appearance of confirmed Avengers: Doomsday star Professor X. 

Doctor Strange in the Multiverse of Madness is similar to Shang-Chi and the Legend of the Ten Rings in that it’s a refreshing and unique entry in the MCU. However, it leans more into horror than fantasy with an emphasis on body horror. If you loved the blend of superhero action and body horror in Guardians of the Galaxy Vol. 3 (2023) or What If…?'s (2021) Marvel zombies, Doctor Strange in the Multiverse of Madness will be right up your alley.

Thor: Love and Thunder (2022)

Thor (Chris Hemsworth) is the only original Avengers member confirmed for Avengers: Doomsday, so it's important to rewatch his adventures throughout the Multiverse Saga. Thor last appeared in Thor: Love and Thunder, where he was pulled out of retirement by the arrival of Gorr the God Butcher (Christian Bale) and the return of his ex-girlfriend, Jane Foster (Natalie Portman). It's unclear if the events of Love and Thunder will have an impact on Avengers: Doomsday, but it will explain where we last saw Thor in the MCU.

Love and Thunder matches the tone and vibe of Guardians of the Galaxy and Thor: Ragnarok, with an emphasis on comedy and good music. Director Taika Waititi's influence is evident, marked by his signature humor and absurdism. Viewers who enjoyed Jojo Rabbit (2019) and Next Goal Wins (2023) may be interested in his take on Thor: Love and Thunder. Ultimately, it's an excellent film for viewers seeking a more self-contained and irreverent MCU movie.

The second Avengers: Doomsday teaser focuses entirely on Thor (Hemsworth) in a stark tonal contrast to Love and Thunder, showing him alone, kneeling in prayer to Odin, and visibly fearful for the safety of his adopted daughter, Love. This clue hints at a more solemn, mythic direction for Thor in Doomsday and suggests that the consequences of Love and Thunder will weigh heavily on him.

Black Panther: Wakanda Forever (2022)

Avengers: Doomsday will mark the return of multiple characters from Black Panther: Wakanda Forever, including the new Black Panther (Letitia Wright), mutant-hybride Namor (Tenoch Huerta), and Wakanda's new king, M'Baku (Winston Duke). The movie explains the significant changes to Wakanda’s leadership and the Black Panther mantle. Since Wakanda’s leadership will figure into Avengers: Doomsday, you'll definitely want to revisit Black Panther: Wakanda Forever before the upcoming movie.

Black Panther: Wakanda Forever is an excellent sequel to Black Panther (2018), which continues the story of Wakanda and pays a beautiful tribute to the late Chadwick Boseman, who portrayed King T'Challa in the original movie. It's a moving, emotionally raw, diverse, and powerful film that makes you excited for Marvel’s future and potential. Viewers who loved Black Panther can’t miss Black Panther: Wakanda Forever.

The fourth Avengers: Doomsday teaser directly builds on the story of Wakanda Forever by featuring Shuri (Wright), M'Baku (Duke), and Namor (Tenoch Huerta) alongside members of the Fantastic Four. This clue suggests a growing alliance between global powers and rival nations as they prepare for an unseen but existential threat – which is likely Doctor Doom.

Ant-Man and the Wasp: Quantumania (2023)

Paul Rudd’s Ant-Man is returning for Avengers: Doomsday, and the last time viewers saw him was in Ant-Man and the Wasp: Quantumania, which introduced Kang the Conqueror (Jonathan Majors). Marvel has since dropped the Kang storyline, so most of the plot points tackled aren't likely to figure into Avengers: Doomsday, but it's still worth a watch to explain where Ant-Man currently is in the MCU.

Quantumania is perfect for fans of the first two Ant-Man films, as it boasts the same lighthearted tone and heartwarming themes about family. Despite its lighter tone and dropped storyline, it still contains some treats for Marvel fans with its inclusion of Kang and MODOK (Corey Stoll). Mostly, though, Quantumania stands out for its entertainment value. If you're a fan of funny superhero movies in general, from Mystery Men (1999) to Shazam! (2019), the film is a good fit for you. 

The Marvels (2023)

Viewers will want to watch The Marvels before Avengers: Doomsday, primarily due to its mid-credits scene. While none of the Marvels (Brie Larson, Teyonah Paris, and Iman Vellani) are confirmed for Avengers: Doomsday, the film contains a crucial mid-credits scene featuring an important Doomsday cast member, which explains how the X-Men are already in the MCU.

The Marvels is a must-see for fans of Ms. Marvel (2022) and Captain Marvel (2019), bringing together a trio of women with similar powers and satisfactorily bringing Carol Danvers' (Larson) story full circle. In addition to appealing to fans of female-centered superhero movies like Wonder Woman (2017) and Birds of Prey (2020), The Marvels will also appeal to fans of the MCU's lighter movies. The comedy parallels the tone of the Ant-Man films and Thor: Love and Thunder, while its musical scenes and character dynamics add a nice touch of creativity.

Deadpool & Wolverine (2024)

Deadpool & Wolverine is another must-see because it's a major multiverse film introducing a key Avengers: Doomsday cast member. Although neither Wolverine (Jackman) nor Deadpool (Ryan Reynolds) has been confirmed for Avengers: Doomsday, Deadpool & Wolverine marked the debut of Avengers: Doomsday’s surprise cast member, Gambit (Channing Tatum). In addition to explaining the multiverse and featuring Gambit, Deadpool & Wolverine is easily the most entertaining of the Deadpool movies.

It's violent, irreverent, vulgar, and delivers the one thing viewers have wanted for nearly a decade: a Deadpool and Wolverine crossover. Like Spider-Man: No Way Home (2021) and Doctor Strange in the Multiverse of Madness, Deadpool & Wolverine capitalizes on its multiversal premise by offering plenty of shocking and exciting fan service cameos. However, it's a lot less serious and even more enjoyable than the MCU's previous multiversal film due to its R-rating, a lack of restraint, and emphasis on adult humor.

Captain America: Brave New World (2025)

With Captain America (Anthony Mackie) and his sidekick Falcon (Danny Ramirez) confirmed for Avengers: Doomsday, viewers will want to catch up with them in Captain America: Brave New World. Captain America: Brave New World is a reasonably self-contained film that doesn't involve the multiverse. However, it's necessary to understand the current status of Falcon and Captain America in the MCU. The movie is an excellent addition to the Captain America films and the 2021 The Falcon and the Winter Soldier series.

It's also filled with nods to The Incredible Hulk (2008), bringing back many familiar faces from the movie and helping them reach their full potential. Viewers who enjoyed The Incredible Hulk despite the MCU largely erasing it from the timeline will feel some closure with Captain America: Brave New World. Meanwhile, fans of Mackie's Falcon and Captain America won't want to miss his first official solo film.

The first Avengers: Doomsday teaser echoes the Captain America legacy by focusing on Steve Rogers (Chris Evans) and his newborn baby in a quiet, domestic setting. This clue reinforces the theme of legacy passing and the emotional weight carried by those who once held the shield. It's worth noting that even though Steve does not have the shield anymore he is still a super soldier.

Thunderbolts* (2025)

Even before Thunderbolts* premiered, almost the entire Thunderbolts team was confirmed for Avengers: Doomsday, including Yelena (Florence Pugh), Bucky Barnes (Sebastian Stan), Red Guardian (David Harbour), and newcomer Sentry (Lewis Pullman). Given that the Thunderbolts are returning for Avengers: Doomsday, viewers won't want to miss their MCU debut beforehand. Thunderbolts* is the MCU's best superhero crossover since the Avengers movies.

For the past few years, viewers have watched the wildly different arcs of Yelena, Bucky, and U.S. Agent (Wyatt Russell), and seeing them converge in unexpected and hilarious ways is immensely satisfying. It perfectly captures their dynamic and the way they relate to one another, giving viewers an underdog superhero team that is highly reminiscent of The Suicide Squad (2021) and The Guardians of the Galaxy. However, Thunderbolts* sets itself apart from most MCU entries with its commentary on mental health.

The Fantastic Four: First Steps (2025)

The Fantastic Four and the team's archenemy, Doctor Doom (Robert Downey Jr.), are confirmed for Avengers: Doomsday. The team made their MCU debut in The Fantastic Four: First Steps. The movie delivers the best Fantastic Four adaptation yet, as Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach wholly embody Marvel's first family. It also delivers a supersized MCU villain in Galactus (Ralph Ineson) that will leave fans breathless.

First Steps also boasts strong emotional undertones with its tale of family, sacrifice, and regret. Viewers seeking a strong MCU entry with serious themes and star power can't go wrong with The Fantastic Four: First Steps. In addition to introducing the team, one of the movie's post-credits scenes directly sets up Doctor Doom's role in Avengers: Doomsday, showing him looming over Reed and Sue's young son, much to the horror of his mother.

Although Doctor Doom (Downey Jr.) does not appear in any of the four teasers (clues), the inclusion of some members of Marvel's First Family in the Wakanda-focused teaser reinforces the Russo's decision to frame Doom as a massive off-screen presence whose influence and plotting is felt long before he is properly seen.

My Hero Academia (2016-2025) is the Reese’s of the anime world. The series takes two flavors that are great individually—in this case, Western comic books and Japanese manga—and mixes them into something truly magical. 

For eight seasons, anime fans like myself have been enamored with the world of My Hero Academia, and it’s earned its title as one of the best Shonen series of the modern era. In fact, it’s currently sitting within JustWatch’s Top 250 TV shows, so people are clearly clamoring for the series before it takes its final bow. 

But what if you don’t want it to end, yet you’ve watched the series from front to back numerous times? In that case, have you considered watching any of the My Hero Academia movies? Unlike anime like Demon Slayer (2019-2024) where the films aren’t standalone and essential viewing to understand the ongoing narrative, the opposite is true for My Hero Academia's films. Its four films are filler and aren’t essential viewing, but in exchange, they’re great jumping-on points for newcomers, and we’re going to rank them from worst to best. If you haven’t seen any of these movies yet and you consider yourself a MHA fan, then go to Crunchyroll or Netflix and enjoy them while the fervor for the series is at a fever pitch. 

4) My Hero Academia: Two Heroes (2018)

It’s important to note that none of the My Hero Academia movies are bad. All of them are varying degrees of good, but outside of the climax, My Hero Academia: Two Heroes is arguably the weakest of the bunch.

The biggest sin that Two Heroes commits is that it’s just not all that exciting compared to its sequels. There’s a bountiful amount of exposition establishing the setting, the series' gargantuan supporting cast barely does anything, and the movie's original villains are just kind of dull. It exists to be an action showcase first and foremost, with only minimal story, much like Dragon Ball Z: Broly - The Legendary Super Saiyan (1993). But much like Broly, it all comes together in the end when All Might and Deku both team up to save the day, something that doesn’t happen all too often in the anime proper. It’s nothing revolutionary, but if you prefer anime films that go out with a bang, My Hero Academia: Two Heroes certainly does so and then some. 

3) My Hero Academia: World Heroes’ Mission (2021)

At its core, My Hero Academia: World Heroes’ Mission is a perfectly enjoyable and entirely skippable entry in the series. It doesn’t do anything inherently wrong, but it also misses out on some very interesting story beats in favor of maintaining the status quo. 

Having an evil organization that is dead set on killing all Quirk users is a fascinating premise for the film to take, especially considering how Deku himself was once a person without a Quirk. Not only that, but the film also puts Deku on his back foot, with him being framed for a crime he didn’t commit and being forced to go on the run. The sad part is that outside of introducing these ideas, World Heroes’ Mission never expands on them, which should be familiar to fans of Bleach: Memories of Nobody (2006) or Bleach: Hell Verse (2010). It’s still a fun ride, and its climax is just as satisfying as the final fight in Two Heroes, so watch it if you want to see a pure distillation of My Hero Academia. Just be aware it's also filled with untapped potential. 

2) My Hero Academia: You’re Next (2024)

As the latest entry in the film series, My Hero Academia: You’re Next may seem like a cheap cash-in, but it’s a great opportunity to see Deku take charge and be the hero he wanted to be as he takes a stand against his mentor… kind of. 

The film’s big bad is a dark version of his idol, All Might, but instead of making them a lazy evil version with no personality, Dark Might has a well-thought-out character arc that ties directly into the events and themes of the main series. Granted, nothing really comes from his perversion of All Might’s ideals, much in the same way that One Piece Film Red (2022) promised a connection to one of that franchise’s biggest characters that ultimately amounted to very little, but he’s still a delightful and charming bad guy you love to hate. At 110 minutes, it’s the longest film in the series, but when it also contains some of the best fight choreography and animation on par with the show’s final season, the added length is hardly a negative. If you love a good scenery-chewing villain, then you’ll probably enjoy what My Hero Academia: You’re Next offers.

1) My Hero Academia: Heroes Rising (2019)

What sets My Hero Academia: Heroes Rising apart from the other films in the series isn’t its action, although it’s pretty spectacularly animated. Instead, it’s from how the film handles the core relationship between Deku and his frenemy Bakugo.

The biggest challenge anime filler films like My Hero Academia: Heroes Rising face is balancing the needs of both fans and newcomers. Heroes Rising does both wonderfully. Fans and beginners alike will get something out of seeing Deku and Bakugo team up to save the day, and because the film is entirely centered on them, their relationship is much better here than it is in World Heroes’ Mission. In the same way that Spy x Family Code: White (2024) perfectly understood the dynamics between its leads to create an inoffensive yet fun adventure, the same can be said for Heroes Rising. Plus, the film actually utilizes the anime’s large supporting cast in a way that doesn’t make them feel like glorified cameos! If you’ve ever wanted to see what My Hero Academia is all about, Heroes Rising is the perfect jumping-on point and a great treat for veterans and Bakugo lovers.

This article has been updated by Atreyi Jayadutt.

Amazon Prime Video’s adaptation of Mercedes Ron’s wildly popular Wattpad series, Culpables, proved to be a smash hit for the platform. The first two movies in the series, Culpa Mia and Culpa Tuya, became Prime Video’s most-watched international titles in 2023 and 2024, respectively. The third and final film instalment, Culpa Nuestra, released in 2025, along with an English-language film, My Fault: London, which is a remake of Culpa Mia. 

Though all the movies can technically be watched as standalones, the emotional conflicts might be jarring if you jump back and forth between the films. Think of it like the After films or the To All the Boys trilogy; sure, you can jump around, but why would you deprive yourself of the escalating drama (when that’s the best part?) 

If you’re interested in the highly hyped romance series, this guide will demonstrate where you can watch all the Culpables movies in release date order, available to watch on Prime Video. 

Culpa Mia (2023)

Culpa Mia, known as My Fault in the United States, is the first installment in the Culpables series. It centers on stepsiblings Noah Morán (Nicole Wallas) and Nick Leister (Gabriel Guevara), who slowly develop a relationship despite their parents’ disapproval. Culpa Mia plays out a bit like a soap opera, spotlighting a juicy, scandalous central romance and plenty of additional drama through sordid family histories and complex family dynamics.

At times, Culpa Mia’s drama and plot can veer into outlandish territory. However, the forbidden romance and drama keep it intense and engaging for audiences, while the over-the-top plot developments add excitement to the movie. If you’re a sucker for forbidden, toxic romances that thrive on drama and controversy, such as those in Cruel Intentions (1999) and After (2019), you’ll devour Culpa Mia.

Culpa Tuya (2024)

Culpa Tuya, or Your Fault, is the sequel to Culpa Mia. It follows Nick as he tries to leave his reckless racing lifestyle behind and move forward in his relationship with Noah, but the past continues to tug at them. The film offers the same appeal as the original, especially in giving viewers more insight into Nick and Noah’s relationship and drama. However, it emphasizes the setting and aesthetic with some gorgeous visuals.

Culpa Tuya also elevates the drama, putting Nick and Noah in situations that seem rife with temptations and trials. As a result, it's slightly darker and more heartrending than the first film. Culpa Tuya is highly reminiscent of other romance sequels, like After We Collided (2020) and Fifty Shades Darker (2017), where the central relationship continues but starts to deflate after its whirlwind beginning, paving the way for even more drama and heartbreak.

My Fault: London (2025)

My Fault: London is the English-language remake of Culpa Mia, retelling the story of Noah (Asha Banks) and Nick’s (Matthew Broome) fateful meeting and the beginning of their romance. While it’s a remake, it boasts some notable differences from the original besides language and actors. Culpa Mia is more faithful to the source material, while My Fault: London takes some creative liberties, most noticeably removing some of the toxicity from Noah and Nick’s relationship.

Given that it’s a remake, it’s not a must-see for those interested in the series. However, fans of the books and original films will appreciate that My Fault: London tries to take the story in a different direction. Those who prefer a romance story that isn’t as risky and provocative as Culpa Mia may also appreciate the more toned-down nature of the remake.

Culpa Nuestra (2025)

Culpa Nuestra, or Our Fault, is the third and final installment in the Culpables original trilogy. In the film, Noah and Nick reunite four years after going down separate paths and contemplate for the final time whether a relationship between them could work. It takes a similar route to romances like The Summer I Turned Pretty (2022) and Normal People (2020) which include up to four-year time jumps, allowing viewers to follow the characters further into adulthood.

Where Culpa Tuya was the most packed plot-wise, Culpa Nuestra ties loose ends and heals relationships between characters (though of course there’s still conflict from the “bad guys”), and anyone who’s been following Nick and Noah’s story for years, will finally get the payoff they’ve been waiting for. But if you feel as though you’re not ready to say goodbye to the story yet, then you’re in luck, because two more English-language remakes of the Spanish movies are in production.

Sequels are generally challenging to get right, but Disney sequels are even tougher. Because really, so much of the story is contained and neatly wrapped up, so we don't exactly need more when the originals are as good as they are. Still, some sequels are not only incredible additions, but they're even better than the original as they expand the story and give us further character development through a thoughtful narrative.

From the recently released and near-perfect Zootopia 2 (2025) to a hidden gem that might surprise some people, here are the best Disney and Pixar sequels that got everything right on all fronts, as well as how to watch them on Disney+.

Zootopia 2 (2025)

Zootopia 2 is well worth the nine-year wait as an astonishing sequel that not only expands the fictional world, but its themes and messages are timely to the real world. How the movies give us a clear look at ourselves through animals is no small feat, and it's something that I've always thought about since the original. But here, even the animation is a vast improvement.

But I wouldn't be me if I didn't also talk about the romance—it doesn't matter what Disney says, Nick and Judy are basically married. The partnership we get between the two of them is stunning in the sequel and delivers one of the most achingly vulnerable conversations of the entire year, so much so that I genuinely can't believe it wasn't something that took place between two humans. Their dynamic is not only refreshing, but there's something so lovely about how all the best tropes are incorporated, too. Zootopia 2 is a must-watch for anyone who loves the original movie.

The Lion King 2: Simba's Pride (1998)

Simba's hot dad era will always be everything to me, and the forbidden romance between Kovo and Kiara is Disney's best non-human relationship to date (I will not hear any disagreements.) It's perhaps an unpopular opinion, but how The Lion King 2: Simba's Pride deals with grief and the beliefs we hold on to may be an even stronger depiction than in The Lion King (1994). It's in every small moment throughout the sequel where we really understand the gravity of losing a parent and how it impacts us after years, rather than immediately.

Because of this, so much of the sequel shines with a lot more heart and vulnerable conversations that lead to forgiveness and healing. Plus, the music is significantly catchier, with songs like "We Are One," "Love Will Find a Way," and "One of Us" firing on all cylinders. From the platonic relationships to the romantic ones, everything about the sequel is perfect. 

Inside Out 2 (2024)

Inside Out (2015) is such a perfect movie that it was hard to imagine the idea of a sequel and how it would work as well. But then the creatives brought in anxiety and embarrassment and every teenage emotion to punch us in the throats in a way only Pixar is capable of. Millennials are broken creatures—I swear, we cling to the past too much—but it's movies like Inside Out 2 that really paint a clear picture of why.

"Maybe that's a part of growing up, you feel less joy." If the first movie was meant to show us that sadness and joy go together, then the sequel is a reminder of how many of us are suffering through our anxiety. How, even though it's something that can never fully go away, these emotions make us who we are. They're a part of us, and it makes it that much easier to connect to other people. And through breathtaking animation plus superb voice acting, Inside Out 2 shows us all of this in a manner that hits hard. 

Frozen II (2019)

"Do the next right thing." That's the quote I've thought about for years since Frozen II released, and while the songs never hit the same way as the original (countless parents are probably happy about this), this message is one of the greatest sources of inspiration to come from Disney. Anna's journey and everything she experiences in the sequel are far more relatable than in the first, where we're all just wondering what our next move can be. 

Everything about Frozen II sticks the landing, but more than that, this one's for the autumn girlies. The foliage in the sequel is unreal, and the type of animation we get is a rare treat, too. It's all so stunning that I want to live inside of it. More than that, it expands on the original story with a thoughtful premise that continues to leave characters at the center without sacrificing their arcs.

Toy Story 2 (1999)

It really is unfair that Toy Story (1995) has the ability to make me cry so much, and while Toy Story 2 is no Toy Story 3 (2010) when it comes to the amount of waterworks, it's still a gorgeous and worthy sequel. The concept of broken toys living in fear that their owner will lose interest in them has no business hitting like a ton of bricks, yet here we are, because don't we all fear that any sort of imperfection we have can lead to people loving us less?

While the original movie tackles the idea of co-existing with new toys and changes, this one goes deeper to explore our heartaches. It touches on flaws in a way that's so nuanced, it actually hurts when you think about it too much. But like Inside Out 2, it's a reminder of the fact that we're not alone in our struggles, and the right people will love us regardless (and it makes me very, very emo.)

Beauty and the Beast: The Enchanted Christmas (1997)

The fact that more people don't talk about this movie, especially around the holidays, is beyond me. I might've even watched it way more than the original when I was younger because I come from the days of the Disney vault, where it felt like Beauty and the Beast was its longest resident. But Beauty and the Beast: The Enchanted Christmas is a dream—a stunning, gorgeous Christmas movie with new songs, beautiful animation, and delicious angst. 

Don't ask me to explain it, because it's all vibes, but this one's for The Phantom of the Opera (2004) girlies. It's gritty and darker but still funny, soft, and achingly romantic in a way that hits in all the right ways. It's not only a worthy sequel but genuinely an underrated Disney movie, too. Much like Frozen II, it’s the kind of quietly moving sequel that explores the aftermath of the first film, making it feel like essential viewing right alongside the original.

Wicked (2024) and Wicked: For Good (2025) have dazzled viewers not only with their music and whimsical tale but also with the intriguing relationship between Elphaba (Cynthia Erivo) and Glinda (Ariana Grande). They have everything that makes for a dramatic yet affectionate relationship, capturing fans’ hearts. Starting as rivals but slowly becoming friends, there’s a frenemy vibe to their relationship, as well as the humor that arises from their clashing, opposing personalities.

If you can’t get enough of Glinda and Elphaba’s relationship, you can use our guide to find out how to watch the best movies with similar relationships on platforms like Hulu, Netflix, Disney+, and more.

Thelma & Louise (1991)

Thelma & Louise is a buddy black comedy centered on Thelma Dickison (Geena Davis) and Louise Sawyer (Susan Sarandon), two lifelong best friends whose road trip together turns into an unexpected crime spree. The pair parallels Glinda and Elphaba through their opposing personalities. Thelma is a timid, shy housewife, while Louise is a tough and cynical woman. Yet, throughout the movie, they realize their personalities are just what the other needs to thrive.

Thelma & Louise is much darker than the Wicked movies and far less fantastical. However, it tackles similar themes of feminism, liberation, and independence. Both films are really about women gaining the power to lead the lives they choose. Thelma & Louise has a strong central relationship and is an excellent, comedic, feminist spin on the road-trip genre. 

Jennifer’s Body (2009)

Jennifer’s Body follows Anita “Needy” Lesnicki (Amanda Seyfried), a teenage girl, who grows concerned over her best friend Jennifer’s (Megan Fox) increasingly demonic behavior. In some ways, Jennifer and Needy remind me of Elphaba and Glinda, especially since the latter have elements of toxicity in their relationship just like the former do. Jennifer isn’t always kind to Needy, but she almost seems to harbor romantic feelings for her under the surface, which is reminiscent of Glinda and Elphaba’s initial shaky relationship.

Jennifer’s Body is excellent for fans of Wicked searching for female friendship and female-centered stories, but encased in horror. It’s more campy than scary, and offers a satirical take on gender roles in horror, evoking some feminist vibes. If you enjoy feminine horror movies like Ginger Snaps (2001) and Suspiria (1977), you’ll be especially intrigued by Jennifer’s Body.

Black Swan (2010)

Black Swan tells the story of Nina Sayers (Natalie Portman), a professional ballerina whose intense rivalry with fellow ballerina Lily (Mila Kunis) causes her to unravel as she grows increasingly attracted to Lily. Nina and Lily’s similarities to Glinda and Elphaba are hard to ignore. In both relationships, a perfectionist is contrasted with the more uninhibited half of the pair, who begin as rivals but are undeniably drawn to one another.

Black Swan is a far darker and more complex story than Wicked. It explores the dark side of the dance profession and the crushing pressure ballerinas face. Through its mind-bending psychological premise, it also touches a bit on repressed sexuality and sexual awakening. Black Swan’s dark psychological premise and themes of sexual awakening are highly reminiscent of Raw (2016) and Swallow (2020).

Frozen (2013)

Frozen centers on Anna (Kristen Bell), who sets out to save her kingdom from eternal winter after her sister, Elsa (Idina Menzel), accidentally casts a spell on it before fleeing. In the film, Elsa and Anna share a relationship reminiscent of Elphaba and Glinda, bonding despite their opposing personalities. Frozen also offers a story, rather than just a relationship, similar to Wicked and Wicked: For Good.

Frozen offers a whimsical, fantastical tale about two orphaned royal sisters, one of whom has powerful ice-manipulation abilities. Like Wicked, the story is complex enough to intrigue adults as the sisters grapple with acceptance, sisterhood, romance, and grief, yet light enough for children through its catchy songs and comedy. If you enjoy Disney or Pixar movies that offer a bit more maturity, like Up (2009) and Encanto (2021), Frozen is a must-see.

A Simple Favor (2018)

A Simple Favor follows Stephanie Smothers (Anna Kendrick), a mommy vlogger, who slowly gets pulled into her wealthy, popular friend Emily’s (Blake Lively) web of mysteries. I see Stephanie and Emily’s relationship as strongly paralleling that of Elphaba and Glinda, though it’s a bit more complex. The pair share an emotional bond but also get caught in a game of cat-and-mouse, which resembles the way Glinda pursues Elphaba in Wicked: For Good. 

A Simple Favor offers a few more twists and turns than the Wicked movies. The psychological crime thriller constantly keeps you on your toes and pulls off a few shocking surprises. It also offers a nice dose of dark humor and absurdity through a feminist lens, reminiscent of Thelma & Louise and Jennifer’s Body, but with an additional noir bent.

Luca (2021)

Luca centers on Luca Paguro (Jacob Tremblay) and Alberto Scorfano (Jack Dylan Grazer), young sea monsters and best friends who venture on land but struggle to conceal their identities and find acceptance. Luca and Alberto share an intense emotional bond akin to that of Glinda and Elphaba. Unlike Glinda and Elphaba, the pair were best friends since childhood and never quite rivals. Still, I see similarities to Glinda and Elphaba in the innocence and intensity of the friendship. 

Like Frozen, Luca also parallels the whimsical, lighthearted nature of the Wicked movies. All three movies follow lead characters who possess unique abilities or appearances but find supporters and friends who accept them as they are. Luca, though, offers a more straightforward plot about two boys’ adventures, adding another layer of childhood innocence that’s certain to appeal to children. Fans of Elio (2025) and The Good Dinosaur (2015) will especially enjoy Luca’s adventurous premise.

The Banshees of Inisherin (2022)

The Banshees of Inisherin tells the story of Pádraic (Colin Farrell) and Colm (Brendan Gleeson), who become entangled in an increasingly vicious feud after Colm abruptly tries to end their friendship. Pádraic and Colm strongly resemble Glinda and Elphaba: Pádraic and Glinda share the same naïvety, while Colm and Elphaba are more intellectual and brooding. Even though each pair does cruel things to one another, they never wholly stop caring for each other, despite how much they may try. 

The Banshees of Inisherin is quite a unique film. It’s almost one of those feel-bad movies, as you watch the senseless deterioration of a friendship. However, the touches of dark comedy and absurdity, along with the deep dive into human loneliness, keep it intriguing. If you enjoy movies and shows that aren’t afraid to get dark in their exploration of feuds, such as Bring Them Down (2025) and Beef (2023), you’ll love The Banshees of Inisherin. 

The School for Good and Evil (2022)

The School for Good and Evil follows two girls, Sophie (Sophia Anne Caruso) and Agatha (Sofia Wylie), whose friendship is tested when they are admitted to rival schools, the School for Good and the School for Evil. Sophie and Agatha are the perfect Glinda and Elphaba-esque pair. Sophie dreams of being a princess and finding true love’s kiss, while the townspeople have dubbed Agatha a “witch.” While their school and society try to set them against each other, their friendship remains strong.

The School for Good and Evil also parallels Wicked in its exploration of good and evil. The schools try to put Sophie and Agatha into a “good” or “evil” category, but the girls recognize that labels are rarely that simple, just as there’s so much more to Elphaba’s story than being “wicked.” The School for Good and Evil is excellent if you’re looking for the themes of Wicked, but in a less complex story, easier for children to digest.

His Three Daughters (2023)

His Three Daughters centers on three estranged adult sisters who must come together as their father, Vincent (Jay O. Sanders), reaches the end of his cancer battle. It’s an excellent pick for viewers looking for themes of sisterhood and connection, but through a much more emotional story. In the film, the way Vincent’s biological daughters treat his stepdaughter, Rachel (Natasha Lyonne), as an outsider is also reminiscent of Elphaba’s treatment in Wicked. The ultimate bond between the three sisters, though, reminds me of the complex connection between Elphaba, Glinda, and Elphaba’s sister, Nessarose (Marrisa Bode).

His Three Daughters is also a very grounded movie, radiating with a simplistic beauty. The story is straightforward but often searing, and will hit close to home for those who have experienced complicated family dynamics and grief. Fans of hauntingly beautiful movies like Nomadland (2020) and Fremont (2023) will enjoy His Three Daughters.

Nyad (2023)

Nyad tells the story of Diana Nyad (Annette Bening), who attempts to complete the feat she failed 30 years earlier: swimming nonstop from Cuba to Florida. To accomplish this, she employs the help of her best friend and former lover, Bonnie Stoll (Jodie Foster). Although the two are opposites, with Diana’s impulsivity and ambitions, and Bonnie’s down-to-earth, more realistic nature, they share an unbreakable bond. The pair help each other accomplish their dreams, much as Glinda and Elphaba could only achieve theirs together.

While friendship is a strong element in Nyad, it’s also an excellent story for those seeking inspiration. It goes a little deeper than a typical feel-good sports biopic, delving into Nyad’s past trauma and the many failures she experienced. Her determination and work ethic in the face of many obstacles, alongside Bonnie’s endless support, is awe-inspiring. It’s a must-see if you loved Young Woman and the Sea (2024).