10 Best Kriti Sanon Movies and Where to Stream Them

Indian cinema has never shied away from creating media around our epics, and Adipurush is another addition to that catalogue. It’s a take on the Ramayana, with Kriti Sanon playing Janaki (Sita) to Prabhas’ Lord Ram. But to be honest, the VFX goes overboard and the visuals feel like they’re doing too much. Kriti does bring a gentle and calm energy to the screen, but the film quickly loses its grip amid the chaos. What’s meant to be a story of good versus evil turns into slight incoherence. 

Viewers didn’t find Saif Ali Khan’s Ravan up to the mark. Tone wise, the movie swings wildly with overwhelming visuals. The saving grace of the film has to be the soundtrack that adds a certain ‘wow’ factor to a movie that otherwise feels tonally lost. Kriti looks beautiful in Adipurush and genuinely tries her best, but unfortunately, this big budget take feels emotionally lost. If you liked Brahmastra for its ambition, you may like Adipurush, but you can afford to skip the movie and much rather wait for Namit Malhotra’s Ramayana coming in 2026. 

Hum Do Hamare Do is a sweet, underrated movie where Kriti plays Anaya, a woman who wants to marry a guy who has a proper family, so her love interest (Rajkummar Rao) naturally hires fake parents to play that part. Hum Do Hamare Do isn’t ridiculously funny like Housefull 4; it’s one of those charming, feel-good family films that makes your heart feel a bit fuller. Paresh Rawal and Ratna Pathak Shah are delightful additions to the cast as the stand-in parents. 

I felt the movie was a bit too predictable, and in certain scenes I was wondering “why does this even matter?” but it’s warm and has a predictable resolution. Compared to the sharp Bareilly Ki Barfi, which is once again helmed by Kriti and Rajkummar, Hum Do Hamare Do is softer. If you’re someone who prefers a low-stakes plot or family dramedies like Luka Chuppi, then this movie works. If you’re in the mood for something more fast-paced and thrilling, then you’re better off watching Do Patti.

You know a movie is going to have a hilarious (but illogical) plot when it’s an Akshay Kumar movie. And that’s exactly what Housefull 4 is, this time tackling reincarnation and royalty. Kriti plays one of the three female leads in a double role—one modern woman and one queen. She does a surprisingly great job at balancing these two personalities with an impeccable comic timing in a somewhat silly plot. 

Fans usually like to forget Housefull 4 within the Housefull franchise, as it doesn’t come close to the first Housefull, but if you’re someone who enjoys laugh-out-loud comedies that don’t make you think too deeply, then Housefull 4 is a must watch. Fair warning, the movie contains a lot of over-the-top gags and jokes, some which don’t land, so go into this film with lots of popcorn and low expectations. Tonally it’s closest to Dilwale with its humour, but unlike Dilwale, where there’s drama, Housefull 4 is a comedy movie through and through. So if you want some tense moments in your movies, then Teri Baaton Mein Aisa Uljha Jiya would be a better fit. 

Dilwale, like other Rohit Shetty films, is a classic masala flick. It got a lot of hype because Shah Rukh Khan and Kajol reunited after five years on-screen, with Varun Dhawan and Kriti playing the second lead pair. Though both the couples were meant to have their own storylines, I felt Varun and Kriti were overshadowed by SRK and Kajol (and rightfully so, I guess). 

Even though her character barely got any depth, Kriti brings a youthful energy whenever she does come on the screen. The movie itself isn’t for someone who is a fan of nuanced storytelling, Mimi would be a better pick for that; Dilwale is more for someone who loves fun, flashy car chases, and romantic stares with wind blowing in their hair. If you enjoyed movies like Chennai Express, then Dilwale offers a good time. 

Robots aren’t a new concept in the Indian film industry; it’s been explored before in Robot and Love Story 2050. Apart from the long title name (phew!) Teri Baaton Mein Aisa Uljha Jiya brings a fresh perspective to that storyline. If you take your movies with romance and comedy, and a side of sci-fi weirdness, then TBMAUJ is for you. 

Kriti plays SIFRA, the humanoid robot surprisingly convincingly, being both robotic and human-like with her charm. Her chemistry with Shahid Kapoor was also amazing. TBMAUJ isn’t for someone who expects extremely high stakes or even emotional depth, that’s something you’d find in Mimi. The plot is a bit all over the place and is unserious, but in the best way. The movie also ends in a cliffhanger, hinting at the possibility that SIFRA 2.0 will be launched—and it’s something I’m not ashamed to say that I’m waiting for—I’m just not expecting an in-depth exploration of AI ethics.

Luka Chuppi is a funny rom-com exploring live-in relationships in a small town where it’s considered scandalous. Kriti plays the confident and clever Rashmi, unafraid to face traditions head on, who suggests she and her boyfriend live together, but everything spins out of control when family gets involved. Meant to be a cheeky social satire, the film delivers on this promise, where love versus tradition was debated. 

Kriti was the soul of Luka Chuppi and won fans’ hearts by performing her role with spark and sass. The film loses its steam in the second half, and it might be tempting to leave the movie incomplete, but push through for Kriti’s likeable performance. Tonally, it mirrors Hum Do Hamare Do’s energy, and is meant to be a family entertainer. If you liked movies with social twists like Shubh Mangal Savdhan or Vicky Donoroc, you’ll likely enjoy Luka Chuppi as well.  

If you loved female led heist films like Ocean’s Eight and Widows, and were wondering if Bollywood would ever put out a desi version, then Crew is just the fix you need. Kriti, along with Kareena Kapoor and Tabu, are three air hostesses who get caught up in a gold-smuggling scheme in the airline industry. Though a newer actor compared to her legendary co-workers, Kriti holds her own as Divya Rana, a young hustler, and plays her role with boldness and vulnerability. Crew is glamorous and flashy, yet full of fun. The plot isn’t top-tier writing and feels a bit thin, but the chemistry between the trio shines through the film. Unlike TBMAUJ, Crew is much cooler. If you enjoy movies with high-flying hijinks like in Catch Me If You Can, then Crew is an enjoyable watch. 

Bareilly Ki Barfi is the sweetest and endlessly rewatchable movie on this list. It’s quirky and full of heart and desi charm. Kriti plays Bitti, a small town girl who reads a book that changes her life. What follows is a clever love triangle between the book’s author (Ayushmann Khurrana) and his friend (Rajkummar Rao) and a case of mistaken identity (well, it’s not so much mistaken as it’s on purpose, but still). 

Kriti plays her role with authenticity and without trying too hard. The sharp writing and storyline brought Kriti out of her “pretty girl” shell—Bareilly Ki Barfi is where she became a serious actor to watch. The ending did feel slightly rushed, and Bitti could have had a stronger, more nuanced arc, but regardless, it wouldn’t be an overreach to say that Bareilly Ki Barfi is one of the best rom-coms that Bollywood has put out in the last decade. It mirrors the small town energy and slice-of-life charm of Luka Chuppi.

Do Patti, a dark thriller, is Kriti’s boldest move yet. Apart from playing the lead (or should I say, leads), Do Patti is also her first production venture. Kriti absolutely breaks the mold of her girl-next-door image she cultivated in Luka Chuppi and Hum Do Humare Do, and trades it in to play something darker—twins Saumya and Shailee, one quiet and innocent, and the other complicated and morally grey. The film itself is beautifully shot, set in the misty hills. 

Though the pacing does dip a bit in the middle, and the plot twist isn’t as clever as I thought it’d be, Do Patti is still a movie worth watching, if only for the performances. In my opinion, this is one of Kriti’s best performances (coming close second to Mimi). The film does show some graphic scenes of domestic abuse and manipulation, so if those themes make you uncomfortable, feel free to skip this one, and opt for something lighter like Crew. If you love female led thrillers like Kahaani or No One Killed Jessica, you’ll enjoy Do Patti. 

Mimi was Kriti’s breakout role, winning accolades and owning the screen. She plays Mimi, a small town dancer with ambitious goals of becoming an actress. She agrees to become a surrogate for an American couple, only for them to change their mind midway through the pregnancy. Kriti aces her role and transforms seamlessly from a dreamer to a woman who’s now grappling with a serious responsibility. 

Even if the ending does seem a bit neatly tied, Mimi delivers a solid message that will resonate with the viewers. Compared to all the films on the list, Mimi is the most emotionally resonant movie, earning the top spot on this list. If you have time to watch only one movie from Kriti’s filmography, let it be this one (and also recommend it to everyone). Mimi is a beautifully made film that hits every emotional nerve, but does have its moments of humour and heart. If you liked Good Newwz, then Mimi hits those same mature notes.